Amazon.com

The soap-opera career of Motown's most successful group, theTemptations, lends credence to the old belief that great art comes from troubled lives. Over three decades, the band struggled through numerous ego trips, countless members, broken relationships, coke addiction, alcoholism, suicide, cancer, deadly arthritis--in short, all the melodramatic devices necessary for a TV miniseries. This two-and-a-half-hour docudrama touches on all of these personal tragedies, but unfortunately forgets the real reason for the strength of the story: the music. Sure, there's wonderful reenactments of the quintet's finest material, such as "My Girl," "Just My Imagination," "Papa Was a Rolling Stone" and "The Way You Do the Things You Do," all performed with the slick choreography and shimmering vocal harmonies that made the band legendary. But, unfortunately, director Allan Arkush (Rock and Roll High School) and writers Kevin Arkadie and Robert Johnson forget to put the music into any historical perspective. Why were the Temptations so important? What was their contribution to pop music? By watching this saccharine, manipulative exposé, you'd never know. The performances are nonetheless terrific, especially Charles Malik Whitfield as leader (and narrator) Otis Williams, D.B. Woodside as his partner, Melvin Franklin, and Leon as the group's talented livewire, David Ruffin. The DVD edition offers several fine features including 2.0 Dolby Surround Sound, a discography, cast and crew profiles, extensive production notes, and most important, the ability to jump to any of the seven songs performed... basically the main reason to watch this epic. --Dave McCoy ... Read more

Reviews (207)

Superb
A fantastically well-written T.V mini seires that explores the troubled lives of each of The Temptations and their rise and fall on the music scene. The Temptations were one of Motowns hottest and most versatile acts with their carefully planned chorography on stage and their diverse ranmge of shimmering harmonies on record. An interesting aspect of the series early sequences are when they are first introduced to Motown Records and its fun to see portrayals of the great Motown legends such as Diana Ross, Martha Reeves, Marvin Gaye and Smokey Robinson. Interestingly enough Diana Ross' daughter, Rhonda Ross makes an apperance in the film playing the troubled Paul Williams wife. The sequences where the group are seen performing Papa Was A Rolling Stone and Paul Williams is about to shoot himself are moving and the funeral is sure to get a lump in your throat (where Smokey Robinson himself appears). The film also carefully chronicles David Ruffins fall from grace as he steadily declined into cocaine addiction andalso continually mentally and physically tortued his wife, Tammi Terrell. The ending sees the grop reunirted when they were inducted into the Rock and Roll Hall Of Fame.
The performances are excellent, the 60's ambience such as the nightclubs and drug culture are superbly evoked and the stage performances are mastered to perfection. Recommended.

Engrossing, enl;ightening, bittersweet...The Temptations
The Temptations on VHS or DVD (we recommend DVD becasue of its great advantages and special features) is one of the better made for TV miniseries to come along in a long time.

Although its 3-hour length still leaves many unanswered questions, the spectacular songs (of which all on stage performances except for "My Girl" and "Cloud Nine" were sung by the actors) and excellent perfomances by the actors make this movie one that you can enjoy time and time again.

The actors who portray Paul Williams, Eddie K., David Ruffin, Melvin Franklin and Otis Williams have all done their homework and then some. The DVD is only $13.99, cheaper than the video, so opt for the DVD.

This film highlights the life of the Temps from the eyes of its founder, Otis, and from the very beginning,when Otis meets Al (Eldridge Bryant--one of the first Temps prior to his dismissal)at a hop in Detroit, the movie kicks off in high gear. Excellent performances by "The Cadillacs,' ("Some people call me Speedo"), Leon (Johnson) of "Cool Runnings" Fame, Christan Payton and an unforgettable performance by Eddie Kendricks--so well done it seems like the real Kendricks--means you will this DVD watch again and again. Our favorite parts include the Copacabana scenes, "My Girl," auditioning for Berry at Motown's Hitsville USA, the whole Ruffin performance by Leon, "Just My Imagination," "Papa Was A Rolling Stone," Otis & The Distants at St. Stevens Hall with the Primes and the Primettes (Paul, Eddie and the soon to be Supremes) and a great performance by Smokey - both the actor and the real life Smokey himself in a special song at the Melvin Franklin Funeral. Buy this DVD. It will be the best $14 you'll ever spend on a movie. Fun for the WHOLE Family!!!

an amazing movie
i have to be honest i really wasn't all that interested in the movie,at first anyway...i first saw the movie while i was in the wonderful city of detroit, michigan... i went to hitsville, usa,(the motown museum), i found the location where paul williams shot himself, where david ruffin was buried, where all five the the classic five lived, and basically roamed their old stomping grounds. this was an amazing experience for me, probably the most interesting... during all of this chaos of me getting all exited about everything there is to see in detroit, i had the honor of speaking with one of david ruffin's children, david ruffin jr. well that topped it all off...this was all before i watched the movie, so of course i didn't know how truly amazing it was standing in studio a where they recorded until i watched the movie... i was bawling by the end, it was an amazing movie although it isn't all completely true, like on the new years scene al really sent paul to the hospital, and melvin really passed on in a hospital in los angeles, it was the best movie i've seen... so to all the actors who where in this movie, you really gave me a completely different look at motown, thank you otis, and everyone who produced the movie... and i have to say, Leon, you were wonderful in the five heart beats, little richard, i have watched your movies, you're an amazing actor and i hope to see you in more movies in the future...

History in the making! To be enjoyed for generations.
This is one of the greatest movies of all times! The characters come alive. As I watch it, I have to remind myself that the characters on the television are not the real Temptations. It is spooky, but I get a selfish satisfaction knowing that I can experience the beauty and the sadness of the Temptations whenever I choose. My ten-year-old is even hooked on it. We watch it at least once a week and he swears that he sings like Eddie and Paul! In fact, he does. Go figure! It gives me comfort to know that the genius of The Temptations has been integrated into another, younger generation.

What makes this movie so wonderful is that it takes us back to the times when music really meant something and touched us on a deeper level. Each time that I watch it I am transported to a time when the melody of a voice could melt away the pains of a troubled society. Don't get me wrong, there were problems with segregation and wars, but there was an innocence that I long to return to. I hope that Paul, David, Eddie, and Melvin are resting in peace. Their music changed the face of entertainment and now their stories have truly changed my perception of the world.

I say all of this to say that this movie is a must have for Temptations fans as well as for those who want a break from all of the ugliness in the world.

I can't resist this temptation!!!!
I love this movie! I can watch it over and over and over again, especially the performances. ... Read more

Reviews (31)

Bravo,Bravo
I don't know what took me so long to see this movie. Now that I did. I'm sorry I have waited so long . Finally a movie that portays black characters in a positve and brillant light. Great leading actor LL cool J who plays a reformed player who falls for the smart, beautiful and controlling Eva played by Gabrelle Union who's just terrific. Supporting characters were great as well. The husbands were hilarious. This is a must keep in your DVD library.

Very good most of the way, but falls flat at the end
"Deliver Us From Eva" is an amusing comedy about a family of sisters, and the men who they are with. Two of the sister's are married, one has a boyfriend, and the other.....is Eva(Gabrielle Union). Eva is a hard nosed, don't take anything from anyone, especially men, person. Not only that, she basically controls the lives of her three sisters. This does not sit to well with their men. All the men really want is to get Eva out of their hair so they can live happily with their wives. It'll take a pro to do the job. That's where player Ray(LL Cool J) comes in.

This is suprisingly a very amusing film. I went into the movie with rather low expectations. However, the film is very satisfying, except for the formulaic ending. One thing that works for the film, is they loveable, and attractive characters.
Everyone is likeable, and it's a joy to watch these people talk.

The film and dialouge gets a little goofy in some spots, but all around the film is pretty funny. I found myself smiling alot, and chuckling as well.

The performances are also good. Gabrielle Union plays Eva well, even though at times she tends to overact. LL Cool J also is good as Ray, and he has a certain charm about him that I've never really noticed before.

At the end, things get a little crazy, and at times stupid, but the overall effect of the movie is positive. "Deliver Us From Eva" provides a good time, but not much more than that.

not bad
This movie was not bad. You have this woman eva who takes care of her 3 sisters. And their family is very close knit. After their parents passed away eva is all they trust. and the men in their life can't take eva or her Iron fist attitude. The men get together and get LL Cool J (which is too fine in this movie). they payed and convienced him to get with eva.

Honestly this movie was cool. It was hard to watch again because
once you understand why she is so cold hearted you get why she acted the way she did. and once you get were the attitude came from then you take it personal when they pay someone to come to her.

Don't get me wrong, this movie was nice. and it does have a good ending. Thank god.

I do not like this movie
Horrible movie. These acting talents were wasted.

Refreshing
I'm black and I generally avoid 'black' movies because they always portray us in 'da hood', smoking weed and doing absolutely nothing with our lives, and the one guy that has a chance at becoming something better always gets shot! This movie was a much needed refreshment from all of that. The entire movie was very humourous and it was awesome to see a steel-hearted woman like Eva (Gabrielle Union) show how human she really is beneath that tough exterior. It was great to see the multitalented LL Cool J have a leading role as well.

The women in this movie are strong productive members of society as are their husbands and I love seeing black people portrayed in such a positive light in comparison to what they have been shown to be in the past. It is a very good buy; I highly recommend it. ... Read more

Amazon.com

Soul Food is the kind of movie that seems to have been blessed throughout its low-budget production, and it's got a quality of warmth and charm that fits perfectly with its authentic drama about a large African-American family in Chicago. Twenty-eight-year-old writer-director George Tillman Jr. drew autobiographical inspiration from his upbringing in Milwaukee, and on a well-spent $6.5 million budget he succeeded where similar films (including Waiting to Exhale and How Stella Got Her Groove Back) fell short: He depicts his many characters with such depth and sympathy that, by the time they have weathered several family crises, we've come to care and feel for them and the powerful ties that bind them together. As seen through the eyes of Tillman's young alter ego Ahmad (Brandon Hammond), the film primarily focuses on the rivalries and affections that rise and fall among Ahmad's mother (Vivica A. Fox) and her two sisters (Vanessa L. Williams, Nia Long). Through them, and through the weekly Sunday dinners cooked with love by their mother, Big Mama (Irma P. Hall), we witness marital bliss and distress, infidelity, success, failure... in short, the spices of life both bitter and sweet. But when Big Mama falls into a diabetic coma, Ahmad watches as his family begins to fall apart without the stability and love that Big Mama provided with every Sunday meal.

Tillman's touch can be overly nostalgic, melodramatic, and cloyingly sentimental, but never so much that the movie loses its firm grip on reality. As a universal portrait of family life, Soul Food ranks among the very best films of its kind--believable, funny, emotional, and always approaching its characters (well-played by a uniformly excellent cast) with a generous spirit of forgiveness and understanding. As satisfying as one of Big Mama's delicious dinners, Soul Food is the kind of movie that keeps you coming back for more. --Jeff Shannon ... Read more

Reviews (30)

Soul Food Fills Your Stomach, But Is Not Entirely Satisfying
SOUL FOOD is the type of movie that you like not because of what it is, but from what you hope it to be. Irrespective of your race or ethnic background, you are bound to connect on some level with this film.

The story itself is not very original. It involves an African American family that gathers weekly for the family dinner. The focus is on three sisters, who share their hopes, dreams and frustrations. The story is told through the eyes of the son of the middle sister. While the film is told through a his eyes, it is not a story for children because of some of the themes explored like adultery. It's an odd way to tell this story, but it works most of the time.

Unfortunately, writer/director George Tillman, Jr. (with an uncredited rewrite by Tina Andrews) do not know the meaning of subtlety and nuance. The characters are drawn with broad strokes. Teri (Vanessa L. Williams) is the cold and hard-driving overachiever of the family. Maxine (Vivica A. Fox) is the aggressive, but "down to earth" stay-at-home mom, and Bird (Nia Long) is the baby of the family, who has just married the neer-do-well, Lem (Mekhi Phifer). Each one of their stories follows a fairly predictable course.

This is not to say that the movie is without charm. It's nice to see a black movie that is not focusing on gangs or drugs. It's also a film that shows black people from several different generations.

You feel for the struggles of the characters, although many of the situations seem forced and over the top. One particular scene that comes to mind is when Teri's character pulls out a knife. It seems to completely contradict her character as an educated professional woman.

The film also follows the cliché of many character driven pieces in that a key character must die. In this case, it's milked for all it's worth.

Overall, SOUL FOOD is an entertaining film, but delivers a lot less than it promises. Although it was marketed as a family film, it is really for adults because of the violence and sexuality on screen. If you're looking for a film about a black family (as opposed to a black family film), it's worth a look. As long as you don't keep you expectations too high, you won't be disappointed.

On Balance, a Strong Family Film Well Worth Seeing
Thank goodness someone made a good, warm-hearted film about a family--that's pretty much what I thought when I first saw "Soul Food" in the theater in 1997. Like many Americans, I was starved for a movie that didn't portray the American family as broken or malignant, which appears to be the Hollywood standard. "Soul Food" works primarily because it never loses sight of the importance of family, even as its members may bicker or transgress. The plot focuses on the lasting impact of the family matriarch--Big Mama (played wonderfully by Irma P. Hall)--whose kind heart and wise soul holds the family of mostly younger couples together, despite their foibles. When she passes away from complications due to diabetes, her daughters must overcome their differences to uphold the family traditions, best embodied by Sunday dinners that go beyond simple meals. The cast is generally superb, though Vivica Fox and Brandon Hammond (as grandson Ahmad, through whose eyes we are told the story), sometimes try too hard, making their characters border on caricature in a film that otherwise seems so lifelike. There is a subplot involving a hidden family fortune that also gets in the way--writer and director George Tillman, Jr., seems to want to jam as much into the story as possible when he really doesn't have to, as the main plot is interesting enough. These flaws are oddly more apparent on the small screen than they were on the big screen. Nonetheless, "Soul Food," despite its "R" rating, is an effective family film, one with a sense of authenticity that Hollywood seems to have mostly forgotten.

An all-time Favorite
This movie is wonderful. Anyone who collects DVDs must have this film in their collection. It was 100% real. I love every scene and every character. I am glad this movie was made.

One of the greatest African American movies i've ever seen
This movie says it all, drama, feel good comedy and all star cast, it has the essence of a fantastic movie. The story is strong, heartbreaking and facinating, the comedy is mild and humerous and i just loved the cast. If you are a fan of African American movie, this is what you should've watched inthe first place. If it was in the Top 50 Africn American movies, it would come in 5th place to be the least. If you consider buying this, don't forget other great titles like Boy'z in the Hood, Kingdom Come, Waiting to Exhale and The Brothers. This movie deserves an award for its outstanding preformance and it is my highly rated DVD in History. 10/10.

great storytelling
Great movie about an afro- american family who deals with Death, marriage, children, fun , love, and adultery. Simply mmm mm good. ... Read more

Reviews (30)

Soul Food Fills Your Stomach, But Is Not Entirely Satisfying
SOUL FOOD is the type of movie that you like not because of what it is, but from what you hope it to be. Irrespective of your race or ethnic background, you are bound to connect on some level with this film.

The story itself is not very original. It involves an African American family that gathers weekly for the family dinner. The focus is on three sisters, who share their hopes, dreams and frustrations. The story is told through the eyes of the son of the middle sister. While the film is told through a his eyes, it is not a story for children because of some of the themes explored like adultery. It's an odd way to tell this story, but it works most of the time.

Unfortunately, writer/director George Tillman, Jr. (with an uncredited rewrite by Tina Andrews) do not know the meaning of subtlety and nuance. The characters are drawn with broad strokes. Teri (Vanessa L. Williams) is the cold and hard-driving overachiever of the family. Maxine (Vivica A. Fox) is the aggressive, but "down to earth" stay-at-home mom, and Bird (Nia Long) is the baby of the family, who has just married the neer-do-well, Lem (Mekhi Phifer). Each one of their stories follows a fairly predictable course.

This is not to say that the movie is without charm. It's nice to see a black movie that is not focusing on gangs or drugs. It's also a film that shows black people from several different generations.

You feel for the struggles of the characters, although many of the situations seem forced and over the top. One particular scene that comes to mind is when Teri's character pulls out a knife. It seems to completely contradict her character as an educated professional woman.

The film also follows the cliché of many character driven pieces in that a key character must die. In this case, it's milked for all it's worth.

Overall, SOUL FOOD is an entertaining film, but delivers a lot less than it promises. Although it was marketed as a family film, it is really for adults because of the violence and sexuality on screen. If you're looking for a film about a black family (as opposed to a black family film), it's worth a look. As long as you don't keep you expectations too high, you won't be disappointed.

On Balance, a Strong Family Film Well Worth Seeing
Thank goodness someone made a good, warm-hearted film about a family--that's pretty much what I thought when I first saw "Soul Food" in the theater in 1997. Like many Americans, I was starved for a movie that didn't portray the American family as broken or malignant, which appears to be the Hollywood standard. "Soul Food" works primarily because it never loses sight of the importance of family, even as its members may bicker or transgress. The plot focuses on the lasting impact of the family matriarch--Big Mama (played wonderfully by Irma P. Hall)--whose kind heart and wise soul holds the family of mostly younger couples together, despite their foibles. When she passes away from complications due to diabetes, her daughters must overcome their differences to uphold the family traditions, best embodied by Sunday dinners that go beyond simple meals. The cast is generally superb, though Vivica Fox and Brandon Hammond (as grandson Ahmad, through whose eyes we are told the story), sometimes try too hard, making their characters border on caricature in a film that otherwise seems so lifelike. There is a subplot involving a hidden family fortune that also gets in the way--writer and director George Tillman, Jr., seems to want to jam as much into the story as possible when he really doesn't have to, as the main plot is interesting enough. These flaws are oddly more apparent on the small screen than they were on the big screen. Nonetheless, "Soul Food," despite its "R" rating, is an effective family film, one with a sense of authenticity that Hollywood seems to have mostly forgotten.

An all-time Favorite
This movie is wonderful. Anyone who collects DVDs must have this film in their collection. It was 100% real. I love every scene and every character. I am glad this movie was made.

One of the greatest African American movies i've ever seen
This movie says it all, drama, feel good comedy and all star cast, it has the essence of a fantastic movie. The story is strong, heartbreaking and facinating, the comedy is mild and humerous and i just loved the cast. If you are a fan of African American movie, this is what you should've watched inthe first place. If it was in the Top 50 Africn American movies, it would come in 5th place to be the least. If you consider buying this, don't forget other great titles like Boy'z in the Hood, Kingdom Come, Waiting to Exhale and The Brothers. This movie deserves an award for its outstanding preformance and it is my highly rated DVD in History. 10/10.

great storytelling
Great movie about an afro- american family who deals with Death, marriage, children, fun , love, and adultery. Simply mmm mm good. ... Read more

Reviews (24)

Don't Let Strangers Into your Home!!
Stranger walks into the home of flawed couple and proceeds to make their life "pure hell". Debbie is married to screenwiter/postal worker, Howard, who is oblivious to her needs and blatantly ignores her. Their current anniversary is marred with betrayal and a violent intrusion as the stranger, Silk, (Mekhi Phifer)unloads his fury on the confused pair. Along with Melinda Williams and his co-writing cronies, they are held hostage as Phifer intensifies his cruelty. Finally, after several plot twists we discover that Silk is not the only "bad guy". The story goes deeper as does the betrayal, leaving us to wonder who is the "good guy"? Phifer, has always displayed an awesome potential. Silk, is a complex character, who has multiple personalities; but at the root is "pure evil". Phifer shows range and an inherent aptitude for this character. Think of "Robert DeNiro" from "Cape Fear" or Matt Damon, in "The Talented Mr. Ripley and there you will find the imbedded ingredients that produce "Silk". This is not a bad movie, but you may get confused at the end. Solid acting performance by Phifer, he's not just a pretty face."Note" Wanya Morris, of Boys to Men fame has a supporting role as, Mo, "the resident thug" of the group.

Who's scamming whom?
"Uninvited Guest" is like a low-budget, "who's scamming whom," black version of "The Grifters." Make no mistake; this movie does not belong in the same class with the best of the contemporary film-noir offerings. At its lowest moments, it's a sloppy work with an implausible story pretext. Still, as a direct-to-video melodrama, it has decent performances by the principal actors, unpredictable (albeit absurd) plot-twists, some thoughtful relationship dialogue, witty sexual banter, and a tasteful seduction scene that culminates on a kitchen counter. I especially appreciated the humorous anatomical quips that helped diffuse the tension during some of the film's violent confrontations.

While still a B-movie, there's enough entertainment value in this modest film to make you forgive most of its technical shortcomings and storytelling deficiencies. With a bigger budget and some script revisions, this film may have been a contender. All things considered, I give it a C.

Thrilling
One morning I just happened to wake up around 2 AM and had the pleasure of seeing this movie. At the beginning, I figured it would be kind of wack because it just seemed to me as if it were a low budget movie. However, as the movie progessed and the storyline got deeper and deeper, I found myself drawn into it. As sleepy as I was, and knowing I had to get up in a couple of hours for work, I wanted to see how the movie would play out. I must say, I was very well pleased with the plots, storylines, actors, sequences and everything that makes an interesting thrill story (not horror, just thrill). Nonetheless, I stayed up to watch the entire movie. I have been suggesting this movie to anyone who takes time to listen to my story (LOL). If I must say, if you're wanting to focus on an interesting thrill, this is a good movie to check out.

Very Interesting & Intriguing
I had the pleasure of watching this movie on TMC. Instantaneously, I stopped what I was doing and was glued to the television. It's always nice to watch African Americans on TV. This is the type of movie that keeps you wondering what's going to happen next and you'll want to know who's in on this and who's not. I thought the movie was good. I wouldn't buy it, because some of the acting was a little off base. But I would recommend it to anyone looking for something good to watch on television. There are alot of twists and turns in it. It keeps you amazed at the way things are going. Mekhi does an excellent portrayal of a Smooth Operator. It's like he takes control of Debbie's mind when he talks with her. Especially the scene in the kitchen. WONDERFUL! The ending is sad, but also full of suspense. Buy it or Rent it. The choice is yours.

interesting, good plot twisting
I just happened upon this on the movie channel one tuesday night & couldn't turn the channel. very good suspense..(i mean not like SCARY suspense, but suspense in the terms of , one wanted to know what was gonna happen next). Great forethought by the writer. Kudos!!:-)
3 stars b/c to me Training Day is a 5 & so is the Thomas Crowne affair, i'd say this is not at that level, but still very entertaining & I'd recommend it to others to check out! ... Read more

Reviews (5)

Exellent and highly entertaining film...
I saw this on cable, and it really was well produced, and although the film doesn't mention that Little Richard's main influence was Esquirita. This film may not be completely accurate, but it is a lot of fun to watch. The birth of jump blues & r&b started with Esquirita, but Little Richard made it a household name.

Little Richard: little facts and little development
This has to be the worst dramatization of a pop/rock singer's life. Opening with one or two insignificant scenes (including an 11 year-old Richard in a dress), it quickly jumps to the "Little Richard" incarnation, complete with flamboyant hair and a penchant for high shrills and signature screams. What the film fails to convey is Richard's infamous meeting with Esquerita (whom he met at the Macon bus stop at one in the morning, doing god-only-knows what). They went back to Richard's pad and stayed up together until the sunrise, with the South Carolinian, Esquerita, showing off his dandified musical act, playing "Mint Julep" over and over, and demonstrating his entirely original screams and shrills. In his autobiography, Little Richard fully gives Esquerita props for this essential element of the Lil Richard act. In this weak dramatization of his life, there is no development of Richard's style or sound. The details are insignificant and the content devoid of important facts or significance.

LITTLE RICHARD: Little facts and little significance
This has to be the worst dramatization of a pop/rock singer's life. Opening with one or two insignificant scenes (including an 11 year-old Richard in a dress), it quickly jumps to the "Little Richard" incarnation, complete with flamboyant hair and a penchant for high shrills and signature screams. What the film fails to convey is Richard's infamous meeting with Esquerita (whom he met at the Macon bus stop at one in the morning, doing god-only-knows what). They went back to Richard's pad and stayed up together until the sunrise, with the South Carolinian, Esquerita, showing off his dandified musical act, playing "Mint Julep" over and over, and demonstrating his entirely original screams and shrills. In his autobiography, Little Richard fully gives Esquerita props for this essential element of the Lil Richard act. In this weak dramatization of his life, there is no development of Richard's style or sound. The details are insignificant and the content devoid of important facts or significance.

Enough With The Pancake 31!
Little Richard had been talking about a movie of his life as far back as 1962. Around the time of his critically acclaimed *book* biography, "The Life & Times of Little Richard" (Charles White, Crown, New York), he mentioned Michael Jackson, Prince, or Eddie Murphy as his celluloid self. About fifteen years later Leon got the job. I'm not familiar with the gentleman's work, but I strongly believe that he did the best possible job of all. Murphy would have been great if the story took us into the late '60s/early '70s, but the younger actor managed to capture the "soul" of the early Penniman, as he achieved worldwide fame on his first major record release, and nearly saw it taken away, or at least tarnished by unfair competition and by a perfectly legal but unfair recording contract. And by his own offstage indulgence. By the way, if you look at the 45 rpm picture cover of LR's "Ooh! My Soul"/"True, Fine Mama" you'd think for a second that it was this actor. The resemblance actually does help here.
In some ways we can compare Richard's biopic with Jerry Lee Lewis' biopic. They both disappointed the deep fan, the historian, but served the purpose of introducing a Legend to those who knew very little about them. The movies got alot of folks interested. "Little Richard" wins out by the strength of the acting.
Those who read the Charles White book need to (almost) forget the book while they watch the movie. There's a large amount of distortion and exaggeration. There's a certain amount of invention: "By The Light of the Silvery Moon" was his first RCA release, complete with *1956* arrangement? - okay...Tutti Frutti" was recorded in 1953? - it may have been first *performed* in 1953, but it sure wasn't recorded that year! (In record business years, *two* years is like two lifetimes!) The lady companion he found after his fame was named...Lucille? More than one source mention a free-spirit named Lee Angel.
Ofcourse most musical biographies exaggerate to make the "story" work. Too bad, however, that in this case we have an incredibly influential musical genius portrayed as an incredibly influential gender-bending eccentric who sent the kids into orbit. How about a minute or two on how he changed the way music sounded and the way musicians performed? In short, the movie is too image conscious.
Another concern is in the portrayal of two Richard contemporaries, Sam Cooke and Pat Boone. Cooke, who was a very close friend of Richard and who wrote for him in the early '60s, for some reason gets a disparaging comment in the dialogue, and Boone, the good Country ballad singer/poor Rock and Roll singer who ofcourse recorded third-rate covers of LR's first two classics, is shown in a crass split-screen: the great "Long Tall Sally" versus the terrible "cover version" as Pat struggles with the intricacies of the composition at a studio mike.
Altogether the real Little Richard did a fine job as Executive Producer. Just like in his recording career, whenever he took the reins as Producer, or Co-Producer, we got something special.
Strangely, however, just as critics and fans have neglected his most important contributions over the years, the Architect himself seems to have gotten caught up in the same confusion.
[Longtime fans and historians note that the soundtrack recording of "Take My Hand, Precious Lord" and an unidentified folk/work song are *new*].

The Georgia Peach
I grew up with the music of Little Richard, Fats Domino, Elvis and really never understood the real stories behind these influential rock artists. This made for television movie accurately recreates the life and times of the man who really did put the "rock"in rock and roll. Although I have only watched a portion of the dvd, I can recommend it to anyone who has any interest in this always fascinating artist who still contributes today: check out his performance on "Kindred Spirits", the Johnny Cash tribute album. ... Read more

Reviews (27)

Low Budget
The story line to this movie was very good, but the only real talent on this film was Vivica A. Fox. Shemar Moore can not act at all, he was a straight up joke.

Don't buy it, rent it!!!!!

ANOTHER GOOD BLACK FILM
I thought the story line was good and so was everyone in the movie. It had a vast cast of actors. It was the best movie i have seen yet from Rainforest. Shemar was Excellent, as well as Vicca's performance. The twist at the end was Tops!

PotLUCKY Cast
I purchased this film for my mom, who is collecting DVD's.
I was surpirised at the wide spectrum of cast members. Shamar Moore (Y&R) Vivica Fox (Big screen) Golden Brooks (Girlfriends) Keisha Knight Pulliam (Cosby Show). I was skeptical, but the plot was well put together and I liked the fact that the director didn't feel the need to "get ghetto". Well-to-do people of color getting caught up is cool.
This who-dunnit is a great movie that should've hit theaters.

My, My, my
This movie kept me intrigued from the very start, first with the star power and then with the revelations that started to unfold. It is definitely one for your collection, short enough to share with company and not take all night and something to start a good conversation about relationships!

Nothing is as it seems
I must say although Shemar is good to look at, I don't like to see Bro acting cause I don't think he has anything except the right look. Ok with that said I did like this movie, the way it unfolded in different ways kept you completely on edge a very intriguing twist. ... Read more

Reviews (5)

Don't Be Fooled By The Title - This Is One Powerful Movie
"Dancing in September" is one of those movies that comes up from your blind-side and knocks you to your knees. This movie has to be one of the most realistic, well written, acted, and powerful character development studies in a long, long time. I rented this movie, thinking I was getting a 'flick', just something to chill out to, y'know, you're typical feel good movie on par with "Love Jones", "Soul Food", "While You Were Sleeping" etc. A romantic comedy. Whew! *Whistles* Was I mistaken, but don't get me wrong! This movie is extremely powerful, more than that. This movie is effecting. Very effecting.

There are many themes in the movie, but it seems the underlying theme that carries through the whole film is the power of television and the people behind it. The movie is pot-holed with interludes where people in the television industry share their comments and thoughts on the lives of the characters and the power of TV, (but don't worry, unlike many movies I can think of, this does not jar the flow of the movie, which is quite an accomplishment). One woman says (and no, this isn't an exact quote) that if a commercial can convince you that a certain ant-acid is the solution to your pain, or that one insurance company is the solution to your debt problems, then it can certainly convince someone that violence is the answer, can't it? This has been a long debated topic since the beginning of television, and Nicole Ari Parker squares off with Isaiah Washington over this very issue during the course of the movie, while trying to juggle their intertwining professions, relationsips, and ultimately, the morals that both bring them together and put them at odds.

This movie shows the depth and evolution of a person superbly, portraying the effect television, power, money, love, hate, confusion, controversy and rejection have on a persons heart, soul, and life.

The movie started out much as I expected it to, a reasonably interesting light hearted film centering on three main characters; Isaiah Washington, who plays an ambitious african-american with dreams of being an influential power in the television industry. Nicole Ari Parker plays a strong headed and strong willed african-american woman (as usual), but in this movie, she brings an extra element of magic to the character she gets type-casted into so often. There's a genuine emotion about her performance in this movie that feels real. Maybe it's because this is a topic that really does effect her, after all, she is an actress. Last, but not least, you have Vicellous Reon Shannon, who plays a confused youth caught up with the drama and baggage of a young daughter, an angry girlfriend, and her volatile gang-banger boyfriend. Shannon's character goes through the most phases of evolution, going from depressed and down on his luck, to fame in a second, to arrogance, to everything falling to pieces, and finally to the moment of truth, where everything that has piled up on his nerves and emotions climbs to a feverish climax, bringing every character in the movie to a confrontation of their own lives and decisions. Without Shannon's character, you wouldn't have a movie.

The GREATEST feature of this movie, however, is that every character starts off relatively innocent and ambitious with strong-standing morals and visions for their life. Determined to stand their ground against the arrogant, greedy and emotionally blind executives in the TV industry who try to conform and supress their ideas, they find themselves slowly crushed, melted and molded to what the industry wants them to be, spurred inexorably into the fires by their own aspirations. What's so great about this, is that 3/4's of the way through the movie, each character in the movie has evolved into the one person whom they hated in the beginning of the story. Nicole Ari Parker becomes the self-absorbed screen writer, unable to hear the voice of other, perhaps wiser people. Isaiah Washington, who arguably had the lowest standards to begin with, becomes the dis-loyal father whom he's hated for so many years by abandoning Nicole Ari Parker's character in her moment of need. Last, but not least, Shannon's character ends up drawn back to his old image of gangsta, a man of the streets, and evolves consequently into the image of his baby-mother's volatile boyfriend whom he's been so opposed to since the beginning of the film.

Finally, each character finding themselves at a point in their lives they swore they would never be at, they are all faced with several life-changing decisions, and in a climax that will you leave you utterly breathless, fall back to ground-zero, each character in a different way, forced to take a look back on their life and what effects their decisions may have had on their peers, friends, and relationships.

"Dancing in September" is a sombre, accurate and moving character study that is sadly under-recognized as well as under-appreciated. "Dancing in September" is filled with hidden meanings, subliminal messages, and out-right confrontations of multiple issues our society refuses to face today. This is a film that will make you think, something the television and movie-making industry lacks now-a-days, and something that more movies need.

Staying true to yourself
I really enjoyed this movie. It shows what can happen when you are behind the scenes of show business. How a person can get caught up, and how much it can change your life, and not always for the better. A really good movie to watch, with some good acting. People will want to compare this movie to Bamboolzed, but they are very different. I saw this when it first came on HBO a few years ago. Tommy Crawford (Nicole Ari Parker of TV's "Soul Food"), is a staff writer on a television sitcom. When she speaks out about the show she is writing on she gets fired.

She pitches her own television series to a start-up television network. George Washington (Isaiah Washington), an ambitious executive at the network, sees Tommy's show as a way up the corporate ladder and champions the project. Tommy's (called "Just Us") is on the network's fall line-up after some "creative tweaking."

Another reason to check out this movie is for Vicellous Reon Shannon's performance as James or "Semaj." His character is going through some emotional changes, and he is trying to make good with the mother of his child played by Melinda Williams (Soul Food Series). This movie is really excellent, and it's one you really should see. It's powerful without beating you on the head. You will get the message easily.

Good Film
this film is really cool.it takes you behind scenes of a Show from the Writer&Producer Perspective.this Film&Bamboozled have alot in common.the sad Part not much has realy changed with how Hollywood acknowledges the Diversity in Black life on TV.it's still the Same Ole Same ole overall.this film deals with alot of issues head on.Props to the cast.

Dancing in September
Although some might like to compare this movie to Bamboozled, I find that they are similar in theme but from two different points of view. Bamboozled shows us the inside of the television sitcom from the actors point of view. Whereas Dancing in September, we get to see the workings of television from the writers/producers viewpoint . I found Dancing in September to be an excellent film. The writing was first rate and the acting was equally as good. I have been following Isaiah Washington's career from his early days on Living Single, and have admired how much he has grown as an actor. If you want to see what goes on behind the scenes of situation comedy, Dancing in September is the movie to see. If you've ever wondered why a somewhat funny character suddenly goes over the top then Dancing in September is the movie to watch.

Intelligent Drama About TV Business
DANCING IN SEPTEMBER is the long-form directing debut of Reggie Rock Bythewood, writer of GET ON THE BUS. Although the film had its world premiere at the 2000 Hollywood Black Film Festival, it was not widely seen until it premiered on HBO a year later.

The film tells the story of Tommy Crawford (Nicole Ari Parker of TV's "Soul Food"), a staff writer on a television sitcom. When she dares speak her mind at a story meeting, the executive producer's fragile ego is bruised and Tommy abruptly gets the axe.

Fortunately, all is not lost. Tommy pitches her own television series to a start-up television network (not unlike the WB or UPN). George Washington (Isaiah Washington), an ambitious executive at the network, sees Tommy's show as a way up the corporate ladder and champions the project. Before you know it, the series (called "Just Us") is on the network's fall line-up and a special bond develops between Tommy and George. Through it all, Tommy is forced to navigate through the politics of network television. As the saying goes, "Be careful of what you ask for, because you might get it."

Isaiah Washington gives one of his best performances to date in DANCING IN SEPTEMBER. Unlike the Damon Wayans character in Spike Lee's similarly themed, BAMBOOZLED, George is believeable throughout the film. Although you may not always like George, his character is very consistent. Unlike, BAMBOOZLED, the story stays true to form, although there's a subplot that throws the film's equilibrium off slightly when it turns violent.

One of the real highlights among the cast is Nicole Ari Parker's performance. She is fantastic in this film. Made before she signed on do to "Soul Food" for Showtime, it was her first starring role (not counting the fine featurette MUTE LOVE). Her dramatic range is quite impressive. In short, she brings a depth and intelligence to her character that is rarely seen in younger actors of today.

Another reason to check out this movie is for Vicellous Reon Shannon's performance as James or "Semaj." He plays a street vendor that is cast in Tommy's series. Some of his scenes with Parker and with her "Soul Food" co-star, Malinda Williams are among the strongest in the film.

For those who liked BAMBOOZLED, they should love this film. In many ways it is more effective in showing how television networks will do almost anything in their neverending pursuit of ratings. One of the reasons for this is probably the fact that Bythewood worked for many years as a writer for network television. He doesn't need to show actors in blackface to make his point, like Spike Lee did in his film.

Also, actor for actor, the performances are much better in DANCING IN SEPTEMBER and more believeable than BAMBOOZLED. Even actors in relatively small roles get to shine. One that immediately comes to mind is that of Jenifer Lewis, who plays a character in Tommy's series.

Other than what has been already mentioned, one warning about the film is that it is an insider's view of television. This might not appeal to some viewers that do not have a connection with "the business." It may seem foreign to them. Hopefully, viewers will look past that and just enjoy the film.

In short, DANCING IN SEPTEMBER is a solid directorial debut for Reggie Rock Bythewood. It has quality acting, drama and something important to say about the world. Hopefully, we'll be seeing more from Bythewood and his fine ensemble in the near future.

Last but not least, kudos go out to HBO for allowing audiences to see this very worthwhile film. Combined with Showtime, the Independent Film Channel, Black Starz! and the Sundance Channel, cable seems to be the place where intelligent films get their place to shine. ... Read more

Reviews (30)

Soul Food Fills Your Stomach, But Is Not Entirely Satisfying
SOUL FOOD is the type of movie that you like not because of what it is, but from what you hope it to be. Irrespective of your race or ethnic background, you are bound to connect on some level with this film.

The story itself is not very original. It involves an African American family that gathers weekly for the family dinner. The focus is on three sisters, who share their hopes, dreams and frustrations. The story is told through the eyes of the son of the middle sister. While the film is told through a his eyes, it is not a story for children because of some of the themes explored like adultery. It's an odd way to tell this story, but it works most of the time.

Unfortunately, writer/director George Tillman, Jr. (with an uncredited rewrite by Tina Andrews) do not know the meaning of subtlety and nuance. The characters are drawn with broad strokes. Teri (Vanessa L. Williams) is the cold and hard-driving overachiever of the family. Maxine (Vivica A. Fox) is the aggressive, but "down to earth" stay-at-home mom, and Bird (Nia Long) is the baby of the family, who has just married the neer-do-well, Lem (Mekhi Phifer). Each one of their stories follows a fairly predictable course.

This is not to say that the movie is without charm. It's nice to see a black movie that is not focusing on gangs or drugs. It's also a film that shows black people from several different generations.

You feel for the struggles of the characters, although many of the situations seem forced and over the top. One particular scene that comes to mind is when Teri's character pulls out a knife. It seems to completely contradict her character as an educated professional woman.

The film also follows the cliché of many character driven pieces in that a key character must die. In this case, it's milked for all it's worth.

Overall, SOUL FOOD is an entertaining film, but delivers a lot less than it promises. Although it was marketed as a family film, it is really for adults because of the violence and sexuality on screen. If you're looking for a film about a black family (as opposed to a black family film), it's worth a look. As long as you don't keep you expectations too high, you won't be disappointed.

On Balance, a Strong Family Film Well Worth Seeing
Thank goodness someone made a good, warm-hearted film about a family--that's pretty much what I thought when I first saw "Soul Food" in the theater in 1997. Like many Americans, I was starved for a movie that didn't portray the American family as broken or malignant, which appears to be the Hollywood standard. "Soul Food" works primarily because it never loses sight of the importance of family, even as its members may bicker or transgress. The plot focuses on the lasting impact of the family matriarch--Big Mama (played wonderfully by Irma P. Hall)--whose kind heart and wise soul holds the family of mostly younger couples together, despite their foibles. When she passes away from complications due to diabetes, her daughters must overcome their differences to uphold the family traditions, best embodied by Sunday dinners that go beyond simple meals. The cast is generally superb, though Vivica Fox and Brandon Hammond (as grandson Ahmad, through whose eyes we are told the story), sometimes try too hard, making their characters border on caricature in a film that otherwise seems so lifelike. There is a subplot involving a hidden family fortune that also gets in the way--writer and director George Tillman, Jr., seems to want to jam as much into the story as possible when he really doesn't have to, as the main plot is interesting enough. These flaws are oddly more apparent on the small screen than they were on the big screen. Nonetheless, "Soul Food," despite its "R" rating, is an effective family film, one with a sense of authenticity that Hollywood seems to have mostly forgotten.

An all-time Favorite
This movie is wonderful. Anyone who collects DVDs must have this film in their collection. It was 100% real. I love every scene and every character. I am glad this movie was made.

One of the greatest African American movies i've ever seen
This movie says it all, drama, feel good comedy and all star cast, it has the essence of a fantastic movie. The story is strong, heartbreaking and facinating, the comedy is mild and humerous and i just loved the cast. If you are a fan of African American movie, this is what you should've watched inthe first place. If it was in the Top 50 Africn American movies, it would come in 5th place to be the least. If you consider buying this, don't forget other great titles like Boy'z in the Hood, Kingdom Come, Waiting to Exhale and The Brothers. This movie deserves an award for its outstanding preformance and it is my highly rated DVD in History. 10/10.

great storytelling
Great movie about an afro- american family who deals with Death, marriage, children, fun , love, and adultery. Simply mmm mm good. ... Read more

Description

Riana Robert (Vanessa Williams) is an over-protective woman. Riana tries in vain to save her younger sister Camille (Tangi Miller) who has, along with her lover, stolen a priceless solid gold African artifact from Ghana. With the Ghanaian consulate and U.S. Customs hot on her trail, Camille faces extreme danger as she plans to double-cross her lover and keep all of the money for herself. ... Read more

Reviews (6)

Waste of time!
Just d*mn... I was so disappointed. It was obvious the actors weren't feeling the roles. It was so amateurish!

Nice Try
If you like Black films, you make like this. It's entertaining. The cast acting could have been somewhat better.

Fire Fizzles After a While, but Still Very Entertaining
This movie is entertaining but not for the usual way a film is good. This film has the power to hook you in. For some reason you want to sit until the end even though the plot is cliched, mixed up and extremely corny. There are too many unanswered questions leaving the viewer to wonder if they missed something when it was the film's direction that missed everything. The plot had more holes in it than swiss cheese. The acting was pretty good ( compared to other BET films ). I was also glad to see that BET is shoveling more money for film production. This was not as cheap looking as many BET films though the set looked like a live soap opera. There were not enough character explanations. All and all this was not a great film but for some reason it hooks you in. The actors did good jobs and I was satisfied with the ending. Still there were major plot problems that outweighed the positive outcome of the film. Three stars was all I could muster. I will recommend this to people who love BET films because it is one of the better ones. But to someone looking for a REAL mystery you might want to skip this altogether. This plot has been done for a thousand other movies and most of them did it much better.

Not Bad
Mel Jackson really has a nack for playing guys that you love to hate!(smile) His performance is really the only reason to tune into this weak suspense thriller. Vanessa Williams who has really come a long way in her acting skills, gives a rather wooden perfomance this time out. Tangi Miller's performance seems abit more natural and she and Mel are 'hot' on screen together! Hopefully BET will utilize the talents of these two performers for future movie projects. This movie deals with stolen artifacts, betrayal and lots of cash. I would recommend seeing some of the other BET movies before this one, but this is a decent entry to the series. That is unless you are a Mel Jackson fan, then you might want to place this one higher up on your list.

Definitely a must see!
Great Thriller! Full of suspense and a few surprises. Great cast too! I even fell in love with the supporting actors! An ideal movie to watch with your significant other. I saw it first on BET and enjoyed it thoroughly! This is definitely a must see. ... Read more

Reviews (30)

Soul Food Fills Your Stomach, But Is Not Entirely Satisfying
SOUL FOOD is the type of movie that you like not because of what it is, but from what you hope it to be. Irrespective of your race or ethnic background, you are bound to connect on some level with this film.

The story itself is not very original. It involves an African American family that gathers weekly for the family dinner. The focus is on three sisters, who share their hopes, dreams and frustrations. The story is told through the eyes of the son of the middle sister. While the film is told through a his eyes, it is not a story for children because of some of the themes explored like adultery. It's an odd way to tell this story, but it works most of the time.

Unfortunately, writer/director George Tillman, Jr. (with an uncredited rewrite by Tina Andrews) do not know the meaning of subtlety and nuance. The characters are drawn with broad strokes. Teri (Vanessa L. Williams) is the cold and hard-driving overachiever of the family. Maxine (Vivica A. Fox) is the aggressive, but "down to earth" stay-at-home mom, and Bird (Nia Long) is the baby of the family, who has just married the neer-do-well, Lem (Mekhi Phifer). Each one of their stories follows a fairly predictable course.

This is not to say that the movie is without charm. It's nice to see a black movie that is not focusing on gangs or drugs. It's also a film that shows black people from several different generations.

You feel for the struggles of the characters, although many of the situations seem forced and over the top. One particular scene that comes to mind is when Teri's character pulls out a knife. It seems to completely contradict her character as an educated professional woman.

The film also follows the cliché of many character driven pieces in that a key character must die. In this case, it's milked for all it's worth.

Overall, SOUL FOOD is an entertaining film, but delivers a lot less than it promises. Although it was marketed as a family film, it is really for adults because of the violence and sexuality on screen. If you're looking for a film about a black family (as opposed to a black family film), it's worth a look. As long as you don't keep you expectations too high, you won't be disappointed.

On Balance, a Strong Family Film Well Worth Seeing
Thank goodness someone made a good, warm-hearted film about a family--that's pretty much what I thought when I first saw "Soul Food" in the theater in 1997. Like many Americans, I was starved for a movie that didn't portray the American family as broken or malignant, which appears to be the Hollywood standard. "Soul Food" works primarily because it never loses sight of the importance of family, even as its members may bicker or transgress. The plot focuses on the lasting impact of the family matriarch--Big Mama (played wonderfully by Irma P. Hall)--whose kind heart and wise soul holds the family of mostly younger couples together, despite their foibles. When she passes away from complications due to diabetes, her daughters must overcome their differences to uphold the family traditions, best embodied by Sunday dinners that go beyond simple meals. The cast is generally superb, though Vivica Fox and Brandon Hammond (as grandson Ahmad, through whose eyes we are told the story), sometimes try too hard, making their characters border on caricature in a film that otherwise seems so lifelike. There is a subplot involving a hidden family fortune that also gets in the way--writer and director George Tillman, Jr., seems to want to jam as much into the story as possible when he really doesn't have to, as the main plot is interesting enough. These flaws are oddly more apparent on the small screen than they were on the big screen. Nonetheless, "Soul Food," despite its "R" rating, is an effective family film, one with a sense of authenticity that Hollywood seems to have mostly forgotten.

An all-time Favorite
This movie is wonderful. Anyone who collects DVDs must have this film in their collection. It was 100% real. I love every scene and every character. I am glad this movie was made.

One of the greatest African American movies i've ever seen
This movie says it all, drama, feel good comedy and all star cast, it has the essence of a fantastic movie. The story is strong, heartbreaking and facinating, the comedy is mild and humerous and i just loved the cast. If you are a fan of African American movie, this is what you should've watched inthe first place. If it was in the Top 50 Africn American movies, it would come in 5th place to be the least. If you consider buying this, don't forget other great titles like Boy'z in the Hood, Kingdom Come, Waiting to Exhale and The Brothers. This movie deserves an award for its outstanding preformance and it is my highly rated DVD in History. 10/10.

great storytelling
Great movie about an afro- american family who deals with Death, marriage, children, fun , love, and adultery. Simply mmm mm good. ... Read more