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| 1. You've Got Mail Director: Nora Ephron | |
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Amazon.com essential video The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device.The script, cowritten by the director and her sister Delia Ephron, updates and relocates the Ernst Lubitsch classic The Shop Around the Corner to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan).Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes. It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention ofManhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland Reviews (480)
The soundtrack to this movie is absolutely incredible. Harry Nilsson is perfect (the puppy song, over the rainbow), and the rest of the songs fit so well with the mood of the movie at all times. Sinead O'Conner's addition (I think it's called the lord must live in NY city) adds to the mood I talk about later, and Carol King's Anyone At All is one of the best romantic songs I've ever heard/played. The mood to the movie is always incredibly upbeat- which is strange- most movies have their lulls or depressing moments. This movie, however, never gets itself in that rut. It's always very very cheery and bright. Although some may hate that, I can do nothing but appreciate the change of style. Everytime I watch You've Got Mail, I just think, "I WANT TO GO TO NEW YORK!!!" Overall, the movie just makes you feel good. It's one of my favorite movies, and is certainly my most favorite romantic film. Even techies won't get annoyed, because thank goodness the focus isn't aol or anything of that matter.
Aside from making me want to run away to the Big Apple and work in the children's section at Fox Books, "You've Got Mail" also features Meg Ryan at her most adorable ("Aren't daisies just the friendliest flower?"), Tom Hanks at his most charming, and a terrific supporting cast (Greg Kinnear and those typewriters!). The story, a modernized little "remake" of "The Shop Around The Corner", is more fairy tale than realism -- two people fall in love over email, in war in real life, and however can such a thing be solved -- but it's an enchanting story nonetheless. In a time when romance on the web seems all-too-seedy and in reality, sometimes frankly dangerous, this little tale of two people sharing their most intimate thoughts long before they share a single glance is like a breath of fresh air. Sure, the technology's a little faded, but the magic's still there.
Yeah, that's right! I said it! A lifetime of Vietnam movies and tragic love stories has left you too cynical to enjoy a simple romance between two adults. Teenagers getting into car crashes, mothers being diagnosed with breast cancer, murderers who you like despite the fact that they're pure evil. These are the cinematic icons that appeal to you, yes? Well what about hard-edged bookstore manager and idealistic bookshop owner? What about oddly-principled boyfriend who owns two identical typewriters? What about...uh...Jean Stapleton? She was funny, right? Look, the point is it doesn't suck and don't judge it just because it's a Hanks/Ryan romantic comedy on par with "Sleepless In Seattle" (Which was a good one too, by the way). Although, I still prefer the original "Shop Around the Corner" with Jimmy "Not Bow-Legged" Stewart.
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| 2. Sleepless in Seattle Director: Nora Ephron | |
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Reviews (117)
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| 3. When Harry Met Sally... Director: Rob Reiner | |
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Amazon.com essential video Reviews (184)
I was really surprised that I enjoyed this one, usually I don't like Billy Crystal but there was some excellent dialogue in this film that helped him out, Meg Ryan looked great (when she didn't have an awful '80's perm - note to ladies on here - it looks really dumb as do ugg boots and jeans that show off your butt cleavage or fat rolls). I really wish the whole "I'm having what she's having" statement was not said as I've had to endure countless cheesy commercials based on this scene but all in all had some fun with this one. That said, too many f words, about 8, and too much of the fornicating already, try getting to know someone properly first then marrying them as a lifelong commitment before sleeping with them Also, you can have platonic friends of the opposite sex, and unless you've got a lust problem you won't be thinking about bedding them all the time. Thanks for reading, and come out of them you lustful demon!! ... Read more | |
| 4. Top Gun Director: Tony Scott | |
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Amazon.com essential video Reviews (209)
Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 5. I.Q. Director: Fred Schepisi | |
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Amazon.com Combine I.Q.'s talent with its fresh story and it charms. Garage mechanic Ed Walters (Robbins) is captivated at first glimpse by pretty, perky Catherine (Ryan), a gifted academic who lives with her uncle, Albert Einstein (a brilliant Matthau). Catherine is engaged to pretentious James Moreland (the oh-so-appropriate English actor and writer Stephen Fry). Catherine's early 1950s world is all bookish and brainy, even though she has aspirations toward the romantic (Moreland's idea of a honeymoon is the Belgian Congo with Pygmies; she longs for Hawaii). Einstein and his professor pals, played by Lou Jacobi, Gene Saks, and Joseph Maher, conspire to match their beloved Catherine with the sincere and smart (though not intellectual) Ed. This is a sweet--but not saccharine--story about "engineering" the course of true love and the ironic triumph of heart over head. The topnotch performances (which also include Tony Shalhoub and Frank Whaley as fellow mechanics) really draw audiences into this winning movie. --N.F. Mendoza Reviews (21)
Catherine (Meg Ryan) is the niece of the well meaning but bumbling Einstein (Walter Matthau). She was born with the mind of a scientist who always follows her head, and is just learning what it means to follow her heart. And Ed (Tim Robbins) is just the man to teach her how (with a little help from Einstein and his friends).
Say what you want to about Meg Ryan being too cute, about the plot being predictable, whatever. I think it's just....jivin'. It's a neat love story, about the actions of boy meets girl, fate and love, and Albert Einstien's convertible. Throw in a comet and a few wacky physicists, well, it's just pure fun. I wish to heck I could find the score somewhere; the blend of do-wap and Mozart is as much fun as the movie itself. I'm prejudiced because Tim Robbins is my favorite actor, but all the acting in this goofy, off the wall film is top-notch. Though it's not one of the late Walter Matthau's most famous roles, I personally think it's one of his best, and I can't think of anyone better to play the eccentric Albert Einstien. One of the most beautiful things about this film is the accuracy of the set and costumes. Not just Meg Ryan's picture-perfect 50's dresses, but the buildings and vehicles, and especially the heavily wood-panelled bungalows favored by the rich during the late 50's; they're so time-perfect you can almost smell the Lemon Pledge. Incedentally...look for one of the funniest performances in one of the experiments by Meg Ryan's movie fiance, "Excremental Psychologist" James Moreland. I'm not sure who the actor is, but in the background of his lab is a student driven psychotic by a "time depravation experiment", and his physical humor and antics are about a thousand times better than anything from SNL in the past decade. By the by, this makes a perfect date movie, and is mild enough for kids...but still fun for adults. It's just all around terrific, and a great buy.
This is brilliantly funny, poignant and tender, but never insipid (the director is Australia...so insipidness is definitely out) movie. Matthau is truly fantastic as Einstein, as are his three sidekicks (especially Godel! and the tree that likes to eat their stuff!) as they try to manuever the two leads together and remove the Lesser Professor, a.k.a the rat man, Chimp Pimp, etc from the picture: the stuffy english fiance of Meg Ryan's Character, played perfectly by Stephen Frey. Of course the Lesser Professor is trying to hang on to Meg Ryan's character and expose Tim Robbin's character as a fraud because of his new found friendhsip with Einstein and the secret paper they're working on so Tim Robbin's character can impress Meg Ryan's charater with 'his genius' because that is what she looks for in a man- a genetic hope of making genius children so she, lacking in her own confidence, can achieve through her children. MEg Ryan's character is Eistein's neice. I can't understand how Matthau didn't get a best supporting actor nomination for this movie! He is so good, as is all the cast: they fit perfectly, especially the 'four boys'. The story is fairly linear but well paced. It does deal with a lesser theme of self belief, being yourself, and sexual equality and that brilliant men can be have brilliant women as their equal, or betters. The main theme is not letting the brain rule the heart too much, and to be happy. And that some things-love- defy science! I can't think of any movie like this one. Its unique, clever, witty and subtle at times (especially the humor: Einstein on a motorbike going wah-hoo...very cool!). So if you like your movies sophisticated, wholesome, honest, stylish and not contrived then you defintely want to see this one! The cinematography and 'fifty-ness' is fantastic! Definitely 5 stars! More even...! DVD is very plain: just the movie. No added features or even bio's for that matter. But with a movie this good, who needs them? The picture and sound quality are top notch.
If you have any respect for the history of physics and the reputations of the people who formed non-Euclidean theory, leave it at the door. (One cannot but wonder if fictional physicists, instead of real characters could not have accomplished the same thing in terms of compelling characterizations?) In any case, the movie is a neat little love story, and worth a cosy evening's rental.
Strongly recommended for someone looking to watch a romantic comedy free of zany characters or crazy scenes. ... Read more | |
| 6. French Kiss Director: Lawrence Kasdan | |
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Amazon.com Reviews (108)
"French Kiss" is a perfect title for this Continental tease of a comedy that combines elements of romance, screwball comedy, and a touch of international intrigue. Ryan and Kline seemed perfectly cast even if he is a good deal older than she. It isn't a magnificent movie, but it's quite a good one and much better than the critics would have us believe. A welcome souffle for any fans of Ryan, Kline, or for romantics anywhere.
This is the only movie I've bought that I've had to replace due to wear and tear. I was curious to see what other people thought of my "favorite" movie and heartened to see that I'm not the only French Kiss addict in the world! I was appalled at the hollywood reviews of this fine, romantic comedy. From the opening scene where Meg Ryan is in a fear of flying desensitization training course to its very happy ending, this movie entertains enormously both with its incredibly romantic storyline and the hilarious bantering between Kate and Luc. I admit that I can do "lines" from this movie. Both Kevin Kline and Meg Ryan are in top form. I think that they sizzle together as a romantic couple! Am I the only one who wants to see them reunited in another movie (ala Tom Hanks?)?
At first I doodled, but you can't help but be pulled into the story and the delightful Meg Ryan. I soon was completely involved with storyline and loved every minute of it, and I for once didn't even mind the pretictable ending. A movie that is worth renting, watching, and then purchasing. Enjoy.
But what carries this movie is a beguiling performance by Kevin Kline and his very oo, la, la French accent. I also liked the concierge who takes Meg's 100-Franc note (worth about twenty bucks) as his God-given concierge right with nothing more than a belated, merci you vile American touriste. Okay, I have to confess. I have a love/hate relationship with Meg. I just want to take her home and tuck her into bed, but all she cares about is being cute on screen and teasing me. Director Lawrence Kasdan (Body Heat 1981, Anne Tyler's The Accidental Tourist 1989, writing credits with George Lucas sagas, etc.) has a few jokes with the nearly all female theater audience and their drag-along beaux. (Actually this video is currently being viewed on the couch across the nation by Roseanne Barr and John Goodman look-alikes with Roseanne making sarcastic remarks about Meg's eyeshadow and scrawny physique while Goodman chortles with squinty eyes as he anticipates the action to come après le flick.) I especially liked the vast vineyard (Meg is drooling) that Kevin DOES NOT HAVE due to his wild and crazy ways (he says, but shows it to her anyway). I mean, RESOURCES are what a real woman wants in a man, dodo brain. What are you doing, playing hard to get? Anyway, as all romance movie fans know, boy meets girl (cute), boy and girl cannot get it on just yet for 1001 wacky reasons, and finally boy gets girl or actually girl gets boy, and boy turns out to be worth getting as he naturally comes up with beaucoup des ressources of a very special kind. Etc. See this for Kevin Kline, an underrated actor who has a lot of fun behind the five o'clock shadows and the French pastry while proving he can Can Can with the best of them. ... Read more | |
| 7. Kate & Leopold Director: James Mangold | |
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Reviews (247)
Stuart (Live Scheiber), an inventor and Kate's ex, discovers a time wormhole and travels back to 1876 New York. Leopold (X Men's Hugh Jackman), who invented elevators, chases him from his uncle's house, where he is to announce his bride to be, back through the wormhole into modern day New York. Leopold was to marry into money since his family has run short of funds. The rest of the movie shows Leopold adjusting to the modern world and wooing Kate (Ryan) off her feet. The first half plays like a natural "fish out of water" story. Stuart conviently has an elevator accident, getting him out of the majority of the movie. Also making an appearance, Charlie (Breckin Meyer), Kate's brother, spends a lot of time with Leopold, thinking him another actor. Beware: spoiler ahead. If you know anything about films, it's obvious how this is going to end, so it's not really a spoiler. Kate and Leopold go back to 1876 New York to live happily ever after. The biggest problems I had with this movie was the uneasy mixture of science fiction and romance. The exact same story could have been told without involving time-travel. An excellent film in its own right, Splash took the "fish out of water" story and succeeded quite admirably. Here, the science fiction is little more than a gimmick to dress up a rather formulaic story. The most depressing thing of all, however, is Ryan has proven you can quite successfully have a "chick flick" while having an excellent supernatural slant (City of Angels). KATE AND LEOPOLD gives us a rather unrealistic love story. KATE AND LEOPOLD is just an elegant man sweeping a boring woman off her feet. Why Leopold would want Kate, other than she has Meg Ryan's looks, is beyond me. Another problem with the story, however, is Stuart the inventor. He is by far the most interesting character, and I kept wishing to see more of him. Leiv does a wonderful job with the role, and the most interesting sections are the all-too brief scene of him in 1876 New York and again in the psychiatric ward. The best and most captivating scene deals with Leiv explaining to a nurse that he is not crazy. I won't ruin it for you if you do decide to see the film, but his explanation is absolutely wonderful, and is easily the highlight of the film. However, he is taken out most of the movie because of an elevator accident, which makes no sense. The logic of the movie is since Leopold did not invent the elevator, then all the shafts would be empty. Well, if there were no elevators to begin with, why would there be shafts? This is just sloppy writing. The next time the writers want to do a cross-genre film, I hope they do a much better job than this film. I give it a low three maybe a high two for a squandered opportunity of making another good cross-genre film like CITY OF ANGELS and involving an unrealistic love story.
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| 8. When a Man Loves a Woman Director: Luis Mandoki | |
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Amazon.com essential video Reviews (42)
Meg Ryan (Alice Green) plays a wife and mother of two, who has an out of control drinking problem, that takes her almost dying in the shower to make her realize that she has a problem. Andy Garcia (Michael Green) plays her husband who knows that she has a problem, but just is not ready to face the fact that she needs help or she is going to hurt herself or one of the children. When Alice finally does get the help she needs, Michael doesn't cope well with the fact that she now has other people to turn to when things get rough. Michael does try to go to a support meeting for family memebers, but just sees it as a bunch of people sitting around feeling sorry for each other. He thinks that things will just 'go back to normal' now that she has gotten help and just isn't that simple. Although the effects that her drinking had on the kids was not addressed, I felt that it touched most of the bases that a family goes through after recovery. You will need a box of tissues by your side for this tear jerker.
Meg Ryan and Andy Garcia are good as Alice and Michael Green. I liked the fact that the movie dealt with Alice's alcoholism. She realizes that she has a major problem with alcohol. Eventually, she goes into rehabilitation. I'm glad that they didn't stop the movie with her coming out of rehab and life will be all wonderful and fuzzy. What happens is that with Alice sober, Michael doesn't have anyone to rescue anymore. It is good to watch how their relationship changes with Alice's new found sobriety. Meg Ryan and Andy Garcia do a great job in showing how alcoholism can effectively mess up a relationship and family. It's been a while since I have seen this movie, but there are some wonderful supporting performances to mention. Tina Majorino as the oldest daughter, Jess, is astonishing. She shows a lot of emotion for the daughter of an alcoholic. I think that she could have easily been nominated for a Best Supporting Actress Oscar. Also, Lauren Tom as Amy, the Green's nanny/housekeeper, is incredible. Her character does not really like Michael Green very much. The scene where Michael begs her to come back and help the family is great. Amy definitely does not make it easy for him. This movie is definitely not light-hearted fair. In fact, I would really not recommend this for children. But, for adults, I recommend this movie because it tackles alcoholism head on, especially with some not so pleasant views of Alice's alcoholism.
For the most part, though the screenplay wasn't great, I feel poor casting is responsible for the film's failure. Try as she might, it just doesn't seem Meg Ryan can be taken seriously doing much else than romantic comedy. No, she isn't a bad actress, but the quirky, cute persona is what carries her, and when she attempts to be serious, she comes off as a little witchy and intolerant, not at all sympathetic or likable. In this particular role as the substance-abusing wife and mother, she doesn't inspire sympathy, never expresses any depth of confliction, and never convincingly emerges with dignity, though I suspect it was meant to be an empowering story. Andy Garcia is "blah" as her husband. Yes, he's suitable as a nice guy who is confused as he both supports her and tries to hold her accountable, but he often comes across less confused and reticent and more wary and aloof as if he's actually secretly distracted by his dealings as a mob flunky or something. The best performance is by Tina Majorino, who doesn't for a moment look like the spawn of Ryan and Garcia, but who's authentic reactions of fear and confusion when victimized by her mother are heart-rending. Thus to the film's credit, I guess the reality of a child being the most vulnerable victim in situations of substance abuse is demonstrated, but is not a strong enough impression to make this an even moderately impressive film. ... Read more | |
| 9. Sleepless in Seattle (Special Edition) Director: Nora Ephron | |
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Reviews (117)
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| 10. French Kiss Director: Lawrence Kasdan | |
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Reviews (108)
"French Kiss" is a perfect title for this Continental tease of a comedy that combines elements of romance, screwball comedy, and a touch of international intrigue. Ryan and Kline seemed perfectly cast even if he is a good deal older than she. It isn't a magnificent movie, but it's quite a good one and much better than the critics would have us believe. A welcome souffle for any fans of Ryan, Kline, or for romantics anywhere.
This is the only movie I've bought that I've had to replace due to wear and tear. I was curious to see what other people thought of my "favorite" movie and heartened to see that I'm not the only French Kiss addict in the world! I was appalled at the hollywood reviews of this fine, romantic comedy. From the opening scene where Meg Ryan is in a fear of flying desensitization training course to its very happy ending, this movie entertains enormously both with its incredibly romantic storyline and the hilarious bantering between Kate and Luc. I admit that I can do "lines" from this movie. Both Kevin Kline and Meg Ryan are in top form. I think that they sizzle together as a romantic couple! Am I the only one who wants to see them reunited in another movie (ala Tom Hanks?)?
At first I doodled, but you can't help but be pulled into the story and the delightful Meg Ryan. I soon was completely involved with storyline and loved every minute of it, and I for once didn't even mind the pretictable ending. A movie that is worth renting, watching, and then purchasing. Enjoy.
But what carries this movie is a beguiling performance by Kevin Kline and his very oo, la, la French accent. I also liked the concierge who takes Meg's 100-Franc note (worth about twenty bucks) as his God-given concierge right with nothing more than a belated, merci you vile American touriste. Okay, I have to confess. I have a love/hate relationship with Meg. I just want to take her home and tuck her into bed, but all she cares about is being cute on screen and teasing me. Director Lawrence Kasdan (Body Heat 1981, Anne Tyler's The Accidental Tourist 1989, writing credits with George Lucas sagas, etc.) has a few jokes with the nearly all female theater audience and their drag-along beaux. (Actually this video is currently being viewed on the couch across the nation by Roseanne Barr and John Goodman look-alikes with Roseanne making sarcastic remarks about Meg's eyeshadow and scrawny physique while Goodman chortles with squinty eyes as he anticipates the action to come après le flick.) I especially liked the vast vineyard (Meg is drooling) that Kevin DOES NOT HAVE due to his wild and crazy ways (he says, but shows it to her anyway). I mean, RESOURCES are what a real woman wants in a man, dodo brain. What are you doing, playing hard to get? Anyway, as all romance movie fans know, boy meets girl (cute), boy and girl cannot get it on just yet for 1001 wacky reasons, and finally boy gets girl or actually girl gets boy, and boy turns out to be worth getting as he naturally comes up with beaucoup des ressources of a very special kind. Etc. See this for Kevin Kline, an underrated actor who has a lot of fun behind the five o'clock shadows and the French pastry while proving he can Can Can with the best of them. ... Read more | |
| 11. Anastasia Director: Don Bluth, Gary Goldman | |
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Amazon.com Twentieth Century Fox's big-money gamble to horn in on Disney's realm is worthy. The songs, especially the recurrent "Once Upon a December," by Broadway team Lynn Ahrens and Stephen Flaherty are better than Disney's recent efforts. It's worth picking up the soundtrack. The mix of cell animation and computer work is vivid. The collection of vocal talent is also strong, from John Cusack (as Dimitri, who wants to earn the reward by bringing Anya to Paris) to Hank Azaria as an amusing albino bat. Kelsey Grammer helps turn a roly-poly sidekick into a warm and strong supporting character. The biggest drawback is Bluth/Goldman's insistence on having a typical villain. Surprisingly, the story would be strong enough without one, and the undead corpse of Rasputin (Christopher Lloyd) is unneeded and unoriginal. --Doug Thomas Reviews (153)
Story: Anastasia, her grandmother, and the rest of the Romanov family are enjoying a royal ball in their palace. But alas, there's always a bad guy,.......Rasputin in this case. He says that Anastasia's whole family will die soon, and that happens (off screen of course). Well, everybody except for Anastasia and her grandma. Her grandma escapes to Paris. "Anya" falls off a train, hits her head, and ends up in an orphanage. 10 years later, two conmen named Dimitri and Vladamer are "collecting" girls that look/act like Anastasia. This is because Marie (Anya's grandma) is holding a grand reward of 10 million rubels for anyone who finds her lost granddaughter. And Anastasia? She is finally released from the orphanage. But instead of going "fishing" like the lady at the orphanage tells her to, she goes to St. Petersburg to find her family. Following her is the undead Rasputin (ha, and you thought he was dead). He's trying to get revenge since Anya lived. The rest of the story follows the journey's of Anastasia, and how she finds her grandmama. As for the historical record? Well, Rasputin was actually a "friend of the family" as you might call him. He helped to cure little Alex, Anastasia's brother, from a fever. From what I've heard, I guess Anya's whole family (including her) was killed. Not a very happy ending is it? Of course, they can't let the kids know this, so it's all "re-arranged". As for Pooka (the dog), who knows if the Romanov family had a dog or not. Dimitri? He looks suspiciously like Alex dosn't he? And what about Bartok (the bat)? Of course, he is purely fictional. I have to admit that he seemed like the main character more than Anya, since he had the most "personality". Kind of a cute little guy actually. Overall, it's fun, cute, and whimsicall. Sounds like a kids movie dosn't it? That's because it is!! But all in all, I think you'd enjoy it.
When the Russian empire falls (in a fortnight due to Rasputin's curse), young Anastasia escapes with her life but not her memory. An old member of the court and an old member of the palace staff look for a girl they can pose as Anastasia in order to collect a reward. The girl they pick turns out to be the genuine article. After some harrowing adventures made more difficult by the efforts of Rasputin from beyond the grave, Anastasia is reunited with her grandmother. Then, just as all obstacles and plot complications are out of the way of romance the final showdown with Rasputin occurs. One of the main reasons I had wanted to see this film was that it was the first true challenge to Disney's animation empire. I was very surprised to find out that Don Bluth (All Dogs Go To Heaven and other dogs) was behind the film. Bluth seems to have finally figured out how to make a good film and Anastasia will hopefully not be the last. There are a few faults (of course) with the overall plot and the dealings with history but if one accepts this as alternate history they are not a real problem. For one, Rasputin dies by accident (although he does drown). Anastasia is found and reunited with her family. The Russian Empire is likened to Camelot where all is good for everyone. Rubles seem to have worth outside of Russia. But if you can handle that, you should have no problem with the story. The only real problems I had with the production involved the musical numbers and the animation. There was some good music but it just wasn't as clear as it should be. Oftentimes one had to guess what the song was about. The problem with the animation stems from to jarring an interface between the computer animation and the cell animation. Hopefully these small problems can be eliminated in future projects. So, overall I really enjoyed the movie. It was a fun story with some old cliches eliminated (Tracy thinks they too a close look at the success of Buffy The Vampire Slayer). The animation was beautiful, if jarring in a few spots. The characters were likeable and believable and were backed by some excellent voice talents. If you get a chance to see this one on a big screen you should take that opportunity; it's worth it. If not, get the DVD.
On the ship to France, curses were being thrown Anya's way by Rasputian. She feels like she is falling apart. A waif for many years, she is hoping to find her family and her destiny. At the Effiel Tower, we saw a beautiful dancing water show similar to that at the downtown park in Chicago in summer. The elderly Empress with her white hair has reached the point of despair and will no longer interview any of the many girls who claim to be Anastasia. She had a cat with a fluffy tail. Her maid Sophia, the blonde bombshell with Dolly Parton attributes, informs them of the Soviet ballet and takes them on a fantastic shopping spree. Dimitri had been a servant lad in the palace and had led the group to safety during the revolution. Now he has turned into a conman to find the heiress. He is pictured with my son Geoffrey's hair and even his smile. There is a model in Chicago who is Jeff's 'double' so it could have been based on him. Out in the streets of Paris, there is dancing as in HAVANA NIGHTS cartoon style. At the Moulin Rouge shaped like a windmill we see the can can dancers' show. On the way to the ballet, we saw a huge statue of Rodin's THE THINKER. Cinderella was the ending of the ballet; we did not see the beginning. When confronted with Anya, she wearily inquires, "How much pain will you inflict on an old woman?" Now, she had decided to end her days with a lonely life in peace. Dimitri carjacked the Empress to explain how and why he knows for sure this is the right Anastasia. "I know you've been hurt," he says, by his search for the young girl he had fallen in love with. Anya had prayed, "Please let her remember me." It was the thing she wore around her neck which opened the music box which was the deciding factor. As we watched the music box dancers, we hear a lovely song, "Once Upon a December." She had become bitter toward Dimitri when learning of his con game. "From the beginning, you lied," she'd proclaimed thinking he was just after the reward money. Upon learning that he had refused the fortune due to a 'change of heart,' we see a bittersweet "goodbye." The mutt was a good mood-changer. He was so cute, as was the bat which Rasputian had who wished he would just 'get a life.' He got his own at the end of this movie. Anya was lured into a maze built around a beautiful fountain by evil forces. She told Rasputain, the mad monk, "I'm not afraid of you." He'd declared, "What goes around comes around." She is saved by Dimitri who had returned to claim her as his own and they destroyed his evil by tearing up the lighted skull. Rasputain is turned into ashes after Dimitri had an encounter with a destructive Pegasus. After she tells him that 'all men are babies,' they eloped. Isn't that romantic?! A perfect ending to a perfect beginning. The short documentary, Anastasia: A Magical Journey, aided the viewer not schooled in Russian literature to understand what the whole thing was about. Long live the Romanovs.
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| 12. In the Cut Director: Jane Campion | |
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Reviews (148)
The movie centralises around Franny (Meg Ryan) and her encounter with a police detective (Mark Ruffalo) after she witnesses something that might be important to a murder that is committed. At first it seems that it would be impossible for a relationship to begin between the two but as the movie progresses a surprisingly sweet love story plays out. I first thought that the writers had resigned to a predictable 'who done it' in order to focus on the relationship that was blossoming, however I was pleasantly surprised that I didn't realise who the killer was, till it was actually revealed to the audience. Meg Ryan's performance was brilliant and she really pulls off the change of image well!! And Mark Ruffalo was so magnetic, you can really fall in love with him. His character has a rough surface with a sweet caring middle and Mark Ruffalo really portrays this perfectly. In The Cut was very dark, yet very enjoyable and satisfying. It has a beautiful balance of eroticism, romance and thriller. My friends and I honestly couldn't stop talking about it for at least three days and we've seen it many times since and still love it!! I've recommended this movie to all my friends!
I won't go into the plot, as many other reviewer's have already done so, but I will tell you, the acting is superb! I didn't think Meg Ryan had it in her! Get this woman some heavier roles Hollywood! She was excellent. Mark Ruffalo plays against type as well, and does a wonderful job. The movie is sexy & scary- and it isn't porn, like one reviewer mentioned. It's erotic. But beyond that, Campion's method of storytelling is virtually flawless. I love what she says in the dvd extra's about seventies film & how during that period the actor's relaxed into their roles & let the film tell the story, insted of letting the actor's point the way. This film is ripe with sensuality, not to be confused with sexuality- the blooming garden, the petal storm, the relationship between the two sisters (Jennifer Jason Leigh is also brilliant in this film)- the apartment's the women inhabit...it does go on. I was startled by how well done the film was done! Highly recommended!!
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