Reviews (304)

NOT Eastwood's best...
...that title remains with Unforgiven.

Mystic river is a good movie, not a great one. It has a great story and great characters - with a good screenplay by Brian Helgeland, based on Dennis Lehane's book. The directing is solid, while not really bringing anything special to the film, yet pacing it prefectly in building the tension around the murder.

What is outstanding about this film is the acting. Sean Penn gives yet another inspired performance as a working class father from Boston who just lost his oldest daughter to a horrific murder. Although the scenes that most people seem to remember (and that are shown in the trailer) show his *exaggerated* response to his daughter's death, the rest of the performance is more subdued and restrained.

Tim Robbins' performance is also of note, as Penn's disturbed boyhood friend who shows up covered in blood the same night of the murder, making his frightened wife (Marcia Gay Harden) start to doubt his story and to believe that he is in fact the murderer.

The rest of the cast give solid performances in somewhat limited characters, Kevin Bacon and Laurence Fishburne as the cops asigned to the case, and Laura Linney as Penn's second wife.

However, there are a few things about the film that rubbed me the wrong way; the whole sub-plot about Bacon's wife calling him on his cell phone and not speaking? What was that suppossed to bring to the movie? Or Linney's (apparently) sudden transformation into Lady MacBeth, telling Penn's character that he should do whatever needed to be done? Or the final parade scene?

In short, while not a great film (certainly not Eastwood's best), it's a good one worth catching, and not as bad as some other reviewers will have you believe (certainly not Mistake River!).

Sean Penn and Tim Robbins are outstanding!
In Mystic River, director Clint Eastwood has taken the themes of pain and loss, added superb actors, and a literate script to make a memorable movie.

Jimmy, Sean, and Dave were childhood buddies growing up in a working-class neighborhood in Boston. One day, Dave was lured away and sexually abused by two men. Years later, the boys are now adults; Jimmy (Penn) is an ex-con with a loving family, Sean (Bacon) is a cop with marital woes, and Dave (Robbins), forever damaged by his childhood trauma, is barely clinging to reality. When Jimmy's daughter is murdered, Sean investigates, Jimmy vows vigilante justice, and Dave is a prime suspect.

The lead actors are outstanding here. Penn is utterly convincing as the former thug and heartbroken father. Robbins displays his acting chops in the performance of a lifetime, showing a fragile man dealing with such pain that he can no longer function rationally. The two men certainly deserved their Oscars.

This is a movie that will pull at your heartstrings while keeping you guessing who the killer is. There are, thankfully, no graphic scenes of child abuse or the girl's death, yet you will be on the edge of your seat much of the time. This is an outstanding film.

Stale As Month-Old Potato Chips
I was quite surprised at how bad this movie was. Perhaps it was just me, but I was looking forward to a Unforgiven-type directoral masterpiece from Mr. Eastwood and the stars Robbins and Penn. Given the hype this movie recieved (and the oscar nods to its 2 main stars and director Eastwood) I was really ready to sink my viewing teeth into something substantial.

Unfortunately, this movie was as stale as a bag of month-old potato chips. I never really came to symphathize at all with Sean Penn's character, even though his daughter was murdered. I mean, seriously, how can you symphathize with a criminal (Penn's character) who barely was involved in his kid's life to begin with?

Perhaps if the movie had shown a more deeper relationship between Penn and the kid then I could have cared more about the outcome. As it was all my sympathy went to Tim Robbins character, sexually molested as a child and then basically forgotten by his so-called "buddies". In my opinion Tim Robbins is the only reason to watch this movie. He walks around with an aire of utter hopelessness (reminiscent of the character he played in Jacob's Ladder), and yet he tries so hard to get passed the mental anguish of his past and make it through each day as an adult that by the end you are cheering for him.

Which brings me to the other reason why this movie stinks - the ending.

Like in a good novel, the reader/viewer doesn't want to be cheated in the end. I don't want to give away the ending, but be warned - it stinks.

All in all there really wasn't any substance to most of the characters, and I found myself toward the end wondering why I should even finish watching it. I like to be absorbed by characters played with heart and substance. Watching these jokers (except for Robbins) was like watching carboard cutouts being moved around on a stage.

Mystic River..The Ending Bites
First off..someone please tell Clint Eastwood to back away from the camera slowly and never ever direct another film. As far as everyone who raves about this film..you have lost all cred. I supposed your enthralled by shiny objects too. The ending was ridiculous....my daughter is killed..lets go to a parade?????? The fact that this drivel was considered genius in two mediums is baffling...more proof that everything is watered down beyond hope...whoever says this is a classic- I have some old home movies..you wanna shell out money to see those too???

Pretentious Puddle?
.
In great dramas, people aren't perfect, but their mistakes make sense. In melodramas, their mistakes don't; they occur only because the screenwriter wants them to.

Mystic River is a horrid melodrama, Hollywood's worst in years.

Pick any three-minute segment, jump in the shoes of any major character, and you'll find at least two instances where common sense would completely unravel the plot. There would be:

phone calls to doctors
routine checks on how the investigation is going

alerts to detectives
ridiculous assumptions thrown out the window
obvious suspects brought in for questioning
DNA and blood evidence rapidly analyzed and suspects eliminated
direct confrontations and/or backchannel neighborhood chats to double-check facts
and, oh, maybe a teeny bit of thinking before irreversible acts are committed.

None of this happens, of course, because the screenwriter creates a world without accepting its rules. The major characters are supposed to have lived in the same rough neighborhood and known each other all or most of their lives. But the lifelong aggressors uniformly jump to conclusions, as though they've never served time or seen other hoodlums get burned by assumptions. And the lifelong victims never seem to have their radar up around shady characters.

So we're asked to believe in a tough, jaded world where all statements are taken at face value, where no one seems to have ever seen a crime movie or played a single hand of poker, and where seasoned homicide cops don't seem to have heard of fingerprints, basic procedure, or internal affairs investigations. It's totally implausible.

In a decent drama, Dave never gets in the Savage brothers' car. Not with his history, not knowing the Savage brothers, not given the circumstances. But he gets in, because that's the only way the screenwriter gets Dave to the next scene. Ugh.

As a counterpoint, check out any Farrelly brothers movie. Yeah, they're comedies, but they follow the rules of drama: the characters are put in situations they take seriously, and make decisions that, given who they are, make lots of sense. The funny comes from sensibly navigating absurd situations. Unlike the funny in Mystic River, which inadvertently jumps out from umpty-jillion RIDICULOUS plot twists.

Me Myself and Irene is a better cop drama than this overhyped clunker. Kingpin is a vastly better study of victims and villains. And no, I'm not kidding. Skip MR. ... Read more

Reviews (304)

NOT Eastwood's best...
...that title remains with Unforgiven.

Mystic river is a good movie, not a great one. It has a great story and great characters - with a good screenplay by Brian Helgeland, based on Dennis Lehane's book. The directing is solid, while not really bringing anything special to the film, yet pacing it prefectly in building the tension around the murder.

What is outstanding about this film is the acting. Sean Penn gives yet another inspired performance as a working class father from Boston who just lost his oldest daughter to a horrific murder. Although the scenes that most people seem to remember (and that are shown in the trailer) show his *exaggerated* response to his daughter's death, the rest of the performance is more subdued and restrained.

Tim Robbins' performance is also of note, as Penn's disturbed boyhood friend who shows up covered in blood the same night of the murder, making his frightened wife (Marcia Gay Harden) start to doubt his story and to believe that he is in fact the murderer.

The rest of the cast give solid performances in somewhat limited characters, Kevin Bacon and Laurence Fishburne as the cops asigned to the case, and Laura Linney as Penn's second wife.

However, there are a few things about the film that rubbed me the wrong way; the whole sub-plot about Bacon's wife calling him on his cell phone and not speaking? What was that suppossed to bring to the movie? Or Linney's (apparently) sudden transformation into Lady MacBeth, telling Penn's character that he should do whatever needed to be done? Or the final parade scene?

In short, while not a great film (certainly not Eastwood's best), it's a good one worth catching, and not as bad as some other reviewers will have you believe (certainly not Mistake River!).

Sean Penn and Tim Robbins are outstanding!
In Mystic River, director Clint Eastwood has taken the themes of pain and loss, added superb actors, and a literate script to make a memorable movie.

Jimmy, Sean, and Dave were childhood buddies growing up in a working-class neighborhood in Boston. One day, Dave was lured away and sexually abused by two men. Years later, the boys are now adults; Jimmy (Penn) is an ex-con with a loving family, Sean (Bacon) is a cop with marital woes, and Dave (Robbins), forever damaged by his childhood trauma, is barely clinging to reality. When Jimmy's daughter is murdered, Sean investigates, Jimmy vows vigilante justice, and Dave is a prime suspect.

The lead actors are outstanding here. Penn is utterly convincing as the former thug and heartbroken father. Robbins displays his acting chops in the performance of a lifetime, showing a fragile man dealing with such pain that he can no longer function rationally. The two men certainly deserved their Oscars.

This is a movie that will pull at your heartstrings while keeping you guessing who the killer is. There are, thankfully, no graphic scenes of child abuse or the girl's death, yet you will be on the edge of your seat much of the time. This is an outstanding film.

Stale As Month-Old Potato Chips
I was quite surprised at how bad this movie was. Perhaps it was just me, but I was looking forward to a Unforgiven-type directoral masterpiece from Mr. Eastwood and the stars Robbins and Penn. Given the hype this movie recieved (and the oscar nods to its 2 main stars and director Eastwood) I was really ready to sink my viewing teeth into something substantial.

Unfortunately, this movie was as stale as a bag of month-old potato chips. I never really came to symphathize at all with Sean Penn's character, even though his daughter was murdered. I mean, seriously, how can you symphathize with a criminal (Penn's character) who barely was involved in his kid's life to begin with?

Perhaps if the movie had shown a more deeper relationship between Penn and the kid then I could have cared more about the outcome. As it was all my sympathy went to Tim Robbins character, sexually molested as a child and then basically forgotten by his so-called "buddies". In my opinion Tim Robbins is the only reason to watch this movie. He walks around with an aire of utter hopelessness (reminiscent of the character he played in Jacob's Ladder), and yet he tries so hard to get passed the mental anguish of his past and make it through each day as an adult that by the end you are cheering for him.

Which brings me to the other reason why this movie stinks - the ending.

Like in a good novel, the reader/viewer doesn't want to be cheated in the end. I don't want to give away the ending, but be warned - it stinks.

All in all there really wasn't any substance to most of the characters, and I found myself toward the end wondering why I should even finish watching it. I like to be absorbed by characters played with heart and substance. Watching these jokers (except for Robbins) was like watching carboard cutouts being moved around on a stage.

Mystic River..The Ending Bites
First off..someone please tell Clint Eastwood to back away from the camera slowly and never ever direct another film. As far as everyone who raves about this film..you have lost all cred. I supposed your enthralled by shiny objects too. The ending was ridiculous....my daughter is killed..lets go to a parade?????? The fact that this drivel was considered genius in two mediums is baffling...more proof that everything is watered down beyond hope...whoever says this is a classic- I have some old home movies..you wanna shell out money to see those too???

Pretentious Puddle?
.
In great dramas, people aren't perfect, but their mistakes make sense. In melodramas, their mistakes don't; they occur only because the screenwriter wants them to.

Mystic River is a horrid melodrama, Hollywood's worst in years.

Pick any three-minute segment, jump in the shoes of any major character, and you'll find at least two instances where common sense would completely unravel the plot. There would be:

phone calls to doctors
routine checks on how the investigation is going

alerts to detectives
ridiculous assumptions thrown out the window
obvious suspects brought in for questioning
DNA and blood evidence rapidly analyzed and suspects eliminated
direct confrontations and/or backchannel neighborhood chats to double-check facts
and, oh, maybe a teeny bit of thinking before irreversible acts are committed.

None of this happens, of course, because the screenwriter creates a world without accepting its rules. The major characters are supposed to have lived in the same rough neighborhood and known each other all or most of their lives. But the lifelong aggressors uniformly jump to conclusions, as though they've never served time or seen other hoodlums get burned by assumptions. And the lifelong victims never seem to have their radar up around shady characters.

So we're asked to believe in a tough, jaded world where all statements are taken at face value, where no one seems to have ever seen a crime movie or played a single hand of poker, and where seasoned homicide cops don't seem to have heard of fingerprints, basic procedure, or internal affairs investigations. It's totally implausible.

In a decent drama, Dave never gets in the Savage brothers' car. Not with his history, not knowing the Savage brothers, not given the circumstances. But he gets in, because that's the only way the screenwriter gets Dave to the next scene. Ugh.

As a counterpoint, check out any Farrelly brothers movie. Yeah, they're comedies, but they follow the rules of drama: the characters are put in situations they take seriously, and make decisions that, given who they are, make lots of sense. The funny comes from sensibly navigating absurd situations. Unlike the funny in Mystic River, which inadvertently jumps out from umpty-jillion RIDICULOUS plot twists.

Me Myself and Irene is a better cop drama than this overhyped clunker. Kingpin is a vastly better study of victims and villains. And no, I'm not kidding. Skip MR. ... Read more

Reviews (1)

Great Adaptation!
I thought this adaptation would have gotten a nod from Willa Cather. The scenery was beautiful, the characters just as Willa Cather drew them in her book by the same title. Jessica Lange was Alexandra with her quite dignity, and strong will and the chemistry between she and Carl was very believable. Perhaps the best characters were Maria (Anne Heche) and Emile, who did a superb job at playing star crossed lovers. I was very impressed with the screen play. There were so many quotes from the book, who ever did it had a good sense of the book. There were only two faults I found with the film and that was the casting of two characters. I believe they could have found someone else to play the younger Alexandra. Heather Graham seemed too stiff and her accent was always slipping. The other character was the land. There should have been more shots of it. The land was such a central part of the book. It is what gave Alexandra her strength and her faith.

If one likes very accurate novels into film or period pieces and great actor/actress chemistry this is a great movie to watch. ... Read more

Amazon.com

Either Dean Koontz shouldn't adapt his own bestsellers, or his 1983 novel Phantoms was a pack of horror clichés to begin with, or this movie is 15 years past its due date. What might have seemed fresh at the time of Poltergeist now feels like it was made from a derivative script with pages missing. Plagued by reckless leaps of logic, the movie starts with adequately eerie atmosphere and a perversely twisted performance by Scream 2's Liev Schreiber, but decays into a familiar hash of gross-out effects, resulting from the annihilation of a small Colorado town by an evil force known as "The Ancient Enemy." In a dreary role that insults the twilight of his distinguished career, Peter O'Toole plays a paleobiologist whose crackpot ideas have become tabloid fodder, but he holds the key to conquering the beast. Or does he? Sure enough, an obligatory coda leaves room for anticlimactic doubt. Phantoms has a few genuinely creepy highlights, including a devilish beastie resembling an angry flying scorpion, and horror fans will surely find something to admire, but everyone else is advised to proceed with caution and lowered expectations. --Jeff Shannon ... Read more

Reviews (76)

Better than I had expected
First thing is first, Phantoms is a movie to be taken with a grain of salt. There is nothing overly scary or shocking in this run of the mill B-grade thriller, but it is entertaining nonetheless, and mostly delivers the goods. Joanna Going and Rose McGowen play sisters whose return to Snowfield, Colorado is interrupted by the disappearance of every person in the town. Eventually they meet up with a sheriff (Ben Affleck in yet another movie from Miramax/Dimension Films) and his two deputies played by Liev Schrieber and Nicky Katt. Eventually the military is on the scene and we're joined by accomplished actor Peter O'Toole who plays a crackpot paleobiologist whose tabloid fodder may not be so crackpot. A few scares and shocks are abound, with some rather good special effects, and Schreiber nearly steals the entire show with his whacko performance. But, Phantoms is rather predictable and sometimes laughable with huge leaps of logic and a few plot holes here and there, but Phantoms remains a fun ride nonetheless. All in all, Phantoms is a pretty good B-grade horror film that horror or sci-fi fans will get a kick out of.

scary, terrifying thriller
Phantoms is a very entertaining and scary science fiction horror film. Only a few other films such as Event Horizon and Candyman are as intense as Phantoms. The first half of the movie is probably the scariest and creepiest in horror film history. The movie begins quickly and gets right to the action. Two sisters, played by Joanna Going and Rose Mcgowan, return to the town of Snowfield, Colorado to find most of the inhabitants missing and several gory looking dead bodies. They enter a bakery and meet an out of town sheriff, Bryce Hammond, played well by Ben Affleck, and his deputies Shannon and Wargle, played by Nicky Katt and Liev Schrieber. Liev Schrieber definitely goes all the way with an excellent performance as crazy weirdo Deputy Stu Wargle.

Some chilling scenes in the movie include a giant moth that sucks brain, screams coming from everywhere, strange sounds coming from the town's plumbing system, and dead people that disappear then reappear alive. The scene where the giant moth attacks the survivors in the police station is one of the best in any movie. In the second half, the movie has some more chilling scenes with a high body count, but I was a bit disappointed that the movie ended so quickly. It's 100 minute running time didn't feel like it was long enough to fit all the events that occured in the movie. Dean Koontz also made the mistake of not exploring the thematic elements of the movie more deeply like he did in his novel.

The special effects in the movie were very good. The giant moth looked real and so did the other creatures that appeared. The film isn't as gory as it's reputed to be. Sci-fi horror films like Alien Resurrection and Event Horizon are much bloodier. (Although Event Horizon uses the goriness effectively). Overall, Phantoms is a creepy horror film that holds the viewer at the edge of their seat, especially in the final confrontation between Hammond and a boy.

Familiar but Well Made Sci-Fi/Horror Thriller.
Two Sisters (Joanna Going & Rose McGowan) arrived in a small town in the state of Colorado. The Town appears empty and they find a couple of dead bodies in this seemingly peaceful town. The Sisters find themselves protected from by a Sheriff (Oscar-Winner:Ben Affleck) and His two deputies (Liev Schreiber & Nicky Katt). Together, They find themselves fighting a Ferocious Force of Evil lying below the Earth for Centuries. Now they have surfaced with the Power to Destory every Human on the Planet. But to Save Themselves, They need the Help of a Noted Tabloid Journalist (Peter O'Toole), Who understand the Curse of Evil.

Directed by Joe Chappelle (Halloween:The Curse of Micheal Myers) made a Entertaining, Sometimes Scary Sci-Fi Thriller. Good Performances does help alot from the Cast, especially the Amusing Perverted Role of Schreiber is Funny. This was a Box Office Disapointment in the Winter of 1998, the film is Quickly Forgetten now. But the film is better than expected with echoes from The Body Snatchers, Event Horizon and John Carpenter's The Thing and the film is fairly suspenseful. DVD has an sharp non-anamorphic Widescreen (1.85:1) transfer and an terrific-Dolby Digital 5.1 Surround Sound. DVD Offers No Extras, which is too bad but the film speaks for itself. Based on a Novel by Dean Koontz (The Funhouse, Odd Thomas, Watchers). Koontz did wrote the Adapation from His Novel and He's one of the Executive Producers of the Film. Grade:A-.

so very bad
The only scary thing about this movie is Ben Affleck's pompadour. It grows ever bigger as the movie progresses!

Basically, two sisters arrive in a small Colorado town to find everyone except the three sheriffs dead. That alone should tell you not to trust the sheriffs. They obviously 1) killed everyone themselves or 2) do their job so poorly that no one in the town remains alive.

It just gets worse and worse from there. This movie hinges mainly on its special effects of gross bodies and killings, but this was during the wave of slasher flicks like the Scream franchise so it can be excused for that. After all, that stuff made a lot of bank in the 1990s. But that is still not an excuse for not really trying.

Pathetic
I won't get into how amazing the novel was or how shocked I was at the theater upon seeing this wreck of a movie (or how I highly recommend the novel.)

Instead, consider Ben Affleck. If he's starring as the sheriff in a serious horror movie, you know something's... wrong. I did enjoy the first half of the movie, which builds on ambience and scares you through the unknown horror around every corner.

Then the movie barrel-rolls and plummets head-first into the rocks. It rips shreds from "John Carpenter's The Thing" to "Alien" and everything in between. The ending is overly simplified and lacks any of the terror from the novel (and in addition is far less epic.)

A warning to anyone who's read the book and yet to see this adaptation; don't waste your time.

For everyone else, again I recommend the excellent novel, or if you're still in the mood for a good horror movie, try one of the thousands of better ones out there. ... Read more

Amazon.com essential video

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with atop-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it's interestingthat the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute ... Read more

Reviews (279)

THIS is why you should own a DVD player!
Few other "Special Edition" discs get you as intimately familiar with a film and the film-making process as this new DVD does, though the laser disc collector's edition of TERMINATOR 2: JUDGEMENT DAY comes awful close. Now you fortunate DVD-player owners can get for about $30-$40 dollars what we laser disc owners shelled out $100 for years ago, plus more. A heart-pounding movie, beautifully and intricately shot under nearly impossible circumstances (it wasn't nicknamed "The toughest shoot in film history" for nothing). Part military action thriller, part love story, and all impressive, THE ABYSS SPECIAL EDITION on DVD gives you both the theatrical version and expanded version of the movie (even the laser disc only had a one-version option), documentaries (the longer one is not to be missed), and enough bonus features to monopolize your entire day. It can really take the whole afternoon and evening to see it ALL. Granted, at 171 minutes the expanded version is a bit cumbersome at times, but by then you are so engrossed you don't mind. We've all seen good-looking special effects movies undermined by a so-so script or lame acting. But THE ABYSS delivers where it counts -- solid performances and an often tense script. This is the version to own. All other versions and formats of this film pale in comparison - even the expensive laser disc version. For what you'll pay for this disc you get much more than your money's worth. This collection sets a new standard for discs with bonus features. And if you enjoyed THE MATRIX for how it took full advantage of your surround-sound system, this disc will also please. Make sure your subwoofer is turned on.

"The Abyss"
The Abyss (PG-13) 5/5
Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff.
Directed by James Cameron.
Synopsis: A deep sea oil rig crew is recruited to investigate a submarine crash, but something unknown resides in the abyss.
Special Features: Original Theatrical and Extended Versions of the Film, Feature Length Commentary for Both Versions, Filmographies.
Review: One of my all time favorite films. An oil rig crew is joined by a military team to investigate a mysteriously downed sub. As they descend into the abyss they begin to realize they may be the only humans down there, but they are not alone. Sci-fi has never been better this deep social commentary was originally cut by hack producers thus again proving they know jack about films. Know it is restored in its originally intended glory. Ed Harris is as always fantastic, Mastrantonio is great, and Biehn has fun with his bad guy role. The rest of the crew excels too. Cameron is in his staple genre and he directs to perfection. As for the DVD? Should've bought the 5-star collection. Stupid! Stupid! Stupid! This is a solid disc, but really this is one film worth the extra cash.

What is this digipak version?
This digipak edition DVD does NOT have a 5.1 soundtrack. The picture remains letterboxed, not anamorphic, and it still carries the THX certification, though it is not marked so on the box. If you can, obtain the original Special Edition release in plastic case with black cover, it has the 5.1 soundtrack. If, like me, you are still waiting for the proper anamorphic release of The Abyss, this is NOT IT, it is simply an inferior repackaging.

Beautifully made, a little dramatic
I always had The Abyss on my to-see list and now I finally have. I was not dissapointed for it feels a little like an underwater 'Close Encounters'. The effects are great, the water space aliens are wonderful and the first time view of the underwater city is breathtaking.

The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better.

Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.

False Advertising
The Abyss single disc edition is a cool movie, but the actual movie is not in Dolby 5.0 as Amazon.com or Dolby 5.1 as the DVD jacket would have us believe, but only in Dolby 2.0 (2 channel) English or French. I tried both the theatrical and the special edition cut, same result.

Buyer beware. ... Read more

Reviews (35)

Not totally disappointing but could have been much better...
Jake Grafton (Brad Johnson) and Virgil Cole (Willem Dafoe) are Navy A-6 Intruder bomber pilots in the Vietnam war. After repeatedly bombing useless targets determined by questionable military intelligence and political considerations that have led to needless deaths of their fellow pilots by shootdowns, they decide to take matters into their own hands.

Choosing to fly behind enemy lines and deep into Hanoi to destroy a surface to air missle depot, they accompish the task at the expense of being subjected to the military justice system and a possible court martial for their actions.

Flight of the Intruder happens to be a dismal adaptation from Stephen Coont's book of the same name. Apart from making comparisons, this movie redeems itself in the few aspects of good aerial photography, some decent action scenes of war sequences in the jungle, and slightly above average acting performances by Willem Dafoe, Danny Glover, Tom Sizemore, and Brad Johnson.

The DVD content itself is anorexic to put it mildly. You won't find any extras here beyond the usual fare of a good digital 5.1 soundtrack, widescreen presentation, and subtitles. If you're a fan of war movies, this probably isn't a great addition to a DVD collection but I'd recommend renting it if you like the genre of film.

5 star Movie/Action/Cast/16:9Widescreen,4 Star Pix qualit,y!
The A-6 was the United States Navy's Medium (A) Attack bomber during the Vietnam conflict. It flew at tree-top level in any weather at night and alone. The A-6 had NO defensive weapons. It was called - The INTRUDER.

That is the opening statement to an outstanding action movie. The thought of flying unarmed over hostile territory circa 1972 presents a very exciting war tale indeed.

Danny Glover, Willem Dafoe and Brad Johnson are a great ensemble cast.

The "Flight of the Intruder" based on Stephen Coonts (former Naval Aviator) novel of the same name. Coonts has written an entire fictionalized series based on Jake Grafton (played by Brad Johnson) exciting Naval career. The "Flight of the Intruder" was the first in that series.

Summary: Young Naval Aviator Lt. Jake Grafton pilots the infamous A (Attack) - 6 Intruder over 1972 Vietnam. You get to experience lots of great aerial photography, plenty of action and the unbelievable daring of these A-6 Naval pilots. This includes low level (200 feet) bombing missions (dodging all kinds of enemy fire). "Iron Hand" the art of an Armed A-6 versus' SAM (Surface to Air Missles). They shoot first up to 4 missles before you can attack them!!! Great stuff!!!!

Paramount's WideScreen DVD Collection presents the viewer with some OUTSTANDING MOVIES at an economical price. The only short fall one Extra is the trailer and the Enhanced 16:9 WideScreen HDTV is some what grainy on my 55" Home Theatre Screen. The sound is outstanding!

Overall this is a great war movie for the collector!! This DVD is worth the price of admission. Enjoy

Will get your blood pressure higher if you love aviation
Yeah, yeah... I agree with many other viewers. The movie storyline is not as good as in the book in two areas: 1. the in-depth description of its characters -I guess it's just too hard a job to explore the complexity of human personalities within 90mn; 2. the ending which, in the book, is a bit more in line with the actual war in Vietnam.

And also, that's true that the special effects are somewhat dated now...

But boy, being a professional of aviation, living, breathing, dreaming of it every day of my life, I can't applaude enough to the fact of being able to watch a movie that DOES feature combat aircraft! Just count the number of good action movies that actually show these machines, and I bet you'll be able to count them on the fingers of, say, 2 hands. That's just to stay on the optimistic side of things.

Flight of the Intruder is a real cool movie in terms of aircraft footage. You are "behind the wheel", at times you are literally in control of the aircraft. Your heart pumps faster when this ugly looking -and sounding- SAM detection signal flashes to and screams at the crew. And watch these unforgettable scenes with the A-1 Skyraiders, the famous "Sandys" at the end of the film! The shots, the sounds... Everything contributes to raising the hair of your neck with passion!

The movie itself is pretty well documented too, if only a bit too simplified. Looks like the film was technically supported by both the Navy and the Air Force. The pilots' jargon is accurate, and so is the overall A-6 bombing philosophy.

And after viewing it, you'll sit back and start reflecting on it, and I'm pretty sure that you'll end telling yourself: "These fly-boys in Vietnam... They sure had real guts". Hats and heads down, ladies and gentlemen, and respect for courage!

Better then Top Gun
This movie should have been better then Top Gun.
In everyones mind though we all want the speed and cockyness of
a fighter pilot.
But, as the line states,"Fighter pukes make movies, bomber pilots make history."
I believe that because this movie wasn't as big as Top Gun is
because there was a little love story in Intruder, that was not
as big Top Guns steamy love scenes.
This movie to me was better then Top Gun because of the absence
of a steamy romance, just a hint.
This movie, should be considered a classic.

Good Action, Some Truth
Because my dad was a A-6 Bombadier/Navigator in Vietnam, I have a bias regarding this movie. It is highly entertaining and action-packed, however, the truth of the story lies somewhere in the middle and there's not much of it in this screenplay.
I'm sure that many of the Navy's aviators in Vietnam grew weary of hitting "suspected" truck parks, oil refineries and missle sites, but I have yet to hear tales from my dad or his buddies about anyone who decided to fight their own war and fly through downtown Hanoi in order to destroy a SAM (surface-to-air missle) storage area all on their own.
Guys got shot down alot during the war, yes, but they were mostly Air Force guys (that's meant to be a dig!), and rarely a Navy A-6. In this movie, we see several from one squadron on the same cruise go down. Not too realistic. The quickly referred to "Operation Linebacker" was a real mission (proud to say that my dad was in the first plane over N Vietnam on that mission) and followed up by Linebacker II later on. It was not, however, inspired because of what the two lead characters in this movie did.
The flying is pretty realistic though and it is nice to see the not-as-sexy-as-a-fighter-jet Grumman A-6 Intruder in a movie; I give it three stars for that. Still...I would rather listen to real bomber pilots and b/n's relate their adventures in 'Nam and aboard ship.
If you want a real Vietnam movie, stick with "Apocalypse Now", "Full Metal Jacket" and "Platoon". ... Read more

Reviews (1)

Great Adaptation!
I thought this adaptation would have gotten a nod from Willa Cather. The scenery was beautiful, the characters just as Willa Cather drew them in her book by the same title. Jessica Lange was Alexandra with her quite dignity, and strong will and the chemistry between she and Carl was very believable. Perhaps the best characters were Maria (Anne Heche) and Emile, who did a superb job at playing star crossed lovers. I was very impressed with the screen play. There were so many quotes from the book, who ever did it had a good sense of the book. There were only two faults I found with the film and that was the casting of two characters. I believe they could have found someone else to play the younger Alexandra. Heather Graham seemed too stiff and her accent was always slipping. The other character was the land. There should have been more shots of it. The land was such a central part of the book. It is what gave Alexandra her strength and her faith.

If one likes very accurate novels into film or period pieces and great actor/actress chemistry this is a great movie to watch. ... Read more

Reviews (177)

not for dolts
Anyone expecting to find a formulaic cops-chase-killers movie should immediately move on to the latest Hollywood idiot fodder flick. "The Pledge" is intelligent, thought-provoking, well-directed, well-acted, and a feast for the senses.
I know many people who felt let down by this film, possibly because they expected the usual chase and hero's triumph at the end, which does not happen here. I found myself to be curious and somehow astonished by the end, and anxious to see it again.
Jack Nicholson gives one of his best latter-day performances here, and touches on areas which are not normally "Jack". By the end of the film, he is stunned and totally confused; knowing he was somehow right, though strange twists of fate conspire against him. It's almost Hitchcock territory; the man wrongly accused, or the man who knows all the facts, and yet no one believes him.
Sean Penn is no clown director; he's not making mass-market cheap thrill flicks here. He lets the story develop with a total absence of Hollywood cliches and setups. By the end, though most people will feel somehow cheated out of a visceral release, I feel viewers with an open mind who don't expect their movies to be served up like fast-food will be quite pleased. It's one of those movies you can talk about all night long.

Rudolf Van Den Berg's Original 1994 Film is Vastly Superior
The 1994 original movie "The Cold Light of Day" is significantly better than Sean Penn's interpretation. I knew "The Pledge" was a bomb when a couple of viewers in different parts of the theater remarked on how lousy it was. The film left the Houston area about one week later headed for box office oblivion. Sean Penn made a horrible mistake in in keeping secret the identity of the sex deviate. This was frustrating to say the least and made the rest of the film seem pointless. Jack Nicholson did a good job as the alcoholic retired detective who pledges to a mother that he will find the killer of her daughter. However, Penn has Nicholson play the role of Jerry Black in such a manner as to suggest that the police officer committed himself to the case not so much as to solve it, but because the man has nothing better to do. Nicholson's character comes across as an existentially challenged individual who needs to find a purpose to make his life worth living. The murdered girl is merely an excuse to justifying getting up in the morning.

Penn's real life wife Robin Wright Penn is very convincing as the mother who accepts the generosity of the much older retired officer. Initially she seeks only a relationship which will secure a loving home for the young girl. A sort of romance soon develops between the two adults which seems only to bewilder and overwhelm the man. Wasn't the recent Academy Award winner Benico Del Toro, you might ask, also in the movie? Del Toro merely has about a five minute part indulging in histrionic mannerisms as a mentally retarded man falsely suspected of a vile crime. Penn essentially wasted this great actor's enormous talent. The other actors do little to balance out the deficiencies of Penn's directing.

I can give "The Pledge" only two stars. Only the true fans of Jack Nicholson will find it worth viewing. The previously mentioned "The Cold Light of Day," though, is highly recommended (four stars) as a something of a hidden gem. Rudolf Van Den Berg aptly directs this virtually unknown movie in an intelligent and exciting manner. The audience actually gets to understanding the sick motivations of the child killer. Van Berg's direction is not pretentious, and he accomplishes a lot with almost certainly a smaller budget. Sean Penn should seek instruction and guidance from Van Berg before he attempts another film.

Excellent! I want to give it 10 stars
A study into the depths of madness. Jack Nicholson delivers the performance of a lifetime as an obsessed cop who will do anything to catch the killer.

Does this film move at a slower pace? Yes. But it is extremely thought provoking and the ending leaves you stunned and mesmorized.

For those that do not like movies that make you think, I'm sure you can watch the mindless, dull and unoriginal spectacle that is the Lord of the Rings instead.

Absorbing and Odd
Most movies that I think are "good" stay with me for a few days afterward. Many really good ones stay with me for far longer than that (I am still brooding about 21 Grams...). I think I am canny enough to recognize the flaws in this movie, but, despite any flaw, I am still thinking about this film...

What would lead Jerry Black to do such a monstrous thing as bait a trap with a child he loves? Obsession, maybe. Madness impending. Desperation to stop a monster in its tracks? Whatever: It's killin me.

I have small children. Since starting my family I have steered pretty clear of movies involving child-centered violence or violation, but the lure of Penn and Nicholson got the better of me. I sat folding laundry as I watched this movie late at night, and I wept copiously through at least three scenes (thanks, Vanessa Redgrave and Patricia Clarkson). I could not stop. The premise is monstrous and the actors absolutely and precisely execute grief and pain.

The ending is elliptical, but that's the point. This movie is very good. It'll gnaw at you.

Creepy
Jack Nicholson gives a very even keeled performance, restraining his natural essence to give a somewhat schizod personality to his character. Sean Penn lets the story unfold artistically, not giving away to much so we are surprised at what happens next. It is not a happy upbeat film and seems to be mainly a character study of a retired police cop, who really has not ever had a intimate relationship with anyone and hasn't gotten close enough to make friends with anybody in his force. They know him and respect him, yet there isn't that really cool camaraderie which goes with being really important to someone. The theme revolves around child sexual abuse and homicide, not a pretty picture. Jerry, Nicholson, becomes obsessed with the case and makes a pledge to the mother that he will find the killer. Intuitively, he knows that the wrong person got nabbed. A virtuoso performance by Del Toro and Eckerson. A real creepy confession, another artful turn by the director to take us off the beaten path. Jerry pledges to find the truth out and things seem to be going good, until a turn of fate, causing the cookie to crumble, a matter of speaking, I don' want to divulge to much, the cookie is Jerry. I really liked the film and recommend it.

(...) ... Read more

Reviews (279)

THIS is why you should own a DVD player!
Few other "Special Edition" discs get you as intimately familiar with a film and the film-making process as this new DVD does, though the laser disc collector's edition of TERMINATOR 2: JUDGEMENT DAY comes awful close. Now you fortunate DVD-player owners can get for about $30-$40 dollars what we laser disc owners shelled out $100 for years ago, plus more. A heart-pounding movie, beautifully and intricately shot under nearly impossible circumstances (it wasn't nicknamed "The toughest shoot in film history" for nothing). Part military action thriller, part love story, and all impressive, THE ABYSS SPECIAL EDITION on DVD gives you both the theatrical version and expanded version of the movie (even the laser disc only had a one-version option), documentaries (the longer one is not to be missed), and enough bonus features to monopolize your entire day. It can really take the whole afternoon and evening to see it ALL. Granted, at 171 minutes the expanded version is a bit cumbersome at times, but by then you are so engrossed you don't mind. We've all seen good-looking special effects movies undermined by a so-so script or lame acting. But THE ABYSS delivers where it counts -- solid performances and an often tense script. This is the version to own. All other versions and formats of this film pale in comparison - even the expensive laser disc version. For what you'll pay for this disc you get much more than your money's worth. This collection sets a new standard for discs with bonus features. And if you enjoyed THE MATRIX for how it took full advantage of your surround-sound system, this disc will also please. Make sure your subwoofer is turned on.

"The Abyss"
The Abyss (PG-13) 5/5
Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff.
Directed by James Cameron.
Synopsis: A deep sea oil rig crew is recruited to investigate a submarine crash, but something unknown resides in the abyss.
Special Features: Original Theatrical and Extended Versions of the Film, Feature Length Commentary for Both Versions, Filmographies.
Review: One of my all time favorite films. An oil rig crew is joined by a military team to investigate a mysteriously downed sub. As they descend into the abyss they begin to realize they may be the only humans down there, but they are not alone. Sci-fi has never been better this deep social commentary was originally cut by hack producers thus again proving they know jack about films. Know it is restored in its originally intended glory. Ed Harris is as always fantastic, Mastrantonio is great, and Biehn has fun with his bad guy role. The rest of the crew excels too. Cameron is in his staple genre and he directs to perfection. As for the DVD? Should've bought the 5-star collection. Stupid! Stupid! Stupid! This is a solid disc, but really this is one film worth the extra cash.

What is this digipak version?
This digipak edition DVD does NOT have a 5.1 soundtrack. The picture remains letterboxed, not anamorphic, and it still carries the THX certification, though it is not marked so on the box. If you can, obtain the original Special Edition release in plastic case with black cover, it has the 5.1 soundtrack. If, like me, you are still waiting for the proper anamorphic release of The Abyss, this is NOT IT, it is simply an inferior repackaging.

Beautifully made, a little dramatic
I always had The Abyss on my to-see list and now I finally have. I was not dissapointed for it feels a little like an underwater 'Close Encounters'. The effects are great, the water space aliens are wonderful and the first time view of the underwater city is breathtaking.

The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better.

Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.

False Advertising
The Abyss single disc edition is a cool movie, but the actual movie is not in Dolby 5.0 as Amazon.com or Dolby 5.1 as the DVD jacket would have us believe, but only in Dolby 2.0 (2 channel) English or French. I tried both the theatrical and the special edition cut, same result.

Buyer beware. ... Read more

Amazon.com essential video

Meticulously crafted but also ponderous and predictable, James Cameron's 1989 deep-sea close-encounter epic reaffirms one of the oldest first principles of cinema: everything moves a lot more slowly underwater. Ed Harris and Mary Elizabeth Mastrantonio, as formerly married petroleum engineers who still have some "issues" to work out, are drafted to assist a gung-ho Navy SEAL (Michael Biehn) with a top- secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on earth, and the petro-techies have the only submersible craft capable of diving down that far. Every image and every performance is painstakingly sharp and detailed (and the computerized water creatures are lovely) but the movie's lumbering pace is ultimately lethal. It's the audience that ends up feeling waterlogged. For a guy who likes guns as much as Cameron (his next film after all, was the body-count masterpiece Terminator 2: Judgment Day), it'sinteresting that the moral balance here is weighted heavily in favor of the can-do engineers; the military types are end-justifies-the-means amoralists, just like the weasely government bureaucrats in Aliens. --David Chute ... Read more

Reviews (279)

THIS is why you should own a DVD player!
Few other "Special Edition" discs get you as intimately familiar with a film and the film-making process as this new DVD does, though the laser disc collector's edition of TERMINATOR 2: JUDGEMENT DAY comes awful close. Now you fortunate DVD-player owners can get for about $30-$40 dollars what we laser disc owners shelled out $100 for years ago, plus more. A heart-pounding movie, beautifully and intricately shot under nearly impossible circumstances (it wasn't nicknamed "The toughest shoot in film history" for nothing). Part military action thriller, part love story, and all impressive, THE ABYSS SPECIAL EDITION on DVD gives you both the theatrical version and expanded version of the movie (even the laser disc only had a one-version option), documentaries (the longer one is not to be missed), and enough bonus features to monopolize your entire day. It can really take the whole afternoon and evening to see it ALL. Granted, at 171 minutes the expanded version is a bit cumbersome at times, but by then you are so engrossed you don't mind. We've all seen good-looking special effects movies undermined by a so-so script or lame acting. But THE ABYSS delivers where it counts -- solid performances and an often tense script. This is the version to own. All other versions and formats of this film pale in comparison - even the expensive laser disc version. For what you'll pay for this disc you get much more than your money's worth. This collection sets a new standard for discs with bonus features. And if you enjoyed THE MATRIX for how it took full advantage of your surround-sound system, this disc will also please. Make sure your subwoofer is turned on.

"The Abyss"
The Abyss (PG-13) 5/5
Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff.
Directed by James Cameron.
Synopsis: A deep sea oil rig crew is recruited to investigate a submarine crash, but something unknown resides in the abyss.
Special Features: Original Theatrical and Extended Versions of the Film, Feature Length Commentary for Both Versions, Filmographies.
Review: One of my all time favorite films. An oil rig crew is joined by a military team to investigate a mysteriously downed sub. As they descend into the abyss they begin to realize they may be the only humans down there, but they are not alone. Sci-fi has never been better this deep social commentary was originally cut by hack producers thus again proving they know jack about films. Know it is restored in its originally intended glory. Ed Harris is as always fantastic, Mastrantonio is great, and Biehn has fun with his bad guy role. The rest of the crew excels too. Cameron is in his staple genre and he directs to perfection. As for the DVD? Should've bought the 5-star collection. Stupid! Stupid! Stupid! This is a solid disc, but really this is one film worth the extra cash.

What is this digipak version?
This digipak edition DVD does NOT have a 5.1 soundtrack. The picture remains letterboxed, not anamorphic, and it still carries the THX certification, though it is not marked so on the box. If you can, obtain the original Special Edition release in plastic case with black cover, it has the 5.1 soundtrack. If, like me, you are still waiting for the proper anamorphic release of The Abyss, this is NOT IT, it is simply an inferior repackaging.

Beautifully made, a little dramatic
I always had The Abyss on my to-see list and now I finally have. I was not dissapointed for it feels a little like an underwater 'Close Encounters'. The effects are great, the water space aliens are wonderful and the first time view of the underwater city is breathtaking.

The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better.

Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.

False Advertising
The Abyss single disc edition is a cool movie, but the actual movie is not in Dolby 5.0 as Amazon.com or Dolby 5.1 as the DVD jacket would have us believe, but only in Dolby 2.0 (2 channel) English or French. I tried both the theatrical and the special edition cut, same result.

Buyer beware. ... Read more

Reviews (177)

not for dolts
Anyone expecting to find a formulaic cops-chase-killers movie should immediately move on to the latest Hollywood idiot fodder flick. "The Pledge" is intelligent, thought-provoking, well-directed, well-acted, and a feast for the senses.
I know many people who felt let down by this film, possibly because they expected the usual chase and hero's triumph at the end, which does not happen here. I found myself to be curious and somehow astonished by the end, and anxious to see it again.
Jack Nicholson gives one of his best latter-day performances here, and touches on areas which are not normally "Jack". By the end of the film, he is stunned and totally confused; knowing he was somehow right, though strange twists of fate conspire against him. It's almost Hitchcock territory; the man wrongly accused, or the man who knows all the facts, and yet no one believes him.
Sean Penn is no clown director; he's not making mass-market cheap thrill flicks here. He lets the story develop with a total absence of Hollywood cliches and setups. By the end, though most people will feel somehow cheated out of a visceral release, I feel viewers with an open mind who don't expect their movies to be served up like fast-food will be quite pleased. It's one of those movies you can talk about all night long.

Rudolf Van Den Berg's Original 1994 Film is Vastly Superior
The 1994 original movie "The Cold Light of Day" is significantly better than Sean Penn's interpretation. I knew "The Pledge" was a bomb when a couple of viewers in different parts of the theater remarked on how lousy it was. The film left the Houston area about one week later headed for box office oblivion. Sean Penn made a horrible mistake in in keeping secret the identity of the sex deviate. This was frustrating to say the least and made the rest of the film seem pointless. Jack Nicholson did a good job as the alcoholic retired detective who pledges to a mother that he will find the killer of her daughter. However, Penn has Nicholson play the role of Jerry Black in such a manner as to suggest that the police officer committed himself to the case not so much as to solve it, but because the man has nothing better to do. Nicholson's character comes across as an existentially challenged individual who needs to find a purpose to make his life worth living. The murdered girl is merely an excuse to justifying getting up in the morning.

Penn's real life wife Robin Wright Penn is very convincing as the mother who accepts the generosity of the much older retired officer. Initially she seeks only a relationship which will secure a loving home for the young girl. A sort of romance soon develops between the two adults which seems only to bewilder and overwhelm the man. Wasn't the recent Academy Award winner Benico Del Toro, you might ask, also in the movie? Del Toro merely has about a five minute part indulging in histrionic mannerisms as a mentally retarded man falsely suspected of a vile crime. Penn essentially wasted this great actor's enormous talent. The other actors do little to balance out the deficiencies of Penn's directing.

I can give "The Pledge" only two stars. Only the true fans of Jack Nicholson will find it worth viewing. The previously mentioned "The Cold Light of Day," though, is highly recommended (four stars) as a something of a hidden gem. Rudolf Van Den Berg aptly directs this virtually unknown movie in an intelligent and exciting manner. The audience actually gets to understanding the sick motivations of the child killer. Van Berg's direction is not pretentious, and he accomplishes a lot with almost certainly a smaller budget. Sean Penn should seek instruction and guidance from Van Berg before he attempts another film.

Excellent! I want to give it 10 stars
A study into the depths of madness. Jack Nicholson delivers the performance of a lifetime as an obsessed cop who will do anything to catch the killer.

Does this film move at a slower pace? Yes. But it is extremely thought provoking and the ending leaves you stunned and mesmorized.

For those that do not like movies that make you think, I'm sure you can watch the mindless, dull and unoriginal spectacle that is the Lord of the Rings instead.

Absorbing and Odd
Most movies that I think are "good" stay with me for a few days afterward. Many really good ones stay with me for far longer than that (I am still brooding about 21 Grams...). I think I am canny enough to recognize the flaws in this movie, but, despite any flaw, I am still thinking about this film...

What would lead Jerry Black to do such a monstrous thing as bait a trap with a child he loves? Obsession, maybe. Madness impending. Desperation to stop a monster in its tracks? Whatever: It's killin me.

I have small children. Since starting my family I have steered pretty clear of movies involving child-centered violence or violation, but the lure of Penn and Nicholson got the better of me. I sat folding laundry as I watched this movie late at night, and I wept copiously through at least three scenes (thanks, Vanessa Redgrave and Patricia Clarkson). I could not stop. The premise is monstrous and the actors absolutely and precisely execute grief and pain.

The ending is elliptical, but that's the point. This movie is very good. It'll gnaw at you.

Creepy
Jack Nicholson gives a very even keeled performance, restraining his natural essence to give a somewhat schizod personality to his character. Sean Penn lets the story unfold artistically, not giving away to much so we are surprised at what happens next. It is not a happy upbeat film and seems to be mainly a character study of a retired police cop, who really has not ever had a intimate relationship with anyone and hasn't gotten close enough to make friends with anybody in his force. They know him and respect him, yet there isn't that really cool camaraderie which goes with being really important to someone. The theme revolves around child sexual abuse and homicide, not a pretty picture. Jerry, Nicholson, becomes obsessed with the case and makes a pledge to the mother that he will find the killer. Intuitively, he knows that the wrong person got nabbed. A virtuoso performance by Del Toro and Eckerson. A real creepy confession, another artful turn by the director to take us off the beaten path. Jerry pledges to find the truth out and things seem to be going good, until a turn of fate, causing the cookie to crumble, a matter of speaking, I don' want to divulge to much, the cookie is Jerry. I really liked the film and recommend it.

(...) ... Read more

Reviews (279)

THIS is why you should own a DVD player!
Few other "Special Edition" discs get you as intimately familiar with a film and the film-making process as this new DVD does, though the laser disc collector's edition of TERMINATOR 2: JUDGEMENT DAY comes awful close. Now you fortunate DVD-player owners can get for about $30-$40 dollars what we laser disc owners shelled out $100 for years ago, plus more. A heart-pounding movie, beautifully and intricately shot under nearly impossible circumstances (it wasn't nicknamed "The toughest shoot in film history" for nothing). Part military action thriller, part love story, and all impressive, THE ABYSS SPECIAL EDITION on DVD gives you both the theatrical version and expanded version of the movie (even the laser disc only had a one-version option), documentaries (the longer one is not to be missed), and enough bonus features to monopolize your entire day. It can really take the whole afternoon and evening to see it ALL. Granted, at 171 minutes the expanded version is a bit cumbersome at times, but by then you are so engrossed you don't mind. We've all seen good-looking special effects movies undermined by a so-so script or lame acting. But THE ABYSS delivers where it counts -- solid performances and an often tense script. This is the version to own. All other versions and formats of this film pale in comparison - even the expensive laser disc version. For what you'll pay for this disc you get much more than your money's worth. This collection sets a new standard for discs with bonus features. And if you enjoyed THE MATRIX for how it took full advantage of your surround-sound system, this disc will also please. Make sure your subwoofer is turned on.

"The Abyss"
The Abyss (PG-13) 5/5
Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff.
Directed by James Cameron.
Synopsis: A deep sea oil rig crew is recruited to investigate a submarine crash, but something unknown resides in the abyss.
Special Features: Original Theatrical and Extended Versions of the Film, Feature Length Commentary for Both Versions, Filmographies.
Review: One of my all time favorite films. An oil rig crew is joined by a military team to investigate a mysteriously downed sub. As they descend into the abyss they begin to realize they may be the only humans down there, but they are not alone. Sci-fi has never been better this deep social commentary was originally cut by hack producers thus again proving they know jack about films. Know it is restored in its originally intended glory. Ed Harris is as always fantastic, Mastrantonio is great, and Biehn has fun with his bad guy role. The rest of the crew excels too. Cameron is in his staple genre and he directs to perfection. As for the DVD? Should've bought the 5-star collection. Stupid! Stupid! Stupid! This is a solid disc, but really this is one film worth the extra cash.

What is this digipak version?
This digipak edition DVD does NOT have a 5.1 soundtrack. The picture remains letterboxed, not anamorphic, and it still carries the THX certification, though it is not marked so on the box. If you can, obtain the original Special Edition release in plastic case with black cover, it has the 5.1 soundtrack. If, like me, you are still waiting for the proper anamorphic release of The Abyss, this is NOT IT, it is simply an inferior repackaging.

Beautifully made, a little dramatic
I always had The Abyss on my to-see list and now I finally have. I was not dissapointed for it feels a little like an underwater 'Close Encounters'. The effects are great, the water space aliens are wonderful and the first time view of the underwater city is breathtaking.

The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better.

Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.

False Advertising
The Abyss single disc edition is a cool movie, but the actual movie is not in Dolby 5.0 as Amazon.com or Dolby 5.1 as the DVD jacket would have us believe, but only in Dolby 2.0 (2 channel) English or French. I tried both the theatrical and the special edition cut, same result.

Buyer beware. ... Read more

Reviews (279)

THIS is why you should own a DVD player!
Few other "Special Edition" discs get you as intimately familiar with a film and the film-making process as this new DVD does, though the laser disc collector's edition of TERMINATOR 2: JUDGEMENT DAY comes awful close. Now you fortunate DVD-player owners can get for about $30-$40 dollars what we laser disc owners shelled out $100 for years ago, plus more. A heart-pounding movie, beautifully and intricately shot under nearly impossible circumstances (it wasn't nicknamed "The toughest shoot in film history" for nothing). Part military action thriller, part love story, and all impressive, THE ABYSS SPECIAL EDITION on DVD gives you both the theatrical version and expanded version of the movie (even the laser disc only had a one-version option), documentaries (the longer one is not to be missed), and enough bonus features to monopolize your entire day. It can really take the whole afternoon and evening to see it ALL. Granted, at 171 minutes the expanded version is a bit cumbersome at times, but by then you are so engrossed you don't mind. We've all seen good-looking special effects movies undermined by a so-so script or lame acting. But THE ABYSS delivers where it counts -- solid performances and an often tense script. This is the version to own. All other versions and formats of this film pale in comparison - even the expensive laser disc version. For what you'll pay for this disc you get much more than your money's worth. This collection sets a new standard for discs with bonus features. And if you enjoyed THE MATRIX for how it took full advantage of your surround-sound system, this disc will also please. Make sure your subwoofer is turned on.

"The Abyss"
The Abyss (PG-13) 5/5
Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff.
Directed by James Cameron.
Synopsis: A deep sea oil rig crew is recruited to investigate a submarine crash, but something unknown resides in the abyss.
Special Features: Original Theatrical and Extended Versions of the Film, Feature Length Commentary for Both Versions, Filmographies.
Review: One of my all time favorite films. An oil rig crew is joined by a military team to investigate a mysteriously downed sub. As they descend into the abyss they begin to realize they may be the only humans down there, but they are not alone. Sci-fi has never been better this deep social commentary was originally cut by hack producers thus again proving they know jack about films. Know it is restored in its originally intended glory. Ed Harris is as always fantastic, Mastrantonio is great, and Biehn has fun with his bad guy role. The rest of the crew excels too. Cameron is in his staple genre and he directs to perfection. As for the DVD? Should've bought the 5-star collection. Stupid! Stupid! Stupid! This is a solid disc, but really this is one film worth the extra cash.

What is this digipak version?
This digipak edition DVD does NOT have a 5.1 soundtrack. The picture remains letterboxed, not anamorphic, and it still carries the THX certification, though it is not marked so on the box. If you can, obtain the original Special Edition release in plastic case with black cover, it has the 5.1 soundtrack. If, like me, you are still waiting for the proper anamorphic release of The Abyss, this is NOT IT, it is simply an inferior repackaging.

Beautifully made, a little dramatic
I always had The Abyss on my to-see list and now I finally have. I was not dissapointed for it feels a little like an underwater 'Close Encounters'. The effects are great, the water space aliens are wonderful and the first time view of the underwater city is breathtaking.

The morale of the movie is bad. Americans and Russians are screwing up the world so the aliens try to prevent it. 'Can't we all just get along!?' is what they want for us, then things will turn to better.

Industrial Light and magic did a great job again in this 1989 movie, it's worth seeing for SF fans.

False Advertising
The Abyss single disc edition is a cool movie, but the actual movie is not in Dolby 5.0 as Amazon.com or Dolby 5.1 as the DVD jacket would have us believe, but only in Dolby 2.0 (2 channel) English or French. I tried both the theatrical and the special edition cut, same result.

Buyer beware. ... Read more

Reviews (177)

not for dolts
Anyone expecting to find a formulaic cops-chase-killers movie should immediately move on to the latest Hollywood idiot fodder flick. "The Pledge" is intelligent, thought-provoking, well-directed, well-acted, and a feast for the senses.
I know many people who felt let down by this film, possibly because they expected the usual chase and hero's triumph at the end, which does not happen here. I found myself to be curious and somehow astonished by the end, and anxious to see it again.
Jack Nicholson gives one of his best latter-day performances here, and touches on areas which are not normally "Jack". By the end of the film, he is stunned and totally confused; knowing he was somehow right, though strange twists of fate conspire against him. It's almost Hitchcock territory; the man wrongly accused, or the man who knows all the facts, and yet no one believes him.
Sean Penn is no clown director; he's not making mass-market cheap thrill flicks here. He lets the story develop with a total absence of Hollywood cliches and setups. By the end, though most people will feel somehow cheated out of a visceral release, I feel viewers with an open mind who don't expect their movies to be served up like fast-food will be quite pleased. It's one of those movies you can talk about all night long.

Rudolf Van Den Berg's Original 1994 Film is Vastly Superior
The 1994 original movie "The Cold Light of Day" is significantly better than Sean Penn's interpretation. I knew "The Pledge" was a bomb when a couple of viewers in different parts of the theater remarked on how lousy it was. The film left the Houston area about one week later headed for box office oblivion. Sean Penn made a horrible mistake in in keeping secret the identity of the sex deviate. This was frustrating to say the least and made the rest of the film seem pointless. Jack Nicholson did a good job as the alcoholic retired detective who pledges to a mother that he will find the killer of her daughter. However, Penn has Nicholson play the role of Jerry Black in such a manner as to suggest that the police officer committed himself to the case not so much as to solve it, but because the man has nothing better to do. Nicholson's character comes across as an existentially challenged individual who needs to find a purpose to make his life worth living. The murdered girl is merely an excuse to justifying getting up in the morning.

Penn's real life wife Robin Wright Penn is very convincing as the mother who accepts the generosity of the much older retired officer. Initially she seeks only a relationship which will secure a loving home for the young girl. A sort of romance soon develops between the two adults which seems only to bewilder and overwhelm the man. Wasn't the recent Academy Award winner Benico Del Toro, you might ask, also in the movie? Del Toro merely has about a five minute part indulging in histrionic mannerisms as a mentally retarded man falsely suspected of a vile crime. Penn essentially wasted this great actor's enormous talent. The other actors do little to balance out the deficiencies of Penn's directing.

I can give "The Pledge" only two stars. Only the true fans of Jack Nicholson will find it worth viewing. The previously mentioned "The Cold Light of Day," though, is highly recommended (four stars) as a something of a hidden gem. Rudolf Van Den Berg aptly directs this virtually unknown movie in an intelligent and exciting manner. The audience actually gets to understanding the sick motivations of the child killer. Van Berg's direction is not pretentious, and he accomplishes a lot with almost certainly a smaller budget. Sean Penn should seek instruction and guidance from Van Berg before he attempts another film.

Excellent! I want to give it 10 stars
A study into the depths of madness. Jack Nicholson delivers the performance of a lifetime as an obsessed cop who will do anything to catch the killer.

Does this film move at a slower pace? Yes. But it is extremely thought provoking and the ending leaves you stunned and mesmorized.

For those that do not like movies that make you think, I'm sure you can watch the mindless, dull and unoriginal spectacle that is the Lord of the Rings instead.

Absorbing and Odd
Most movies that I think are "good" stay with me for a few days afterward. Many really good ones stay with me for far longer than that (I am still brooding about 21 Grams...). I think I am canny enough to recognize the flaws in this movie, but, despite any flaw, I am still thinking about this film...

What would lead Jerry Black to do such a monstrous thing as bait a trap with a child he loves? Obsession, maybe. Madness impending. Desperation to stop a monster in its tracks? Whatever: It's killin me.

I have small children. Since starting my family I have steered pretty clear of movies involving child-centered violence or violation, but the lure of Penn and Nicholson got the better of me. I sat folding laundry as I watched this movie late at night, and I wept copiously through at least three scenes (thanks, Vanessa Redgrave and Patricia Clarkson). I could not stop. The premise is monstrous and the actors absolutely and precisely execute grief and pain.

The ending is elliptical, but that's the point. This movie is very good. It'll gnaw at you.

Creepy
Jack Nicholson gives a very even keeled performance, restraining his natural essence to give a somewhat schizod personality to his character. Sean Penn lets the story unfold artistically, not giving away to much so we are surprised at what happens next. It is not a happy upbeat film and seems to be mainly a character study of a retired police cop, who really has not ever had a intimate relationship with anyone and hasn't gotten close enough to make friends with anybody in his force. They know him and respect him, yet there isn't that really cool camaraderie which goes with being really important to someone. The theme revolves around child sexual abuse and homicide, not a pretty picture. Jerry, Nicholson, becomes obsessed with the case and makes a pledge to the mother that he will find the killer. Intuitively, he knows that the wrong person got nabbed. A virtuoso performance by Del Toro and Eckerson. A real creepy confession, another artful turn by the director to take us off the beaten path. Jerry pledges to find the truth out and things seem to be going good, until a turn of fate, causing the cookie to crumble, a matter of speaking, I don' want to divulge to much, the cookie is Jerry. I really liked the film and recommend it.

(...) ... Read more