Reviews (51)

The Sap Head
This l949 black and white movie still looks good. It has a screenplay written by ultra-individualistic Ayn Rand, based on her classic novel. But other than everyone being complete miscast and the film looking nothing like the book, this is a major dissapoint to this faithful Randist. Director King Vidor initially wanted Greta Garbo as Dominique but of course she refused. John Garfield was mentioned as Howard Roark. He would have been fantastic. Instead, they got laconic, low-keyed, much too old Gary Cooper who always made you think of a straw-sticking-out-of mouth cowboy. Patricia Neal simply ain't no Dominique Francon. Edward Carrere was the production designer, capturing nothing of hte grandeur of over-the-top architecture described in the book. William Cameron Menzies (who had designed Gone with the Wind, King's Row) should have designed this flick. Art direction should have been genius Anton Grot, instead of insipid william Kuehl. (Grot was the genius who designed the now legendary, nearly surreal sets of the Bette Davis/Paul Henreid camp classic, "Deception" with its football sized penthouse of the supposedly poor, struggling Bette--"I had to take in piano students!") Miles Anderson costume designs for "Fountainhead" were uninspired. Why didn't they get--again from "Deception"--the fabulous Bernrd Newman? Max STeiner actually did the film score but you'd never know it? He also created a masterpiece with his musical of Bette Davis' greatest film, the l949 "Beyond the Forest." They should remake this film today, have mature actors in the roles, not the MTV brat pack. Rand supposedly had a bloody time trying to keep her screenplay from being watered down--which it was.

Pressure can have unintended consequences . . .
Is what Howard Roark (Gary Cooper) tells Dominique Francon (Patricia Neal) about her fireplace. They're talking about er...marble.

This is in a scene which occurs shortly after their first encounter, when Dominique spots Roark and his muscular forearm working at a quarry operating a drilling machine into the stone.

After a long and prolongued silence which ranks among the best moments in cinema, she asks, from her height above the pit: "Why are you looking at me?" Roark replies: "For the same reason you're looking at me."

And if you think that's a good moment, wait till Roark's climactic speech to the jury. Over five minutes long. (What! A movie audience sitting still through a speech? Impossible!) and absolutely spellbinding.

The film version of Ayn Rand's bestselling novel was directed by the expressionist master, King Vidor, and the screenplay written by, of all people, Ayn Rand.

Who, during a pre-production party accosted Jack L. Warner and warned him that if he cheapened or otherwise dumbed down her work, she would dynamite his studio. She nmeant it. Jack smiled and gave her a cigar.

The Fountainhead is the story of a hero who wins.

By hero, we mean an uncompromising man of genius and absolute integrity. This seems as far fetched to us as Cyrano fighting a hundred armed swordsmen---and winning! (Rostand was a major influence for Rand ) It's clearly impossible. He's not in Russia, so he won't be shot, it's not that explicit--it's America, he's bound to quietly fade into obscurity and failure. It would be naive to suppose otherwise, so how can this be a triumph instead of a tragedy?

Thematically that's the question that Roark's alter egos Gail Wynand (Raymond Massey) and Dominique Francon ask themselves. Gail is the billionare owner of an "Enquirer" type of news rag who rose from poverty by giving the suckers what they wanted. He lives by the credo "Oppress or be oppressed."

Dominique wants to want nothing, the logical credo of a beautifull woman who is convinced that beauty and greatness have no chance at all in this world. We first meet her as she's destroying of a statue of a Greek god. She's fallen in love with it and can't bear the pain of neeeding it, or anything else.

As usual with Rand, these are tortured giants, not the "folks next door"

Critics of Rand are right in stating that they are improbable beings. (Name a great man or woman of history who isn't).

Roark does make Conan the Barbarian look like a wimp by comparison. But you see, that's the fun of it. As are her villains, who are NOT romanticized ( forget "Bonnie and Clyde" , "The Godfather" and the rest of zillions of ever so cool bad guys we've been fed by Hollywood for decades) they are chilling parasites, exemplified in the character of Ellsworh Toohey.

I'ts Ayn Rand, people. Teenage girl sexual fantasies out of Danielle Steele combined with the mind of an Aristotle! A strange but wonderfull combination.

And as to Cooper, Neal and Massey, their acting is phenomenal. Perfect casting and flawless directing by Vidor.

A true classic.

You don't need to know about the book to enjoy this film
While it was based on Ayn Rand's book, Ayn Rand personally altered the story to adapt it to film. It is a great movie that really makes the viewer think about many things including individualism, selfishness, and even what is right and wrong. For many people who take these notions as given from a very young, questioning them with an adult mind is a good idea. If you enjoy this movie, be sure to pick up and read some of Ayn Rand's non-fiction.

Absolute Hookum and a pure joy!
As an Architect, my opinion is biased by actual experience in this field, but, this movie made me laugh so hard the first time I saw it, it became one of my all time favorites. No architect I have ever met acted anywhere near as self rightious as Roarke, they'de be working at MickieD's the rest of there lifes, as NO ONE would ever hire them, not even to clean pools. Architecture is about knowing your client needs and providing a solution that meets all the requirements of the client, city, and context. That being said, this movies a HOOT!!!

First off, too all the Rand-ites out there, THIS IS A MOVIE! get over the fact that the book is better, every book is better than the movie, thats the nature of the beast.

For the Non-Rand-ites out there, SEE IT SEE IT SEE IT. This movie is a melodramotic potboiler of bad movie bliss. Dont get me wrong, the production values are excellent, its beautifully shot and the cinematography is terrific. The archtectural projects are really spectacular and completely impossible to build, so they are way over the top. But the script is pure Hooey! and the music is sooooo overly-dramatic. Thats what makes this such a great film too watch. Only Ann Rand could take a good novel and cram it into such a laughably compacted screenplay. I felt I has watching cliffnotes from the novel. In the first 5 minutes a year of the story goes by, and the whole film is like that.

There are some very good moments in the film though, topped by Coopers speech to the jury. But the best sceen is after the "drills in the quarry" scene when Patrica Oneill is thinking of Cooper and in the background are images of drills with this completely campy Xylophone music acompanying it. Its one of the most overtly sexual suggestive scenes ever put of film and it hilarious, and dont forget to wait till the end, when you can see the Worlds Greatest 200 story Phallic Symbol ever created on film in the Wymann Building, with Cooper standing on top of course!

Great!!
If you liked the book... get this movie. ... Read more

Amazon.com essential video

A hallmark of the science fiction genre as well as a wry commentary on the political climate of the 1950s, The Day the Earth Stood Still is a sci-fi movie less concerned with special effects than with a social parable. A spacecraft lands in Washington, D.C., carrying a humanoid messenger from another world (Michael Rennie) imparting a warning to the people of Earth to cease their violent behavior. But panic ensues as the messenger lands and is shot by a nervous soldier. His large robot companion destroys the Capitol as the messenger escapes the confines of the hospital. He moves in with a family as a boarder and blends into society to observe the full range of the human experience. Director Robert Wise (West Side Story) not only provides one of the most recognizable icons of the science fiction world in his depiction of the massive robot loyal to his master, but he avoids the obvious camp elements of the story to create a quiet and observant story highlighting both the good and the bad in human nature. --Robert Lane ... Read more

Reviews (228)

"Stood" Still Stands Tall
1951's The Day The Earth Stood Still is a classic in every sense of the word and then some. When a spaceship lands in Washinton D.C. its alien passenger (Michael Rennie) refuses to reveal his purpose for landing on Earth. As the world leaders and their armies debate what to do next, ordinary citizens let fear and paranoia take hold. The key to the alien being's mission to earth rests with a mother Helen (Patrcia Neal) and her son Bobby (Billy Gray). Soon the boy and his mother have the fate of the planet Earth in their hands.

Directed by Robert Wise, the movie, fully restored for the DVD release, has drama, good special effects (for its time) and plenty of social commentary (that's still relevant in today's world). The film is pure magic. Even though, the last time I saw it was some 12 years ago in film school, I think its still one of the best films that I ever "had" to watch.

I have to commend FOX, for the way the film is given the deluxe treatment on DVD. The extras are just superb. The commentary with Wise and (fellow "TREK film") director Nicholas Meyer is a real treat. It's very well done and informative. There's also a "meaty" 70 minute retrospective documentary, archival newsreel footage, a restoration comparison, no less than 5 photo galleries, the shooting script, and the vintage theatrical trailer. To have this many extras on a DVD of an older film is a rare thing. Those fans of the film will be delighted with this disc. And to anyone not familiar with the movie--now's the time. Highly Recommended

20th Century Fox brings this remastered Scifi Classic to DVD
It is 1950 and Hollywood takes an original idea combines it with the genius' of Studio CEO Darryl F. Zanuck, Producer - Julian Blaustein, Director - Robert Wise, ScreenPlay - Edmund H. North, the eerie futuristc Music, a spaceman, a giant robot & the words "KLAATU BARADA NIKTO" and 50+ years later we have the timeless scifi classic, "THE DAY THE WORLD STOOD STILL". Now digitally remastered and on this outstanding DVD.

This outstanding movie is presented with better clarity and sound than the original 1951 film release. This incredible movie now can be enjoyed over & over again without ever losing picture quality.

This 2 sided DVD Full Frame Format (4:3 tv / 1.33:1 aspect ratio - before WideScreen) Black/White as the movie and audio commentary with Robert Wise & Nicolas Meyer on SIDE A and a 70 minute "Making the Earth Stood Still" documentary, Movietone newsreel 1951, Restoration comparison footage, 5 still galleries, shooting script & trailer.

Summary: This movie has an outstanding cast with newcomer Michael Rennie as Klaatu the peaceful (human)alien who visits paranoid earth circa 1951. First stop Washington D.C. Greeted with violence and skepticism, escapes and goes into hiding. He befriends a mother (Patricia Neal) & her son (Billy Gray - also her real son) at a boarding house as he covertly studies the humans behaviors disguised as a businessman. He trys to get the world leaders to reach a world wide peace but they resist his ideas. They are given a sign of his powers by stopping all machinery worldwide, thus "THE DAY THE WORLD STOOD STILL". The ending is perfect and the audiences loved this film.

Even today the special effects stand the test of time and the story is so profound and sheer genius. Hollywood delivered a classic scifi film for all time. "The Day the Earth Stood Still" is a Hallmark film. This is scifi at its best & now this DVD can be added to your home movie library. Enjoy.

a great classic sci-fi film
I remember how intreguied I was the first time I saw, "The Day the Earth Stood Still and still am no matter how many times I see it. It's oneof those few movies you can absolutely never tire of seeing. This is one of my all time favorite sci- fi films and would recommend it to anyone. Michael Rennie and Patricia Neal are great in it really wonderful actors that give excellent perfomrances in this film. The setting in Washinton D.C is perfect for unidentified flying objects like a spaceship to land. The Robert is like a star in the film too. Each moment of the film is suspensful entertaining and keeps you guessing what will happen next. There's not a dull moment in the entire film. It's sci-fi at its best. This DVD adition has great extra footage like a documentary very well done and interesting and a trailer and plenty of other things too. Overall it's an exciting film for all ages.

Still standing still after all these years
Where does one begin with such a classic film. The Day the Earth Stood Still is the definition of classic. Above average for its genre, the movie still hold its own even today.

Robert Wise did a masterful job directing the picture. Given the fact that he was directing a new and somewhat unknown lead actor in Michael Rennie, Wise did a superb job. Could anyone else have played Clatu other than Rennie?

The premise of the story, a visitation from another planetary system to warn us off our reckless advancement into the nuclear age is very timely even in 2004. Clatu, the alien traveler, needs to discuss the ramifications of our behavior with every nation on Earth but learns that such a meeting is impossible given the petty international squabbling and mistrust of the day. Clatu escapes his captivity in the hospital and moves around disguised as a Maj. Carpenter. He meets Helen Benson (Patricia Neal) and her son Bobby (Bill Gray) and learns about many of our human foibles. Also involved is Hugh Marlow's character, Helen Bensons male companion. Sam Jaffe is wonderful as Prof. Barnhardt.

Eventually, Clatu is shot (a second time) and killed. Gort, the robot, with the intervention of Helen revives Clatu and in a final climatic scene Clatu delivers his message. This is a marvelous film even after 53 years.

The DVD is also well worth the small investment. I purchased my copy at a discount store for $5.50....I should be arrested. I agree with an earlier reviewer that the number of extras devoted to this old film is remarkable.

If you get the chance grab this DVD. Even after all these years the movie is fresh and certainly timely. Also, a final observation. Given the paranoia in most modern movies dealing with aliens, The Day the Earth Stood Still is another perspective on the topic of alien visitations. Its amazing how perverted the whole genre has become. This is certainly a reflection of society as a whole.

"Klaatu barada nikto"
There are a handful of 1950's sci-fi movies that have a big reputation - "When Worlds Collide", "The Thing From Another World", "Forbidden Planet", and "The Day the Earth Stood Still". Unfortunately, the first two are really lame in today's world, and only "The Day The Earth Stood Still" really stands up (except for the robot).

Although it has a little of the hokiness inherent to all movies of the 1950's, "The Day The Earth Stood Still" actually has a good meaningful story. The typically-round flying saucer lands in a baseball field in Washington DC. A normal-looking man (Michael Rennie) emerges, offering a small gift. As usual, the military shoots first and asks questions later. A large robot (to be known as "Gort") emerges and stands guard near the ship. In the hospital, the man requests a meeting of all the heads of world government to share an important message. He is told that a meeting of all nations is impossible under the current state of international tension. After recovering a day in the hospital (and self-healing) the man, named "Klaatu", escapes and assumes the identity of Mr. Carpenter (another patient whose clothes he takes). After renting a room in a boarding-house (run by 'Aunt Bea' from the "Andy Griffith Show"), he befriends a young boy ('Bud' from "Father Knows Best"), and later his mother (Patricia Neal).

Klaatu explains his mission on Earth - to bring about the end of nuclear-arms proliferation - to an Einstein-like mathematician, who agrees to help. The mathematician suggests convincing industry and world leaders to meet to hear the message by having Klaatu perform a show of strength. This is the event behind the movie title when Klaatu stops everything that relies on electricity to operate (though sparing hospitals, in-flight airplanes, etc.)

Klaatu confides his plan to Patricia Neal, who helps him. Later, when they are being chased, Klaatu gives the robot-command codewords to Patricia Neal as a safeguard in the event of Klaatu's capture. As is somewhat predictable, the army again shoots first and asks questions later, so Patricia Neal does indeed need to issue commands to the robot, who might otherwise destroy the world.

The robot recovers the dead body of Klaatu from a jail cell and returns him to the spaceship where he undergoes a sort of resurrection. Klaatu is able to give his anti-aggression message to mankind.

The movie was directed by Robert Wise, who went on to "Run Silent, Run Deep", "West Side Story", "The Sound of Music" and "The Andromeda Strain". Score by Bernard Hermann, famous from a long list of Alfred Hitchcock movies, but also for "Citizen Kane" and "The Magnificent Ambersons" prior to "The Day The Earth Stood Still".

The reasonably-priced DVD has the restored black-and-white full-screen movie; a good "making of" documentary; a commentary with director Robert wise and Nicholas Meyer; some "Movie-Tone News" clips from 1951 having to do with a peace treaty, the Korean war, a beauty contest, and an honorary promotional award given to Klaatu (but a different actor in the suit); a restoration comparison; still gallery including the script; and some other goodies.

Highly recommended. Klaatu's message is still valid. ... Read more

Amazon.com essential video

No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker ... Read more

Reviews (156)

Fascinating ......they're after the same rainbow end
I love this film.From the first scene when the yellow cab stopped with Holly alighting,having her breakfast in front of Tiffany's to the very last scene when Holly & Paul reconciled and kissed in the rain...

Simply marvellous piece of work. With the flawless performance from Audrey Hepburn and George Peppard. The unique mood of the movie.And my fave song "Moon River". Who can forget the part when Holly sitting by her window plucking the guitar strings and singing...."Moooonnn River...." Great adaption from Truman Cropte's book with many magical touches and refinements. It's about a free-spirit girl Holly's struggle in Life,her fear of Love and commitment, she didn't even think she own her nameless 'cat'. Paul is a struggling writer who actually a 'kept-man' by a rich lady. Fate brought them together,first as neighbours to friends and eventually lovers. They were soul mates who needed each other and are made of each other....they are after the same rainbow end.

The idea was refreshing....esp.doing things that each have never done:- Strolling down New York street in the morning, stealing, visiting the Library and of course Tiffany's. Simply amazing, fantastic and romantic .

The best part about it was both Holly and Paul were practical people with dark secrets and not really perfect human beings and it make the story more realistic but not losing the romantic fairy tale feel.

This film is one of the best in movie history. It touches my heart my soul with scenes with the perfect combo of laughter,sadness,ironic,truth,secrets,romance,life,etc....... Timeless and Unforgettable......

Fascinating¿They are after the same rainbow end!
I love this movie. From the first scene when Holly(Audrey Hepburn) alighted from the yellow cab to have breakfast in front of Tiffany to the very last scene when Holly and Paul(George Peppard) reunited and kissing in the rain.

Mesmerizing film, shine in all departments. Excellent adaptation from Truman Capote's same name novel. Skillful directing by Blake Edwards and flawless performances from both the leads and not forgetting great supporting casts. This role was made for Audrey Hepburn, she was graceful, witty, charismatic and totally awesome. One of her best performance ever!

The story was about a free spirited and helpless Holly Golightly who lived with a nameless 'Cat', didn't want to own anything and afraid of love and commitments. Life pretty much socializing because holly's goal in life to marry one of the richest man under 50. Things take a twist with Paul Varjak moved into the apartment below hers. Paul was a struggling writer who actually a kept man by a rich lady. They became neighbour to friends then soul mate and eventually lovers.

This is not the usual romance story, "Breakfast at Tiffany's" is a timeless classic, showed sincerity, sensibility and class.

I also love the song of this movie "Moon River". Who can forget the part when Holly plucking the strings of the guitar and singing it "moonnn----riv---ver"......

This movie touch my heart with memorable characters, song, etc and I've watched it from time to time because each time I watch it, I renewed the feeling. Marvellous vintage classic.Simply divine!

One of the best chick flicks ever
I loved Breakfast at TIffany's. I had read about it from all of the gossip girl books and eventually became curious about the movie. I figured the movie would be good but I didn't expect to fall in love with it as much as I did. It is one of the best romantic comedy, chick flicks I have ever seen.

Good for ALL ages!
Because of the fact that I'm only 17 years old, I just got around to watching this movie. I'd always heard about it but I never knew what it was about. And, to be quite honest, I didn't even think about watching it because I thought it was in black and white! (Eh, I didn't know when it was made!)

My dad made me watch it this past weekend and I fell in love with it! Unlike most romantic comedies made today, both main characters are broke. It doesn't follow the mold of: poor/average girl falls for rich guy blah blah blah or the other way around. It was funny (Mickey Rooney's character was HILARIOUS!) and sad (when Holly finds out about Fred) and sappy (the last 20 minutes) all at the same time.

This movie is great for anyone, whether you saw it the first time around or you're a "late viewer" like me.

my fav movie!
i love this movie so much!
it is a love story but its not sappy it is so fun to watch

it is not an earlier version of pretty woman at all (as another review stated) audrey hepburn does not play a prostitute really she just has a lot of suitors. Anyway i completely recommend it so worth the $ ... Read more

Reviews (8)

The Mystery is Why This Isn't on DVD Yet!
I remember watching this movie when it was first shown on TV and I think it originally had a longer title, like The Mystery of Caroline or Who is Caroline? or something like that and I think it was later shortened to Caroline? Stephanie Zimbalist has always been one of my favorite actresses and I think she was terrific in this intriguing mystery and supsense movie about a woman who may or not be Caroline, a young woman who disappeared and thought to have died. She claims she is Caroline but is she or isn't she is the question. I highly recommend this movie and I wish this and her other movies would be transferred to DVD and I hope they put her TV show Remington Steele on DVD in complete season sets!

Wonderful Story
Wonderful story, set in the 1950's, of a woman who comes home to her wealthy family who thought she had died in a plane crash many years ago. Or is she an imposter? She must convince everyone that she is really Caroline, and find out if she is welcome in her family and community after letting everyone believe she was dead for so many years. As she gets to know her family again, she attempts to make positive changes in the lives of her skeptical young half brother and disabled half sister.

I'm surprised this movie is not yet on DVD. We have a couple of VHS copies at my library and they have been checked out nearly 400 times. This movie is almost never on the shelf.

A Wonderful Movie and it Should be on DVD!
I remember watching this movie when it first aired on TV and I believe it originally had a longer title but has been shortened to Caroline. Stephanie Zimbalist is one of my favorite actresses and I think she was very good in this intriguing mystery and supsense movie about a woman who may or not be who she says she is. I wish this and her other movies would be transferred to DVD and I hope they put her and Pierce Brosnan's TV show Remington Steele on DVD in complete season sets!

applejack's review of caroline?
this was a wonderful and exciting movie. It was inspiring and somewhat humerous at times. It was also very informative on just how far people will go to accomplish their greed and selfishness. It plays upon the family image of loving parents to their children.

"Caroline?"
This is a wonderful movie. It doesn't matter what genre you usually like or are most comfortable watching. This film is well crafted and cast, with remarkable and memorable performances. Best of all is Stefanie Zimbalist, who is as memorable in every performance, each different, as is her wonderful father, Efrem Zimbalist jr. Enjoy the movie! ... Read more

Reviews (2)

Dreadful
I bought this because I am reading all 8 volumes. What a waste (the video, that is ....) The acting is embarrassing and over the top, the music is intrusive, and some of the casting, such as Tom Bosley, is laughable. Don't waste your time with this made-for-TV drivel from the 70's.

The Kent Family Chronicles - expected more?
Well, thats it. The first mini series of one of John Jake`s best selling sagas ever: The Kent Family Chronicles. For a German viewer like me, it was an experience because this series was never shown on German television. Spoiled by the fascinating North and South Trilogy and the marvellous and price-winning mini series it was a little disappointment at first. Young Andrew Stevens as Philip Kent seemed a bit overtaxed in the first scenes but became better and better. The whole setting seemed pale and the dialogues were little more than just "small talk". But I think they got round to it by the middle of the film. When Philip arrived in America beautiful and convincing Kim Cattral appeared and Andrew Stevens seemed to act more out of his stomach than out of his head (forgetting what he learned at acting school). It became a pleasure to watch, see how everything fit together (and everyone:Olivia Hussey esp.). All in all it is worth to watch and makes you want to watch the other two sequels, too. And: you must not forget that North and South was filmed nearly seven years later with a much bigger budget perhaps. Watch it!! ... Read more

Reviews (42)

Altman, Great Ensemble, and Catfish Enchiladas...
This review refers to the DVD edition of "Cookie's Fortune"....

Glenn Close literally gets caught with her hand in the cookie jar in one of Robert Altman's all star,delightful comedies. It also stars Julianne Moore,Liv Tyler, Chris O'Donnell, Charles S.Dutton, Ned Beatty,Courtney Vance, Lyle Lovett,Donald Moffat and screen legend Patricia Neal as "Cookie"....what an ensemble! These great stars work beautifully together, and their comic timing is brillant.

The story starts out at a leisurely pace that gives you the perfect feel of Holly Springs, Mississippi, a small, slow-paced,antebellum town where everyone knows everyone. Then BANG..the little town is shaken up by the death of it's matriach, Jewel May "Cookie" Orcutt, and everyone gets involved with the murder investagation....but wait...was this actually a murder? Someone is sure trying to make it look that way! And uh-oh... the wrong man has been arrested and the police chief is out to prove his innocence. How does he know he's innocent...well..he fishes with him, of course!

Altman's superb direction,the wonderful twists and turns, the great camera work, the music, the terrific story and of course the fabulous ensemble make for a very entertaining 2 hours. You'll want to watch it over and over.

The DVD is a beautiful transfer. You have the choice of widescreen or full screen. The picture is clear and bright with great color. The sound offers the choice of Dolby 5.1 or stereo surround and is excellent. There are closed captions(English) and subtitles in Spanish and French. It includes cast bios and filmographies, and the theatrical trailer. You have the option of listening to the director commentary during the film as well.

So spend some time behind bars in Holly Springs, with Charles Dutton and Liv Tyler. Don't worry it's fun behind these bars..they never lock the bars, and you get to play scrabble and have some great meals! We are serving our famous "catfish enchildas" today!

Have fun with this one.....Laurie

One of Altman's best!
If you like loud movies' with lots of special effect that merely mask the fact that they have no plot and the actors can't act, you'll want to take a pass on "Cookie's Fortune." If, however, you preference is for movies with great writing and acting, then you'll want to see "Cookie's Fortune" to be sure.

Yes, it is paced at a leisurely rate, but the plot and characters are so endearing and so quirky that once things do get going this is a decided plus. Glenn Close, Charles S. Dutton, Patricia Neal, Julianne Moore and Ned Beatty are all top notch (no surprise really) in their roles in this superb ensemble piece, and while Liv Tyler and Chris O'Donnell are perhaps miscast in their roles (and a subplot involving their affair is not necessary) these are only minor quibbles. Great bluesy score by Dave Stewart adds to the mix.

All and all one of the best films of 1999. Too bad it played in theaters to early in the year for the Oscars to remember it.

TOOKIT!
This just has to be said:
Robert Altman's Cookie's Fortune may very well one of the greatest films ever made. I kid you not! Well. At least one of the finest films of the past decade.
When you watch this film you are viewing the work of a director that is so sure of himself and his abilities and the story that he just sort of let's it happen. It's truly amazing when it hits you. This film plays effortlessly. Like a Mozart composition.
Unpretentious. Deliberate and confident. No single performance stands out or hogs the spotlight. And Altman's cast is top-notch from critic darlings like Glenn Close to fantastic character actors like THE ROCK!
You might not catch it the first time you see it. But. Watch it a few times. Then it'll hit ya!

Made for the Stage
I enjoyed this movie, but thought it'd make a better play. >you need to go rent and watch this movie (cookie's fortune).

the rest of this is spoilers .. dont read til you've seen it:

the first act ends right after they find the body and willis walks in. the second act (a little longer, without editing) starts with willis sitting on his bed holding the bag of groceries and the cop walks in. dr. cummings could play the one attorney in town. there are only nine or so parts (cookie, willis, emma, cora, cora's sister, jason, the attorney, the investigator, and the sheriff). there are several things that make it a great play, including the dialogue, play-within-a-play, and some key devices. (the shattering glass bowl is a great scene ender, esp if done off-stage). and the action takes place in only a few areas: the first act is mostly the bedroom/stairway/kitchen/yard, with a bit at the church and a bit at the bar. the second act is mostly in the jail, with a bit at the bar and a bit at the house. you could edit out several parts, and possibly several scenes.

it's funny, but a bit dark, and a bit of drama and a bit of sadness. ... yadda yadda... good stuff!

Great actors having a lot of fun.
One of Robert Altman's attractions is his ability to attract groups of fine actors to play in his films. In that regard, Cookie's Fortune is one of his best, with Glenn Close, Charles S. Dutton, Julianne Moore, Patricia Neal, Chris O'Donnell and Liv Tyler. It's one of those rare films where all of the actors perform well, with none upstaging the others.

The plot, ideal for a sleepy southern town, plays out smoothly with lots of low-key laughs along the way. After it's over, you'll want to watch it again. ... Read more

Amazon.com essential video

More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry "Lonesome" Rhodes turns out to be a megalomaniacal rat bastard. The film turns apocalyptic as Rhodes exploits his power to sway the masses, helping to elect a reactionary presidential candidate. The parodies of television commercials and opinion polling were cutting edge in their day (Face in the Crowd was the Network of the Eisenhower era), and there are some startling, near-documentary sequences shot on location in Arkansas. An extraordinary supporting cast (led by Walter Matthau and Lee Remick) helps keep the energy level high, even when the satire turns shrill and unpersuasive in the final reel. There's an interesting parallel in Tim Robbins's snide pseudodocumentary Bob Roberts: both these pictures have almost as much contempt for the lemmings in the audience as for the manipulative monsters who herd them over the cliff. --David Chute ... Read more

Reviews (36)

The Dark Side of Mayberry
A Face in the Crowd, director Elia Kazan's criminally underrated 1956 political melodrama, tells the all-too plausible story of Lonsome Rhodes. Discovered by a local reporter (Patricia Neal) while spending time in a jail cell for vagrancy, Rhodes (Andy Griffith) is a drifter whose folsky charisma quickly makes him an instant celebrity. Soon, Rhodes has taken Neal as his lover and has his own television show where he gives out his home-spun opinions to a charmed nation. However, Rhodes is hardly the benevelolent country bumpkin that he presents himself to be. Instead, he is a power hungry meglomaniac who uses his fame to promote a fascist political organization. Much as he seduces a niave nation, he seduces a teenage cheerleader (Lee Remick) into being his bride. By the time that Neal and cynical television writer Walter Matthau come to realize the monster they've helped unleash on the world, it may indeed be too late.

If this film was too easily dismissed when released, it has become all the more plausible and relavent in recent years. Certainly, the current popularity of talk radio can be seen as a fulfilment of the film's prophecy. However, a more disturbing parallel can be made between Rhodes and the recent emergence of several political leaders whose popularity has been based less on their abilities and more on the "straight-talking" personalities that they skillfully display to a public disillusioned with "politics-as-usual." (Ross Perot and Jesse Ventura being just two of the more obvious examples.)

Best known for working with certifiably great actors like Marlon Brando and James Dean, Elia Kazan assembled a cast for A Face in the Crowd that may appear unlikely at first. Who could ever imagine a dark political drama starring Walter Matthau and Andy Griffith -- two seemingly polar opposites best known for their comedic efforts? However, it is a risk that plays off beautifully. Matthau's urban glumness stands in perfect contrast to Griffith's country-corn routine and both are such relaxing presences that even the most sophisticated of viewers will find it hard not to be drawn into a false sense of security that makes the film's ultimate revelations all the more disturbing.

A Face in the Crowd was Andy Griffith's first film and he gives an amazing performance that will surprise anyone who knows Griffith only as the sheriff of Mayberry. While still displaying his own unique charisma, Griffith also doesn't shy away from revealing -- subtly but surely -- that Lonesome Rhodes is a truly evil man. What's now forgotten is that even as Sherif Andy Taylor, Griffith's performance had a certain edge. If the people surrounding him were funny, Taylor was always a no-nonsense authoritarian who luckily had a good sense of humor. In his performance as Rhodes, Griffith gives us a portrait of Andy Taylor without the sense of humor or the grounding-influence of family. Its an amazing, all-too realistic performance that makes one wonder what Griffith could have accomplished if he'd continued to explore that edge.

Though Griffith dominates the film, the supporting cast is also strong. Along with the aforementioned Matthau, Patricia Neal gives a strong performance and brings both a subtle class snobbery and a repressed sensuality to her role. Her scenes later in the film, when she is forced to confront what she has set loose on the world, are devastating. Though her role is tiny, Lee Remick is both sexy and sympathetic as Griffith's child bride. Interestingly, Kazan doesn't present her character as a total innocent. Perhaps much like the film's America, if Remick is seduced and abused Rhodes, it is a seduction and degregation that she, at least partially, seems to desire.

After naming names during the red scare, Kazan often seemed to be drifting. Shunned by Hollywood, Kazan's films soon became obsessed with justifying his own actions. His last two great films -- On the Waterfront and a Face in the Crowd -- both deal with the McCarthyism of the 1950s. If Waterfront was Kazan's justification for informing, A Face in the Crowd is Kazan's attack on the men who perpatrated the Red Scare. Rhodes becomes Kazan's horrific imagining of Joseph McCarthy. It as if after justifying his own choice to name names, Kazan now wanted to make sure it was understood that he was still opposed to the excesses of the times. All-in-all, its a self-centered way to view the power of cinema. However, personal motivations aside, Kazan's need to justify himself produced at least two great films. On the Waterfront is an acknowledged classic. A Face in the Crowd deserves to be.

Timeless Message
Seeing this film once was enough for me. Andy Griffith is completely obnoxious. He laughed, screamed and hollered so much it got on my nerves. Maybe a character like that could become a huge success with the public in the 1950s, but I don't believe he could now.

Aside from that, this movie has a message that may seem old to us now, but is timeless nonetheless. Lonesome Rhodes is discovered in a local jail. His hokey, aw-shucks, down home manner of speaking turns him into a national icon. He has tremendous influence. He brings a lady onto his television show whose house has just burned down, and the money starts pouring in. Haven't we all heard this type of situation before?

The later part of the movie Rhodes was advising a politician on how to get votes. I couldn't help but think of Bill Clinton. In fact, Lonesome Rhodes reminded me of Bill Clinton during this part of the movie. Mr. Manipulation.

I haven't given away the ending. See it for yourself.

Everyone should see this.
There are so many truths--hidden and not hidden in this extraordinary film about a guy who is truly a "nothing" becoming powerful enough to influence a presidential election.

The way he manipulates the public will remind you of Bill Clinton. The fact that he's a complete zero will remind you of George W. Bush.

This is really trivia in a movie this important but what a revelation that Andy Griffith started his career as a brilliant actor! What a shame he spent the rest of his career at the level of a Don Knotts or a Jerry VanDyke. The next time I see an actor who is truly awful I'll consider that maybe the right part just hasn't come along.

A Great Movie, But It's Not Just About Him
This is a great movie with incredible performances by Andy Griffith, Patricia Neal, Walter Matthau, Tony Franciosa, and Lee Remick. It's over the top at times but that's okay because it makes it all the more frightening. Don't be fooled, however. This isn't just about Lonesome Rhodes. This about Beany, the Patricia Neal character (hope that's the right name). It's about a priviledged young woman who is mersmerized by a man who she perceives to be "his own man," and how seductive that perception is. When she's forced to see who he has become, she realizes she made this monster, she created him, she imbued him with qualities he never really possessed, and she nurtured him. He had no real definition when they met, beyond her fantasy of him. And at the end of the movie he still has no definition beyond his power to persuade. He has no idea what the senators and politicians are even talking about. But he knows he's powerful, and that power has been intoxicating to HER for a long time. And that power becomes very, very dangerous. But she gave him that power and she is devastated when she realizes she's the only one with the power to take it all away. This movie is about sex, desire, warped perception, delusions of all kinds, and the danger of manipulation. Don't be too sexist or you'll miss what's happening with the female lead in this classic story.

Griffith proves to be a true actor
The movie, A Face in the Crowd, was one of the best movies I've ever seen. I cannot believe that Andy Griffith did not get nominated for an Academy Award for his performance. ... Read more

Amazon.com

Originally made as a two-part TV miniseries, this umpteenth adaptation of Johann Spyri's novel is exceptionally easy on the eyes. Jason Robards plays the grumpy grandfather who tends for the orphaned Swiss girl. Jane Seymour chews up the scenery as the governess to a spoiled, rich city girl whom Heidi is forced to visit. The adults think the invalid Klara (Lexi Randall) needs companionship, but wise old grandpa knows she needs good mountain air and independence. Noley Thornton is sweet enough in the title role and Robards's performance provides depth. This Disney production brings little to the story, but is worth watching for its stunning Alpine vistas.--Rochelle O'Gorman ... Read more

Reviews (9)

Stunning!
This version of Heidi is truly wonderful. The story is so great and all the actors played the roles very well. Shirley Temple was good, but Noley Thornton is fantastic. Unlike the older version of Heidi this has a freshness to it. The other version the Alps don't look nearly as stunning and the slede ride was the fakest thing I have seen in my life. In this re-make you can almost see the hills bursting with song and joy. It is truly magnificent.

Great film for People of all ages!!!!
I rented this from Top Hat Video the other day and I watched it last night when the thunderstorm was interupting the sound this has gotta be one of the best disney films ever Noley Thornton is a sweet girl in this films she's great for the part of Heidi Sure Shirley Temple was good for the part of Heidi in her version of the tale but Young Noley is great too her sweetness in this film makes me feel so good if you thought Shirley was great for Heidi wait till you see this disney version of the tale it's a very sweet story I recommend you get this Noley Thornton is great for Heidi!!!!!!

absolutely absolutely perfect
I viewed this film and realized how ugly I am compared to such a beautiful person as Heidi. She was so patient, caring, loving and wise. Please if you ever want to see a good film and you want to waste almost 3 hours of your life on films SEE THIS FILM!

The outside beauty makes you feel so ugly within... I am not kidding. It's that beautiful!

a movie for the heart
Great movie with very good actors. Little Noley thornton is wonderful and loveable in the title role.

Heidi has a refreshing perspective on life
Heidi has a refreshing perspective on life. She chooses love, love for a crochety old man. In her eyes he becomes lovable to the viewer as well. The scenes of nature are stunning and the tender exchanges in human relationships are deeply moving. Heidi is not just a great "G" movie for children, it's a great movie for adults who need another glimpse, another reminder, of the beauty in our surroundings... both in people and in nature. ... Read more

Reviews (5)

Character Driven Drama
Richard Todd stars as a proud, stubborn Scottish soldier who learns some lessons about friendship in this little known film from 1949. At the close of World War Two, and following surgery for the removal of a kidney, he recovers in a jungle hospital, with the truth about his very serious condition being kept from him. His anger over his lack of a discharge, coupled with his hard attitude and demeanor, keeps him separated from fellow patients and nurse Patricia Neal. Attempts are made to befriend him, but it only leads to conflict. Ronald Reagan is the American patient "Yank" and he gives one of his better performances. Neal is also good, although a little detached, as the nurse trying to keep the peace. But it's Todd who really stands out, giving a moving performance as the friend-less Scotsman who has never fit in and has been hardened by the experience. The scenes are played with honesty, and although the film reveals its stage origins, it doesn't seem static. Director Vincent Sherman lets the characters and conflict drive this story about man's need for friendship, and the results are memorable.

A Wonderful Story...
The dialogue is dated in places; some of the characters and scenes are not politically correct (this is an old film, of course); the special effects (at the beginning) are quite lame. Even so, I really REALLY loved this movie. In fact, I count it among the 10 all-time best movies I've ever seen. This story is about the transforming power of true friendship in the life of someone who is both utterly obnoxious and yet somehow endearing at the same time. Patricia Neal and Ronald Reagan are terrific in this film, but Richard Todd, as Lachie, steals the show with a moving performance that will stay with you, I think, for a long, long time.

A wonderful movie about friendship, pity and loneliness
I Love everything about this film. I love Richard Todd's phony Scots accent, I love the African guy who only says one word, I love the guy who says of Ronald Reagan, "He knows more about politics than I do". This movie is usually referred to as one of the few Ronald Reagan movies that he wasn't terrible in, but it is much more than that. It is a moving and emotional film, with a memorable lead character in the kilted Scot, "Lachie" (played by Oscar-nominated Richard Todd), who is stubborn and unfriendly to the other patients, but also naive and vulnerable, gaining the audience's sympathy. The film closely follows the acclaimed play by John Patrick, but there are some changes made. Its a modest flick and generally forgotten nowadays, but I think its great. PS Joan Crawford also liked it.

An Interesting and Uplifting Story About Real Characters
This is a very good movie, from (I believe) a play. Everyone (particularly Reagan and Richard Todd) does a splendid job in a story of different personalities and characters recovering in an infirmary in Asia at the end of the Second World War. One of the interesting aspects is the look at American - English differences (Reagan and Todd) in outlook, "stiff upper lip". This movie contains emotional truths that are glowing.

Humanity
A superb, theatrical-style movie from a time when scripts were important, and emotions were more warm, sophisticated and true than those evoked by today's omni-present car chases and hi-tech explosions. Should be in every video library, and kids should be encouragd to watch it. ... Read more

Reviews (25)

A Well endowed portray of the classic novel/movie
As the 70's came to a close, nobody exactly knew what was beyond the horizon of the 80's...much to say it's taste in TV movies. "All Quiet on the Western Front", a 1979 made-for-tv movie, said it all. You have your all-star cast of "The Waltons" Richard Thomas, academy award winner Ernest Borgnine, cult fave Donald Pleasence and British actor Ian Holm. Unlike it's 1930 counterpart, which places itself in the hall of fame of war epics, this update gives more and askes for little.

Much like the book and the original movie, the story takes place in 1914 central Germany at the eve of World War I. Many schoolboys (and yes, just like the original film, they oddly speak English with American and British accents, yet its...Germany?) are destinted to join up with the Kaiser's army and fight for the "Fatherland". Paul Baummer (Thomas) is an eager young boy who doesn't exactly look like the fighting type (truth be said, Thomas is giving into too much of his John-Boy image from "Waltons", but nevermind that), in fact he gets distracted easily. But he and his school buddies join the resistance. After going through harsh training with anal Himmelstoss (Holm), they are sent to the frontlines of France. There, they meet Katczinsky (Bognine) AKA "Kat", a seamlessly old warhorse that takes the boys in and teaches them how to fight. And unless you haven't read the book or just know the story like everybody knows the Cinderella story, one-by-one the boys die horrible deaths in the trenches and it's to a point where even some lose their minds. Paul is sent back home because of injuries but returns because he feels like the trenches are his home. Only for his to find out that he's the only remaining of his group aside from Kat, who dies a long and painful death after being hit by shrapnel and being carried a mile or so by Paul to safety. Ouch. Once again, Paul is distracted by something and thus we have "All Quiet on the Western Front"

The tv movie won a Golden Globe for Best Made-For-TV Movie and it definately deserved it. The production vaule was superb and you can tell. I merely wonder if the director intended the film to be released theatrically, because it's quite well shot and pretty high on special effects scale...that is for the 70's. One such thing that would bug a lot of history buffs is just how not a single word of German is spoken throughout the entire movie...and it takes place in Germany! It would be like an American movie were everybody speaks French, but it's Southern California! Right up along side "Enemy at the Gates" (Russians speak with British accents, Germans speak with American?) it's a well endowed movie and a perfect selection for a history class.

Very tough movie
This is a very good and tough movie. It is a big improvement from the 1930 version.

Great film but would have been better without the editing.
As most of the other reviews have noted, this is a great movie. What disappointed me though was that a lot of little parts were edited out. I saw this movie on TV several years ago and recorded it. I thought it was excellent and eagarly purchased the DVD. I wish now that I had kept my tape. Because although the edited parts did not take away much from the story as a whole, those same parts added so much more to it. For example in the unedited version, during training Paul Baumer comes to the aid of one of his comrades who has fallen into the mud. For this he is punished by Corporal Himmelstoss. Later at the front, Paul and his platoon mates are sitting in their dugout and discussing why Himmelstoss received the Iron Cross. By this time Himmelstoss is behaving more human and when he enters the dugout he is no longer taunted. In fact Kat moves over on his bunk to make room for him. These are only 2 examples. There was much more.

Still a good movie, but because of the editing I rate it only 3 stars.

Getting There
Having done a college thesis on this book and the two movie versions, I feel qualified to write reviews. Acting is far better here than in the version of 1930, and so are the special and sound effects. The reason is clear enough: in 1930, actors were new to the concept of sound in films. However, just looking at the DVD cover you know you will have to take this one with salt: he hasn't even got the right helmet on- that one is more WWII than WWI. Apart from things like that which only sticklers such as myself will actively object to, this is an excellent adaptation of a wonderful book. buy it, unless you hold a degree in German Militia in which case all this will do is annoy you. This means you, Mikhail.

Best antiwar movie ever made!
Thank God there are some people in Holywood who can create masterpieces. It is the first movie ever created with such realism about the horrible WW1. It doesn't have any Rambos killing everybody without even sweating. It is more believable than any other war movie, even if it's only a novel. Maybe because it is seen through the eyes of a German soldier. Who knows! Anyway I recomend this movie to everyone who is tired of watching action heroes combined with ...(true stories)??? ... Read more

Amazon.com

If not a seminal World War II submarine picture, then OperationPacific is at least an entertaining one. John Wayne stars as "Duke" Gifford,first officer of the submarine Thunderfish. Patricia Neal is Duke'sex-wife, and when they meet again after four years, the couple tries to recapture"that old zing." Complications arise when Duke goes on a mission with dudtorpedoes, and his best friend's younger brother goes after Neal. Fans will bepleased with Wayne's role, as the Gifford character is one of Wayne's simplest,but most honest performances. Wayne regulars Ward Bond and Jack Pennick are onhand as well; Bond plays sub captain "Pop" Perry, and Pennick the sub's Chief.The scene in which Pop tells his crew to "Take 'er down!" came from real life; asub skipper uttered the famous command during a desperate surface action.--Mark Savary ... Read more

Reviews (4)

Operation Pacific
Since I grew up with this movie, I have seen it at least 30 times. This is one of the best Submarine Movies of WW-II action made. And not everyone knows this but this movie did deal with some truth. When the skipper is shot by a "Q" ship in a surface attack, he uses the command "Take Her Down" which was in actuality used by the CO of the USS Growler, after being critically wounded in action in 1942. And the torpedo trouble in the movie was also true and they did drop warheads from on high to test out various firing options. One submarine mentioned in the Movie was the Corvina, which really was a USN Sub, and she was suck by a Japanese Submarine like the movie portrays. Unlike other Sub Movies, this one has a lot of truth in it and is an excellent watch. It is made more realistic by being in black and white. Sources for the above "Sink em All" By Vice Admiral Charles A. Lockwood, USN COMSUBPAC during WW-II

When things go wrong and one is in harm's way.
This is a chilly saga of an American sub captain plagued by failure-prone weapons and an ocean full of Japanese to fight. They find the reason the torpedoes didn't work and put back to sea, this time, to take good care of the nasty business at hand. One scene that brings the cost of war home is that the Thunderfish loaned another sub a movie, "Washington Slept Here." Sometime later, they find wreckage of an American sub, and the movie tells them who is at the bottom of the ocean. The Thunderfish strikes back at the sub that got their friends, showing how dangerous it was out there and what courage it took to fight this war. The climax scene shows them in a Japanese-controlled harbor, with a waiting task force. They fire their new and deadly torpedoes, and radio back to Cincpac about the taskforce and its location. They run for cover, and barely survive massive retaliation: the outcome is in doubt until the last, as it was for many other submariners. A moving, poignant, and bittersweet tale that stresses the fact that nothing ever comes for free, even in war.

Authentic in Every Detail
What makes "Operation Pacific" stand out is its authentic pigboat crew dialogue and operational procedures. It is also unique in that it took from a real life WWII sub commander's life. Cdr. Howard W. Gilmore (played by Ward Bond as the fictitious 'Pop Perry' in the movie) who actually did speak the words, "Take her down" as he lay mortally wounded on the bridge of his sub, USS Growler", thus saving the lives of his crew. This is an exceptional WWII submarine movie, a huge step above all of the rest.

Classic, but only amongst sub movies
This show depicts JW being handed what he least wants, to be left ashore during wartime to solve a technical problem with torpedos -- something that really happened.

There is much of the standard John Wayne character in the movie -- he's strong and larger than life, even when he faces a ruggedly handsome younger man who is vying for the same woman. John Wayne is, of course, the hero, and that's OK.

The best part about the movie, however, doesn't have anything to do with subs. The best part is the showdown between two nurses when one tells the other how things really are, and to quit whining about things (I paraphrase, badly).

Nevertheless, this movie is a great option for a free Saturday afternoon. ... Read more

Amazon.com essential video

Otto Preminger's sprawling World War II drama packs a lot into its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbor is bombed while they are on maneuvers. Minutes into WWII, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker ... Read more

Reviews (51)

A bit overlong, but worth the time. . .
It takes an expert hand to mix historical fiction, solid action, maudlin melodrama and stock romantic entanglements and emerge with a coherent story, much less an effective and entertaining film, but Otto Preminger manages the trick with In Harm's Way. John Wayne's acting is John Wayne's acting (just replace the cavalry smock with WWII working khaki), but the true stars of the film are Kirk Douglas, Burgess Meredith and Patricia Neal, all of whom do a wonderful job of augmenting and supporting the Duke without getting in his way. The combat scenes are few and far between and, by today's standards, rather tame. However, this seeming weakness proves a hidden strength in what becomes an excellent character study of divergent people thrown together in the chaotic early days of the Second World War. This film does a very good job of showing the difficulties commanders faced in dealing with equipment shortages, personnel problems and the myriad headaches of a combat commander trying to fight a war on a shoestring. In some respects the plot is a bit predictable but nonetheless holds one's attention. Like most Wayne pictures, this ends up being a flag-waving tribute to the heroism of the American fighting man and woman. What makes this one a bit different is the degree of character development. It doesn't take long before you actually start caring about the people and the combat becomes a secondary issue. As with most of the Duke's movies, there is a good dollop of tongue-in-cheek humor to lighten the mood. The final result is a very effective, surprisingly realistic look at the people side of warfare.

War in the Pacific

Director Otto Preminger made a good war movie, here. John Wayne plays the part of a captain who initially loses his ship, but comes back eventually as a commodore (1 star admiral). Kirk Douglas is his Exec, Cdr. Ettinger (eventually a captain), who has a bottled up violence in his character (well played). Patricia O'Neal plays a navy nurse (Lt.), Dana Andrews plays an egotisitcal admiral, and Henry Fonda plays CincPac.

The picture is well cast. Even a young Carroll O'Conner has a part, and Burgess Meredith plays an intelligence officer very well. Brandon De Wilde (a new name to me) plays Wayne's son, a spoiled college brat brought up by his mother, also well-played.

I was impressed by the details in the movie, including the plane's designations (except for a reference to an AT6 "Texan," which they should have called by its navy designation, an SNJ, instead of the air corps desgnation), and the Japanese ship designations. The battleship Yamato, for example, was identified as having 18-inch guns, as indeed it did have--larger than the 16-inch rifles on America's battle-wagons.

All together, it was a well-told story which held pretty much to reality, except for the fictional islands' names and the presence of so many females that close to the action.

I enjoyed it, as I do most old Wayne movies. And Otto Preminger knew how to put them together.

Joseph (Joe) Pierre, USN (Ret.)

author of Handguns and Freedom...their care and maintenance
and other books

Great cast!!! Excellent Movie!!
This movie is far from being a typical jingoistic, flag-waving propoganda piece. It deals with several substantive issues (i.e. love, loss, rape, death, etc.) that are dveloping in people's lives at the same time as the war. Interestingly, I felt like a voyeur as I was watching the movie due to an intimate/personal filming perspective and excellent acting.

Overall this movie for mature audiences that can accept steady character development with action being secondary.

Big thumbs up!!

Not As Good As MIDWAY
IN HARM'S WAY is a film about World War II naval action in the Pacific beginning with the Pearl Harbor attack by the Japanese. The movie contains a lot of battle scenes but it soon gets monotonous - especially when one realizes that model ships are used as props.

John Wayne is the star and the supporting cast is strong. Patricia Neal and Kirk Douglas are standouts. In spite of the superior acting and the efforts of Otto Preminger as director, the film never quite achieves the same level of interest as MIDWAY which is definitely a better motion picture.

IN HARM'S WAY received an Oscar nomination in 1965 for Best B & W Cinematography.

Flatly and indifferently made WWII epic
After the triumph that was THE CARDINAL (available on a highly recommended WB disc) Otto Preminger made a big war film based on a bestseller novel. While many find this film wonderful, I find it to be talky, groundbased, and exceedingly unmemorable film. Nearly everything in the film is at a level of artifice that, coupled with the black and white photography and really inexcusable SFX, makes the film look cheap and indifferent. The plotting is cliched when not unbelievable. For example, Jill Haworth kills herself when she fears Kirk Douglas' rape has left her pregnant. WHY did she not consult her fiancee (also John Wayne's estranged son) or press criminal charges? And why did Douglas not seek a divorce from his nymphomanianc wife (Barbara Bouchet)? It doesn't help that the whole picture takes on a buddy-buddy atmosphere totally inappropriate for 167 minute epic. Rumors, by the way, are around that state the film was once even longer and had an intermission (curious fans of the film should pop in their DVD and go to about th 85 minute mark). If the flick was once longer, I will make every attempt never to see the longer version. ... Read more

Reviews (8)

The Mystery is Why This Isn't on DVD Yet!
I remember watching this movie when it was first shown on TV and I think it originally had a longer title, like The Mystery of Caroline or Who is Caroline? or something like that and I think it was later shortened to Caroline? Stephanie Zimbalist has always been one of my favorite actresses and I think she was terrific in this intriguing mystery and supsense movie about a woman who may or not be Caroline, a young woman who disappeared and thought to have died. She claims she is Caroline but is she or isn't she is the question. I highly recommend this movie and I wish this and her other movies would be transferred to DVD and I hope they put her TV show Remington Steele on DVD in complete season sets!

Wonderful Story
Wonderful story, set in the 1950's, of a woman who comes home to her wealthy family who thought she had died in a plane crash many years ago. Or is she an imposter? She must convince everyone that she is really Caroline, and find out if she is welcome in her family and community after letting everyone believe she was dead for so many years. As she gets to know her family again, she attempts to make positive changes in the lives of her skeptical young half brother and disabled half sister.

I'm surprised this movie is not yet on DVD. We have a couple of VHS copies at my library and they have been checked out nearly 400 times. This movie is almost never on the shelf.

A Wonderful Movie and it Should be on DVD!
I remember watching this movie when it first aired on TV and I believe it originally had a longer title but has been shortened to Caroline. Stephanie Zimbalist is one of my favorite actresses and I think she was very good in this intriguing mystery and supsense movie about a woman who may or not be who she says she is. I wish this and her other movies would be transferred to DVD and I hope they put her and Pierce Brosnan's TV show Remington Steele on DVD in complete season sets!

applejack's review of caroline?
this was a wonderful and exciting movie. It was inspiring and somewhat humerous at times. It was also very informative on just how far people will go to accomplish their greed and selfishness. It plays upon the family image of loving parents to their children.

"Caroline?"
This is a wonderful movie. It doesn't matter what genre you usually like or are most comfortable watching. This film is well crafted and cast, with remarkable and memorable performances. Best of all is Stefanie Zimbalist, who is as memorable in every performance, each different, as is her wonderful father, Efrem Zimbalist jr. Enjoy the movie! ... Read more

Amazon.com essential video

Based on a Larry McMurtry novel, this Martin Ritt film was a testament to the sex appeal of the young Paul Newman. Playing the title character--a total rotter who, by the end of the film, has double-crossed or screwed over everyone he knows, including his hard-working father and brother--Newman turns him into an intriguing antihero. Things are tough on the ranch and Hud's dad (Melvyn Douglas) needs help, but Hud is too busy looking out for number one, even as things fall apart. And guess who's going to land on his feet? Beautiful black-and-white cinematography by James Wong Howe won an Oscar, as did performances by Douglas and Patricia Neal. --Marshall Fine ... Read more

Reviews (39)

Magnificent in every respect
I cannot say enough about this movie. Paul Newman ("HUD") is completely convincing as the narcissistic son of an aging cattle rancher (Melvyn Douglas) who takes all he can get from life, leaving only destruction in his wake. Perhaps the reason Newman is so convincing is that, despite HUD's reprehensible character, one is drawn in to the allure of his personality, just like those on the screen that are used and tossed aside. Although we may not be "rooting" for HUD, we become more than a little sympathetic to his cause, probably a reflection of our own selfish natures. And it is a tribute to Newman's acting ability to draw out these conflicting emotions from the audience.

The supporting cast in this "character study" is nothing short of superb. Melvyn Douglas as the pious and self-righteous father is the perfect mirror image of HUD. Patricia Neal (who won an Oscar for Best Supporting Actress) is simply outstanding as the earthy, motherly yet somewhat-still-sexy housekeeper who both HUD and Lon (Brandon De Wilde) have sexual yearnings for, but for very different reasons. James Wong Howe's cinematography is top notch and his choice of black and white film really makes this movie work - far more than it would have in color.

There are also other "small touches" that add so much to the film. When HUD picks up Patricia Neal by the side of the road with her groceries, she offers him a Fig Newton. The same effect was used again when Lon is discussing the book "From Here To Eternity" with the local drugstore owner. Not a just a "cookie" or a "book", but real pieces of "Americana" the help set the mood, tone and timeframe of the film.

There is one last item I think is worth commenting on, because it is often overlooked. That is the seeming genuine affection that HUD has for his nephew (Lon). Yes, HUD is a scoundrel out for himself first and foremost, but there are many scenes where HUD appears almost human (particularly when HUD finally tells Lon how his father died), and those scenes are always with Lon. This is why, if the movie has any flaw in my mind, it is the ending where Lon is leaving the ranch and HUD is left all alone. I get the sensation that HUD is practically begging Lon to stay, though outwardly this isn't the case at all and HUD tries to act aloof and non-caring, shouting one of his famous lines "This world is so full of ..., a man's gonna get into it sooner or later whether he's careful or not." Whether my reaction was the one Martin Ritt had in mind I am not sure, but the last scene always leaves me unsettled, at least in terms of HUD's humanity.

Regardless, a first class film in every way. There are very few this good.

POWERFUL, POIGNANT and PACKING A WALLOP ON DVD
"Hud" is the story of an embittered, ruthless son (Paul Newman) of cow rancher Homer Bannon (Melvyn Douglas). Determined to take over his father's prosperous farm, Hud bides his time with sexual conquests and playing big brother to Lonnie (Brandon DeWilde). Lonnie worships Hud as a god, a rabid fascination that will be irreversible shattered when Hud attempts to rape the ranch's cook and housemaid, Alma Brown (Patricia Neal). However, before the disillusionment comes the spoils. The family partake in a county fair in which Hud wins the 'greased pig' contest. He and Lonnie start a victory fight inside a barroom. Hud takes Alma to the movies. There's really nothing extraordinary about the film, and yet it captures, perhaps better than most, the raw emotion of a powerful slice of Americana in the mid-west. However, as the story drags on the tide begins to turn away from Hud's favor. Homer becomes ill and unable to tend the far. The cattle contract an infection, forcing the farm hands to exterminate the entire herd. Alma, realizing that Hud is incapable of any sort of compassion or tenderness, abandons him and the farm i