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Long before Rocky Balboa went the distance, there was the original Rock--as in Knute Rockne. His story, a classic 1940 biopic, combines vintage gridiron action with heart-tugging sentiment. Yup, this is the film with the famous halftime pep talk and Ronald Reagan's "win just one for the Gipper" deathbed plea. Yeah, it's corny. But so what. Lloyd Bacon, one of Hollywood's ablest craftsmen (42nd Street), directed with just the right scrappy disregard for genre conventions. Reagan, in his third best vehicle (behind King's Row and The Killers), plays George Gipp, the Fighting Irish's first All- American, who died of pneumonia in 1920; the always-reliable Pat O'Brien plays Notre Dame coach Rockne as a living, breathing icon--part father confessor, part Patton, part idealized father figure. Before he spurs the lads to victory, he changes the face of the sport--by inventing the forward pass, no less. --Glenn Lovell ... Read more

Reviews (7)

Patrick O'Brien asks the Irish to win one for Ronald Reagan
Ronald Reagan might have gotten the nickname of the "Gipper" from this 1940 bio-pic of legendary Notre Dame football coach Knute Rockne, but it was veteran character actor Pat O'Brien who had the role of a lifetime in the lead. James Cagney had lobbied hard for the role, but when the actor signed a petition supporting the Republican (and anti-Catholic) government in the Spanish Civil War, Notre Dame refused to okay him for the part. This was the first of only two movies ever filmed on the campus in South Bend, and if you do know that the other one was "Rudy" you should at least have been able to guess it had to be that one.

"Knute Rockne All American", which was added to the National Film Registry in 1997, is a fairly standard bio-pic, evincing the almost documentary style that was standard at the time. We see how the young Rockne (played by Johnny Sheffield, a.k.a. Boy in the Johnny Weissmuller Tarzan movies) learned to love football, revolutionized the game with the forward pass, and coached his alma mater to glory with the Four Horsemen and George Gipp. The result is a long series of episodes from Rockne's life that have varying degrees of appeal, such as when he picks up the idea for his backfield shift from watching chorus girls dance and experiments with the idea using his wife and their dinner guests.

Lots of footage of actual Notre Dame games are worked into the film, although I have no way of knowing if any of it is of the actual games being portrayed (I would be curious to know). O'Brien's performance seems a tad wooden, but if you have ever seen actual film clips of Rockne you know he is in the ballpark. A lot of the charm of this film comes from the ethos of the original Rockne, an American legend who was probably the first famous victim of an airplane crash. The result is not great, but certainly compelling (plus we all learn the correct pronunciation of his name as being Ka-Nute).

Reagan's supporting role is deservedly memorable. That same year he would get to play third banana George Armstrong Custer to Errol Flynn and Olivia DeHavilland in "The Santa Fe Trail" and would provide his best performance in "King's Row" before military service in World War II effectively derailed his acting momentum and ultimately set his life on a different path.

Final Note: While there is little doubt that Rockne invented the forward pass, there is debate over one aspect of this film. In his first scene as George Gipp, Reagan is sitting around doing nothing when Rockne orders him to go in at halfback to play against the varsity and run the ball. Gipp asks "How far?" and proceeds to run it back all the way. After crossing the goal line he bounces the ball off the endzone, instead of laying it down for the "touchdown." An argument has been made that this was the first spike in the history of football. At least it is the first "recorded" spike. Did the current tradition of choreographed celebrations all stem from what Ronald Reagan did in this 1940 film? You decide if that is yet another part of the Reagan legacy that is being reconsidered this week.

Pat O'Brien asks Notre Dame to win one for Ronald Reagan
Ronald Reagan might have gotten the nickname of the "Gipper" from this 1940 bio-pic of legendary Notre Dame football coach Knute Rockne, but it was veteran character actor Pat O'Brien who had the role of a lifetime in the lead. James Cagney had lobbied hard for the role, but when the actor signed a petition supporting the Repbulican (and anti-Catholic) government in the Spanish Civil War, Notre Dame refused to okay him for the part. This was the first of only two movies ever filmed on the campus in South Bend, and if you do know that the other one was "Rudy" you should at least have been able to guess.

This film, which was added to the National Film Registry in 1997, is a fairly standard bio-pic, evincing the almost documentary style that was standard at the time. We see how the young Rockne (played by Johnny Sheffield, a.k.a. Boy in the Johnny Weissmuller Tarzan movies) learned to love football, revolutionized the game with the forward pass, and coached his alma mater to glory with the Four Horsemen and George Gipp. The result is a long series of episodes from Rockne's life that have varying degrees of appeal, such as when he picks up the idea for his backfield shift from watching chorus girls dance and experiments with the idea using his wife and their dinner guests. Lots of footage of actual Notre Dame games are worked into the film, although I have no way of knowing if any of it is of the actual games being portrayed (I would be curious to know). O'Brien's performance seems a tad wooden, but if you have ever seen actual film clips of Rockne you know he is in the ballpark. A lot of the charm of this film comes from the ethos of the original Rockne, an American legend who was probably the first famous victim of an airplane crash. The result is not great, but certainly compelling (plus we all learn the correct pronunciation of his name as being Ka-Nute).

Reagan's supporting role is deservedly memorable. That same year he would get to play third banana George Armstrong Custer to Errol Flynn and Olivia DeHavilland in "The Santa Fe Trail" and would provide his best performance in "King's Row" before military service in World War II effectively derailed his acting momentum. Final Note: While there is little doubt that Rockne invented the forward pass, there is debate over one aspect of this film. In his first scene as George Gipp, Reagan is sitting around doing nothing when Rockne orders him to go in at halfback to play against the varsity and run the ball. Gipp asks "How far?" and proceeds to run it back all the way. After crossing the goal line he bounces the ball off the endzone, instead of laying it down for the "touchdown." An argument has been made that this was the first spike in the history of football. At least it is the first "recorded" spike. Did the current tradition of choreographed celebrations all stem from what Ronald Reagan did in this 1940 film? You decide.

The Best
This is one of my favorite movies. It is the story of the greatest football coach of all time from Norway to the tragic plane crash.

A worthy addition to any classic film library
I think the true testament to this movie's appeal is that it is still watchable after more than 60 years to both hard-core football fans and those(me)who can't tell a bunt from a punt.

"Knute Rockne, All American" is based on the life of one of Notre Dame University's most ingenious and beloved coaches. The movie follows Rockne's early beginnings from his family's emigration to America, to his days as a Notre Dame student,his career as coach, and his tragic demise.

It's an inspiring movie tribute about football's evolution and Notre Dame's struggle to establish itself out of mid-western obscurity; but it is primarily about a man. A man who was a mentor to the many he coached and a revolutionary of the sport of football. By the end of the movie I came to have a deep respect for Knute Rockne as a man of intellect, passion and integrity.

Pat O'Brien does a stirring portrayal of Rockne. My one complaint regarding his performance is that he is too mature-looking to portray Rockne during his early years and perhaps they should have had another actor for those scenes.

Another little gem is seeing a young Ronald Reagan as the ill-fated George Gipp. His deathbed scene is one of the most touching moments in the whole movie.

I found the action sequences a little boring and homogenous, (perhaps followers of football will feel differently) but it does not distract from the rest of the movie. My only other complaint is the soundtrack, which seems to consist of the Notre Dame fight song played over and over again in 115 different renditions.

It's worth noting that although the cover is colorized the movie is in black and white.

Winning One For Football
Here's a truly old-fashioned movie that is very corny, but watchable. Pat O'Brien plays the title role with a lot of heart and reverence. Reagan appears briefly as "The Gipper" and I don't think he registers as well as some people remember. The movie gives you a lot of information about the early game of football and it gives you a good sense of what Rockne was like. But it really is corny. It's worth seeing, if only for the "win one for the Gipper" scenes. ... Read more

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A stylish, often amusing crime drama, this 1938 feature revolves around a central, improbable plot twist that consciously serves its casting against type: as the eponymous doctor, Edward G. Robinson, who had helped define the Warner Bros. style for gritty gangster sagas, jettisons his signature snarl in favor of a plummy, vaguely English accent that underlines his urbane sophistication. Dr. Clitterhouse is a creature of privilege who embarks on a criminal life not out of desperation, but rather through intellectual curiosity; instead of slouch hats and suits, he has marcelled hair and first appears in white tie and tails. He begins pulling off "perfect" jewel thefts as research into the criminal mind, but his gradual immersion in New York's shadowy demimonde of thieves and fences eventually finds the good doctor between those two worlds.

Robinson's principal foils stick closer to their studio strong suits. Humphrey Bogart is "Rocks" Valentine, a sturdy if familiar variation on the hoods and have-nots that were his early stock in trade at the studio. Bogart's fence and former paramour is Jo Keller, played by Claire Trevor as glamorous, streetwise, and otherwise decent, apart from her knack for larceny. When the doctor asks her to fence his glittering contraband, she's intrigued, and Clitterhouse, known to the hoods only as "the Professor," becomes their strategist. Jo is clearly falling for him, while "Rocks" is visibly jealous of the fastidious stranger's rising influence and romantic rivalry.

In keeping with its ultimately goofy premise, the story navigates some eccentric plot turns with an aplomb that can be credited to the solid cast (including other studio stalwarts such as Allen Jenkins, Ward Bond, and Donald Crisp) and the three principals, who would work off each other to much more riveting effect a decade later in Key Largo. --Sam Sutherland ... Read more

Reviews (5)

The amazing dr. clitterhouse 2nd best forgotten Bogart movie
The Amazing Dr. Clitterhouse is a good movie showcaseing Bogies talent even though the script and plot for the movie is not the greatest but none the less a great 87 mins of bogart and edward g. Robinson show caseing their talents Robinson plays Dr. Clitterhouse as a doctor eager to study the physical and mental states of lawbreakers(suspenseful charater)!!Bogarts plays Rocks Valentine a gang memberThis movie also stars Claire Trevor as Jo Keller as the leader of a gang of safecrakers.Now the storylineClitterhouse is a overzealous psychologist who joins a small time safecracking gang(bogart is in it!!!!) who takes the gang members and take their blood and examins it to furgure out what makes a criminal do criminal things!!!!!Overall this is a good movie because of two main elements the first which is edward g. Robinson plays the overzealous doctor who joins a gang for medical purposes!And 2nd element is bogart playing his usual pre- maltese falcon gangstergood movie to see great movie to own to complete your collection of bogart or robinson4 of 5 starsI hope you like the movie

The Clitterhouse Movie: Drama? Melodrama? or Just Goofy?
Director Anatole Litwak took quite a chance in 1939 with THE AMAZING DR. CLITTERHOUSE. He reunited such stars as Edward G. Robinson and Humphrey Bogart, who had squared off only three years earlier in THE BATTLING BELLHOP. Bogart, as usual, plays the back-stabbing criminal who sees the world only in terms of how it may enrich him. The real star, however, is Robinson, who goes against type as the suave and urbane surgeon who decides that the origins of crime are biological, rather than sociological. As Doctor Clitterhouse, Robinson is successful and widely admired, yet he feels that despite his stature as a respected high class physician, there is something missing from his life. That missing something is his contribution to the then ongoing controversy about the origin of crime. To Clitterhouse, crime is organic and its effects on the human body are quantifiable and measurable. He intends to prove to the world that, beyond doubt, criminals are born, not made. He joins a mob of thiefs led, improbably enough by Claire Trevor, who later develops feelings for him, much to the chagrin of Bogart, who has eyes for her himself. Clitterhouse leads the gang into several highly successful robberies, and at each step of the way, he examines each thief for variations in organic responses to light, heat, sound, and stress. The movie slows a bit in the second half when Trevor and Robinson reach out for a romance that goes nowhere. The ending, which places Clitterhouse in a trial, is both funny and on point. Throughout the movie, Clitterhouse is a doctor driven to prove his point that crime is organically based. The ending allows the film to shift focus to the question as to whether Clitterhouse had things wrong after all. The ending implies that a criminal's mental state of mind ought somehow factor not only into the origin of crime, but its punishment as well. Clitterhouse's reaction to the jury's verdict ironically implies that a many-layered blanket of origin versus punishment can never be neatly decided by any jury. At the end, even Clitterhouse realizes that.

Entertainment
EG Rombinson plays a real doctor with a scientific interest in the psychological motivations and aspects of criminals. As he takes this journey for the sake a research, he gets more than he bargins for, with a twist ending.
Although this is another example of Bogart as a bad guy, criticism may fall toward the fact that he is still young here and not as polished. Robinson seems to read through his lines very quickly. Other issues are present in the production, but basically, it is fun entertainment, and not worth dissecting until it is a worthless heap. See it for a fun ride.

YES! It's out again!
I saw this movie on TV almost ten years ago. When I went to look for purchase, no luck. Every now and again, I would--well, here it is. Edward G. Robinson is fantastic in a milder role where he isn't as bad as BOGART, leader of a rough gangster group. In fact, Robinson plays a medical doctor taking an interest in crime's effect on the human condition. Great story, wonderful character interaction--tension. This is the type of movie that cries to be seen over and over because of its subtle messages on society, law, and the psyche. Enjoy!

The Unbelievable Dr. Clitterhouse
Edward G. Robinson stars as Dr. Clitterhouse, a man fascinated by criminals and what makes them tick. In the name of science, he pulls of a series of heists, observing his accomplices in action and then later checking their vital signs, etc to determine the effect that crime has on men. A suspicious Humphrey Bogart leads the accomplices, while Claire Trevor as the fence, and Gale Page as his nurse, are the women who worry about him. The story is pretty unbelievable but it maintains interest, and the performers are good, especially Robinson. It's not a bad movie, but it's not likely the film that you'll remember Robinson, Bogart, or Trevor for. ... Read more

Reviews (7)

a star is born
This was John Garfield's first part in a film, and it made him an overnight star; the audience loved him, and he broke the mold of the leading man image, with his surly arrogance, and brooding look. The film also changes tone from a sweet family film, to a melodrama, when he makes his entrance 1/3 of the way into the plot. He plays a talented but down-and-out pianist, a man whose attitude makes him a perennial loser.

Based on a Cosmopolitan Magazine story, "Sister Act", by Fannie Hurst, and directed by Michael Curtiz, it features the lovely Lane sisters, Gale Page, and Claude Rains, as a musical family that also includes May Robson as the very amusing "Aunt Etta".
Priscilla Lane is the sister with the central part, as she is the one in the love triangle between Garfield, and Jeffery Lynn. Lynn is excellent, and had the looks that the movie studio thought would assure him stardom, but though he was in several fine films, seldom had top billing in them.

Nominated for the 1938 Oscars in the categories of Best Picture, Best Supporting Actor (Garfield), Best Screenplay and Sound, it has a fine Max Steiner score, a few musical numbers, and wonderful performances. It is an entertaining classic which is sometimes touching, always charming, and a must for Garfield fans.

pre-Brando, pre-Dean, the 1st "rebel" = John Garfield
This was the first "Rebel Without a Cause" and it was released before World War II. "Four Daughters" came out in 1938. This was John Garfield's first movie role. When he first appears on screen, about one-third of the way into the film, the mood of this movie changes, big time. What was a light and simple movie becomes actually somewhat dark and even complex. Garfield creates a character on screen that captures your attention and keeps you guessing. The other key characters all seem to be living in a kind of fantasy world, the world of "Father Knows Best", while Garfield appears alone, dark and disconnected from everyone and living in the world we know today as film noir.

Clearly Brando, Dean, and those "rebels" that followed in the 1950's movies were copying the style, the mood, the look of John Garfield from this film. He was the first young movie "rebel" who is alone and searching for meaning in his life and having a tough time. What a surprise to find a dark character like this in a movie that starts off so happy and go-lucky.

Enjoy the film.

a great movie.
I very higholy recommend this one. Claude Raines plays the father of four daughters. It's romantic as well as dramatic. In my opinion John Garfield is the best in the film, and really makes the film worth seeing all the more. He plays a misunderstood and romantic composer.

A standout amongst the time period
So you start this movie thinking it's going to be another happy go lucky late 1930's flick with singing and romance. everything is going nicely, with everyone headed towards a predictable ending when all of a sudden, John Garfield shows up, exuding sex appeal and bringing in a character who seems awfully out of time, in a very good and interesting way. then you're watching a different movie. this flick is out of its genre, and what was an easily forgettable movie becomes something very different. Unfortunately, cooler heads prevail, and the young Lemp daughter, who followed her heart and ran off with Garfield's self loathing Mickey, returns to her safe home and the stable mediocre composer. Oh well. I love this movie anyway, for it's entertaining, if sometimes sad, story. A depression era picture in that it takes place in a happy town, with a happy family who are obviously not hit by hard financial times, (except for Mickey, but he's never had good luck anyway) and actually doing well. The story never gets too serious or realistic. Watch it for John Garfield. Some say he's the best part of the film (my view) or that he's the one thing that brings it all down, so there's a contraversy going on. Judge for yourself, or have a party and debate with friends. either way, the guy did go on to have a pretty excellent career, until he was labeled a communist and died prematurely of a heart attack. Check him out when he was new and different.

Three Lanes and A Page
Claude Rains stars as the father of four pretty, musically talented daughters who learn all about the complications of love. The Lane Sisters - Lola, Priscilla, and Rosemary, along with Gale Page, play the loving sisters. Of these, the non-Lane, Page, gives the best performance as the down-to-earth oldest sister, pursued by one man, but in love with another. It's a quiet, touching performance. The men in their lives are Jeffrey Lynn, Frank McHugh, Dick Foran, and John Garfield. Garfield is easily the standout among the boyfriends, his hardened-by-life musician a precursor to the Method actors of the Fifties. In a way, he clashes with the idealized family presentation and sweet goodness of this unbelievable family, yet it also helps to ground the film in reality. It is sentimental, but everyone performs earnestly and the music adds to the atmosphere. It's a very easy way to spend ninety minutes. ... Read more

Reviews (8)

A diverging story brought together under crime...
The Fabrini brothers, Joe (George Raft) and Paul (Humphrey Bogart), are truck drivers that struggle to make it on their own as a loan shark is on their heels trying to repossess their truck . It all seems futile as Joe and Paul's competition is full of bigger companies that do not care about the smaller companies as it is a dog eat dog world. This forces the Fabrini brothers to work long hours often without adequate sleep. One night after a rough day Joe and Paul pick up a hitchhiker, Cassie Hartley (Ann Sheridan), and together the three of them witness a truck accident where some friends die as they fell asleep behind the wheel. This is a wake up call for the brothers as they have different priorities in their lives, and it brings them in different directions. They Drive By Night is an interesting film with multiple themes, which offers a good cinematic experience

"The doors made me do it! The doors made me do it!"
This awesome classic starts out as a drama about the hard lives of truckers but ends up being a sort of film noir! Ann Sheridan was perfectly cast as a sassy independant woman, & I loved seeing George Raft & Humphrey Bogart playing brothers! And of course let's not forget Ida Lupino, one of the best (& craziest) femme fatales of all time! Also there's Alan Hale, who adds a whole lot of humor to the mix! I won't go into the plot b/c other reviews have fully explained the plot, but I will say that you definitely need to add this gem to your dvd collection! Be aware that the real star of the film is George Raft, despite the misleading cover art, which tries to cash in on Bogey's fame. This wasn't disappointing to me at all, though. I thought George Raft was cool! I highly recommend this to fans of great classics.

A Hidden Gem!
They Drive by Night was so much fun to discover! Anyone who likes old movies will enjoy seeing this one. With Bogie as George Raft's little brother, working together as truckers, and the wonderfully wicked Ida Lupino married to the blissfully ignorant Alan Hale, this movie was a joy to watch from start to finish.

Dynamic Lupino!
When I first watched this movie, I was only mildly interested in the first part which shows how hard life is for two trucker brothers (Raft and Bogart). Only when Ida Lupino is introduced as the off-kilter, man-killing Lana Carlson did I really sit up and take notice. She continued to steal all her scenes as she degenerates into madness after killing her buffoon of a husband for the cold Raft character. Her gradual breakdown is something to see and electrified audiences in l940. When she begins to shriek on the witness stand: "The doors made me do it!", you freeze in amazement at her powerful acting. Her "mad" scene was phenomenal. A note: compare her portrayal of the man-crazed heroine to the way Bette Davis portrayed her in the original, the l934 "Bordertown". Davis always bragged that the quiet way she went crazy on the stand was the right way but after seeing how Lupino did it, you'll think that Davis was wrong. Sorry, Bette, but Lupino did it a l00 times better and a hell of a lot more powerful. Lana Carlson--one mixed-up, crazy dame from Warner Brother's golden days--thanks to the genius of Ida Lupino!

Watch Lupino Go
They Drive By Night has a lot going for it. It's directed by Raoul Walsh, who knew how to make a tough guy movie, yet give it some heart. It has two of the screen's great tough guys, George Raft and Humphrey Bogart. It also has two of the screen's best tough guy girlfriends, Ann Sheridan and Ida Lupino. And it has some really great dialogue that time has not dated. It's the story of two truckers who are brothers, and it looks at the difficulties facing truckers (sleeplessness that can lead to accidents, suppliers that don't pay up, etc). Bogart and Raft are good as the brothers, although Raft doesn't have much of a range as an actor. Raft hooks up with Sheridan, a woman who can hold her own with any trucker. Sheridan plays her with just the right mix of outward toughness, but decency and tenderness, too. Unfortunately, Lupino wants Raft, and she won't be denied what she wants. Lupino gives the performance that you'll remember from this film. She becomes more intense with every scene, and by her last scene, she reaches a level that is amazing to behold. With Lupino's performance and the great dialogue, They Drive By Night is a Warner Brothers' film that should be seen. ... Read more

Reviews (5)

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too.

Come in and Be Yourself.
THE TIME OF YOUR LIFE was based upon William Saroyan's Pulitzer Prize-winning play and was brought about, in part, by a collaboration of the Cagney siblings (James, Jeanne, and William). Except for one brief shot of the Salvation Army singing outside the establishment, the entire movie takes place inside Nick's, a saloon, restaurant, and entertainment palace on the waterfront in San Francisco. James Cagney plays Joe, a man who has a lot of cash and spends his time observing, listening, and helping people and fulfilling his every whim. Wayne Morris plays Tom, Joe's gopher man; Jeanne Cagney plays Kitty, a former "burlesque queen" who falls for Tom; and William Bendix plays Nick. The floating characters at Nick's also include, among others, a lovesick young man, an out of work fellow, a drunk, a cowboy who calls himself "Kit Carson", a pinball wizard, a dancer who is a comedian that has no funny jokes, a police officer, and a couple of socialites.

There really isn't much plot in THE TIME OF YOUR LIFE. However, neither the movie nor the play it was based upon are about "plot". There may not seem to be a lot going on, but actually there is. The plot of the story is it's characters. Each person that comes into Nick's has a story and some of them we learn, some of them we don't. However, while listening to each person (just as Joe does) we learn something about them and in the process we discover things about ourselves. THE TIME OF YOUR LIFE is art in it's highest form because it entertains, yet also enlightens.

The quality of this DVD isn't all that bad, especially considering how inexpensive it is to purchase a copy (the Laserlight edition can be purchased for less than $5). The sound is good through most of the film except for the occasional scratch and the picture is great (the one scene where you can't read what is on the piece of paper was filmed that way intentionally because you are not supposed to see what's written on the paper because it's too small).

Overall a good movie well worth the time to watch it.

James Cagney knows your name
(Please note that the DVD version I am reviewing is the Laserlight edition of THE TIME OF YOUR LIFE. This budget release pretty much defines the concept of "no-frills".)

Other reviewers have pointed out the fact that this movie skimps on plot and I cannot help but completely agree with that sentiment. But for what the movie lacks in action, it more than makes up for in the presentation of fascinating characters. Each person's story is interesting and unique. And the movie manages to give us enough detail so that we can find these people intriguing, but leaves enough unsaid so that no one overstays their welcome. We're left liking these people and wanting to hear more about them.

Since the characters are at the forefront of this movie, it's certainly a relief to have such splendid actors playing them. The Cagney siblings are wonderful. Jeanne Cagney does a wonderful job at becoming the streetwise blonde who stands up to gangsters and James Cagney is a compelling, gentle enigma. While so many of the roles could have easily fallen into stereotypes, the actors are strong enough to keep them as individuals.

Although I haven't experienced the original play that this film is based upon, I can only imagine that there weren't too many script changes between the stage and the screen. The movie is heavily performance-based, with the interesting material coming from the conversations and the soliloquies. The action is completely centered on a single barroom, as during the entire length of the movie only one short sequence takes place outside the bar's swing doors. Even a fight scene inside the same building occurs off-camera so that all we view are people in one room hollering at the unseen people in another. As some characters leave the action, they are immediately replaced by other people beginning conversations of their own. In fact, if you pay close attention, you'll probably notice that the amount of real time that people spend off-camera isn't nearly long enough to do all the things that they claim to have done in that span.

Fortunately, none of this affects one's enjoyment of the film at all. In fact, it gives the entire production a great sense of the theatrical nature of the performances. Unlike some other translations from play to movie, this one never feels as though it's being limited by the theatre. It retains the trappings and atmosphere of a stage production, while never feeling claustrophobic. What makes for good theatre doesn't always make for a good film (and vice versa), yet it's a testament to the skills of the director and the cast that they manage to make the transition here without a hitch.

The image quality on this Laserlight DVD is perfectly watchable. It's scratchy in a few places, but never so much that it becomes distracting. The picture is a bit bright and slightly washed out, but this is really only a problem in one scene where the audience is expected to read something that's a character has written on a piece of paper. The sound quality is variable, but mostly falls on the good side of variable. As the DVD itself is absolutely dirt cheap, it's well worth putting up with these slight imperfections.

Thin plot, not very interesting, always expecting more!
The other review subject lines hit it on the head: Thin plot, a bar where everyone knows your name.

This movie does not have a very good subject. Is just about a rich man in post WWII era hanging out in a bar and throwing around small amounts of money. Not much of a climax either.

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too. ... Read more

Reviews (5)

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too.

Come in and Be Yourself.
THE TIME OF YOUR LIFE was based upon William Saroyan's Pulitzer Prize-winning play and was brought about, in part, by a collaboration of the Cagney siblings (James, Jeanne, and William). Except for one brief shot of the Salvation Army singing outside the establishment, the entire movie takes place inside Nick's, a saloon, restaurant, and entertainment palace on the waterfront in San Francisco. James Cagney plays Joe, a man who has a lot of cash and spends his time observing, listening, and helping people and fulfilling his every whim. Wayne Morris plays Tom, Joe's gopher man; Jeanne Cagney plays Kitty, a former "burlesque queen" who falls for Tom; and William Bendix plays Nick. The floating characters at Nick's also include, among others, a lovesick young man, an out of work fellow, a drunk, a cowboy who calls himself "Kit Carson", a pinball wizard, a dancer who is a comedian that has no funny jokes, a police officer, and a couple of socialites.

There really isn't much plot in THE TIME OF YOUR LIFE. However, neither the movie nor the play it was based upon are about "plot". There may not seem to be a lot going on, but actually there is. The plot of the story is it's characters. Each person that comes into Nick's has a story and some of them we learn, some of them we don't. However, while listening to each person (just as Joe does) we learn something about them and in the process we discover things about ourselves. THE TIME OF YOUR LIFE is art in it's highest form because it entertains, yet also enlightens.

The quality of this DVD isn't all that bad, especially considering how inexpensive it is to purchase a copy (the Laserlight edition can be purchased for less than $5). The sound is good through most of the film except for the occasional scratch and the picture is great (the one scene where you can't read what is on the piece of paper was filmed that way intentionally because you are not supposed to see what's written on the paper because it's too small).

Overall a good movie well worth the time to watch it.

James Cagney knows your name
(Please note that the DVD version I am reviewing is the Laserlight edition of THE TIME OF YOUR LIFE. This budget release pretty much defines the concept of "no-frills".)

Other reviewers have pointed out the fact that this movie skimps on plot and I cannot help but completely agree with that sentiment. But for what the movie lacks in action, it more than makes up for in the presentation of fascinating characters. Each person's story is interesting and unique. And the movie manages to give us enough detail so that we can find these people intriguing, but leaves enough unsaid so that no one overstays their welcome. We're left liking these people and wanting to hear more about them.

Since the characters are at the forefront of this movie, it's certainly a relief to have such splendid actors playing them. The Cagney siblings are wonderful. Jeanne Cagney does a wonderful job at becoming the streetwise blonde who stands up to gangsters and James Cagney is a compelling, gentle enigma. While so many of the roles could have easily fallen into stereotypes, the actors are strong enough to keep them as individuals.

Although I haven't experienced the original play that this film is based upon, I can only imagine that there weren't too many script changes between the stage and the screen. The movie is heavily performance-based, with the interesting material coming from the conversations and the soliloquies. The action is completely centered on a single barroom, as during the entire length of the movie only one short sequence takes place outside the bar's swing doors. Even a fight scene inside the same building occurs off-camera so that all we view are people in one room hollering at the unseen people in another. As some characters leave the action, they are immediately replaced by other people beginning conversations of their own. In fact, if you pay close attention, you'll probably notice that the amount of real time that people spend off-camera isn't nearly long enough to do all the things that they claim to have done in that span.

Fortunately, none of this affects one's enjoyment of the film at all. In fact, it gives the entire production a great sense of the theatrical nature of the performances. Unlike some other translations from play to movie, this one never feels as though it's being limited by the theatre. It retains the trappings and atmosphere of a stage production, while never feeling claustrophobic. What makes for good theatre doesn't always make for a good film (and vice versa), yet it's a testament to the skills of the director and the cast that they manage to make the transition here without a hitch.

The image quality on this Laserlight DVD is perfectly watchable. It's scratchy in a few places, but never so much that it becomes distracting. The picture is a bit bright and slightly washed out, but this is really only a problem in one scene where the audience is expected to read something that's a character has written on a piece of paper. The sound quality is variable, but mostly falls on the good side of variable. As the DVD itself is absolutely dirt cheap, it's well worth putting up with these slight imperfections.

Thin plot, not very interesting, always expecting more!
The other review subject lines hit it on the head: Thin plot, a bar where everyone knows your name.

This movie does not have a very good subject. Is just about a rich man in post WWII era hanging out in a bar and throwing around small amounts of money. Not much of a climax either.

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too. ... Read more

Reviews (5)

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too.

Come in and Be Yourself.
THE TIME OF YOUR LIFE was based upon William Saroyan's Pulitzer Prize-winning play and was brought about, in part, by a collaboration of the Cagney siblings (James, Jeanne, and William). Except for one brief shot of the Salvation Army singing outside the establishment, the entire movie takes place inside Nick's, a saloon, restaurant, and entertainment palace on the waterfront in San Francisco. James Cagney plays Joe, a man who has a lot of cash and spends his time observing, listening, and helping people and fulfilling his every whim. Wayne Morris plays Tom, Joe's gopher man; Jeanne Cagney plays Kitty, a former "burlesque queen" who falls for Tom; and William Bendix plays Nick. The floating characters at Nick's also include, among others, a lovesick young man, an out of work fellow, a drunk, a cowboy who calls himself "Kit Carson", a pinball wizard, a dancer who is a comedian that has no funny jokes, a police officer, and a couple of socialites.

There really isn't much plot in THE TIME OF YOUR LIFE. However, neither the movie nor the play it was based upon are about "plot". There may not seem to be a lot going on, but actually there is. The plot of the story is it's characters. Each person that comes into Nick's has a story and some of them we learn, some of them we don't. However, while listening to each person (just as Joe does) we learn something about them and in the process we discover things about ourselves. THE TIME OF YOUR LIFE is art in it's highest form because it entertains, yet also enlightens.

The quality of this DVD isn't all that bad, especially considering how inexpensive it is to purchase a copy (the Laserlight edition can be purchased for less than $5). The sound is good through most of the film except for the occasional scratch and the picture is great (the one scene where you can't read what is on the piece of paper was filmed that way intentionally because you are not supposed to see what's written on the paper because it's too small).

Overall a good movie well worth the time to watch it.

James Cagney knows your name
(Please note that the DVD version I am reviewing is the Laserlight edition of THE TIME OF YOUR LIFE. This budget release pretty much defines the concept of "no-frills".)

Other reviewers have pointed out the fact that this movie skimps on plot and I cannot help but completely agree with that sentiment. But for what the movie lacks in action, it more than makes up for in the presentation of fascinating characters. Each person's story is interesting and unique. And the movie manages to give us enough detail so that we can find these people intriguing, but leaves enough unsaid so that no one overstays their welcome. We're left liking these people and wanting to hear more about them.

Since the characters are at the forefront of this movie, it's certainly a relief to have such splendid actors playing them. The Cagney siblings are wonderful. Jeanne Cagney does a wonderful job at becoming the streetwise blonde who stands up to gangsters and James Cagney is a compelling, gentle enigma. While so many of the roles could have easily fallen into stereotypes, the actors are strong enough to keep them as individuals.

Although I haven't experienced the original play that this film is based upon, I can only imagine that there weren't too many script changes between the stage and the screen. The movie is heavily performance-based, with the interesting material coming from the conversations and the soliloquies. The action is completely centered on a single barroom, as during the entire length of the movie only one short sequence takes place outside the bar's swing doors. Even a fight scene inside the same building occurs off-camera so that all we view are people in one room hollering at the unseen people in another. As some characters leave the action, they are immediately replaced by other people beginning conversations of their own. In fact, if you pay close attention, you'll probably notice that the amount of real time that people spend off-camera isn't nearly long enough to do all the things that they claim to have done in that span.

Fortunately, none of this affects one's enjoyment of the film at all. In fact, it gives the entire production a great sense of the theatrical nature of the performances. Unlike some other translations from play to movie, this one never feels as though it's being limited by the theatre. It retains the trappings and atmosphere of a stage production, while never feeling claustrophobic. What makes for good theatre doesn't always make for a good film (and vice versa), yet it's a testament to the skills of the director and the cast that they manage to make the transition here without a hitch.

The image quality on this Laserlight DVD is perfectly watchable. It's scratchy in a few places, but never so much that it becomes distracting. The picture is a bit bright and slightly washed out, but this is really only a problem in one scene where the audience is expected to read something that's a character has written on a piece of paper. The sound quality is variable, but mostly falls on the good side of variable. As the DVD itself is absolutely dirt cheap, it's well worth putting up with these slight imperfections.

Thin plot, not very interesting, always expecting more!
The other review subject lines hit it on the head: Thin plot, a bar where everyone knows your name.

This movie does not have a very good subject. Is just about a rich man in post WWII era hanging out in a bar and throwing around small amounts of money. Not much of a climax either.

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too. ... Read more

Reviews (5)

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too.

Come in and Be Yourself.
THE TIME OF YOUR LIFE was based upon William Saroyan's Pulitzer Prize-winning play and was brought about, in part, by a collaboration of the Cagney siblings (James, Jeanne, and William). Except for one brief shot of the Salvation Army singing outside the establishment, the entire movie takes place inside Nick's, a saloon, restaurant, and entertainment palace on the waterfront in San Francisco. James Cagney plays Joe, a man who has a lot of cash and spends his time observing, listening, and helping people and fulfilling his every whim. Wayne Morris plays Tom, Joe's gopher man; Jeanne Cagney plays Kitty, a former "burlesque queen" who falls for Tom; and William Bendix plays Nick. The floating characters at Nick's also include, among others, a lovesick young man, an out of work fellow, a drunk, a cowboy who calls himself "Kit Carson", a pinball wizard, a dancer who is a comedian that has no funny jokes, a police officer, and a couple of socialites.

There really isn't much plot in THE TIME OF YOUR LIFE. However, neither the movie nor the play it was based upon are about "plot". There may not seem to be a lot going on, but actually there is. The plot of the story is it's characters. Each person that comes into Nick's has a story and some of them we learn, some of them we don't. However, while listening to each person (just as Joe does) we learn something about them and in the process we discover things about ourselves. THE TIME OF YOUR LIFE is art in it's highest form because it entertains, yet also enlightens.

The quality of this DVD isn't all that bad, especially considering how inexpensive it is to purchase a copy (the Laserlight edition can be purchased for less than $5). The sound is good through most of the film except for the occasional scratch and the picture is great (the one scene where you can't read what is on the piece of paper was filmed that way intentionally because you are not supposed to see what's written on the paper because it's too small).

Overall a good movie well worth the time to watch it.

James Cagney knows your name
(Please note that the DVD version I am reviewing is the Laserlight edition of THE TIME OF YOUR LIFE. This budget release pretty much defines the concept of "no-frills".)

Other reviewers have pointed out the fact that this movie skimps on plot and I cannot help but completely agree with that sentiment. But for what the movie lacks in action, it more than makes up for in the presentation of fascinating characters. Each person's story is interesting and unique. And the movie manages to give us enough detail so that we can find these people intriguing, but leaves enough unsaid so that no one overstays their welcome. We're left liking these people and wanting to hear more about them.

Since the characters are at the forefront of this movie, it's certainly a relief to have such splendid actors playing them. The Cagney siblings are wonderful. Jeanne Cagney does a wonderful job at becoming the streetwise blonde who stands up to gangsters and James Cagney is a compelling, gentle enigma. While so many of the roles could have easily fallen into stereotypes, the actors are strong enough to keep them as individuals.

Although I haven't experienced the original play that this film is based upon, I can only imagine that there weren't too many script changes between the stage and the screen. The movie is heavily performance-based, with the interesting material coming from the conversations and the soliloquies. The action is completely centered on a single barroom, as during the entire length of the movie only one short sequence takes place outside the bar's swing doors. Even a fight scene inside the same building occurs off-camera so that all we view are people in one room hollering at the unseen people in another. As some characters leave the action, they are immediately replaced by other people beginning conversations of their own. In fact, if you pay close attention, you'll probably notice that the amount of real time that people spend off-camera isn't nearly long enough to do all the things that they claim to have done in that span.

Fortunately, none of this affects one's enjoyment of the film at all. In fact, it gives the entire production a great sense of the theatrical nature of the performances. Unlike some other translations from play to movie, this one never feels as though it's being limited by the theatre. It retains the trappings and atmosphere of a stage production, while never feeling claustrophobic. What makes for good theatre doesn't always make for a good film (and vice versa), yet it's a testament to the skills of the director and the cast that they manage to make the transition here without a hitch.

The image quality on this Laserlight DVD is perfectly watchable. It's scratchy in a few places, but never so much that it becomes distracting. The picture is a bit bright and slightly washed out, but this is really only a problem in one scene where the audience is expected to read something that's a character has written on a piece of paper. The sound quality is variable, but mostly falls on the good side of variable. As the DVD itself is absolutely dirt cheap, it's well worth putting up with these slight imperfections.

Thin plot, not very interesting, always expecting more!
The other review subject lines hit it on the head: Thin plot, a bar where everyone knows your name.

This movie does not have a very good subject. Is just about a rich man in post WWII era hanging out in a bar and throwing around small amounts of money. Not much of a climax either.

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too. ... Read more

Reviews (5)

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too.

Come in and Be Yourself.
THE TIME OF YOUR LIFE was based upon William Saroyan's Pulitzer Prize-winning play and was brought about, in part, by a collaboration of the Cagney siblings (James, Jeanne, and William). Except for one brief shot of the Salvation Army singing outside the establishment, the entire movie takes place inside Nick's, a saloon, restaurant, and entertainment palace on the waterfront in San Francisco. James Cagney plays Joe, a man who has a lot of cash and spends his time observing, listening, and helping people and fulfilling his every whim. Wayne Morris plays Tom, Joe's gopher man; Jeanne Cagney plays Kitty, a former "burlesque queen" who falls for Tom; and William Bendix plays Nick. The floating characters at Nick's also include, among others, a lovesick young man, an out of work fellow, a drunk, a cowboy who calls himself "Kit Carson", a pinball wizard, a dancer who is a comedian that has no funny jokes, a police officer, and a couple of socialites.

There really isn't much plot in THE TIME OF YOUR LIFE. However, neither the movie nor the play it was based upon are about "plot". There may not seem to be a lot going on, but actually there is. The plot of the story is it's characters. Each person that comes into Nick's has a story and some of them we learn, some of them we don't. However, while listening to each person (just as Joe does) we learn something about them and in the process we discover things about ourselves. THE TIME OF YOUR LIFE is art in it's highest form because it entertains, yet also enlightens.

The quality of this DVD isn't all that bad, especially considering how inexpensive it is to purchase a copy (the Laserlight edition can be purchased for less than $5). The sound is good through most of the film except for the occasional scratch and the picture is great (the one scene where you can't read what is on the piece of paper was filmed that way intentionally because you are not supposed to see what's written on the paper because it's too small).

Overall a good movie well worth the time to watch it.

James Cagney knows your name
(Please note that the DVD version I am reviewing is the Laserlight edition of THE TIME OF YOUR LIFE. This budget release pretty much defines the concept of "no-frills".)

Other reviewers have pointed out the fact that this movie skimps on plot and I cannot help but completely agree with that sentiment. But for what the movie lacks in action, it more than makes up for in the presentation of fascinating characters. Each person's story is interesting and unique. And the movie manages to give us enough detail so that we can find these people intriguing, but leaves enough unsaid so that no one overstays their welcome. We're left liking these people and wanting to hear more about them.

Since the characters are at the forefront of this movie, it's certainly a relief to have such splendid actors playing them. The Cagney siblings are wonderful. Jeanne Cagney does a wonderful job at becoming the streetwise blonde who stands up to gangsters and James Cagney is a compelling, gentle enigma. While so many of the roles could have easily fallen into stereotypes, the actors are strong enough to keep them as individuals.

Although I haven't experienced the original play that this film is based upon, I can only imagine that there weren't too many script changes between the stage and the screen. The movie is heavily performance-based, with the interesting material coming from the conversations and the soliloquies. The action is completely centered on a single barroom, as during the entire length of the movie only one short sequence takes place outside the bar's swing doors. Even a fight scene inside the same building occurs off-camera so that all we view are people in one room hollering at the unseen people in another. As some characters leave the action, they are immediately replaced by other people beginning conversations of their own. In fact, if you pay close attention, you'll probably notice that the amount of real time that people spend off-camera isn't nearly long enough to do all the things that they claim to have done in that span.

Fortunately, none of this affects one's enjoyment of the film at all. In fact, it gives the entire production a great sense of the theatrical nature of the performances. Unlike some other translations from play to movie, this one never feels as though it's being limited by the theatre. It retains the trappings and atmosphere of a stage production, while never feeling claustrophobic. What makes for good theatre doesn't always make for a good film (and vice versa), yet it's a testament to the skills of the director and the cast that they manage to make the transition here without a hitch.

The image quality on this Laserlight DVD is perfectly watchable. It's scratchy in a few places, but never so much that it becomes distracting. The picture is a bit bright and slightly washed out, but this is really only a problem in one scene where the audience is expected to read something that's a character has written on a piece of paper. The sound quality is variable, but mostly falls on the good side of variable. As the DVD itself is absolutely dirt cheap, it's well worth putting up with these slight imperfections.

Thin plot, not very interesting, always expecting more!
The other review subject lines hit it on the head: Thin plot, a bar where everyone knows your name.

This movie does not have a very good subject. Is just about a rich man in post WWII era hanging out in a bar and throwing around small amounts of money. Not much of a climax either.

A bar where everybody knows you name, circa 1948
"The Time of Your Life," based on the play by William Saroyan, shows us a group of eccentrics who hang out in a San Francisco waterfront bar and philosophize about life. James Cagney plays Joe, a barfly who believes in encouraging everybody to fulfill their dreams. Whether this means encouraging an old man named "Kit Carson" (James Barton) to spin his fanciful tales about the old west or conning Nick (William Bendix), the bartender, into giving Harry (Paul Draper), the vagabond dancer, a part-time job. The film is filled with fine character actors, such as Ward Bond and Broderick Crawford, and including Cagney's sister Jeanne as Kitty Duval and Natalie Schafer, the future Mrs. Howell on "Gilligan's Island," as the Society Lady. Admittedly, this film is not everybody's cup of tea, although Saroyan was particularly pleased with how his play translated to the film, even though the original ending was reshot. This story takes place in a bar that is obviously more reminiscent of "Cheers" than it is a Eugene O'Neill play like "The Iceman Cometh." I would even argue that Cagney's character is one of the least interesting people in the story, although he is certainly an amiable enough fellow. The important thing is that this bar is a nice place to visit for a while. This 1948 film directed by H. C. Potter features photography by James Wong Howe. Oh, and the piano player is really good too. ... Read more

Reviews (8)

A diverging story brought together under crime...
The Fabrini brothers, Joe (George Raft) and Paul (Humphrey Bogart), are truck drivers that struggle to make it on their own as a loan shark is on their heels trying to repossess their truck . It all seems futile as Joe and Paul's competition is full of bigger companies that do not care about the smaller companies as it is a dog eat dog world. This forces the Fabrini brothers to work long hours often without adequate sleep. One night after a rough day Joe and Paul pick up a hitchhiker, Cassie Hartley (Ann Sheridan), and together the three of them witness a truck accident where some friends die as they fell asleep behind the wheel. This is a wake up call for the brothers as they have different priorities in their lives, and it brings them in different directions. They Drive By Night is an interesting film with multiple themes, which offers a good cinematic experience

"The doors made me do it! The doors made me do it!"
This awesome classic starts out as a drama about the hard lives of truckers but ends up being a sort of film noir! Ann Sheridan was perfectly cast as a sassy independant woman, & I loved seeing George Raft & Humphrey Bogart playing brothers! And of course let's not forget Ida Lupino, one of the best (& craziest) femme fatales of all time! Also there's Alan Hale, who adds a whole lot of humor to the mix! I won't go into the plot b/c other reviews have fully explained the plot, but I will say that you definitely need to add this gem to your dvd collection! Be aware that the real star of the film is George Raft, despite the misleading cover art, which tries to cash in on Bogey's fame. This wasn't disappointing to me at all, though. I thought George Raft was cool! I highly recommend this to fans of great classics.

A Hidden Gem!
They Drive by Night was so much fun to discover! Anyone who likes old movies will enjoy seeing this one. With Bogie as George Raft's little brother, working together as truckers, and the wonderfully wicked Ida Lupino married to the blissfully ignorant Alan Hale, this movie was a joy to watch from start to finish.

Dynamic Lupino!
When I first watched this movie, I was only mildly interested in the first part which shows how hard life is for two trucker brothers (Raft and Bogart). Only when Ida Lupino is introduced as the off-kilter, man-killing Lana Carlson did I really sit up and take notice. She continued to steal all her scenes as she degenerates into madness after killing her buffoon of a husband for the cold Raft character. Her gradual breakdown is something to see and electrified audiences in l940. When she begins to shriek on the witness stand: "The doors made me do it!", you freeze in amazement at her powerful acting. Her "mad" scene was phenomenal. A note: compare her portrayal of the man-crazed heroine to the way Bette Davis portrayed her in the original, the l934 "Bordertown". Davis always bragged that the quiet way she went crazy on the stand was the right way but after seeing how Lupino did it, you'll think that Davis was wrong. Sorry, Bette, but Lupino did it a l00 times better and a hell of a lot more powerful. Lana Carlson--one mixed-up, crazy dame from Warner Brother's golden days--thanks to the genius of Ida Lupino!

Watch Lupino Go
They Drive By Night has a lot going for it. It's directed by Raoul Walsh, who knew how to make a tough guy movie, yet give it some heart. It has two of the screen's great tough guys, George Raft and Humphrey Bogart. It also has two of the screen's best tough guy girlfriends, Ann Sheridan and Ida Lupino. And it has some really great dialogue that time has not dated. It's the story of two truckers who are brothers, and it looks at the difficulties facing truckers (sleeplessness that can lead to accidents, suppliers that don't pay up, etc). Bogart and Raft are good as the brothers, although Raft doesn't have much of a range as an actor. Raft hooks up with Sheridan, a woman who can hold her own with any trucker. Sheridan plays her with just the right mix of outward toughness, but decency and tenderness, too. Unfortunately, Lupino wants Raft, and she won't be denied what she wants. Lupino gives the performance that you'll remember from this film. She becomes more intense with every scene, and by her last scene, she reaches a level that is amazing to behold. With Lupino's performance and the great dialogue, They Drive By Night is a Warner Brothers' film that should be seen. ... Read more