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| 1. Reincarnation of Peter Proud Director: J. Lee Thompson | |
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Reviews (11)
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| 2. The Corporate Ladder Director: Nick Vallelonga | |
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Reviews (2)
On the "high mided" side, it presents the viewer with a moral question faced by so many. How to handle infidelity -- and if to tell the truth and "be honest," or if to lie but "protect the feelings" of the spouse. This movie is about an executive on his way up the corporate ladder. He is married and has a family. He also has a very bright, beautiful, sensual co-worker. They work on projects together in synergy and, over time, a deep meaningful bond develops between them. They can hardly keep their work synergy from becoming a hot personal attraction -- leading to an incredible torrid love scene on top of his desk. This movie not only entertains, it causes one to ponder. It not only excites, it presents morality. A wonderful experiece to watch if you are the type who likes all sides of you to be involves in the movie experience. Reviewed by Martin H. Firman, (...) ... Read more | |
| 3. The Innocent Director: Luchino Visconti | |
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Reviews (5)
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| 4. Summer of '42 Director: Robert Mulligan | |
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Amazon.com Reviews (25)
The Summer of '42 has its moments. The final love scene is beautifully done and the "making love" between Hermie and Dorothy is effectively contrasted with the "making out" between Oscy and Miriam. But the script is stilted, and the acting is wooden. I could have forgiven stilted dialogue between Hermie and Dorothy as a sign of Hermie's nervousness and uncertainty, but the dialogue between the three boys also seemed completely unnatural. There are a few effective reaction shots of Gary Grimes (Hermie) that do a good job of letting us see his longing and innocence, but he destroys this effect each time he opens his mouth. I think it is no surprise that we have seen nothing of Gary Grimes since he grew up and lost his youthful beauty. The voice-over narration and final letter seemed like cheap tricks. The gauzy atmospheric camera work was as cloying as the swelling strings. There were obvious continuity problems. For example, Hermie and Oscy have very short shadows when Hermie leaves his house to meet Dorothy, so it is clearly the middle of the day. But it is dusk when he arrives at the cabin, which makes no sense unless it is a six hour walk. I'd suggest renting rather than buying. If you like romantic coming of age stories, the love scene will scratch that itch. Unfortunately, it comes after 90 minutes of terrible acting.
But even as the three friends goof around on lazy summer days, the war's effects will soon touch the more serious and sensitive 15-year-old Hermie. He finds himself falling in love with the beautiful Dorothy (Jennifer O'Neill), who is seven years older and married. He worships her from afar, enduring both his friends' merciless teasing and his own confusion about his feelings. But when Dorothy's husband Pete goes overseas to enter the fray, Hermie befriends Dorothy, helping her with chores such as carrying her groceries to her house on the beach and placing boxes in the attic. At the same time, the more rambunctious Oscy (and Hermie's best friend) is trying very hard to pick up girls and lose his virginity, and he makes it his mission in life to help Hermie do the same. So he copies information from a medical book that Benjie says "belongs to the house" where he spends the summer. Oscy also attempts to set up a date for the "terrible trio" at the movies, but that almost falls apart when Benjie and the third girl don't want to go. I don't want to give away what happens next, but it's pretty funny. But the heart of the movie revolves, as many reviewers have said, around Hermie's love for Dorothy, and how he comes to manhood unexpectedly when Dorothy finds out that her husband has been killed in action. It's a beautiful, discreet and bittersweet sequence, and will leave the viewer with indelible memories of a haunting, timeless experience. I like Summer of '42 because it is sweet and gentle, hilarious at times, and always very touching. Michel Legrand's Oscar-winning score is simple yet evocative, and Herman Raucher's screenplay was later adapted by the writer into a best selling novel. I recommend this film to young and old alike as a fine example of what a coming-of-age movie should be like.
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| 5. Time Changer Director: Rich Christiano | |
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Reviews (50)
The basic device of the movie is a little silly, that someone in the 19th century could develop a time machine, but we've seen a lot worse in sci-fi before. A seminarian, Dr. Russell Carlisle, is sent forward in time by his friend to show him the dangers of his upcoming book's message: that ethics can be separated from Christ. Carlisle, played by D. David Morin, discovers a moral-relative world, much to his shock. Theologically speaking, the movie lacks any sublety. You know exactly what the theme of the movie is, and it's often hammered down hard. That tends to distract from the other aspects of the movie, but it does parallel with the plot of Dr. Carlisle's book. I have to add Morin's acting is a little wooden at times. (My wife likened him to Mr. Data from "Star Trek.") He does a much better job with his facial expressions and gestures, as he adapts to the modern world, in what is often quite amusing misadventures. So, while it's not the absolute best Christian movie made in recent years (I'd give "The Omega Code" that distinction), it's not the worst, and worthy of watching.
Plot: A bible professor-Dr. Russell Carslie has written a book called "The changing times" and he is seeking endorsement from the Grace Bible Seminary board of directors where he teaches before the book is published. Since everyone must give their approval of the manuscript-or no endearment by the board. All is well until Dr. Norris Anderson shows up and raises an objection to one item in the book. He believes that teaching morals alone-without the authority of Jesus Christ will lead many astray. At first, Dr. Carlisle is as bull headed as they come-refusing to understand or accept what Dr. Anderson's is trying to say. Eventually, he goes to Norrris' Home where he shows Carlisle a time machine that his father built before he died. Carlisle laughs at first-but he realizes that they need to settle the issue. He is then transported in to the future-110 years to be exact. He then sees the folly of his beliefs. He meets several people. Most of them have a shallow view of life. Even those in the church are ignorant of the truth of Christ. For example, he goes to a movie with a group from the church-and he is the only one who is bothered by the fact that a character on the screen is using the name of Christ in Vain. Every one else just say that "It's only a movie" This movie DOES NOT paint a rosy picture of the past. At the board meeting, Norris points out that over 5% of marriages end in divorce(1890 numbers). When Carlisle is in the future-he learns that 50% of all marriages end in divorce. This is only one example. Another reviewer accuses the producers of deceiving him for not informing him that this is a Christian film. If you look on the back of the case-there's a description of the film. It says plainly that it's about a bible professor who is sent into more than 100 years into the future. If that does not tell you that that this is a Christian film-then I don't know what will. There was no attempt by the producers to deceive anyone. This is a timely film with an important message. Buy or rent this film today. God Bless,
It's not a science-fiction movie, for those of you who were led to believe it is. It has sci-fi-elements but that's not the point of the movie. This is a Christian propaganda movie. It tells us that the reason there is so much bad morals in today's society is because we have separated Jesus from the morals and therefore don't know why we should act morally. It also tells us that we're living in the last days of the world. The movie is extremely moralizing and preachy. One of the most (unintentionally) funny lines in the movie is "I believe that secular entertainment is one of the biggest tools that Satan uses to mislead people". Some of the supporting actors are decent, Jennifer O'Neal for example, but D David Morin who plays the lead part is unbelievably bad, but in a funny way. But then, I don't think any actor could play his part and say his lines and make it believable. If you think this sounds like a good movie, you might enjoy this it. I guess this was made by, and for, Christian fundamentalist. Others, like me, might get some laughs out of it, but nothing more (except realizing the sad fact that there are people out there who make movies like these, and those who honestly thing they're good). It seems like the Christians in America have millions to spend, making dozens of movies like this. I guess that's why they ask for donations all the time.
Time Changer is about a 1800's preacher who travels through time to today and is amazed by the lack of morality. With today's reality tv polluting our screens and total disregard for God and morality, this is an important film. Thanks for reading and please buy this and show it to your friends. ... Read more | |
| 6. The Visual Bible: Acts Director: Regardt Van Den Bergh | |
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Book Description Journey with the physician Luke (Dean Jones) as he tells the enthralling story of danger, struggle, and triumph that marks the birth of the Christian church. Share the times of mystery and wonder that follow the resurrection of Jesus. Walk with the risen Lord. Watch as He is taken up into heaven. Experience the transforming power of Pentecost and catch fire as God uses the passion of Peter (James Brolin) and John (Andre Jacobs) to send the flame of faith racing throughout Jerusalem and around the world.Lukes powerful narrative brings to vivid life the compassionate love that unites believers across the ages. Reviews (4)
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| 7. Rio Lobo Director: Howard Hawks | |
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Amazon.com Reviews (11)
John Wayne is moving from leading man with love interest to lovable old coot. Jorge Rivera takes over as the hunk. This is early in his acting career and very early in his English, but he's a doll to look at and OBTW, he does an outstanding leap over a fence. Christopher Mitchum looks very much like his father, and the chemistry between him and Wayne is similar to that of his father and Wayne (see Bob in El Dorado and Chris later in Big Jake). This was Jennifer O'Neal's first movie, and it shows. But Wayne was famous for introducing new actors, even when it was clear they needed practice. Must have been because of the way Wayne himself was mentored in the 30s by John Ford, et. al. Watch his early work and see his own improvement. Sherry Lansing was sexy and later vengeful. In the latter role, she, too, chewed up the scenery. She could have had a respectable acting career, but chose to shatter the movie mogul glass ceiling instead, and more power to her. Then there's the scene stealers. David Huddleston can steal one just by being in it. Victor French is both scary and a coward simultaneously, a hard combination, but he can certainly pull it off. Hank Worden only had one scene, but he's as neat as ever. And finally, Jack Elam was a scenery chewing, crazy eyed loonie, with some of the funniest lines in the whole movie. No, it's not the best, but I like it. It will always be in my personal movie stash.
The Duke is great once again as Cord McNally, the Union colonel in pursuit of traitors. Jorge Rivero is awkward as Pierre "Frenchy" Cordona, the Confederate guerilla who helps Wayne. I don't know whether it is actually Rivero talking or someone dubbing his lines in, but it just sounds funny. Joining them are Jennifer O'Neill, Christopher Mitchum, Jack Elam, and Victor French. Elam is great as usual in his role as the eccentric old man in the town. The DVD has a good widescreen presentation that looks cleaned up compared to the one shown on TBS. Otherwise, there isn't any extras added on. This was Howard Hawks last western, and he made a good one. Good story and exciting action. Deserves a watch if nothing else for those who haven't seen this late Duke western!
Duke, as usual, delivers a fine performance. The similarities in plot line to El Dorado and Rio Bravo are obvious, but Hawks again does a very nice job. Jack Elam's character really saves this movie, though, because the middle is downright slow. Overall, not John Wayne's best, but good. ... Read more | |
| 8. Futz! Director: Tom O'Horgan | |
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Reviews (2)
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| 9. Chase (1985) Director: Rod Holcomb | |
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| 10. Rio Lobo Director: Howard Hawks | |
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Reviews (11)
John Wayne is moving from leading man with love interest to lovable old coot. Jorge Rivera takes over as the hunk. This is early in his acting career and very early in his English, but he's a doll to look at and OBTW, he does an outstanding leap over a fence. Christopher Mitchum looks very much like his father, and the chemistry between him and Wayne is similar to that of his father and Wayne (see Bob in El Dorado and Chris later in Big Jake). This was Jennifer O'Neal's first movie, and it shows. But Wayne was famous for introducing new actors, even when it was clear they needed practice. Must have been because of the way Wayne himself was mentored in the 30s by John Ford, et. al. Watch his early work and see his own improvement. Sherry Lansing was sexy and later vengeful. In the latter role, she, too, chewed up the scenery. She could have had a respectable acting career, but chose to shatter the movie mogul glass ceiling instead, and more power to her. Then there's the scene stealers. David Huddleston can steal one just by being in it. Victor French is both scary and a coward simultaneously, a hard combination, but he can certainly pull it off. Hank Worden only had one scene, but he's as neat as ever. And finally, Jack Elam was a scenery chewing, crazy eyed loonie, with some of the funniest lines in the whole movie. No, it's not the best, but I like it. It will always be in my personal movie stash.
The Duke is great once again as Cord McNally, the Union colonel in pursuit of traitors. Jorge Rivero is awkward as Pierre "Frenchy" Cordona, the Confederate guerilla who helps Wayne. I don't know whether it is actually Rivero talking or someone dubbing his lines in, but it just sounds funny. Joining them are Jennifer O'Neill, Christopher Mitchum, Jack Elam, and Victor French. Elam is great as usual in his role as the eccentric old man in the town. The DVD has a good widescreen presentation that looks cleaned up compared to the one shown on TBS. Otherwise, there isn't any extras added on. This was Howard Hawks last western, and he made a good one. Good story and exciting action. Deserves a watch if nothing else for those who haven't seen this late Duke western!
Duke, as usual, delivers a fine performance. The similarities in plot line to El Dorado and Rio Bravo are obvious, but Hawks again does a very nice job. Jack Elam's character really saves this movie, though, because the middle is downright slow. Overall, not John Wayne's best, but good. ... Read more | |
| 11. Perfect Family Director: E.W. Swackhamer | |
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| 12. Bad Love Director: Jill Goldman | |
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| 13. Silver Strand Director: George Miller | |
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| 14. Committed Director: William A. Levey | |
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| 15. Personals Director: Steven Hilliard Stern | |
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| 16. Discretion Assured Director: Odorico Mendes | |
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| 17. Psychic | |
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| 18. Invasion of Privacy Director: Kevin Meyer | |
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| 19. Cover Girl Murders Director: James A. Contner | |
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| 20. Invasion of Privacy (1992) Director: Kevin Meyer | |
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