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| 1. Hidalgo Director: Joe Johnston | |
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Reviews (87)
Frank Hopkins (Viggo Mortensen) is one of the acts in Buffalo Bill Cody's Wild West Show on the basis of his reputation as the world's greatest cross-country horse racer. But Frank, the son of a U.S. Army scout and an Indian woman, is drinking himself out of a job, tortured by self-guilt over a tangential and relatively innocent association with the Army's massacre of Native Americans at Wounded Knee. Hopkins is challenged by an Arab sheik to participate in a grueling, 1000-year old horse race across the deserts of the Middle East. To redeem his self-esteem, Frank signs-on with his horse, Hidalgo, a mixed-breed Spanish mustang. Arriving in Arabia, Hopkins is despised by the locals for his infidel status, while Hidalgo's small size and lineage are held in contempt relative to the purebreds he's running against. Omar Sharif appears as Sheik Riyadh, the Sheik of Sheiks whose own stallion is the favored entry in the race. (I guess Omar has been wandering the desert these past 42 years since appearing in a similar role in the sandblown epic LAWRENCE OF ARABIA. He looks weathered.) Zuleika Robinson plays the sheik's daughter, Jazira, unnecessary to the plot except that she provides Frank with a Damsel in Distress to rescue, but little else. HIDALGO is perhaps 15-20 minutes over-extended. The Jazira In Peril bit could've been left in the digital-editing trashcan quite handily without sacrificing too much of a story that's otherwise everything anybody could want in escapist entertainment for the whole family. The real darling of the film is, of course, Hidalgo, who pluckily braves a host of perils to win the prize purse: sandstorm, concealed pit with sharpened stakes, attack leopards, sniper, horde of locusts, broiling sun, blistering heat, and human treachery. (Hmm. Sounds like my hometown on a daily basis.) By the movie's conclusion, you just want to take Hidalgo home with you and to hell with zoning ordinances.
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| 2. Regarding Henry Director: Mike Nichols | |
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Amazon.com Reviews (39)
"Regarding Henry" is a rare little gem of a story, a simple film about a man whose life changes, believe it or not, for the better when he's shot and nearly killed by dint of being in the wrong place at the wrong time. Ford's Henry Turner takes us through a life he doesn't remember, including a daughter and a wife played by an impossibly young and fresh-faced Annette Bening. Sure, it's a little sentimental. But it's a pretty simple story with a positive feel. Filmed on location in New York City, the Manhattan scenery is rather delightful as well. It's not film noir, it's not a tour de force of characterization, and no, it's not Academy Award winning screenwriting. But it is a thoroughly enjoyable movie, one Ford doesn't have any reason to be ashamed of.
The tile character, Henry Turner, is introduced to us as a top-flight litigator for a large New York legal firm. He is well groomed, dressed in a designer suit and he is seen speaking sincerely to a jury about human desires and justice. Our opinion of him changes as soon as Henry leaves the court. He quickly makes a call to his interior designer to berate her for having the wrong table delivered to his palatial home. He is just another lawyer, after all. It is hard to watch this movie at the start. Henry is one of those men we all love to hate. He is selfish, self centered, successful and confident. His daughter is frightened of him and his wife is a pale reflection of him. Luckily we are not forced to watch this Henry for very long. He makes the classic movie exit and "goes out for some cigarettes." What follows is a scene that is perfectly directed. Henry walks into a corner store demanding his brand of cigarettes, unaware that the other patron is robbing the owner. Henry does not become scared but before he can even attempt to control the situation, he is lying on the sidewalk with two bullets inside his body and the wail of approaching sirens in the background. This event is the cusp of Henry's life. Annette Bening plays Henry's Wife, Sarah. She may not be in love with her husband anymore but she needs him. As her financial position becomes clear, she realizes she needs him very much. But she is not unaffected by it all. This is the man in her life, the father of her child, a good provider and protector. Seeing him lying motionless in a hospital bed, drooling and staring vacantly, is probably the most painful thing she has ever experienced. But there is some hope of recovery. Henry's long rejuvenation at a specialty medical center is like a rebirth. He remembers nothing, coming into his new world without the power of speech or the ability to walk. His midwife/physiotherapist, Bradley, is wonderful. He is full of life, energy and enthusiasm. As Henry is taught to walk and speak and function, Bradely becomes the mainstay of his life. Sarah keeps her distance and Henry doesn't get to see his daughter, (Rachel), at all until the day he is deemed fit to go home, a scary separation from the only people he trusts. But the Henry that returns to a home he barely remembers, is not the same man that left for cigarettes. He is a little shy, very calm, forgiving, gentle and above all, nice. His transformation is interpreted in different ways by different groups. The movie serves as an interesting depiction of how society views disabilities. His boss is patronizing, his daughter delighted, his mistress is distraught and for the longest time, Sarah doesn't know what to feel. The ending may be predictable but in this case, it is the journey that we love. Most of us feel we have lost our innocence and that our honor has been a little tarnished by life's decisions. Henry takes us on a trip to see what might happen if we surrendered all the hard won prizes in our life and instead, chose to embrace life itself. This is a film that will make you feel. Some days, that's just what we need.
Eventually, he figures out that the Henry he once was was a horrible person and he hopes never to go back to that life. Annette Benning is great and beautiful as the wife that had an uncaring husband who all of a sudden loves her more than anything. She has to decide if she is ready to leave the life they led with other uncaring and obnoxious friends. Priceless scenes, especially those involving Henry and his secretary!
The movie's slowly unfurling narrative and its high predictability levels could have made it a skippable fare, but Ford's rendition of amnesia is moving, and Annette Bening's performance is very impressive. An occasional saving grace is also the music, if you have an ear for that kind of stuff. Recommended rental. ... Read more | |
| 3. Beavis and Butt-Head Do America Director: Yvette Kaplan, Mike Judge | |
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Amazon.com Reviews (60)
"Beavis and Butt-Head Do America' could almost be called wholesome family entertainment in this post- "South Park" world. Indeed, the...fire references that were considered over the top in 1996 when this movie first came out seem almost quaint compared to movies like "South Park: Bigger, Louder & Uncut" which pushed the envelope much further. The only problem I see are the scarcity of bonus materials on the DVD edition. All you're getting is the movie and little extra. Buy it anyway, the movie's good enough by itself.
Two stupid teens, Beavis [Mike Judge] and Butt-head [Mike Judge] had discovered their tv is stolen. then Butt-head go search for their TV. Then they go stealing the school's TV and then they get caught from the Principal [Mike Judge]. Then the 2 teens visit a guy [B. Willis] and do his wife [???]. This movie is very funny. I would reccomend it to many people.
For those of you who don't know, Beavis & Butt-Head are two very stupid yet very funny teenagers who are completely perverted and who are obsessed with heavy metal bands such as AC/DC and Metallica. Their crazy antics affect their life at home, at school, at stores, and basically everywhere. If you don't think they are funny from just this description, buy this movie and your attitude will change COMPLETELY! Beavis & Butt-Head Do America is basically Beavis & Butt-Head on a roadtrip across America. After their T.V. is stolen, they are somehow thrown into an international conspiracy dealing with two criminal masterminds and a virus that is inside a computer-chip-like object. While they are being thrown into all this, they are prooclaimed the most dangerous men in America. And while the FBI is after them, they are blissfully unaware of what is going on. I don't want to give away what actually happens in the movie, but I will say that their journey takes them from their home town of Highland to Las Vegas, the Hoover Dam, a church, the Old Faithful geiser, the middle of a desert, and Washington D.C.. All in all, this movie is one of my favorite comedy movies of all time. This movie deserves a place right next to South Park: Bigger, Longer & Uncut in your personal VHS/DVD library. If you like comedy like South Park and The Simpsons, then you will definately like Beavis & Butt-Head and ultimately...Beavis & Butt-Head Do America.
I was hoping that maybe Mike Judge would do an Audio commentary? I could imagine quite clearly the opening credits rolling, and Mike saying that persons name, and then Beavis and Butthead saying somthign like "shes a s**t" and "I scored with her" and all the other classic things that Beavis and Butthead would say. Plus there is apperently delted scenes that are not on this DVD. This movie is great. But the DVD should have more features then just a couple of trailers. ... Read more | |
| 4. The City Director: David Riker | |
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Reviews (2)
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| 5. Whispers in the Dark Director: Christopher Crowe | |
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Amazon.com Reviews (6)
It has a good cast, but the script is hopeless. The plot makes no sense, Sciorra breaks every ethical rule of therapy and the whole film is a waste of time. I do not think this will make an Alan Alda retrospective. Infact most of the cast have gone onto better things and that is the best you can say about it.
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| 6. Trapped in Silence Director: Michael Tuchner | |
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Reviews (1)
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| 7. Making Mr. Right Director: Susan Seidelman | |
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Amazon.com Reviews (8)
There are some very good things about it though. The music is great and there are some very funny scenes in it. John Malkovich does an excellent job with the two different personalities - the android and the doctor. The acting of the other actors is very poor though and overall the movie was corny and pretty dumb.
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| 8. Making Mr. Right Director: Susan Seidelman | |
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Reviews (8)
There are some very good things about it though. The music is great and there are some very funny scenes in it. John Malkovich does an excellent job with the two different personalities - the android and the doctor. The acting of the other actors is very poor though and overall the movie was corny and pretty dumb.
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| 9. The Peacemaker Director: Mimi Leder | |
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(price subject to change: see help) Asin: 0783224079 Catlog: Video Sales Rank: 6170 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (67)
Clooney is completely unlike the sad special operatives that Hollywood has been doping us with. He's no Rambo at a funeral, no tortured soul, no reluctant anti-hero full of dark secrets, ambiguities, or self-doubt. Instead, he reminds me of certain Navy SEALs I've met: intelligent, cocky, self-assured, grinning. Ready for immediate action. Direct, practical, and unhesitating in dealing out whatever destruction and demolition will get the job done ... fast. Clooney's character metes out punishment equally well in military and civilian settings, and he is VERY clear about why he does what he does. The man has energy and snap. If you like the fast, decisive action of special operations, do yourself a favor and check out The Peacemaker. Bear with the muddled plot; the hard action scenes are worth the wait. The fact that overweight film critics didn't like the movie, shouldn't trouble you in the slightest. They're paid to sit in armchairs and pontificate. This movie was made for you, not for them.
Politics not withstanding, this is just about the finest, tightest thriller I have ever seen, and extremely fast paced. It was Dreamworks' first major thriller, a home run that vaults way out of the ballpark! They did it right. Congratulations to Mimi Leder for a first rate job. Among the many German crew members, Hans Zimmer's score is one of his best. Or anyone's best, complete with full choir. From first frame to last, Peacemaker is a film of razor-sharp pacing, superb casting, spectacular stunts, and incredible locations. It stimulates the brain on the most primitive and sophisticated levels, as the best films should -- a sensory delight of sound, music, facial expressions, graphic action, and delightful camerawork, and crisp and often funny use of language. I found this film totally believable. From a standpoint of cast, script, and score, we clearly have here a labor of love. First, let's talk about George Clooney as Lt. Colonel Tom Devoe. Clooney's never been in anything this good before or since. Mimi Leder brings out the best in George. His role summons superlative comparisons such as Alec Baldwin in Red October. Or William Shatner as Captain Kirk. Will the feat ever be repeated? Heroes like this don't come along every day. Clooney is in his element, whether screaming expletives into a helicopter radio, or testifying before a congressional committee. I nominate Clooney's peak moments in the film were when he 1) "excuse me I hate to keep interrupting" in the congressional briefing and 2) when he captures those warheads on the Russian bridge. Righteous! He has the most important neck of any actor in Hollywood, living or dead. Kidman, with her sharp, aggressive, professional feminity, lights up the screen! Sorry, there just wasn't time for romance or love in this life-threatening story. From the moody richness of a a train chugging through the dark Ukrainian forest, to the crowded streets of New York, Peacemaker is rich in imagery and texture. Look closely. There are no extras. Nothing is generic or stock. Everyone on the screen, from lead actor to those many people in the background, render perfectly convincing performances! Even minor non-speaking roles were delivered with utter authenticity. After the sensational Mercedes car chase in Vienna and the helicopter pursuit in Russia, the pursuit of Bosnian diplomat Dusan Gavrich in the streets of New York brings the film to it's desparate climax. The only thing I found hokey and overblown was when the Russian General Aleksandr Kodoroff first steps out of his vehicle in the smoky train station; it seemed rather staged. But forget that. This is one of the best thrillers ever made. Intelligent, thought provoking, and precise.
The most interesting thing, perhaps, about the movie is to see a diehard liberal like George Clooney play a character based EXACTLY on Ollie North, right down to mannerisms and hair. I guess this film proves ol' George can act after all...
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| 10. Once In The Life Director: Laurence Fishburne | |
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Reviews (2)
Now Fishburne writes. This script is not to for the tender ear but if you want to take a walk in the world of the hoodlum and you want to take in style, this film is a delight. The characters are well developed and the plot pulls you right in the room with them. Emmonn Walker and Titus Welliver put on very good performances as best friend and half brother. The fact that Titus is a white guy makes the half brother thing alittle humorous but it works really well. The sets were downtown and colorful. The feel was beleivable but at the same time somewhat surreal. I loved the graffitti scenes while Tony was reciting poetry. It shouldn't have fit in a somewhat violent film about a drug steal gone bad; but it did. Very fine film!
This is not an easy movie to watch, but the cast, the story and Laurence Fishburne's talent as a story-teller makes it a breathtaking experience for those who enjoy theatrical cinema. ... Read more | |
| 11. The Peacemaker Director: Mimi Leder | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 0783225636 Catlog: Video Sales Rank: 29963 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (67)
Clooney is completely unlike the sad special operatives that Hollywood has been doping us with. He's no Rambo at a funeral, no tortured soul, no reluctant anti-hero full of dark secrets, ambiguities, or self-doubt. Instead, he reminds me of certain Navy SEALs I've met: intelligent, cocky, self-assured, grinning. Ready for immediate action. Direct, practical, and unhesitating in dealing out whatever destruction and demolition will get the job done ... fast. Clooney's character metes out punishment equally well in military and civilian settings, and he is VERY clear about why he does what he does. The man has energy and snap. If you like the fast, decisive action of special operations, do yourself a favor and check out The Peacemaker. Bear with the muddled plot; the hard action scenes are worth the wait. The fact that overweight film critics didn't like the movie, shouldn't trouble you in the slightest. They're paid to sit in armchairs and pontificate. This movie was made for you, not for them.
Politics not withstanding, this is just about the finest, tightest thriller I have ever seen, and extremely fast paced. It was Dreamworks' first major thriller, a home run that vaults way out of the ballpark! They did it right. Congratulations to Mimi Leder for a first rate job. Among the many German crew members, Hans Zimmer's score is one of his best. Or anyone's best, complete with full choir. From first frame to last, Peacemaker is a film of razor-sharp pacing, superb casting, spectacular stunts, and incredible locations. It stimulates the brain on the most primitive and sophisticated levels, as the best films should -- a sensory delight of sound, music, facial expressions, graphic action, and delightful camerawork, and crisp and often funny use of language. I found this film totally believable. From a standpoint of cast, script, and score, we clearly have here a labor of love. First, let's talk about George Clooney as Lt. Colonel Tom Devoe. Clooney's never been in anything this good before or since. Mimi Leder brings out the best in George. His role summons superlative comparisons such as Alec Baldwin in Red October. Or William Shatner as Captain Kirk. Will the feat ever be repeated? Heroes like this don't come along every day. Clooney is in his element, whether screaming expletives into a helicopter radio, or testifying before a congressional committee. I nominate Clooney's peak moments in the film were when he 1) "excuse me I hate to keep interrupting" in the congressional briefing and 2) when he captures those warheads on the Russian bridge. Righteous! He has the most important neck of any actor in Hollywood, living or dead. Kidman, with her sharp, aggressive, professional feminity, lights up the screen! Sorry, there just wasn't time for romance or love in this life-threatening story. From the moody richness of a a train chugging through the dark Ukrainian forest, to the crowded streets of New York, Peacemaker is rich in imagery and texture. Look closely. There are no extras. Nothing is generic or stock. Everyone on the screen, from lead actor to those many people in the background, render perfectly convincing performances! Even minor non-speaking roles were delivered with utter authenticity. After the sensational Mercedes car chase in Vienna and the helicopter pursuit in Russia, the pursuit of Bosnian diplomat Dusan Gavrich in the streets of New York brings the film to it's desparate climax. The only thing I found hokey and overblown was when the Russian General Aleksandr Kodoroff first steps out of his vehicle in the smoky train station; it seemed rather staged. But forget that. This is one of the best thrillers ever made. Intelligent, thought provoking, and precise.
The most interesting thing, perhaps, about the movie is to see a diehard liberal like George Clooney play a character based EXACTLY on Ollie North, right down to mannerisms and hair. I guess this film proves ol' George can act after all...
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| 12. Milk & Money Director: Michael Bergmann (II) | |
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Reviews (2)
David (Robert Petkoff), a recent medical school dropout, is walking casually down a New York City street. Within moments, two different women --utter strangers-- have asked David for enormous favors. In each case the amiable david immediately agrees to help. This premise may be preposterous but the acting is so winning and the directing so assured that the viewer is happily drawn into the film. Soon David becomes involved with the relocation of twenty-one cows,a homeless cattle expert (Peter Boyle) and a rich man's mistress (Calista Flockhart) who has a PhD in medieval literature. Trying to guess how all of these fantastical elements tie together is only one of "Milk & Money"'s gleeful pleasures. --Hamptons International Film Festival ... Read more | |
| 13. Regarding Henry Director: Mike Nichols | |
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Reviews (39)
"Regarding Henry" is a rare little gem of a story, a simple film about a man whose life changes, believe it or not, for the better when he's shot and nearly killed by dint of being in the wrong place at the wrong time. Ford's Henry Turner takes us through a life he doesn't remember, including a daughter and a wife played by an impossibly young and fresh-faced Annette Bening. Sure, it's a little sentimental. But it's a pretty simple story with a positive feel. Filmed on location in New York City, the Manhattan scenery is rather delightful as well. It's not film noir, it's not a tour de force of characterization, and no, it's not Academy Award winning screenwriting. But it is a thoroughly enjoyable movie, one Ford doesn't have any reason to be ashamed of.
The tile character, Henry Turner, is introduced to us as a top-flight litigator for a large New York legal firm. He is well groomed, dressed in a designer suit and he is seen speaking sincerely to a jury about human desires and justice. Our opinion of him changes as soon as Henry leaves the court. He quickly makes a call to his interior designer to berate her for having the wrong table delivered to his palatial home. He is just another lawyer, after all. It is hard to watch this movie at the start. Henry is one of those men we all love to hate. He is selfish, self centered, successful and confident. His daughter is frightened of him and his wife is a pale reflection of him. Luckily we are not forced to watch this Henry for very long. He makes the classic movie exit and "goes out for some cigarettes." What follows is a scene that is perfectly directed. Henry walks into a corner store demanding his brand of cigarettes, unaware that the other patron is robbing the owner. Henry does not become scared but before he can even attempt to control the situation, he is lying on the sidewalk with two bullets inside his body and the wail of approaching sirens in the background. This event is the cusp of Henry's life. Annette Bening plays Henry's Wife, Sarah. She may not be in love with her husband anymore but she needs him. As her financial position becomes clear, she realizes she needs him very much. But she is not unaffected by it all. This is the man in her life, the father of her child, a good provider and protector. Seeing him lying motionless in a hospital bed, drooling and staring vacantly, is probably the most painful thing she has ever experienced. But there is some hope of recovery. Henry's long rejuvenation at a specialty medical center is like a rebirth. He remembers nothing, coming into his new world without the power of speech or the ability to walk. His midwife/physiotherapist, Bradley, is wonderful. He is full of life, energy and enthusiasm. As Henry is taught to walk and speak and function, Bradely becomes the mainstay of his life. Sarah keeps her distance and Henry doesn't get to see his daughter, (Rachel), at all until the day he is deemed fit to go home, a scary separation from the only people he trusts. But the Henry that returns to a home he barely remembers, is not the same man that left for cigarettes. He is a little shy, very calm, forgiving, gentle and above all, nice. His transformation is interpreted in different ways by different groups. The movie serves as an interesting depiction of how society views disabilities. His boss is patronizing, his daughter delighted, his mistress is distraught and for the longest time, Sarah doesn't know what to feel. The ending may be predictable but in this case, it is the journey that we love. Most of us feel we have lost our innocence and that our honor has been a little tarnished by life's decisions. Henry takes us on a trip to see what might happen if we surrendered all the hard won prizes in our life and instead, chose to embrace life itself. This is a film that will make you feel. Some days, that's just what we need.
Eventually, he figures out that the Henry he once was was a horrible person and he hopes never to go back to that life. Annette Benning is great and beautiful as the wife that had an uncaring husband who all of a sudden loves her more than anything. She has to decide if she is ready to leave the life they led with other uncaring and obnoxious friends. Priceless scenes, especially those involving Henry and his secretary!
The movie's slowly unfurling narrative and its high predictability levels could have made it a skippable fare, but Ford's rendition of amnesia is moving, and Annette Bening's performance is very impressive. An occasional saving grace is also the music, if you have an ear for that kind of stuff. Recommended rental. ... Read more | |
| 14. Once In The Life Director: Laurence Fishburne | |
![]() | list price: $14.98
our price: $14.98 (price subject to change: see help) Asin: B000059HID Catlog: Video Sales Rank: 115855 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
Now Fishburne writes. This script is not to for the tender ear but if you want to take a walk in the world of the hoodlum and you want to take in style, this film is a delight. The characters are well developed and the plot pulls you right in the room with them. Emmonn Walker and Titus Welliver put on very good performances as best friend and half brother. The fact that Titus is a white guy makes the half brother thing alittle humorous but it works really well. The sets were downtown and colorful. The feel was beleivable but at the same time somewhat surreal. I loved the graffitti scenes while Tony was reciting poetry. It shouldn't have fit in a somewhat violent film about a drug steal gone bad; but it did. Very fine film!
This is not an easy movie to watch, but the cast, the story and Laurence Fishburne's talent as a story-teller makes it a breathtaking experience for those who enjoy theatrical cinema. ... Read more | |
| 15. Prisoners of Inertia Director: Jeffrey Noyes Scher | |
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