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| 1. Nowhere Director: Gregg Araki | |
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Description Reviews (71)
The thing I loved about it the most: It's not an average movie. It's dark, and extremely unusual. Gregg Araki is now one of my favorite writers and directors (along with Tim Burton and Darren Stein).
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| 2. Never Been Kissed Director: Raja Gosnell | |
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Amazon.com Reviews (208)
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| 3. Cabin Fever Director: Eli Roth | |
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Reviews (319)
Director Eli Roth clearly knows his horror movies, because this movie plunders a lot of them. The only real problem is that he doesn't really know what direction he wants to take with it - campy fun, retro Evil Dead pastiche or straight horror. There are elements of all three, used to varying degrees of success. I was recommended the movie by quite a few Evil Dead enthusiasts, so it would appear to work on that level. As straight horror there are some genuinely horrible moments, notably a character shaving her legs in the bath deserves to be an instant gore classic. However, a lot of this seems to be undermined by the black humour of it all, mingling to produce a film nearly as nasty as reality-TV horror My Little Eye, though not as good and certainly not as consistent. For instance, characters such as the stoner at the beginning disappear early on and a walk-on from a hilarious cop on a push bike who like to 'party' is cheapened by a second appearance. Saying that, some of the gags definitely work, especially the anti-racist joke at the end, which had me in stitches. Yet before you've even finished laughing there's a shot of a dead body, making you feel more than a little uncomfortable. Whilst it could be argued that the mixing of modes is daring and interesting (and this IS better than Wrong Turn, which played it entirely straight), it comes across as uncertainty on the part of a director who didn't know what they wanted. Still, that doesn't mean it doesn't have its moments. It does. The unknown cast are all great value for money, though you suspect that we'll probably never see them again. In particular, the guy at first coded as the jock turning into a fey scaredy-cat is great stuff. There are also enough good moments to suggest that Roth could make a much more consistently good movie in future. Saying that, as zombie movies go, Night Of The Living Dead, Evil Dead and even the recent 28 Days Later, still reign supreme.
Well, I finally decided to give a shot, and I have to say this is by far and away one of the best horror movies I have ever seen! Ok...if you are not a fan of the horror genre, chances are you are not going to appreciate this film. But for genuine horror fans, I think that most will agree that it doesn't get much better than this. Everything about this film works-the cinematography is extraordinary, the special effects are brilliantly gruesome, and the musical score creates a tension that is beyond anything I have ever experienced during a movie (if you watch it a second time pay careful attention to the music and you will understand why this movie causes so much tension). The acting performances are above average for a horror film, and the dialogue is unforced and natural. One of the major flaws in horror movies is that bad acting and unnatural dialogue are distracting and prevent the audience from getting involved with the film. The characters in this film are believable, which is more than you can ask for in this genre. I get so bored with some horror movies, and my mind starts to wander away and think about work or making a pastrami sandwich. But Cabin Fever sucked me in...big time. When a movie can draw you in and make you experience what the characters are experiencing--than it is successful. Overall, I would say that this film is a contemporary horror masterpiece. But don't just take my word for it--check out what some other critics had to say about it http://www.cabinfevermovie.com/reviews.html
So it's a horror film, and with these kids in the cabin we should be expecting a clone of Jason Voorhees or some clone to come crash the party and kill them all, right? Wrong. The culprit is a flesh eating virus, and eventually "culprit" becomes plural as they turn against themselves and others. The movie gets a small nod for an intriguing approach (flesh eating virus instead of Jason clone), but no marks beyond that. Saddest to see was that the Director/Writer Eli Roth and the entire cast took this film seriously. The dialogue was unrealistic and laughable at times, and each scene appeared either more improbable or ridiculous than the one before. The surviving characters also gained an interesting quality that most characters shouldn't gain in a film that strives to take itself seriously: stupidity. Yes, they get dumber. Their collective and individual responses to stress and difficult situations actually get worse as the movie progresses. In whatever art form that aims to take itself seriously - be it writing a book or making a film - characters are supposed to grow, to learn. With one exception, these characters start with a brain, and end with a mostly empty cranium. The one exception is a character that begins with an empty cranium. Surprisingly, he alone experiences a small amount of growth. But it doesn't matter, because it's too small and irrelevant. There's a frustrating dearth of good horror films. There's no shortage of horror movies that began with an imbecilic notion and carry it through to an imbecilic end. To me there is little more frustrating than a well intentioned horror film with a unique and fresh approach that gets it all wrong. This could have been one of the few good ones. Instead it turned out to be a parody of itself. As the movie came to conclusion, I really wasn't sure whether or not I was supposed to be laughing along with the film or at it - but one thing I was sure of is that I was laughing. Being unsure of how I was supposed to respond to the movie was the only reason I watched the special features on the DVD, and I learned, sadly, that I was not supposed to be laughing along with the film. Too bad. It is Eli Roth's debut as a writer/director. If you're true and honest to your craft you grow as you practice it. Perhaps future endeavors will be better. I hope so.
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| 4. Embrace of the Vampire Director: Anne Goursaud | |
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Description Reviews (76)
Alyssa Milano gets naked. You see her nipples with amazing frequency. She lets guys touch her in dream sequences. She lets a female photographer touch her, remove most of her clothing, and then kiss her. But beware, Lesbian Sex Scene seekers - Alyssa does not go further than kissing. Yes, that's right - she loses her nerve and runs out of the room. Taking the time to get dressed again, unfortunately. So if you're a fan of Alyssa Milano's breasts, then by all means rent this movie. Or buy it. It's worth it if you enjoy seeing her bare, heaving bosom. However, if you like movies that you can watch all the way through without saying "God, Hollywood will produce ANYTHING!", then this movie is not for you.
The acting and casting are terrible. Alyssa doesn't do too badly, but doesn't really have all that many lines. She's mostly expected to look like she's enjoying the erotic scenes, then look confused in all of the other scenes. The best scene in the movie is Milano's encounter with the photographer. There's a lot of cheesy, annoying voiceover by the vampire to substitute for plot, story and character development. His acting is the worst in the movie. Overall, the only reason to see this movie is to see Milano nude. Other than that, there is nothing else compelling about this film. ... Read more | |
| 5. Weapons of Mass Distraction Director: Stephen Surjik | |
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Description Reviews (2)
An intelligent and engaging well writen movie for those who like to think about and be caught up in their entertainment. ... Read more | |
| 6. Never Been Kissed Director: Raja Gosnell | |
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Reviews (208)
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| 7. Embrace of the Vampire Director: Anne Goursaud | |
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Description Reviews (76)
Alyssa Milano gets naked. You see her nipples with amazing frequency. She lets guys touch her in dream sequences. She lets a female photographer touch her, remove most of her clothing, and then kiss her. But beware, Lesbian Sex Scene seekers - Alyssa does not go further than kissing. Yes, that's right - she loses her nerve and runs out of the room. Taking the time to get dressed again, unfortunately. So if you're a fan of Alyssa Milano's breasts, then by all means rent this movie. Or buy it. It's worth it if you enjoy seeing her bare, heaving bosom. However, if you like movies that you can watch all the way through without saying "God, Hollywood will produce ANYTHING!", then this movie is not for you.
The acting and casting are terrible. Alyssa doesn't do too badly, but doesn't really have all that many lines. She's mostly expected to look like she's enjoying the erotic scenes, then look confused in all of the other scenes. The best scene in the movie is Milano's encounter with the photographer. There's a lot of cheesy, annoying voiceover by the vampire to substitute for plot, story and character development. His acting is the worst in the movie. Overall, the only reason to see this movie is to see Milano nude. Other than that, there is nothing else compelling about this film. ... Read more | |
| 8. Every Mother's Worst Fear Director: Bill L. Norton | |
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Reviews (4)
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| 9. Stand-Ins Director: Harvey Keith (II) | |
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Reviews (3)
When Martha-Anne finally arrives for her party she steps in the bar just as Harlow's death is announced on the radio, and her distraught emotional state is further rattled by Taffy's devious plans to backstab Martha-Anne so she can become Harlow's double in the actress' unfinished picture, which she hopes will get her some publicity and notice. By underestimating Martha-Anne's anger over using Harlow's death as a golden opportunity and stepping stone as well as her love and devotion for her dead "boss," this turns out to be a fatal move for Taffy, a duplicitous character but ultimately sympathetic since there are tragic filial motivations for her desperate need to succeed and not become another Peg Entwistle. Besides the stagey feel, miscasting, and uninspiring dialogue, the other big drawbacks for the chronologically, historically correct are these--Martha-Anne first hears of Harlow's illness and death on the radio after she's just finished doubling for the "healthy" star, but in reality Harlow was gravely ill days before her eventual death and Martha-Anne thus would have been in professional "limbo" during this time. The other drawback is including Hayworth as a 30's star--while she was acting at the time, she was just a starlet and didn't become a full-fledged star until the 40's, therefore a lowly contract player wouldn't have rated a stand-in. I'm not trying to be nitpicky here, but these things are distractingly obvious to any classic film buff and the writers' should know better, but I'm afraid they counted too much on the audiences' ignorance.
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| 10. Weapons of Mass Distraction Director: Stephen Surjik | |
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Reviews (2)
An intelligent and engaging well writen movie for those who like to think about and be caught up in their entertainment. ... Read more | |
| 11. Jamas Besada(Never Been Kissed) Director: Raja Gosnell | |
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Reviews (208)
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| 12. Never Been Kissed Director: Raja Gosnell | |
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Reviews (208)
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| 13. Never Been Kissed Director: Raja Gosnell | |
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Reviews (208)
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| 14. The Specials Director: Craig Mazin | |
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Reviews (17)
I briefly heard about this movie late last year in radio promos. Even then it had sounded interesting. However, when it opened in Manhattan I was sure it would come to my town, but then it was gone. I felt cheated and rightfully so. This is a damn good movie. Now I have to warn you this is not an action movie, there is now spectacular effects, it is about these people, these superheroes lives. Having said that, the movie is a marvel of independant film making. The script shines and the characters remain true to themselves as they would in any good drama, and this, for all intents and purposes is a superhero drama. I found myself enjoying these character's company, and wondered what their lives would be like after the film faded to black. If you are a fan of any of the actor's or if you even remotely like comic books you must check this movie out. I know what you are saying, been there done that with Mystery Men, That movie left me very disappointed, this one made up for that disappointment.
one guy gave this film a 1, wich i do not agree with at all. from reading the review, it seems to me that this person was looking for an 'eye candy' movie, which, usually superhero movies are predisposed to being, but this film is entirely driven by the characters. the movie would have been fine without the 2 min of effects at the end, and i was suprized to see them, they did in fact look better than the production value of the rest of the film suggested, very likely that is where a good hunk of the films budget went. it is realy tempting to give this movie more than 4, but i dont think it deserves 5. i am a fan of Thomas Hadden Church, and though this is not one of his best roles, fans of him, or the other actors will like this movie
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| 15. Club Dread Director: Jay Chandrasekhar | |
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Reviews (51)
The movie takes place on Pleasure Island resort in Costa Rica. Run by former former rock star Coconut Pete. He has young people come and have a good time, away from phones, and other technology, and wants his visitors to have a good time with the staffers. The staffers include Putnam, the tennis instructor, Sam, the captain of the "Fun Police" and Jenny, the aerobics instructor who has a reputation of sleeping with many of the staff members. Jenny becomes interested with the new masseur Lars whose has hands like magic, much to the dismay of Putnam. All of the staff members are ready to have fun for the week, untill one of the staff members is killed. More and more start to die, and they are killing people based on the lyrics of Coconut Pete's songs. Pete hired the security guard Hank to help them find out who is killing everybody, as they try and survive the week at the resort, all while suspecting everybody including each other. "Club Dread" sounds like a spoof, but it is not. It is pure horror/comedy. I thought that it was scarier then recent horror films like "Freddy vs Jason" and "Dawn of the Dead" and I liked how it was hilarious as well. It wasn't to long in the end, and I felt that the entire money was worth the money that it spent. I don't see how it didn't make alot of money, but it will probally do much better when it comes out on video. I thought Bill Paxton was a big highlight as Coconut Pete, and he was hilarious. It has graphic violence, and graphic nudity, but it was still a great film. If it wasn't for the beginning, it would be a five star movie, and mabye one of the best of the year. I am awaiting the next Broken Lizards comedy. ENJOY! Rated R for violence/gore, sexual content, language and drug use.
While the latter film was one of the funniest comedies of the last five years, "Club Dread" is so spectacularly unfunny that it makes you wonder if "Super Troopers" was a fluke. At its core, "Dread" seems a parody of slasher flicks in general and of "I Still Know What You Did Last Summer" in particular. The killer on the loose at a tropical resort plotline is lifted directly from that earlier film. But the movie fails to elicit even a single chuckle. Part of the problem is that many scenes are way too violent for a comedy. In fact, the killings are generally played straight and are bloody enough to fit right into any modern slasher film. At the same time, all the lame jokes keep things from getting too serious. The end result is a movie that is schizophrenic in that it seems to want to work as a horror film AND as a comedy. Ultimately, "Club Dread" is too violent to be funny and too much of a wanna-be yukfest to be truly frightening. In trying to achieve two goals, the movie fails at both. The performances of actor/director Jay Chandrasekhar and the other members of Broken Lizard lack the anarchic glee and razor sharp wit that made "Super Troopers" a "must see and then see again" classic. Bill Paxton plays an always-sloshed Jimmy Buffet-style singer whose resort is the center of the action. One wonders if he wasn't drunk out of his mind, when he agreed to this role. I have high hopes for Broken Lizard and hopefully their third film outing will see them on surer footing. As for this movie, a better title would be "Club Dreadful."
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| 16. Club Dread Director: Jay Chandrasekhar | |
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Reviews (51)
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