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| 1. Mortal Kombat Director: Paul W.S. Anderson | |
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Like others have pointed out, the DVD release isn't too impressive. However, if you own a large screen tv and surround sound system it's definitely worth buying. The visual and audio aspects of the film will make it quite an enjoyable DVD experience. If you're home on a Saturday night with nothing to do, pop it in the player and crank the sound up. I think you'll find it quite exciting. Personally I think the movie is worth owning, but at least give it a rent sometime. Just don't take it too seriously and I think you'll find it to be a good action/martial arts/fantasy movie. (...) I understand they're putting together a third movie right now. I just hope for the sake of the fans of the video game and the first movie, that it's an improvement over MK: Annihilation. I can't imagine any movie being worse than that one, so hopefully they'll be able to improve on it and make a worthy sequel of the first movie even if it's just a straight to video release.
The whole movie plot is basically about a handful of people in training to save the world from a psychopathic, power-hungry emperor. The group of people includes the characters of g-man wannabe Sonya Blade, martial arts actor Johnny Cage, and Liu Kang, a former member of the Order Of Light Temple, or something like that. These people are on the skeptical side and these are the reasons why: Sonya is out for revenge, Johnny is on an ego trip, and Liu thinks fighting in a tournament for the fate of the world is nonsense, and he only wants to fight so he can find his brother's killer. As I said before, the cheesey lines are what's best about the movie, unless you happen to be a fan of Christopher Lambert, then that's the other main reason to watch Mortal Kombat. although not always true if you watch a movie with cheesey lines and at least one good looking actor it should be good. how ever it is NOT always the case.
Sure, it's kinda corny, but it's older than people realize. It came out in 1995, and the series was pretty young then, as was the use of computer generated technology. Nowadays, the C.G. enhancements would make the movie even more spectacular, but thems the brakes. Anyways, if you are a fan of the franchise (I have been since age 7), check it out.
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| 2. Priceless Beauty Director: Charles Finch | |
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Reviews (4)
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| 3. The Point Men Director: John Glen (II) | |
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Reviews (4)
The result is just what I expected, and I don't blame anybody for spending 90 minutes on my life for this ... one. Lambert is a kind of member of secret team who seem to deal with assassination of terrorists. But the team, though apparently successful in killing the target, made a botched job afterwards, losing some of the members, and then they are forced to disband themselves. However, Christopher Lambert's character is not convinced that their target is dead, and the ex-members of his team, now hiding with another identity, get bumped off one after another. The story is so-so, and the acting is not bad. Kerry Fox is called even fabulous among them, raising the below-average action flick to a little higher place. But the cheap action scenes and tedious development of story kill every good thing in the film. The relation between Lambert and Fox -- they were once lovers, and Fox is pregnant even though she is hired by the secret agency -- is very interesting, but the film throws away any potential thrills coming from the characters so easily that I wondered how the original book deals with those elements. Perhaps, the original book (which I haven't seen) is better than this film. Christopher Lambert made a satisfactory films in the past, like "Knight Moves" and others, but around the time of "Highlander 2" or "The Hunted", I began to lose interest in his films, and I'm sorry to say this, but things don't change after watching this awful flick. This film is far better than "Fortress 2", but like Pam Grier in that dreadful film, Kerry Fox is wasted.
However, if you're looking for a good story, stick with Highlander.
There are some elements of the story that keep this one down, and they do so because they simply make no sense. With B grade films, even higher quality ones such as this, you do need to let things go, but in this case, several of them are difficult. Such as the fact that it is never really explained who the person was in the beginning who they all thought was the real Amar. Then there is the ease in which Amar travels to one country one day and back the next before sundown. If you can manage to let that and a few other tiny flubs go, it is easy sailing, and if you then consider other Lambert films, it gets even easier. The problems are simple sloppiness, perhaps laziness in not wanting to explain something and just pushing the story along instead. Christopher Lambert here is, well, Christopher Lambert, and just about the same as he is in any movie on a more toned down level. He is a lot more restrained here, which suits his character very well. It is Vincent Regan who plays the evil Amar that is given the over the top role to play this time, and he does so with much glee. While in the beginning he came off a little on the goofy side, when his true motivations are put out into the open, he does manage to become much more menacing. Also, Regan is great in Amar's many attempts to change his personality to get closer to people in order to eventually kill them. This is one of the best aspects to the movie: a villain who seems capable of doing the things he does. All to often in these kinds of movies (such as the ultimate villain in Ronin being a disappointment) the villain is weak or turns out to be a disappointment. Kerry Fox (from Shallow Grave), who plays Lambert's love interest and fellow agent, Maddy, is also very good in her role as a seasoned veteran of her craft. Essentially, as it has already been stated, if you are a fan of the "Christopher Lambert Genre" then you must rent this one as soon as possible. If you are just getting into his movies, this is a good one to start off with to ease yourself into it gently.
For a better film on international terrorism, try instead The Little Drummer Girl, directed by George Roy Hill in 1984 and based on the novel by John Le Carre. ... Read more | |
| 4. Highlander - Director's Cut Director: Russell Mulcahy | |
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Reviews (249)
In terms of the acting, contrary to what other people claim here, Christopher Lambert's performance is first rate, and I think it a shame that he has subsequently appeared mostly in bad 1 1/2 star flicks and hasn't since had a real breakthrough in movies. Sean Connery adds real style to the movie with his acting, but it's a shame that he's in there for such a short time. Clancy Brown is as sinister as ever as Kurgan. The visuals and effects are great by any standard and the swordfighting scenes are excellent And WHO could possibly diss the rocking musical score by Queen? With such a strong opening theme ("Princes of the Universe") a truly emotional ballad ("Who Wants to Live Forever") and their smash hit single ("A Kind of Magic") just to name a few, you can't go wrong. If you learned about this movie just by being a Queen fan, and first watched the movie out of interest in their score (my situation), you're in for a real treat. To fans of this movie who were disappointed by the latest transfer, My only suggestion is to wait a while for the Highlander Immortal Edition which will be released April 16, 2002. It promises better sound and picture quality, the uncensored Director's Cut, Commentary, and plenty of Queen material including music videos to their songs from this movie which are musical and visual masterpieces (I've seen them). Plus it's in anamorphic widescreen format, and anamorphic seems like a good way to go especially for a movie like this. In any case, this movie is a winner and magic in it's strongest form. There can be only one.
The Immortal Edition will be packaged in a limited edition tin box, a feature Anchor Bay Entertainment is known for. With a second disc full of extras, this edition is a release no Highlander fan should miss. "There can be only one", and it seems this is THE ONE!!
The story centers on a young Scotsman named Connor MacLeod who resides in New York City under a different name. Connor is actually one of the few men on Earth who have the special gift of immortality. These immortals can be killed if beheaded by another immortal and throughout the ages these elect men have been hunting each other down in the hopes of becoming the last immortal on Earth, which would give him a gift of high enlightenment, a gift that can be dangerous if in the wrong hands. Connor is on the run from an immortal goon, the Kurgan, who has been after him since the 1500's. It eventually comes down to Connor and the Kurgan as to who will be the one that receives the special gift. Something that certainly doesn't work in favor of "Highlander"(and helps make it B-grade) is the fact that the movie has not aged very well. Compared to the action movies of today, this flick looks corny. The special effects are pretty cheesy and the whole production design feels outdated. The acting was, for the most part, not too memorable. Christopher Lambert doesn't do a good enough job of making his character of Connor MacLeod engaging. He makes for rather uninteresting hero. There were only two noteable performances I saw here. One was Sean Connery, who makes a nice little impression playing Ramirez, the man who first tutors Connor when he discovers that he's an immortal. But Connery only gets about 20 minutes of screen time and this hinders him from making a bigger impact. The other standout I saw was Clancy Brown, who plays the Kurgan. Brown makes his character the perfect bad guy giving him the "qualities" of vile, mean, and creepy. In short, he's a guy you wouldn't want to meet in a dark alley. I have to say that "Highlander" has quite an interesting concept. The idea of immortals hunting each other down to gain an ultimate power is nifty (if somewhat hokey) and director Russel Mulcahy executes it just well enough to make things entertaining, with the swordfights between the immortals becoming the highlight points. Overall, I really can't say "Highlander" is a great film but at the same time, I can't dissuade you from seeing it either. Who knows? You, like many others, may have that "kind of magic" that will turn you on to this cult classic. The only way to know is to check it out and see what happens.
For me, however, Clancy Brown's Kurgan steals the film. His physical features and bug-eyed grin are dead perfect! And his way over-the-top performance, at times, makes you a little afraid of his character, but he makes you laugh, as well. The confrontation between Kurgan and Conner in a church is a great balance of wit and tension. The battles in Scotland, at the beginning of the film, and the mayhem in the streets of New York City at the end are priceless. My favorite moment: Kurgan steals a car and takes Conner's love interest for a ride. As he careens through the potholes and traffic, he quietly sings "New York, New York". Now I know where all our cabdrivers take their lessons from. HIGHLANDER is a great piece of quality mind candy that actually tackles some deep issues.
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| 5. Greystoke: The Legend of Tarzan, Lord of the Apes Director: Hugh Hudson | |
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I have been waiting. And waiting. And waiting. But alas, this movie was no where to be found on the DVD format. Well, the long wait is finally over. Though I was hoping for a Two-Disc Special Edition release, this is goods enough. I just hope that it has SOME special features. Or, maybe they could just work on the movie and include a commentary track. For instance, they should definitely release the extended version available on VHS, and return Andie MacDowell's original voice track. And of course, give the movie a new digital transfer with Dolby Digital 5.1, or maybe even DTS! Just having this movie on DVD will be good enough for me. That said, Warner had better not screw this one up!
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| 6. Highlander - Endgame Director: Douglas Aarniokoski | |
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So what we have here is a tale of two immortals, Connor and Duncan MacLeod (Christopher Lambert and Adrian Paul), who apparently are out to stop an even more powerful and evil immortal (Bruce Payne) who holds a grudge against Connor. That's the basic premise, but getting into details would only be confusing, to me and whoever's reading this. There are a LOT of subplots at work here, individual scenes that don't really seem to mesh with the main story, and if they do, they're never concluded satisfactorily. Example? How about when Connor is kept locked in a room with an iron mask covering his eyes; how exactly did he end up there and how did he even escape? What about those people who keep track of the immortal kills; who are they, how do they do it, and considering there are tons of rules these immortals have to follow in combat, how come these people never enforce the rules? For that matter, considering the evil Kell (the film's villain) isn't even following these rules, why shouldn't Connor and Duncan team up to take him down? Those are only a few of the movie's numerous head-scratchers, suffice to say if this is the first and only Highlander movie you've seen, don't worry, I'm as every bit as confused as you are. The series never follows a singular mythology, which simply means if you watch the first film, each of the individual sequels plays as a follow-up to that film, and certainly not the one that came before it (i.e. part 2 sort of follows part 1, part 3 negates part 2 and follows part 1, part 4 negates part 3 and follows up to part 1). But even that rule isn't completely sound. Even Highlander: The Quickening chose to negate much of what occurred in the first film, done in such blatant manners that you can't help but slap your forehead when you witness what a true mess this series became. If you've seen it, you know what I'm talking about; Connor and Ramirez are really from another planet called Zeist and they've known each other from then (which makes their "first" meeting in Scotland in the original film a headscratcher). I haven't even gotten to the fact that all these immortals are fighting to return to Zeist, even though they were banished there for being rebels (doesn't this mean they should all, I dunno, work together?) According to the Renegade version, immortals are from the past, which is still almost as mucked up. But I digress, the point here is to review Endgame, and for what it is, it might please Highlander fans, if they prefer Paul to Lambert, as the former is the true star of the picture, and is highlighted in most of the action sequences. The action itself is relatively decent, the climactic swordfight could have been better filmed, but it's not like I was expecting a lot from the action in this movie in the first place. When it comes to the series, I'm a casual open-minded viewer and what keeps me coming to each sequel is the hope that finally, someone will capitalize with the grand ideas at work. Instead, this quartet is mostly viewed as an embarrassment to sci-fi/fantasy/action filmmaking, an insult to lucid storytelling, and a spit in the face to those who enjoyed the first movie. I didn't absolutely hate Endgame, it's had enough watchable moments to keep my attention, but it's definitely a bad movie, and doesn't have the awe-inspiring kitsch value of The Quickening. I have one more thing to complain about and that's the amount of effort put into marketing this picture. Obviously, Dimension films wanted to milk the series for all it was worth, but they actually gave us trailers that featured cool scenes that were never even meant to be in the film. Alternately, when we have a great sci-fi action film like Equilibrium left to die at the box office, I'm only further upset at what Dimension believes is or isn't worth marketing.
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| 7. Highlander - 10th Anniversary Edition Director: Russell Mulcahy | |
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In terms of the acting, contrary to what other people claim here, Christopher Lambert's performance is first rate, and I think it a shame that he has subsequently appeared mostly in bad 1 1/2 star flicks and hasn't since had a real breakthrough in movies. Sean Connery adds real style to the movie with his acting, but it's a shame that he's in there for such a short time. Clancy Brown is as sinister as ever as Kurgan. The visuals and effects are great by any standard and the swordfighting scenes are excellent And WHO could possibly diss the rocking musical score by Queen? With such a strong opening theme ("Princes of the Universe") a truly emotional ballad ("Who Wants to Live Forever") and their smash hit single ("A Kind of Magic") just to name a few, you can't go wrong. If you learned about this movie just by being a Queen fan, and first watched the movie out of interest in their score (my situation), you're in for a real treat. To fans of this movie who were disappointed by the latest transfer, My only suggestion is to wait a while for the Highlander Immortal Edition which will be released April 16, 2002. It promises better sound and picture quality, the uncensored Director's Cut, Commentary, and plenty of Queen material including music videos to their songs from this movie which are musical and visual masterpieces (I've seen them). Plus it's in anamorphic widescreen format, and anamorphic seems like a good way to go especially for a movie like this. In any case, this movie is a winner and magic in it's strongest form. There can be only one.
The Immortal Edition will be packaged in a limited edition tin box, a feature Anchor Bay Entertainment is known for. With a second disc full of extras, this edition is a release no Highlander fan should miss. "There can be only one", and it seems this is THE ONE!!
The story centers on a young Scotsman named Connor MacLeod who resides in New York City under a different name. Connor is actually one of the few men on Earth who have the special gift of immortality. These immortals can be killed if beheaded by another immortal and throughout the ages these elect men have been hunting each other down in the hopes of becoming the last immortal on Earth, which would give him a gift of high enlightenment, a gift that can be dangerous if in the wrong hands. Connor is on the run from an immortal goon, the Kurgan, who has been after him since the 1500's. It eventually comes down to Connor and the Kurgan as to who will be the one that receives the special gift. Something that certainly doesn't work in favor of "Highlander"(and helps make it B-grade) is the fact that the movie has not aged very well. Compared to the action movies of today, this flick looks corny. The special effects are pretty cheesy and the whole production design feels outdated. The acting was, for the most part, not too memorable. Christopher Lambert doesn't do a good enough job of making his character of Connor MacLeod engaging. He makes for rather uninteresting hero. There were only two noteable performances I saw here. One was Sean Connery, who makes a nice little impression playing Ramirez, the man who first tutors Connor when he discovers that he's an immortal. But Connery only gets about 20 minutes of screen time and this hinders him from making a bigger impact. The other standout I saw was Clancy Brown, who plays the Kurgan. Brown makes his character the perfect bad guy giving him the "qualities" of vile, mean, and creepy. In short, he's a guy you wouldn't want to meet in a dark alley. I have to say that "Highlander" has quite an interesting concept. The idea of immortals hunting each other down to gain an ultimate power is nifty (if somewhat hokey) and director Russel Mulcahy executes it just well enough to make things entertaining, with the swordfights between the immortals becoming the highlight points. Overall, I really can't say "Highlander" is a great film but at the same time, I can't dissuade you from seeing it either. Who knows? You, like many others, may have that "kind of magic" that will turn you on to this cult classic. The only way to know is to check it out and see what happens.
For me, however, Clancy Brown's Kurgan steals the film. His physical features and bug-eyed grin are dead perfect! And his way over-the-top performance, at times, makes you a little afraid of his character, but he makes you laugh, as well. The confrontation between Kurgan and Conner in a church is a great balance of wit and tension. The battles in Scotland, at the beginning of the film, and the mayhem in the streets of New York City at the end are priceless. My favorite moment: Kurgan steals a car and takes Conner's love interest for a ride. As he careens through the potholes and traffic, he quietly sings "New York, New York". Now I know where all our cabdrivers take their lessons from. HIGHLANDER is a great piece of quality mind candy that actually tackles some deep issues.
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| 8. Highlander II: The Quickening (Renegade Version - Director's Cut) Director: Russell Mulcahy | |
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Amazon.com Reviews (102)
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| 9. To Kill a Priest Director: Agnieszka Holland | |
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Reviews (4)
This was a good film when it becomes Stefan's story. Harris is so good, you forget that he's otherwise miscast (the quintessential American, Harris is surrounded with Europeans like Lambert, Ackland, Tim Roth as a fellow officer or Pete Posthelthwaite as a Solidarity supporter), and really has nobody to work with. Also, the film doesn't really play up it's best story ' Stefan's disintegration. Why Harris has his character go to pieces isn't clear. Stefan is intelligent and dogmatic. Early on, however, he shows signs that he may be a bit of a devout Catholic himself (while caught on video 'infiltrating' a Solidarity rally attended by other loyal churchgoers). Though he strenuously insists it was an act to help him blend in, why he feels subject to the very whims of his spineless superiors (who release Stefan's prisoners during frequent Amnesties) is unclear. Neither does he feel he owes anything to his parents' generation (they had the opportunity to rid Poland of the Church years before the Solidarity movement existsed, and squandered it). Rather than explore the two sides of Stefan's soul over which the Church and the Communists fight, the script relegates Stefan into one of the combatants, an ill-fated move sealed with Harris's closing speech. Lambert seems woefully miscast ' and I like him in other movies. However, the script has him squaring off defiantly against the communists as if they worked for the Kurgan from the highlander movies. Much of the problem is that this is an historical movie robbed of its force by later history. The Poland's communists are gone, and even the solidarity movement needed to shift its attentions to other threats to Poland's well being. Still a great film for Ed Harris fans.
This was a good film when it becomes Stefan's story. Harris is so good, you forget that he's otherwise miscast (the quintessential American, Harris is surrounded with Europeans like Lambert, Tim Roth as a fellow officer or Pete Posthelthwaite as a Solidarity supporter), and really has nobody to work with. Also, the film doesn't really play up it's best story ' Stefan's disintegration. Why Harris has his character go to pieces isn't clear. Stefan is intelligent and dogmatic. Early on, however, he shows signs that he may be a bit of a loyal Christian himself (while caught on video 'infiltrating' a Solidarity rally attended by devout Catholics). Though he strenuously insists it was an act to help him blend in, why he feels subject to the very whims of his spineless superiors (who release Stefan's prisoners during frequent Amnesties) is unclear. Neither does he feel he owes anything to his parents' generation (they had the opportunity to rid Poland of the Church years before the Solidarity movement existsed, and squandered it). Rather than explore the two sides of Stefan's soul over which the Church and the Communists fight, the script relegates Stefan into one of the combatants, an ill-fated move sealed with Harris's closing speech. The freedom fighters, however, never become elevated over stock martyrs. I came away from this film knowing little more about the state of Poland's affairs than I did before.
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| 10. Knight Moves Director: Carl Schenkel | |
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The only thing that I feel was well done was how the writer seemed to get into the mind of a serial killer, but that also concerns me. My mind just does not think in that sort of mode. While I am not a great player, I like the game of chess. I feel this movie did the game and those who play a really bad stereotype. Avoid this movie. It is not worth the time or stress.
Years later, another chess tournament. Grand master Peter Sanderson (Christopher Lambert) is in attendance, making a surprise return after three years' retirement. He easily wins the first rounds. After dinner with daughter Erica (whose only parent he is) and a strategy session with his advisor, Sanderson concludes the evening with a few steamy hours with a sensuous blonde ... and the psychopath who will soon hold the community in thrall has found his first target. When the woman is found murdered, gruesomely dressed up in death and the word "Remember" written on the wall above her in blood, Sanderson initially denies having been with her. This, and his arrogant demeanor towards the policemen investigating the crime - particularly, Detective Andy Wagner (Daniel Baldwin) - makes him an instant suspect. But is Sanderson the psychopath? Or is he, as appearances would have it, the psychopath's true target? In a grisly game of strategy in which a city is turned into a chess board and women living in the target areas of town (attractive blondes all of them) are the chess pieces, Sanderson and the police hunt a serial killer who always seems to be one step ahead of them. While Detective Wagner never loses his suspicion of Sanderson, his newly minted boss, Captain Frank Sedman (Tom Skerritt) reluctantly comes to the conclusion that since the clues provided by the killer are based on chess references and directed to none other than Sanderson himself, they will not be able to solve the case without his help. Yet, for a long time the grand master, too, seems unable to decipher the killer's clues, and the meaning of the words written above the dead body of each of his victims. - How many women will have to die before his identity is revealed? Will he ever be caught? Will psychologist Kathy Sheppard (Diane Lane), brought in by the police to determine if Sanderson himself fits their suspect's profile, end up as one of his victims? "Knight Moves" is a suspenseful thriller, intelligently built on the patterns of the royal game of strategy itself, and in which the audience is kept on their toes until the very end. Christopher Lambert in particular is believable as the astute, arrogant Sanderson, who hides his personal fears and insecurities under a mask of unapproachability which only one person seems to be able to pierce - his daughter Erica. His face-offs with Daniel Baldwin alias Detective Wagner, sarcastic and spewing barely controlled rage at each other, are among the highlights of the movie; in addition, of course, to the mind game itself which the killer plays with his hunters and, by extension, with the audience. While it is clear that the solution has to have something to do with the fateful game played by those two boys so long ago, all elements of the story are only connected up in the final scenes ... which are, however, unfortunately somewhat overplayed and emphasize gore more than psychology and hence, are a bit of a let-down. This, and the relationship soon forming between Sanderson and Sheppard, which doesn't entirely work for me (strangely enough, since Lambert and Lane were married at the time) are the only detractors I find in this movie. Overall, however, "Knight Moves" would have deserved much more attention than it has received since its 1992 cinematic release.
Imagine my disappointment in seeing this DVD. The transfer is horrible. This disc was released in the first quarter of 2001 -- over a year after Anamorphic Widescreen became the accepted standard for DVD -- and not only is this transfer not anamorphic, but it is worse quality than the VHS I have seen. There are a number of glitches in the transfer, including some that look as though the transfer was done from a damaged source negative -- maybe even from the VHS itself. On top of that, the disc has NO special features. Even the VHS version had a making-of documentary after the credits rolled! It's hard to believe that transfers with quality this poor are still being released today. If the studio doesn't care enough to do it right, then why do it at all? In summary, I highly recommend this movie.
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| 11. Greystoke: The Legend of Tarzan, Lord of the Apes Director: Hugh Hudson | |
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Amazon.com Reviews (32)
I have been waiting. And waiting. And waiting. But alas, this movie was no where to be found on the DVD format. Well, the long wait is finally over. Though I was hoping for a Two-Disc Special Edition release, this is goods enough. I just hope that it has SOME special features. Or, maybe they could just work on the movie and include a commentary track. For instance, they should definitely release the extended version available on VHS, and return Andie MacDowell's original voice track. And of course, give the movie a new digital transfer with Dolby Digital 5.1, or maybe even DTS! Just having this movie on DVD will be good enough for me. That said, Warner had better not screw this one up!
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| 12. Fortress 2: Re-entry Director: Geoff Murphy | |
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Reviews (14)
Once again John Brennick and his wife are on the run from the Men-Tel Corporation. At the end of the first movie the couple escaped the clutches of the evil plutocrats and went underground in order to defy the ban on having children. The opening of "Fortress 2" shows the Brennicks safely ensconced in a cabin somewhere far from the overpopulated urban centers run by Men-Tel. A group of rebels from the resistance pay a visit to Brennick so they can convince him to rejoin their efforts to destroy the corporation. Predicatably, Men-Tel thugs clandestinely follow these upstarts out to the cabin and launch a raid. Lots of bullets fly, Brennick and family escape through a tunnel under the house, and Johnny blows a helicopter out of the sky before the soldiers finally capture him. Brennick's spouse and young son escape, so there will be no wife in prison to compromise John's attention this time around. And prison is exactly where he is going, but this time the penitentiary is a floating space station revolving around the earth. It would seem that walking out of this situation will not be as easy as it was last time. C'mon, you know better! This is big, bad John Brennick we are talking about here. Of course he will escape. Our job is to play like good little sheep, shut our mouths, and watch how he does it. The space prison is pretty much like the institution encountered in the first film with a few minor exceptions. First, the beloved intestinators from the first film are long gone, replaced with a different implant device that causes everyone to fall on the ground and roll around shrieking in pain whenever the guards punch a button. Second, one of Brennick's cellmates is a sexy young woman who takes lots of showers to distract the bulls whenever John and his allies are plotting something. Third, this is a dumb movie. There is a bunch of nonsense about Men-Tel building some huge project and using the prisoners as slave labor, but it is largely uninteresting most of the time. Pam Grier turns up in the role as the head of Men-Tel, perhaps the most egregious crime the film commits because she doesn't have much to do except threaten the prison warden via video screen and show up briefly in the end. Another wasted opportunity arrives in the shape of Yuji Okumoto as the sadistic guard Sato. Viewers will recognize this veteran character actor and loudly lament the inability of the script to put him to better use. By the way, did I mention this movie reeks? I actually followed the movie for a bit before issuing an increasingly loud series of raspberries at the stupidity unfolding onscreen. A few things were slightly interesting, such as Brennick's turn in "solitary" after a failed escape attempt. The punishment differs slightly from a similar penalty on earth: guards lock Brennick in a transparent bubble on the outer shell of the station, thereby exposing him to extremes of cold and heat as the prison revolves around the earth. Alas, this scene is the only good point in an otherwise useless production. One need only watch one of the characters attach a miniature video camera to a roach to understand the ridiculous depths to which this movie sinks. The absolute worst, and I mean WORST, situation occurs when Brennick, in an effort to reach another part of the rapidly deteriorating space station, holds his breath and flies through space without any sort of protective gear. You heard me right. A man soars through deep space wearing nothing but the clothes on his back--with only a bloody nose to show for it--and survives to fight another day. This scene alone guarantees a one star review. How dare the screenwriters, the director, and the producer attempt to foist off such an idiotic scenario on viewers. Brennick escapes in time for the inevitable reunion with his loved ones (in front of a picturesque sunset, no less), but the viewer has nowhere to go after watching this piece of crud except perhaps to the local pharmacy to pick up a bottle of Thorazine. Whatever your poison, pray it is strong enough to burn the memory of this film out of your head. The DVD is fortunately sparse, with a trailer for this film, one for a movie called "Resurrection," and a widescreen presentation of the movie. The lack of a commentary surprises me not at all; I wouldn't want to take any responsibility for such a worthless project either if I was associated with it. Good luck with this one, faithful viewers.
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