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| 1. Batman Returns Director: Tim Burton | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6302574668 Catlog: Video Sales Rank: 116761 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (187)
A few fans of the series will argue that this is the best film of the series and, in some respects, that's hard to argue against. The story is better than the first one and the vision is much more Burton-esque. Selina Kyle is, obviously, a much more interesting love interest than Vicki Vale. And Elfman's score is more boisterous than ever. I guess I just favor the first one for it's nostalgic value and Nicholson's performance. None of the Batman movies are masterpieces, but the first two make for some amazing and sometimes deep entertainment. "Batman Forever" has the best story of the series, but the dark Batman mythos was toned down a bit to make room for those funky neon lights. And "Batman & Robin" was just goofy and bizarre. Here's hoping the new 2005 Bat-flick goes back to the basics. Warner is really starting to get on the ball with the DVD format (check out the stuff they have in store for us in August). Wouldn't it be great if they finally gave the Batman series the treatment it deserves? The mere thought of how much great extras that can be included for the first two films is almost orgasmic. Maybe they'll do it next spring to hype us up for Nolan's vision of "Batman." Better late than never, I suppose. Cross your fingers, guys.
In director Tim Burton's sequel to his successful BATMAN (1989), the Caped Crusador (Michael Keaton) is pitted against the demented, ravenous Penguin (Danny DeVito), a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a "power" hungry capitalist villain Max Shreck (Christopher Walken). As the two criminals plot to gain domination over Gotham City, BATMAN must plot to stop them.In the highly stylized BATMAN RETURNS--complete with dark, Gothic architecture and moody lighting--Batman (and his alter-ego Bruce Wayne) is thrown a third enemy, a terrible distraction: Cat Woman (fearlessly and fabulously played by Michelle Pfeiffer). She is the slinky, sharp-clawed alter-ego of Shreck's secretary Selina. Batman must overcome his own dark past, and his present love entanglements, to rid Gotham of it's evil enemies, this time with even more intricately designed sets and tongue-in-cheek humor, making BATMAN RETURNS an action-packed, but darkly fun adventure. "Darker, more brooding and weirder than the first Batman. It's also funnier and layered with more texture." | |
| 2. The Blood of Heroes Director: David Webb Peoples | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 6301930754 Catlog: Video Sales Rank: 106000 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Three HUGE problems with the DVD: 1) The color/brightness are terrible, some scenes so dark that they're almost impossible to see -- you have to crank up your TV's brightness to get a clue. 2) The sound is totally muddy -- several lines we had to replay to decipher at all. And 3) why is there no widescreen option? All of these problems could have been avoided. In theaters, the movie was widescreen, well-lit, and sounded good. Lions Gate has taken a great post-apocalypse action movie and released a DVD that's best used as a coaster for your drink. I love the movie, but DO NOT BUY THIS DVD.
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| 3. The Blood of Heroes Director: David Webb Peoples | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B00009MEIR Catlog: Video Sales Rank: 89862 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Three HUGE problems with the DVD: 1) The color/brightness are terrible, some scenes so dark that they're almost impossible to see -- you have to crank up your TV's brightness to get a clue. 2) The sound is totally muddy -- several lines we had to replay to decipher at all. And 3) why is there no widescreen option? All of these problems could have been avoided. In theaters, the movie was widescreen, well-lit, and sounded good. Lions Gate has taken a great post-apocalypse action movie and released a DVD that's best used as a coaster for your drink. I love the movie, but DO NOT BUY THIS DVD.
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| 4. The Game Director: David Fincher | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B000069I3O Catlog: Video Sales Rank: 47857 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (162)
In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME. Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning... Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate. See and experience THE GAME for yourself. HIGHLY RECOMMENDED
Critique: Nerve-wracking, high wire act of a movie directed with guile precision by David Fincher ('Seven', 'Alien 3'). So far all of David Fincher's films have been good which is rare for someone who has been dubbed as a purely commercial director. The sort of tagline that is a deathnail for anyone seeking true legitimacy in Hollywood. Michael Douglas is good in the role of another heartless tycoon type character in the mold of Gordon Gekko from 'Wall Street'. Douglas gives the character just a slight insidious turn and taking him into Twilight Zone territory. It's also good seeing Sean Penn in a first rate mainstream movie for a change. Film is made in such a way that every detail has to be dissected in order to make a logical progression of events. Which otherwise would seem chaotic and purely coincidental. Towards the climax it all makes perfect sense and provides a most welcome escape ending. When the credits roll and you know it is truly over it is strangely satisfying and disappointing. QUOTES: Conrad: "What do you get for the man who has everything?"
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| 5. The Death of the Incredible Hulk Director: Bill Bixby | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00005YEQL Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (34)
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| 6. Batman Returns Director: Tim Burton | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: B000059XXW Catlog: Video Sales Rank: 103247 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (187)
A few fans of the series will argue that this is the best film of the series and, in some respects, that's hard to argue against. The story is better than the first one and the vision is much more Burton-esque. Selina Kyle is, obviously, a much more interesting love interest than Vicki Vale. And Elfman's score is more boisterous than ever. I guess I just favor the first one for it's nostalgic value and Nicholson's performance. None of the Batman movies are masterpieces, but the first two make for some amazing and sometimes deep entertainment. "Batman Forever" has the best story of the series, but the dark Batman mythos was toned down a bit to make room for those funky neon lights. And "Batman & Robin" was just goofy and bizarre. Here's hoping the new 2005 Bat-flick goes back to the basics. Warner is really starting to get on the ball with the DVD format (check out the stuff they have in store for us in August). Wouldn't it be great if they finally gave the Batman series the treatment it deserves? The mere thought of how much great extras that can be included for the first two films is almost orgasmic. Maybe they'll do it next spring to hype us up for Nolan's vision of "Batman." Better late than never, I suppose. Cross your fingers, guys.
In director Tim Burton's sequel to his successful BATMAN (1989), the Caped Crusador (Michael Keaton) is pitted against the demented, ravenous Penguin (Danny DeVito), a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a "power" hungry capitalist villain Max Shreck (Christopher Walken). As the two criminals plot to gain domination over Gotham City, BATMAN must plot to stop them.In the highly stylized BATMAN RETURNS--complete with dark, Gothic architecture and moody lighting--Batman (and his alter-ego Bruce Wayne) is thrown a third enemy, a terrible distraction: Cat Woman (fearlessly and fabulously played by Michelle Pfeiffer). She is the slinky, sharp-clawed alter-ego of Shreck's secretary Selina. Batman must overcome his own dark past, and his present love entanglements, to rid Gotham of it's evil enemies, this time with even more intricately designed sets and tongue-in-cheek humor, making BATMAN RETURNS an action-packed, but darkly fun adventure. "Darker, more brooding and weirder than the first Batman. It's also funnier and layered with more texture." | |
| 7. The Game Director: David Fincher | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B000069I3Q Catlog: Video Sales Rank: 50660 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (162)
In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME. Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning... Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate. See and experience THE GAME for yourself. HIGHLY RECOMMENDED
Critique: Nerve-wracking, high wire act of a movie directed with guile precision by David Fincher ('Seven', 'Alien 3'). So far all of David Fincher's films have been good which is rare for someone who has been dubbed as a purely commercial director. The sort of tagline that is a deathnail for anyone seeking true legitimacy in Hollywood. Michael Douglas is good in the role of another heartless tycoon type character in the mold of Gordon Gekko from 'Wall Street'. Douglas gives the character just a slight insidious turn and taking him into Twilight Zone territory. It's also good seeing Sean Penn in a first rate mainstream movie for a change. Film is made in such a way that every detail has to be dissected in order to make a logical progression of events. Which otherwise would seem chaotic and purely coincidental. Towards the climax it all makes perfect sense and provides a most welcome escape ending. When the credits roll and you know it is truly over it is strangely satisfying and disappointing. QUOTES: Conrad: "What do you get for the man who has everything?"
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| 8. Hooded Angels Director: Paul Matthews (II) | |
![]() | list price: $14.95
our price: $14.95 (price subject to change: see help) Asin: B00006JMUG Catlog: Video Sales Rank: 77767 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 9. The Blood of Heroes Director: David Webb Peoples | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00009MEAO Catlog: Video Sales Rank: 56660 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (26)
Three HUGE problems with the DVD: 1) The color/brightness are terrible, some scenes so dark that they're almost impossible to see -- you have to crank up your TV's brightness to get a clue. 2) The sound is totally muddy -- several lines we had to replay to decipher at all. And 3) why is there no widescreen option? All of these problems could have been avoided. In theaters, the movie was widescreen, well-lit, and sounded good. Lions Gate has taken a great post-apocalypse action movie and released a DVD that's best used as a coaster for your drink. I love the movie, but DO NOT BUY THIS DVD.
| |
| 10. Batman Returns (Widescreen Edition) Director: Tim Burton | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: B000059XY6 Catlog: Video Sales Rank: 48700 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (187)
A few fans of the series will argue that this is the best film of the series and, in some respects, that's hard to argue against. The story is better than the first one and the vision is much more Burton-esque. Selina Kyle is, obviously, a much more interesting love interest than Vicki Vale. And Elfman's score is more boisterous than ever. I guess I just favor the first one for it's nostalgic value and Nicholson's performance. None of the Batman movies are masterpieces, but the first two make for some amazing and sometimes deep entertainment. "Batman Forever" has the best story of the series, but the dark Batman mythos was toned down a bit to make room for those funky neon lights. And "Batman & Robin" was just goofy and bizarre. Here's hoping the new 2005 Bat-flick goes back to the basics. Warner is really starting to get on the ball with the DVD format (check out the stuff they have in store for us in August). Wouldn't it be great if they finally gave the Batman series the treatment it deserves? The mere thought of how much great extras that can be included for the first two films is almost orgasmic. Maybe they'll do it next spring to hype us up for Nolan's vision of "Batman." Better late than never, I suppose. Cross your fingers, guys.
In director Tim Burton's sequel to his successful BATMAN (1989), the Caped Crusador (Michael Keaton) is pitted against the demented, ravenous Penguin (Danny DeVito), a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a "power" hungry capitalist villain Max Shreck (Christopher Walken). As the two criminals plot to gain domination over Gotham City, BATMAN must plot to stop them.In the highly stylized BATMAN RETURNS--complete with dark, Gothic architecture and moody lighting--Batman (and his alter-ego Bruce Wayne) is thrown a third enemy, a terrible distraction: Cat Woman (fearlessly and fabulously played by Michelle Pfeiffer). She is the slinky, sharp-clawed alter-ego of Shreck's secretary Selina. Batman must overcome his own dark past, and his present love entanglements, to rid Gotham of it's evil enemies, this time with even more intricately designed sets and tongue-in-cheek humor, making BATMAN RETURNS an action-packed, but darkly fun adventure. "Darker, more brooding and weirder than the first Batman. It's also funnier and layered with more texture." | |
| 11. The Game Director: David Fincher | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6304772955 Catlog: Video Sales Rank: 98957 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (162)
In THE GAME, Douglas is Nicholas Van Orton; a man of great wealth and power and totally devoid of any human compassion (as evidenced by the cold and callous way in which he fires a longtime employee). If this sounds like Gordon Gekko to you, it's because Michael Douglas, at this stage in his career, plays cold callousness like no one else. Call it typecasting; I call it brilliant acting ability and being smart enough to stick with what works. However, Gordon Gekko in the legendary Oliver Stone-directed WALL STREET (1987) didn't have a younger brother; Nicholas Van Orton does. On Nick's 48th birthday (the same age at which his father died, hint hint), his black-sheep-of-the-family brother Conrad, as brilliantly played by Sean Penn, visits him in his sprawling, cherry-wood office and hands his older sibling his birthday present: a business card with the name Consumer Recreation Services (CRS) on it. "What is this," Nicholas cynically asks. The sly answer given by Penn is one of my favorite lines in the film, and one that tells us that his elder bro's life will never be the same, once he begins to play THE GAME. Along the way, Nicholas Van Orton encounters CRS and its primary spokesman (or so he thinks) Jim Feingold (played with disarming confidence by character actor James Rebhorn), a mouthy cocktail waitress (Deborah Kara Unger) who seems to hold the secret to THE GAME, and a spooky-looking full-size inanimate clown who appears to watch everything he does. Also along the way are near-brushes with death that culminate with Conrad Van Orton's tearful admission that he "didn't know what the $#@! he had gotten them into" when he had signed his brother up for THE GAME. But that's still just the beginning... Everyone is superbly cast in this film, including BABY DOLL (1956) herself, Carroll Baker, and the always-watchable Armin Mueller-Stahl. But the real star here is David Fincher; he is so adept at guiding us down a labyrinthic path of which only he knows the end, that all we can do is hang on and enjoy the rollercoaster ride on which he breathlessly takes us. He primarily relies on small, subtle signs of foreboding to generate suspense, as opposed to full-blown violence and gore. Although this is one of those films that relies on first-time viewers' lack of knowledge of what to expect, and thusly loses something on repeated viewings, it is still a very good film to re-visit on occasion, if only to experience Fincher's unique style (this film and A PERFECT MURDER are miles apart in this respect, believe me), Douglas and Penn's acting and the production values, which are first-rate. See and experience THE GAME for yourself. HIGHLY RECOMMENDED
Critique: Nerve-wracking, high wire act of a movie directed with guile precision by David Fincher ('Seven', 'Alien 3'). So far all of David Fincher's films have been good which is rare for someone who has been dubbed as a purely commercial director. The sort of tagline that is a deathnail for anyone seeking true legitimacy in Hollywood. Michael Douglas is good in the role of another heartless tycoon type character in the mold of Gordon Gekko from 'Wall Street'. Douglas gives the character just a slight insidious turn and taking him into Twilight Zone territory. It's also good seeing Sean Penn in a first rate mainstream movie for a change. Film is made in such a way that every detail has to be dissected in order to make a logical progression of events. Which otherwise would seem chaotic and purely coincidental. Towards the climax it all makes perfect sense and provides a most welcome escape ending. When the credits roll and you know it is truly over it is strangely satisfying and disappointing. QUOTES: Conrad: "What do you get for the man who has everything?"
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