Reviews (30)

A True Classic in International Cinema
Filmed in the style of the screwball comedies of the 1950's, Pedro Almodovar's classic, "Women on the Verge of the Nervous Breakdown," is widely seen as the Spanish director's greatest directorial effort ever, due to his witty script, wonderful use of colors and schemes, and his ability to capture the range of emotions women possess.

The story, which revolves around a jilted woman (Carmen Maura in her final film collaboration with Almodovar) in search of her lover (Fernando Guillen) might sound like a melodrama at first, however if you mix in a bit of zany subplot and an array of classic characters, and you got yourself a comedy classic.

Pepa (Maura) finds out that her longtime lover Ivan has left her for another woman. Pepa, who works with Ivan dubbing foreign films into Spanish, discovers that she is expecting a child, and must convey this important message to Ivan in hopes of convincing him to return.

In her search for Ivan, she discovers that Ivan's ex-wife Lucia (Julieta Serrano) has been released from the asylum that has taken care of her since her breakup with Ivan. She also discovers that Ivan has a son (Antonio Banderas) she never was told about, and due to a series of coincidental encounters, they encounter each other.

Pepa doesn't seem to be the only person having love problems. Her best friend Candela (Maria Barranco) has discovered that her Arab boyfriend and his friends are actually Shiite terrorists planning to hijack the next flight to Stockholm. Scared, confused, and out of her mind, Candela finds refuge in Pepa's penthouse, and along with Pepa, Carlos (Banderas), and Carlos' fiance (Rossie de Palma), the madcap hysteria that will overtake the later half of the film takes place.

Using a wide selection of colors that benefit from the film's use of Technicolor, Almodovar has definitely creating a visual feats of patterns, objects (notice the clocks at the beginning), cityscapes (Madrid's famous skyline), and especially colors (as the main character, Pepa is identified by reds, which probably is Almodovar's tribute to American director Nicholas Ray and his famous use of Technicolor red in the classic "Rebel Without a Cause"). Other eye-catching objects that make this film truly wonderful include Candela's coffeepot earrings (they became a major fashion accessory in Spain and Latin America in the early 1990's) and the campy cab decor that the driver of the Mambo Taxi (Guillermo Montesinos) has adopted for his cab.

Almodovar also adopted a wide selection of beautiful and popular music and songs to tell his story. "Soy Infeliz," by Lola Beltran and "Puro Teatro," by La Lupe are eternal classics thanks to this film. His selection of the rarely heard, yet beautiful compositions by Russian composer Rimsky-Korsakov ("The Story of the Kalandar Prince" from Scheherezade-Symphonic Suite, Op. 35 AND the "Fandango Asturiano," from Capriccio Espagnol. Op. 34) gives the film both a feeling of relaxation and fiery anger.

"Women on the Verge of a Nervous Breakdown," marks a totally new direction in Spanish cinema. The end of the censorship that was widely well known during the Franco regime of the past allowed Almodovar and many new Spanish directors to explore filmmaking without any restrictions. This film, which was nominated for Best Foreign Film at the Academy Awards in 1989, went on to win many awards including several Goya awards (Spain's highest film awards) and Maura went on to win Best Actress at the Venice Film Festival. Truly, this was her greatest role, and Almodovar knew that he wanted to give his audience a major overdose of Maura that the audience will likely beg for more. He was right, and Maura's performance is considered to be one of the greatest performances by non-English speaking actress in recent years.

If you're looking for an amazing, funny, and visual film, then "Women on the Verge of a Nervous Breakdown" is the best choice to fulfill your search. I have seen this movie over 30 times, and I can't get tired of it. It is a true cult classic, and it only illustrates the genius that Almodovar is. The DVD edition contains English, French, and Spanish subtitles and the film's promotional trailers.

Watch it and tell your friends about it!
Hollywood sure doesn't make movies like it used to. For instance, screwball comedies that immortalized the likes of Cary Grant, Jimmy Stewart and Katherine Hepburn in the 30s and 40s were abandoned after Jack Lemmon and Billy Wilder stopped making them in the 60s. But no matter. That grand old wacky tradition continues; it just moved across the Atlantic to get updated with a European facelift at the hands of Pedro Almodovar.

So hop on your motorcycle with your granny or catch a cab, run to the grocery store, grab yourself a glass of gazpacho (hold the sleeping pills!) and watch this hilarious movie. Subtitles be damned, you'll love this no matter what! If you can watch this without huge belly laughs, you're simply not human!

Universal Shennanigans
In 'Women On The Verge Of A Nervous Breakdown', Pedro Almodovar subtley overturns traditional gender stereotypes. Outside of the shennanigans she encounters from place to place, Pepa takes stock of her situation in the taxi that carries her between buildings. Its here she recognizes that the mechanics of motorcycles are much easier to fathom than those of male psychology. Ivan's first wife Lucia, remains in the 60's fashion she was wearing when he left her. It's almost as if time stopped for her the moment he left. The array of colours seem to be used as a metaphor for the full and intense emotions of the women involved, compared to the grey and black of Carlos and Ivan.

Apparently Almodovar had to film the balcony scenes in a studio because the downtown skyline of Madrid is now just a sea of office and apartment buildings. Almodovar has never made any secret of the fact that a director should "never borrow, but steal if it is justified" from another director. Witness his homage to Hitchcock's 'Rear Window' when Pepa looks across the street into Lucia's apartment building.

It's ironic that in his native Spain, Pedro Almodovar finally broke free from being described as a 'cult' director to being appreciated by a wider audience with the massive success of this film. Meanwhile in the U.S., the film was specifically marketed by Orion as a 'minority' picture aimed at an Hispanic and female audience. They must have been pleasantly surprised when the audiences for this film crossed racial and gender barriers.

From an Almodovar fan, "like a child with his new toy"
casually, while shopping, i found this DVD in a store... i remember i saw this movie once, a long time ago...the price was fine, a whole new movie for my eyes, i took it home... what happened next, i can't explain by words: just put the disc on the player, turn on the tv and begin laughing, just from the overture to the end!!! The music is excellent, the ideal song for every moment on the movie... the caracters, from the main to the most secondary, has its whole story inside the movie... the camera shows everything important, even smallest details... and the story, classic from Almodovar: a lot of people, that appears to be distant and different from each other, join at the end, to make one of the funniest movies ever!! Only from Almodovar's mind can come a story so complicated to explain by words, so insane and desperating, but that makes you get into it, understand it, and love it. Well, that's my appreciation from "Mujeres al borde de un ataque de nervios", in its original language, so i hope the translated version makes you feel the same

We can't help but stare
We cannot help but stare in awe as this movie unfolds in all its technicolor glory and darkly twisted wit.
Ms Maura's performance ranks up there with some of the best.
Cinematography and Art Direction are spectacular.

Perhaps not understood by all, Aldomovar's films borrow from those mundane moments of life and gives us all the range of human emotions that many films strive for but fall short. ... Read more

Reviews (106)

Psychopaths Need Love Too
Once again, Pedro Almodovar has delivered yet another complex movie mended together by his visual style and great actors.
The story is triggered off by Lydia (Rosario Flores, musician) , who as a female bullfighter, gets mauled in the coliseum during a fight, which leaves her in a coma. At her side, her lover Mauricio, stays uncomfortably with her at all times. Here we meet Benigno, a male nurse appointed to take care of Alicia, in a coma as well. Throughout the story, we sense that Mauricio seems to be attracted to the emotionally starved, which leads him to form a bond with Benigno, who apparently lives for Alicia.

Once again, I give my hat off to Almodovar for creating a movie made by the characters, rather than situations. From the beginning, Pedro gives us outcomes first, then the causes, a style that works so well that by the end, you feel the characters truly exist. By doing this, our minds begin to actually feel FOR the character, even if by theory, the character deserves no mercy. THAT is the incredible and unique style of Pedro Almodovár, which I love.

This film made me want to see more of Benigno, which, without spoiling anything, I'll have to say that I SHOULDN'T want to see more of him, since he is the "antagonist" in this picture. Is this sounding odd? Contradictory? YES! one must see this piece of work to appreciate, 2 years in the making and well worth the wait.

A compelling and tragic masterpiece
"Hable con Ella", as they say in Spain, follows the tragic paths of four people: Marco and Benigno, Lydia and Alicia. Marco falls in love with Lydia, a female bullfighter, who is gored by a bull. Benigno becomes obsessed with a dancer, Alicia, whom he can see from his apartment window practising in a studio. A car knocks Alicia down and Benigno becomes her nurse. Both women slip into a coma and it is in the hospital that the two men meet. Without giving too much of the plot away, they both lose the woman in their lives, but they find friendship with one another. This is the bare bones of the story. As with most of Almodovar's films, there are subtle depths that require repeated viewing to appreciate them fully. Almodavar deftly weaves the separate strands of the complex relationship of the four leading characters into a tightly focused and compelling piece of story-telling. Sad and uplifting, ironic and sympathetic, touching and unsentimental, this is a wonderful film. The acting is first-rate; Alberto Iglesias' score is enchanting, and Javier Aguirresarobe's cinematography is easy on the eye.

Pedro Almodovar's most captivating film yet
Any fan of Pedro Almodovar recognizes the sheer complexity of his work. He brings filmmaking to a level rarely experienced in U.S. American cinemas, mixing the use of the photographic frame with cultural truisms and scathing commentary on sex, gender and love. Among all of his truly phenomenal works, this film is his best to date. The love affairs that Almodovar presents in this film make us, the audience, at once enthralled and uncomfortable. We are, after all, witnesses to a rape that we believe came from a place of love, of a faithful male nurse feeling tiny in comparison to the power of his beautiful comatose patient's inviting organs, calling him in. Pedro Almodovar does what so few directors dare to do: he blurs the lines between love and violence, and asks us if we can still support this tragic, comical and kind man, and whether our more refined protagonist is guilty by association. This film is a gem, and among the best films to be released in the past five years.

"Nothing is simple."
Pedro Almodovar's "Talk to Her" is a disappointing follow-up to the director's much-superior "All About My Mother." While this outing aims for the same emotional bullseye that the previous film hit, it misses its mark by incalculable lengths. The end result is a mess of a film that is just all over the place.

Writer Marco Zuluaga (Darío Grandinetti) meets male nurse Benigno Martín (Javier Cámara) after Lydia González (Rosario Flores), a famous female matador, is gored. Staying at Lydia's bedside, he notices that one of the other patients on the same floor is a ballerina named Alicia (Leonor Watling) who has been in a coma since she was involved in a traffic accident. As Marco spends more and more time at Lydia's bedside, he starts to develop a deep friendship with Benigno who displays a similar devotion toward Alicia. Both men speak of their innermost feelings to their comatose companions which helps them to bring their lives into better focus. However, the friendship between the two men is severely tested when Benigno's relationship with Alicia takes a dark turn.

"Talk to Her" offers a unique take on the nature of companionship as its two male leads find some meaning in their lives by spending time with companions who may never be aware of their presence. It also explores the more feminine aspects of the male persona as both men assume the caretaker roles typically assigned to women and find satisfaction in it. However, when "Talk to Her" begins to examine the obsessive turn of one of the relationships, it becomes muddled. Instead of just being content with chronicling the nature and dynamics of male-female relationships, the film introduces a moral dilemma into the proceedings that adds a sinister undercurrent to the story. In essence, a strong character study film transforms into a morality tale that asks the viewer whether a wrong can be truly considered a wrong when it produces a positive outcome. This strange turn is not for the better. In the end, watching "Talk to Her" just feels like watching two disparate stories clumsily edited together.

Amazing!
When I heard the description of this story, I thought it sounded boring, and even a bit silly. But I saw it on friends' recommendations, and I was blown away! I don't buy many movies, but after renting this one, I was more than happy to make this purchase.

It is difficult to describe the appeal of this film. The acting is great, and the story is very well told, but I think the thing that sets this film apart is the characters. Almodovar somehow brilliantly manages to make you feel admiration, pity, and even anger at these people (often simultaneously).

This is absolutely one of the best films I've seen in a long time. Rent it, buy it, borrow it, but whatever you do, WATCH IT! ... Read more

Amazon.com

This Spanish fluff from 1992 won an Academy Award for Best Foreign Language Film, but its significance goes about as far as you can throw a flower petal. The story finds an elderly artist (Fernando Fernán Gómez) giving shelter to a deserter (Jorge Sanz) from the royalist army in provincial Spain, 1931. While on the premises, the young man naturally notes the beauty of all four of his host's daughters. Each takes her turn at seducing him, but this isn't late-night cable TV so much as it is a series of brief character sketches filled out by the way each woman takes charge. It's a clever idea made more clever by the fact that these sundry beauties are acting on the libertine impulses to which their free-thinking father subscribes in principle but has sheepishly abandoned for love. But the film, directed by Fernando Trueba, is rendered so lightly it could almost be mistaken for calendar art. --Tom Keogh ... Read more

Reviews (25)

I love this movie!
Rarely will I view a movie more than once. I've seen this one twice now. Anyone who has been to Spain will see the character and spirit of the Spanish represented by the personalities of the four beautiful sisters, their father, mother, and of course the deserter from the army. The opening scene with the two Civil Guardia definitely makes a statement about the mind-set in Spain of 1931. Trueba brings it all together to give us this wonderfully humorous, sexy, interesting, and altogether pleasing film. Muchas gracias Fernando! Bravo, cinco estrellas!

Lusty & Innocent Fun
This movie is unequivocably recommended. The themes are mature and the subtitles use the most common of language. Fortunately the subtitles don't translate the most common of those words as often as they're said in this delightful Spanish farce. The movie is meaningless, but very funny and very entertaining with lots to recommend it.

The movie has excellent character development, charming and humorous dialogues, lovely cinematography and an overall attractiveness.

The male lead has led an innocent existence in which he spent some time in a seminary, and then has deserted from the army. Now when he meets the four daughters of a libertine aging artist who has befriended him, he wants to make up for lost time. The older three daughters use him for their forbidden pleasures, and don't take the encounters seriously. Being unsophisticated, he falls in love with each until the next one seduces him. He doesn't realize until almost too late, that the youngest actually loves him, although I can't see what qualities he has except for his looks. Oh, that's right, he cooks better than anyone in the family.

The costume celebration and its aftermath is one of the most hilarious I've seen in a movie regardless of language.

I'm sure there were social messages that without knowledge of Spanish customs and history, were not apparent. There seemed to be a strong association with death. The side story of the young man who is infatuated with the second daughter but can't break away from his mother or tradition, until his frustration causes him to falsely renounce everything his mother stands for, probably symbolizes certain hypocrises in Spain at that point in history as it tried to break away from a moonarchy but couldn't make up its mind.

Enjoy!

Little Conan grows up! And gets laid a lot, I see....
OK, I've actually never seen this movie, but I give it 5 stars anyway just for its great reputation and the presence of its star actor, Jorge Sanz.

You see, I'm actually a huge fan of the movie "Conan the Barbarian", which was filmed in Spain, and so had several Spanish and European actors/actresses.

I got to wondering one day about what happened to the cute little boy who played Conan as a small child in that movie. In the fabulous Opening Sequence of "Conan the Barbarian", little Conan gets to see his village wiped out by Thulsa Doom's thugs, and then watches as his mother is beheaded by Thulsa Doom as she holds on tightly to his little hand. Then little Conan is marched off to slavery....

The Commentaries from John Milius and Arnold Schwarzeneggar sparked my interest:

Arnold: Does the kid wear lipstick, or what is that? (commenting on little Conan's red lips)

Milius: Naw! that's just a kid!

Arnold: That's funny

Milius: ....that was a tough kid, I remember that....

Thanks to Amazon.com's thorough website linkages, it took just a couple of mouse clicks to find out what happened to little Conan....

...and so here he is, living it up with four beautiful young women in pre-civil War Spain!!!

S. Maes
This is a wonderfully fun, well-directed and acted film about the antics of a handsome young man and 4 tantalizing seductresses. Although the setting takes place in the 1930's, it is an ageless tale of youth and romance.

Belle Epoque, Beau Film
Belle Epoque is a beautifully rendered film with a good sense of humor and a well-paced plot. Unlike what a previous reviewer wrote, it is actually set in the years PRECEDING the Spanish Civil War, that is, when a republic was established after the abdication of Alfonso XIII in 1931. The debate between Monarchism and Carlism versus Republicanism and Anarchism -a split in Spanish society that would culminate in the outbreak of the Civil War in 1936- is made accessible as expressed by the colorful characters in this movie: the pampered mollycoddle Juanito, the irreverent priest, the artist-patriarch (who nevertheless lives like a "scared old bourgeois"). The Civil War of the 1936-39 was only the last of the many civil wars that erupted in Spain during the modern era (e.g. the Carlist Wars of the Nineteenth Century). The movie will throw light on this turbulent time as it affected ordinary people, and for those of you not squeamish about the idea of a man sleeping with four beautiful women in the course of a few days, I recommend this movie highly. "Belle Epoque" is NOT fluff or late-night soft porn; it is only disguising its gravity behind a façade of lightheartedness. ... Read more

Amazon.com essential video

Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and author are one and the same. Almodóvar (Law of Desire) has the start of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. --Tom Keogh ... Read more

Reviews (9)

Quiet restrained Almodovar with love to Spanish Culture
A quiet restrained Almodovar movie, rich with symbols and style (artistic shots made through different patterns - mirrors, straw chair patterns, etc.). This movie is also a tribute to the Spanish culture - dance, food and various elements of the folklore which appear in lace making, landscape and portrayal of "country people".
This is the story of Leo (Marisa Paredes) who is a writer. Leo writes her stories under a pseudonym as she is not proud of the sugary love stories she writes. This "real/unreal love" is one of the main themes and conflicts of the movie. Leo, under again another pseudonym attacks her own love stories while Angel, her new boss and friend writes in favor of the sugary author. Should we believe the dramatic love story which always comes with a happy ending but is somewhat untrue or should we write / or dream about everyday truthful life where love, like other achievements comes after hard work?
In the opening scene Leo has trouble getting her boots off - the boots are a present from her husband and she wears them although they are so tight she cannot breath. In what is later understood as a very symbolic act she tries to take the boots off in various ways but succeeds only after her friend Betty manages to help her. Betty works in the transplant section of the hospital (transplants and the detailed process of explaining the death of a dear one to his relatives also appear in Almodovar "all about my mother" and Almodovar is definitely doing a great service to this matter). Leo drinks a lot. She is very miserable and misses her husband who is in the army. Leo knows they are having problems but it seems that the viewer is in a better position to understand the nature of their relationship. Leo is both aware of problems yet blind to several facts that are presented to her face (blindness is another motive - as Leo's mother who was brought from the country to live with Leo's sister in the city is half blind, yet there are several things she can "see" very well). When Leo finally understands the truth - she falls apart and is aided back to life by her family and new friend.
This is first of all a love story, but more then that this is a story of loyalty vs. infidelity (on the one hand we have Blanka, Leo's faithful maid and on the other side her close friend), city vs. country, and once and again the question of truth - in relationships, in writing, and maybe in art in general (through the story of Blanka and her son dance group).
Marisa Parades is convincing and is aided by a lovely group of actors of which I would like to mention Leo's sister, Rossy de Palma whose face is so memorable you cannot forget. This actress has also participated in Almodovar movie "Kika" and makes a strong impression.

Hooray for Hollywood
You either love or hate Aldomovar films. This one may win over a new legion of fans but is very unlike most of his movies. So which is the real Aldomovar, the straight romanticist or the outrageous dierctor? Probably both but more bizarre than stright considering his style leans more to wacky characters verses isn't she sweet characters. This movie is different from any of his previous works in that it is, well for lack of a better word, mundane. This is not one of my favorite Aldomovar movies. The plot is simple, a woman is in crisis in her life, unhappy in her marriage, writing (romance) novels that are about everything she is missing in her life, and her denial of what she needs, real romance. Marisa Paredes, who has beeen hilarious in other Aldomovar films is just ok as the novelist in the story, Amanda Gris. Her full talents are not utilized though as she is not as funny in her depiction of Amanda, it's just not in the character I guess. Check out some of her other roles and you'll see what I mean, she's better in the other movies. Her husband is consumed with his career and other "projects". It is a bit of a sad story and maybe too close to real life, that is why some will love it and others not. More women will like this than men, translation dare I say, chick flick. This is more of a mainstream movie that departs from Aldomovar's usual flair for the unusual usual suspects. For me this movie and the performances were just to ordinary. That said many will love it.

My favorite Almodóvar
I agree with what the second reviewer says about this sensitive, passionate, lyrical portrayal of a courageous, strong, disciplined woman whose nemesis, as always, results from the heart. The betrayals she suffers are as profound as her love is and Marisa Paredes comes through as one of the half a dozen or so most important film actresses of the decade. One particular scene, the mother returning to her native village, provides one of the most exquisite moments in film: the background text and the sight and the voice becoming a separate moment of intense recollection and joy. Nothing misfired about this genuine masterpiece. ''Mamadoc'' s.marie

Perfect story about people's search for love and comfort...
This film is perhaps especially telling to people in their 40's and 50's, because character's search for love and comfort can only be fully appreciated by people of this age, who are more or less in the same situation as this woman-novelist with numerous emotional problems and no solution to them.

She does find a solution eventually, but you have to wait until the end of the film to see that. It will not dissapoint you at all; in fact, it might surprise you a great deal...

Wonderful supporting characters (e.g. novelist's mother and sister) make this film an outstanding thinking piece about human life. Very deep!

Lovely and Touching . . .
. . . and maybe those aren't words fans normally associate with Almodovar, at least when not linked to words like "junky," "transvestite," or "porn star." I disagree with the reviewer who termed this a misfire--it's simply a more thoughtful film by this usually over-the-top director. Visually, one of his most arresting films, Almodovar chooses to focus this time on the distance between true love and idealized love as seen in romance novels and how they sometimes intersect in surprising ways. Marissa Paredes shows stunning range as the main character--at times both critically stung and deeply needy and yet passionate and cocky . . . boy, do you root for her. And the scene in which she is literally pushed by a mob of protesters into the arms of the man she could be truly happy with is one of the best in movies. NOT a disappointment at all. ... Read more

Reviews (10)

Dark Humor Gives the Film its Edge
As a North American, one is subject to films which are essentially shallow, mindless and repetitious. Rarely is there a film that comes as a surprise. However, Qué he hecho yo para merecer esto offers a completely different cinematic experience. Pedro Almodovar's use of dark humor in Qué he hecho yo is what I found most appealing. The film takes a peek into the lives of the members of a poor working class family and explores their many problems in a tragic but comic way. The film opens with a shot of an enormous apartment complex similar to "the Projects" of the United States defining the films dark aspects and the tragic situation of the family. Soon, the close up takes us into the tiny apartment which is decorated in humorously bad taste, "kitsch". This allows the audience to relax and laugh as it reveals the film's dark humor. Furthermore, the film deals with subjects such as prostitution, child molestation, adultery, murder, drug addiction, and poverty. What I found most interesting was the way in which Almodovar manages to poke fun at these issues. A North American film would never even dare to mention child molestation unless it suggested that the criminal would end up dead, however Qué he hecho yo presents a mother who allows her young son to live with his homosexual dentist after he makes advances towards the boy at his practice. Interestingly, it is one of the films funniest moments. Hence, the film is truly a must see for anyone wishing to escape the monotony of American cinema and who enjoys an unconventional dark comedy.

"No-Doz" are caffeine pills
In Pedro Almodovar's fourth film "What Have I Done To Deserve This?" Gloria (Carmen Maura) lives in a tiny high-rise flat in Madrid which she shares with her boorish, lazy taxi-driver husband, Antonio, their two sons--one is a drug pusher and the other is a teen male prostitute, and Gloria's selfish mother-in-law who hoards her own supply of mineral water and cakes in a locked cabinet. Gloria scrapes by with a pittance doled out to her by her begruding husband, and she cleans homes and businesses to supplement their meagre income.
Gloria exists to serve and clean up for those she lives with, but underneath that harried housewife exterior boils a woman of passion--the film makes that clear very quickly, but will Gloria ever have the opportunity to be more than an unpaid maidservant? Gloria looks around at the four walls of her squalid tiny kitchen, and wonders how her life got to this point. She copes with her miserable, joyless existence thanks to an addiction to caffeine pills, but when she runs out of tablets one day, Gloria explodes.
Almodovar films always include deep friendships and loyalties between women, and "What Have I Done To Deserve This?" is no exception to this rule--Gloria's best friend and confidante is Cristal (played with great good humour by Veronique Forque). Cristal is a chatty prostitute who dreams of going to America. Her free-spirited ways are a threat to Antonio who can't really contemplate a woman like Cristal--a woman who may rent her body out temporarily, but she still remains owned by no-one. Cristal is Almodovar's prostitute with a heart of gold. She finds extra work for Gloria, and Gloria's friendship with Cristal eventually leads to trouble. Some of the best scenes in the film involve Cristal--her open approach to life is hilarious, and some of the scenes with her clients are priceless--the professor who is doing 'research' and the exhibitionist who needs more than Cristal to make up an adequate audience. This is darker than some of his later films, and the bleakness may prove difficult for some viewers to see the film. But the comedy is there--black comedy, but comedy nonetheless. The juxtaposition of the television romances next to the squalor of Gloria's real life are marvellously laced throughout the film. Keep an eye open for the dentist who wants to "adopt" Gloria's youngest son, Miguel. Due to themes and language ... this film is not for the kiddies

Classic Almodovar
This Almodovar classic from the early 80's is an excellent dark comedy. Great characters such as the next door prostitute, the little redhead girl with telekinetic powers, the cheap grandma, the impotent policeman, the gay dentist, the two writers, and so on make for an interesting watch. Many classic lines are found in this one, like the newlywed who gets her face burnt from her husband spilling coffee on her "I'll never forget that cup of coffee" and "I'm diabetic? oh, I always forget at dinner time?"
This film is not really driven by plot, but rather by the characters' lives. Like all Almodovar movies, it is a piece of art, a meditation and a comical look at life, sexual orientation, coincidence, destiny and love.

"Wouldn't happen to have a whip, would you?"
In Pedro Almodovar's fourth film "What Have I Done To Deserve This?" Gloria (Carmen Maura) lives in a tiny high-rise flat in Madrid which she shares with her boorish, lazy taxi-driver husband, Antonio, their two sons--one is a drug pusher and the other is a teen male prostitute, and Gloria's selfish mother-in-law who hoards her own supply of mineral water and cakes in a locked cabinet. Gloria scrapes by with a pittance doled out to her by her begruding husband, and she cleans homes and businesses to supplement their meagre income.

Gloria exists to serve and clean up for those she lives with, but underneath that harried housewife exterior boils a woman of passion--the film makes that clear very quickly, but will Gloria ever have the opportunity to be more than an unpaid maidservant? Gloria looks around at the four walls of her squalid tiny kitchen, and wonders how her life got to this point. She copes with her miserable, joyless existence thanks to an addiction to "no-doze" sedatives, but when she runs out of tablets one day, Gloria explodes.

Almodovar films always include deep friendships and loyalties between women, and "What Have I Done To Deserve This?" is no exception to this rule--Gloria's best friend and confidante is Cristal (played with great good humour by Veronique Forque). Cristal is a chatty prostitute who dreams of going to America. Her free-spirited ways are a threat to Antonio who can't really contemplate a woman like Cristal--a woman who may rent her body out temporarily, but she still remains owned by no-one. Cristal is Almodovar's prostitute with a heart of gold. She finds extra work for Gloria, and Gloria's friendship with Cristal eventually leads to trouble.

Some of the best scenes in the film involve Cristal--her open approach to life is hilarious, and some of the scenes with her clients are priceless--the professor who is doing 'research' and the exhibitionist who needs more than Cristal to make up an adequate audience.

While "What Have I Done To Deserve This?" isn't my all-time favourite Almodovar film, nonetheless, I do re-watch it from time to time, and it really is a great film. It is darker than some of his later films, and the bleakness may prove difficult for some viewers to see the film as a comedy. But the comedy is there--black comedy, but comedy nonetheless. The juxtaposition of the television romances next to the squalor of Gloria's real life are marvellously laced throughout the film. Keep an eye open for the ... dentist who wants to adopt Gloria's youngest son, Miguel. Due to themes and language ... this film is not for the kiddies--displacedhuman--www.Amazon.com Reviewer.

Great dark comedy
Almovodar's Best! (Terrible first date movie, however, with the opening sex scene). Humor along the lines of "Eating Raul". ... Read more

Reviews (12)

Dark and Perverse and Funny....Ole, Almodovar!
...."Matador" goes places that the typical Hollywood fare will never go.

Let's see "Matador" in DVD. Let's see if I could titulate you with my interpretation of the story.

Diego is a matador unable to get back into the ring after having been impaled by a bull. He, therefore, is reduced to teaching the arts of bullfighting to younger folks...including a fan, Angel, (Banderas) who is a little twisted. See, he can't stand the sight of blood...like what's produced from a successful bullfight.... His Ma may have ruined him for life and he has these intense visions/dreams of reported murders thru-out the city. He figures he must be the murderer. But he is not. Still, he confesses and turns himself in. His story line is one of several here...

Meanwhile, we find out that the lawyer assigned to Angel, Maria, (Serna) has a penchant for death and eros....she is like what you'd imagine a black widow would be. And, in the height of passion, the stickpen.

But see, Diego also is a little twisted. "To stop killing is to stop living", he says, and he has his own passion and murder psychosis going. As with Maria, Diego searches out for the ultimate sensual experience and he goes through young women as if he's objectified them like he has bulls during a bullfight....but...!

Maria meets Diego. And it is like they have been there before and they realise what each has done and it just is as it is and what must be done must be done...it's like Peck and Jones in that "Duel in the Sun" moovy they end up both being hypnotised by.

And the ultimate love, the ultimate sensuality, is the unquestioning willingness to die for another. To me it is why "Matador" in all it's perversity and darkness, turns out to be an unforgettable and beautiful film. What will you give to have love and passion like that...?

Now, I gave you the thumbnail sketch of the story to get you to see when you see the moovy, no one can quite capture the true essence of an Almodovar. You really have to experience his films. Thru out "Matador" (as well as many in his great catalog) there are images and insinuations, symbolism and absurdities that are going to stick with you loooong after you've viewed the film. The cinematography is stupendous, the mood just takes you. Initially, there is a disconnected feel, but it speeds up and there are scenes and edits you're going to rewind to and since it is subtitled in Spanish--unless you speak the language--you find yourself rewinding trying to catch the dialog, as not to miss something. This is reminescent of the Sharon Stone/Micheal Douglas piece, and of Cronenberg's rendition of "Crash." Also the absurdity reminds me of whenever "The Sopranos" go for that dark and funny thing...

Try an Almodovar this weekend...

"I've looked for you in all the men I've loved."
In "Matador" from Spanish Director, Pedro Almodovar, famous, retired bullfighter Diego Montes owns and operates a school for bullfighters. Forced into retirement due to severe and permanent injuries sustained during his last bullfight, Diego now trains young men and women. One of Diego's students--a young man named Angel--is more than a little obsessed with his famous teacher. Angel is a bit strange. He lives at home with his unpleasant, domineering mother and spies on Diego's beautiful girlfriend--a model named Eva. Angel is played by a baby-faced Antonio Banderas.

The police begin investigating several murders of young men, and several mysterious disappearances of young women, and attention is focused on the bullfighting school. Soon Angel is the prime suspect, and he's ready to confess to anything. A beautiful lawyer named Maria decides to defends Angel. Maria is another fan of Diego's, and she is a very dangerous woman. Carmen Maura stars as Angel's protective psychologist.

This early Almodovar film is set against an upcoming eclipse of the sun, and Almodovar includes elements of the supernatural throughout the plot. The supernatural explains the unspoken connections between characters. For example, Angel possesses ESP and can enter Diego's mind. Maria and Diego know instantly that they are "destined for each other." Maria and Diego recognize their similarities and the tastes they share, and they are drawn towards each other with powerful, unstoppable passion. The film has a great soundtrack, and the photography is splendid. I am not a bullfighting fan, and so some of the footage was quite repulsive to me--however, the bullfighting theme is essential to the core of the story, and I accepted it as such. The film includes nudity, etc, etc., so it's not for the kiddies--adults only on this one, and not for the easily offended audience--displacedhuman

Matador Shocks You
I gave this movie 5 Stars, because here is Antonio Banderas with Carmen Maura, Pedro Almodovar, and others he acted with over in Spain. The scenes of Spain are beautiful. And Antonio is so cute and vulnerable in this movie that it makes Matador an Antonio classic- But...Matador is also classically Almodovar, which means the movie leans to the morbid and the perverse--and it is NOT funny!
The sex and nudity we can do without. And the non-nude unsuccessful rape scene looked very rehearsed. And Good! Every rapist deserves a good sound slap across the face like Angel received. But, I felt sorry for Angel (Antonio). His murderous visions nearly destroy him. But fainting at the sight of blood is what redeems him. And so...
The two murderers meet a predictable end and get what they deserve. And I would not recommend Matador for people who are offended by comical gory murder scenes using fake rubber dolls, unneccessary loveless sex, fake blood... And it is a pity that the movie has no English subtitles! You need to know Spanish to watch this movie.

The Matador Movie
I gave this movie 4 Stars, because its overrated. It was refreshing to see Antonio with Carmen Maura, Pedro Almodovar, and the others he acted with over in Spain. And the scenes of Spain are beautiful. Antonio Banderas is so cute and vulnerable in this movie. And that is why I find this movie an Antonio classic-
But, there were shocking murder scenes, and sex. But look at Original Sin. The unsuccessful rape scene with Antonio and Serna looked rehearsed. There was no nudity, and every rapist deserves a slap in the face! But, I had to feel sorry for, Angel (Antonio). He has visions of murders and he's innocent. And, it is good that he faints at the sight of blood-- because it is what redeems him. I am glad that the two murderers take care of each other. But even that was predictable. And, I would not recommend Matador for people offended by comical murder scenes using rubber dolls, loveless sex, and fake blood. And it is a pity that the movie has no English subtitles!

One of Almodovar's "classics"
This is one of his best movies - hope to see it available again, on DVD this time around! ... Read more

Description

A nightclub singer and junkie hides out with a group of unconventional nuns when her boyfriend dies of an overdose in Academy Award® winner Pedro Almodovar's irreverent and biting comedy. ... Read more

Reviews (6)

Old School Almodovar
Seeing that Almodovar's new movie (La Mala Educacion) has to do with the catholic church, I felt it appropriate to go back and see this old one. Glad I did. Very funny film.
Though the dvd quality is not that great (and several scenes have been deleted), the film still stands up to the test of time. A drugged out singer takes refuge in a convent run by nuns with serious issues. These nuns do heroin, drop acid, read trashy novels, and even have lesbian tendencies.
The acting is great, the women (most of whom you are familiar with if you've seen other Almodovar films, Carmen Maura, Marisa Paredes, etc)do a fine job, they created a very charming and entertaining group of "sisters."
While this is not the best Almodovar film, it is still a funny ditty that is better than 95% of the films that come out these days.

Sad Release
It is amazing that after all these years wating for such a great movie on DVD it finallly comes out with some scenes deleted... plus the DVD transfer is not so great... avoid this and go for the VHS, it contains the complete movie and quality is about the same...

If you love this movie, the DVD is not for you
Sadly, this release has been edited. Four to five scenes have been deleted and, for the life of me, I cannot understand the reason behind these cuts. The scenes in question did not contain any material that could be offensive to anybody. Maybe the studio has plans to release the "Director's cut" in a few months, thus hoping, that all of us idiots would go out and buy it again.

The Pleasures of Pedro Almodovar
Perhaps it is because Spain is the place of origin of the Surrealism movement in art that has propelled Pedro Almodovar's career. But whatever the genes or historical influences, Almodovar is one of the most consistently creative and outrageous directors working in the industry today. The public has become aware of his gifts through his recent tender films (All About My Mother, Talk To Her, etc) but this zany romp dates back to 1983 when he was able to take on anything and create parody (Women On the Verge of a Nervous Breakdown, Tie Me Up, Tie Me Down, Matador, etc).

This time around it is the Catholic Church he examines. A convent exists for women in the throes of desperation (drugs, prostitution, other crimes) and the Sisters all bear humiliating names (Sister Rat of the Sewer, Sister Manure, etc) as per the design of the order. The hilarity comes form the sub-vocations of the nuns which include dealing and using heavy drugs, writing pulp novels, voyeurism, etc. Even the Priest affiliated with the convent is more committed to sewing gaudy dresses than tending to his parish. The story is slight - a victim singer takes refuge in the declining convent and helps to salvage its support from a stingy and wealthy widow of their main source of financing. Things just get crazy, zany, and at times ridiculous, but you just can't help liking this batch of ladies. A refreshing romp!

BEWARE!! THIS IS AN EDITED VERSION!!
I must foremost thank Wellspring, the distributor of this film, for releasing this Almodóvar masterpiece on DVD..however..I am not sure who was behind this release..but, being familiar with the original release of this film..I was shocked and perplexed for the fact that this DVD issue is an EDITED version, cutting off approx. 15 mins of this film. I dont know WHy they did this, or what...I felt they cut off some important scenes..

#1..Yolana Bell's opening number, where we first see her performing..she did a song called "Dime" (which is in fact, a Spanish version of Morris Albert's "Feelings")

#2. a conversation among the Redeeming sisters and a redeemed girl from the past, where they run into each other on the Sister's outdoor stand, where they sell cakes, flowers and peppers.

#3. The Sisters' explaining to nuns from their mother chapter, that they had been robbed, talking it over the punch bowl. Also cutting off a funny line, where the sisters gossip over a younger nun, saying that "she's far to pretty for this vocation, but time will take care of that"

#4. A small bit of Sister Rat From Sewer's opening speech before Yolanda's performance for the Mother Superior's birthday party. in this DVD issue, they go straight to Sister Rat talking on stage, completely taking out her peeking out from the curtain and quieting down the crowd.

but ultimately, I am happy that this movie saw the light of day AGAIN, it had been out of print on video for years..so, its a great buy, but be bewared that it's edited. If u have never seen this movie before, then it wont be a problem. Hardcore fans like myself might have a problem. ... Read more

Reviews (25)

I love this movie!
Rarely will I view a movie more than once. I've seen this one twice now. Anyone who has been to Spain will see the character and spirit of the Spanish represented by the personalities of the four beautiful sisters, their father, mother, and of course the deserter from the army. The opening scene with the two Civil Guardia definitely makes a statement about the mind-set in Spain of 1931. Trueba brings it all together to give us this wonderfully humorous, sexy, interesting, and altogether pleasing film. Muchas gracias Fernando! Bravo, cinco estrellas!

Lusty & Innocent Fun
This movie is unequivocably recommended. The themes are mature and the subtitles use the most common of language. Fortunately the subtitles don't translate the most common of those words as often as they're said in this delightful Spanish farce. The movie is meaningless, but very funny and very entertaining with lots to recommend it.

The movie has excellent character development, charming and humorous dialogues, lovely cinematography and an overall attractiveness.

The male lead has led an innocent existence in which he spent some time in a seminary, and then has deserted from the army. Now when he meets the four daughters of a libertine aging artist who has befriended him, he wants to make up for lost time. The older three daughters use him for their forbidden pleasures, and don't take the encounters seriously. Being unsophisticated, he falls in love with each until the next one seduces him. He doesn't realize until almost too late, that the youngest actually loves him, although I can't see what qualities he has except for his looks. Oh, that's right, he cooks better than anyone in the family.

The costume celebration and its aftermath is one of the most hilarious I've seen in a movie regardless of language.

I'm sure there were social messages that without knowledge of Spanish customs and history, were not apparent. There seemed to be a strong association with death. The side story of the young man who is infatuated with the second daughter but can't break away from his mother or tradition, until his frustration causes him to falsely renounce everything his mother stands for, probably symbolizes certain hypocrises in Spain at that point in history as it tried to break away from a moonarchy but couldn't make up its mind.

Enjoy!

Little Conan grows up! And gets laid a lot, I see....
OK, I've actually never seen this movie, but I give it 5 stars anyway just for its great reputation and the presence of its star actor, Jorge Sanz.

You see, I'm actually a huge fan of the movie "Conan the Barbarian", which was filmed in Spain, and so had several Spanish and European actors/actresses.

I got to wondering one day about what happened to the cute little boy who played Conan as a small child in that movie. In the fabulous Opening Sequence of "Conan the Barbarian", little Conan gets to see his village wiped out by Thulsa Doom's thugs, and then watches as his mother is beheaded by Thulsa Doom as she holds on tightly to his little hand. Then little Conan is marched off to slavery....

The Commentaries from John Milius and Arnold Schwarzeneggar sparked my interest:

Arnold: Does the kid wear lipstick, or what is that? (commenting on little Conan's red lips)

Milius: Naw! that's just a kid!

Arnold: That's funny

Milius: ....that was a tough kid, I remember that....

Thanks to Amazon.com's thorough website linkages, it took just a couple of mouse clicks to find out what happened to little Conan....

...and so here he is, living it up with four beautiful young women in pre-civil War Spain!!!

S. Maes
This is a wonderfully fun, well-directed and acted film about the antics of a handsome young man and 4 tantalizing seductresses. Although the setting takes place in the 1930's, it is an ageless tale of youth and romance.

Belle Epoque, Beau Film
Belle Epoque is a beautifully rendered film with a good sense of humor and a well-paced plot. Unlike what a previous reviewer wrote, it is actually set in the years PRECEDING the Spanish Civil War, that is, when a republic was established after the abdication of Alfonso XIII in 1931. The debate between Monarchism and Carlism versus Republicanism and Anarchism -a split in Spanish society that would culminate in the outbreak of the Civil War in 1936- is made accessible as expressed by the colorful characters in this movie: the pampered mollycoddle Juanito, the irreverent priest, the artist-patriarch (who nevertheless lives like a "scared old bourgeois"). The Civil War of the 1936-39 was only the last of the many civil wars that erupted in Spain during the modern era (e.g. the Carlist Wars of the Nineteenth Century). The movie will throw light on this turbulent time as it affected ordinary people, and for those of you not squeamish about the idea of a man sleeping with four beautiful women in the course of a few days, I recommend this movie highly. "Belle Epoque" is NOT fluff or late-night soft porn; it is only disguising its gravity behind a façade of lightheartedness. ... Read more

Reviews (6)

Old School Almodovar
Seeing that Almodovar's new movie (La Mala Educacion) has to do with the catholic church, I felt it appropriate to go back and see this old one. Glad I did. Very funny film.
Though the dvd quality is not that great (and several scenes have been deleted), the film still stands up to the test of time. A drugged out singer takes refuge in a convent run by nuns with serious issues. These nuns do heroin, drop acid, read trashy novels, and even have lesbian tendencies.
The acting is great, the women (most of whom you are familiar with if you've seen other Almodovar films, Carmen Maura, Marisa Paredes, etc)do a fine job, they created a very charming and entertaining group of "sisters."
While this is not the best Almodovar film, it is still a funny ditty that is better than 95% of the films that come out these days.

Sad Release
It is amazing that after all these years wating for such a great movie on DVD it finallly comes out with some scenes deleted... plus the DVD transfer is not so great... avoid this and go for the VHS, it contains the complete movie and quality is about the same...

If you love this movie, the DVD is not for you
Sadly, this release has been edited. Four to five scenes have been deleted and, for the life of me, I cannot understand the reason behind these cuts. The scenes in question did not contain any material that could be offensive to anybody. Maybe the studio has plans to release the "Director's cut" in a few months, thus hoping, that all of us idiots would go out and buy it again.

The Pleasures of Pedro Almodovar
Perhaps it is because Spain is the place of origin of the Surrealism movement in art that has propelled Pedro Almodovar's career. But whatever the genes or historical influences, Almodovar is one of the most consistently creative and outrageous directors working in the industry today. The public has become aware of his gifts through his recent tender films (All About My Mother, Talk To Her, etc) but this zany romp dates back to 1983 when he was able to take on anything and create parody (Women On the Verge of a Nervous Breakdown, Tie Me Up, Tie Me Down, Matador, etc).

This time around it is the Catholic Church he examines. A convent exists for women in the throes of desperation (drugs, prostitution, other crimes) and the Sisters all bear humiliating names (Sister Rat of the Sewer, Sister Manure, etc) as per the design of the order. The hilarity comes form the sub-vocations of the nuns which include dealing and using heavy drugs, writing pulp novels, voyeurism, etc. Even the Priest affiliated with the convent is more committed to sewing gaudy dresses than tending to his parish. The story is slight - a victim singer takes refuge in the declining convent and helps to salvage its support from a stingy and wealthy widow of their main source of financing. Things just get crazy, zany, and at times ridiculous, but you just can't help liking this batch of ladies. A refreshing romp!

BEWARE!! THIS IS AN EDITED VERSION!!
I must foremost thank Wellspring, the distributor of this film, for releasing this Almodóvar masterpiece on DVD..however..I am not sure who was behind this release..but, being familiar with the original release of this film..I was shocked and perplexed for the fact that this DVD issue is an EDITED version, cutting off approx. 15 mins of this film. I dont know WHy they did this, or what...I felt they cut off some important scenes..

#1..Yolana Bell's opening number, where we first see her performing..she did a song called "Dime" (which is in fact, a Spanish version of Morris Albert's "Feelings")

#2. a conversation among the Redeeming sisters and a redeemed girl from the past, where they run into each other on the Sister's outdoor stand, where they sell cakes, flowers and peppers.

#3. The Sisters' explaining to nuns from their mother chapter, that they had been robbed, talking it over the punch bowl. Also cutting off a funny line, where the sisters gossip over a younger nun, saying that "she's far to pretty for this vocation, but time will take care of that"

#4. A small bit of Sister Rat From Sewer's opening speech before Yolanda's performance for the Mother Superior's birthday party. in this DVD issue, they go straight to Sister Rat talking on stage, completely taking out her peeking out from the curtain and quieting down the crowd.

but ultimately, I am happy that this movie saw the light of day AGAIN, it had been out of print on video for years..so, its a great buy, but be bewared that it's edited. If u have never seen this movie before, then it wont be a problem. Hardcore fans like myself might have a problem. ... Read more

Description

Pedro Almodovar’s absurdist black comedy centers on Gloria (Carmen Maura), a housewife and cleaning woman who is hooked on amphetamines and must contend with her crazy family. ... Read more

Reviews (10)

Dark Humor Gives the Film its Edge
As a North American, one is subject to films which are essentially shallow, mindless and repetitious. Rarely is there a film that comes as a surprise. However, Qué he hecho yo para merecer esto offers a completely different cinematic experience. Pedro Almodovar's use of dark humor in Qué he hecho yo is what I found most appealing. The film takes a peek into the lives of the members of a poor working class family and explores their many problems in a tragic but comic way. The film opens with a shot of an enormous apartment complex similar to "the Projects" of the United States defining the films dark aspects and the tragic situation of the family. Soon, the close up takes us into the tiny apartment which is decorated in humorously bad taste, "kitsch". This allows the audience to relax and laugh as it reveals the film's dark humor. Furthermore, the film deals with subjects such as prostitution, child molestation, adultery, murder, drug addiction, and poverty. What I found most interesting was the way in which Almodovar manages to poke fun at these issues. A North American film would never even dare to mention child molestation unless it suggested that the criminal would end up dead, however Qué he hecho yo presents a mother who allows her young son to live with his homosexual dentist after he makes advances towards the boy at his practice. Interestingly, it is one of the films funniest moments. Hence, the film is truly a must see for anyone wishing to escape the monotony of American cinema and who enjoys an unconventional dark comedy.

"No-Doz" are caffeine pills
In Pedro Almodovar's fourth film "What Have I Done To Deserve This?" Gloria (Carmen Maura) lives in a tiny high-rise flat in Madrid which she shares with her boorish, lazy taxi-driver husband, Antonio, their two sons--one is a drug pusher and the other is a teen male prostitute, and Gloria's selfish mother-in-law who hoards her own supply of mineral water and cakes in a locked cabinet. Gloria scrapes by with a pittance doled out to her by her begruding husband, and she cleans homes and businesses to supplement their meagre income.
Gloria exists to serve and clean up for those she lives with, but underneath that harried housewife exterior boils a woman of passion--the film makes that clear very quickly, but will Gloria ever have the opportunity to be more than an unpaid maidservant? Gloria looks around at the four walls of her squalid tiny kitchen, and wonders how her life got to this point. She copes with her miserable, joyless existence thanks to an addiction to caffeine pills, but when she runs out of tablets one day, Gloria explodes.
Almodovar films always include deep friendships and loyalties between women, and "What Have I Done To Deserve This?" is no exception to this rule--Gloria's best friend and confidante is Cristal (played with great good humour by Veronique Forque). Cristal is a chatty prostitute who dreams of going to America. Her free-spirited ways are a threat to Antonio who can't really contemplate a woman like Cristal--a woman who may rent her body out temporarily, but she still remains owned by no-one. Cristal is Almodovar's prostitute with a heart of gold. She finds extra work for Gloria, and Gloria's friendship with Cristal eventually leads to trouble. Some of the best scenes in the film involve Cristal--her open approach to life is hilarious, and some of the scenes with her clients are priceless--the professor who is doing 'research' and the exhibitionist who needs more than Cristal to make up an adequate audience. This is darker than some of his later films, and the bleakness may prove difficult for some viewers to see the film. But the comedy is there--black comedy, but comedy nonetheless. The juxtaposition of the television romances next to the squalor of Gloria's real life are marvellously laced throughout the film. Keep an eye open for the dentist who wants to "adopt" Gloria's youngest son, Miguel. Due to themes and language ... this film is not for the kiddies

Classic Almodovar
This Almodovar classic from the early 80's is an excellent dark comedy. Great characters such as the next door prostitute, the little redhead girl with telekinetic powers, the cheap grandma, the impotent policeman, the gay dentist, the two writers, and so on make for an interesting watch. Many classic lines are found in this one, like the newlywed who gets her face burnt from her husband spilling coffee on her "I'll never forget that cup of coffee" and "I'm diabetic? oh, I always forget at dinner time?"
This film is not really driven by plot, but rather by the characters' lives. Like all Almodovar movies, it is a piece of art, a meditation and a comical look at life, sexual orientation, coincidence, destiny and love.

"Wouldn't happen to have a whip, would you?"
In Pedro Almodovar's fourth film "What Have I Done To Deserve This?" Gloria (Carmen Maura) lives in a tiny high-rise flat in Madrid which she shares with her boorish, lazy taxi-driver husband, Antonio, their two sons--one is a drug pusher and the other is a teen male prostitute, and Gloria's selfish mother-in-law who hoards her own supply of mineral water and cakes in a locked cabinet. Gloria scrapes by with a pittance doled out to her by her begruding husband, and she cleans homes and businesses to supplement their meagre income.

Gloria exists to serve and clean up for those she lives with, but underneath that harried housewife exterior boils a woman of passion--the film makes that clear very quickly, but will Gloria ever have the opportunity to be more than an unpaid maidservant? Gloria looks around at the four walls of her squalid tiny kitchen, and wonders how her life got to this point. She copes with her miserable, joyless existence thanks to an addiction to "no-doze" sedatives, but when she runs out of tablets one day, Gloria explodes.

Almodovar films always include deep friendships and loyalties between women, and "What Have I Done To Deserve This?" is no exception to this rule--Gloria's best friend and confidante is Cristal (played with great good humour by Veronique Forque). Cristal is a chatty prostitute who dreams of going to America. Her free-spirited ways are a threat to Antonio who can't really contemplate a woman like Cristal--a woman who may rent her body out temporarily, but she still remains owned by no-one. Cristal is Almodovar's prostitute with a heart of gold. She finds extra work for Gloria, and Gloria's friendship with Cristal eventually leads to trouble.

Some of the best scenes in the film involve Cristal--her open approach to life is hilarious, and some of the scenes with her clients are priceless--the professor who is doing 'research' and the exhibitionist who needs more than Cristal to make up an adequate audience.

While "What Have I Done To Deserve This?" isn't my all-time favourite Almodovar film, nonetheless, I do re-watch it from time to time, and it really is a great film. It is darker than some of his later films, and the bleakness may prove difficult for some viewers to see the film as a comedy. But the comedy is there--black comedy, but comedy nonetheless. The juxtaposition of the television romances next to the squalor of Gloria's real life are marvellously laced throughout the film. Keep an eye open for the ... dentist who wants to adopt Gloria's youngest son, Miguel. Due to themes and language ... this film is not for the kiddies--displacedhuman--www.Amazon.com Reviewer.

Great dark comedy
Almovodar's Best! (Terrible first date movie, however, with the opening sex scene). Humor along the lines of "Eating Raul". ... Read more

Reviews (25)

I love this movie!
Rarely will I view a movie more than once. I've seen this one twice now. Anyone who has been to Spain will see the character and spirit of the Spanish represented by the personalities of the four beautiful sisters, their father, mother, and of course the deserter from the army. The opening scene with the two Civil Guardia definitely makes a statement about the mind-set in Spain of 1931. Trueba brings it all together to give us this wonderfully humorous, sexy, interesting, and altogether pleasing film. Muchas gracias Fernando! Bravo, cinco estrellas!

Lusty & Innocent Fun
This movie is unequivocably recommended. The themes are mature and the subtitles use the most common of language. Fortunately the subtitles don't translate the most common of those words as often as they're said in this delightful Spanish farce. The movie is meaningless, but very funny and very entertaining with lots to recommend it.

The movie has excellent character development, charming and humorous dialogues, lovely cinematography and an overall attractiveness.

The male lead has led an innocent existence in which he spent some time in a seminary, and then has deserted from the army. Now when he meets the four daughters of a libertine aging artist who has befriended him, he wants to make up for lost time. The older three daughters use him for their forbidden pleasures, and don't take the encounters seriously. Being unsophisticated, he falls in love with each until the next one seduces him. He doesn't realize until almost too late, that the youngest actually loves him, although I can't see what qualities he has except for his looks. Oh, that's right, he cooks better than anyone in the family.

The costume celebration and its aftermath is one of the most hilarious I've seen in a movie regardless of language.

I'm sure there were social messages that without knowledge of Spanish customs and history, were not apparent. There seemed to be a strong association with death. The side story of the young man who is infatuated with the second daughter but can't break away from his mother or tradition, until his frustration causes him to falsely renounce everything his mother stands for, probably symbolizes certain hypocrises in Spain at that point in history as it tried to break away from a moonarchy but couldn't make up its mind.

Enjoy!

Little Conan grows up! And gets laid a lot, I see....
OK, I've actually never seen this movie, but I give it 5 stars anyway just for its great reputation and the presence of its star actor, Jorge Sanz.

You see, I'm actually a huge fan of the movie "Conan the Barbarian", which was filmed in Spain, and so had several Spanish and European actors/actresses.

I got to wondering one day about what happened to the cute little boy who played Conan as a small child in that movie. In the fabulous Opening Sequence of "Conan the Barbarian", little Conan gets to see his village wiped out by Thulsa Doom's thugs, and then watches as his mother is beheaded by Thulsa Doom as she holds on tightly to his little hand. Then little Conan is marched off to slavery....

The Commentaries from John Milius and Arnold Schwarzeneggar sparked my interest:

Arnold: Does the kid wear lipstick, or what is that? (commenting on little Conan's red lips)

Milius: Naw! that's just a kid!

Arnold: That's funny

Milius: ....that was a tough kid, I remember that....

Thanks to Amazon.com's thorough website linkages, it took just a couple of mouse clicks to find out what happened to little Conan....

...and so here he is, living it up with four beautiful young women in pre-civil War Spain!!!

S. Maes
This is a wonderfully fun, well-directed and acted film about the antics of a handsome young man and 4 tantalizing seductresses. Although the setting takes place in the 1930's, it is an ageless tale of youth and romance.

Belle Epoque, Beau Film
Belle Epoque is a beautifully rendered film with a good sense of humor and a well-paced plot. Unlike what a previous reviewer wrote, it is actually set in the years PRECEDING the Spanish Civil War, that is, when a republic was established after the abdication of Alfonso XIII in 1931. The debate between Monarchism and Carlism versus Republicanism and Anarchism -a split in Spanish society that would culminate in the outbreak of the Civil War in 1936- is made accessible as expressed by the colorful characters in this movie: the pampered mollycoddle Juanito, the irreverent priest, the artist-patriarch (who nevertheless lives like a "scared old bourgeois"). The Civil War of the 1936-39 was only the last of the many civil wars that erupted in Spain during the modern era (e.g. the Carlist Wars of the Nineteenth Century). The movie will throw light on this turbulent time as it affected ordinary people, and for those of you not squeamish about the idea of a man sleeping with four beautiful women in the course of a few days, I recommend this movie highly. "Belle Epoque" is NOT fluff or late-night soft porn; it is only disguising its gravity behind a façade of lightheartedness. ... Read more