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Director Blake Edwards, fresh from the success of the first two Pink Panther movies, indulged his love of classic slapstick comedy with this long free-for-all, which throws in everything but Laurel and Hardy's kitchen sink. The film reunites Some Like It Hot stars Tony Curtis and Jack Lemmon, ably aided by a spunky Natalie Wood. The subject is a New-York-to-Paris auto race in the early years of the 20th century, pitting the Great Leslie (Curtis), a goody-goody dressed all in white--even his teeth sparkle--against the malevolent Professor Fate (Lemmon), whose coal-black heart is reflected in his handlebar mustache. He looks like a bill collector from a silent- movie melodrama. Lemmon does double duty, also playing the pampered, drunken king of a small European country, whose laugh sounds like the wail of a cat in heat. The film may be too long for its own good, and you really have to love Jack Lemmon to put up with his over-the-top performance, but it's side-splitting in spots. It's one of those movies, if seen in childhood, that stays in your mind for years afterward. Some of the bigger routines, such as a pie fight of epic proportions, don't work as well as the simple chemistry between the perpetually exasperated Professor Fate and his much-abused assistant, Max (a terrific Peter Falk). Push the button, Max. --Robert Horton ... Read more

Reviews (97)

Nostalgic Comfort Viewing Perfect for a Family Night
THE GREAT RACE may not be a masterpiece--but it is a perfect choice for a cold and rainy night: stylish, frothy, and often flatly hilarious, it makes for "comfort viewing" at its best.

One of the movie's several charms is that it draws heavily from Victorian cliches that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.

The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.

But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffergettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots.

The DVD bonuses aren't anything to write home about, and the film has not been restored per se--the color seems a bit faded here and there--but the print is remarkably clean and the widescreen format is an essential. This would be an excellent selection for a family movie night--or for any evening when you're alone and feeling a bit blue. Break out the popcorn, curl up on you sofa, and... as Dr. Fate would say... "Push the button, Max!"

GFT, Amazon Reviewer

Great Race DVD -It's about time!!!
I have been waiting for this movie to come out on DVD. I've even written to Blake Edwards asking, "What is the hold up?"
Get ready, citizens of Boracho! Finally it's coming out!
Every time I saw Jack Lemmon in interviews I was always curious and disappointed that 'The Great Race' was never mentioned among his favorite films. Of course he made many other wonderful classic movies and I enjoyed his performance in all of them...but 'The Great Race' has been my favorite comedy for a long time. I practically can recite it along with the characters. I enjoyed some of the other reviewer's (here) favorite lines from the movie. They are my favorites too.
If you haven't seen this movie or if you haven't seen it in a long time...do yourself a favor and grab it. The laughs never stop. The casting is perfect...Tony Curtis with Keenan Wynn as his sidekick...Jack Lemmon with Peter Falk as his...Natalie Wood...Ross Martin...Vivian Vance...Larry Storch ("Now will you give me some fightin' room?!")...and many others. It doesn't get any better or funnier than this.
Hurray for the DVD. Believe me, you'll enjoy it.

A Big Ole Moose Butt
A classically structured old time villian vs the good guy film, with the obligatory sidekicks and the beautiful love interest, who will eventually succumb to the charms of The hero. More about that later. OK, the stereotypes are there, but that's what the movie was about. Charging from the gate with the player piano, boos and hiss when the cast boards are shown, the movie brings the viewer up to speed very fast with humor and great slapstick. Following a PR auto race in the early days of the 20th century, the film follows the main characters through the landscape of the US and Europe. Sight gags abound and the scenery is often breathtaking. The plot is easy to floow and it's good fun. For the movie fan who doesn't want to disect a movies' every nuance, this is especially fun and worth seeing time and again. The characters will keep you laughing long after the soundtrack has ended,. I would comment more on the plot, but nearly 100 people already handled that - look, just take a chance on it. It's great fun.

A lot of fun, but not what it should have been.
Epics were in vogue in the Sixties, and even the early Seventies(although I can't really see a hippie watching any of them), and it was only natural that comedies would get the "big" bug. IT'S A MAD, MAD, MAD, MAD WORLD and THE HALLELUJAH TRAIL make up two of the big three. The other is THE GREAT RACE, Blake Edward's 159 minute slapstick excursion, restored on DVD in complete roadshow fashion, with overture, intermission, entr'acte, and exit music. And yet, for a film of this type, it is less about the race than about the rivalry between Professor Fate (Jack Lemmon) and the Great Leslie (Tony Curtis). There is precious little racing, and though the film is far from boring and has much going for it (the finale to Part One is brilliant) one can't help but wonder what it would have been like if the other entries in the race regrouped after being snuffed out and made their mad dashes for the forefront. That would make it THE GREAT RACE. Also, the lack of other challenge leaves a depressing side effect; the film seems mildly unfinished and undernourished, like 2 hours and 40 minutes of a 3 plus hour movie. And yet, the film has so much going for it that to ignore it is rather unfair. What there is (I should note that due to the previously noted flaws, the chapters on the disc make it a more pleasing experience) is very well made, and one can appreciate what they put into it.

If only they put more.

Jamie Teller

DVD version is fullscreen not widescreen
The movie is spectacular. This DVD version is a bomb. Shame on Warner Brothers for their greediness and lack of effort to bring widescreen versions to the masses including updated soundtracks and clean film reels! ... Read more

Amazon.com

David Lynch's 1990 Wild at Heart is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his Blue Velvet. Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. --Tom Keogh ... Read more

Reviews (68)

if you're truly wild at heart, then you must .....
i first saw this film in theatres back in 1990 and i couldn't get the film outta my head. at that time, i knew very little about david lynch or his unique style. needless to say, i fell heart and soul for this maniac film and knew i would probably want to watch it over and over. nicolas cage gives perhaps his best performance prior to the wonderful leaving las vegas and i still think this film was very overlooked by everyone with the exception of true lynch fans. while this is probably his easiest film to date that the mainstream cinema could DIGEST, wild at heart is still very much avantguard as it is excessive in the language, violence, and sex departments. what makes this film so digestible is the ironic humor which surrounds the plot like a second skin. while still not a film for everyone, there is much to like about this david lynch treat. i particularly love the scene where nicolas cage is visited by the good which played by then unknown sheryl lee who advises him that the wild at heart must follow their dreams. shouldn't we all follow our dreams no matter how crazy or chaotic things may be?

Dear Tom Keogh,
Wild at Heart is, indeed, a film with some startling images. Any David Lynch fan will tell you that you should expect no less from him. In this film, Lynch is showing a subtle form of humor, he is referencing the Wizard of Oz (I'll not dare say "remake," he is rewriting it in his own fashion), and he is creating film as art in his typical fashion. You see, you actually have to pay attention to Lynch's movies in order to fully understand them. You likely have to watch them more than once to get his points. That's all part of the fun. If you bother to pay attention to the details of the movie, then you will understand that his thoughts are not all over the place at all, but are telling you a story, in Lynchian fashion. He doesn't take you by the little hand and lead you through a smarmy Hollywood film about life and love then whisk you off to a nice, rosy conclusion with a sunset and cutesy music. Don't expect the point to Wild at Heart to come easily. If that is what you want, may I suggest "Dumb and Dumber." David Lynch combines film with art and Wild at Heart is no exception. If you want a movie to present a simple story line and to conclude with a pretty red bow, then skip this one. But if you want to watch an outstanding David Lynch movie, then Wild at Heart will not disappoint. This is a fantastic movie.

PLEASE RELEASE IT ON DVD!!
David Lynch's Wild At Heart is a masterpiece, it won Palme D'Or at Cannes Film Festival for Best Picture. It has an outstanding cast, featuring Nicolas Cage, Laura Dern, Isabela Rosselini, Sheryl Lee,
Diane Ladd, Harry Dean Stanton, Willem Dafoe and so many other great actors! Why wasn't yet released on DVD in North America? Everywhere else in the world was. David Lynch is one of the best American directors and "Wild At Heart" is one of his masterpieces.
My favorite line from this film is: CENSORED.

Film of the Future
Lynch uses cinema the way it should be used. It's a naturally surreal medium, something only Lynch has truly understood, ever since Salvador Dali made Un Chien Andalou, all those years ago. Wild at Heart is totally coherent, as many reviewers have realised, even if only partly and subconsciously. All I would like to know is this: is the American South really the raw and mindless hell on earth that it seems to be in almost every film I've seen located there?

David Lynch's violent adaptation of the Wizard of Oz
Wild at Heart is David Lynch's violent adaptation of the Wizard of Oz with mesmerizing cinematography, which offers an exceptionally artistic cinema experience. Many scenes are visually packed as they offer much to ponder since they are often surrealistic or full of symbolism. The symbolism and surreal environment enhance the fantastic adventure into love, passion, and righteousness that Lynch provides for his audience. The tale begins with Sailor (Nicolas Cage) who was sent to jail for manslaughter as he killed a man in self-defense that was sent by his girlfriends neurotic mother. Released on probation Sailor is free and loving as he can reunite with his girlfriend Lula (Laura Dern) despite Lula's mothers opposition to their relationship. Lula's defiance upsets her mother who hires another hitman to slay Sailor. However, Lula and Sailor decide to take off to California and break Sailor's probation by following the yellow line on the road to the promise land. ... Read more

Amazon.com essential video

Jerry Lewis's 1963Jekyll and Hyde variation has always been tagged by two popular assumptions: one is that it is his best work as a comic filmmaker, and the other is that Lewis's Mr. Hyde equivalent--the slick, ultra-arrogant, good-looking womanizer Buddy Love--actually lampoons the director's former partner, Dean Martin. Well, The Nutty Professor certainly is Lewis's best film. But all one has to do is watch it to realize the motivation behind Buddy Love is more confessional: he's really much more like Lewis's darker, narcissistic side, while the shlubby scientist (also played by Lewis) from whom Love springs is closer to the star's screen image. You can watch all this psychodrama yourself and have a lot of good laughs at the same time with this unusual film, which still surpasses Eddie Murphy's recent remake--though not necessarily by a wide gap.--Tom Keogh ... Read more

Reviews (30)

What a ride!
Professor Julius Kelp (played by Jerry Lewis) is a brilliant, if nerdy, chemistry professor at a small college. Tired of being mistreated by larger men and disregarded by beautiful women, he decides that he can use his knowledge of chemistry to improve himself. His experiment goes awry when an experimental formula turns this meek and mild dweeb into a bold, abusive and startlingly handsome lounge lizard--Buddy Love. When the formula shows an alarming tendency to destabilize at awkward moments, Kelp must try to keep his split personalities separate, as the object of his dreams, the delectable Stella Purdy (Stella Stevens), seems within his grasp. However, Miss Purdy's experience with the vain Buddy convinces her that he may not be her dream man after all, and that a better man might be a gentle chemistry professor!

This is one of my favorite movies. Yes, there's no serious social commentary here, and the comedy is rather low, but what a ride! This movie is clean, and can be watched by the whole family (which I appreciate). The humor is quite quirky, which makes this movie fun to watch over and over again. This is another movie that I recommend for all families.

Innovative Dr. Jeckell and Mr.Hyde Spoof
This Classic film shows the incredible comedic range of Jerry Lewis as a goofy buck tooth professor with an exagerated low self esteem. He finds that one of his gorgeous students Miss Purdy played well by Stella Stevens takes some sort of interest to him. As the professor he stumbles on a potion that can change his genetics into an overly arrogant good looking man who lacks the one thing that would win Purdy over. Sensitivity. The characters name Buddy Love is said by some to have been based on former rat pack partner Dean Martin. Buddy Loves character was an inspiration for comedian Andrew Dice Clay as Dice has said, "Your not here because your Not attracted to me. And you can see I dig you pretty well myself." Eddie Murphys remake although good could never over shadow this classic comedy. Lewis as Professor Kelp at the prom with his goofy dance steps is hilarious. This movie is timeless and I highly reccomend it to everyone. This movies 1963 release gives you some sense of the simple wholesome lifestyle of the early sixties. As a male I can't help but fall for Stella Stevens every time. Jerry Lewis proves in this movie he's a comic genius!

One of Lewis's richest films
This is one of Lewis's richest films, one in which technical perfection meets considerable thematic depth. Professor Kelp is a soul whose few contacts with the sensible world lead to complications; people mock him because of his inability to accomplish concrete actions. Suddenly troubled by sensible beauty (S. Stevens), Kelp feels the need to have a body that will enable him to satisfy his desire. This body (Buddy Love), in direct contrast to Kelp, is comfortable only when pursuing entirely material endeavors; Love is especially at ease at the Purple Pit, an echo of Plato's cave in the way it manufactures illusions and crude dreams. Kelp's embodiment is not complete, as soul and body soon start to interact (when Buddy speaks like Kelp and vice-versa). The merging of both is foreshadowed by three clues: a) Buddy avenges Kelp by humiliating the head of the University; b) as the prom night begins, Kelp uncharacteristically starts to dance, led by instinct alone; c) Buddy's more decent behavior when he performs for the students, a bit later. A performance which is interrupted by the ultimate transformation and Kelp's ensuing confession. The film's conclusion is far from a happy ending: despite Kelp's vow to accept himself as he is, he now moulds his appearance and demeanor after Buddy Love's and has been corrupted by Buddy's fascination with artificiality. The fact that Kelp would return two years later in 'The Family Jewels' as a photographer - i.e. as a reproducer of the sensible world - is revealing. A major work from an underrated artist.

Jerry Lewis Almost Under control
THE NUTTY PROFESSOR is about an eccentric chemistry professor who discovers a liquid concoction which can transform him into a suave character in the style and manner of Dean Martin. For a Jerry Lewis film the antics are somewhat tame. Lewis plays the professor and Stella Stevens is his adoring student. The supporting cast includes Del Moore, Kathleen Freeman and Howard Morris.

The movie is saved by the acting and outstanding good looks of Miss Stevens. The Dr. Jeckyl and Mr. Hyde theme makes a decent story and the film also benfits from Jerry Lewis behaving almost as if he is under control.

GREAT!
i'm a 19 year old woman, and I have to say that I like this original Nutty Professor better then the remake one with "Eddie Murphy" Jerry Lewis does a wonderful job has the Professor, this movie has a very good story and great acting, it is so amazing how many good movies there were back then, anyone who hasn't see it yet should =-) ... Read more

Reviews (12)

The First One Was Better
When i heard they were making a sequal to Witchboard i was thrilled.Only to find out Tawny would not be in it.This film isnt as bad as some have said.Its actually funnier than scary.Bad acting,but good atmosphere.The atmosphere is spooky!!Witchboard 2 is like one of the corny 50s/60s horror flick its so bad its good.Skip the 3rd Witchboard,it has to be the worst movie i have seen.Some people know how to kill a good series.

Almost As Good As The First
The first one was a classic but this one is pretty good too. It's along the same lines as the first one about a woman being terrorized by a vengeful spirit who was contacted through a Ouija Board. It haunts the apartment and makes things go bump in the night. It becomes more and more vicious as it kills people by causing bizarre accidents. Then it begins to take over the woman's body by possessing it. Pretty scary stuff!

good movie
This was a cool movie! I liked it , liked the first one also !

Worth it for Ami alone
I picked up this movie mainly because I am a fan of Ami Dolenz.As a lover of occult movies, I think it stands up on its own. I found the movie to be tense and suspensful.Ami's performance as the skeptical girl turned turned believer in danger is great.I've watched the movie a few times since I got it and I think it would be a great movie to watch late at night or on a dark stormy afternoon.Another reviewer complained that it was unrealistic, but I have heard far stranger real life scary experiences than this, so even though its fiction, I don't find it out there at all.
If you like occult or suspensful movies, pick this one up.

This Movie is So cool
THis is one of my all time favs of the genre horror ... Read more

Reviews (3)

Great Baseball Movie / Great Family Movie
This movie is fun to watch whether your a baseball fan or not.

angels in the outfield
Great can only be spelled g-r-e-a-t.

The original, and the better of the two
Although dated, this light-hearted comedy should prove to be entertaining to both fans and non-fans of baseball. Paul Douglas is excellent in his depiction of a fictional manager of the Pittsburgh Pirates (the cellar-dwellers of the early fifties). ... Read more

Reviews (32)

Fun from start to finish
Freaky Friday is a hilarious film. It is filled with funny, quotable dialogue. The script is great, and what makes it all come together are the performances by it's stars. Jodie Foster is very good and entertaining as Annabel. Barbara Harris as Mrs. Andrews is so wonderful she steals the show. Her transformation into her teenage daughter trying to be a wife and mother is a blast. Barbara Harris has a wacky, rebelliousness that comes though in her performance. It's perfect. Her scenes with Boris (Annabel's teenage crush who lives across the street) and her son Ben, are especially funny.

The young Sparky Marcus as little Ben Andrews is adorable. His scene of confiding in his "mother" about his true feelings for sister Annabel is very touching. Marc McClure as Boris Harris (who makes a cameo appearance in 2003's Freaky Friday as Boris making a delivery) is great in his role as the allergy-prone object of Annabel's affections. Another standout character is Mrs. Schmauss the cleaning lady. Her interactions with "Mrs. Andrews" are side splitting.

The title song, "I'd Like To Be You For A Day", is really beautiful and compliments the sentiment in the film. Freaky Friday is a feel good film with a message that is obvious, but also has a subtle message throughout that reminds us not to take life too seriously. It seems to say "Enjoy the people you love, appreciate their individuality and struggles, and most of all, allow yourself to have fun on this crazy journey."

Original 1977 FREAKY FRIDAY Is The Best!
For a guy who likes Ingmar Bergman and other indy, artsy films, I guess it seems weird that I bought the DVD of the original FREAKY FRIDAY the minute it hit amazon. But, this film was made in the good old days of Disney, before they lost focus of their business and started behaving like most other monster corporations. This story has had at least 3 lives: the 2003 version (enjoyable), the 90's TV version (I never saw that one), and the one at hand. The original 1977 release gives us the unique pleasure of seeing two wonderful performers, Barbara Harris and Jodie Foster, going through their paces in this mother-daughter-switch tale. Barbara Harris is one of the great performers who never quite made the level of fame she deserved. Whether in her Broadway turns in ON A CLEAR DAY YOU CAN SEE FOREVER and THE APPLE TREE, to several good films, she had an amazing ability to be vulnerable in one moment and seamlessly turn into a glamourous, gutsy bombshell in the next. And her voice! This film and, perhaps, Hitchcock's FAMILY PLOT are nice samplings of her skill. Add in the very young Jodie Foster and you can't lose. (The DVD has a nice on-screen commentary by Foster, which proves how spontaneously articulate she is. Too bad they didn't get Harris to discuss her part.) As an added benefit, the screenplay is by source book author, Mary Rodgers (Richard Rodgers' daughter and author-composer in her own right). For those who like THE GILMORE GIRLS, which is a tremendous and enjoyable example of an almost-impossibly-idealistic relationship between a mother and her daughter, this film will be a nice reality check. Here the mother and daughter can't relate to each other at all until they go through the fiery baptism of spending a day in each other's body. Ultimately, this film provides us with 90-plus minutes of enjoyment and humor in the hands of the very talented cast.

Extremly Funny!!!!!!!!
I like this one MUCH better than the remake! Although the remake was still good. It is MUCH closer to the book. It was also more funny and I thought that Jodie Foster did an excellent job as Annabel! MUCH better than Lindsey Lohan. I also thought that Barbara Harris did a great job as Ellen. The Remake is not close to the book at all. After you see the orginal one, you'll probaly think that the remake isn't as good!

The best nothing beats a classic!
I grew up with this movie. I think I saw it for the first time on the wonderful world of Disney. Either that or Mom got it for me at the library & even she likes it.
Jodi foster is both brilliant & lovable! She's believable and as the child her issues where at least believable & somebody I could sypathise with. As an adult in a childs body well hillarious! By the way Ben or Ape Face really showed talent. What happened to that kid? He was cute & delivered a preformance of giant perportion that added dynamic to both mother and daughter. Plus that ball game scene & his love & envy of his big sister. The kid had a real talent for delivering dialog, yet also proved though he first apears a little geek that he had a real little boys spirit.
The jokes where clean & in good taste. Yet timeless & funny. Nothing beats a great chase scene & that car chase was both exciting and funny.
I seached long & hard for a copy of the vhs but it'd been vaulted. just when I bought it used My VCR broke & I got a DVD player for my birthday. A week later the DVD came out. Purchase of that DVD is one of the first things I'll do with my next paycheck. It will be money well spent on a classic disney movie I could watch again & again.

Thank you, Disney
At last, Disney DVD presents a fine, widescreen print of one of its '70's classics with an accompanying twenty-minute recollection by Jodie Foster of her formative years on the Disney lot. Although this DVD of the original "Freaky Friday" is not a special edition, it is exactly the kind of product we Disney fans and DVD purists have been begging for. Hopefully, good sales will lead to new widescreen releases of previously botched fullscreen DVDs of "Follow Me, Boys," "Son of Flubber," "The Gnome Mobile" and "Blackbeard's Ghost," among others.

One of the first of the popular body-switching genre, 1977's "Freaky Friday" is a fast-paced, perceptive comedy about a typical mother-and-daughter relationship and how the two react when they literally switch personalities for a day, with Foster's Annabel trapped in her mother's body, and Barbara Harris' Ellen going to junior high as Annabel. The complications are obvious but nonetheless funny and engaging, with Harris proving herself a skilled physical comedienne while skateboarding, playing baseball, and suffering through numerous pratfalls and humiliations. My only problem with Harris' performance is she seems to be playing Annabel too young--perhaps as a nine-year-old instead of a bright thirteen-year-old, so she's never entirely believable in the role. (Jamie Lee Curtis, on the other hand, nails the teenager-in-a-grownup-body role in the remake.) Foster, on the other hand, is just about perfect in her characterization of daughter/mother Annabel. Even in 1977 it was easy to see this phenomenal young talent was destined for great things as an actress. Indeed, "Freaky Friday" was part of an incredible string of top-notch performances Foster gave from 1973-1977 ("Tom Sawyer," "Echoes of a Summer," "Bugsy Malone," "Taxi Driver," "The Little Girl Who Lives Down the Lane" and "Candleshoe") that turned her into one of the finest (if not THE finest) child actresses of all time.

Rounding out the cast is a fine group of veteran actors: John Astin as Bill Andrews, Annabel's confused father; Patsy Kelly as the family's grumpy and unlikeable housekeeper; Dick Van Patten as Bill's boss; and Ruth Buzzi, in a funny cameo as a field hockey coach (her strategy: "Get Annabel Andrews and get her good!") Gary Nelson's direction is crisp, and the script by novelist Mary Rodgers perceptive for the time, although she was forced to change the plot somewhat to include that tired Disney '70's staple: a protracted slapstick car chase involving Ellen/Annabel outracing several police cars without facing any consequences whatsoever. Like most Disney films of the era, the production values are stellar and the film is colorful and reminiscent of a live-action cartoon. Even the opening cartoon-credit sequence is engaging.

Yes, there are some creepy sexual subtexts here (which Foster amusingly comments on in the documentary) involving Bill and neighbor-teen Boris (Marc McClure) both coming onto Ellen/Annabel, but they will go right over younger kids' heads and older kids will be as amused by it as their parents. Regardless, this is perfect family entertainment and will make a fine double-feature with the 2003 remake, which is equally good with its own merits. (I prefer Jamie Lee Curtis over Harris, and Foster over Lohan and think the remake is more successful in dealing with the sexual subtexts; i.e., the makers wisely scuttle the father's role and make Curtis a widow with a fiance played by Mark Harmon, which was the smartest of many changes made in the plot.)

So, once again, thank you, Disney, for a fine DVD of one of your best '70's films. Please, please, please follow this one up with more widescreen releases. ... Read more

Reviews (3)

Fun in Paris!
This glossy and sophisticated romp with Paul Newman and Joanne Woodward is delicious fluff. From the opening title song by Sinatra and the early voice-over of Newman comparing a group of bargain hunting women to a herd of cattle, we know this one is going to be fun indeed. Made in 1963 when both were at their finest the chemistry between the two leads carries this film to make it the most entertaining piece of nonsense you're likely to ever see.

Samantha Blake (Woodward) buys, or steals, all the latest fashions from around the world for her department store. Her boss Joe Bergner (George Tobias) gets it into his head to go to Paris and 'steal' the hottest new fashions and off goes Samantha and Leena (Thelma Ritter) to the City of Lights.

Steve Sherman (Paul Newman) is a columnist who gets caught playing with the wife of his boss and promptly gets sent far away to Paris until said boss can figure out a way to break his contract and fire him. He meets pal Harry (Marvin Kaplan) in Paris and decides to save his job by writing about a Parisian 'Lady of the Night' and her escapades to send back home, which proves to be a big hit!

The problem, of course, is she ain't from Paris and she ain't no 'Lady of the Night.' Samantha gets introduced as one in a con by Hogan's Heroes Robert Clary to earn a few bucks after Samantha has a complete makeover because she's tired of being mistaken for a boy! She goes along because it helps her stay close to Steve as she makes up one wild escapade after another.

Meanwhile, Leena is competing with Fellicienne (Eva Gabor) for the affection of her boss, who doesn't seem to know she's alive. Of course, Steve falls for this 'Lady of the Night' and wants to reform her for himself, until he figures it all out! Are you having fun yet? Yes, you are! That is what this film is about. A fine cast charm their way through this most enjoyable film.

The scenery is great to look at and so are a young Woodward and Newman. Thelma Ritter and Marvin Kaplan offer nice support as well. When Steve and Harry go clubbing in Paris Steve ends up with beautiful Jan Moriarity in a nice but small role. The wife of actor Michael Parks, it would be her moment to shine before a tragedy took her away.

When you're in the mood for some harmless fun this film will certainly do the trick. It's a reminder that a good film sometimes doesn't have to have any deeper meaning. Sometimes all a film has to do is entertain us. This one gets an A+ in that department and you'll want to see it the first chance you get.

This One Grows on You
Yes, this is fluff, but the stars, production values, and comedy are so good in this classic romance of two people who hate each other finally falling in love, that it goes over beautifully. The first time I saw the film I was puzzled by its wonderful stars being in such nonsense, but repeated viewings have made this one of my favorites; a real "comfort-film." The production values are not nonsense. Written and directed by Melville Shavelson, who apparently cut his teeth on Samuel Goldwyn productions starring Bob Hope and Danny Kaye, the comedy is superb. Sharp digs are everywhere--commercials, journalism, the fashion industry, testeronic males, and politics (both international and sexual). Visual comedy is great too, such as the split-screen mutual parody of the strip-tease and the fashion runway. Joanne Woodward's being processed by the fashion industry is a hoot. Thelma Ritter--need I say more?--has her razor-sharp timing and delivery intact. Plus: the title song sung by Frank Sinatra over opening credits with jokes in them; Maurice Chevalier singing; Paul Newman doing a Chevalier impression; Mimi's adventures occuring againt French impressionists backgrounds; and a lot of sex that is deliciously, blatantly SUGGESTED. The springtime colors of green and yellow predominate, from soccer and football fields to Sam's blond wig. There's even a sweet dash of religion, from Sam's name "being from the Bible," to St. Katherine suggesting Sam go to Elizabeth Arden's for a make-over, and finally Steve, who is falling in love,admitting "I went to church last Sunday and you know?--it wasn't bad at all.It might catch on." I think this movie should "catch on" as well!

A wonderful blend of romance and comedic genius.
An extrodinary display of comedic wit and romance. Fashions are fantastic and Woodward and Newman reveal the spark that maintains their marriage to this day. You won't be disappointed! ... Read more

Reviews (97)

Nostalgic Comfort Viewing Perfect for a Family Night
THE GREAT RACE may not be a masterpiece--but it is a perfect choice for a cold and rainy night: stylish, frothy, and often flatly hilarious, it makes for "comfort viewing" at its best.

One of the movie's several charms is that it draws heavily from Victorian cliches that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.

The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.

But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffergettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots.

The DVD bonuses aren't anything to write home about, and the film has not been restored per se--the color seems a bit faded here and there--but the print is remarkably clean and the widescreen format is an essential. This would be an excellent selection for a family movie night--or for any evening when you're alone and feeling a bit blue. Break out the popcorn, curl up on you sofa, and... as Dr. Fate would say... "Push the button, Max!"

GFT, Amazon Reviewer

Great Race DVD -It's about time!!!
I have been waiting for this movie to come out on DVD. I've even written to Blake Edwards asking, "What is the hold up?"
Get ready, citizens of Boracho! Finally it's coming out!
Every time I saw Jack Lemmon in interviews I was always curious and disappointed that 'The Great Race' was never mentioned among his favorite films. Of course he made many other wonderful classic movies and I enjoyed his performance in all of them...but 'The Great Race' has been my favorite comedy for a long time. I practically can recite it along with the characters. I enjoyed some of the other reviewer's (here) favorite lines from the movie. They are my favorites too.
If you haven't seen this movie or if you haven't seen it in a long time...do yourself a favor and grab it. The laughs never stop. The casting is perfect...Tony Curtis with Keenan Wynn as his sidekick...Jack Lemmon with Peter Falk as his...Natalie Wood...Ross Martin...Vivian Vance...Larry Storch ("Now will you give me some fightin' room?!")...and many others. It doesn't get any better or funnier than this.
Hurray for the DVD. Believe me, you'll enjoy it.

A Big Ole Moose Butt
A classically structured old time villian vs the good guy film, with the obligatory sidekicks and the beautiful love interest, who will eventually succumb to the charms of The hero. More about that later. OK, the stereotypes are there, but that's what the movie was about. Charging from the gate with the player piano, boos and hiss when the cast boards are shown, the movie brings the viewer up to speed very fast with humor and great slapstick. Following a PR auto race in the early days of the 20th century, the film follows the main characters through the landscape of the US and Europe. Sight gags abound and the scenery is often breathtaking. The plot is easy to floow and it's good fun. For the movie fan who doesn't want to disect a movies' every nuance, this is especially fun and worth seeing time and again. The characters will keep you laughing long after the soundtrack has ended,. I would comment more on the plot, but nearly 100 people already handled that - look, just take a chance on it. It's great fun.

A lot of fun, but not what it should have been.
Epics were in vogue in the Sixties, and even the early Seventies(although I can't really see a hippie watching any of them), and it was only natural that comedies would get the "big" bug. IT'S A MAD, MAD, MAD, MAD WORLD and THE HALLELUJAH TRAIL make up two of the big three. The other is THE GREAT RACE, Blake Edward's 159 minute slapstick excursion, restored on DVD in complete roadshow fashion, with overture, intermission, entr'acte, and exit music. And yet, for a film of this type, it is less about the race than about the rivalry between Professor Fate (Jack Lemmon) and the Great Leslie (Tony Curtis). There is precious little racing, and though the film is far from boring and has much going for it (the finale to Part One is brilliant) one can't help but wonder what it would have been like if the other entries in the race regrouped after being snuffed out and made their mad dashes for the forefront. That would make it THE GREAT RACE. Also, the lack of other challenge leaves a depressing side effect; the film seems mildly unfinished and undernourished, like 2 hours and 40 minutes of a 3 plus hour movie. And yet, the film has so much going for it that to ignore it is rather unfair. What there is (I should note that due to the previously noted flaws, the chapters on the disc make it a more pleasing experience) is very well made, and one can appreciate what they put into it.

If only they put more.

Jamie Teller

DVD version is fullscreen not widescreen
The movie is spectacular. This DVD version is a bomb. Shame on Warner Brothers for their greediness and lack of effort to bring widescreen versions to the masses including updated soundtracks and clean film reels! ... Read more