Reviews (67)

Wild Horses
The rural grazing life in the Snowy Mountains has hardly changed since Banjo Paterson traveled the high country and wrote his famous "Man from Snowy River" poem. His poetry is an authentic voice of a frontier society in which song and campfire recitation were much appreciated entertainment.

"And the Snowy River riders on the mountains make their home,
Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam,
But nowhere yet such horsemen have I seen."

Andrew Barton Paterson was born in New South Wales and was the son of a Scottish immigrant. Paterson was a poet, journalist, lawyer, jockey, soldier, farmer and one of the best-loved figures of Australian literature. His poem is the basis for this gorgeous movie about the treacherous terrain and bands of wild, stampeding horses. He also wrote Waltzing Matilda, which is lovingly woven into the soundtrack.

The Man from Snowy River Movie tells a more in depth story of a cattle baron Mr. Harrison (Jessica's father) who has had a long quarrel with his brother Spur. Kirk Douglas plays both roles. When one brother finds his fortune, the second goes searching for gold. This is a story based on a time when families tended their sheep and cattle. Ghost towns from the gold rush still haunt the landscape.

Set against the untamed Australian Outback, a love story unfolds between Jessica Harrison ( Sigrid Thornton) and Jim Craig (Tom Burlinson). Jim seems to have a way with horses and Jessica is a bit of a brash filly herself.

She has her own ideas regarding a woman's choices in life and choosing the path she will take in her own career. She defies her father and runs off to find Jim. Her anger towards Jim over a horse riding accident is like a summer storm that quickly disappears once she experiences the excitement of forbidden love.

Her father, Mr. Harrison, has not yet learned that there is a beautiful place inside each person where we are either nurtured or destroyed. He seems emotionally destructive and Jessica rebels because he won't let her follow any of her dreams. He seeks to trap her in his own wishes and thinks she should settle down into a domestic lifestyle.

Jim and Jessica are soul mates with hearts as wild as the horses running free through the snow. While at first they fight their mutual attraction, Jessica seems clearer in her thinking after she almost dies and realizes there are just some things in life worth fighting for.

Equestrian Heaven with an impressive conclusion! You must see this movie once in your life if you love horses. The wide-screen edition is highly recommended!

What's Not To Like...??
"NEVER CRY WOLF"..."FLIGHT OF THE PHOENIX"..."THE ENLGLISH PATIENT"...

...all, cinematic and character delights - as you will find "THE MAN FROM SNOWY RIVER"...

Technically a "10", this Aussie (and World) classic, may leave you none-the-less breathless. George Miller's direction, Cull Cullen's script (enhanced by John Dixon and David Bradshaw's, "A.B. 'Banjo' Paterson", whose original poem is the essense of the film), Keith Wagstaff's absolutely stunning cinematography and Bruce Rowland's original and heart-tugging music (particularly, the piano solo, "Jessica's Theme") may bring tears to your eyes with this simple, Down-Under western plot -- but it took a world-class editor like Adrian Carr to put this gorgeous film into the top ranks of movie-watchers the globe over. Carr's timing of Wagstaff's photography and Rowland's music is the stuff legends are made of...just, dare I say it, "Professional Grade"(!)
It didn't hurt to have a made-to-order cast. Burlinson is quietly, and wonderfully, cast as the young male hero, "Jim Craig." Kirk Douglas hasn't played a better role - and, as a double. Terence Donovan played the quietly strong, short-lived role as Burlinson's father, "Henry." Sigrid Thornton was exemplary and believable as Tom's love interest, "Jessica" (the woman is beautiful) and the venerable Jack Thompson was magnificent as "Clancy" - the range-wise, "horse-magician" glue that holds the whole film together.
The subtle British humour Americans are so used to is sometimes raucous in the film - more the better from Chris Haywood's
"Curly" (..."Ah'm studyin' to be Supavisa!").
If you can't get an empathetic rise and a teardrop over the cornea through this wonderfully crafted epic, then pop-a-top from a 12 oz. curl of your favorite brew, pull back the handle on your Lazy-Boy and turn on the Wrestling Channel...you dolt.

Filmed in 1982, it's still a true classic 22 years later.

~Bob Shank Jr

Technical Support Engineer
IT UNIX Help Desk
Engineering Computing
Raytheon Missile Systems Co.
Tucson By-God Arizona (...and, yes, we still have true 'horsemen' here - they just blacksmith Tomahawk missiles in their spare time)

Great movie, with beautiful music and scenery!!
I was only nine years old when this movie came out, and I have loved it ever since I first saw it in the theater. I am a horse lover and rider myself, and so I'm sure that's a big part of why this movie is one of my favorites, but I think even people who have never even been around horses can appreciate it. The acting is excellent, and the scenes with the horses galloping across the gorgeous Australian countryside, are wonderful. One of my favorite things about it is the music. The music is some of the most beautiful I've ever heard. The soundtrack is definitely one of the highlights of the film. And of course, I can't forget one of the most incredible scenes I've ever seen in any horse movie, which is where Tom Burlinson gallops his horse down an unbelievably steep mountainside. My family and I have always wondered if this was actually done by a stunt rider, or if it involved trick photography. Either way, it is a very impressive scene, and will leave you in complete awe. This will always be on my list of all-time favorite films, and I would recommend it to anyone who is a fan of the Western-type genre, or anyone who loves horses.

My All-time Favorite
I first saw The Man From Snowy River when I was 8 years old and now that I'm 23, it's still my most favorite movie. I've probably watched it close to a thousand times by now, with every line memorized. There is not a single thing about this movie that's not amazingly beautiful, and the sequel is just as good--if not better, then the first! I would absolutely recommend this movie to anyone looking for some good, wholesome entertainment!

Twenty years later, this movie is still an Aussie classic
I remember seeing this with my girlfriends in the theatre, and then buying my first vcr so I could watch this film everyday. The cinematography is gorgeous. The music is haunting and beautiful. Tom Burlinson and Sigrid Thornton make a great romantic team, and Jack Thompson is wonderful as Clancy. All of the actors fit their roles except for Kirk Douglas. It really shows that a "big name star" had to be used to get this picture made. Kirk Douglas insisted on re-writing many of his lines, and refused to step off his horse with the entire cast at the end of the movie in homage to The Man From Snowy River. The entire end scene had to be re-written. Little wonder that Brian Dennehey was cast in the role in the sequel. Enjoy both the original and the sequel. And be sure to get the soundtracks. Bruce Rowland created two of the best movie scores you will ever hear. ... Read more

Reviews (20)

Good for the kids...
I saw this movie as a child and still remembered many scenes...although I didn't remember that most of the movie is dubbed for English...even many of the scenes with Kirk Douglas... The DVD audio wasn't very good...but not hearing any other version (either VHS or broadcast) I don't really have anything to compare it to. Perhaps they're bad on other media types too, or I guess that with DVD's we've just come to expect too much...;)... The kids enjoyed the story very much. Nothing really objectionable.

Kirk Douglas as Ulysses in an impressive failure from Italy
"Ulysses" is an impressive failure, an admirable attempt to bring Homer's epic "The Odyssey" to the big screen that ultimately fails to click. Kirk Douglas plays "Ulysses" (the Latin version of Odysseus, which makes sense since this was an Italian film directed by Mario Camerini and produced by Dino De Laurentis and Carlo Ponti. The story in the film actually begins with the end of the Trojan War and Ulysses' strategem of the Trojan Horse. After sacking the city Ulysses and his men head for home, but the next thing we now our hero is washed up on the shore of an island suffering from amnesia. With the help of a beautiful young princess (Rossana Podesta), he eventually remembers everything that happened to him and his men during the past several years and that he has a wife waiting for him back home. Of course, she is trying to put off all those suitors who insist her husband is dead and that she should remarry. The best idea in this film was having actress Silvana Mangano play both Penelope, Ulysses' wife, and Circe, the sorceress who keeps our hero for several years on his magical isle. However, the English dubbing of the film is painfully reminiscent of a SNL gladiator film sketch and the script, worked on by seven writers including Irwin Shaw and Ben Hecht, is too obviously a cut and paste job. Anthony Quinn is wasted in this 1954 film as Antinous, which will remind you more of those Italian he-man movies than a Hollywood epic. The set designs are quite impressive and the sequence with the Cyclops has some good moments, but overall "Ulysses" just lacks fire.

This is a question not a review
Almost half of world population speak Spanish. Why do not you edit this clasic movie with subtitles (at least) in Spanish?

Fun flick...I wish someone would dig up the original 3-D
Not many people know that ULYSSES was shot in 3-D, but it only released in flat 2-D form as the craze was over by the time the film was completed. I wish someone would try to locate the original 3-D elements so we could see this film as intended!

More of a satire then anything else.
What can I say. This was made by the same film company that made all those low budget Hercules movies. Kirk Douglas is somewhat amusing in the part but the cheesy effects and art direction will make you turn the movie off in five minutes. ... Read more

Reviews (60)

Great Fifties Vikings Tale!
Ah, a personal wish fulfilled is the re-issuing of this film onto the DVD format. Although I have long had the older VHS version of this classic fifties romantic sword and sorcery trendsetter, I was recently amused to find it now listed in the DVD catalogue. Odin be praised! This was a formative film in my childhood, a monstrously popular box office hit that had all of us pre-adolescents entertaining ourselves for months clashing in back yards using make-shift stick swords and purloined garbage-can covers for shields as we fought out our own imagined action sequences. Indeed, everything about this film is attractive and appealing; the wonderfully photographed sequences along the fjords, the jaunty and majestic music, and the quite authentic long ships and settings.

The cast adds to the fun with a star-packed line-up. Kirk Douglas looks appropriately Nordic (neat trick for the son of Russian Jewish immigrants), and more than acts out the part of the Viking prince, Einar, the eldest son and heir to the barbarian legacy of his outrageously roguish father, Ragnar, played masterfully by a full-bearded Ernest Borgnine. Tony Curtis adds a little blue-eyed soul to the cast as the star-crossed illegitimate heir to the English throne, and the quite lovely Janet Leigh (who at the time was Mrs. Tony Curtis) is the prized after English princess both the male principals have the urge to merge with. The scenes inside the Viking lodges are hilarious; the sequences in which a drunken Douglas has to successfully cut off a lover's braids from twenty yards with a battle axe without decapitating the lady in question to prove she wasn't unfaithful is spell-binding to experience. Terrific vicarious excitement for all of us overgrown kids in the audience.

The bottom line is that although none of it makes a whole lot of sense, just remember; we're talking serious action-adventure here! It is deliciously exciting fun and gives full disclosure of all the rowdy Viking boys having a rousing good time raiding, raping and pillaging, robbing and sinking other ships and finally storming a castle. And we find ourselves going along for the ride. Why not? The cinematography is superb, as is the musical score. Although not terribly accurate historically, the film does give us an intriguing look at primitive lifestyles in terms of different cultures cohabiting not so peacefully in the north Atlantic long ago, circa the fourteenth century or so. It is a great way to spend a couple of hours being entertained by some real Hollywood masters of the genre. Enjoy!

Great action/adventure with Douglas and Curtis
The Vikings is a great historical epic that is just a lot of fun to watch. Viking chief, Ragnar, leads a raid on the British coast and rapes an English woman who births a child, Eric. However, upon his birth Eric is sent away and captured by Vikings where he is brought up as a slave. Flash to 30 years later, with Eric all grown up. After a brief battle with his unknowing half-brother, Einar, the hatred between the two begins to grow. Along the way, the Vikings kidnap the princess of Wales, Morgana, whom both of the men fall in love with. Eric and Einar must fight it out not only for the love of the beautiful Morgana, but must also worry about their attack on the English king, Aella, to avenge the death of Ragnar, the father of both warriors. This movie has a plot that drifts along, but the whole thing is fun to watch. The cast does great, the action scenes are spectacular, especially the Viking attack on the english castle), and the cinematography is beautiful. As well, the Vikings theme by Mario Nascimbene is perfect for the movie with its horns and trumpets. This is a great movie full of action and adventure that should not be missed.

Kirk Douglas gives an excellent performance as the ultimate Viking warrior, Einar. With his blond hair and scarred face complete with milky left eye, Douglas looks and acts like a Viking would have. Tony Curtis is also very good as Viking slave, Eric, who unbeknownst to him is Einar's half-brother. The beautiful Janet Leigh plays Morgana, the woman who is loved by two men who despise each other. Ernest Borgnine is great as Viking chief, Ragnar, the loud, boisterous father of Eric and Einar. While watching the movie, it looks like the cast had a lot of fun making the film. The Vikings also stars James Donald as Egbert, Alexander Know as Father Godwin, Frank Thring as Aella, Eileen Way as Kitala, and Edric Connor as Sandpiper. The DVD offers the widescreen presentation, making of featurette/photo gallery with director Richard Fleischer, and a theatrical trailer. Filmed mostly in the fjiords of Norway, the movie looks great, especially in the letterbox format. For a great action adventure with Kirk Douglas and Tony Curtis, don't miss The Vikings!

Blimey! It's the Vikings!
As many reviewers have observed, the best reaction to this movie is to sit back and enjoy it. Douglas and Borgnine are just great as comic-strip Vikings. Why Tony Curtis, perfect as "the cookie full of arsenic" in The Sweet Smell of Success, was ever thought suitable to play a slave-boy in sword epics like this and Spartacus, completely beats me. Janet Leigh, perfect in Psycho, is a little too 20th century for all this more general kind of blood and guts, but everything else is terrific, and most of it is almost authentic. A lot of the dialogue is superb: "I'm a lady, and I just won't row a boat to save my life". I can't remember the exact words. The scene where the wimpy Anglo-Saxon peasants vamoose the fields, crying "It's the Vikings, It's the Vikings" has remained memorable for 45 years. The DVD quality is excellent.

"Odin! Odin! Bring the wind and turn the tide!"
I remember as a small child watching this magnificent epic adventure on the big screen at Rockefeller Center in New York, in 1958. The music in this film is truly magnificent and effectively reinforces the audience's emotional reactions to dramatic scenes. Three musical high points are particularly potent. First, when a Viking utilizes a mammoth tusk as a horn to welcome returning warriors; next: when a Valkarie's voice heralds the coming of the North Wind to save an important character; and finally, when an unseen choir sings the triumphant welcome of another important character into heavenly Valhalla.

UNDERWHELMING ACTION - NICE LOOKING TRANSFER!
For some reason "The Vikings" is fondly remembered as one of the bloodiest films in cinema history - certainly from the 1950s. That's odd, because aside from Kirk Douglas getting his eye pecked out by a hawk (which is rather violently depicted) there are no other moments of extreme bloodshed in this film. Yes, there are epic battles, but these are all shot through the glamor and gauze of pre-Braveheart euphoria for guts and gruesome carnage. Douglas stars as Einar, an "I'm too sexy for my breast-plate" pin-up of a viking, whose way with the ladies is forever shattered when his face is deliberately disfigured by Eric's (Tony Curtis)pet bird. This attack stirs up a life-long hatred that is strengthened by both men's love of the princess (Janet Leigh). You would think with Norsman and kidnapped royalty the plot would be rather vibrant but actually its dull and uninspiring from this point onward.
TRANSFER: MGM gives us a handsome looking transfer. Colors are rich and vibrant. The travelogue footage of the Fiords is surrealisticly gorgeous. Black levels are solid. Contrast levels are bang on. Only occasionally does the original negative betray the vintage of the film. Age related artifacts are kept to a bare minimum. There is no edge enhancement, pixelization or shimmering of fine details in this presentation. The audio is MONO (I thought all Cinemascope films were stereophonic?!?)and somewhat of a disappointment. The audio is generally balanced though there are occasions where it seems muffled and lacking in treble tone.
EXTRAS: A featurette with the director, Richard Fleischer that is remarkably useful and engaging - if all too short.
BOTTOM LINE: It's not a great film but it is a fairly wonderful looking transfer. And hey, any film with Kirk Douglas is never all bad! ... Read more

Reviews (107)

A Cry for Freedom
Even though the story of SPARTACUS takes place in ancient Rome, the film itself is a profoundly contemporary work of the time that it was made; the eve of the Civil Rights movement in the US, and at the end of the HUAC witch hunt in Hollywood.

The chief engineer of this project is producer Kirk Douglas who portrayed the salve hero, but the wisdom behind all that is screenwriter Dalton Trumbo, black-listed in Hollywood, worked under various pseudonyms during the fifties for films such as ROMAN HOLIDAY, here properly restored to his rightful position of one of the best screenwriter in the business, with his own name credited on screen. The original novel is also written by another black-listed writer, Howard Fast, who claims that the idea of writing a film about the slave revolt came into his mind during the time that he spent in prison.

So the message that its story carries is unviersal, and even contemporary: man's struggle for freedom, striving for human equality, the solidarity of all that are oppressed disregarding their creed, birth and color of skin--the gladiator whose death triggers Spartacus' revolt is portrayed by Woody Strode, afro-american actor and a regular of John Ford's movies. The film embraces humanity, freedom to chose the way he wants to live, the freedom to trust one's friend, even the freedom of sexuality --Spartucus and his lover Varinia are never legally married, but she gives birth to his son--, and the freedom and passion to sacrifice oneself for the sake of his pears and the great cause of human freedom.

One the other hand, the film strongly accusse the corruption of power, the decadence of those who have power, and the rise of fascism. Democratic politician Charles Laughton, with all the virtues and vices that a regular politician has, taken over and eventually eliminated by seemingly much "cleaner" military leader Laurence Olivier. Needless to say, the clashes performed by those two great actors is a great excitment to watch.

Kirk Douglas gives one of his most convincing performances as the revolutionary leader of slaves, Jean Simmons plays his innocent, healthy and strong partner with a healthy sensuality, and Tony Curtis gives credibility to Spartacus' surrogate son who represents culture and education; they are not barbaric slaves, they can be as cultured as their masters are, and even better because they are true, honest humans as opposed to the corrupted masters whose wealth and culture are based on oppression of other humans.

To simply put, SPARTACUS is a fine example of how a good entertaining movie can carry a powerful message; when it truly suceeds, it'a great joy to watch.

This fully packed DVD is a re-issue of Criterion's celebrated LaserDisc edition. Added to a interesting commentary track by the filmmakers including Douglas and Peter Ustinov who won an oscar for his performance, there is another track on which Dulton Trumbo's notes to the rough cut of the film is read--a great lesson to all those who wants to learn how to write a film. Othe supplements includes a hillarious interview with Peter Ustinov, a lot of scketches and stills, and more. It's a great DVD. Please enjoy it as many times as you want.

note: the superb package design is a reproduction of the original poser art created by Saul Bass. The poster is also among the suplements of this DVD.

Strong story, weak depth, but epic & entertaining
Based on the novel by Howard Fast, Spartacus recounts the life of a slave turned gladiator turned freedom fighter. The story of Spartacus begins with him as a free spirited Thracian slave in 70BC. Spartacus is trained in a gladiator school, where he meets and falls in love with the slave girl Varinia. He then leads the other gladiators in revolt, and assembles a huge army of thousands of slaves to challenge the might of Rome. The ending is tragic, but not without hope. Spartacus was in fact a historical figure and the movie's story of his squashed rebellion against Rome - including the crucifixion of 6000 survivors - is largely rooted in truth.

The movie can best be described as epic. On a grand scale, the Roman empire is brought to life, with its corrupt aristocracy and its simple lower class. The epic battle scene which forms the climax of the movie features 1000s of extras, and although it is sometimes hard to tell who is on which side, the effect is magnificent and grandiose. Despite the action scenes, the movie is surprisingly introspective at times. Unlike modern efforts such as Gladiator, Spartacus is not an action movie as such, and fans of contemporary action movies not surprisingly find it disappointing. Spartacus' struggles are just as much emotional as they are physical. But to me this is a strength and not a weakness: the shortcoming of most modern action movies is not present here because the characterization is superb.

Even though the movie is not gory (although it is bloody at times), the adult themes make it unsuitable for children. For instance, successful gladiators are given women to have their way with them. And on numerous occasions, although nudity is not shown it is strongly implied and barely concealed. The implication of bisexuality (in a scene not present in the original) and promiscuity is also strongly evident as part of the corruption in Rome. But it also touches Spartacus. In a rather daring move for the 1960s, Spartacus and his woman Varinia conceive a child out of wedlock, which is presented as natural and good. Spartacus' fight for freedom apparently includes sexual freedom. Its hardly surprising that these two fall in love in a rather sappy love-at-first-sight Hollywood romance, where they don't even know each other as yet. Ultimately it is not only Rome that chases gold, girls and glory without morals, but Spartacus himself is not really much different.

But it is not only the moral ambivalence of this movie that disturbs me, but also its underlying political themes. How is Rome presented? As totally corrupt, with no redeeming qualities. "If a criminal has what you want, you do business with him." How are the slaves presented? As noble and good. "We're brothers." The army of slaves proceeds in a carnival like atmosphere, and the producers present lots of images of joyful children and exuberant elderly as part of their number, to arouse sympathy for their cause. But isn't this rather a cliché? It is, but that's the whole point. Aristocratic Rome is presented as evil, and the oppressed lower class need to be liberated from her corrupt rule. The rich are all evil, the poor are all good. Sounds familiar? It's a defence of the brotherhood of communism. Ultimately the movie endorses peasant revolt as a legitimate option, and advocates rebelling against authority. Rather than rendering to Caesar what is Caesars, it encourages open rebellion, in order to usher in a new political system of brotherhood and freedom from repression. Sound too far-fetched? Here's the clincher: Howard Fast, author of the novel on which this movie was based, was a devout and committed member of the Communist Party of the USA, and for many years his works were black-listed. The story of Spartacus may be rooted in history, but Howard Fast has reinterpreted it as a defence of his own political communist ideals. Rome represents Western Capitalism, and the slaves represent the oppressed peasant proletariat. Spartacus' defence of liberty, equality and fraternity is in fact anachronistic.

So sure this is an epic movie. At the time of its production in 1960, Spartacus was the most expensive movie ever made. With a cast of star actors, especially the compelling performances of Kirk Douglas as Spartacus, Laurence Olivier as Crassus (the influential Roman senator), Peter Ustinov as Batiatius (the bumbling and greedy owner of a gladiator school), and Charles Laughton as Gracchus (the corrupt and scheming Roman senator), it's no wonder it won four academy awards. But the fact that Spartacus is an epic movie does not disguise the fact that it is not deep. Any deeper themes that the movie does have to offer are communist and hedonistic, and this ideology mars the story. This may be a movie that rivals the grandeur and scale of Ben Hur, but thematically, it doesn't come close.

Even so, it's still worth a look. Even if one cannot share the cause of Sparticus and political ambitions it embodies, one has to admire the spirit in which Spartacus fights for his cause: it is a losing battle, and yet with dignity and fervour he fights for what he believes is right - a quality to be coveted. And it's ironic that if you can overlook the weaknesses of its depth, the strength of this movie lies in its superficial story. It has comedy, tragedy, triumph, romance, action, intrigue, and an epic scale. As entertainment, it's an enduring epic that still can be enjoyed today.

3 Stars For 3 Outstanding Performances...
Kubrick replaced Tony Mann on directing duties for this brave, but lumbering costume epic which is ultimately propped up by three beautiful performances. Peter Ustinov(won the Academy Award for Best Supporting Actor for his work here), Charles Laughton(should have been similarly nominated)& Laurence Olivier all do incredible work under the guidance of a very young Kubrick & all deliver what comes very close to their best work. Their presence is notable chiefly for the fact that without them, SPARTACUS would never have been the extraordinary spectacle it surely is. Kirk Douglas gives a brooding(& lifeless)performance in the title role, ultimately undermining any sequence not containing the three aforementioned thespians. Jean Simmons, as the love interest, is similarly uninteresting & while undeniably beautiful, fails to evoke for the viewer the love & devotion she receives from Douglas & ultimately Olivier. Pre CGI, it comes armed with some beautifully choreographed & violent battle sequences, but for those looking for an earlier version of Ridley Scott's GLADIATOR, this one may come off a little old-fashioned. It is worth noting(& you'll learn this from the wonderfully insightful 1992 Ustinov interview[his impersonation of Laughton is a riot]contained in the bonus material)that Ustinov rewrote all the scenes he plays with Laughton. It should come as no surprise to the discerning viewer, they are easily the best moments in the film.....

Divine Right of Kings
Sparticus represented more than a gladiator-slave uprising. Sparticus represented the Italian's people dissatisfaction with the Roman Senate and the general corruption and impotence within the Senate.

Citizens once had a voice with the Senate and the Senate listened keeping the republic free. Now, the Senate caved to the demands of the dictators and military commanders and installed for the first time an Emperor giving him six legends too suppress the slave uprising.

In the end the slave and citizen uprising could not resist the Roman legions. Many of the people joining Sparticus were discontent citizens of Rome and individuals from countries that did not like Rome. Originally, the republic which was composed of strong free men. The military started the slow strangulation of the republic by replacing it with an empire. Julius Caesar was introduced as the shadow of the wings of power. Crassus was depicted as the total dictator who put oppressive demands on Rome and the Senate as the body that had lost its power. The Senate historically would have debated the issues and objected to outrageous demands. Instead, the Senate allowed the Emperor to rule Rome and the Emperor established the laws and source of the law and executed the law. The Emperor had power too repeal old laws and establish new laws, in place of the old ones. The punishments for violation of the law could be death and probably a Roman death on the cross demonstrating the Emperors absolute power. The Citizen did what they were told and they did not act without permission. Secret police reported any activity that could bring punishment on the citizen. The laws were supposedly designed to bring security. As the Emperor distrusted and feared the people this only accelerated the downfall of Rome.

The notion of divine right of kings was established. Taxes imposed on the people support the huge military appetite generated as Rome conquered many European countries. The government would become an autocracy and the Emperor the supreme commander.

Sparticus hoped to flee Rome, negotiated with pirates too build ships using gold taken during conquests that would take them from the tip of Italy away to a promise land. Instead, the pirates betrayed Sparticus and did not build the ships allowing the Roman legends to trap Sparticus from the South pushing him towards Rome and forcing a confrontation in the fields close to Rome.

Sparticus was defeated, his men cruxified along the way to Rome, when captured his men coined the phrase "I am Sparticus" when asked who was Sparticus. Sparticus wife would become a member of Crassus Heirloom yet the Senator would arrange for her escape and continue with his own suicide and Sparticus son would remain free.

Good movie, bad transfer
It should be noted that the reviews on this page refer to two different versions of the Spartacus DVD. This review refers to the Universal single disc edition, not the Criterion two-disc release.

While both versions of the film are the same, this version is devastated by a bad transer: both sound and picture quality are seriously lacking - even as far as a blue edge to blacks, including the widescreen matting, and blue fades in parts of the film. The sound is poorly balanced - voices are too quiet, music too loud. I was contantly turning the volume up and down throughout. So much for "fully restored."

If you are interested in quality and really like this movie I would skip this version and go for the Criterion release, which many other people own and have approved. ... Read more

Reviews (6)

Not Quite As Good As Cocoon
TOUGH GUYS is a movie about two aging train robbers who are released from prison after serving long terms. They have trouble adjusting to life on the outside and decide to once again try to rob a train. Burt Lancaster and Kirk Douglas have the starring roles as Harry Doyle and Archie Long. The supporting cast includes Charles Durning, Alexis Smith, Dana Carvey, Eli Wallach and Darlanne Fluegel.

The plot is predictable and unimaginative. The acting, however, is strong in spite of the weak material and the film is very enjoyable in spots.

Watch it if it comes on TNT.
This movie is hilarious because it is now 2004. I watched it the other day and really enjoyed. However, I would never buy it. If it comes on TV in the next ten years, I'll be content. I will say that the scene in the ice cream store is incredibly funny. That kid has some great lines.

ONE OF A KIND MOVIE
This movie is very unique. It is the only movie that I can think of that sticks two of the greats from the golden age of film into a modern day comedy. Just to sit and watch these two act in this type of genre is terrific. What happened to this style of acting?
All and all a brilliant comedy.
Would love to see a DvD release.

A triumph for the "geriatric set"
A cast of old pros (Burt Lancaster, Kirk Douglas, Alexis Smith, Charles Durning, and a flat-out hilarious Eli Wallach) shine in a comic tale of nonconformity and criminal "readjustment".

As recently released cons trying to adjust to freedom, Lancaster and Douglas are in fine form. One really has compassion for all the amusing stumbling blocks that they, like many "elders", must endure. Smith, as the love interest of Lancaster, displays a beauty and elegance that can only be acquired by age. She possesses a stunning smile and gaze. Durning, as the police detective that captured the duo thirty years earlier, is relentless in his quest to prove that these "old dogs" haven't changed their spots.

Wallach, as the other reviewer has stated, is memorable as a bespeckled hit man with an agenda.

This may not rank along with other Lancaster-Douglas pairings like "Seven Days in May" or "The Gunfight at the O.K. Corral, but it does offer a last opportunity to see "originals" display their craft.

Reason Enuff to Stay on The Straight and Narrow....
...the way these two old cons are treated by the rest of society when they get out is criminal. Folks barking orders at you like you can't understand, the nursing home becomes more prison like than prison itself. And the new styles and fashion? Way too much lame (La-may). It's no wonder a pair of ol' tommygun criminals don't mind risking it all to take the train that they heisted years back again. After the thrill of seeing this pair of classic con actors reunited then the story is maintained by their delightful chemistry, the supporting cast--Eli Wallach, Dana Carvey and Charles Durning--and the fact that you start rooting for these thugs because you think, 'Hey, I ain't exactly a teenager, anymore, and what they're saying and doing makes a lot of sense.' It is an enjoyable flick in the vein of Grumpy Old Men. ... Read more

Reviews (5)

Enjoyable, but hardly historically correct
"Heroes of Telemark" is an enjoyable sixties Hollywood war movie. But view it for entertainment (and Kirk Douglas), not as a history lesson. For that - and indeed for a filmatically better movie! - try instead "La bataille de l'eau lourde" (Jean Dreville / Titus Vibe-Müller, 1947). It's more accurate, more dramatic, has better photography - and even have some of the original saboteurs playing themselves.

Spartacus takes on the Nazis in Norway
Based on a true story. Norwegian resistance fighters sabotage the Nazi German effort to produce heavy water for German atomic research during World War Two. Breathtaking snowy Norwegian locations serve as a beautiful backdrop for the plot. Kirk Douglas superbly plays the role of a Norwegian physics professor who, though originally content to wait out the war, is soon pulled heart and soul into the struggle. Though somewhat toned down from the book of the same name (The Germans were much nastier in the printed version), the spirit of the conflict is accurately portrayed without the superhuman fiction that is found in other war movies of the 1960's. As a bit of trivia, Kirk Douglas accepted a starring role in this movie as a favor to Director Anthony Mann. Anthony Mann was the original director for SPARTACUS before he was replaced by Stanley Kubrick.

Awsome
This is a really good movie. Kirk palys the role as a NOrwegian really well.

I liked it.

More or Less How it Happened.
The movie follows the account of when how and why the heavy water shipment was sunk into the fjord, at least for the most part. The reality was even more grim, since few were saved off the ferry sinking. But, for Hollywood, the story is pretty well told, and the scenery is great.

Heroes of Telemark
Although a certain amount of the movie is gratuitously taken up by Kirk Douglas' love life, the story is not only a true one but the filming was done at some of the exact same locations--to include the heavy water factory. Several books and articles have been written on the actual events which were the stuff of legend. ... Read more

Reviews (186)

Love the Movie!!! Newer DVD is acceptable quality ...
I have always liked this movie. Sure, the story never reaches its purported climax, but there's a lot of fun getting there ...

Let me address the DVD issue right off: I have (apparently) a remastered version, widescreen, with chapter selection and promotional trailer included. The quality of this DVD is pretty good. I can't remember the exact cinematography but it seems like this is how the movie always appeared. Not top-notch but acceptable. The trailer is not as well preserved but is OK.

(I noticed this on the Rambo: First Blood Part II DVD I just bought ... on that DVD, the trailer is so-so, however the picture on that movie is crisp and very well preserved).

OK, back to the movie. A freak storm catches the USS Nimitz aircraft carrier and transports her and her crew back to December 6, 1941 just off the coast of Pearl Harbor, Hawaii. The BIG question: Ignore or Intercept the Japanese Navy when it attacks on December 7? ... if you haven't seen the movie, I won't spoil it for you here.

There are top-named actors like Martin Sheen, Kirk Douglas, James Farentino, Katharine Ross and Charles Durning. And there are a few real carrier personnel who weren't professional actors, obviously. But they got to be in the movie and who could blame them? Most people who like this film enjoy the time-travel, naval-combat aspect of it and overlook the occasional potholes in the storyline. Hey, just have fun!

There are some great launch sequences of Naval fighter aircraft, recon birds, tankers and helicopters. And the inflight sequences are pretty good too. You get to see F-14 Tomcats, A-7 Corsairs, A-6 Intruders, EA-6B Prowlers, E-2C Haweyes, SH-53 Sikorsky's and more. Plus the carrier crew equip the aircraft with the Mach 4+ AIM-54A Phoenix missiles, AIM-9 Sidwinders and AIM-7 Sparrows for air combat. Great stuff!

Overall the quality of the DVD movie is fairly decent and played well on my 55" big screen and my 27" small screen TV's. If you haven't seen the film, it's similar to "The Philadelphia Experiment" with Michael Pare and Nancy Allen. Enjoy!!

Love the Movie ... Newer DVD is acceptable quality ...
I have always liked this movie. Sure, the story never reaches its purported climax, but there's a lot of fun getting there ...

Let me address the DVD issue right off: I have (apparently) a remastered version, widescreen, with chapter selection and promotional trailer included. The quality of this DVD is pretty good. I can't remember the exact cinematography but it seems like this is how the movie always appeared. Not top-notch but acceptable. The trailer is not as well preserved but is OK.

(I noticed this on the Rambo: First Blood Part II DVD I just bought ... on that DVD, the trailer is so-so, however the picture on that movie is crisp and very well preserved).

OK, back to the movie. A freak storm catches the USS Nimitz aircraft carrier and transports her and her crew back to December 6, 1941 just off the coast of Pearl Harbor, Hawaii. The BIG question: Ignore or Intercept the Japanese Navy when it attacks on December 7? ... if you haven't seen the movie, I won't spoil it for you here.

There are top-named actors like Martin Sheen, Kirk Douglas, James Farentino, Katharine Ross and Charles Durning. And there are a few real carrier personnel who weren't professional actors, obviously. But they got to be in the movie and who could blame them? Most people who like this film enjoy the time-travel, naval-combat aspect of it and overlook the occasional potholes in the storyline. Hey, just have fun!

There are some great launch sequences of Naval fighter aircraft, recon birds, tankers and helicopters. And the inflight sequences are pretty good too. You get to see F-14 Tomcats, A-7 Corsairs, A-6 Intruders, EA-6B Prowlers, E-2C Hawkeyes, SH-53 Sikorsky's and more. Plus the carrier crew equip the aircraft with the Mach 4+ AIM-54A Phoenix missiles, AIM-9 Sidwinders and AIM-7 Sparrows for air combat. Great stuff!

Overall the quality of the DVD movie is fairly decent and played well on my 55" big screen and my 27" small screen TV's. If you haven't seen the film, it's similar to "The Philadelphia Experiment" with Michael Pare and Nancy Allen. Enjoy!!

No, not the album by "Europe"
I first saw this on ABC as a kid, and loved it. Seeing it again now, at 31, I don't find it nearly as interesting but still think it's a fine film. Check out how much young Martin Sheen looks like Charlie Sheen! Watch James Farentino, the TV version of Roy Scheider! And don't miss the surprise ending!

Cinematic experience that will stand its ground...
The USS Nimitz, a nuclear aircraft carrier, is on a routine assignment when the civilian systems specialist Warren Lasky (Martin Sheen) is flown to the aircraft carrier. Lasky's job is to evaluate the efficiency of the commander and crew as he should make recommendations in regards to what changes can be done to save tax dollars. Soon after Lasky's arrival Captain Matthew Yelland (Kirk Douglas) is put in a difficult position as the USS Nimitz is pulled into an outlandish electrical storm that relocates the warship in time. Captain Yelland is unsure about what truly has happened, but when they discover that they are in between the Japanese Naval Force that is about to strike at Pearl Harbor on December 6, 1941 they realize they might have a chance to undo history. Final Countdown is an interesting science fiction film that offers some room for thinking, yet it is entertaining as it displays the incredible event of time traveling. An appealing idea together with entertainment, Final Countdown offers a decent cinematic experience, which will stand its ground.

Excellent. Aviation fans take note...
Since so many reviews are already posted, I'll keep this brief. It's nice to see this film get such an excellent DVD release. This movie is great and has aged quite well. The premise of the Nimitz being thrown back into time and given the opportunity to change the course of world history is an intriuging one even today. The Final Countdown boasts some ofthe best aircraft footage ever caught on film, hollywood or documentary. The scene between the Jolly Rogers F-14's and the 2 Japanese Zero fighters is a timeless classic.

The sound is excellent, the transfer is quite good, and the 2 disc set includes very special bonuses for fans of the F-14, or aviation in general. And the bonus disc interviews the Jolly Rogers squadron that flew in the film, worth it if you are an avaiation fan. If not, you might still enjoy it anyways, as they certainly have an entertaining story about one of the cast members! ... Read more

Amazon.com

Shelved for more than a year and released as an un-holiday-like afterthought at Christmas 1970, this sardonic comedy-cum-Western-cum-prison movie immediately dropped off the radar and has scarcely been heard of since. We can understand that. By their own admission, hotshot screenwriters David Newman and Robert Benton (just off Bonnie and Clyde) and veteran director Joe Mankiewicz (more typically associated with the likes of All About Eve) never found the right focus for their mix of sociopolitical satire, frontier bawdiness, and brutal Western action. Still, the very unevenness makes for fascinating tensions, and the myriad insights and moods created by a cast comprising Kirk Douglas, Henry Fonda, Hume Cronyn, John Randolph, Warren Oates, and Burgess Meredith more than repay a visit.

Douglas plays one of those charming bastards at which he excelled--here, Paris Pittman Jr., a bandit capable of seducing virtually anyone into doing his will. Pittman has a fortune in gold stashed somewhere. Inconveniently, he himself has been stashed in the territorial penitentiary in the middle of the desert, so he begins conniving to escape. This means betraying everyone in range, including the liberal-minded warden (Fonda) who's determined to redeem him. The stellar adversaries are ideally cast, with Fonda cannily subverting his own image (as he recently had in Leone's Once Upon a Time in the West). Cronyn and Randolph are priceless as "an old married couple," and Oates is heartbreaking as a congenital loner who thinks that, in Paris Pittman, he has at last found a friend. --Richard T. Jameson ... Read more

Reviews (5)

Raunchy, rowdy and fun.
A purposefully crass, low-brow, yet engaging Western comedy-drama featuring Kirk Douglas as a ne'er-do-well, debonnaire robber whose half-million dollar heist lands him in a miserable desert prison, which, of course, he is determined to break out of. Henry Fonda shows up as the newly-appointed, socially progressive warden who spars with this untameable scoundrel, and the two western movie icons have a good time matching wits in this antiheroic romp. It's not a great flick; the transgressive humor is very much of its time, but it is notable for the surprisingly sympathetic portrayal of two gay convicts who are part of Douglas's escape team... they in fact turn out to be the unlikely heroes of the film, which is as unexpected as it is refreshing.

About as bad as it gets
What can one say about a movie like this. The music selections make one want to hit the MUTE button on the remote. The acting quality of Douglas is far from what one would expect from this man. Ditto for Fonda. The script is positively stupid, though I'm really having difficulty trying to find a proper word. Just are no words that fit the bill. I bought this moveie because I found out Hume Cronyn passed away in June (03). He, like the others, fails to live up to past performances. The worst part of this flick is it is just plain STUPID. Wish I had seen this before spending the money on it. Now, with a review this negative, the forum moderator will probably delete it, but if it survives, go look for something else. This movie is a total joke, but I don't mean "funny". Pathetic-like joke.

Western Comedy with a few surprises
I first saw this movie on an Amtrak train. Although I was only 7 at the time it made a lasting impression on me. I couldn't remember the name of this movie or the stars, just the story line.

I finally caught this movie on the Western channel and it is just as good as I remembered it. Not your typical Western, it's a comedy with a lot of star power behind it and just enough twists to keep it fresh.

Chances are you have seen this film before if you are looking this far since this film never received the notoriety that it deserves. If by chance, you have stumbled upon this title, check it out you'll be pleasantly surprised.

What exactly is it? Answer: Incredible
When I sat down to watch this movie, I expected to see a movie much in the tradition of, say, The Wild Bunch or The Searchers. You know, tough guys on horses being tough. What I ended up watching was a western-comedy that I honestly saw as the grandfather of Blazing Saddles. Honestly, to me, this movie is that funny. Douglas, Fonda, Burgess Meredith, and the always awesome Warren Oates all give performances worthy of all the praise you can give them. Prison movie? It just happens to be set there, and serves as the backdrop for the hilarious posturing going on between Douglas and Fonda. Right from the start, you'll be hooked.

Hilarious, classic, You can't tell where it's going.
What a great film. Kirk Douglas has the hand up on the Warden played by Henry Fonda, but you never know who will win. The two actors play back and forth with pranks and hilarious lines. This is a classic western comedy! Anyone who likes John Wayne films will love it. The ending is so good I cannot spoil it for you now. Every home should add this copy to it's westerns. My favorite thing about the movie is that while Kirk Douglas thinks he is sly, the Warden proves to be even more cunning. Just another story to prove, "Crime doesn't Pay" ... Read more

Amazon.com

John Wayne and Kirk Douglas make a delightful duo in this comedic Western in which Wayne seeks revenge on a ruthless mine owner (Bruce Cabot) who had him framed and sent to prison. Upon his release, Wayne recruits Douglas in a scheme to raid and rob one of Cabot's gold-laden wagons, despite the fact that Douglas had been offered good money to kill Wayne. He joins Wayne instead (the potential profits being much greater), and they set out to ambush the War Wagon, so named because it's heavily armored, mounted with a Gatling gun, and guarded by a dozen gunmen on horses. Costarring Keenan Wynn and Howard Keel as a wise-cracking Indian, The War Wagon was a Western precursor to the action buddy films of the 1980s and '90s, serving up plenty of exciting action and constant comic relief. The interplay between Wayne and Douglas is sharp and sarcastic, and their motley crew of accomplices provides yet another source of character-driven humor. Not one of the greatest Westerns ever made, but certainly one of the most lightly entertaining. --Jeff Shannon ... Read more

Reviews (13)

Mission Impossible in the Old West.
Gunfighter Taw Jackson (John Wayne) recruits a motley crew of sidekicks to rob ruthless mine owner, Frank Pierce (Bruce Cabot). Pierce routinely transports a fortune in gold dust in an armored stagecoach called "The War Wagon." Complete with a small army of guards and a Gatling gun, The War Wagon is formidable. Taw figures to settle old scores by devising a complex plan to steal the gold. John Wayne was good at big budget B pictures. This flick is very different from a John Ford masterpiece, but so what? This movie is a typical Batjac action-adventure flick with comic overtones. Wayne trades verbal barbs with Lomax (Kirk Douglas), a too-cool hired gun. Howard Keel is Levi Walking Bear, a comic and politically incorrect Indian. Robert Walker is a drunken explosives expert. Keenan Wynn is a sadistic teamster. They each play a role in the carefully timed execution of the robbery. Unaware of their thieving alliance, Pierce hires Lomax to kill Taw, setting up several tense situations. The supporting cast includes members of Wayne's Batjac production company family. Look for Bruce Dern, Gene Evans, and Sheb Wooley in small roles. Throw in colorful outdoor locations, a saloon brawl, lots of hard-riding action, and it's great fun for Western movie fans. It's well worth the price. ;-)

A Good Shoot'em Up Western
Taw Jackson, played by John Wayne, is out on parole and building a team to heist a shipment of Gold dust. The problem is, the town where he's planning his heist is filled with his worst enemies. Kirk Douglas as Lomax, is one of Taw's partners. Together they study to work out every detail to commit their crime. All they got to do now is do the deed. Will they make it? Lots of fancy gun slinging, fighting, and a really neat Saloon fight add to the flavor of this movie. Oh, and you gotta see the way Kirk Douglas mounts his horse, it's Peachy! One of the most suspenseful scenes is where Taw and another of his cohort's line a bridge they plan to blow up with nitroglycerin. Also, look for a very short role by Bruce Dern . He, as he has in most films, plays a bad guy, and when he's confronted by Taw Jackson he quickly learns what "BAD" really is.

It's like "Oceans Eleven" in the West
This is a movie about revenge. It's about the quest of one man, Taw Jackson (Wayne), to get even with the man who set him up and stole his ranch. To get his vengeance, Taw puts together a small group of men, including a gunfighter who's been hired to kill him (Douglas), to help him rob the "War Wagon," so named because it is an iron stagecoach complete with a gattling gun and a large complement of mounted guards. The five men scheme, plan, and concoct a plan to steal the wagon, and Taw and Lomax (Douglas) try to refrain from killing each other in the process.

This is not meant to be a completely serious Western, and in fact it is quite lighthearted. It is also funny, with just enough comic relief to keep things lively. Douglas and Wayne are absolutely fabulous together, and the rest of the cast works well too. This is a great all-around Western.

Entertaining comedy western
The War Wagon is a good comedy western starring John Wayne and Kirk Douglass as two men attempting to steal a shipment of gold. Wayne stars as Taw Jackson, a man recently released from prison after being framed, who wants to get revenge on the man who put him in jail(Bruce Cabot). Kirk Douglass is Lomax, Wayne's greedy, cocky partner. These two are perfect together as they try and figure out how to rob the "war wagon." Their dialogue is sharp and cutting with insults being handed back and forth.

The movie is very entertaining to watch. Excellent cast backing up Wayne and Douglass including Howard Keel as Levi Walking Bear. There is enough action and humor for everybody in this western. DVD presentation is good in widescreen with a trailer included even though it is a little pricey. Well worth it for Duke fans!

A get even movie
well it's a good movie some light humor a get even type movie.Enjoyable intertianing but you've to know one thing I
am a big JOHN WAYNE FAN. ... Read more

Amazon.com essential video

Lust for Life is appropriately titled, for mere passionseems inadequate when describing this superb fictionalized biography (based onIrving Stone's popular novel) of Vincent Van Gogh. In a deservedly Oscar®- nominated performance, Kirk Douglas is physically and emotionally perfect as thetormented Dutch painter, whose life is chronicled from his ill-fated stint as apreacher to Belgian miners in 1878, to his Impressionist-inspired artisticawakening and psychological descent to suicide in 1890. Having triumphed with1952's The Bad and the Beautiful, Douglas, producer John Houseman, anddirector Vincente Minnelli brought vigor and vitality to this blessed project,which centers on Van Gogh's stormy friendship with fellow artist Gaugin(Oscar-winner Anthony Quinn). Minnelli used an outmoded color film process andinnovative camera techniques to vividly recreate Van Gogh's paintings, and hefilmed on the actual Dutch and French locations where Van Gogh's masteryflourished. The artist's lust for life also fed his madness, and this filmdeeply understands the fine line in between. --Jeff Shannon ... Read more

Reviews (16)

THE TERRIBLE LONELINESS OF VINCENT VAN GOGH
One of the greatest films ever made about the madness of creative genius. As films about artists go, I like this film better than POLLOCK and almost as much as BASQUIAT. This is very much an overlooked CLASSIC. I have friends who are fans of Van Gogh's who have never heard of this film. Based on the book of the same title by Irving Stone and for those who love DEAR THEO: the abridged letters of Vincent Van Gogh, a must see. This film absolutely conveys the heartbreaking feeling of this starving misunderstood genius pounding his lifeblood into canvas in a French atelier or countryside while the gallery owners scoff and the painter remains unrecognized and unloved.

Kirk Douglas' finest performance, is fraught with peril. Anthony Quinn, who won an Oscar for his portrayal of Paul Gauguin, is superb. The script, some of which was taken from Van Gogh himself, is sometimes dated but always poignant: "Sometimes the pictures come to me as if in a dream, with a terrible lucidity." BRILLIANT!!

Unfortunately the VHS format is fullscreen which begs the question; WHY IS THIS MASTERPIECE UNAVAILABLE IN WIDESCREEN ON DVD!?! What a cultural wasteland: I could probably find ERNEST GOES TO CAMP on DVD, but try to find this CLASSIC and the clerk at the local HOLLYWOOD VIDEO might say, "LUST FOR LIFE? That would probably be in the Adult Film Section." I hope someone is working hard to preserve this Masterpiece. Anything less would be a shame. My VHS tape has been viewed so many times the magnetic particles are starting to fall off. If the DVD doesn't come out soon I'll be forced to buy another copy on VHS.(SIGH)

A flawed classic
Many people consider this to be the standard when it comes to retelling the tragic story of Vincent van Gogh's life.

The film is very good and there's no question that director Vincente Minnelli put a tremendous amount of work into bringing Van Gogh to the screen. The sets and costumes are wonderful.

I suppose that my main criticism of the film is that its "heart" seems to be more firmly set in 1950's Hollywood than in 1880's Europe. In other words, the film has a very constructed, American flavour to it. This is most glaring when many of the scenes shift from Kirk Douglas on the screen (clearly American) to a narrative reading of his letters to his brother, Theo (read by a British narrator)--very jarring. Kirk's performance, though very good, never quite "clinches" the role--he remains a very good actor on a very pretty set.

But certainly I would recommend this film to anyone with an interest in Van Gogh--not a perfect movie by any means, but there are moments that are quite remarkable.

Starry Night
There haven't been many movies made about great painters, which seems a little odd, but theirs is a static art, hard to capture on film. Producer John Houseman and director Vincente Minnelli do a great job here of placing Van Gogh's life and art before our eyes in a way calculated to whet our interest about the man. His peculiar life was stalked by some kind of mental instability; whether physical or psychological in nature nobody still knows. Kirk Douglas' fine performance is right on in portraying a troubled man trying for both artistic excellence and some kind of normalcy in life; above all a painter who held nothing back from his work. Anthony Quinn, who must have played every nationality under the sun during his career, walked off with an Oscar for his part as the flamboyant and less-gifted Paul Gaugin, destined to play second fiddle to Van Gogh's genius. The film's construction owes something to John Huston's "Moulin Rouge," of four years earlier, a bio of Toulouse-Lautrec.

"I want to create things that touch people"
With an uncanny resemblance to the self-portraits of Vincent Van Gogh, Kirk Douglas is perfect for this detailed and wonderful production of the artist's life; it's a passionate performance of a troubled soul, whose creative urges battled with his mental illness.
The film has an intelligent script by Norman Corwin, based on Irving Stone's biographical novel. It picks up the story around 1879, when Van Gogh was 26 years old, and went to minister (unsuccessfully) to the coal miners of a destitute area, and from there takes us through his many different abodes, his relationship with "Christine", who is well played by Pamela Brown, and the flourishing of his art in his last 15 years of life.

The art direction is superb, and the recreations of the places Van Gogh painted a marvel, among them the famous yellow house he lived in and its bedroom, and my favorite, the pool hall, with its hanging lamps.
The cinematography by Freddy Young and Russell Harlan is terrific, and we get many full screen views of the original paintings, many of them lesser known pieces from private collections.

This was a multi-award winning film, and garnered an Best Supporting Actor Oscar for Anthony Quinn, who is fabulous as Paul Gauguin, whose personality was the complete opposite of his friend Van Gogh; the ego clashes when they attempted to live together are well illustrated in several scenes, and with a little addition to his nose, Quinn has been made to look exactly like Gauguin's famous self-portrait with the snake.
James Donald is excellent as Vincent's patient and generous brother, who was Van Gogh's central means of support for most of his lifetime, both financially and of his paintings.
A tremendous knowledge about art went into this film, and it's one of the best artist biographies ever put to film (another good one also came from a Stone best seller, "The Agony and the Ecstasy"), and is a must-see for artists and anyone with an interest in Van Gogh's genius. Total running time is 122 minutes.

A wonderful Classic!
I'm a painter myself, have done alot of reading about the lives of these artists, and can never get over the superb performances of these actors!----Truly a superb movie classic! Five stars, in my book! ... Read more

Amazon.com essential video

Before he made the classic All About Eve, writer-director Joseph L.Mankiewicz made this clever story about three wives who spend an afternoonat a children's picnic mulling over a letter all three had just received,from a woman who says she's just run off with one of their husbands. Asthe wives--a former farm girl (Jeanne Crain), a radio soap opera writer(Ann Sothern), and a social climber from the wrong side of the tracks(Linda Darnell)--mull over the troubles of their marriages, each begins tothink that she's the one left behind. A Letter to Three Wivesdoesn't have the crackling show-biz milieu of Eve, but it has thesame mix of snappy dialogue and topnotch performances. The tone rangesfrom florid sentiment to unblinking cynicism, yet Mankiewicz holds it alltogether with smooth, witty direction. Also featuring Kirk Douglas andthe great character actress Thelma Ritter. --Bret Fetzer ... Read more

Reviews (22)

It Still Holds True Today
This gem of a movie is a neglected classic of Americana. "A Letter to Three Wives" uses many of the same talents who made "All About Eve" such a hit a year later, most notably Joseph L. Mankiewicz as the writer/director and Celeste Holm, who is present here in voice only as Addie Ross, the town flirt.

Just as three of the town's more prominent clubwomen are about to depart on a day-long trip with underprivileged children, they receive a note from Addie--she has run off with one of their husbands. They have the whole day to think about which one it was. The Jeanne Crain character is insecure because she left her Iowa roots and married up to one of the town gentry. The Linda Darnell character was "shanty Irish" and married a department store millionaire with whom they share a rather grudging relationship. Ann Sothern plays a radio screenwriter who is trying to maneuver her way out of the second-best neighborhood in town into the first best.

Along with sharp observations about class and social climbing in small towns/suburbia, this film has sharp writing and acting and some genuinely funny moments, including a star turn from Kirk Douglas as a droll English teacher (bet you thought you'd never see HIM in a comedy!). Look for the wonderful Thelma Ritter as the maid from the wrong side of the tracks. All in all, "A Letter to Three Wives" is a great entertainment and a welcome addition to any video collection. I have seen my copy several times and introduced it to several people.

From Mank to Small-Town America, With Love
"A Letter to Three Wives" would be anyone else's best movie. Since Joseph L. Mankiewicz followed "Letter" with "All About Eve", "Letter" is his second best, but it still towers over most films of its day.

The story concerns a letter received by three small-town wives; the town femme fatale, Addie Ross, is running off with one of their husbands. Mankiewicz uses flashbacks to give an insightful view of each of the three marriages involved, and demonstrates that each has its problems and is therefore eligible for a bust-up by Addie.

The setting is the sort of small town that only existed on the back lots of movie studios; there's a right side of the tracks represented by a mansion, a middle-class district with an elm-lined street and brick Colonials, and a wrong side of the tracks that is no worse than picturesque. The movie-ish milieu is soon forgotten by the viewer, however, because of the quality of the playing of each part. Jeanne Crain is a poor girl who has married rich and suffers burning insecurities. Linda Darnell is a scheming store clerk who flummoxes the boss into marrying her. Ann Sothern- an actress who demonstrates that zaftig can be absolutely beautiful- is a radio writer who battles her school teacher husband over the literary quality of her work, and the effect of her earning power on the marriage. Their husbands are played, respectively, by Jeffrey Lynn (blandly effective), Paul Douglas (gruffly effective), and Kirk Douglas (the essence of effective). Minor roles are filled out by the late great Connie Gilchrist as Darnell's Ma, and by someone who was a newcomer in this movie, Thelma Ritter.

The tension and byplay in the film are its chief delight; Darnell and Paul Douglas spar for much of their screen time, only to discover that their mutual needling masks mutual need. Sothern and Kirk Douglas do their own sparring, but they also learn lessons; Sothern finds her radio writing is consuming her marriage, and that Kirk is well worth a cut-back in her work schedule. Lynn and Crain are the weakest links, but Crain's nicely observed case of the willies at a big country-club dance is eminently watchable, and her drunk scene is a delight. Ritter begins her long string of side-splitting acerbity in "Letter"; she's a maid, and her scenes with Sothern show two immensely talented, evenly matched comedic actresses at the height of their powers, having a ball zinging everything and everyone in the movie, including each other.

The protagonist, Addie Ross, is never seen, but she narrates the film in voice-over, done by Celeste Holm. Holm's distinctive voice gets a full workout here; her genius for conveying subtext with such devices as a dry inflection here, a kidding British accent there, is alone worth the time and price of a viewing.

Mankiewicz wraps up all three stories at one last country-club dance, where all three wives and only two husbands are in attendance. Think it's all over at that point? Well, it isn't; Mank throws in a fast red-herring ending that leaves everything and everybody in fine shape, except...

Watch the movie to find out what happens. Hi-ho.

High Ho! Mankiewicz Delivers The Goods
The foundation of any great film is an even greater screenplay. In "A Letter To Three Wives" Joseph L. Mankiewicz achieved greatness as a writer first and a as director second. The screenplay sparkles with wit and humor and an edgy take on the modern world that is as up to date today as it was fifty-four years ago.
Joe was a great writer and a consummate wit; were he not in the movies one might think him an intellectual. (Hats off to his "Cleopatra"). He understood women and wrote some of the most complex, deep and exciting women on the screen. He gave them life on the page and then with his brilliant eye for casting and directing he brought them to life on the screen. Eve Harrington, Margo Channing, in "All About Eve". Maria Vargas in "The Barefoot Contessa", and his most complex of all his smart Cleopatra, a modern woman of politics and passion in an ancient setting.
The unseen Addie Ross, the clumsy Deborah, Rita the writer, and the smart and guarded Lora Mae are just a few of the gems Joe Mankiewicz presented to us in his Oscar winning "Letter". He brings out some of the best acting Jeanne Crain would ever do. She is both vulnerable and comic. Ann Sothern dominates the screen as a feminist ahead of her time. She cements the image that she would carry the rest of her career, that of a beautiful smart woman making it in a man's world. The stunning centerpiece to this work is the top-notch performance handed in by Linda Darnell as tough wrong side of the tracks Lora Mae. This is a great performance by an actress who herself felt she had little to offer as an actress. Here with the help of her writer and director Miss Darnell delivers the goods as no one else of her generation possibly could.
In a small role as Sadie Dugan, Thelma Ritter in her third film nearly steals the picture from all involved. Paul Douglas as Lora Mae's husband and meal ticket is at the top of his form. He matches Lora Mae word for word and punch for punch. And what a face he had! Kirk Douglas is right on the money in this early film of his career. The entire production is superb.
Darryl F. Zanuck always stressed the importance of good writing and good story at his studio, 20th Century-Fox and over the decade that "Letter to Three Wives" ushered in he gave us some great works. He hired some of the best writers and directors of the day to work at his studio. At the top of that list was Joseph L. Mankiewicz. Personal differences aside between the two men, they did some wonderful things together. With what Fox is now doing in it's incredible classics series on DVD, I hope they will devote some much needed attention to this classic film.

Lovely movie, great script
This 1949 film won Best Director and Best Screenplay. It's still a great movie to watch after all these years. It's soapy, but the script is great and really tight. The dialog is not dated at all, and the cast is perfect. It's delightful to watch even today. All three leads are great. The plot involves three married women who are chaperoning a field trip for elementary school students on an island offshore from where they live. All three are friends. Shortly after the tug leaves the mainland for the island, the women open a letter that was delivered to them right before the boat left. The letter is from Addie Ross, a local divorcee/socialite who is friendly with each of their husbands, but none of the wives likes her much. Addie tells them in the note that she's leaving town that day, and is taking one of their husbands with her. Which one? Addie doesn't say. This was before cell phones, and the island has no pay phones, so the wives must wait until the trip is over at the end of the day to know who's been dumped. The movie is, all three wives on the island have about 25-30 minute flashbacks about their marriage, dealings with Addie, why their husbands might have left them, and how they feel about that potential.

When they return at the end of the day, they meet at the club and the identity of the wayward husband is revealed. You never see Addie, you just hear her voice when appropriate. The three wives are great, and the script is sharp. A lot is serious and a lot is quite funny. This is a nice movie to watch a couple of times a year. If you like a sharp script and don't mind 1940's sets and plots (the way marriage works and a wife's role is a little dated), this should be on the top of your list to see.

Sharp, Funny, and Socially Savage
Jeanne Crain was a very pretty girl, Ann Sothern was chiefly noted for her comic turns, and Linda Darnell was a memorable beauty--but although all three appeared in popular films none were particularly celebrated for their acting talents until Joseph L. Mankiewicz tapped them for the roles of three society wives in this poison pen letter to both sexes. Wickedly witty in script, and remarkably acid in tone, A LETTER TO THREE WIVES would put every one involved in the film firmly on the Hollywood map.

Three society wives (Crain, Sothern, and Darnell) are committed to hosting a children's picnic on an isolated island--and as the ferry prepares to depart they receive a letter from town femme fatale Addie Ross (never seen but memorably voiced by Celeste Holm.) Addie informs them that she is leaving town forever... but has decided to take one of their husbands along as a memento. And each of the three wives, cut off from the outside world for the day, is left to wonder: when I go home tonight, will my husband still be there?

During the day each of the wives recalls scenes from her marriage. Deborah (Craine) arrived in town as a pretty but very awkward farm girl fresh out of the navy and with a wardrobe consisting of a single and very ugly mail-order dress; she has never felt entirely secure. Rita (Sothern) is married to a schoolteacher, and has committed the unpardonable sin of becoming the writer of a popular radio show that brings her more money than her husband will ever earn. And Lora Mae (Darnell) was a beauty born on the wrong side of the tracks who connived her way into a wealthy marriage and now specializes in bickering with her gruff and boorish husband. And always they have been victim to Addie--a woman who "has class," who stings them with competition and evil wit, and who has their husbands eating out of her hand.

Although the construction is artificial, the script is wickedly knowing, painting a truly subversive vision of American marriage and mores of the late 1940s. Of the three leads, Ann Sothern dominates with her spirited "Rita"--but Darnell has the best of the script, a series of manipulations and drop-dead quips and ripostes, and Crain is perfectly cast as the insecure beauty who is as out of place as a dove at a gathering of eagles. The supporting cast, which includes Kirk Douglas, Thelma Ritter, and Connie Gilchrist is remarkably fine as well. And before all is said and done, small town society gets raked over coals.

If A LETTER TO THREE WIVES has a flaw, it is the same flaw that would trouble Mankiewicz's later and even more celebrated ALL ABOUT EVE: the point of view that a woman is ultimately nothing without a man, an idea that tends to limit the scope of the film and at times even belittle its characters. Some viewers may also be disappointed with the film's conclusion, which--although extremely ironic--lacks the sharp bite you might expect. Even so, this is a truly memorable and often very funny film, and one that deserves to be seen more often today than it usually is.

GFT, Amazon Reviewer ... Read more

Amazon.com

This curiosity from the mid-1970s is breathtaking in its dreadfulness. Directed by Hal Needham, this was an attempt at creating a Roadrunner cartoon with live actors--except that instead of a live actor they got Arnold Schwarzenegger, before Hollywood smoothed his rough edges (and his Austrian accent). He plays the invulnerable sheriff who rides blithely through life, unaware that the evil Kirk Douglas wants to kill him and kidnap his squeeze, Ann-Margret. The stunts are cartoony without being funny and Schwarzenegger shows exactly why he was known as "the Austrian Oak." Douglas works extra hard but effort alone isn't enough to elevate this script. --Marshall Fine ... Read more

Reviews (36)

Live-action cartoon
What fun! I stumbled onto this movie in progress on a program called "Golden Age of Comedy Movies." I paused when I saw Arnold and Ann-Margret in an old western, curious as to what this was. When Ann-Margret leaned out of the train and handed Arnold her bags, nearly falling out of her low-cut dress in the process and saying, "Take hold of these," I knew this wasn't a serious drama I was watching. When Kirk Douglas showed up, I was hooked. It's impossible not to make comparisons with The Roadrunner cartoons as Kirk Douglas performs impossible leaps and survives intact after being crushed by a giant boulder and hit by a train. His trusty sidekick, Whiskey the horse, is a pure delight. It's odd to see Arnold in cowboy garb. His job is mostly to look studly and his lines mostly consist of, "I really don't know!" delivered with a bewildered look. Definitely a one-of-a-kind movie. Don't watch it if you're expecting great acting and writing, but if you just want to get in on the fun of big name stars acting very silly, you'll love it.

A Live-Action Road Runner Cartoon!
The fun starts fast, and never ends in this live-action version of a Road Runner cartoon! Kirk Douglas stars in a role unlike any he's ever done, as Cactus Jack Slade; who undergoes the same troubles that the Coyote would endure. His horse (Whiskey), however, steals the show as he puts Cactus Jack into some really awkward situations throughout the movie. Arnold Schwartzenegger is Handsome Stranger (another unlikely role for him), the hero that escorts Ann Margaret's character from "point A" to "point B" safely (or is she safe?) If you're looking for a serious western, put this one down; however, if laughter is what you're looking for... "just push PLAY" on this outrageous comedy!

cactus jack the early years
The Movie advertised is wrestling NOY A MOVIE = no Ann Margaret , NO Krik Douglas- the description belongs to The Villian not the Title listed