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East of Eden is an acknowledged classic, and the starring debut of James Dean lifts it to legendary status. John Steinbeck's novel gave director Elia Kazan a perfect Cain-and-Abel showcase for Dean's iconic screen persona, casting the brooding star as Cal, the younger of two brothers vying for the love of their Bible-thumping father (Raymond Massey) in Monterey, California, at the dawn of World War I. Massey is a lettuce farmer, striving for market domination with an ill-fated refrigeration scheme. Having discovered that his presumed-dead mother (Oscar^® winner Jo Van Fleet) is a brothel owner in nearby Salinas, Cal convinces her to finance an investment that will restore his father's lost fortune, but neither money nor the tenderness of his brother's fiancée (Julie Harris) can assuage Cal's anguished need for paternal acceptance that comes nearly too late. Kazan's oblique camera angles and Dean's tortured emoting may seem extreme by latter-day standards, but their theatrics make East of Eden a timeless tale of family secrets and hard-won affection. --Jeff Shannon ... Read more

Reviews (41)

DEEP & HAUNTING.
I first watched this movie on television when I was about 16, because I wondered what all the fuss was about James Dean. I soon found out: he was so unbelievably natural in his acting technique that the audience is captivated by his brilliance. This was Dean's film debut and he burst like a thunderclap in the public's ears, not to mention staid Hollywood, which came to both fear and admire the handsome, rebellious youth. In this haunting John Steinbeck tale, Dean is the neurotic half of twin sons belonging to Bible - reading lettuce farmer Raymond Massey, whose vast acreage stretches through the rich Salinas Valley in California. Aron (Davalos, in another powerful debut) is the well-adjusted upstanding son whose normal relationship with his girlfriend and his diligent pursuit of continuing his father's legacy is admired by the patriarch. Cal is very different from his brother and the troublesome youth mistakenly believes his father doesn't love him. A haunting scene has Dean introduce Davalos to their supposedly dead mother. The boys were brain-washed by their father into believing their mother Kate was some sort of angel: the truthful realisation that she's a financially successful Madam who operates a whorehouse in Monterey causes Davalos to become deeply traumatised. Many people will feel empathy for BOTH brothers during this powerful scene: it shows us that Cal is, if anything, REAL while his brother is somewhat sheltered and idealistic in comparison. The performances are all splendidly colourful and absorbing: Dean is unforgettable as Cal - for whom the audience feels empathy - Julie Harris is fine as Abra (she succumbs to Cal's raw sexuality) and Jo Van Fleet is excellent as the tough yet essentially tender-hearted tubercular Kate who likes her boy Cal because he "has sense" as she believes she does. Raymond Massey is fine as the puritanical father, Adam. Burl Ives is memorable as Sam: he quotes the Biblical passage which includes the picture's title. Some critical snobs say that the film was over-directed by Kazan but it made Dean an over-night sensation who acted with a unique naturalistic style and died a legend at the tender age of 24.

James Dean's Best Performance
Although this may be the least known of Dean's three major films, I think this is by far his best performance and the one that most fully explores his talent. Dean stars as the troubled son of Raymond Massey, always trying to please his father, but without much success. Richard Davalos is Dean's brother, and he has his father's love and the love of a sensitive young girl played by Julie Harris. The boys are named Cal and Aaron, which reminds us of Cain and Abel, and so does their relationship. Dean gives one of those raw, emotional performances that is sometimes almost uncomfortable to watch it is so real. The rest of the cast is also excellent, with Jo Van Fleet giving an edgy portrayal of the boys "lost" mother. The struggle for approval and the feeling of not fitting in is one that we can all appreciate, and it is sensitively and dramatically presented. The Steinbeck story is a classic, and in the hands of director Elia Kazan and his terrific cast, so is the movie.

Wonderful acting by James Dean and Jo Van Fleet.
East of Eden is a great, sprawling American novel by nobel prize winning author John Steinbeck. The film East of Eden, directed by Elia Kazan, dramatizes only a small part of the magnificent book. However, what the film does, it does exceptionally well, thanks to the riveting performances of James Dean and academy award winner Jo Van Fleet.

Much has been written about Dean as an actor and what is certainly true is that when he is on screen, you can't take your eyes off him. As young Cal Trask, Dean vies for the attention and love of his father, Adam, Raymond Massesy, with his twin brother Aaron, Richard Davalos. Cal is a loser, no matter what he does, and Dean portrays sensitively the conflict Cal feels as he grows to manhood unloved and uncared for.

The rivalry between Cal and Aaron for their father's love as well as the affections of Abra, Aaron's girlfriend played by Julie Harris, generates much of the action and dramatic tension of the film. All Cal's gifts are rejected by his father, in contrast to Aaron, whose presents are appreciated and valued.

Like Cain in the Bible, Cal has a dark side which he thinks comes from his mother Kate, who abandoned him at birth and whom he has discovered runs a brothel in Salinas, California, a short train ride from the Trask ranch. Cal introduces himself to Kate, played to perfection by Jo Van Fleet, first to try to learn about himself, who he is and why he experiences his inner rage and frustration. Later he will borrow money from her to invest in order to help his bankrupt father. Cal's investment in bean futures, just prior to America's entry in World War I, pays off, but his father rejects his money in a confrontation which moves us toward the dramatic conclusion of the film.

The scenes with Dean and Van Fleet are the highlight of the film and a treasure of American movie making. Both actors are electric with Dean drawing from his inner uncertainty and fire and Van Fleet, the consumate professional, using all her skills and intelligence. They approach one another gingerly, each testing the response of the other, not trusting themselves and their own emotions, and finally becoming frustrated with their inablility to connect with one another. These scenes are wonderful to watch. We should not expect a happy ending and we don't get it.

East of Eden, released in 1955, justly takes its place in a small list of fine American films, not just because of the great performances of James Dean and Jo Van Fleet, but also because it dramatizes timeless themes in a most convincing fashion. Those viewers who love the film and like to read will almost certainly enjoy the novel on which the film is based.

It's only a matter of time....
Given the nature and extent of Oprah Winfrey's influence, it is only a matter of time before this film -- based on the Steinbeck novel of which she is so fond -- is available in a DVD format. Let's all hope that the special features are worthy of our patience and forbearance in the meanwhile. It has been almost 50 years since this film first appeared, in the same year during which Rebel Without a Cause was also released. Both feature James Dean. I have often wondered to what extent his unique and abundant talents as an actor would have developed, had he not perished in a car accident immediately after the filming of Giant had been completed. Of course, we will never know. His was a compelling presence in each of only three films and especially so in East of Eden in the role of Cal Trask.

The basic story is derived from the Biblical account of Cain and Abel. Adam Trask (Raymond Massey) has two sons, both of whom he presumably loves. However, he favors Aron (Dick Davalos) because he (unlike Cal) never says or does anything to irritate him. Aron is "the good son," complete with a girlfriend Abra (Julie Harris) whom his father obviously adores. Of course, Cal feels resentment toward both his father and brother. He desperately wants his father's love. (Later in the film, he even tries to buy it with profits he earns from investments enriched by World War One.) Under Elia Kazan's brilliant direction, tensions build relentlessly to what seems certain to be a tragic conclusion. Feeling rejected by his father, Cal seeks out his mother who left her husband and sons years ago. Kate Trask (Jo Van Fleet) now owns and manages a brothel in another town nearby and has become wealthy. Cal climbs aboard a freight train so that he can visit her frequently. Over time, they develop mutual respect and affection. Finally the climatic moment occurs and then....

The acting throughout the cast (with one exception) is outstanding. Van Fleet received an Academy Award for best actress in a supporting role and Dean was also nominated for the award as best actor in a leading role. Burl Ives and Albert Dekker are noteworthy in their supporting roles. However, Julie Harris (age 30 at that time) seems to me miscast as the teenage Abra. As for Massey, he does the best he can with the role of Adam Trask, recycling elements of his earlier portrayal of John Brown in Sante Fe Trail. Most of Steinbeck's fiction is set in the Monterey area, as is East of Eden. Kazan and his cinematographer, Ted D. McCord, took full advantage of that uncommonly lovely area when shooting various exteriors.

Having seen what can be done to enhance the clarity of image and sound in other classic films such as The Adventures of Robin Hood (1938), I eagerly await the DVD version of East of Eden. Hopefully, its "special features" will also be special.

James Dean's Greatest Film
Alright its about time that the DVD for this movie came out. The movie itself I thought was incredible well made. The story was beautiful and some of the scenes were perfectly staged.
And of course there's James Dean. This is his best film. "Rebel Without a Cause" was good but over-done and a little rediculous at times, and Dean wasn't in "Giant" enough to warrent it being his best work.
All in all a great movie and the DVD needs to come out. ... Read more

Reviews (11)

Filled with valuable lessons................
We borrowed this from the library. Although it has cartoon sequences with live action I think that this movie appeals more to the older child and adults. The scenery is beautiful. The cartoons are great with wonderful songs. The actors are great also. Burl Ives does a wonderful job as Uncle Hiram. His natural, effortless, singing ability jumps up through out the film.
The story is about a young boy being raised by his grandmother in the early 1900's. His dreams of owning a champion race horse change when a black lamb is born and is not accepted by its mother. Jeremiah soon falls in love with the lamb and dreams of taking him to the state fair. Without any extra money for train fare Jeremiah must raise money to pay his way.
Strong emphasis placed on faith in God and doing the best with what you got.

'Lavender blue, dilly dilly; lavender green!'
This movie is one of the long forgotten Disney classics that have gotten far less star treatment that it deserves. It should go on record that I think that this movie is one of the best yet least known movies Disney has ever made.

It's about a boy named Jeremiah Kincaid who dreams of owning a champion race horse, but soon tosses away that dream when he falls in love with a little black lamb named Danny.
Danny is the most mischievous lamb ever who drives Jerry's granny to near distraction, but Danny makes up for it all when he wins the special prize at the county fair.

If you are looking for a good, clean movie to show your kids, this is the one. The kids are respectful to their elders, there is no hard language, and this movie is very heartwarming indeed. I promise you, if you see this movie, you won't regret it. It's an all time classic!

OK
The little lamb is adorable and cute, but that is about it. Burl Ives's character mainly just crawls around, singing songs, and the kid is OK. The lamb made me like the movie. It is so cute. But the story is a little lame, so that takes away some of the lamb's cuteness.

fabulous movie
My kids rented this every time we went to the store, so I finally bought it. It should be re-released. We had to buy a used copy, but it is in great shape. I don't recall seeing this movie as a child. I love it. My kids love it. Ages 3, 4, 5

Someone Left The Cake out in the Rain
My daughter and I saw this on cable a year ago and realized there is a segment that image for image would seem to be the inspiration for the trippy 60's song MacArthur Park, Even the cake out in the rain is there! This could be a secret bonus for aging boomers like me who enjoyed playing Pink Floyd while watching the Wizard of Oz! Enjoy!

Chris Browne ... Read more

Reviews (41)

Powerful, though altered, version of the play
Tennessee William's play, "Cat on a Hot Tin Roof", was considered so controversial that its Broadway producers forced the playwright to alter the third act. Either in spite of or because of the changes, the play was a huge hit. Even with the changes, it had to be further watered down for Hollywood's 1958 movie version. Once more, it was a boxoffice smash. It went on to garner six Oscar nominations, including Best Actress for Elizabeth Taylor and Best Actor for Paul Newman. Despite the industry's timidity back then, the movie was a searing, powerful drama about a family in crisis. That it remains so to this day, despite massive changes in social values and mores over the years, is a credit to its brilliant cast and to its director, Richard Brooks.

Brick and Maggie [Newman and Taylor] have come to his father's big plantation in Mississippi to celebrate the old man's 65th birthday. Everyone calls him Big Daddy, and as portrayed by Burl Ives, he truly is a larger than life figure. Brick's brother, Gooper [Jack Carson], his wife, Mae [Madeleine Sherwood], and their five 'little no-neck monsters" are also there. Big Daddy has just returned from several weeks at a clinic where he was treated for cancer. He thinks he is cured, but the doctors have lied to him. He's unlikely to see his next birthday. Rivalry and intrigue abound among the siblings and their families as everyone fights over who will take over the plantation. Brick has major problems of his own. The former star athlete drinks too much, refuses the advances and affection of the gorgeous and calculating Maggie because he blames her for his best friend's suicide, and is bitter about his father, who doesn't seem to love him or anyone else. Brick is also hobbling around on crutches, having recently tripped while trying to leap a hurdle one drunken night. Through all the bickering and fighting, his mother, Big Mama [Judith Anderson], tries desperately to hold onto whatever happiness and dignity the family still possesses. But a storm of confrontations is brewing, and she's powerless to stop it.

The 'shocking' element that was changed was the revelation that Brick and his friend had been lovers and that Maggie's 'crime' was her attempt to eliminate her rival. This was changed to the friend's killing himself because he was weak. I think when you know this, you can easily see what is going on underneath the surface between Brick and Maggie. It also makes the characters more understandable and believable. Their constant fighting makes more sense. The story becomes about more than greed, power, money and land. It becomes about the power of the human heart.

"Cat on a Hot Tin Roof" is highly recommended, script changes notwithstanding.

Every line filled with tension, and the acting is wondeful!
This adaptation of a Tennessee Williams play was nominated for six academy awards in 1959. It stars Elizabeth Taylor as Maggie, rejected over and over by her alcoholic husband, Brick, played by Paul Newman. His father, Big Daddy, played by Burl Ives, has just returned to his Mississippi mansion after exploratory surgery. There's bitter rivalry in the family as they speculate about his death. Jack Carson plays the older son, who, with his pregnant wife, played by Madeline Sherwood and their five obnoxious children are determined to inherit Big Daddy's fortune. But Big Daddy despises him, as he does his own wife of 40 years, Big Mama, played by Judith Anderson.

As this film was originally a play, most of it is sharp and cutting dialogue, every line filled with tension and double meanings. Close-ups reveal the artistry of the actors, all of whom are excellent. I especially liked Burl Ives, whose performance called for a wide range of emotions, showing his vulnerability as well as his strength. And as the characters battled with each other, the story, which I understand was rewritten to fall within the guidelines of 1950s censors, slowly revealed itself. Some critics say this ruined this movie adaptation. I can't comment on that because I though the story was great. Most of the film takes place inside a house and there's almost no physical action. Not necessary. The dialog does it all. And it does it well. Recommended.

Humanity at it's best...
"Cat on a Hot Tin Roof" is a spectacular visual masterpiece about the human spirit.
Every character has three dimensions, and every line is perfectly written and delivered. Credit is needed for the original playright(although I am aware the plot was altered to please the strict critics of the time), who along with the screenplay writers are as important as the actors.
Speaking of actors, Liz Taylor, Burl Ives and Paul Newman were all flawless in their roles. They were human, and as a painting they were more real than reality. My opinions of the characters changed continually throughout the film. It was as if you were peeling away the skin layer by layer to find the truth. Annoyance turned into hate, hate turned into compassion.
The most important element of this film was feelings;emotions the players have, and have to deal with. As well as how you feel about them, and their situations.

Superb
Acting doesn't come any better than this. Newman and Taylor have such chemistry its unbelievable, and although the movie may drag in certain parts, overall it is a great character study.
Taylor is heartbreaking as the sexually deprived wife as Newman, a hardened man who suspects his wife of infidelity. Once again the theme of homosexuality is present ( as it is in all of Williams' plays), but in the movie it is thankfully downplayed and subtle. The definitive film version of the play, whose highlights are pretty much every scene in which Maggie and Brick are alone in their room bickering.

MEEEOOOOW!
"Cat on the Hot Tin Roof"
Has so much tension, one can't cut it with a machete... Just another very dysfunctional family, which Tennessee Williams writes so brilliantly.

You have Maggie (the cat) The only character in the extended family who is 'Normal' The only one who seems to be keeping the family from killing one another. Liz, of course plays her beautifully, superbly, very sexy as 'The Cat'

(Brick) Paul Newman plays her husband...A drunk with many devils he needs to let out, such as why he will not sleep with Maggie, why won't he stop thinking about his foot-ball buddy who killed himself. The viewer will wonder if his has other preferences... Because who wouldn't sleep with (The Cat)??

Big Daddy...played by Burl Ives... The GOD of the family, the one with all the money, Power, the one who's dying. (Excellent performance)

(Goober) Brick's brother and his wife wait impatiently for Big Daddy's fortune. The wife is appalling enough to make one sick. Continually taunting Maggie about not having children, having a bad marriage, not controlling Brick. Her kids run around the house like little, foul animals.

This family is a disaster waiting to happen...The pressure cooker is on high, baby, and when she blows
Watch out...All hell will break loose all over the place.

They don't make um' like this anymore.

MEEEEOOOOOW! ... Read more

Description

1945, on an old cargo ship somewhere deep in the Pacific ocean: Captain Morton strives to become commander, so he demands the maximum quality of work from his crew, without granting them any freedom or favors - ignoring that they're thousand of miles away from the front. In one word: he drives his crew crazy. They are near mutiny, but no-one dares to do the first step. Until Ensign Pulver plays a prank on the captain that triggers fatal consequences... ... Read more

Reviews (5)

Should be a classic if not!
First time I seen this movie, I loved it! Hadn't seen Mr. Roberts prior to seeing Ensign Pulver, but after seeing Mr. Roberts...Ensign Pulver is the video I bought!

Interesting Premise for a Sequel
This is not a bad sequel from director Joshua Logan. It more or less picks up where MISTER ROBERTS left off but is presented with an entirely knew cast in familiar roles. Robert Walker Jr. is Ensign Pulver. Burl Ives is the Captain. Walter Matthau is good as Doc. He has the cynicism and wit but lacks the good-natured purpose of being that William Powell demonstrated in MISTER ROBERTS. To its credit the film tries to uncover the facade that the Captain wears night and day. Is he really a no good miserable excuse for a human being or is there something lurking deep inside that keeps his humanity from emerging. Pulver sets out unravel the enigma. There are some great moments of comedy and humanity and the film does have a great supporting cast that includes Jack Nicholson, James Farentino, Millie Perkins, Tommy Sands, Al Freeman, Jr., James Coco and Larry Hagman that keeps it all moving.

Mister Roberts #2
Although not as classic as Mister Roberts, this is still a great movie. Hech, I didn't even know there was a sequel, so I bought both copies. They have both earned a Top Shelf placing in my bookcase. All characters play great parts, even though James Cagney and Henry Fonda aren't in this movie. It would have been great to see some of the actors from the Mister Roberts, even though the 'new' doc, played by Walter Matthea does a great job. Both he and the "old Ensign" make great movies together! As most movies drag the chain nowadays going for 2-3+ hours, this is one movie I thought could go on and not get boring. Another classic and great fun for all family to enjoy. We wish more movies were like this nowadays. No Swearing, No Violence, No War .... not even a bullet is fired. An allround great movie.

Sound General Quarters!
The sequel to "Mister Roberts" returns to the worst ship in the navy, with the worst officer on that ship squarely in its sights. Pulver is equally the ressurection and damnation of the ship, being responsible for more action and chaos than the crew has seen in it's whole tour. Pulver's problems are only beginning when he's stranded on a raft with the Captain, a positively venemous Burl Ives. What happens after shows the transformation of the lecherous, ambitious, adolescent Pulver into an adult, or does it? Keep your eyes on the movie and always count your marbles.

One must divorce all thoughts of Mr. Roberts to truly enjoy.
This movie, although no where near the classic status of Mr. Roberts, from which it is drawn, is a decent comedy.

Robert Walker takes over the role of Jack Lemmon and Burl Ives, not James Cagney, is the captain. Walter Matthau is great as the ship's doctor. It has some great comedic moments ("tastes like dead frogs.")

Again, not a classic, but worth viewing. ... Read more

Reviews (37)

PLEASE!!!!!
Please make the ewok movies available on DVD. My 3 sisters and I continuosly watched this movie as children and I would love to be able to share it with my child. I can't believe that they are thinking of not releasing it. I recently found our old movies when my Grandparents moved. I tried to watch them, but they were so worn out that you couldn't watch the movie, but I can't bear to throw them out.PLASE bing this movie back, you'll make a fortune with all the new generations of Star Wars fans!!

Ewoke Adventure and Battle of Endor
I have both of these movies on VHS but would love to get them on DVD. I remember when I was a little girl just loving the Ewoks, it was the only Star Wars I like since they were in it. I wanted to be Cindal and I had a stuffed Wicket. This movie is great for children, I just watched it 2 nights ago with my 4 year old niece, she is as hooked as I was at her age. Timeless Classic!

good for the kids ony
this movie is a rather obvious attempt to cash in on the popularity the ewoks gained during the return of the jedi movie.nobody youve ever heard of isin it.but kids dont care,so theyll like it anyway.if you can listen really closely,a ewok cusses,but besides that,there is nothing to warp thier minds.it is not nearly as good as the star wars movies so dont be fooled!at one point a ewok gets killed.this could freak them out.the real deal on this one is that its cute for small children butthats about it.

Fun, FUn, FUN!
This movie really does take you back to when you were a child...well atleast if you were a child a couple years after it was released! 20 years later and this is still a classic! I can't wait for the DVD to come out! George Lucas is the man!

please come out on DVD
This movie was an amazing part of my childhood and the childhoods of many of my friends. I wish they would release it on DVD so that this generation could experience this amazing movie as well ... Read more

Amazon.com

This classic 1963 Disney film features child icon Hayley Millsas Nancy Carey, a teenage girl whose family moves from Bostonto the New England countryside as a result of their father's untimelypassing.Nancy writes to the kindly Mr. Poppem (Burl Ives) andsingle-handedly convinces him to rent the family a charming, if run-down,house for a mere $60 a year. Ever the optimist, Nancy brims withexcitement at the family's new life, but this "perfect world" has itsproblems--notably an absentee landlord who knows nothing about the Careyfamily's rental agreement.Through hard work and Mr. Poppem's continuinggenerosity, the Careys fix up the house and find life in the rural Mainetown quite satisfactory.Things become tense when their cousin Julia arrivesfor an extended visit, but eventually Nancy and Julia grow from oneanother's experiences and become good friends. You'll never guess whathappens when the absent landlord returns unannounced during the family'sHalloween housewarming party!

One section that may sit poorly with modern audiences features Nancy andJulia discussing how to emphasize one's femininity at the expense of hiding the real you--an indication of how much American thinking has changed in arelatively short period of time.Nevertheless, this is a charming talefeaturing toe-tapping ragtime music, wonderful songs by Richard M. Sherman and Robert B. Sherman including "Summer Magic"and "The Ugly Bug Ball," and the incomparable talents of Mills and Ives.Take a trip down memory lane and don't forget the kids. (Ages 7and older) --Tami Horiuchi ... Read more

Reviews (24)

wow!!!this really is SUMMER MAGIC
what can i say hayley mills is a disney legend,and this movie is one of her masterpeices beside THE PARENT TRAP,THE MOON-SPINNERS,POLLYANNA...and many other disney films this movie has an excellent plot and a wonderful cast i give this 5 stars!!!

Delightful picture
This picture may not be rich in plot but it has a wonderful air about it that will make you feel good all over.When I was a child I begged my parents to take me to this movie. My parents ignored me and took me to a movie they wanted to see. As it turned out the movie they wanted to see had a sneak preview of Summer Magic. For years I have resisted purchasing this Hayley Mills classic. I don't know why I waited. It is excellent.

Corny
This movie is very corny. It is also annoying. It is a little unrealistic that everything would work out so well for this family. It is horribly corny. It is unbelieveable because Hayley Mills has a British accent and her family does not. Burl Ives's role is also cheesy (what else is new), and the name of the dude who owns the house's name is stolen from the bass player is Aerosmith, Tom Hamilton. The movie glorifies old ideals, such as country being better than the city. U should stay away from this one. It is not worth a stinking penny.

It's really good!
I love the end part when the owner of the house shows up and they dance and everyone just stares at him. Isn't he cute?

Soft Summer Magic
Hi! I'm Becky age 14. I've watched this a couple times, and loved it all the times. It does not include any offensive words, or anything eles concernig PG-13 movies. I wasn't around when Hayley Mills was a huge star or seen the rest of her movies or anything, but she did a wonderful job of acting. The special effects aren't incredably great by todays standards, but include that Disney Magic. Oh yeah, and the plot it great, a little slow in parts, but still great. This got boring after a while, so rent it a video rental store before you by it. Have fun! ... Read more

Amazon.com

This camp spectacle stars Sherilyn Fenn (Boxing Helena) as an upper-crust Southern belle who abandons the posh life for sex on the road with a carny worker. Naturally, the older folk (Burl Ives, Louise Fletcher) take exception. Typically silly, soft-porn stuff from director Zalman King (Wild Orchid), this erotic joke of a movie is good for putting one's busy brain on hold for awhile. Colorful support from Kristy McNichol as a cowgirl, Screamin' Jay Hawkins, and the late Hervé Villechaiz (Fantasy Island). --Tom Keogh ... Read more

Reviews (27)

Lust, sex, deception and the old South
This fairly erotic movie features strong performances by Sherilyn Fenn, who displays quite a bit of skin in the movie, Louise Fletcher, the late Burl Ives, and a surprisingly not bad looking Kristy McNichol, in a tale of lust, sex, and the old South.
Without giving the plot away, Fenn is a girl who can't say no to an all teeth, tanned, and long haired carnival worker; befor she marries into an upper class Southern families (or better to say merges the two families). (And she has the nerve to wear white!) Her grandmother and the local sheriff and friend of the family (Ives)have other ideas. There is a fairly hot dancing sequence with Fenn and McNichol (who definitely left any traces of her character on "Family" behind, exposing a little skin of her own; though she's clearly overmatched, bodywise, by Fenn). Not a bad movie, I wonder how the sequel will be.

An erotic story for women
I went to see this film in a movie theater when it was released. A man in the audieance yelled out "What is the point of this?" during the movie. Honey, there is no point. Zalman King's movies typically are geared toward male sexual fantasies, but this film will appeal more to women. Sherilyn Fenn is gorgeous and Richard Tyson will have women drooling. This is what porn should look like, from a woman's point of view. Every woman friend that I know that has seen this has liked it. The plot is questionable, like plots are in a lot of Zalman King's films, but it is erotic and steamy visually. Check out "Red Shoe Diaries" & "Delta of Venus" for more hot and sexually charged visuals.

Chick Flick Indeed
OK. So it's either a masterpiece or cheesy soft porn. This is still one of the best chick flicks to see after a break-up. I own it now and watched it for the first time while in a long-term relationship. It still works. The cinematography is beautiful, the costumes are white and the story is timeless. What woman wouldn't want to cross over to the dark side if she can encounter someone like Richard Tyson? Yum! Besides, men can appreciate Sherilyn Fenn and women can see the full monty, although not Tyson's. Order a pizza, pour a diet Coke or Pepsi, invite your female friends and just enjoy.

hardly worth it
I picked this film up after seeing Fenn in Kiss of the Beast. The love-making and overall acting of this one are both very weak! It's basically a cheesy romance novel with no heat. They need to make Kiss of the Beast into a DVD version. That film is much better!

about the movie two moon junction.......
This movie is basically about the actress whom at first gouing to marry someone but got 'intimated' with another man whom work in the fun park(something like knots Berry farm) and then he switched job top become a dish washer after he went to the actress home to bathe without her consent to enter the house. The story ends with him almost killed by 'rangers' during the time when the actress is about the get married(excution plan ordered by the actress family members). The last part shows that she in the end went to the actor's place to bathe and this concludes the story. There are two sex scenes in this movie as I've seen the Malaysian bootleg version DVD9(as good as code 1's clarity) after my friend brought back from there. For those whom are interested in this genre of movie by Zalman King....recommended purchase...... ... Read more

Reviews (59)

A big Western with a stupendous music score.
I loved this movie as a kid when I saw it in the theatre back in 1958 or 1959 and I still love it. The movie score by Jerome Morass is absolutely magnificent. Gregory Peck plays a pacifist Easterner who's trying to avoid getting caught up in the land dispute his fiance's (Carol Baker) family is having with a local clan. His shallow fiance and her father (Charles Bickford) interpret his unwillingness to fight as a sign of weakness. Charlton Heston and the beautiful Jean Simmons are fine in their roles. Burl Ives won an Oscar for his portrayal of Rufus Hennesey, the leader of a very large extended family. Last, but not least, Chuck Connors (of the Rifleman TV series) turns in his finest film performance. A big movie with big stars made by a big-time director (William Wyler who won best director Oscars for Ben-Hur and The Best Years of Our Lives). A fine film with a good message about the futility of fighting in order to resolve conflicts.

Good performances in a beautiful Hollywood Western
THE BIG COUNTRY is a very good Hollywood Western, with all the strengths and weaknesses that implies: a first-rate cast and fine production values, but a less-than-imaginative script written by a studio committee. The story is a variation on the tried-and-true "Eastern Dude Tames Wild West" theme. Co-produced by director William Wyler and star Gregory Peck, it strives a bit self-consciously for epic grandeur, and lacks the comparatively gritty realism of John Ford's thematically related THE MAN WHO SHOT LIBERTY VALANCE.

As the transplanted Easterner, Peck's understated performance is a pleasure to watch. Jean Simmons is fine as the schoolmarm, and the two Chucks (Conners and Heston) are equally good in their roles. A supporting actor Oscar went to Burl Ives, but the standout performance belongs to Carroll Baker as Peck's spoiled fiance. Franz Planer's cinematography is quite good, too, but like the script, performances, and pacing, it's just a little bit too self-conscious. The picture feels more like OKLAHOMA! than like THE SEARCHERS--altogether too theatrical to sustain the suspension of disbelief.

Yet this is a very entertaining movie--at least for those who value character, conflict, and beautiful imagery over car chases, explosions, and other special effects. And fans of Westerns in particular should appreciate the many virtues of this near-Classic. Four solid stars.

Atticus Finch goes West
This is a sprawling, glorious saga that will be appreciated by people who don't even like the Western genre. With fabulous cinematography, an excellent script, and two of my favorite actors, it's a film I never tire of watching.
Gregory Peck is the sea captain with principles who goes west to meet his future bride, only to find feuds and fighting, and some lawless varmints who need his "non violent" ways of resolving territorial issues. He is terrific as James McKay, who is sort of an Atticus Finch in boots, and looks mighty fine as well.
Charlton Heston has the smaller part as Leech, a foreman who is seething with jealousy and obeys the orders of his unscrupulous boss (rancher Terrill, played with subtle menace by Charles Bickford) as he yearns for his daughter. Heston is brilliant as this rather complex character, and would a year later star in director William Wyler's next epic, "Ben Hur", which is perhaps my all-time most viewed and enjoyed film.

Both female leads are wonderful, and are portrayed with enormous strength; Jean Simmons, with her luminous eyes is the schoolteacher, and Carroll Baker is the tough daughter of rancher Bickford, and is too much like her daddy to make a suitable bride for Peck.
Among the many strong performances in the supporting parts are Burl Ives, and received a Best Supporting Actor Oscar for his gnarly old Rufus, Chuck Connors is his bad to the bone son, and Alfonso Bedoya, is a delight as Ramon, who along with a horse named "Old Thunder", provides some of the humor in the film.
The score by Jerome Moross is lovely (and received an Oscar nomination) and the cinematography by Franz Planner spectacular. The film was shot in the Yuba and San Joaquin Counties in California, as well as canyon country in Chinly, Arizona, and it is breathtakingly beautiful.

If you like a good screen fight like I do, this has a great one, "mano a mano" between Peck and Heston; it initially has no music, just the pounding of the fists and the men gasping for breath, and is very effective.
Romance, drama, and lots of action make this a film that appeals to many, and is suitable for the whole family. Total running time is 165 minutes.

A good Western movie

Director: William Wyler
Format: Color
Studio: Mgm/Ua Studios
Video Release Date: May 2, 2000

Cast:

Gregory Peck ... James McKay
Jean Simmons ... Julie Maragon
Carroll Baker ... Patricia Terrill
Charlton Heston ... Steve Leech
Burl Ives ... Rufus Hannassey
Charles Bickford ... Major Henry Terrill
Alfonso Bedoya ... Ramon Guiteras
Chuck Connors ... Buck Hannassey
Chuck Hayward ... Rafe Hannassey
Buff Brady ... Dude Hannassey
Jim Burk ... Blackie/Cracker Hannassey
Dorothy Adams ... Hannassey Woman
Chuck Roberson ... Terrill Cowboy
Bob Morgan ... Terrill Cowboy
John McKee ... Terrill Cowboy
Slim Talbot ... Terrill Cowboy
Donald Kerr ... Liveryman
Carey Paul Peck ... Boy
Jonathan Peck ... Boy
Stephen Peck ... Boy
Ralph Sanford ... Party Guest
Richard Alexander ... Party Guest, (Oceans)
Harry Cheshire ... Party Guest

It is said that Gregory Peck and William Wyler, erstwhile friends who had previously worked together successfully had a falling out over this film and never spoke for years afterward. Both were co-producers, and Peck became agitated over the fact that Wylie was working too slowly and the film was going 'way over budget. Wylie resented anyone else telling him how to make a movie. It also appears that three of Peck's children had children's parts in the film.

The fight seen between Peck and Heston is one of the high points of the film that has caused much comment, as it was filmed from a great distance, rather than close-uo.

Such details aside, the story depicts a sea-captain, James McKay (Peck) coming West to marry Patricia Terrill (Carol Baker). He walks straight into a personal vendetta between Major Henry Terrill (Charles Bickford) and Rufus Hannassey (Burl Ives) over an old grudge, and the usual battle over water rights typical in many Western stories. McKay is a peaceful man who tends to avoid resorting to violence, causing his would-be bride to accuse him of cowardice.

Buck Hannassey (Chuck Connors) and Steve Leech (Charlton Heston) play supporting roles, each of whom has designs on the leading women in the story, leading to antagonisms. Ramon (Alphonso Bedoya) plays his part well, as a Mexican ranch employee. He was better in the Treasure of the Sierra Madre, I think, but he always turns in a good performance.

This is a good Western, with the usual scenery typical of the West. The plot is somewhat hackneyed, but is well-played and comes off well, thanks to the staff.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

The only Western that I highly recommend watching
Although my tastes in film are very broad, I am not fond of Westerns. However, "The Big Country" is an excellent film. It is a Western, but in many ways it doesn't FEEL like a Western. The film's intelligence, strong characters, and reliance on humanity provide a superior storyline to the traditional shoot-'em-up mentality so common in Westerns.

The basic premise concerns retired sea captain James McKay (Peck), who travels West to marry his fiancé Pat Terrill (Baker), whom he met while she was visiting Baltimore. He is quickly thrown in the middle of a huge family feud between the wealthy Terrills and the struggling Hannasseys, presumably over water rights at the Big Muddy, a dormant ranch owned by the lovely schoolteacher Julie (Simmons). However, McKay, the intelligent outsider, sees through the feuding patriarchs (Bickford and Ives). What follows is, in my opinion, one of the most effective showdowns in Western cinema (forget "High Noon").

The characterization in this film is particularly strong. Gregory Peck is very good, as always, even though his McKay character has a level of integrity that may be just a BIT hard to swallow. Carroll Baker's role as the spoiled only child is sickeningly good. Jean Simmons is sweet and demure, but strong and self-sufficient, a perfect contrast to her friend, Pat. Charles Bickford's egotistical role as Major Henry Terrill is great, and his questionable relationship with his daughter raised my eyebrows. Charlton Heston's role is relatively small, but he provides the necessary tension and jealousy between himself, Baker, and Peck. In addition, his character's loyalty to Terrill, although misplaced, is touching. Chuck Connors' character as Buck Hannassey is vile, trashy, and degrading, but his performance is one of the most credible in the film. And, saving the best for last, Burl Ives is absolutely superb in the role of Rufus Hannassey, the overweight, bullying patriarch who simultaneously loves and hates his son Buck. He deserved the Best Supporting Actor Oscar that he won for this role.

There is one flaw to this film that stands out, and another reviewer mentioned it below: watch the canyon barricade scene near the end. The Terrill bunch HAD to see that coming, yet they acted surprised. Wyler missed it there, I think, but overall the film is a beautiful piece of cinema.

One last praise: the score. From the opening credits, this beautifully motivating music resounds throughout the film and is one of my favorites. Just beautiful. ... Read more

Reviews (9)

We need this one on DVD!
What a fun family film. A light-hearted comedy with Burl Ives, not Barabra Eden as the genie. Tony Randall plays the straightman perfectly. Wish this was on DVD.

"Jeanie" meets the "Genie"
Before Barbara Eden played a Genie on the home screen, she played the fiance of a man (Tony Randall) who had a Genie. This film is a lot of fun to watch. The Genie (played by Burl Ives) tries everything to please his master, but to no avail. All of his good works turn into problems. This is a light-hearted comedy which should be reproduced for public viewing. We all need a laugh now and then (especially now!). And this film will fill the bill. Encourage the video and DVD makers to bring back "The Brass Bottle".

Brass Bottle Tony Randall and Burl Ives at Their Best
I love this movie so much it just is to funny. I was lucky enough to be able to buy a copy of this after it was stopped being produced...Well This movie is just so funny with the future Geanie Barbara Edan. and Burl Ives as the silly Jeanie. Well This is a great classic comedy.Its odvious why Universal put this in their Comedy Classics Collection.

A Great Family Movie
The ''Top 100 Reviewer'' obviously did not see this film, or even read the reviews previously posted here. This movie has nothing to do with Barbara Eden's TV series. Burl Ives plays a genie freed by Tony Randall, who does his best to repay his new master. What follows is a succession of silly situations which land Tony Randall in hot water with practically everyone he knows. The banquet scene is very good, as is the courtroom scene. An enjoyable movie that is suitable for children.

Barbara Eden "practices" for her Jeannie Series
This is an enjoyable family-fare hocus-pocus starring everyones favorite Jeannie, Barbara Eden. This movie is about 1 1/2 years ahead of the TV series, but very similar in its content. A beautiful genie is freed by a red-blooded-American man (played by Tony Randall), who is a bit overwhelmed with the possibilities of being the "master" of this beautiful blonde who will grant him any wish he desires. -- What this film lacks in script, it makes up in visual effects (for which we got to love the TV series). All in all, this is a lot of fun, especially for fans of the stars. ... Read more

Reviews (59)

A big Western with a stupendous music score.
I loved this movie as a kid when I saw it in the theatre back in 1958 or 1959 and I still love it. The movie score by Jerome Morass is absolutely magnificent. Gregory Peck plays a pacifist Easterner who's trying to avoid getting caught up in the land dispute his fiance's (Carol Baker) family is having with a local clan. His shallow fiance and her father (Charles Bickford) interpret his unwillingness to fight as a sign of weakness. Charlton Heston and the beautiful Jean Simmons are fine in their roles. Burl Ives won an Oscar for his portrayal of Rufus Hennesey, the leader of a very large extended family. Last, but not least, Chuck Connors (of the Rifleman TV series) turns in his finest film performance. A big movie with big stars made by a big-time director (William Wyler who won best director Oscars for Ben-Hur and The Best Years of Our Lives). A fine film with a good message about the futility of fighting in order to resolve conflicts.

Good performances in a beautiful Hollywood Western
THE BIG COUNTRY is a very good Hollywood Western, with all the strengths and weaknesses that implies: a first-rate cast and fine production values, but a less-than-imaginative script written by a studio committee. The story is a variation on the tried-and-true "Eastern Dude Tames Wild West" theme. Co-produced by director William Wyler and star Gregory Peck, it strives a bit self-consciously for epic grandeur, and lacks the comparatively gritty realism of John Ford's thematically related THE MAN WHO SHOT LIBERTY VALANCE.

As the transplanted Easterner, Peck's understated performance is a pleasure to watch. Jean Simmons is fine as the schoolmarm, and the two Chucks (Conners and Heston) are equally good in their roles. A supporting actor Oscar went to Burl Ives, but the standout performance belongs to Carroll Baker as Peck's spoiled fiance. Franz Planer's cinematography is quite good, too, but like the script, performances, and pacing, it's just a little bit too self-conscious. The picture feels more like OKLAHOMA! than like THE SEARCHERS--altogether too theatrical to sustain the suspension of disbelief.

Yet this is a very entertaining movie--at least for those who value character, conflict, and beautiful imagery over car chases, explosions, and other special effects. And fans of Westerns in particular should appreciate the many virtues of this near-Classic. Four solid stars.

Atticus Finch goes West
This is a sprawling, glorious saga that will be appreciated by people who don't even like the Western genre. With fabulous cinematography, an excellent script, and two of my favorite actors, it's a film I never tire of watching.
Gregory Peck is the sea captain with principles who goes west to meet his future bride, only to find feuds and fighting, and some lawless varmints who need his "non violent" ways of resolving territorial issues. He is terrific as James McKay, who is sort of an Atticus Finch in boots, and looks mighty fine as well.
Charlton Heston has the smaller part as Leech, a foreman who is seething with jealousy and obeys the orders of his unscrupulous boss (rancher Terrill, played with subtle menace by Charles Bickford) as he yearns for his daughter. Heston is brilliant as this rather complex character, and would a year later star in director William Wyler's next epic, "Ben Hur", which is perhaps my all-time most viewed and enjoyed film.

Both female leads are wonderful, and are portrayed with enormous strength; Jean Simmons, with her luminous eyes is the schoolteacher, and Carroll Baker is the tough daughter of rancher Bickford, and is too much like her daddy to make a suitable bride for Peck.
Among the many strong performances in the supporting parts are Burl Ives, and received a Best Supporting Actor Oscar for his gnarly old Rufus, Chuck Connors is his bad to the bone son, and Alfonso Bedoya, is a delight as Ramon, who along with a horse named "Old Thunder", provides some of the humor in the film.
The score by Jerome Moross is lovely (and received an Oscar nomination) and the cinematography by Franz Planner spectacular. The film was shot in the Yuba and San Joaquin Counties in California, as well as canyon country in Chinly, Arizona, and it is breathtakingly beautiful.

If you like a good screen fight like I do, this has a great one, "mano a mano" between Peck and Heston; it initially has no music, just the pounding of the fists and the men gasping for breath, and is very effective.
Romance, drama, and lots of action make this a film that appeals to many, and is suitable for the whole family. Total running time is 165 minutes.

A good Western movie

Director: William Wyler
Format: Color
Studio: Mgm/Ua Studios
Video Release Date: May 2, 2000

Cast:

Gregory Peck ... James McKay
Jean Simmons ... Julie Maragon
Carroll Baker ... Patricia Terrill
Charlton Heston ... Steve Leech
Burl Ives ... Rufus Hannassey
Charles Bickford ... Major Henry Terrill
Alfonso Bedoya ... Ramon Guiteras
Chuck Connors ... Buck Hannassey
Chuck Hayward ... Rafe Hannassey
Buff Brady ... Dude Hannassey
Jim Burk ... Blackie/Cracker Hannassey
Dorothy Adams ... Hannassey Woman
Chuck Roberson ... Terrill Cowboy
Bob Morgan ... Terrill Cowboy
John McKee ... Terrill Cowboy
Slim Talbot ... Terrill Cowboy
Donald Kerr ... Liveryman
Carey Paul Peck ... Boy
Jonathan Peck ... Boy
Stephen Peck ... Boy
Ralph Sanford ... Party Guest
Richard Alexander ... Party Guest, (Oceans)
Harry Cheshire ... Party Guest

It is said that Gregory Peck and William Wyler, erstwhile friends who had previously worked together successfully had a falling out over this film and never spoke for years afterward. Both were co-producers, and Peck became agitated over the fact that Wylie was working too slowly and the film was going 'way over budget. Wylie resented anyone else telling him how to make a movie. It also appears that three of Peck's children had children's parts in the film.

The fight seen between Peck and Heston is one of the high points of the film that has caused much comment, as it was filmed from a great distance, rather than close-uo.

Such details aside, the story depicts a sea-captain, James McKay (Peck) coming West to marry Patricia Terrill (Carol Baker). He walks straight into a personal vendetta between Major Henry Terrill (Charles Bickford) and Rufus Hannassey (Burl Ives) over an old grudge, and the usual battle over water rights typical in many Western stories. McKay is a peaceful man who tends to avoid resorting to violence, causing his would-be bride to accuse him of cowardice.

Buck Hannassey (Chuck Connors) and Steve Leech (Charlton Heston) play supporting roles, each of whom has designs on the leading women in the story, leading to antagonisms. Ramon (Alphonso Bedoya) plays his part well, as a Mexican ranch employee. He was better in the Treasure of the Sierra Madre, I think, but he always turns in a good performance.

This is a good Western, with the usual scenery typical of the West. The plot is somewhat hackneyed, but is well-played and comes off well, thanks to the staff.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

The only Western that I highly recommend watching
Although my tastes in film are very broad, I am not fond of Westerns. However, "The Big Country" is an excellent film. It is a Western, but in many ways it doesn't FEEL like a Western. The film's intelligence, strong characters, and reliance on humanity provide a superior storyline to the traditional shoot-'em-up mentality so common in Westerns.

The basic premise concerns retired sea captain James McKay (Peck), who travels West to marry his fiancé Pat Terrill (Baker), whom he met while she was visiting Baltimore. He is quickly thrown in the middle of a huge family feud between the wealthy Terrills and the struggling Hannasseys, presumably over water rights at the Big Muddy, a dormant ranch owned by the lovely schoolteacher Julie (Simmons). However, McKay, the intelligent outsider, sees through the feuding patriarchs (Bickford and Ives). What follows is, in my opinion, one of the most effective showdowns in Western cinema (forget "High Noon").

The characterization in this film is particularly strong. Gregory Peck is very good, as always, even though his McKay character has a level of integrity that may be just a BIT hard to swallow. Carroll Baker's role as the spoiled only child is sickeningly good. Jean Simmons is sweet and demure, but strong and self-sufficient, a perfect contrast to her friend, Pat. Charles Bickford's egotistical role as Major Henry Terrill is great, and his questionable relationship with his daughter raised my eyebrows. Charlton Heston's role is relatively small, but he provides the necessary tension and jealousy between himself, Baker, and Peck. In addition, his character's loyalty to Terrill, although misplaced, is touching. Chuck Connors' character as Buck Hannassey is vile, trashy, and degrading, but his performance is one of the most credible in the film. And, saving the best for last, Burl Ives is absolutely superb in the role of Rufus Hannassey, the overweight, bullying patriarch who simultaneously loves and hates his son Buck. He deserved the Best Supporting Actor Oscar that he won for this role.

There is one flaw to this film that stands out, and another reviewer mentioned it below: watch the canyon barricade scene near the end. The Terrill bunch HAD to see that coming, yet they acted surprised. Wyler missed it there, I think, but overall the film is a beautiful piece of cinema.

One last praise: the score. From the opening credits, this beautifully motivating music resounds throughout the film and is one of my favorites. Just beautiful. ... Read more

Reviews (10)

Charming but uneven
As has been previously written, this film is by Rankin and Bass the team responsible for the holiday classics Rudolph the Red Nosed Reindeer and Santa Claus is Coming to Town. This fillm is more ambitious and more uneven than either of those two favorites. They simply expanded on holiday legends/songs in a bright highly satisfying way. This film is a partial live action drama which features Chris (Paul O'Keefe) a young Hans Christian Anderson, whose father (Jack Gilford) is a penniless cobbler, escaping his desperate life to search for the Garden of Paradise and dropping into three Hans Christian Anderson stories (The Little Mermaid, The Emperor's New Clothes and Thumbelina all in the company's signature puppet inspired Animagic) on the way. This material has a lot of potential and the film does have some lovely sequences particularly during the Little Mermaid and Thumbelina sections. Maury Laws' songs don't reach the heights of Santa Claus or his wonderful work on The Little Drummer Boy but are tuneful and create a mood of wistful wonder. The character of Chris is fascinating too in that he initially seems simply a good hearted boy but often unintentionally betrays and abandons the characters around him and the animated sections have a darker tone than most children's programming. The religous tones (which are true to the Hans Christian Anderson original tales) in several of the stories also make this darker than the usual Rankin and Bass holiday fare.

There are problems. Often the film resorts to silly musical comedy routines to pull the audience out of the darker edges of the animated material. Jack Gilford performs in an almost vaudevillian broad comedy style and seems so powerless and impotent as Chris' father that one hopes that Chris is never forced to return home. Ray Bolger's charm is utterly wasted in his performance as the pieman and Paul O'Keefe's pleasant voice is undermined by the improbability of the situation (he's been captured for poaching and being led by rope down the middle of the town's square as the townsfolk cavort in the clearly underfunded big production number) that he's found himself stranded in. And the questions about Chris' character and his family's desperate financial straits are never resolved.

Still despite these qualms the film has undeniable charm and a certain magic pull in places. I still felt a magic shiver when Chris, caught in a seemingly inescapable situation, spies a flower magically opening up to reveal Thumbelina and a way to escape. I would certainly recommend this film to families to view together--just don't expect a seamless masterpiece or a film even as satisfying the Rankin and Bass Christmas specials.

I remember seeing this film as a child on television. I remember, even then, the print being muddy and the colors being washed out and skips cutting out moments of dialogue. What a pleasure it is to see this new DVD version of this film. The colors are full and bright and there is no bleeding and the sound is free of any pops and scratches. Not quite the labor of love their Mad Monster Party disc was but does include a brief history of the film in the insert.

Fascinating! Not your typical animated kiddie fare
This film was produced by the wonderful Rankin/Bass team - best known for their holiday masterpieces "Rudolph the Red-Nosed Reindeer", "Frosty the Snowman" and "Mad Monster Party", just to name a few. The wraparound story (which is live-action) deals with a young Hans Christian Anderson struggling to find The Garden of Paradise. On his journey, we are treated to four haunting stories, each filmed in Rankin/Bass's trademark stop-motion "Animagic". The stories are unusual in that they all end on a low note rather than a typical "Disney happy ending" - keeping true to Anderson's original tales. Included here are "The Little Mermaid", "The Emperor's New Clothes", "Thumbelina" and "The Garden of Paradise". Once again Arthur Rankin and Jules Bass have created a fantasyland of wonder and imagination filled to the brim with beautiful tunes.

Ah, to daydream...
This is another wonderful childhood movie, full of the joys and woes that come to a young boy who dares to daydream, perhaps a little to obsession. He gets into all sorts of adventures and trouble. What also trully shines is Ray Bolger as the pieman, who dances around like a playful kitten, darting about the rest of the cast with his armful of pies, and his humerous gestures. You also get to see a little Rankin/Bass version of Ray, which is equally as charming. Great movie, great to watch when you're bored, or with he family, all year round.

The Enchanted World of Hans Christian Andersen
"The Daydreamer" has some really cool animagic sequences. Boris Karloff's song and dance bit with the Rat and the Mole is one of the best things I have seen from Rankin/Bass. The underwater sequence is great, with Burl Ives, Hayley Mills and Tallulah Bankhead playing the leads of The Little Mermaid, Father Neptune and the Sea Witch.

However, overall "The Daydreamer" is a mediocre film. The live action bits are pretty bad, with nothing really passing for acting or a storyline on display. The producer went the wrong direction, buy banking on the large cast of stars who are mostly unknown today.

Given that this is a mediocre film, I would have wished for a better DVD to make up the difference. "The Daydreamer" just doesn't have the punch necessary to pull of a DVD without accompaniment. Paired with "The Enchanted World of Danny Kaye: The Emperor's New Clothes" and you would have had a must-buy. The addition of any other Rankin/Bass animagic special would have been appreciated.

animation parts are fun, live action puts you to sleep
I know there are a lot of people who love this movie. I personally enjoyed all the talented people who lent their voices to the animated characters. And sure, the DVD image is as flawless as a new release print can be. Yet the combination of several Anderson Fairy Tales and poorly written live action dialogue connecting all the animation left me wishing that about 15 minutes had been trimmed. The story of a real boy who learns about how to become an unselfish person is basically a good one and he meets lots of interesting animated characters along the way, but some actors are wasted (Ray Bolger & Margaret Hamilton). It feels like the producers had access to these people and tried any way they could to fit them into the production, unfortunately at the expense of good pacing. If you are a Rankin/Bass completist, then pick this up, you won't be disappointed. Otherwise for most of us it will make a decent rental. ... Read more

Reviews (10)

Charming but uneven
As has been previously written, this film is by Rankin and Bass the team responsible for the holiday classics Rudolph the Red Nosed Reindeer and Santa Claus is Coming to Town. This fillm is more ambitious and more uneven than either of those two favorites. They simply expanded on holiday legends/songs in a bright highly satisfying way. This film is a partial live action drama which features Chris (Paul O'Keefe) a young Hans Christian Anderson, whose father (Jack Gilford) is a penniless cobbler, escaping his desperate life to search for the Garden of Paradise and dropping into three Hans Christian Anderson stories (The Little Mermaid, The Emperor's New Clothes and Thumbelina all in the company's signature puppet inspired Animagic) on the way. This material has a lot of potential and the film does have some lovely sequences particularly during the Little Mermaid and Thumbelina sections. Maury Laws' songs don't reach the heights of Santa Claus or his wonderful work on The Little Drummer Boy but are tuneful and create a mood of wistful wonder. The character of Chris is fascinating too in that he initially seems simply a good hearted boy but often unintentionally betrays and abandons the characters around him and the animated sections have a darker tone than most children's programming. The religous tones (which are true to the Hans Christian Anderson original tales) in several of the stories also make this darker than the usual Rankin and Bass holiday fare.

There are problems. Often the film resorts to silly musical comedy routines to pull the audience out of the darker edges of the animated material. Jack Gilford performs in an almost vaudevillian broad comedy style and seems so powerless and impotent as Chris' father that one hopes that Chris is never forced to return home. Ray Bolger's charm is utterly wasted in his performance as the pieman and Paul O'Keefe's pleasant voice is undermined by the improbability of the situation (he's been captured for poaching and being led by rope down the middle of the town's square as the townsfolk cavort in the clearly underfunded big production number) that he's found himself stranded in. And the questions about Chris' character and his family's desperate financial straits are never resolved.

Still despite these qualms the film has undeniable charm and a certain magic pull in places. I still felt a magic shiver when Chris, caught in a seemingly inescapable situation, spies a flower magically opening up to reveal Thumbelina and a way to escape. I would certainly recommend this film to families to view together--just don't expect a seamless masterpiece or a film even as satisfying the Rankin and Bass Christmas specials.

I remember seeing this film as a child on television. I remember, even then, the print being muddy and the colors being washed out and skips cutting out moments of dialogue. What a pleasure it is to see this new DVD version of this film. The colors are full and bright and there is no bleeding and the sound is free of any pops and scratches. Not quite the labor of love their Mad Monster Party disc was but does include a brief history of the film in the insert.

Fascinating! Not your typical animated kiddie fare
This film was produced by the wonderful Rankin/Bass team - best known for their holiday masterpieces "Rudolph the Red-Nosed Reindeer", "Frosty the Snowman" and "Mad Monster Party", just to name a few. The wraparound story (which is live-action) deals with a young Hans Christian Anderson struggling to find The Garden of Paradise. On his journey, we are treated to four haunting stories, each filmed in Rankin/Bass's trademark stop-motion "Animagic". The stories are unusual in that they all end on a low note rather than a typical "Disney happy ending" - keeping true to Anderson's original tales. Included here are "The Little Mermaid", "The Emperor's New Clothes", "Thumbelina" and "The Garden of Paradise". Once again Arthur Rankin and Jules Bass have created a fantasyland of wonder and imagination filled to the brim with beautiful tunes.

Ah, to daydream...
This is another wonderful childhood movie, full of the joys and woes that come to a young boy who dares to daydream, perhaps a little to obsession. He gets into all sorts of adventures and trouble. What also trully shines is Ray Bolger as the pieman, who dances around like a playful kitten, darting about the rest of the cast with his armful of pies, and his humerous gestures. You also get to see a little Rankin/Bass version of Ray, which is equally as charming. Great movie, great to watch when you're bored, or with he family, all year round.

The Enchanted World of Hans Christian Andersen
"The Daydreamer" has some really cool animagic sequences. Boris Karloff's song and dance bit with the Rat and the Mole is one of the best things I have seen from Rankin/Bass. The underwater sequence is great, with Burl Ives, Hayley Mills and Tallulah Bankhead playing the leads of The Little Mermaid, Father Neptune and the Sea Witch.

However, overall "The Daydreamer" is a mediocre film. The live action bits are pretty bad, with nothing really passing for acting or a storyline on display. The producer went the wrong direction, buy banking on the large cast of stars who are mostly unknown today.

Given that this is a mediocre film, I would have wished for a better DVD to make up the difference. "The Daydreamer" just doesn't have the punch necessary to pull of a DVD without accompaniment. Paired with "The Enchanted World of Danny Kaye: The Emperor's New Clothes" and you would have had a must-buy. The addition of any other Rankin/Bass animagic special would have been appreciated.

animation parts are fun, live action puts you to sleep
I know there are a lot of people who love this movie. I personally enjoyed all the talented people who lent their voices to the animated characters. And sure, the DVD image is as flawless as a new release print can be. Yet the combination of several Anderson Fairy Tales and poorly written live action dialogue connecting all the animation left me wishing that about 15 minutes had been trimmed. The story of a real boy who learns about how to become an unselfish person is basically a good one and he meets lots of interesting animated characters along the way, but some actors are wasted (Ray Bolger & Margaret Hamilton). It feels like the producers had access to these people and tried any way they could to fit them into the production, unfortunately at the expense of good pacing. If you are a Rankin/Bass completist, then pick this up, you won't be disappointed. Otherwise for most of us it will make a decent rental. ... Read more

Reviews (59)

A big Western with a stupendous music score.
I loved this movie as a kid when I saw it in the theatre back in 1958 or 1959 and I still love it. The movie score by Jerome Morass is absolutely magnificent. Gregory Peck plays a pacifist Easterner who's trying to avoid getting caught up in the land dispute his fiance's (Carol Baker) family is having with a local clan. His shallow fiance and her father (Charles Bickford) interpret his unwillingness to fight as a sign of weakness. Charlton Heston and the beautiful Jean Simmons are fine in their roles. Burl Ives won an Oscar for his portrayal of Rufus Hennesey, the leader of a very large extended family. Last, but not least, Chuck Connors (of the Rifleman TV series) turns in his finest film performance. A big movie with big stars made by a big-time director (William Wyler who won best director Oscars for Ben-Hur and The Best Years of Our Lives). A fine film with a good message about the futility of fighting in order to resolve conflicts.

Good performances in a beautiful Hollywood Western
THE BIG COUNTRY is a very good Hollywood Western, with all the strengths and weaknesses that implies: a first-rate cast and fine production values, but a less-than-imaginative script written by a studio committee. The story is a variation on the tried-and-true "Eastern Dude Tames Wild West" theme. Co-produced by director William Wyler and star Gregory Peck, it strives a bit self-consciously for epic grandeur, and lacks the comparatively gritty realism of John Ford's thematically related THE MAN WHO SHOT LIBERTY VALANCE.

As the transplanted Easterner, Peck's understated performance is a pleasure to watch. Jean Simmons is fine as the schoolmarm, and the two Chucks (Conners and Heston) are equally good in their roles. A supporting actor Oscar went to Burl Ives, but the standout performance belongs to Carroll Baker as Peck's spoiled fiance. Franz Planer's cinematography is quite good, too, but like the script, performances, and pacing, it's just a little bit too self-conscious. The picture feels more like OKLAHOMA! than like THE SEARCHERS--altogether too theatrical to sustain the suspension of disbelief.

Yet this is a very entertaining movie--at least for those who value character, conflict, and beautiful imagery over car chases, explosions, and other special effects. And fans of Westerns in particular should appreciate the many virtues of this near-Classic. Four solid stars.

Atticus Finch goes West
This is a sprawling, glorious saga that will be appreciated by people who don't even like the Western genre. With fabulous cinematography, an excellent script, and two of my favorite actors, it's a film I never tire of watching.
Gregory Peck is the sea captain with principles who goes west to meet his future bride, only to find feuds and fighting, and some lawless varmints who need his "non violent" ways of resolving territorial issues. He is terrific as James McKay, who is sort of an Atticus Finch in boots, and looks mighty fine as well.
Charlton Heston has the smaller part as Leech, a foreman who is seething with jealousy and obeys the orders of his unscrupulous boss (rancher Terrill, played with subtle menace by Charles Bickford) as he yearns for his daughter. Heston is brilliant as this rather complex character, and would a year later star in director William Wyler's next epic, "Ben Hur", which is perhaps my all-time most viewed and enjoyed film.

Both female leads are wonderful, and are portrayed with enormous strength; Jean Simmons, with her luminous eyes is the schoolteacher, and Carroll Baker is the tough daughter of rancher Bickford, and is too much like her daddy to make a suitable bride for Peck.
Among the many strong performances in the supporting parts are Burl Ives, and received a Best Supporting Actor Oscar for his gnarly old Rufus, Chuck Connors is his bad to the bone son, and Alfonso Bedoya, is a delight as Ramon, who along with a horse named "Old Thunder", provides some of the humor in the film.
The score by Jerome Moross is lovely (and received an Oscar nomination) and the cinematography by Franz Planner spectacular. The film was shot in the Yuba and San Joaquin Counties in California, as well as canyon country in Chinly, Arizona, and it is breathtakingly beautiful.

If you like a good screen fight like I do, this has a great one, "mano a mano" between Peck and Heston; it initially has no music, just the pounding of the fists and the men gasping for breath, and is very effective.
Romance, drama, and lots of action make this a film that appeals to many, and is suitable for the whole family. Total running time is 165 minutes.

A good Western movie

Director: William Wyler
Format: Color
Studio: Mgm/Ua Studios
Video Release Date: May 2, 2000

Cast:

Gregory Peck ... James McKay
Jean Simmons ... Julie Maragon
Carroll Baker ... Patricia Terrill
Charlton Heston ... Steve Leech
Burl Ives ... Rufus Hannassey
Charles Bickford ... Major Henry Terrill
Alfonso Bedoya ... Ramon Guiteras
Chuck Connors ... Buck Hannassey
Chuck Hayward ... Rafe Hannassey
Buff Brady ... Dude Hannassey
Jim Burk ... Blackie/Cracker Hannassey
Dorothy Adams ... Hannassey Woman
Chuck Roberson ... Terrill Cowboy
Bob Morgan ... Terrill Cowboy
John McKee ... Terrill Cowboy
Slim Talbot ... Terrill Cowboy
Donald Kerr ... Liveryman
Carey Paul Peck ... Boy
Jonathan Peck ... Boy
Stephen Peck ... Boy
Ralph Sanford ... Party Guest
Richard Alexander ... Party Guest, (Oceans)
Harry Cheshire ... Party Guest

It is said that Gregory Peck and William Wyler, erstwhile friends who had previously worked together successfully had a falling out over this film and never spoke for years afterward. Both were co-producers, and Peck became agitated over the fact that Wylie was working too slowly and the film was going 'way over budget. Wylie resented anyone else telling him how to make a movie. It also appears that three of Peck's children had children's parts in the film.

The fight seen between Peck and Heston is one of the high points of the film that has caused much comment, as it was filmed from a great distance, rather than close-uo.

Such details aside, the story depicts a sea-captain, James McKay (Peck) coming West to marry Patricia Terrill (Carol Baker). He walks straight into a personal vendetta between Major Henry Terrill (Charles Bickford) and Rufus Hannassey (Burl Ives) over an old grudge, and the usual battle over water rights typical in many Western stories. McKay is a peaceful man who tends to avoid resorting to violence, causing his would-be bride to accuse him of cowardice.

Buck Hannassey (Chuck Connors) and Steve Leech (Charlton Heston) play supporting roles, each of whom has designs on the leading women in the story, leading to antagonisms. Ramon (Alphonso Bedoya) plays his part well, as a Mexican ranch employee. He was better in the Treasure of the Sierra Madre, I think, but he always turns in a good performance.

This is a good Western, with the usual scenery typical of the West. The plot is somewhat hackneyed, but is well-played and comes off well, thanks to the staff.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

The only Western that I highly recommend watching
Although my tastes in film are very broad, I am not fond of Westerns. However, "The Big Country" is an excellent film. It is a Western, but in many ways it doesn't FEEL like a Western. The film's intelligence, strong characters, and reliance on humanity provide a superior storyline to the traditional shoot-'em-up mentality so common in Westerns.

The basic premise concerns retired sea captain James McKay (Peck), who travels West to marry his fiancé Pat Terrill (Baker), whom he met while she was visiting Baltimore. He is quickly thrown in the middle of a huge family feud between the wealthy Terrills and the struggling Hannasseys, presumably over water rights at the Big Muddy, a dormant ranch owned by the lovely schoolteacher Julie (Simmons). However, McKay, the intelligent outsider, sees through the feuding patriarchs (Bickford and Ives). What follows is, in my opinion, one of the most effective showdowns in Western cinema (forget "High Noon").

The characterization in this film is particularly strong. Gregory Peck is very good, as always, even though his McKay character has a level of integrity that may be just a BIT hard to swallow. Carroll Baker's role as the spoiled only child is sickeningly good. Jean Simmons is sweet and demure, but strong and self-sufficient, a perfect contrast to her friend, Pat. Charles Bickford's egotistical role as Major Henry Terrill is great, and his questionable relationship with his daughter raised my eyebrows. Charlton Heston's role is relatively small, but he provides the necessary tension and jealousy between himself, Baker, and Peck. In addition, his character's loyalty to Terrill, although misplaced, is touching. Chuck Connors' character as Buck Hannassey is vile, trashy, and degrading, but his performance is one of the most credible in the film. And, saving the best for last, Burl Ives is absolutely superb in the role of Rufus Hannassey, the overweight, bullying patriarch who simultaneously loves and hates his son Buck. He deserved the Best Supporting Actor Oscar that he won for this role.

There is one flaw to this film that stands out, and another reviewer mentioned it below: watch the canyon barricade scene near the end. The Terrill bunch HAD to see that coming, yet they acted surprised. Wyler missed it there, I think, but overall the film is a beautiful piece of cinema.

One last praise: the score. From the opening credits, this beautifully motivating music resounds throughout the film and is one of my favorites. Just beautiful. ... Read more

Reviews (41)

Powerful, though altered, version of the play
Tennessee William's play, "Cat on a Hot Tin Roof", was considered so controversial that its Broadway producers forced the playwright to alter the third act. Either in spite of or because of the changes, the play was a huge hit. Even with the changes, it had to be further watered down for Hollywood's 1958 movie version. Once more, it was a boxoffice smash. It went on to garner six Oscar nominations, including Best Actress for Elizabeth Taylor and Best Actor for Paul Newman. Despite the industry's timidity back then, the movie was a searing, powerful drama about a family in crisis. That it remains so to this day, despite massive changes in social values and mores over the years, is a credit to its brilliant cast and to its director, Richard Brooks.

Brick and Maggie [Newman and Taylor] have come to his father's big plantation in Mississippi to celebrate the old man's 65th birthday. Everyone calls him Big Daddy, and as portrayed by Burl Ives, he truly is a larger than life figure. Brick's brother, Gooper [Jack Carson], his wife, Mae [Madeleine Sherwood], and their five 'little no-neck monsters" are also there. Big Daddy has just returned from several weeks at a clinic where he was treated for cancer. He thinks he is cured, but the doctors have lied to him. He's unlikely to see his next birthday. Rivalry and intrigue abound among the siblings and their families as everyone fights over who will take over the plantation. Brick has major problems of his own. The former star athlete drinks too much, refuses the advances and affection of the gorgeous and calculating Maggie because he blames her for his best friend's suicide, and is bitter about his father, who doesn't seem to love him or anyone else. Brick is also hobbling around on crutches, having recently tripped while trying to leap a hurdle one drunken night. Through all the bickering and fighting, his mother, Big Mama [Judith Anderson], tries desperately to hold onto whatever happiness and dignity the family still possesses. But a storm of confrontations is brewing, and she's powerless to stop it.

The 'shocking' element that was changed was the revelation that Brick and his friend had been lovers and that Maggie's 'crime' was her attempt to eliminate her rival. This was changed to the friend's killing himself because he was weak. I think when you know this, you can easily see what is going on underneath the surface between Brick and Maggie. It also makes the characters more understandable and believable. Their constant fighting makes more sense. The story becomes about more than greed, power, money and land. It becomes about the power of the human heart.

"Cat on a Hot Tin Roof" is highly recommended, script changes notwithstanding.

Every line filled with tension, and the acting is wondeful!
This adaptation of a Tennessee Williams play was nominated for six academy awards in 1959. It stars Elizabeth Taylor as Maggie, rejected over and over by her alcoholic husband, Brick, played by Paul Newman. His father, Big Daddy, played by Burl Ives, has just returned to his Mississippi mansion after exploratory surgery. There's bitter rivalry in the family as they speculate about his death. Jack Carson plays the older son, who, with his pregnant wife, played by Madeline Sherwood and their five obnoxious children are determined to inherit Big Daddy's fortune. But Big Daddy despises him, as he does his own wife of 40 years, Big Mama, played by Judith Anderson.

As this film was originally a play, most of it is sharp and cutting dialogue, every line filled with tension and double meanings. Close-ups reveal the artistry of the actors, all of whom are excellent. I especially liked Burl Ives, whose performance called for a wide range of emotions, showing his vulnerability as well as his strength. And as the characters battled with each other, the story, which I understand was rewritten to fall within the guidelines of 1950s censors, slowly revealed itself. Some critics say this ruined this movie adaptation. I can't comment on that because I though the story was great. Most of the film takes place inside a house and there's almost no physical action. Not necessary. The dialog does it all. And it does it well. Recommended.

Humanity at it's best...
"Cat on a Hot Tin Roof" is a spectacular visual masterpiece about the human spirit.
Every character has three dimensions, and every line is perfectly written and delivered. Credit is needed for the original playright(although I am aware the plot was altered to please the strict critics of the time), who along with the screenplay writers are as important as the actors.
Speaking of actors, Liz Taylor, Burl Ives and Paul Newman were all flawless in their roles. They were human, and as a painting they were more real than reality. My opinions of the characters changed continually throughout the film. It was as if you were peeling away the skin layer by layer to find the truth. Annoyance turned into hate, hate turned into compassion.
The most important element of this film was feelings;emotions the players have, and have to deal with. As well as how you feel about them, and their situations.

Superb
Acting doesn't come any better than this. Newman and Taylor have such chemistry its unbelievable, and although the movie may drag in certain parts, overall it is a great character study.
Taylor is heartbreaking as the sexually deprived wife as Newman, a hardened man who suspects his wife of infidelity. Once again the theme of homosexuality is present ( as it is in all of Williams' plays), but in the movie it is thankfully downplayed and subtle. The definitive film version of the play, whose highlights are pretty much every scene in which Maggie and Brick are alone in their room bickering.

MEEEOOOOW!
"Cat on the Hot Tin Roof"
Has so much tension, one can't cut it with a machete... Just another very dysfunctional family, which Tennessee Williams writes so brilliantly.

You have Maggie (the cat) The only character in the extended family who is 'Normal' The only one who seems to be keeping the family from killing one another. Liz, of course plays her beautifully, superbly, very sexy as 'The Cat'

(Brick) Paul Newman plays her husband...A drunk with many devils he needs to let out, such as why he will not sleep with Maggie, why won't he stop thinking about his foot-ball buddy who killed himself. The viewer will wonder if his has other preferences... Because who wouldn't sleep with (The Cat)??

Big Daddy...played by Burl Ives... The GOD of the family, the one with all the money, Power, the one who's dying. (Excellent performance)

(Goober) Brick's brother and his wife wait impatiently for Big Daddy's fortune. The wife is appalling enough to make one sick. Continually taunting Maggie about not having children, having a bad marriage, not controlling Brick. Her kids run around the house like little, foul animals.

This family is a disaster waiting to happen...The pressure cooker is on high, baby, and when she blows
Watch out...All hell will break loose all over the place.

They don't make um' like this anymore.

MEEEEOOOOOW! ... Read more

Amazon.com

This classic 1964 television special featuring Rudolph and his misfit buddies set the standard for stop-motion animation for an entire generation before Tim Burton darkly reinvented it in the early 1990s. Burl Ives narrates as Sam the Snowman, telling and singing the story of a rejected reindeer who overcomes prejudice and saves Christmas one particularly blustery year. Along the way, he meets an abundance of unforgettable characters: his dentallyobsessed elf pal Hermey; the affable miner Yukon Cornelius and his motley crew of puppies; the scary/adorable Abominable Snow Monster; a legion of abandoned, but still chatty, toys; and a rather grouchy Santa. In addition to the title song that inspired it, this 53-minute tape is crammed with catchy tunes such as"Silver and Gold" and "Holly Jolly Christmas." Those who grew up looking forward to watching Rudolph every Christmas season will undoubtedly be able to recite the quotable quotes ("I'm cuuuute. She said I'm cuuuute." "Herbie doesn't like to make toys.") as well as any Casablanca cult audience. --Kimberly Heinrichs ... Read more

Reviews (95)

Go Rudolph! Go!
"Rudolph the Red-Nosed Reindeer" is THE classic Rankin/Bass Animagic Christmas special. I could not imagine a holiday season going by without watching this at least once. Now, with this DVD, I can put away my "taped from television" copy and enjoy the complete, fully-restored splendor of Rudolph.

For the first time since 1964, the complete, unedited version can be seen on this DVD. Throughout the years, the special has been trimmed to allow for more commercial time, including the removal of a longer version of "We Are Santa's Elves", a duet reprise of "We're A Couple Of Misfits." The edits where made as long ago as 1965, so getting the complete version is a real treat. It even restores Rudolph's Elf friend's proper name, "Hermey" as opposed to the edited "Herbie."

Burl Ives has perhaps his most classic role as Sam the Snowman, singing many now-classic songs that were written for this program, such as "Holly-jolly Christmas" and "Silver and Gold." (Of course, he also sings Johnny Marks wonderful "Rudolph the Red-Nosed Reindeer!")

The Animagic puppets are never more welcome than at Christmas. This is a really nice DVD, and includes extras such as an introduction by Arthur Rankin and the complete "Fame and Fortune" song that replaced the reprise of "We're A Couple Of Misfits" in 1965. What a wonderful DVD!

Absolute Every-Year Holiday Classic!
This is one amazing show that everybody loves. The unforgettable characters and memorable music make "Rudolph" one of the videos my family never fails to watch each winter. See, I'm 16 years old and didn't grow up with all these stop-motion, "Animagic" Rankin/Bass holiday special shows, but I do love them. For the longest time I watched "Rudolph" every Christmas and "Peter Cottontail" every Easter, but didn't know the wealth of other wonderfully great shows awaiting me. Luckily just today I finished watching the Rankin/Bass marathon on TV, and was introduced to some other incredible classics that I must buy: "Pinnochio's Christmas," "Jack Frost," "The First Christmas," "The Little Drummer Boy," "Nestor the Long-Eared Christmas Donkey," "The Year without a Santa Claus" (the best one), "Rudolph's Shiny New Year," and more. I know most of the voice acting because I enjoy watching older TV sitcoms and game shows, in which all these 70's actors and actresses starred. "Rudolph" will always remain a favorite part of my holiday traditions. The characters of Yukon Cornelius, the Bumble, Clarice (Rudolph's girlfriend), and Hermey, along with the songs like "Silver and Gold" and "Santa's Elves"--oh, and let's forget the BEST part of all, those poor little Misfit Toys!--make this one video you can't afford to miss.

Really great!
My mom said she watched this movie every year on TV when she was a kid and I've been wathcing it every year as well. It still makes me cry all the time! I highly reccomend it.

Great Christmas TV Special
A Great Christmas TV special.Great songs and Great story.One of the best scenes is with the song "There's Always Tommorow" is romantic with the animals singing.

THE BEST CLASSIC FOR CHRISTMAS!!!
It took a year to put together,- each puppet, "Three Dimensional Object" cost $5.000,- over 100 technicians and craftsmen and a cost of $500.000 and the end result was a masterpiece. This is truly one of the BEST HOLIDAY films going. It's full of charm, love, adventure, and a meaning of friendship that only can come from a show like this. For me the memories come flooding back. I can remember the first time I saw this classic back in 1964, it was on "General Electric Fantasy Hour" at 5:30 to 6:30 on Sunday night on NBC. I remember running up to my room to watch it on my little black and white television. I never miss it. This DVD is a must for every home. The holidays just won't be the same without it.
Air dates for the 60's are as follows:
12/6/64 Sunday, 5:30 - 6:30 NBC
12/5/65 Sunday, 5:30 - 6:30 NBC
12/4/66 Sunday, 5:30 - 6:30 NBC
12/8/67 Friday, 7:30 - 8:30 NBC
12/6/68 Friday, 7:30 - 8:30 NBC
12/5/69 Sunday, 7:30 - 8:30 NBC ... Read more

Amazon.com essential video

Maggie is the feline in question, as portrayed by a smoldering, angry Elizabeth Taylor. Paul Newman is her ex-athlete husband, Brick Pollitt, an alcoholic who frustrates and disappoints his wife and his overbearing father. Burl Ives is Big Daddy, the vulgar patriarch of this positively gothic Southern family whose children return to the nest like vultures when they learn he is dying of cancer. Infidelities, addictions, latent homosexuality, depression, unrequited love, and mendacity are woven into this still-powerful adaptation of Tennessee Williams's Pulitzer Prize-winning play. Though it was somewhat whitewashed by Hollywood, the sentiment remains powerful because of the provocative performances. It was nominated for several Academy Awards, including Best Actor and Actress for Newman and Taylor. --Rochelle O'Gorman ... Read more

Reviews (41)

Powerful, though altered, version of the play
Tennessee William's play, "Cat on a Hot Tin Roof", was considered so controversial that its Broadway producers forced the playwright to alter the third act. Either in spite of or because of the changes, the play was a huge hit. Even with the changes, it had to be further watered down for Hollywood's 1958 movie version. Once more, it was a boxoffice smash. It went on to garner six Oscar nominations, including Best Actress for Elizabeth Taylor and Best Actor for Paul Newman. Despite the industry's timidity back then, the movie was a searing, powerful drama about a family in crisis. That it remains so to this day, despite massive changes in social values and mores over the years, is a credit to its brilliant cast and to its director, Richard Brooks.

Brick and Maggie [Newman and Taylor] have come to his father's big plantation in Mississippi to celebrate the old man's 65th birthday. Everyone calls him Big Daddy, and as portrayed by Burl Ives, he truly is a larger than life figure. Brick's brother, Gooper [Jack Carson], his wife, Mae [Madeleine Sherwood], and their five 'little no-neck monsters" are also there. Big Daddy has just returned from several weeks at a clinic where he was treated for cancer. He thinks he is cured, but the doctors have lied to him. He's unlikely to see his next birthday. Rivalry and intrigue abound among the siblings and their families as everyone fights over who will take over the plantation. Brick has major problems of his own. The former star athlete drinks too much, refuses the advances and affection of the gorgeous and calculating Maggie because he blames her for his best friend's suicide, and is bitter about his father, who doesn't seem to love him or anyone else. Brick is also hobbling around on crutches, having recently tripped while trying to leap a hurdle one drunken night. Through all the bickering and fighting, his mother, Big Mama [Judith Anderson], tries desperately to hold onto whatever happiness and dignity the family still possesses. But a storm of confrontations is brewing, and she's powerless to stop it.

The 'shocking' element that was changed was the revelation that Brick and his friend had been lovers and that Maggie's 'crime' was her attempt to eliminate her rival. This was changed to the friend's killing himself because he was weak. I think when you know this, you can easily see what is going on underneath the surface between Brick and Maggie. It also makes the characters more understandable and believable. Their constant fighting makes more sense. The story becomes about more than greed, power, money and land. It becomes about the power of the human heart.

"Cat on a Hot Tin Roof" is highly recommended, script changes notwithstanding.

Every line filled with tension, and the acting is wondeful!
This adaptation of a Tennessee Williams play was nominated for six academy awards in 1959. It stars Elizabeth Taylor as Maggie, rejected over and over by her alcoholic husband, Brick, played by Paul Newman. His father, Big Daddy, played by Burl Ives, has just returned to his Mississippi mansion after exploratory surgery. There's bitter rivalry in the family as they speculate about his death. Jack Carson plays the older son, who, with his pregnant wife, played by Madeline Sherwood and their five obnoxious children are determined to inherit Big Daddy's fortune. But Big Daddy despises him, as he does his own wife of 40 years, Big Mama, played by Judith Anderson.

As this film was originally a play, most of it is sharp and cutting dialogue, every line filled with tension and double meanings. Close-ups reveal the artistry of the actors, all of whom are excellent. I especially liked Burl Ives, whose performance called for a wide range of emotions, showing his vulnerability as well as his strength. And as the characters battled with each other, the story, which I understand was rewritten to fall within the guidelines of 1950s censors, slowly revealed itself. Some critics say this ruined this movie adaptation. I can't comment on that because I though the story was great. Most of the film takes place inside a house and there's almost no physical action. Not necessary. The dialog does it all. And it does it well. Recommended.

Humanity at it's best...
"Cat on a Hot Tin Roof" is a spectacular visual masterpiece about the human spirit.
Every character has three dimensions, and every line is perfectly written and delivered. Credit is needed for the original playright(although I am aware the plot was altered to please the strict critics of the time), who along with the screenplay writers are as important as the actors.
Speaking of actors, Liz Taylor, Burl Ives and Paul Newman were all flawless in their roles. They were human, and as a painting they were more real than reality. My opinions of the characters changed continually throughout the film. It was as if you were peeling away the skin layer by layer to find the truth. Annoyance turned into hate, hate turned into compassion.
The most important element of this film was feelings;emotions the players have, and have to deal with. As well as how you feel about them, and their situations.

Superb
Acting doesn't come any better than this. Newman and Taylor have such chemistry its unbelievable, and although the movie may drag in certain parts, overall it is a great character study.
Taylor is heartbreaking as the sexually deprived wife as Newman, a hardened man who suspects his wife of infidelity. Once again the theme of homosexuality is present ( as it is in all of Williams' plays), but in the movie it is thankfully downplayed and subtle. The definitive film version of the play, whose highlights are pretty much every scene in which Maggie and Brick are alone in their room bickering.

MEEEOOOOW!
"Cat on the Hot Tin Roof"
Has so much tension, one can't cut it with a machete... Just another very dysfunctional family, which Tennessee Williams writes so brilliantly.

You have Maggie (the cat) The only character in the extended family who is 'Normal' The only one who seems to be keeping the family from killing one another. Liz, of course plays her beautifully, superbly, very sexy as 'The Cat'

(Brick) Paul Newman plays her husband...A drunk with many devils he needs to let out, such as why he will not sleep with Maggie, why won't he stop thinking about his foot-ball buddy who killed himself. The viewer will wonder if his has other preferences... Because who wouldn't sleep with (The Cat)??

Big Daddy...played by Burl Ives... The GOD of the family, the one with all the money, Power, the one who's dying. (Excellent performance)

(Goober) Brick's brother and his wife wait impatiently for Big Daddy's fortune. The wife is appalling enough to make one sick. Continually taunting Maggie about not having children, having a bad marriage, not controlling Brick. Her kids run around the house like little, foul animals.

This family is a disaster waiting to happen...The pressure cooker is on high, baby, and when she blows
Watch out...All hell will break loose all over the place.

They don't make um' like this anymore.

MEEEEOOOOOW! ... Read more

Reviews (2)

Classic Comedy At Its Finest
This is a hilarious classic comedy with top notch acting. I first saw it years ago when I was younger and I still laugh everytime I watch it. Filled with action and excitement too this is a great film. It is one of those movies you can watch again and again and still enjoy it.

Just a fun movie!
I saw this movie when it first came out. I have rented it several time for others to see and all have really enjoyed it. Mel Tillis and Roy Clark make a good team and there is a lot of very funny scenes. The movie is a tongue in cheek western. Our heroes find themselves in trouble by accident and are soon being chased across the country by: the local sheriff, numerous hookers, the U S Cavalry, angry Chinamen, and others. If you want a just for fun movie, this one is it! ... Read more

Description

In DESIRE UNDER THE ELMS, Anna poses tough competition to Ephraim’s bitter sons from his previous marriages, who believe they, not their new stepmother, should inherit all his land.Things heat up when Anna and Ephraim’s son, Eben spend a night of passion together. ... Read more

Reviews (2)

Shallow
Loren, Perkins, and company reduce one of the American Theatre's masterworks to overwrought trivia in this lifeless adaptation of the Eugene O'Neil classic. Given the obvious talent of the cast, one expects considerably more--and although the basic story of a wife who betrays her much older husband with her step-son remains more or less intact, the film version entirely misses the spirit of the original. Those who have not seen nor read the original may find the film entertaining as soap-opera; those familiar with the original, however, will be outraged.

dark but compelling!
The tape quality is excellent and the fact that's it's in black and white enhances the somber tones of the story and stark contrast of the characters. The highlight of the film is a fine (however brief) performance by a pre-Bonanza Pernell Roberts whose portrayal of a spirited brother lifts some of the oppression that runs throughtout this tale. I've watched this film more than once for it's cinematic beauty and the quality of acting...but this is not a love story, rather a story about love at it's darkest. If I were a fan of Eugene O'Neill I probably would have given this 5 stars. ... Read more

Reviews (6)

I've seen it once and would like my own copy.
My review is simple. I've seen The New Adventures of Heidi with Burl Ives, liked it very much but have not found anywhere to purchase it. Yours was the closest I came, but you had a notification that it was not available--or--when I did place an order for a copy giving all information requested, you said you would send me an email but have not done so. I requested this last week twice but nothing came on my email.
Roman

Best family film we've seen in a long time!
For Burl Ive fans this is a collector. Great for the Christian family as they sang beautiful prayers to God. Burl Ive's was a believer himself. I can't wait to send a copy to a friend as a gift, who doesn't like movies that may be great, but, they have to throw in bad language. She says, "that's not entertainment to them or their children. It's not a sad movie like so many of the other Heidi's were, but I won't tell you the ending. It is a feel good movie. We can all use that these days.

Feel Good Movie, great for the entire family
This digitally enhanced version of the follow up to the wonderful classic Shirley Temple family film finds Heidi living with her grandfather (Burl Ives - "Cat on a Hot Tin Roof") in the Swiss Alps. In desperate fear of going blind, he contacted Heidi's cousin to take her in and provide for her. What follows is a wonderfully exciting series of adventures told with the heartwarming style and grace of the author Johana Spyris. A wonderful family entertainment feature which will especially be enjoyed by kids of all ages again and again.

Great story, horrid DVD
I really like Burl Ives and the story is nice but the DVD is awful. This looks like someome took a very old video tape and transferred it direct to DVD. This DVD played on one of our DVD players, but wouldn't play on our second DVD player (this has never happened before).

Maybe I just got a dud DVD copy, but this was not worth the shipping cost, much less the cost of the film.

An Excellent Family Movie!!
Johanna's Spyri's tale is brought to life and updated in this heartwarming family film.Heidi(Katy Kurtzmann) is living with her Grandfather(Burl Ives) in the Swiss Alps.But her grandfather is slowly losing his eyesight and fears that he will no longer be able to take care of her.While in town,he secretly calls Heidi's cousins in Lucerne and asks them to take custody of Heidi.In the meantime,a young girl named Elizabeth runs away from her school group to follow Heidi back to her cabin.They become best of friends and Elizabeth begs Heidi and her grandfather to let her stay with them.However,Heidi and her grandfather know that Elizabeth's place is with her family,and they return her the next day.While out on a search party for Heidi's friend Peter,her grandfather disappears into the woods and is feared dead.Left with no one to care for her,Heidi is taken to live with Elizabeth's family.With them ,she travels to New York for the holidays,and has many exciting adventures which make this an excellent family movie to watch for all ages!! ... Read more