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| 1. Secondhand Lions Director: Tim McCanlies | |
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Description Reviews (168)
Children will like this movie especially for the cheesy flashback scenes that appear to be a cross between Indiana Jones and Saturday morning cartoons. However, cheesy as those scenes appear, they fit for the purposes of the film. The movie also has something to say about faith and honesty. In fact, this is probably the best film I've seen about faith since SIGNS. It takes faith to believe the unbelievable, but when you find out what you were believing really was true, it becomes even that much more amazing. Highly recommended for families, old codgers, and eccentrics like myself.
SECONDHAND LIONS is not one of them. The story is about young Walter who is just barely in his teens and is sent to live with his two great uncles. He constantly hears rumors of their hidden treasure that they stole from Al Capone, or took from a wealthy Arab, or obtained through a lawsuit, or...whatever you want to believe. Throughout the movie, Walter learns from his uncles, Hub and Garth, how to grow into a man and what the truly important things are in life; and Garth and Hub learn from Walter how to enjoy life to the fullest. The drama here is fantastic, and only once does the emotionalism get a little over-the-top (which is why I gave it four stars instead of five). The acting is fantastic. In this adventurous film you'll be reminded of images of INDIANA JONES, LAWRENCE OF ARABIA, among many others. ... I wish every goofball (i.e. summer blockbuster) filmmaker in Hollywood -- you know, the ones that think creative filmmaking means having alot of CGI characters jumping around on skyscrapers and fighting villains in Power Ranger suits -- would simply sit down and watch SECONDHAND LIONS. Then they would know how to make a good movie.
There is no doubt that Secondhand Lions is a semi-manipulative film, it has its fair share of smarmy feel-good contrivances that betray its zeal to tug at our heart strings. But the quirky mirth of all its characters, the idiosynchratic plotline, and a healthy dose of moving, meaningful moments makes this a very wholesome experience. Duvall and Caine, as two reclusive millionaire uncles drunk on guns and eccentricity, pitch in very well. Caine warms up to his part in the film first, but the screen is really owned by a very fit Duvall, who soon becomes the pivotal character in the film as the uncle that the kid (Hailey Osment) turns to for advice. Osment does remarkably well to hold his own against these two big tykes. A barnful of cute animals and a truckful of drooling relatives round up the doozy cast. Some fantastic (literally) flashbacks form an interesting trope for the movie's core message: that in our lives having conviction in things we may doubt to be untrue is ultimately a critical virtue. This leads to a somewhat corny twist at the end but it's an interesting one to make the point. There's plenty of action and some amusing gags that even evoked loud guffaws in the theatre. All in all, whether you have kids or not, but especially if you do, this deserves a recommendation of the highest order.
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| 2. A Time to Kill Director: Joel Schumacher | |
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Amazon.com Reviews (92)
Matthew McConaughey as lawyer Jake Brigance Samuel L. Jackson as Carl Lee Hailey, a father who kills to avenge the rape of his little girl Kevin Spacey as the snide, sinister District Attorney Sandra Bullock as Brigance's law clerk, Ellen "Rork in Boston, but Row Ark in Mississippi" Ashley Judd as Jake Brigance's wife Oliver Platt is Jake's buddy Harry Rex Keifer Sutherland as a vengeful redneck and Donald Sutherland as eccentric, civil-rights-activist/disbarred lawyer/drunk/mentor Lucien Wilbanks With an all star cast like that, you can't go wrong, and the film, at least plot-wise, doesn't. Carl Lee Hailey's 10-year-old daughter is raped and left for dead by two white trash redneck dopeheads. Enraged, Hailey takes justice into his own hands and fatally shoots the two rapists as they leave the courthouse. Everyone in the small Mississippi town hears the news within minutes and takes sides, and Hailey hires a young ham-and-egger, Brigance, to defend him. As Brigance tries to avoid a conviction from the all-white jury, the brother of one of the rapists (played by Keifer Sutherland) gets together a couple of good ole boys to form a chapter of the Ku Klux Klan. Violence erupts, protesters march and chant, death threats and burning crosses abound, everyone is covered at all times with a sheen of oily sweat, and there's even an explosion. "A Time to Kill" is like the "Jerry Springer Show," but intelligent. The dialogue, however, could use work. It seems as if a good writer and a mediocre writer banged out the script, then cut it up and shuffled it together, intermingling the really well-written scenes with some really choppy dialogue. The same goes for the acting. Jackson, Spacey, and McConaughey are excellent and convincing in their roles. Platt is charming as Jake's best friend and a sleazy divorce lawyer. However, Judd is useless and even childish in her role as a trophy wife, and Bullock, as Jake's law clerk, sounds as if she's a shy girl in a high-school play who hasn't quite memorized her lines yet. (This really irked me because in the book version, her character was headstrong, outspoken, and very smart.) I encourage anyone to rent the movie for themselves. It's definitely worth seeing, even if the writing and acting is a little off in places. The story redeems the bad acting.
In a small southern town, black man Carl Lee Hailey (Samuel L. Jackson) awaits trial for murdering the two rednecks who viciously raped his 10-year-old daughter. Jake Brigance (Matthew McConaughey) is a young, idealistic white lawyer, who decides to take on the father's defense. The incendiary case becomes a firestorm of racism and controversy, ripping the town apart. This, as Jake goes up against the community's most successful D.A. (Kevin Spacey), while reluctanly accepting help with the case from a law student (Sandra Bullock). It's amazing how good this film is, especially when one considers what director Joel Schumacher and its adapter Like most John Grisham books turned movies, the DVD lacks anything substantial, in the way of bonus material. Production notes and the film's theatrical trailer is all you get...Special Edition anyone? A Time To Kill offers fine performances and rock solid drama. The film is a winner and one of the best Grisham adaptations out there
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| 3. The Doom Generation Director: Gregg Araki | |
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Amazon.com Reviews (123)
This movie is a prime example of how movies should be made.. its an indie classic in the making.. a cult hit if you may.. it never lets go once it grabs ahold.. watch and enjoy.. you won't be dissapointed..
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| 4. The Burbs Director: Joe Dante | |
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Amazon.com Reviews (109)
Joe Dante's weird sense of humor shines on this movie even more than the Gremlins movies. It also offers a cast of characters that are as much relatable as they are crazy. Everyone has weird neighbors, right? Tom Hanks is in top comedic form in this one offering classic lines like "I've never seen anyone drive their garbage to the street and bang the hell out of it with a stick." Then you have the hilarious neighbor Rick Ducommunn who I feel should have had a better career after this film. Corey Feldman (always a treat) plays the irresponsible teen and Bruce Dern is brilliant as the crazy military reject. All these characters mixed up in a bizzare murder mystery is pure magic. But what makes this movie have replay value is the little things that you don't necessarily catch while watching for the first time. For example, when Rick Ducommunn comes over to visit Tom Hanks and eats nearly everything in his refrigerator while the audience is engrossed with his tales of terror. Or just the body movement of Hanks when he observes the weirdness of his neighborhood throughout the film. Hilarious. I may be looked upon as weird for giving this movie 5 stars, but it is one I can always rely on for a good laugh and good quotes. "NO!" "About a 9 on the tension scale, Rube." Watch this movie and you too will quote these lines forever.
Ah well, there's always 'Forrest Gump' if I ever feel the need to watch a truly funny Tom Hanks flick... 'Late
Such is the hysterical dialog between Art (Rick Ducommun) and Ray Peterson (Tom Hanks) when they discover, along with some other people in their suburban subdivision, their elderly neighbor, Walter Seznick (Gale Gordon) is missing in action. Other neighbor buddy, Vietnam Vet, Mark Rumsfeld (Bruce Dern) decides to help Ray and Art to find out what happened to Walter. They all three are SURE that the weirdo reclusive new neighbors, The Klopek family, comprised of Dr. Werner Klopek (Henry Gibson), Uncle Reuben Klopek (Brother Theodore) and shy Hans Klopek (Courtney Gains)have something to do with the old man's disappearance. So...complete with night vision goggles, credit cards to slide in the Klopek's doorlocks to break in and various other spy equipment furnished by Mr. Rumsfeld, they start their little spying games. Men and their wives even plan a little friendly "welcome wagon" visit to the Klopeks (one of the funniest scenes in the movie!) Corey Feldman as young neighbor teen Ricky Butler, Carrie Fisher as Carol Peterson, & Wendy Schaal as Bonnie Rumsfeld ALL turn in great performances. Even Nicky Katt from Boston Public plays Ricky's young friend Steve Kuntz! What happened to Walter? Did the Klopek's have anything to do with the disappearance? WATCH THIS VERY ENTERTAINING MOVIE and find out for yourself! Happy Watching!
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| 5. SubUrbia Director: Richard Linklater | |
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Amazon.com SubUrbia centers on a group of bored, aimless, post-high-school kids who spend an inordinate amount of time hanging out in the parking lot of a local convenience store. It all takes place over a single night, when a fellow classmate by the name of Pony (Jayce Bartok), who has become a hot pop star since graduation, returns with his limo and his publicist (Posey) to do a little slumming in his hometown. Giovanni Ribisi (Saving Private Ryan) as the introspective Jeff, Ajay Naidu as the proprietor of the Circle A (for "anarchy"), and Steve Zahn (Out of Sight) as the buffoonish Buff, are also very impressive in a movie that's a real showcase for its terrific actors. --Jim Emerson Reviews (12)
I'm giving this 4 stars because the first half hour or so is pretty dumb; there isn't many laughs, and not too much happens before Pony shows up. But since this movie is two hours long, it has plenty of time to redeem itself and succeeds in doing so.
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| 6. Insomnia Director: Christopher Nolan | |
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Description Reviews (242)
The pleasure of Insomnia is to be found in its rich cinematography, beautiful landscapes, and excellent performances. The movie is one of the most visually compelling pieces of filmmaking I have seen in years, creating surreal juxtapositions with the vast, harsh Alaskan landscape and with close-up shots of crime scene evidence. The amazing visual landscapes (both large and small) are used effectively by director Nolan to emphasize the films themes of isolation and overpowerment, of losing oneself within ones environment and in ones choices. Insomnia's plot will disappoint those looking for a new Memento, in that it does not have the sort of turns of action and motivation that Memento does. Insomnia works well without elaborate plot twists, however, it's mood benefits from a certain lack of ambiguity of action, although the ending is perhaps a little to predictable and cliched. Insomnia would have benefited, however, from more ambiguity of motivation - while the acting is top notch, especially on the part of Robin Williams, the connections between the characters actions and their motivations and decisions is too closely drawn by the script. Overall Insomnia is an excellent movie, and a good entry into the detective/suspense movie cannon. It suffers slightly from a couple of bad edits (in a movie filled with amazing editing and shooting) and from its desire to clearly spell out the principle characters motivations, but these minor flaws are more than redeemed by the director's excellent camerawork and sense of pacing, a strong script, and very solid acting performances. Insomnia is a must see movie, and a welcome change from the "blockbuster" summer movie scene of 2002.
Set in Alaska, this film is about Will Dormer, a veteran LA detective, played by Pacino. Dormer is sent with partner Hap Eckhart to investigate the grisly murder of a 17-year-old girl. At the same time, Dormer & Eckhart are being investigated by internal affairs for some suspicious police work, which Dormer believes Eckhart is about to spill the beans about. The two colleagues are welcomed in Alaska by Ellie Burr (Hilary Swank), a policewoman who is also interested in solving this strange case. Dormer accidentally shoots his partner Eckhart, but knows how it will look if he confesses to the shooting, so he misleads them to believe that the suspect did the shooting and continues the investigation. The story goes through some interesting twists and turns from there on. Three academy award winners in one movie that is based on a fantastic book with the same director as Memento seems like a sure winner, and it certainly did well at the box office, but it falls flat. Perhaps Swank and Pacino are afraid to upstage each other, as both their performances lack emotional depth and energy. Williams' performance is shockingly superb, however, as this role is a side of him not yet seen and he plays it very well. He finally shows he is a talented actor with more range than the Patch Adams and Mrs Doubtfire roles he usually takes. Williams' great performance can't save this film though, as it just doesn't get to the heart. The lack of emotional impact of it has is disappointing, as the criminal is more interesting and complex than the cops. The line fine they are creating between cop and criminal isn't lost on me, but Pacino's character is wooden and emotionally superficial and there's a void in the film where a great character should be. This movie is proof that too many chefs spoil the cake, as too many great actors made what should have been a spectacular film into this mediocre film.
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| 7. Dazed and Confused Director: Richard Linklater | |
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Amazon.com essential video Reviews (213)
For example, there's the kid who's 27 and still hanging out with all the high schoolers, still trying to date high school freshmen 13 years his junior (Matthew McConaghey). For some kids, you can tell that high school will be the pinnacle of their sad, pathetic lives, and Ben Affleck plays this character to a tee. There are also the ludicrously bitchy and snobby girls (Parker Posey), the perpetually nice and perky girls (Michelle Burke), and the kid who comes to parties "to drink some beer and kick some ass." (Nicky Katt) This movie is funny because it is so true. High school is pretty much the same regardless of decade or location. You have your jocks and your intellectuals, your snobs and the kids who are nice to everybody. In that way it's like real life, but in real life you're not bound together with 800 other kids you grew up with and who know your entire embarassing life story. This movie depicting only one day in the life of a high school student is hilarious and touching. Though it will make you laugh out loud, it will also bring back memories of feeling inadequate or ugly that were magnified by the clausterphobic setting of high school. This movie features some stellar performances by actors who went on to become very famous. Though the characters in this movie could have gone to school at any time period in the 20th century, the 70's setting adds to the hilarity. Dive into this world of bell bottoms, bongs and Black Sabbath and try not to cringe when you recognize yourself or your friends in the wonderful cast of characters.
This is a film that takes a comedic, yet precise look at life in 1976. The music is absolutely awesome and the dialogue will keep you laughing from beginning to end. You get the guy that's always doped up, the jock, the preppy little bi**h and the freshman who wants to fit in. It's hard to describe just what this movie is about because it is really about nothing. One night in 1976 would have been just as good a title as "Dazed and Confused". I love this film. If you enjoy great humor pick this one up.
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| 8. One True Thing Director: Carl Franklin | |
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Reviews (47)
The theme is hardly anything earth-shattering, but there's a fine line between the genuinely moving and the saccharine, and under Franklin's low-key direction "One True Thing" succeeds where many pictures fail by maintaining its dignity and, just as importantly, its honesty. You won't cry out of a sense of obligation, but because the incredible cast drive the material straight to the heart. Highly recommended if you're in the mood for a stirring "Ordinary People" type of a drama. Keep a Kleenex handy.
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| 9. SubUrbia Director: Richard Linklater | |
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Description An ensemble cast featuring Parker Posey (Party Girl), Steve Zahn (That Thing You Do) and Nicky Katt (A Time to Kill) stars in this engrossing story that opens during a typical night among friends who are stuck somewhere between high school and the rest of their lives.The night doesn't stay typical for long.The arrival of a former classmate who is now a rock star sets passions and conflicts in motion.Before the night is over, friendships will be forged or shattered, romances will be won or lost, limits will be tested and futures will be shaped. Reviews (34)
Everything about the movie screams teen-angst, from the theft of a lawn-knome, to one of the many anti-MTV sentiments.
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| 10. Phantoms Director: Joe Chappelle | |
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Amazon.com Reviews (76)
Some chilling scenes in the movie include a giant moth that sucks brain, screams coming from everywhere, strange sounds coming from the town's plumbing system, and dead people that disappear then reappear alive. The scene where the giant moth attacks the survivors in the police station is one of the best in any movie. In the second half, the movie has some more chilling scenes with a high body count, but I was a bit disappointed that the movie ended so quickly. It's 100 minute running time didn't feel like it was long enough to fit all the events that occured in the movie. Dean Koontz also made the mistake of not exploring the thematic elements of the movie more deeply like he did in his novel. The special effects in the movie were very good. The giant moth looked real and so did the other creatures that appeared. The film isn't as gory as it's reputed to be. Sci-fi horror films like Alien Resurrection and Event Horizon are much bloodier. (Although Event Horizon uses the goriness effectively). Overall, Phantoms is a creepy horror film that holds the viewer at the edge of their seat, especially in the final confrontation between Hammond and a boy.
Directed by Joe Chappelle (Halloween:The Curse of Micheal Myers) made a Entertaining, Sometimes Scary Sci-Fi Thriller. Good Performances does help alot from the Cast, especially the Amusing Perverted Role of Schreiber is Funny. This was a Box Office Disapointment in the Winter of 1998, the film is Quickly Forgetten now. But the film is better than expected with echoes from The Body Snatchers, Event Horizon and John Carpenter's The Thing and the film is fairly suspenseful. DVD has an sharp non-anamorphic Widescreen (1.85:1) transfer and an terrific-Dolby Digital 5.1 Surround Sound. DVD Offers No Extras, which is too bad but the film speaks for itself. Based on a Novel by Dean Koontz (The Funhouse, Odd Thomas, Watchers). Koontz did wrote the Adapation from His Novel and He's one of the Executive Producers of the Film. Grade:A-.
Basically, two sisters arrive in a small Colorado town to find everyone except the three sheriffs dead. That alone should tell you not to trust the sheriffs. They obviously 1) killed everyone themselves or 2) do their job so poorly that no one in the town remains alive. It just gets worse and worse from there. This movie hinges mainly on its special effects of gross bodies and killings, but this was during the wave of slasher flicks like the Scream franchise so it can be excused for that. After all, that stuff made a lot of bank in the 1990s. But that is still not an excuse for not really trying.
Instead, consider Ben Affleck. If he's starring as the sheriff in a serious horror movie, you know something's... wrong. I did enjoy the first half of the movie, which builds on ambience and scares you through the unknown horror around every corner. Then the movie barrel-rolls and plummets head-first into the rocks. It rips shreds from "John Carpenter's The Thing" to "Alien" and everything in between. The ending is overly simplified and lacks any of the terror from the novel (and in addition is far less epic.) A warning to anyone who's read the book and yet to see this adaptation; don't waste your time. For everyone else, again I recommend the excellent novel, or if you're still in the mood for a good horror movie, try one of the thousands of better ones out there. ... Read more | |
| 11. johns Director: Scott Silver | |
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Description Reviews (22)
The film doesn't pick up speed until the middle. Here, we finally get to see how all the hustlers are related to each other. Also, the two main characters reveal a lot of themselves. We learn at how Donner's (Lukas) family mistreated him when he decided to stop hiding. And we learn about how sad John (David) is about the unfortunate placement of his birthday on the calandar. The movie is actually better with the commentary on. But, you should see the film as is first before you watch it with the commentary. All in all, this film isn't bad. I think it is best viewed when you borrow your friends DVD of this movie. It will not bore you, but you won't have any trouble hitting pause to go to the bathroom, or talk to friends, or answer the phone, or do anything. This film is really for those that LOVE independent films.
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| 12. The Babysitter Director: Guy Ferland | |
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Reviews (21)
In retrospect, the Babysitter (Silverstone) is supposed to be like Helen of Troy. Men will risk thier families, jobs and freedom to sleep with her. Among the people who want Alicia are her ex (?) boyfriend and a manipulative wanna-be-a-gangster suburban rich boy, who drunkenly conspire a plan to spy on her. The manipulative rich kid dupes the ex into breaking and entering the house where Silverstone is babysitting then tries to rape her. Nuff said about the plot. Two things make the plot unbelievable. First of all, Silverstone, taken as THE sole motive for a host of fantasies (some related and some utterly unrelated to the ending) and a rape attempt is not buyable. In reality, Silvertone is no Helen of Troy, but yet another link of good-looking hollywood sausage. More importantly, in the movie, her character is unexciting, bland and (ahem) clueless. Secondly, the antagonist rich hood's rape attempt is paradoxical. He has sense enough to manipulate the Babysitter's boyfriend like an expert (a la Cruel Intentions), yet the during the last scene of the movie he smashes lamps on peoples heads and tries to rape Alicia in front of 2 small children. Any criminologist could tell you that most psychotics are usually not silver-tounged manipulators and vice versa. On a final note, the writers could have used some of the time they spent on the fantasy sequences to develop the characters' backgrounds and motives. At least then the film might not have been such a pile of garbage.
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| 13. Full Frontal Director: Steven Soderbergh | |
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