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| 1. Women of the Night Director: Zalman King | |
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Reviews (10)
I'm not sure how long from this instance till she decides to tell her story via pirate radio, but she looks older to me. That is only the heiress' story there are two other's to follow as well. This was beautifully orchastrated, and a jewel to watch. I love it.
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| 2. Vicious Circles Director: Sandy Whitelaw | |
![]() | list price: $94.98
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Reviews (3)
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| 3. Crying Freeman: Shades of Death Director: Christophe Gans | |
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Reviews (26)
Things get complicated when Freeman is forced to undertake the elimination of a witness to one of his killings. She is a beautiful, lonely, single Japanese woman and, like Freeman, an accomplished artist. They recognize each other as soul mates and he risks his life'and hers'to convince the organization of her value to him. This 52-minute animated production is almost a perfect adaptation of the manga story and stands out as the best of the CRYING FREEMAN animated series. The dramatic mood and visual elegance of the black-and-white drawings are surprisingly well-captured by the anime, despite the bright colors and lighting. Daisuke Nishio, the anime director, knows how to pace a scene and establish the proper sense of time and place. It helps that Ikegami's drawings and his sense of cutting and composition are so astutely cinematic in the first place. The Crying Freeman manga is notable for its high doses of nudity, near-pornographic sex and extremely bloody violence. The anime doesn't stint on these elements either, although it takes great pains to stay within R-rated limits. However, the sheer beauty of their presentation here may win over otherwise hesitant viewers, while fully satisfying the already jaded fans of more hard-edged anime. The "Crying Freeman" manga has also been adapted, considerably less faithfully, into two live-action films, CRYING FREEMAN (France, 1995), directed by Christophe Gans (BROTHERHOOD OF THE WOLF) and starring Mark Dacascos, and KILLER'S ROMANCE (Hong Kong, 1990), starring Simon Yam and Joey Wang.
When a woman by the name of Emu Hino (age 29 and a virgin) witnesses a murder. They briefly and awkwardly talk for a moment before Yoh flees. Afterward she fears for her life. Recap: Beautiful anime that pushed the boundaries of acceptable anime when released in 1986. Till this day, Crying Freeman is still a crowd please. I loved it. If you are looking an anime with class but still contains a sexual and action packed adventure then you have found the right anime. Five Stars!
Crying Freeman is about a gentle artist who is turned into a merciless killer against his will. He fights to get his life back, as well as fighting for the clan who "adopted" him. The top assassin in the trade, he will always cry after killing, hence the codename: Crying Freeman. And that's about a much a synopsis as you need for this TOTAL turkey. It borrows some elements from the manga, but takes only the worst of them, and animates (and I use this term VERY loosely) them on the screen. If you really, really want to see this video series...have a lobotomy. It will soften the blow. Or better yet, wise up and go buy the manga series instead. The manga is a gripping, disturbing, sad, and ultimately compelling tale that it definitely worth trying out. The video series...is simply disturbing and sad, but not in the same way the manga is. I know now the real reason Freeman always cries...because he's trapped in such a truly awful "anime" series. I am a saint for giving this thing one star.
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| 4. Crying Freeman: Portrait Killer Director: Christophe Gans | |
![]() | list price: $19.99
(price subject to change: see help) Asin: 6303031862 Catlog: Video Sales Rank: 33913 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Things get complicated when Freeman is forced to undertake the elimination of a witness to one of his killings. She is a beautiful, lonely, single Japanese woman and, like Freeman, an accomplished artist. They recognize each other as soul mates and he risks his life'and hers'to convince the organization of her value to him. This 52-minute animated production is almost a perfect adaptation of the manga story and stands out as the best of the CRYING FREEMAN animated series. The dramatic mood and visual elegance of the black-and-white drawings are surprisingly well-captured by the anime, despite the bright colors and lighting. Daisuke Nishio, the anime director, knows how to pace a scene and establish the proper sense of time and place. It helps that Ikegami's drawings and his sense of cutting and composition are so astutely cinematic in the first place. The Crying Freeman manga is notable for its high doses of nudity, near-pornographic sex and extremely bloody violence. The anime doesn't stint on these elements either, although it takes great pains to stay within R-rated limits. However, the sheer beauty of their presentation here may win over otherwise hesitant viewers, while fully satisfying the already jaded fans of more hard-edged anime. The "Crying Freeman" manga has also been adapted, considerably less faithfully, into two live-action films, CRYING FREEMAN (France, 1995), directed by Christophe Gans (BROTHERHOOD OF THE WOLF) and starring Mark Dacascos, and KILLER'S ROMANCE (Hong Kong, 1990), starring Simon Yam and Joey Wang.
When a woman by the name of Emu Hino (age 29 and a virgin) witnesses a murder. They briefly and awkwardly talk for a moment before Yoh flees. Afterward she fears for her life. Recap: Beautiful anime that pushed the boundaries of acceptable anime when released in 1986. Till this day, Crying Freeman is still a crowd please. I loved it. If you are looking an anime with class but still contains a sexual and action packed adventure then you have found the right anime. Five Stars!
Crying Freeman is about a gentle artist who is turned into a merciless killer against his will. He fights to get his life back, as well as fighting for the clan who "adopted" him. The top assassin in the trade, he will always cry after killing, hence the codename: Crying Freeman. And that's about a much a synopsis as you need for this TOTAL turkey. It borrows some elements from the manga, but takes only the worst of them, and animates (and I use this term VERY loosely) them on the screen. If you really, really want to see this video series...have a lobotomy. It will soften the blow. Or better yet, wise up and go buy the manga series instead. The manga is a gripping, disturbing, sad, and ultimately compelling tale that it definitely worth trying out. The video series...is simply disturbing and sad, but not in the same way the manga is. I know now the real reason Freeman always cries...because he's trapped in such a truly awful "anime" series. I am a saint for giving this thing one star.
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| 5. Crying Freeman: Shades of Death 2 Director: Christophe Gans | |
![]() | list price: $19.99
(price subject to change: see help) Asin: 6303309216 Catlog: Video Sales Rank: 74699 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Things get complicated when Freeman is forced to undertake the elimination of a witness to one of his killings. She is a beautiful, lonely, single Japanese woman and, like Freeman, an accomplished artist. They recognize each other as soul mates and he risks his life'and hers'to convince the organization of her value to him. This 52-minute animated production is almost a perfect adaptation of the manga story and stands out as the best of the CRYING FREEMAN animated series. The dramatic mood and visual elegance of the black-and-white drawings are surprisingly well-captured by the anime, despite the bright colors and lighting. Daisuke Nishio, the anime director, knows how to pace a scene and establish the proper sense of time and place. It helps that Ikegami's drawings and his sense of cutting and composition are so astutely cinematic in the first place. The Crying Freeman manga is notable for its high doses of nudity, near-pornographic sex and extremely bloody violence. The anime doesn't stint on these elements either, although it takes great pains to stay within R-rated limits. However, the sheer beauty of their presentation here may win over otherwise hesitant viewers, while fully satisfying the already jaded fans of more hard-edged anime. The "Crying Freeman" manga has also been adapted, considerably less faithfully, into two live-action films, CRYING FREEMAN (France, 1995), directed by Christophe Gans (BROTHERHOOD OF THE WOLF) and starring Mark Dacascos, and KILLER'S ROMANCE (Hong Kong, 1990), starring Simon Yam and Joey Wang.
When a woman by the name of Emu Hino (age 29 and a virgin) witnesses a murder. They briefly and awkwardly talk for a moment before Yoh flees. Afterward she fears for her life. Recap: Beautiful anime that pushed the boundaries of acceptable anime when released in 1986. Till this day, Crying Freeman is still a crowd please. I loved it. If you are looking an anime with class but still contains a sexual and action packed adventure then you have found the right anime. Five Stars!
Crying Freeman is about a gentle artist who is turned into a merciless killer against his will. He fights to get his life back, as well as fighting for the clan who "adopted" him. The top assassin in the trade, he will always cry after killing, hence the codename: Crying Freeman. And that's about a much a synopsis as you need for this TOTAL turkey. It borrows some elements from the manga, but takes only the worst of them, and animates (and I use this term VERY loosely) them on the screen. If you really, really want to see this video series...have a lobotomy. It will soften the blow. Or better yet, wise up and go buy the manga series instead. The manga is a gripping, disturbing, sad, and ultimately compelling tale that it definitely worth trying out. The video series...is simply disturbing and sad, but not in the same way the manga is. I know now the real reason Freeman always cries...because he's trapped in such a truly awful "anime" series. I am a saint for giving this thing one star.
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| 6. Brother Director: Takeshi Kitano | |
![]() | list price: $9.95
(price subject to change: see help) Asin: B00005RYP9 Catlog: Video Sales Rank: 51297 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (50)
Whereas in Rising Sun, we saw the Japanese as sneaky little yellow men hiding their prejudices, corruption and kinky sex behind polite smiles and a facade of high culture, here Kitano portrays them (or at least the Yakuza) as noble, loyal, selfless, brave warriors, willing to sacrifice all to protect their honour. Quite a contrast! Rising Sun showed Westerners (represented by the US alone, as usual) as passionate but ultimately rational, independent-minded for the better, and, for the most part at least, genuine (in a "what you see is what you get" sense). Kyoudai (incidentally, the title refers not to any blood relationship between the two main characters - there was none!, but to the "brotherhood" of the Yakuza) shows Westerners as emotionally out-of-control, intellectually lacking, hopelessly disorganised and incapable of any subtlety or restraint. From considerable experience in Japan I can assure you that this is an accurate representation of the stereotype held by many Japanese. Another (I think) accurate representation of the Japanese mindset in this film lies in the ease with which the Japanese muscle-in on the US underworld. With their diligence, their capacity for cooperation and self-sacrifice towards long-term, collective goals, how could they possibly fail against this disorganised rabble of Westerners?! - this is the attitude presented, and mostly validated in this film. It's very interesting, then, that the "brotherhood" are ultimately unsuccessful in their power-bid. Is this a symbolic recognition that the US has remained militarily and economically supreme? At the least, I feel that the way in which Kitano's character dies again reflects an important facet of the Japanese mindset, being the attitude that there is only ever a choice of complete victory or total failure, conquering the whole of Asia or being stripped of all military power, scoring highly in the University entrance exams or dropping out of the academic world completely - there is absolutely no room for compromise or mediocrity, and thus a willingness follows to sacrifice everything in the bid for that absolute, and possibly elusive, victory. Of course, this has alarming implications for Japan's potential return to military and/or economic power. But if you want, you can forget my interpretations and just see this movie as a whole lot of meaningless gore. ... Read more | |
| 7. Tokyo - The Last Megalopolis Director: Takashige Ichise | |
![]() | list price: $19.98
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Reviews (1)
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| 8. Vicious Circles Director: Sandy Whitelaw | |
![]() | list price: $94.98
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Reviews (3)
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| 9. The Drive Director: Steve Wang | |
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Reviews (34)
The story centers around Mark's character, Toby Wong, escaping China and coming to America to have a biological uprgrade surgically planted in his chest remeoved. It increases the power of the person it's in. One shouldn't expect anything enlightening from the script, it's meant to be a vehicle (pun, semi intended) for showing off martial arts action. But there is a scene in the director's cut where Mark shows his acting range. It involved Toby discussing his relationship with his girlfriend, which I won't reveal so as to not ruin things. It also succeeds in being incredibly funny, with Mark playing the straight man to Kadeem Hardison's character. The rest of the cast get's in some good lines too and if you're not a snob who expects all your movies to have subtitles and deal with subject matter that would be deemed garbage if it was the same product made in Hollywood minus the captions, then this is a movie for you. I highly recommend seeking out the versions that are uncut or have the deleted scenes and interviews. There's some extra action, but most of it involves showing the backstory on the characters as well as additionl humorous scenes. The only thing that bothers me is that the music that was in the cut version is more intersting to me. There's not much info available on the recent re-release of this movie and it appears to not have any extras. Look for the cover that show's Mark and Kadeem in a full body shot if you want the special edition.
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| 10. Mechanical Violator Hakaider Director: Keita Amamiya | |
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Description Reviews (7)
At the start of the film we find the camera following a dark figure wearing a menacing samurai mask as he rides a modernistic motorcycle into Jesus Town. In this post-apocalyptic world, the android finds itself siding with rebels. His opponents are Gurjev, a mad ruler and his android associate, Michael. This is one of those films where the good guy looks like a bad guy and the bad guys are all wearing white suits. The simple plot follows Kikaider as he enters Jesus town and comes in contact with the rebels. When Kaoru, a beautiful young raider, falls afoul of the regime, Hakaider builds a full head of steam and takes on the entire establishment in a series of ever more dramatic confrontations. This is the second of Keita Amemiya's films, and while it is better made (and less silly) than Zeiram 2, this is the Amemiya film with the least amount of plot and character. Instead it's capital is special effects, costumes, and violence. All of which it does quite well for a low budget thriller. Once again Amemiya demonstrates a flair for scene setting and character design. The downside is his penchant for vacuous dialog but, in the light science fiction of its time, perfection was not an option. There is a great deal of strong Christian symbolism in the film, which an American viewer may find misleading. As in Evangelion, one has to remember that the Christian framework is as mysterious as the Japanese mystical framework is to us. Amemiya uses Christianity to add mystery and a sense of the occult, not to advocate and religious position. The film is meant to be enjoyed, particularly with a good supply of popcorn, not to make an indelible mark on cinematic history.
This film is basically a remake of the 1970s TV series Kaikaider (the 2000 remake of the anime will be distributed by Bandai in the US next year), except Keita has basically set it in a post apocalyptic world, and the evil robot is the good guy, and the hero robot is evil (well, he thinks he is upholding justice anyways). Its kinda like Terminator meets Mad Max but slightly less grungy. Haikaider is awakened by a bunch of treasure hunters, and proceeds to do away with them in a very violent manner. He is in fact a creation made by Guru Jeff, the extremely insane ruler of Jesus Town. In this town Guru Jeff rules with an iron fist, and an iron android called Michael (who loves to kill humans). Anybody who disobeys Jeff has a chip placed in their head to control their emotions. Haikaider was Jeff's creation, but a failed one. Haikaider decides to kill Jeff, and goes to Jesus Town to violently kill as many of Jeff's guards as possible. There he meets and befriends Keiko and her motley band of revolutionaries who want to over throw their oppressor. And you can just imagine the chaos that ensures for the rest of the film. OK so it's silly. It's laughable at some points. But in terms of effort and story it amazingly beats a lot of American sci-fi movies and TV series. And it was made on a budget of about $1 million, and looks bloody amazing! Most of the special effects work really well, and the stunts are great. The robot suits are cool, and Keiko's dream sequences are really surreal (if a little cheesy). The only other problem I had with the film was the footage re-inserted to make this extended 'Director's Cut'. Obviously Keita wasn't able to shoot all the scenes he wanted to, and in a couple of spots, scenes don't flow together well and it feels a little jarring. Overall quite a decent little sci-fi film if you you're prepared not to take it too seriously. ... Read more | |
| 11. Seventh Floor Director: Ian Barry | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6303640532 Catlog: Video Sales Rank: 108505 US | Canada | United Kingdom | Germany | France | Japan |
| 12. Vicious Circles Director: Sandy Whitelaw | |
![]() | list price: $94.99
(price subject to change: see help) Asin: B000007OQV Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 13. Nobody Director: Toshimichi Ohkawa, Shundo Ohkawa | |
![]() | list price: $19.95
our price: $19.95 (price subject to change: see help) Asin: 6305854610 Catlog: Video Sales Rank: 87585 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
If you accept the premise that a barroom tiff over a Rolex and a Zippo can result in an extended hunt-and-be-hunted romp through the land of the rising sun, then you can probably get a kick (no pun intended) out of Shundo Ohkawa's thriller. I must confess that this premise kept me out of this movie's groove for the first half hour, but I settled into things once these western eyes of mine realized that I'm basically watching an Averngers-like plotline, complete with mysterious motives, hunt-and-kill creatively done, and a wink at the audience at the end. I'm not sure of director Shundo Ohkawa's direct influences, but the film is analogous to the Avengers' "Superlative Seven" episode, or the old film classic "The Most Dangerous Game", this time in an urban jungle. Certain things are missing, mostly in the character department, as we never learn about these guys in any great detail, and there are no charming John Steed or Emma Peel types to round things out. Certainly this is not a film to watch for its human interest elements. On the plus side, the film cleverly avoids the black and white 'good guy, bad guy' situation which might have prevailed in an American film setting. What we have here are six guys who flip flop between hunted and hunter roles, none of whom are completely innocent. The DVD itself is bare-bones (no trailer, bio or commentary)and the transfer appears to be direct-from-video with occasional minor artifacts that would have been cleaned up in a remastering. I am collecting Asian cinema, so I bought the disk, and I'll keep it. Unless the genre is one that you're hooked on, I'd suggest a rental prior to purchase.
Were these men just crazy business men? Bloodthirsty Yakuza? Crooked Cops? Unfortunately these questions and the I Know What You Did Last Summer-like plotline, dont hold up very well, and are executed in clumsy fashion. The deaths, the suspicion, and the finale, fall too far into b-movie territory. The script, direction, and cinematography, likewise, are poor. Its the kind of movie you watch and end up being entertained by seeing all the flaws and figuring out how the film could have been better. The DVD is not good. It looks very low budget anyway, but the muddy, scratchy transfer doesnt help.
In NOBODY, Ohkawa tells a Hitchcock-like tale of an ordinary guy suddenly plunged in over his head. Set in the regimented world of Japanese business, Ohkawa's story is about a social gaffe which mushrooms into ever escalating violence and terror. Taki(Masaya Kato)is a junior advertising executive who is always well-groomed and well-spoken; Nanbu (Riki Takeuchi)is a hot-shot and hot-tempered sales rep; Korishi (Hideo Nakano) is a self-effacing accountant. Their friendship is more a product of their coworker status than any deep affinity, and they share drinks rather than confidences. One night, when the three are having afterhour drinks at a bar, they notice three men at an adjoining table. The men, at first glance, are just like them--but further inspection shows something off-kilter. Nanbu makes some comments which are overheard (very bad form in group-conscious Japanese society), and the strangers start a "what are you looking at?" face-off. Taki tries to defuse the situation, and it seems to work in an unspoken effort with the leader of the other group. When Korishi lags behind as the buddies depart, however, the strange trio isolates and savagely attacks him. Several days later, the buddies pass one of the trio in a deserted subway walkway, and with recognition comes retaliation. Nanbu loses all control and beats the stranger viciously, until he is unconscious and possibly dead. The buddies panic and leave. The next day, Taki searches for news reports of a body, but finds none. Are they off the hook? Not once the calls start coming. Who are those guys? What do they want? Where will it end? How did this happen? These are only some of the questions explored in Ohkawa's taut thriller. For Japanese audiences, the film examined many facets of their lifestyle and social structure. While the cultural subtleties (such as the significance of Taki always wearing his father's expensive designer ties)may not translate to all audiences, the plight of an ordinary (but not innocent) man caught in a maelstrom of circumstances, drowning in terror, is quite compelling in Ohkawa's grand tale of suspense. ... Read more | |
| 14. Seventh Floor Director: Ian Barry | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 6303201733 Catlog: Video Sales Rank: 70632 US | Canada | United Kingdom | Germany | France | Japan |
| 15. Hakaider Director: Keita Amamiya | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00005ALPS Catlog: Video Sales Rank: 69368 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (7)
At the start of the film we find the camera following a dark figure wearing a menacing samurai mask as he rides a modernistic motorcycle into Jesus Town. In this post-apocalyptic world, the android finds itself siding with rebels. His opponents are Gurjev, a mad ruler and his android associate, Michael. This is one of those films where the good guy looks like a bad guy and the bad guys are all wearing white suits. The simple plot follows Kikaider as he enters Jesus town and comes in contact with the rebels. When Kaoru, a beautiful young raider, falls afoul of the regime, Hakaider builds a full head of steam and takes on the entire establishment in a series of ever more dramatic confrontations. This is the second of Keita Amemiya's films, and while it is better made (and less silly) than Zeiram 2, this is the Amemiya film with the least amount of plot and character. Instead it's capital is special effects, costumes, and violence. All of which it does quite well for a low budget thriller. Once again Amemiya demonstrates a flair for scene setting and character design. The downside is his penchant for vacuous dialog but, in the light science fiction of its time, perfection was not an option. There is a great deal of strong Christian symbolism in the film, which an American viewer may find misleading. As in Evangelion, one has to remember that the Christian framework is as mysterious as the Japanese mystical framework is to us. Amemiya uses Christianity to add mystery and a sense of the occult, not to advocate and religious position. The film is meant to be enjoyed, particularly with a good supply of popcorn, not to make an indelible mark on cinematic history.
This film is basically a remake of the 1970s TV series Kaikaider (the 2000 remake of the anime will be distributed by Bandai in the US next year), except Keita has basically set it in a post apocalyptic world, and the evil robot is the good guy, and the hero robot is evil (well, he thinks he is upholding justice anyways). Its kinda like Terminator meets Mad Max but slightly less grungy. Haikaider is awakened by a bunch of treasure hunters, and proceeds to do away with them in a very violent manner. He is in fact a creation made by Guru Jeff, the extremely insane ruler of Jesus Town. In this town Guru Jeff rules with an iron fist, and an iron android called Michael (who loves to kill humans). Anybody who disobeys Jeff has a chip placed in their head to control their emotions. Haikaider was Jeff's creation, but a failed one. Haikaider decides to kill Jeff, and goes to Jesus Town to violently kill as many of Jeff's guards as possible. There he meets and befriends Keiko and her motley band of revolutionaries who want to over throw their oppressor. And you can just imagine the chaos that ensures for the rest of the film. OK so it's silly. It's laughable at some points. But in terms of effort and story it amazingly beats a lot of American sci-fi movies and TV series. And it was made on a budget of about $1 million, and looks bloody amazing! Most of the special effects work really well, and the stunts are great. The robot suits are cool, and Keiko's dream sequences are really surreal (if a little cheesy). The only other problem I had with the film was the footage re-inserted to make this extended 'Director's Cut'. Obviously Keita wasn't able to shoot all the scenes he wanted to, and in a couple of spots, scenes don't flow together well and it feels a little jarring. Overall quite a decent little sci-fi film if you you're prepared not to take it too seriously. ... Read more | |
| 16. Crying Freeman: Taste Revenge Director: Christophe Gans | |
![]() | list price: $19.99
(price subject to change: see help) Asin: B00008FHUF Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Things get complicated when Freeman is forced to undertake the elimination of a witness to one of his killings. She is a beautiful, lonely, single Japanese woman and, like Freeman, an accomplished artist. They recognize each other as soul mates and he risks his life'and hers'to convince the organization of her value to him. This 52-minute animated production is almost a perfect adaptation of the manga story and stands out as the best of the CRYING FREEMAN animated series. The dramatic mood and visual elegance of the black-and-white drawings are surprisingly well-captured by the anime, despite the bright colors and lighting. Daisuke Nishio, the anime director, knows how to pace a scene and establish the proper sense of time and place. It helps that Ikegami's drawings and his sense of cutting and composition are so astutely cinematic in the first place. The Crying Freeman manga is notable for its high doses of nudity, near-pornographic sex and extremely bloody violence. The anime doesn't stint on these elements either, although it takes great pains to stay within R-rated limits. However, the sheer beauty of their presentation here may win over otherwise hesitant viewers, while fully satisfying the already jaded fans of more hard-edged anime. The "Crying Freeman" manga has also been adapted, considerably less faithfully, into two live-action films, CRYING FREEMAN (France, 1995), directed by Christophe Gans (BROTHERHOOD OF THE WOLF) and starring Mark Dacascos, and KILLER'S ROMANCE (Hong Kong, 1990), starring Simon Yam and Joey Wang.
When a woman by the name of Emu Hino (age 29 and a virgin) witnesses a murder. They briefly and awkwardly talk for a moment before Yoh flees. Afterward she fears for her life. Recap: Beautiful anime that pushed the boundaries of acceptable anime when released in 1986. Till this day, Crying Freeman is still a crowd please. I loved it. If you are looking an anime with class but still contains a sexual and action packed adventure then you have found the right anime. Five Stars!
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