Amazon.com

Like a Hardy Boys mystery on steroids, National Treasure offers popcorn thrills and enough boyish charm to overcome its rampant silliness. Although it was roundly criticized as a poor man's rip-off of Raiders of the Lost Ark and The Da Vinci Code, it's entertaining on its own ludicrous terms, and Nicolas Cage proves once again that one actor's infectious enthusiasm can compensate for a multitude of movie sins. The contrived plot involves Cage's present-day quest for the ancient treasure of the Knights Templar, kept secret through the ages by Freemasons past and present. Finding the treasure requires the theft of the Declaration of Independence (there are crucial treasure clues on the back, of course!), so you can add "caper comedy" to this Jerry Bruckheimer production's multi-genre appeal. Nobody will ever accuse director Jon Turtletaub of artistic ambition, but you've got to admit he serves up an enjoyable dose of PG-rated entertainment, full of musty clues, skeletons, deep tunnels, and harmless adventure in the old-school tradition. It's a load of hokum, but it's fun hokum, and that makes all the difference. --Jeff Shannon ... Read more

Reviews (266)

MASTER CODE 405
National Treasure is a far fetched family film, full of fun and adventure.Since there are enough details about this film, I will get to the point.During my first viewing, I was somewhat disenchanted.I thought something was missing.Hmmm, the movie has explosions, chase scenes, a bit of fantasy, pretty neat special effects, etc.; what could be missing.Now I know what's missing - no cursing, crudity, nudity, or offensiveness.

This is a movie, that I can watch with the kids, neighbors, etc., and everyone will have a good time.OK, there are some corny lines that go over the top on the wholesome meter, but hey, that's the joke.I watched the movie for a second time with the trivia track and enjoyed this movie even more.

Once the master code 405 is typed in, all the special features are displayed, including a movie trivia track.The track provides tid bits of information about the key characters, history, and the making of the film, which is worth a viewing.I found the special features utilization to find the code annoying and time consuming.A two second internet search and I was up and running in no time, with the 405 master code.

National Treasure - Recommended for a Night of Family Fun.

Not up to par with Indiana Jones, but still worth the watch!
I missed this movie when it came out in the theaters, and so decided to rent the DVD when it came out. Needless to say, I wish I had seen it while it was still showing. I've always been a fan of U.S history and Indiana Jones, so this was an ideal match. Stunning performance by Justin Bartha; he really provided the comic relief in the movie. The plot was amazing, and each subsequent clue that they found, and each stymie they ran into really rolled the movie along. I thought Nicholas Cage and Diane Krueger (really different from Troy, eh?) did some pretty good acting as well. Sean Bean and the rest of them, well, I thought they could have done better. Overall, this was a fun, exciting movie, and is definitely worth a watch with the family!

Follow Bob's Advice! Ignore the Critics, Enjoy the Film!
I'm beginning to wonder if all critics simply refuse to sit back and be entertained.Does every film have to be The English Patient or Schindler's List?Geez...

Anyway I liked this movie a lot and wasn't bored for a minute.It was nonstop action and no Eff words were heard (hallelujah!) and my 10-year-old son enjoyed it as well, even plugging in the "pipe key" clue near the end.A good, safe movie for Family Night!

Entertaining movie!
Imagine a cross between "Indiana Jones" and "Mission Impossible" and you have some idea of what's in store for you with this movie.Nicholas Cage plays the current generation of a family which long ago was given the secret of the location of the Knight's Templar treasure.Succeeding generations of the family have hunted for the treasure with no success.Cage takes the hunt one step further and discovers that vital clues are on the back of the Declaration of Independence.Unfortunately some of the men who were originally helping him look for the treasure have decided that they want it all to themselves and they plan to get to the Declaration before he does.Throw in a beautiful government agent and an amusing sidekick and you have all of the ingredients for an entertaining evening.Enjoy!

A Fun Movie
I liked this movie. Lots of adventure, history and it reminds me of the Indiana Jones Trilogy. Some of it is a little formulaic and you might roll your eyes when 200+ year old torches light up like they were made yesterday, but the story is intriguing and gets your attention. If you don't know the story line by now it involves Cage as Benjamin Franklin Gates whose Family has been convinced about a massive treasure older than colonized America, hidden away during the revolutionary years. Through each succeding clue he finally learns that there is a map on the back of the Declarition of Independance, the only drawback is his partner has turned on him and is going to steal it for himself. No on in the government will listen to him, so Gates decides he'll steal it first to protect the document and the treasure. Lots of High-Tech action, spooky Mason intrigue and history, although some of it is a little questionable. All in all, definetely recommended. ... Read more

Amazon.com essential video

Remember the outfit Cher wore to the Oscars when she won an Academy Award for her performance in this 1987 film? Ay-yi-yi. The actress' more retiring character in this infectious comedy leaps several psychological hurdles just giving her hair a permanent. But then the original screenplay by John Patrick Shanley (Joe Versus the Volcano) is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylized in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. The special-edition DVD release has a full-screen presentation, Dolby sound, commentary by Cher, Jewison, and Shanley, theatrical trailer, closed captioning, booklet, optional French soundtrack, and optional subtitles in English, French, or Spanish. --Tom Keogh ... Read more

Reviews (126)

One of the most endearing and enduring films from the 80s
It's impossible to feel anything but affection for this wonderful movie. Officially, I guess, it's a romantic comedy, but it also contains some serious drama; often it's very funny, but just as often it's genuinely touching. It features a great soundtrack, with music ranging from Italian folk tunes to selections from Puccini's La Boheme to pop songs like Dean Martin's "It's Amore" and Vikki Carr's "It Must Be Him" plus a lovely rendition of the '30s standard "Moonglow." In each case the music is perfectly and aptly used. Moonstruck, unlike most Hollywood films, shows us that there can be sexual energy, flirtatiousness, and above all romance between people who are well on the other side of 50: one of my favorite scenes is when Aunt Rita (Julie Bovasso) looks at her husband's face in the moonlight and tells him, "in that light, and with that expression on your face, you look like you're 25." Then there's the scene in which Rose (Olympia Dukakis), after insisting that her husband Cosmo (Vincent Gardenia) stop seeing his mistress, tells Cosmo that his life is "not built on nothing." "Te amo," she tells him. It's as moving as anything I've seen in any drama. Then there's the cast! I, for one, wish that Cher would abandon her career as a second-rate (albeit successful) pop music star and concentrate on her work as a first-rate actress. In every frame of this film, she's extraordinary and completely in character. Nicolas Cage has never been better. And every role is filled to capacity by esteemed, if not famous, New York and Chicago stage actors. Special mention must be made of Fiodor Chaliapin, who is given a great moment (howling at the moon with his dogs), and who fills it admirably. Moonstruck is certainly a "New York" movie, but it's set, spiritually as well as physically, mostly in Brooklyn, rather than Manhattan. Moonstruck is a wonderful film! I remember seeing many European "art" films during the 1980s, but if I were to compile a list of Top Ten Films from that decade, they'd take second place to this Norman Jewison masterpiece. This one's a keeper!

Romantic but not mushy, just perfect
I usually avoid romantic comedies, but I happen to like Cher; even then, when my mom rented this movie I thought: "Pooh, a romantic comedy! Do I have to go through this to see Cher?" Well, I was never more glad to have to eat my own words; this was quality. The acting was excellent, the plot was great, and my mom and I fell in love with Johnny, the dreamy, no-good baker portrayed by Nicholas Cage. Cher was also great in her role as Loretta, the repressed widow resigned to marry some mamma's boy without loving him. That part of Johnny and Loretta's night out, when they accidentally meet her father and his mistress at the opera was so good, I rewinded the tape and watched it again. And Loretta's mother dining with the stranger... well, those are the highlights, but on the whole it was a wonderful movie. If you're like me and don't like most romantic comedies, just give this one a try, you'll probably be pleasantly surprised.

Moonstruck (1987)
Ever since her incredible debut with Sonny Bono in 1965, Cher has been known to be one of the mos successful female musical acts known to the world. Cher has had a hugely successful career in music; she was well-known with Sonny, but it was her solo career that seemed more successful. But Cher wasn't about to be successful in just the music business; Cher wanted to be successful as an actress as well. Cher has starred in a wide load of movies, such as 'Chastity', where she played the title role, 'Silkwood', where she played Dolly Pelliker, 'Mask', where she played Florence 'Rusty' Dennis, 'Suspect', where she played Kathleen Riley, 'The Witches Of Eastwick', where she played Alexandra Medford, etc. But it was her role as Loretta Castorini in the romantic comedy, 'Moonstruck' that made her another one of today's best actresses.

Taking place in New York City in 1987, Cher playes Loretta Castorini, a lonely Italian widow, who is longing for her Prince Charming to sweep her up off her legs and get her out of her misery. Loretta goes to dinner with her best friend, Johnny Cammareri (played by Danny Aiello). Johnny surprisingly proposes to Loretta, and she happily accepts. Although Loretta likes Johnny a lot because he is her best friend, she knows for a fact that she does not love him. After dinner, Loretta drives Johnny to the airport, for he is flying to Sicilly to be by the side of his dying mother. Before he boards the plane, Johnny gives Loretta the number to his brother's place, and tells her to invite his brother to the wedding. The two lived their lives without seeing or speaking to each other for five years, due to an accident. Loretta assures Johnny that she'll do so and goes home to tell her mother and father, Rose and Cosmo Castorini (played by Olympia Dukakis and Vincent Gardenia). Loretta wakes up the next morning, with a phone call from Johnny, asking if Loretta had called his brother yet. Loretta informs Johnny that she'll do so when she hangs up with Johnny. She calles Johnny's brother, but his brother sounds very bitter about Johnny getting married first. Loretta walks down to where Johnny's brother works. Ronny Cammareri is Johnny's brother and he works in a little bread factory, who is still miserable after losing his hand in a bread chopper. He feels Johnny was responsible since, Ronny was using the chopper to chop up some bread for Johnny. Loretta takes Ronny back to his place and begins to explain the truth to Johnny's misery. But the two wind up sleeping together.

The next morning, Loretta wakes up the next morning only to find Ronny by her side and flips out. She realizes that what she did was wrong, for she is still engaged to Johnny. But Ronny finds himself having fallen madly in love with Loretta... literally. Ronny invites Loretta to the opera, telling her that he loves her dearly and loves the opera dearly. He then says that if he could be with the woman he loves for one more night and to spend the night with the woman he loves by attending a show he loves dearly, he would promise not to bother Loretta again. Loretta goes to the Met, where she meets up with Ronny. The two sit through the opera, very much enjoying the show. Loretta seemed to have enjoyed very much, until she finds her father with a woman and that woman is not her mother. Ronny and Loretta go back to Ronny's place. Loretta does not want to be unfaithful, since she has been unfaithful to Johnny already once. But she knows that she does not love Johnny, for she is madly in love with Ronny and, for the first time, really sees that Ronny is love with her. Will Loretta leave Johnny for Ronny, or will she stay with Johnny? Watch this classic romantic comedy and you'll find out.

Authentically Italian!
This movie is on my list of all-time favorites so I was delighted when my son recently bought it for me on DVD. It is the humorous and delightful love story of Loretta Castorini, a young Italian widow who lives with her parents in Brooklyn, and Ronnie Camarerie, owner of Camarerie Brothers Bakery and by chance the brother of Loretta's fiancee. How these two individuals come together and the interplay between them and all the members of Loretta's large and often interfering Italian family makes for many hilarious moments.

This movie is especially heartwarming as it depicts an Italian-American family better than any movie I have ever seen. I am a member of a large Italian family and I can vouch for its authenticity! The Castorini home even reminded me of many of those of my Italian relatives, filled with much good food and good conversation as well as memories of love and family. This is truly a wonderful movie experience!

This DVD version features an option to watch the movie while listening to a voice over by director Norman Jewison, writer John Patrick Shanley and lead actress Cher. I thoroughly enjoyed this feature, as each added amusing anecdotes about the filming of the movie, as well as their own input about various scenes and information about the other actors.

A Must See Romantic Comedy!
Academy Award Winner Cher, plays Loretta, a middle-aged widow who while her fiance is in Italy at the deathbed of his mother, finds herself unwilling drawn to his misfit younger brother (Nicholas Cage) who is falling apart after his own "loses."
And while the family struggles with their individual problems, Loretta's father finds his youth in the arms of another woman.
Olympia Dukakis plays an Award Winning role as Loretta's mother.
Nicholas Cage although he won no awards for this film, does an outstanding job as an over-the-top, heartbroken man who is jealous of everything that his brother has, including Loretta.
Definately a must-see romantic/comedy. I very much enjoyed this movie and hope you will too. ... Read more

Amazon.com essential video

The second of Francis Ford Coppola's films based on the popular juvenile novels of S.E. Hinton (the first being The Outsiders), Rumble Fish split critics into opposite camps: those who admired the film for its heavily stylized indulgence, and those who hated it for the very same reason. Whatever the response, it's clearly the work of a maverick director who isn't afraid to push the limits of his innovative talent. Filmed almost entirely in black and white with an occasional dash of color for symbolic effect, this tale of alienated youth centers on gang leader Rusty James (Matt Dillon) and his band of punk pals. Rusty's got a girlfriend (Diane Lane), an older brother named Motorcycle Boy (Mickey Rourke), and a drunken father (Dennis Hopper) who've all given up trying to straighten him out. He's best at making trouble, and he pursues that skill with an enthusiastic flair that eventually catches up with him. But it's not the whacked-out story here that matters--it's the uninhibited verve of Coppola's visual approach, which includes everything from time-lapse clouds to the kind of smoky streets and alleyways that could only exist in the movies. The supporting cast includes a host of fresh faces who went on to thriving careers, including Nicolas Cage, Christopher Penn, Vincent Spano, Laurence Fishburne, and musician Tom Waits. --Jeff Shannon ... Read more

Reviews (35)

Chemistry and Vision
What makes a five star film? How about a cast starring Matt Dillon, Mikey Rourke, Dennis Hopper (and a cameo appearance by Tom Waits!), a soundtrack by Stewart Copeland (with a bit of Stan Rigeway!), a story by S.E. Hinton, and directed by Fracis Ford Coppola. This film is magic. It is modern impressionism shot in a timeless realm- a blackboard sky. Its more than rouge street kid getting into rumbles, its a story of fish that need to be set free, so they can swim to the ocean where there are no dividing lines. When this movie first came out in the early eighties, it got negative reviews and a cold public welcoming. As you can see here -an almost five star consensus- it was very ahead of its time. This movie probably hit the establishment like a bomb, which at the time was very conservative. All that aside, this is an extraordinary film- a true art piece of the silver screen- livid, bullish, and moving.

Ready To Rumble
Following his acclaimed adaptation of S.E Hinton's book, The Ousiders, director Francis Ford Coppola decided to make another of the author's books into a film. Rumble Fish is another comming of age story. Coppola wanted to stretch his creative juices, and wanted to distinguish it from The Outsiders, so he made a rather bold move by shooting most of it in black and white. This was a risky move, considering that its target audience is the teenager, and typically they avoid colorless films.

Rumble Fish tells the story of Rusty James (Matt Dillon), a gang member, who's being pulled in many directions by the people in his life. His brother, "Motorcycle Boy" (Mickey Roarke), his alcoholic Dad (Dennis Hopper), and his girlfriend Patty (Diane Lane), all want Rusty to straighten out his life. He soon finds himself with some difficult choices to make.

The cast is quite solid. Of particular interest to watch is the interplay between Dillon and Roarke and Dillon and Lane. Roarke plays the older brother with authority and range that the actor isn't exactly known for of late. Lane maintains the give and take with Dillon that began in The Outsiders. Dillon, plays a man who struggles with influences all around him, while trying to make the right choice. The use of minimal color works and serves to highlight the cinematograpy and contrasts the action well.

I can't explain why the movie isn't as remembered as it should be. But... As good as I believe the film is, the minimal extras on the DVD, are disappointing Production notes and the theatrical trailer is all you get. I wish there were more of a perspective on the film. Rumble Fish is stiil recommended just the same.

One of Francis Ford Coppola's finest!
Despite the less than admirable response this movie received when it was introduced to the American public, it is my opinion that this movie is highly underrated. The black-and-white film, time-lapse motion photography, and the recurring motif of clouds and smoke all contribute to the visual beauty of this movie. Based on the book by S.E. Hinton, the movie draws the viewer into a trance-like surrealism. Mickey Rourke's portrayal as the mystical, aloof Motorcycle Boy was excellent. This is the ultimate "coming-of-age" movie. Highly recommended!

"He's like royalty in exile..."
Francis Ford Coppola's Rumble Fish was booed by its audience when it debuted at the New York Film Festival and in turn was viciously crucified by North American critics upon general release. They resisted the allure of such a dreamy, atmospheric film that works on so many levels. It is also Coppola's most personal and experimental project--on par with the likes of Apocalypse Now. Rumble Fish curiously remains one of Coppola's often overlooked films. This may be due to the fact that it refuses to conform to mainstream tastes and stubbornly challenges the Hollywood system with its moody black and white cinematography and non-narrative approach.

Rumble Fish curiously remains one of Coppola's often overlooked films. It refuses to conform to mainstream tastes and stubbornly challenges the Hollywood system with its moody black and white cinematography and non-narrative approach.

It was a movie clearly ahead of its time: a stylish masterpiece that is obsessed with the notion of time, loyalty, and family. Perhaps the most distinctive feature of Coppola's film is that it presents a world that refers to the past, present, and future while remaining timeless in nature.

Right from the first image, Rumble Fish is a film that exudes style and ambience. It opens on a beautiful shot of wispy clouds rushing overhead, captured via time lapse photography to the experimental, percussive soundtrack that envelopes the whole film. This creates the feeling of not only time running out, but also a sense of timelessness.

As always, Coppola assembled an impressive ensemble cast for his film. From The Outsiders, he kept Matt Dillon, Diane Lane, Glenn Withrow, William Smith and Tom Waits, while casting actors like Mickey Rourke and Vincent Spano, who were overlooked for roles in the film for one reason or another. They all fill out their roles admirably, but Mickey Rourke in particular is mesmerizing as the Motorcycle Boy. He portrays the character as a calm, low key figure that seems to be constantly distracted as if he is in another world or reality.

Every scene is filled with dreamy imagery that never gets too abstract but, instead, draws the viewer into this strange world. Coppola uses colour to emphasize certain images, like the Siamese fighting fish in the pet store--some of the only colour in the film--to create additional layers in this complex, detailed world.

Overblown, top-heavy pomposity-- but interesting.
Coppola obviously is setting out to make the mythical American teen picture, set in the midwest, a modern gothic Rebel Without a Cause replete with Dennis Hopper as the drunken paterfamilias. The story in this film is very very weak. Essentially, it is a slave to the visual poetry of Coppola, which is at times breathtaking, but at others, painfully "innovative" Same thing can be said about Stewart Copeland's score, at times it's a bizarre reflection of the angst of youth, but mostly it's just from left field and an unsuccessful experiment. Matt Dillon's acting is atrocious. Very little to no character development with the supporting characters. A thoroughly disappointing film, but given its unique qualities, has to be appreciated. Just like Coppola himself! ... Read more

Amazon.com

David Lynch's 1990 Wild at Heart is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his Blue Velvet. Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. --Tom Keogh ... Read more

Reviews (68)

if you're truly wild at heart, then you must .....
i first saw this film in theatres back in 1990 and i couldn't get the film outta my head. at that time, i knew very little about david lynch or his unique style. needless to say, i fell heart and soul for this maniac film and knew i would probably want to watch it over and over. nicolas cage gives perhaps his best performance prior to the wonderful leaving las vegas and i still think this film was very overlooked by everyone with the exception of true lynch fans. while this is probably his easiest film to date that the mainstream cinema could DIGEST, wild at heart is still very much avantguard as it is excessive in the language, violence, and sex departments. what makes this film so digestible is the ironic humor which surrounds the plot like a second skin. while still not a film for everyone, there is much to like about this david lynch treat. i particularly love the scene where nicolas cage is visited by the good which played by then unknown sheryl lee who advises him that the wild at heart must follow their dreams. shouldn't we all follow our dreams no matter how crazy or chaotic things may be?

Dear Tom Keogh,
Wild at Heart is, indeed, a film with some startling images. Any David Lynch fan will tell you that you should expect no less from him. In this film, Lynch is showing a subtle form of humor, he is referencing the Wizard of Oz (I'll not dare say "remake," he is rewriting it in his own fashion), and he is creating film as art in his typical fashion. You see, you actually have to pay attention to Lynch's movies in order to fully understand them. You likely have to watch them more than once to get his points. That's all part of the fun. If you bother to pay attention to the details of the movie, then you will understand that his thoughts are not all over the place at all, but are telling you a story, in Lynchian fashion. He doesn't take you by the little hand and lead you through a smarmy Hollywood film about life and love then whisk you off to a nice, rosy conclusion with a sunset and cutesy music. Don't expect the point to Wild at Heart to come easily. If that is what you want, may I suggest "Dumb and Dumber." David Lynch combines film with art and Wild at Heart is no exception. If you want a movie to present a simple story line and to conclude with a pretty red bow, then skip this one. But if you want to watch an outstanding David Lynch movie, then Wild at Heart will not disappoint. This is a fantastic movie.

PLEASE RELEASE IT ON DVD!!
David Lynch's Wild At Heart is a masterpiece, it won Palme D'Or at Cannes Film Festival for Best Picture. It has an outstanding cast, featuring Nicolas Cage, Laura Dern, Isabela Rosselini, Sheryl Lee,
Diane Ladd, Harry Dean Stanton, Willem Dafoe and so many other great actors! Why wasn't yet released on DVD in North America? Everywhere else in the world was. David Lynch is one of the best American directors and "Wild At Heart" is one of his masterpieces.
My favorite line from this film is: CENSORED.

Film of the Future
Lynch uses cinema the way it should be used. It's a naturally surreal medium, something only Lynch has truly understood, ever since Salvador Dali made Un Chien Andalou, all those years ago. Wild at Heart is totally coherent, as many reviewers have realised, even if only partly and subconsciously. All I would like to know is this: is the American South really the raw and mindless hell on earth that it seems to be in almost every film I've seen located there?

David Lynch's violent adaptation of the Wizard of Oz
Wild at Heart is David Lynch's violent adaptation of the Wizard of Oz with mesmerizing cinematography, which offers an exceptionally artistic cinema experience. Many scenes are visually packed as they offer much to ponder since they are often surrealistic or full of symbolism. The symbolism and surreal environment enhance the fantastic adventure into love, passion, and righteousness that Lynch provides for his audience. The tale begins with Sailor (Nicolas Cage) who was sent to jail for manslaughter as he killed a man in self-defense that was sent by his girlfriends neurotic mother. Released on probation Sailor is free and loving as he can reunite with his girlfriend Lula (Laura Dern) despite Lula's mothers opposition to their relationship. Lula's defiance upsets her mother who hires another hitman to slay Sailor. However, Lula and Sailor decide to take off to California and break Sailor's probation by following the yellow line on the road to the promise land. ... Read more

Amazon.com essential video

Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique.--Jeff Shannon ... Read more

Reviews (109)

Can't Remember the Last Time I Laughed This Hard
For some reason, I had no idea that this was a Coen brothers production until the end of the movie. Then, when it was all over and the credits began to roll, it all finally made sense. In fact, I didn't know why I hadn't guessed it. Because this movie is so... Coen brothers.

Nicolas Cage plays Hi, a repeat inhabitant of the Tempe, Arizona prison, where he meets police officer Ed (Holly Hunter) and falls in love with her. After Hi's third parole, he agrees to give up his life of crime for Ed, and the two get married. Before long, they decide that they want nothing more than to start a family. Ed, however, is barren -- and they find that it's not exactly easy for a repeat offender to adopt a child.

When Nathan Arizona, owner of the furniture chain, Unpainted Arizona, is blessed with quintuplets, Hi and Ed decide that the Arizonas have more than they can handle -- so they decide to take one of the babies. But before Hi and Ed can settle into their new lives with little Nathan, Jr., Nathan Arizona offers a reward for the baby, and suddenly everyone's after him.

I honestly can't remember the last time I laughed so hard while watching a movie. I laughed so hard that I choked. I almost died -- but really, can you think of a better way to die? I can't.

Raising Arizona is bizarre and quirky -- and just the expression on Nicolas Cage's face throughout this movie (not to mention his wild hair) will keep you snickering from start to finish. Mix the perfectly ridiculous dialogue and the perfect amount of slapstick, and you've got the perfect addition to any DVD collection.

Quite possibly the funniest movie ever made
I've seen Raising Arizona far more times than I can count. It is, in my humble opinion, next to Kubrick's Dr. Strangelove the most original, inventive comedy ever made.

The dialogue is absolutely razor-sharp -- plenty of examples are certainly readily available in the reviews preceding this one -- and the camera work is wonderful, as well. I'd rank Raising Arizona a VERY close second to Miller's Crossing in a list of the Coen's best films. It is admittedly not as visually stylish as Miller's Crossing (then again, very few films ever made are), and the storyline is not as cohesive as Miller's Crossing, Fargo, or Barton Fink. However, the film is so full of verbal gems that it definitely ranks as the Coen's best dialogue writing effort. Cage and Hunter are wonderful, and John Goodman and William Forsythe are absolutely perfect as the Snopes brothers.

Admittedly, the DVD is nothing very special. All you really get is the more durable medium and a widescreen format. Some kind of "The Making of..." mini-documentary, or better yet, a commentary option with two or three of the actors, the director of photography, or ideally the Coens themselves would have been a priceless addition to the DVD.

Raw, Unvarnished Comedy -- Laughs Galore!
One of the earlier films of the Coen brothers (Joel and Ethan), "Raising Arizona" nevertheless lays the foundation for the Coens' later, more polished efforts.

H.I. ("Hi") McDonough, played with an earnest romanticism by Nicolas Cage, is a classic Coen protagonist. He means well, even if he can't get his master plan to quite come together (this is a man of dreams, forced into the life of a small-time hood by trickle-down economics), and he is prone to speaking in fits of poetry that often go awry ("There's what's right and there's what's right, and never the twain shall meet"). In one of the most inspired courtings ever to be put on film, Hi woos and wins Police Officer Edwina ("Ed"), played by Holly Hunter in a career-defining role, while being booked on numerous occasions.

Denied the joys of parenthood by Ed's infertile womb ("a rocky place where my seed could find no purchase") and Hi's criminal past - Ed's police service doesn't quite "cancel out" Hi's record like they had hoped -- Hi and Ed can't really enjoy their "salad days" in their trailer in the Arizona desert. That is, until the Arizona Quints are born to unpainted furniture magnate Nathan Arizona. Deciding that old Nathan and his wife have more kids than they could handle, Ed and Hi decide to kidnap one of the little nippers. In a scene that parodies "Jaws," Hi snags Nathan Jr., and Ed and Hi are parents.

Unfortunately, Hi's criminal past catches up wtih him as Gale (John Goodman) and Evelle (William Forsythe) break out of prison and hide out with Hi at the family trailer. Soon they are on to Hi's kidnapping, and they decide to pursue their own agenda. Unfortunately for all concerned, bounty hunter Leonard Smalls is on the hunt for the kidnapped youngster, too -- and a nasty bloodhound from hell he is, too. Surely casting "Tex" Cobb in this part is one of the most inspired bits of casting ever!

The movie is chock full of surprises, from the chase scenes involving what seems like ten packs of hounds and more gunfire than one could possibly imagine, to a fight in the trailer that won't be topped until "Kill Bill, Vol. 2," and an over-the-top cameo performance by Frances MacDormand as a nosy neighbor with a fondness for bibical names and a trove of baby advice. The dialogue is rich, filled with comic inspiration and a touching devotion to family. And, like most Coen brothers movies, things generally turn out all right for our heroes, they definitely don't wind up the way they planned.

For fans of the Coens, off-beat comedies, Nic Cage and Holly Hunter (which should describe an awful lot of folks), this is a heck of a film.

Did anyone else notice??
Did anyone else notice that while H.I. (Nicolas Cage) was working in the sheet metal factory after being released from prison, the patch on his jumpsuit said "Hudsucker Industries"??

Had the Potential to be Better
Although this movie had its funny moments and some very memorable lines and quotes, overall I thought it was mediocre. I'm normally a big fan of Nicholas Cage and Holly Hunter, however this movie just didn't deliver. The plot was original and it could have had the potential at becoming a real classic, amusing film, however the hysteria overshadowed the entertainment value of it. There was too much predictable shrieking, screaming, and yelling that it just got annoying after awhile. I thought the worst part was towards the end when things just starting dragging on. Because it's a typical Hollywood movie, the storyline climaxes towards chaos and turmoil, but you can predict that in a typical fashion, there will be a few carchases, some yelling and screaming, some explosions, and then a happy ending (surprise). This movie could have been outstanding if the humor were more carefully thought out and skillfully crafted. ... Read more

Reviews (162)

Nick Is Funny and Heartwarming. Good Holiday FIlm
The film is a good HOliday treat for the whole family. It is a new twist on the classic film of all time (and my personal favorite of all time) - Frank Capra's "It's A Wonderful Life" starring Jimmy Stewart and Donna Reed.

This one is directed by Brett Ratner (Rush Hour 1 & 2) and tells the tale of a man plaged brilliantly by Nicholas Cage (Ghostriders, Windtalkers, Leaving Las Vegas) - who things he has everything and misses nothing. That invokes intervention by an "angel" played by Don Cheadle (Rush Hour 2, Traffic, Mission To Mars) to show him what he doesn't have and therefore showing him what he is missing.

The new twist is that in his new "life" he learns of love and it amazingly down-to-earth performance by Tea Leoni (Deep Impact, Jurrasic Park III)

The film is warm and friendly and wonderful to watch. The kids and the aprents will find this story very entertaining.

The DVD Extras are really Fun. There is a great gag real of bloopers and the making of the film is very interesting. The commentaries with the director and anopther one with Danny Elfman (Edward Scissorhands, Batman, Big Fish) are charming and insightful.

This is a good one to have in your Holiday Collection. (12-10-03)

The Two Difficult Choices - Family or Career?
Jack Campbell (Nicolas Cage) was a highly sucessful wallstreet businessman. Thirteen years ago, he had left his college girlfriend, Kate Reynolds (Téa Leoni), to study law in the UK. Despite how hard she tried to convince him to stay, he had decided to leave. They never kept in contact after that.

Jack went to bed on Christmas eve and woke up on Christmas morning in a noisy house with a wife and two kids. Apparently, this was the alternate life that he would lead if he had not left for studies 13 years ago and stayed to marry Kate. He slowly discovered the importance and joy of having a family in the rest of the movie.

When Jack returned to his real life, he went to look for Kate, hoping to start afresh with her. Kate had long gotten over Jack and was in the midst of packing up to leave for Paris to work. Jack tried hard to get her to stay.

This is a heart-warming movie, especially during the parts when Jack was searching out his role as a family man. The current ending can be improved if it shows a scene where Jack and Kate live happily together as a family.

A Really Engrossing Film
This movie borrows from It's a Wonderful Life and the book Replay, where a man can go back and see how his life would be if he made a different choice.

In this movie, Nicholas Cage says goodbye to his girlfriend (Kate) at the airport. He is going to London for a job. We next see him years later as a successful head of a large corporation, unmarried and basically involved in one-night stands. We are later to find out that when Cage went to London, he forgot about Kate and she went her own way, never to be heard from again.

Cage is on the way home from the office during a snow-storm and thwarts a robbery. The audience expects the robber to shoot cage but instead Cage seems to convince the robber that he would be a better man if he didn't shoot Cage. It turns out that the robber is not really a robber but a type of Angel (similar to Clarence in It's a Wonderful Life) who will give Cage a glimpse of what life would be like if he hadn't stayed in London but instead came back and married Kate.

Cage goes to sleep in his luxury apartment and wakes up the next morning in a bed with an older Kate. Cage slowly learns that he is really a married man with a family and instead of a big time corporate president, he is a tire salesman in his father-in-law's store.

There are several hilarious scenes and some very touching ones. His "new" life looks like a nightmare at first turns out to be the life he will eventually prefer (Some of this is reminiscent of Goldie Hawn in Overboard). Only until he realizes this, he will not be returned to his prior life by the Angel.

The director does a great job in giving us an ending that is different than what you seem to expect. I won't say what but I think it was well done.

One thing that is not explored is that when Cage's glimpsed life finishes, he will lose his two children from that glimpsed life. The director never touches on Cage's feelings about that, unlike the novel Replay where the main character is torn apart because a child he had in an alternate life no longer exists when he is in a different reality.

The movie is well cast and Don Cheadle is excellent as the "angel."

This Movie really reach me deep inside !
A modern-day Frank Capra story. Jack Campbell, a successful and talented businessman, is happily living his single life. He has everything, or so he thinks. One day he wakes up in a new life where he didn't leave his college girlfriend for a London trip. He's married to Kate, lives in Jersey and has two kids. He, of course, desperately wants his life back for which he has worked 13 years for. He's president of P. K. Lassiter Investment House and not a tire salesman at Big Ed's. He drives a Ferrari and not a mini-van that never starts. And most importantly he doesn't wake up in the morning with kids jumping on the bed. After a bad start, day by day he's more confident in his new life and starts to see what he's been missing. Turns out money's good to have but that's not everything.
- Jack Campbell: a 36 years old, 6'1'', Nicolas Cage.
- Kate Reynolds: a 34 years old, 5'8'', Téa Leoni.
- Annie Campbell: a 6 years old, Makenzie Vega, who is half-Colombian and half-Italian.
- Josh Campbell: Twin Brother Jake and Ryan Milkovich.

Great Film
Although I'm not a highly sentimental person, I actually got teary eyed at the end of the film. I think this film actually puts a couple of perspectives to light, one - your career, and two - your family life. I think the parallels to everyone's life is unbelievable because people go through their daily chores not realizing the importance of the choices made and the options forgone. This movie works great from my personal point of view and I think if you watch this movie, you would agree. ... Read more

Amazon.com essential video

At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker ... Read more

Reviews (284)

Face Off DVD
The DVD of FACE OFF is one of the best, and a must-buy on the format. John Woo, uber director of The Killer (1989), Hard Boiled (1992) and Broken Arrow (1996) proves that even after the move to Hollywood, he still knows how to create fantastic action and Face Off is no exception. Building on the good but not great BROKEN ARROW, this one is a fantastic action ride. The film stars Nicholas Cage as Castor Troy, a villain, and John Travolta as agent Sean Archer, the only man who can stop Castor from unleashing a nuclear device.
Woo's trademarks are all present here: slow-mo gunfights, explosive action and those perennial doves. And both Nic Cage and Travolta are brilliant, especially Cage, whose eccentric performance is one of his most unrestrained and outstanding. One of the best (If not THE best) action films ever made. Excellent.
The DVD extras are sparse, with only a trailer. One hopes a future re-release will come soon...

Face/Off
Director John Woo's famous big-budget action-packed flick.This is the film that put John Woo on the map in America.Packed with guns, bullets, bombs, explosions and action scenes that are so original there choreographed like a ballet or a dance routine.

FBI agent Sean Archer (John Travolta)has been trying to apprehend terrorist, Castor Troy (Nicolas Cage) ever since he murdered Sean's son six years ago.Sean apprehend's Castor during a violent shoot-out in an airport and as a result of this puts Castor into a deep comma.Sean then undergoes new surgery involving swapping faces with Troy.He does this to try and find out where Castor has planted a deadly bomb hidden somewhere in L.A.Castor awakes from his comma, with Sean's identidy and takes over his life.Sean(really Castor) disarms the bomb which he planted and becomes an instant hero.Meanwhile Castor (really Sean) is a high-tech prison trying to find information about the bomb from Castor's brother, Pollux (Alessandro Nivola).Since Sean(Castor) has destroyed all evidence about the surgical swap, Castor has to try and break out of prison.Not only does he have to fight for himself but for wife Eve (Joan Allen) and daughter Jamie.

This is a superb film with enough plot to become a series.It does sound far-fethced in places but John Woo makes it believable and real.Great performances all around including the two main stars, Joan Allen and the sexy tough female Gina Gershon.

face off
he best movie in the ear 1997 it is perfect action good and adventure good nice acting for john travolta and nice acting for nicolas cage

One of my all-time favorite action films!
Place this modern action classic up there with DIE HARD, SPEED, and THE NEGOTIATOR as one of my personal favorite action films.

Before watching FACE/OFF completely, I had taken a look at one of director John Woo's Hong Kong action epics, THE KILLER. I must say, I prefer FACE/OFF better. Sure, both films have that same over-the-top operatic style, but at least FACE/OFF isn't as shamelessly sentimental as THE KILLER was. In THE KILLER, Woo's main characters both demolished hundreds of extras in graphically bloody style, and towards the end it got a bit too much even for me. In FACE/OFF, the gore isn't quite as graphic, and while the body count is still pretty high, it never got to the point that I was disgusted.

I'm not a knee-jerk admirer of John Woo as some people are. That slow-motion technique of his can become wince-inducingly excessive, especially now that many lesser action directors have started to rip off his style. In this case, though, one is too engrossed in the plot and in awe of the high-energy action staging to notice.

Of course, most people probably already have an idea of what the plot is about: criminal Castor Troy (Nicolas Cage) dies, but he has planted a bomb somewhere in LA, so obsessive detective Sean Archer (John Travolta) literally swaps identities with his arch-nemesis to go undercover at a high-tech prison to find out where that bomb is. Obviously, this situation leads to various complications as Troy wakes up from his coma, takes Archer's face, kills the doctors who performed the operation, and then tries to find Archer. It's the typical body-switch, and I would be remiss to mention that Troy is responsible for the death of Archer's son many years ago, and thus Archer has a vendetta against him that explains his obsessiveness.

It's a potentially laughable premise, but the actors and director make you buy it. Travolta and Cage are both convincing and have a lot of fun playing each others' characters, and the supporting cast is just as believable. The script, by Mike Werb and Michael Colleary, may have its bum dialogue lines here and there, but it's filled with ingenuity, plot-wise, as Troy tries to fit in with Archer's family and Archer tries to function in a prison. And of course the script gives director Woo plenty of leeway to go all-out with action scenes, and Woo does not disappoint, giving us plenty of stylish gunplay and loud explosions for about three action films, and even an audacious soundbite of "Over the Rainbow" as characters blow each other away. Woo sure lets his inventiveness run free here.

So okay, the film may be a little overlong, and that final gun battle at a church is perhaps too reminiscent of a similar battle in THE KILLER, right down to the flying pigeons motif. But all its flaws are forgivable in this case, since the movie is so thrilling matters of logic fall by the wayside. FACE/OFF may not be Woo's best film ever (I haven't seen HARD-BOILED yet), but it's pretty close to it, and in comparison to other modern action films, it stands pretty high there too. It'll ceratinly forever be one of my favorites. Recommended.

Action as Art
While the plot of this movie is relatively interesting, this movie is really about two things:
First, the lead actors get to do the characters they do best as fully as they know how. Cage is his typical, neurotic, repressed, and emotionally conflicted self. Travolta hams it up in the outlandish, larger-than-life way that he often does. Despite what could be seen as overacting by both the leads, the almost absurd disparity between them is one of central things that makes this movie work.

Second, this movie has the most beautiful action sequences of any action movie I have ever seen (excluding epic-type movies, i.e. LOTR, Star Wars, Braveheart, etc.). This is a film that knows it's an action movie and revels in it. The cinematography in the fight scenes simultaneously displays the nature of the characters and the intensity of the battle between them. There are so many moments when you will just delight at the visual art that is every action sequence in this film. Needless to say, this movie has all the gunfights, fistfights, chases, and large explosions that one would expect in a serious action film.
If you like action movies, this is the first one I would recommend. ... Read more

Reviews (214)

A great shame.
John Woo films have always had a tendency to rely more on explosive action sequences than masterful acting to pull the crowds. Face Off was loud but intriguing. M.I. 2 was loud but fairly stylishly done. Unfortunately, Windtalkers is really just loud.

The central plot is actually very good. Two U.S. marines must escort a pair of Navajo Indians who are trained to use a secret code to make transmissions to allies without Japanese troops earwigging. A factual plot too-this really happened. So all the potential was there, but the main problem from my point of view is that this movie was simply overdone.

Although the action sequences themselves are well done, nearly all of them are accompanied by dramatic war music which spoils the reality of them. There are also, if you can believe it, too many of them. Great war films like Saving Private Ryan and We Were Soldiers(watch that!) offered respite between the bangs for some thought provoking dialogue. Not so here.

The acting is far too over the top. Nicolas Cage is unusually poor, while Christian Slater barely breaks a sweat. I found that I did not care what happened to the characters-NOT a good sign.

This movie is a prime example of the fact that explosions cannot make a movie on their own. John Woo has made a good effort, but sadly this movie just did not hold my interest. If you REALLY like war films, you may like this movie, but otherwise, it's not really worth the postage and packaging!

ASIN: B00008PBZW

emotional, but lacking
i admit, it made me cry - but what ever happened to the lady nurse who helped Joe Enders pass his hearing test in order to be able to go back to war, and was writing him all the time? the characters are static, though the Navajos are slightly more dynamic; there was little background info. too much bombs and shooting throughout, and i especially did not like the melodramatic part when Enders killed Whitehorse along with the Japs and then told Yahzee,"I killed him. I threw a bomb and blew him up," acting so sarcastic, wanting to provoke and die. finally, the code language should have been featured more.

ful of stereotypes!
It is a well done typicall Hollywood movie but I have seen all this so many times. Everything is so predictable. The movie with such great actors as Nicolas Cage and Christian Slater doesn't have any material for them to work with. I was shocked that such inventive director as John Woo could make such lame movie. Not recommended.

I Wonder What the Wind Would Say
First of all I will say that the importance of the concept for this film is necessary and much overlooked. The involvement of American Indians in war is sadly left out of too many history books.

I was hoping this film would be better than it turned out to be. The historical facts should be recoginized along side all of the other celebrations of war heroes. Sadly this film was a complete bomb. The direction was predictable and the action scenes could have been shot by a five year old boy playing "war hero" in the backyard, alot of noise and piles of dust and actors pretending to be dead. All this with the constant drone of a musical score best left for a karoke bar to hum along to.

And what happened to Nicolas Cage? He used to be a great actor with individual style and presentation. It seems that he just keeps slipping away. I just was not convinced of his "hero" ability in this film....and his death scene is almost the most horrendous I have ever witnessed, not for the gore or emotional impact, but because it was simply awful acting!

Windtalkers
This DVD is not widescreen . And I need all my DVDs widescreen because I have a windscreen TV. Went to Hasting all of Windtalkers DVD are both widescreen and Fullscreen.
And I went back to my order from you and it show it was widescreen that was order.
What happen? ... Read more

Reviews (113)

Good movie, but not a great film score: 74 (out of 100)
Nicholas Cage's character, Ben Sanderson, has apparently lost his wife, family, and job. He decides to take his severance check and buy tons of alcohol in order to drink himself to death in a Las Vegas motel room. He meets Sera (Elizabeth Shue), a prostitute that he picks up along the way, and they develop a love affair in the process. Sera's love for Ben is reflected in the way she lets him complete his goal. He wants death and no rehabilitation. As a result, she sacrifices herself in prostitution in order to make ends meet and raise money for Ben's booze habit. In the process, Sera meets some terrible experiences, which makes her character more interesting.

DAYS OF WINE AND ROSES and THE LOST WEEKEND may have an edge on this movie because they have characters that grow and develop over a long period of time. There is not much that we know about Ben or Sera. All we see are his momments of drunkeness and Sera's trying to cope with it. There is very little room for character development in this movie, and the end result is a depressing atmosphere.

Pros: Acting
Cons: Screenplay

Score: 74 (out of 100)

Leaving Las Vegas- A Moving and meaningful film
This film is not for most people; it's very morose and gruesome at times, and it won't be entertaining and satisfying in the same way most mainstream movies are. It does however provide a very shocking and revealing look at the lives of a hopeless drunkard and a lonely prostitute.

Nicholas Cage and Elizabeth Shue are superb portraying their characters and their skill is the driving force of the film. That isn't to say, however, that the directing, music, and screenplay weren't excellent as well.

One particularly important aspect of the film is the relationship that forms between Cage and Shue. Some reviewers describe it as sincere love, however, I don't agree. Both Cage and Shue are desolate and vulnerable. The natural thing for both of them to do when they meet is to seek refuge in each other. Shue might love Cage, but it's more out of desparation for company than what she sees in him. Cage's interest in Shue is somewhat more confusing. Before his introduction to Shue, I got the impression that he was completely detatched from anything earthly. The relationship he maintains with Shue suggests otherwise though. I'm not really sure, yet, what to make of Cage.

I never really knew what alcohol could do to a man until seeing this movie. Sure, a random drunk on the street is a common sight, but most people, who don't have a friend or family member with the problem, don't realize the extreme extent to which the obsession can develop. I'd recommend this film to anyone older than 17.

THE ONLY MOVIE TO EVER MAKE ME CRY
i could go on and on but i wont, the facts are a) this is probably the most dramatic movie ever made and b) nic cage is the best actor on the planet. holy smokes was he amazing in this and elisabeth shue is perfect by all standards. i also dig "the third man" tributes in there - good job all around tonite i decided this is my favorite movie....which might last a week but it will remain top five forever. I know its a little late but seriously...congrats nic cage you kick ass.

Something different-not for the kiddies.
I like this movie and recommend it. Something to watch when you're alone late at night. Good acting by the talented Cage
& Shue. Makes an impression on you.

BOOOORIIING
This movie is one of the most boring ones I have ever seen. Cage is drunk through the entire movie, and the woman he's with is a prostitute. I normally love Nicholas Cage movies, but this one was an insult to his talent as an actor. Instead of renting this movie, slam your fingers in a door repeatedly. That's free, and less painful than sitting through this stinker. ... Read more

Amazon.com

Based on William Wharton's transcendent novel of the same name, this film is about many things: friendship, war, and, of course, birds. The framing device is an effort by a horribly scarred combat soldier (Nicolas Cage) to break through to his best friend, Birdy (Matthew Modine), hospitalized after seemingly being driven mad by fighting in the Vietnam War. Cage then flashes back to their boyhood, where Birdy, a canary aficionado, was considered the school weirdo but managed to be a solid companion nonetheless. Directed by Alan Parker, it works best as a coming-of-age story, but misses the bizarre psychological transferences of the book, in which Birdy imagines himself within the world of canaries he creates in his bedroom at his parents' house. Modine is fine as an out-of-it misfit enraptured by his own little universe. --Marshall Fine ... Read more

Reviews (24)

Birdy.
Character-driven film which explores the friendship between two young men, one of them relatively normal (Cage) but physically scarred by 'Nam (could have been any war)...and the other (Modine,_Full Metal Jacket_) who more and more sees the world through the beady eyes of birds, with as consequence gradual alienation from his 'fellow men and women'.

There are not many reviews here belonging to Birdy, but it was a hit at Cannes (a while ago) and is generally considered a staple of 'good-film-making'. Anyway, people who come here hoping to learn more about it are likely to be real admirers of fine cinematic art, in my opinion. Possible complaints (NOT mine) would be that Birdy is slow and goes nowhere at all and has a weak ending. To those people, go watch something in which dozens of cars explode for no apparent reason.

Anyway, after the horrors of war (this is not Platoon, however, Birdy is, how to put this nicely, not littered with dead people), Modine ends up hospitalized (I gave nothing away; this is the start of Birdy). Cage tries to pull him back into sanity, and it's through chronological flashbacks (many excellent scenes, by the way) that their friendship is shown.

Fascinating characters, brilliantly written, and great acting. As others pointed out, the soundtrack is indeed memorable.
Unfortunately for me, I realized but late why it was so important that the window should open. Stupid me. I hope you are brighter of mind.

I Believe I Can Fly
This sleeper and not very recent movie should get more recognition than it gets, since it`s a moving, well-crafted piece of film-making above most overhyped flicks around. It focuses the relationship of two friends, one (Nicolas Cage in one of his first roles) that has recently returned from Vietnam and "Birdy" (an excellent Matthew Modine), who is kept in an hospital due to (apparent) psychological disorder.
The pacing is slow (pherhaps a bit too slow during the first half), presenting Cage`s character visit to his friend in order to help him and some flashbacks that showcase their teenage relationship.

As the story unfolds, Birdy`s past is foreshadowed and the viewer comes across his passion, curiosity and obssession with birds, that starts to increase and soon reduces his bonds to other people and experiences.
Birdy has his own little world and soon gets stuck in it, and one of his few contacts with "common reality" is his only friend that struggles to understand his point of view.

Director Alan Parker manages to bring a deep, powerful and subtle movie that expertly deals with isolation, insanity, friendship, freedom, alienation and connection.
The story wisely avoids sappy and easy melodramatic fluff, delivering a strong and honest character study that lies in the range of its two leads. Modine, in particular, is utterly convincing as the fragile, confused and innocent Birdy, providing a compelling portrayal of a youngster that percieves his own peculiar universe.

This picture is also a stunning coming-of-age tale, avoiding predictable and tired cliches and presenting a unique, memmorable and sincere friendship between the two characters.
The slow pacing and the beautiful cinematography help the creation of a captivating, haunting and eerie mood to the movie, becoming weirdly unsettling at times.

"Birdy" has much to recommend and really carries a feel of its own, being a great cinematic experience for those who have ever felt "different", misunderstoodand and seem to be outside.
This is quality cinema. Highly recommended.

Hauntingly and evocative movie of friendship and devotion!
"Birdy" gets my nod as one of the greatest and most compelling movies of all time in so many ways. While it is like many that focus on the effects of the war in Vietnam, this movie is the most unique story of friendship, the effects of military combat, and eccentricity like no other movie of the 1980s or ever for that matter.

Nicholas Cage and Matthew Modine star in "Birdy" as two lifelong friends from the run-down industrial ghettos of Philadelphia where they have played baseball together and 'Birdy' has had a huge passionate obsession with birds throughout his life and has dreamed of being able to fly like a bird. However, the two friends are recruited into the U.S. Army and are involved in the fighting in Vietnam and when they return, both are horribly scarred. One has suffered physical wounds with face wounds while the other has mental scars (Post Traumatic Stress Disorder) and being driven mad from the horrors of fighting in Vietnam, has almost withdrawn into his own 'birdland' and acting like a bird and not responding to outside social stimuli. As a result, Birdy has been hospitalized in a decrepit mental institution. Now Al Columbato must try to get his friend Birdy to be able to emerge from his catatonic state if he wants to leave the mental hospital and return to a normal life. During all of this, we can be able to see the flashbacks into Birdy and Al's past and see how 'bird boy's' obsession with birds grew increasingly strong and started to strain his social life with his friend and others around him but yet see very compelling acts of bonding between the two unlikely friends and how they've gone through so much together even before the war.

The characters are among the most compelling I've ever seen in a drama movie ever. This might be considered a 'coming of age' movie but it's so much more than just your average teen angst movie. "Birdy" delves into some of the strangest and most unique perspectives of obsessive people with their subjects of interests and the things that true friends go through in order to stay bonded forever. The photography is stunningly brilliant and stunning beautiful thanks to ironically, it's relatively primitive filming technology that was used in filming it. The grittiness of the movie while it may be a bit irritating, gives this movie a strangely opaque feel and some of the scenes which are throughout this film are absolutely moving and will tug at your heartstrings. All of the scenes of the birds flying into the air are perfectly filmed and enhance the movie's emotional quality even more. While this movie is very heavy in it's bittersweet plot, there are some really smart and honest comedic elements that are really funny without detracting anything from it's dramatic tone and the funnier parts make this movie ever more bittersweet. Sometimes I would go far enough to say that this almost has high amounts of both even though there is far, FAR more drama. "Birdy" is bizarre, psychotic, happy, sad, dark, bright, and a whole lot of other positive things.

Director Alan Parker creates one of the most compelling movies of all time. While nothing could ever go wrong with this movie, his directing made it so much more powerful, moving, funny in odd ways, and yet very vivid on such high levels unparalleled. This movie centers on some of the more unattractive areas of Philadelphia (At least at the time, I'm not sure about today) like industrial junkyards, landfills, and run down neighborhoods, but centering on one like these areas makes this movie so much more interesting and from my standpoint, aims to dispel the notion that all poor areas are necessarily dangerous and crime-ridden. While it was centered on Philadelphia, this movie reminds me of what many areas of Chicago looked like during my childhood memories: Weed-ridden, extremely gritty, seedy, and depressed (Many of them have seen serious gentrification in recent years), at least at the time.

Nicholas Cage and Matthew Modine in their earliest days of their acting careers are absolutely amazing as Al and 'birdy'. The interactions between the two characters in the movie are absolutely realistic and really bittersweet. While not throwing a beating by any means at his later movies, I personally think that Nicholas Cage's acting hasn't reached the early pinnacle as on "Birdy" but sometimes there's the saying that it's "Never as Good As The First Time" and it surely applies here. Matthew Modine is the most compelling lead in this movie as his portrayal of Birdy is incredible, vivid, and believable. By the way, he's the guy on the album cover of the soundtrack by Peter Gabriel which brings to mind the soundtrack.

The music along makes this movie really vividly bittersweet with really powerful background music that perfectly fits with the movie's really obscure tone with songs like "Under Lock and Key" and "Close Up" which is actually expanded from the 50 second version on the CD and includes the chord progression of it's parent track "Family Snapshot" and it's absolutely haunting and thought-provoking. Most of the songs on the soundtrack can be heard in the background if one listens carefully and it's absolutely haunting and makes the various scenes even more compelling. What's even more unique is how this movie doesn't seem to rely on generic orchestra background music for a change. The haunting music at the beginning has the haunting eerie song "Slow Water" mixed with the song "Quiet & Alone" and combining the two songs makes it so amazing like no other movie opening theme.

"Birdy" wasn't a massive hit in the USA due to it's unconventional nature and lack of a 'formulaic plot' especially when "Terminator" and "Temple of Doom" were riding high, but this has become one of my favorite movies of the decade. If you can find this movie on DVD, then you MUST buy this ASAP. It may be a bit slow paced at first but it allows a lot of character development and allows you to know them very well and "Birdy" will ultimately be one of the most rewarding movies you'll ever see. It is intense without being violent or bloody, or even immensely depressing.

This is quite simply the most brilliant and evocative masterpieces of the 1980s and one of histories lost treasures. I could go for a very long time with this review but since there is only a limited space for reviews on here, I have no choice but to end it here.

Visually Stunning
There is so much to love about this film. Firstly, it exemplifies great performances from Modine and Cage. Matthew Modine as Birdy is one of the most wonderful character portrayls on film. Modine creates a painful vulnerability to the character - showing beauty, innocence and alienation all in one. The film showcases the unusual friendship between the two boys - its an intense and unliklely friendship, but at the same time there is a deep understanding and respect. The performances, coupled with the beautiful photography and Peter Gabriel's vivid soundtrack, makes Birdy a special film that has aged rather well.

Excellent original story of true friendship and humanity
"Birdy" is an excellent original story of an unlikely friendship that develops into a deep emotional bond between two male friends, pure and devoid of sexual nature. While there's no female lead in this film, there are female supporting characters (including one whom briefly reveals her "significant attributes"). This film was largely overlooked by mainstream audiences because it doesn't deliver a typical entertainment formula, but, as can be told from the global spread of the reviewers here, it will greatly reward those who seek it out and can appreciate it.

Although many seem to feel the anti-war theme is a secondary part of the story, it seems the film-makers intentionally moved the story into the Vietnam era to make a more contemporarily relevant and potent statement on that level. Attributing Birdy's withdrawal to the horrors of war circa Vietnam instead of WWII certainly makes that statement more acceptable, and Birdy's desire to escape human existence completely into the world of birds seems virtually rational in this context.

As a native Philadelphian, I found it confusing trying to pinpoint which neighborhood Birdy and Al grew up in from only viewing the movie. The graffiti-less El station in the movie looks more like Frankford in Northeast Philly today than 63rd street, yet 63rd street would be much closer to the Southwest Philly area where the movie seems to have been set. The book verifies 63rd Street as the location, and also reveals enough clues to determine that Birdy and Al actually lived in Upper Darby, PA, just outside Philadelphia. (The exact location of Birdy's house could be pinpointed by determining where home-plate was situated in the local play area, as Al verifies that Birdy's yard was adjacent to left-center field, where a right-handed batter would usually place a ball hit out of play.) Even though the movie dwells on unattractive parts of the city, like junkyards and garbage dumps, it adds interest that they filmed in authentic locations in Philadelphia and New Jersey. ... Read more

Reviews (31)

Why this movie is great
William Butler Yeats:

When You Are Old

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

That comes from a scene where Peggy Sue (Kathleen Turner) is talking to a poet Michael Fitzsimmons (Kevin J. O'Connor) while she is visiting her high school years. The scene is one of my favorite movie scenes ever and I feel that the movie itself is a timeless piece of cinema. Look out for performances from Jim Carrey, Nicholas Cage, Hellen Hunt, and a young Sofia Copola (director of Lost in Translation, Virgin Suicides) as Peggy's bratty kid sister (is there another kind?) Great musical score. And this is the one flick guranteed to make me tear up everytime.

Different Kind of Master Piece
This an excellent film to watch primarily bacause all the cast members, including Coppola's daughter who plays Sue's sister in the movie, did a super job of acting their parts. I understand that Miss Kathleen Turner did not want Mr. Cage to be her co-star; however, Coppola wisely insisted that his nephew play the roll Some reviews are critical of Mr. Cage's performance; on the contrary, he does capture the part of that type of kid. I knew several fellas like him when I went to high school in the 40's. With the exception of one scene in which Miss Turner sexually get's involved with the student poet, the entire family can watch the film without being embarrassed. I feel Peggy Sue Got Married will be appreciated in the future like many of us now appreciate "It Happened One Night" with Cable and Colbert. "It Happened One Night," with Cable and Colbert.

A Fun Film to Watch!
In this time travel spin a woman (Peggy Sue) at her high school reunion has a heart attack and while lingering between life and death, is transported back in time to her high school days. Peggy Sue knowing that her boyfriend Charlie will turn out rotten after she marries him, is determined not to repeat the same mistakes of the past.

Peggy Sue tries to distance herself from Charlie and has an affair with a rebel/philospher student to try to change things. While doing this she learns about Charlie that she never knew and ends up falling in love with him all over again.

I really enjoyed this film and it shows that Peggy Sue with all her future knowledge and superior attitude is still unable to change what originally occurred.

Not worth a second look.....
When DVD production started to really take off, no one knew just how it would change the way you look at movies. In many cases, you can have a good movie, but if it's on a bad DVD, it can ruin the movie for the watching person. Such has been the case with Colombia/Tri-Star DVDs. This was a pretty good movie, but I saw the DVD of it, and it ruined the film. There are no bonus features and the film print is rather poor. I have now bought ten movies that were made by Colombia/Tri-Star DVD video, and only three of the movies had a good DVD made on them. The rest have been a waste of money and this regretfully is another of them.

Great classic movie
I love this movie, always have,, took my watching and waiting for to to come back in stock !! good quality, and amazingly a good "family" movie,, no bad language, and average situiations for teens, very good "flashback" movie ! ... Read more

Reviews (104)

Tragedy & love, drawn from history, on a sunny Greek isle!
For pure entertainment, it's hard to beat a love story wrapped in a war story. As a war story, Captain Corelli's Mandolin is a failure. As a love story, it's barely there, but the combination is greater than the sum of the parts. The story is rich; it's historical, and the cinematography of a sunny Greek island will give any movie a lift.

Set in World War II, the Italian army, under the control of the Germans, occupies the Greek Island of Cephallonia. The islanders are not intimidated in the least, by the Italians. They regard them as hopeless, spineless cowards and the most pathetic excuse for soldiers. These soldiers are not real fighting men anyway. They are musicians in uniform. Despite the intrusion of the Italian occupiers, these musicians bring a love of music and an enjoyment life, where they can find it, to the war stressed town.

Penelope Cruz plays Pelagia, a medical student and daughter of the village doctor. She has a boyfriend in the village, Madras, who is involved with the