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| 1. Purple Hearts Director: Sidney J. Furie | |
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Description Reviews (11)
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| 2. Millennium Director: Michael Anderson | |
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Reviews (18)
It's a unique story of people far in the future who kidnap the bodies of people that are about to die. Their favorite source is planes that are about to crash. An official investigating discovers wrist-watches running backwards in the wreckage, and works with a physicist attempting to discover the truth about these visitors.
Conceivably, more time could have been spent investigating the wreckage (and similar wreckages) before revealing the time travelers from the future. Also, why don't they fix these ripples, instead of trying to escape them? So there are some questions. If I could, I'd give this one 2-1/2 stars, not three, but I won't drop it all the way to two, mostly because no one else has done this exact story, unless it was Rod Serling in the original Twilight Zone series, but I don't think so... there are similar stories, to be sure, and time travel stories, but not in this combination. Which puts this film into the "Twilight Zone" category for me. There are so many places where they could have made this one better, I have to wonder why no one has done a remake... Still, it is part of my collection and if you are SF buff, then don't leave this off your list of films to consider without at least watching it.
And it's *boring*, too. Kristoferson and Ladd have absolutely ZERO chemistry. No, in fact, they have NEGATIVE chemistry. Kristoferson couldn't act is way out of this script, and Ladd ... well, jeez, what could one expect from an ex-Charlie's Angel? It's also *ugly*. The costumes, set designs, and special effects would have been bad in 1989, and haven't aged well. Post-apocolyptic futures can look cool (ROAD WARRIOR) or even funky (12 MONKEYS), but here, it's just lame. And the first "effect" in the film--where two planes collide--is a sad effort of blue-screening that my high-school film club could have outdone. Avoid at all costs. Waste no money. If your boyfriend or girlfriend owns it, break up with them; it will be less painful. I have to go sanitize my home theatre now.
Then again, if this was truly a good movie than we shouldn't be disappointed in seeing the scenes twice, since we could then enjoy good acting etc. Not so in Millennium. Kris Kristofferson looks grizzly with a heavy beard and has the skin tone of beef jerky. Cheryl Ladd plays opposite of Kristofferson as the time traveling tough women from the future who happens to know nothing about time traveling, she needs a personal robot to explain "the obvious" to her on many occasions. Maybe she forgot to read the script. In this movie, the future is a place of rust, the present is a place of ignorance, and the viewer is left insulted. ... Read more | |
| 3. Danielle Steel's Changes Director: Charles Jarrott | |
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Reviews (8)
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| 4. Josie and the Pussycats - The Melody Memory Mix-Up Director: Joseph Barbera, William Hanna | |
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Amazon.com Josie and the Pussycats is an early-1970s, animated Hanna-Barbera cartoon series based on the Archie comic book series. Each episode features lots of fast-paced, comedy-filled chase scenes; then-futuristic ideas like minicomputers, artificial force fields, and antigravity devices; and lots of 1970s slang. While the portrayal of Melody as a blond airhead and Alexandra as a conniving, controlling woman may be somewhat offensive to modern audiences, it should be viewed in context as 1970s comic exaggeration. Modern kids ages 5 to 11 and retrospective, adult fans will enjoy these four Josie and the Pussycats episodes. --Tami Horiuchi | |
| 5. Josie and the Pussycats - Chile Today, Hot Tamale Director: Joseph Barbera, William Hanna | |
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| 6. Fulfillment Director: Piers Haggard | |
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Reviews (3)
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| 7. Romance on the Orient Express Director: Lawrence Gordon Clark | |
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Reviews (4)
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| 8. Poison Ivy Director: Katt Shea | |
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Reviews (33)
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| 9. Satan's School for Girls Director: David Lowell Rich | |
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(price subject to change: see help) Asin: 6302989949 Catlog: Video Sales Rank: 68166 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
To my surprise, this psychological horror tale of manipulation and evil is actually quite good. The plot is nowhere near as simple as you might think early on, and the whole atmosphere of the school is deliciously creepy. There is even one moment capable of producing a little jump in those lucky enough to not already be inured to such tangible effects of horror movies. The future Cheryl Ladd doesn't get nearly enough screen time, but Kate Jackson plays her part exceedingly well. The ending is something of a disappointment, I must admit, but the drama leading up to it is more than satisfying enough to leave me with a pretty high opinion of this film. If I'm not mistaken, this was actually a made-for-TV movie, and as such it is exceptional indeed. Of course, you won't find any blood and gore here, but the Gothic aspect of the tale really doesn't rely on such overt means of communicating its wickedly evil message. Satan's School For Girls really beats the odds, serving up a creepy tale worth watching more than once.
The real reason to get this, obviously, is for its high camp value. Even though some of the actors are decent, the overall production makes the entire thing silly. You gotta love the girls in hysteria scenes (the one before the first "suicide" and the second after the rat class). The score is so over the top it could be used in a parody. I do remember seeing this on tv a lot in the 70's, late at night, but this is the second "Satan" film I have purchased and I still don't think I've found the one I'm really looking for. Does anyone remember one that also features a lot of teenage girls where the girls go out to some sort of altar and chant Satanic phrases? Maybe I'm just combining Yvonne DeCarlo's chanting in "Satan's Cheerleaders" with the girls in this film, but I don't think so.
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| 10. Permanent Midnight Director: David Veloz | |
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Amazon.com Reviews (25)
Another thing that really bothered me was the relationship between Kitty and Jerry. In the book, it was just so much better. It was like they were both big loser junkies trying to be big loser non-junkies together. I really hoped that everything would work out between them. But in the movie, I just really couldn't stand their relationship. I just kept thinking, "Jerry/Ben, get rid of her. She's stupid, and she just doesn't unerstand you and your pain. Forget her." Those two things take away 2 stars. So, ha. I just thought the world of Ben Stiller's acting job. I've always liked Ben Stiller, even though he's been in some really stupid stuff (Envy). I don't really know why, but I want to see every movie he's in because he's just so great. And this movie made me like him even more! He was just SO GOOD. He was so believeable. Oh, if only I could rate his performance alone. He would surely get a perfect rating. So, in conclusion, see the movie, THEN read the book. Unless you don't like reading, loser. Otherwise, if you read the book first, you'll be disappointed. And if you've already read the book, see the movie because Ben Stiller is terrific.
The movie is definitly a good one because it is very dark, and very real. Reviewers that bashed this movie are obviously clueless regarding drug use, drug users, and addiction. This movie is definitely disgusting and depressing because of its plausibility, and that's what makes it good. To have the perfect wife (Elizabeth Hurly), the perfect job, and still do anything and everything to get high demonstrates how the need overpowers someone's life. Permanent Midnight is "A Good Horrible Movie".
This movie doesn't have the tone right and nothing really works. It's not funny or sad just there. Ben Stiller looks a little like Jerry but can't really pull off this story. READ THE BOOK - it is a great book!
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| 11. Dancing With Danger Director: Stuart Cooper | |
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| 12. The Hasty Heart Director: Martin M. Speer | |
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Reviews (4)
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| 13. Now & Forever (1982) Director: Adrian Carr | |
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Reviews (1)
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| 14. A Dog of Flanders Director: Kevin Brodie | |
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Reviews (18)
This famous short story follows a hard-working Belgian boy Nello, whose ambition is to be a great painter, namely this case, Reubens. Through the boy is loved by his grandfather Daas and his girlfriend Aloise, and not least his Bouvier dog Patrasche, his life is not an easy one, bringing milk to the town every day with Patrasche pulling the cart. One day, he is "found" by a graet master of painting Michell (Jon Voight with a hevey accent), and Nello learns from the master that there is an annual contest for aspiring painters. But while he was trying to finish his work, a tragic accident happens to his life. The film makes great changes to the original short story (especially the ending), but how you respond to that liberty will depend on your judgement. The fact that the critical reaction was at best very luckwarm proves that adults viewers might find this one very ordinary and mundane, and probably the film deserves better treatment. Though the locations are perfect, the story looks too banal, and -- this is more important -- it doesn't know its audience. Parents might be uncomfortable to see a dog is beaten by a drunken guy, or most of all, the secret of Nello's parentage is revealed. In fact, Nello's mother comes back home in the opening blizzard scene with a baby Nello -- clearly an echo of "Oliver Twist" -- but some kids (under the age of 3-6) may find it hard to understand why she think she is "disgraced" (the film uses this word at the end). Strangely Victorian here, but anyway, not a big matter, though. As a whole, "A Dog of Flanders" is a satisfactry movie for older kids, and though it shows its hands too predictable way, the story itself is good, and it conveys surely its messages to kid's heart. The leading actors are in good form, and the dog is ... er ... very unique. so if you like dogs, you may be interested. And for adult viewers like me, it is a good thing to see Cheryl Ladd (ex-Chalie's Angels) again. [ABOUT THE DIFFERENT ENDING OF THE FILM: COULD BE A SPOILER ... MAYBE NOT] The Japanese version of this film has a different ending, which imdb doesn't seem to record. Japanese version doesn't have the last 5 minutes of the American counterpart, making the ending faithful to the original book. This is because this story is a vastly loved one in Japan owing to its very popular TV series made about 20 years ago, and every Japanese viewer knows its original ending. Producers, therefore, must have judged it unwise to "compromise" its ending as its new American version does. The actual difference is as follows: This is a minor thing, I know, but it is intersting to note this differnce between Japanese and American sensibility. And if you like this one, you may watch older version made in 1959. There is a Japanese animated version (2000) too, and this fact testifies to its popularity of this story. The original writer Ouida (a pen name for Louise De LaRamee, Bristish writer) herself loved dogs so much, and she is known for her life surrounded by dogs in Italy when she was old and impoverished. Check out the book too, if you like.
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| 15. Lisa Director: Gary Sherman | |
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| 16. Jekyll and Hyde Director: David Wickes | |
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| 17. Jekyll and Hyde Director: David Wickes | |
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| 18. Evil in the Deep Director: Virginia L. Stone | |
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| 19. Every Mother's Worst Fear Director: Bill L. Norton | |
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| 20. Grace Kelly: A Portrait of the Universally Loved Leading Lady Director: Anthony Page | |
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Description Reviews (2)
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