Amazon.com

Elia Kazan made his directorial debut with this adaptation of Betty Smith's novel about a bright, young girl growing up in turn-of-the-century Brooklyn, trying to rise above her tenement existence. Sensitively filmed by Kazan, and graced with wonderful performances by James Dunn as the wistful, alcoholic father and Dorothy McGuire as a strong-willed mother. Peggy Ann Garner won a special Oscar for her performance. --Tom Keogh ... Read more

Reviews (35)

Heartbreakingly dissapointing
I read the astonishingly true book A Tree Grows in Brooklyn. I loved it- and understood it. I expected so much from the movie- but when it was finished, I was just dissapointed. I understand that sometimes parts of books had to be changed to make a movie. And yet... it was probably the small cast of characters, and the MANY alterations. Wherer is the cruel, evil Granpa Rommely? Why do the characters talk so FAST. They need to slow down, and relax. Where's Little Tilly, or Gussie? The movie, as I can call it, is cute. I would give it 2.5 stars. But, it shows a glossed over version of Francie's life. Francie was a child who lived in a world of brutality. She went to a school (from 6-10 anyway) where the teachers were CRUEL, and DIRTY. She wore smudged clothes, ripped, and patched. She never had enough to eat. The most refreshing aspect of the book was that she was able to find magic IN SPITE or all of this. But the movie changes a mature book into a G-Rated film.I will never hear the names Francie, Neely,Sissy and Katie, and see Peggy Ann Garner, Ted Donaldson,Joan Blondell and Dorothy McGuire. I will always see Francie as a skinny, ragged looking child, with wondering eyes, and a timid smile. I will always see Neely as a scruffy, ragged kid, with a little-boy grin on his face. I will always see Sissy as a dark-haired, full-figured ''bad girl'' sensitive beauty, and I will always see Katie as a wide-eyed, unexplainable fighter.The only acotr who captured the essence of the character is James Dunn as Johnny. Now HE deserved his Oscar. They took too much out of the book to make the movie good. Where's Aunt Evy, and Uncle Wille Flitmann? More importantly WHERE'S THE EXPLAINATION OF HOW KATIE AND JOHNNY MET. They just skipped right past that part. I have always read reviews of movies I loved- and seen one person who gives a 5-star movie (atleast 5-star to me) and gives it 2-stars for not following the book, and I feel angry. But in this case- I urge anyone who loved the movie to thoroughly read the book, then watch it again. The movie COULD HAVE BEEN SO GREAT! They should have followed Francie's life until the end of the book. They should have shown Francie and Lee, her true love. A part in the book read, after Katie had heard Francie call her ''mother'' instead of ''mama'': '' Mother! Katie remembered when she had called her mother ''mother'' instead of ''mama''. She had said ''Mother'' when she had been ready to marry Johnny. When she had called her mother ''Mother'' she had finished growing up. She had never said ''mama'' again. Now Francie.... And this is just the problem. The movie never fully ''grows up''. I hope someday, someone takes the time (though it will take a long time) to make a movie TRUE TO THE BOOK.If people loved this movie, wait until they see a movie that follows the book. They will be astonished at the difference!

What a Great Film !
From the opening scene, this movie hooks you in. It is the story of a little girl, Francie Nolan, and her family. The setting is turn-of-the-century Brooklyn. This film stands up to repeated viewings, something movies seldom accomplish. The basic story line centers around Francie, an intelligent girl filled with wonder. Her father, Johnny Nolan, loves his daughter and does everything he can to support her wishes. The mother is the serious, single-layered breadwinner of the house, and is often more concerned with public perception of her family than with the family itself. Starring Dorothy McGuire, James Dunn, Peggy Ann Garner, Lloyd Nolan and Joan Blondell, it doesn't get much better than this, folks...have some tissues readily available. Elia Kazan's direction makes tear-jerkers out of certain scenes, like when Francie throws her arms around her father and proclaims "I just love you so much, Papa". Another GREAT scene is when Papa is in Francie's room, just before going to look for a job. The piano scene. The tree catching scene....and on and on. A real classic.

Faithful to the book
Even though this movie has been around for quite a while, one wonders (and worries) how faithful the movie-makers were to the book, especially since the novel made a come-back thanks to Oprah and her gang. What a relief it was to find out that "A Tree Grows" was mostly like the book. One can only hope that McCrae's "The Bark of the Dogwood" will receive similar treatment when it is made into a film--let's hope so. I highly recommend this heart-warming tale of life in Brooklyn, even if it does have its ups and downs.

Francie's World
A Tree Grows In Brooklyn is a beautiful and thoughtful book. The screen version is one of my favorite films of all time. It tells the story of Francie, a poor girl growing up in Brooklyn at the turn of the 20th century. The acting, with Peggy Ann Garner as Francie, James Dunn as her father and Joan Blondell as Francie's aunt, is superb and evocative of that bygone era. A Tree Grows in Brooklyn is a movie that can be enjoyed again and again. You never get tired of it.

The Tender Passage of Youth
Betty Smith's heartfelt and timeless novel of a young girl's passage through her youth in the Brooklyn slums was transformed by director Elia Kazan into one of the most touching and deeply felt films ever made. It has that rare ability to break your heart one moment and make you smile the next. There is a tenderness here that has rarely been captured on film. Many point to Elia Kazan's flashier films, but it was this sentimental film that was his crowning achievement. There are moments in this film when even those who never cry at the movies will be moved to tears.

Peggy Ann Garner was so wonderful as the young and sensitive Francie, the Academy gave her an Oscar for Most Promising Juvenile Performer. James Dunn garnered an Oscar also as Francie's loving father, Johnny Nolan, a singing waiter with a gift for dreaming he passes on to Francie, who wants to be a writer. Francie's papa makes their hard life worth living and Francie worships him. He understands and adores her.

But when he isn't working, Johnny is usually drunk. Everyone in their poor neighborhood knows Johnny is a good man, however, and loves and respects him. He is the one who will find a way for Francie to attend the school she dreams of, even though it is far from their home. Francie's mother is the only one who doesn't seem to see how special Johnny is.

Dorothy McGuire gives another terrific performance as Francie's hard working mother, Katie, who tries desparately not to love her boy Neely more than Francie, and fails; tries desparately not to become bitter with the charming lad she married in her youth, but can't; and tries desparately not to let her heart grow cold and hard, and fails once more.

Francie and her family may live in poverty, but Kazan takes the time to show the joy that can be found in the small things in life. For Francie, her father represents happiness and living. Joan Blondell, as Katie's sister and Francie's aunt Sissy, with her free spirit and big heart, adds to Francie's joy in life. It is one of Blondell's finest roles.

It is Peggy Ann Garner's emotional performance, however, you will always remember. She brings a sweetness and sincerity to Francie that makes her unforgettable. Purchasing this film is an opportunity to own one of the true masterpieces in American cinema. It will touch your heart and remind you what Hollywood was once capable of, and make you wonder where it all went wrong. ... Read more

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Perhaps if The Bishop's Wife had lapsed on its copyright and fallen into the public domain like It's a Wonderful Life, it would be as much a Christmas staple as that classic. It certainly deserves to be. Dudley (Cary Grant) is an angel sent down by the prayers of a new bishop (David Niven). The bishop is trying to build a new cathedral, and he's so entrenched in his fundraising that he's watching his own marriage crumble around him. Loretta Young is devoted, moist-eyed, and basically a great date for the tempted Dudley. They drink in the afternoon, go skating at night, and make impulse buys. The skating sequence beats mightily on one's suspension of disbelief, but the rest of the film is an absolute joy. Grant is suave, worldly, and enchanting. A wonderful present for anyone who has not seen it. --Keith Simanton ... Read more

Reviews (58)

Delightful Holiday Story
Cary Grant stars as an angel named Dudley who suddenly appears and befriends an Episcopal bishop (David Niven) who is completely focused on raising money for his new church, and the bishop's wife (Loretta Young), who has become lonely and unhappy as her husband has gotten lost in his work. Grant uses little bits of heavenly magic and loads of charm to help Niven raise money and to help Young rediscover the joy of life. He also helps Niven and Young rediscover each other and realize that love must be the highest priority for anyone, including an ambitious bishop who's devoted to his job.

The acting is superb, as one would expect from this stellar cast. The story takes place at Christmas and, while not shown as much as other Christmas movies, I think it's one of the best. Cary Grant, all charm and suave coolness, plays this part perfectly, and the viewer even sees a touch of wistful envy in the angel who cannot have the Earthly love and happiness he helps Niven and Young rekindle for themselves. Buy this one and watch it every Christmas (or any other time you need a happiness booster or a reminder of the importance of love and kindness).

P.S.: "It's a Wonderful Life" is a good movie, but definitely I prefer "The Bishop's Wife".

A Family Favorite!
This film is one of the best of the Christmas Classics. The Bishop's Wife tells a story of an angel (Cary Grant) who comes down to earth in answer to a busy Bishop's (David Niven) prayer. The angel helps the Bishop learn to adjust his priorities and comes close to falling in love with Julia, the Bishop's wife (Loretta Young). The movie includes a lovely Skating/ Dance scene that defies description. Make this movie a tradition for your family this year.

Christmas with Cary Grant.
I think overall, this movie is maybe my favourite that was set around Christmas time. It's better than the brilliant - although overrated - Capra classic, "It's a Wonderful Life". I am in no way meaning to compare the two though. "The Bishop's Wife" is not really like that movie. But both films remain the two greatest christmas time classics to come out of the 1940's.

The film is, as one would have already guessed, set around christmas time. The main plot of the story, is that David Niven is this Bishop, who prays for guidance, of how to get a new cathedral built. Dudley (Cary Grant) is an Angel, who has been sent to help, although the Bishop does not take to him being an Angel too seriously, for some time. Dudley helps everyone he meets, but not always in the way they might prefer, to start off with. Dudley spends a lot of time with the Bishop's wife (Loretta Young) and he is not liking it. Dudley becomes the popular friend among all the people he meets, and helps, but the Bishop is the odd one out, becoming more annoyed, and frustrated with him as it goes along. It all ends nicely though, of course.

The film is really wonferful. There is a skating scene, that is inparticularly memorable, among Cary Grant always charming, excellent performance. The acting in this movie, is simply brilliant. I cant possibly have seen it being any better. The script, the story, everything about this movie is great. Repeated viewings are easy, and its one of Cary Grant best movies.

This DVD from MGM has a great print. It contains very few signs of scratching, and the other little artifacts you find in some movies of this age, and is an overall good looking transfer. The extras are lousy. You get the trailer (which is quite fun, might I add) but absolutely nothing else. Oh well, the print is the main thing, and they have done a good job in that part. Highly recommended.

Charming but overlong
Bishop: Are you expecting a letter?
Dudley: Well, you never know. If I did get one, the stamp would certainly be worth saving.

That's because Dudley (Cary Grant) is an angel sent to give guidance to forlorn Bishop Henry Brougham (David Niven), and who eventually lights up the lives of everyone else in the Bishop's life, especially The Bishop's Wife in this delightful Christmas film from 1947. When the Bishop prays for help in getting a new cathedral built (the local millionairess widow will only give if her late husband's name is prominently displayed), Cary Grant shows up as his "assistant" but soon makes the Bishop even more miserable by charming his wife Julia (radiant Loretta Young), daughter Debby, and even housemaid Matilda (Elsa Lanchester, always wonderful).

The Bishop's Wife is truly "heavenly" with Grant playing off his tried-and-true persona. Originally Grant and Niven were supposed to have the opposite roles, but Grant decided he could do more with the angel role -- and Grant was a bigger star -- so they were exchanged. Good thing, too: I can't imagine Cary playing the indecisive Bishop any more than I can imagine Niven charming a woman away from Cary Grant.

Only a few things keep The Bishop's Wife from being perfect. There is an overlong ice-skating scene that really stretches the believability (I had to keep telling myself "he's an angel; he can do anything), and the film runs on about twenty minutes too long. In the beginning, Grant is so taken by Young that, if he weren't an angel, those looks would feel really sleazy. Turns out that Cary is just discovering temptations, which makes the ending all the more noble.

Watching The Bishop's Wife in June (during a Cary Grant festival on Turner Classic Movies) is a little strange, but the movie is so ... happy that it's easy to slip into the vibe, especially with all the Christmas carols being bandied about like so many candy canes. I'd certainly recommend that fans of the stars watch it at least once (especially since Loretta Young, whom I don't find all that attractive, is made, through Gregg Toland's photography, into a very appealing woman). Niven is rather on the milquetoasty side and his richest scene involves him being stuck in a chair, but the rest of the film is two hours of Christmas joy.

Charming!
THE BISHOP'S WIFE is a thoroughly charming movie about an "angel" (Cary Grant) who changes the life of a bishop (David Niven) who at Christmas time is trying desperately to raise funds to build an elaborate cathedral and has consequently neglected his wife, Julia (Loretta Young). The three leads give beautiful performances, and there is a wonderful supporting cast, including Monty Woolley as a kindly if doubting professor and James Gleason as a loveable cab driver. The screenplay is subtle, as is the musical score. The scene near the end of the film in which Grant, Young, and Gleason take time out for some ice skating is a delightful respite, very much like a number in a movie musical. THE BISHOP'S WIFE is a relatively recent addition to my video library, but it has quickly become my favorite classic Christmas movie -- next to MIRACLE ON 34th STREET and Alastair Sim's A CHRISTMAS CAROL, that is. ... Read more

Reviews (3)

Ma & Pa Kettle become grandparents and visit the old farm.
The Kettle story began with the film THE EGG AND I (1947). They had a small part in the film, but was asked to star in their own film series, MA AND PA KETTLE (1949) and then MA AND PA KETTLE GO TO TOWN (1950). In this fourth film, Pa goes into town with his two Indian friends to get on the nerves of Mr. Reed, the gemeral store owner. What Pa doesn't know is, is that he is about to become a grandfather. Pa gets confused and thinks his wife is about to have another child. Like they have 15 already. Actually, it's Richard Long that is the new daddy. The Kettles are finally settled in their new modern house they had won in that contest, but upon the sudden visit of the new grandson's other grandparents, the Parkers, who are well-to-do, the whole house is re-arranged by the new guests. But soon the Parkers are about to see how the Kettles really live. Since the house is too big or should I say too crowded for the daughter-in-law and her parents, the Kettles decide to go back to the old farm. If the man who plays "Steve" looks familar, it is Jerry Hausner who went on to play "Jerry--the Agent" in the "I Love Lucy" pilot. Then Jerry/Joe and did "Baby Crying" in the CBS "I Love Lucy" tv series.

Wonderful Family Movie
I think this movie is one of their best. It brings tears of laughter to your eyes. Movies that make you smile and feel good are the best and this one is on top of the list of great family films. I think you will enjoy this movie and feel good for the rest of the day after watching Ma and Pa Kettle Back on the Farm.

Ma and Pa become grandparents...and move back to the farm
In this installment of the Kettle series, Ma and Pa become grandparents when their son, Tom, and his wife, Kim, become parents themselves. Kim's parents arrive from Boston to help out with the baby, and tensions rise between the grandmothers. The end result--Ma and Pa leave the start of art modern home to return to the squalor of the squattors flat. Included is the standard screwball humor, and the introduction of Kim's parents is important as background for Ma and Pa Kettle On Vacation (an essential film). However, for Kettle films, this one falls squarely in the middle. It is a good film, not quite as good as the first 3 (including The Egg and I), better than At the Fair, In the Ozarks, or Old McDonalds Farm. ... Read more

Reviews (2)

Just a Great Story
I will not belabor the reader with needless esoteric references to the subtle "hidden" meanings of this excellent and under appreciated film. It is not as wide sweeping and well known as "Best Years", yet it holds a timeless appeal.
I cherish the sweetness of the interaction between Dorothy Maguire and Guy Madison. The "Greatest Generation" are well represented, and I bow to their talents.
There is no need to read current foolisheness and "PC" stuff into this film. It stands on its own merits. My four uncles who all served in WWII applaud this one.
God Bless

Timeless Beefcake.
This movie is so forgotten that I'm the first person to review it! A nostalgic appreciation will definately contribute to your possible enjoyment of this film. This story of three returning World War 2 G.I.'s, and their readjustment into society, is much less celebrated than the similar themed "The Best Years Of Our Lives", even though this film was released before that Oscar winner. It's what you might call a "B" version of the celebrated "Lives." This was a very early vehicle for Robert Mitchum, and he effectively displays the tough-guy delivery and fledgling screen persona for which he later became well known. Dorothy McGuire is fine also as the troubled war widow/ love interest of Guy Madison. This film was my first look at Mr. Madison, whom I vaguely recall from his later "Wild Bill Hickock" television series. Though he was not at all what you'd call a great actor, in fact, he was self-consciously wooden in delivery, I must admit I was impressed by his screen sexuality, which oddly transcends the films time period of the 1940's. He was almost impossibly beautiful, not remotely feminine, yet totally unlike other male actors of that time, and sported a "look" that would fit in any Abercrombie & Fitch catalogue of today. This film has very palpable sexual undertones (at least I felt 'em!) There are times when the camera languishingly lingers (can something languishingly linger??) on Madisons bare torso, as he lies in repose on the bed, as if he were Jane Russell, with an unheard of for that time intensity, which really makes me wonder if this is what the director intended. I doubt that possibility, given the oppressiveness of the times and the storyline. However, there are several such scenes, with exchanged glances, so heavy in unintentional homo-erotic suggestiveness that they are now campily hysterical. So, I would recommend this film primarily as more of a curiosity piece, with its "war movie" appeal coming in a contradictary second. This is probably not the best reason to suggest watching a film, but the fact that Guy Madison, who is not exactly a household name, was quite possibly one of the handsomest men ever in film would be my major reason for suggesting this tale, where the story line comes in a distant second to all that beefcake in uniform. Ships AHOY! ... Read more

Reviews (2)

Memorable Little Film
Natalie Wood stars as an 8 year old girl who witnesses a plane crash. She seeks solace with the town doctor. This film is no longer available and is a real treasure to own.

A Cutie movie
I think this is a nice pleasant movie with a good bit of humor and a realistic plot. The parts are well played and not to sweet, its better than you would think being made in 1947. It dosent copy any thing like many lassie clones do and is heart warming without be to over done. ... Read more

Reviews (2)

Creepy thriller is one of Holmes' best
With this, the fifth film in Universal's Sherlock Holmes series starring Basil Rathbone, the studio dropped the great detective's name from the title, confident that other aspects of the production were powerful enough to attract audiences. "Spider Woman" was a perfect entry in which to deemphasize the appearance of Sherlock Holmes since Gale Sondergaard's performance as Andrea Spedding, aka the Spider Woman, would have been good enough to make this episode memorable even if she had matched wits with a less formidable opponent. Her character was so well received that it inspired an unofficial sequel, "The Spider Woman Strikes Back" (unofficial because she technically played another character and Holmes was not involved) in which another alumnus of the series, "Pearl of Death"'s Rondo Hatton, was also featured.

For fans of Arthur Conan Doyle's stories, it's fun to see how screenwriter Bertram Millhauser uses Doyle's "The Dying Detective" as a source for our first glimpse of Holmes here, and, as always, Roy William Neill creates a beautifully eerie atmosphere with scenes draped in shadows the likes of which can only be found in German Expressionism (and don't miss the scene in Ordway's lab, perhaps the most frightening moment in any of the 12 films). Neill deserves more acclaim than he's received, and the fact that he never rose above the assembly line of B movie making is a damning indictment of Hollywood's inability to properly utilize its talent.

Rathbone is superb, as always, and Dennis Hoey as LaStrade also shines especially in the affecting moments early in the film when the Inspector believes his rival has died. And Nigel Bruce as Dr. Watson, though bumbling as amusingly as ever, is given the opportunity to demonstrate his intelligence, even showing Holmes up for once.

The only drawback to this creepy thriller is a disappointing climax. Otherwise, "Spider Woman" has bite to spare.

Get the Pop Corn and Coke!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released... ... Read more

Reviews (5)

An amazing film
Joseph Losey's early masterpiece, The Boy With Green Hair, deserves a first-class DVD treatment. This is not it. The DVD quality is very, very bad.
Other Losey films, such as his version of M and Secret Ceremony need to be released on DVD also.

AWFUL DVD PICTURE FOR A FIRST-RATE FILM
This movie has been a favorite of mine since childhood. It covers an important time in American history -- World War II, Macarthyism, xenophobia ... and love. Fine acting, superb screenplay by a talented writer ... and it deserves a first-rate recording. The picture is almost impossible to see, the colors are dull, the sound is dull ... One must strain to see and hear this delightful film. Give us a Re-Mastered Version and I'll pay anything for this heartbreaking, life-affirming piece of art that has become a (cult) classic!

Everybody Has Green Hair
This DVD is one of the worst transfers in my collection. The picture has an overall greenish tint to it and it seems to be "fuzzy" or out of focus. Little care seems to have been taken in producing this DVD. Printing on the case looks unprofessional. Stockwell's acting is first-rate, but the supporting cast does a walk-on, at best. I recommend this movie only for the most avid, diehard Dean Stockwell fan.

The little movie that caused a lot of trouble
Joseph Losey's radical film, "The Boy with Green Hair" (BWGH) (RKO Radio Pictures, Inc., 24 November 1948) never got a fair shake. World events of the time haunted it, and powerful men argued about it. It was an expensive production for RKO and a showcase for cutting edge Technicolor film. I believe the film should be seen again and appreciated, if only in the context of it's time.

The film would hardly stir a ripple today but not in 1948. Like the film, "The Search", it centered on the plight of war orphans in postwar Europe. After World War II, the United States began to disarm, seeking the halcyon isolationist peace it knew before. However, by 1949, the political reaction in the US to international Communism led to the jingoistic Red Scare. It became an example of the kind of film some in and out of government didn't like: (1) it was made by Communists in Hollywood, (2) its theme was pacifist, and (3) it expressed racial and ethnic tolerance.

When Howard Hughes, the armaments manufacturer, purchased RKO in May 1948, half the staff quit (including BWGH's producer and studio VP, Dore Schary) and others were fired. Hughes tried to change BWGH in several ways, including screaming at 12 year old Dean Stockwell to change his lines to a call for a stronger military. But Stockwell, though terrified of Hughes, believed in the film's message and refused. Allegedly, Hughes was unable to re-edit or change the film to his liking. So, he likely sabotaged it in other ways. The film was banned in some places, and Hughes soon pulled it from distribution and shelved it. Its box office is difficult to determine, though Variety reported it did respectable to fair business but not "socko". If critics understood it was a parable, then they were okay with it. If they thought it was literal, then they didn't understand it at all. Generally, they thought the story tepid and uneven. Both the director and a co author, Ben Barzman (who'd adopted a war orphan), were blacklisted. Other careers were hurt over this film, and even Stockwell stated in a 1990 interview that he's surprised he wasn't blacklisted, too, because of the fury over BWGH.

It opens in the period following the war. Twelve year old Peter Frye (Stockwell) is telling his story to a psychiatrist. Peter has a bald, white head. He is a sad, lonely boy whose parents were killed in the war and has been shuttled among relatives. Finally, he goes to live with a distant relative he calls Gramp (Pat O'Brien), a retired entertainer. Peter displays an active imagination and a tendency to exaggerate. But Gramp's Irish tall tales, gentle wisdom, and magic tricks are a fair match for Peter's little fibs. There is genuine affection between them. Then, while bathing one morning, Peter discovers his hair has turned emerald green. Peter first thinks it's one of Gramp's magic tricks, but it seems that the transformation is inexplicable and Peter hates it. So does almost everyone else. Eventually, Peter learns that the green hair is a mark that there must never be another war, and he delivers this message to the town. The town doctor tells Gramp that "Peter will discover it's a dangerous thing for a man to have green hair." Peter becomes an enemy of the people and hunted as an outcast.

It's quite rich in subtext. The story follows the pattern of the mythic Hero's Journey, during which Peter, like the postwar US, loses his illusions and innocence. He accepts the necessity of his parents' mission to save children from war and their deaths. He is complete now and happy in Gramp's love Further, I see the green hair as an image of the Green Man, the ancient Celtic icon of spring and rebirth after winter. The Green Man appears as a face adorned with green leaves and sometimes wearing a cap of stag antlers. This is forecast with Peter's baseball cap, which has a design like two horns on it, and when he is playing with his green hair in the bathroom mirror he forms two antler-like spires out it. Peter, in the spring of his life, is a symbol of the promise of new life, peace, and tolerance.

There are also plausible clues about Peter's green hair and his peace message. Peter may be an unreliable narrator, considering his imagination, history of exaggeration, and belief in Gramp's magic tricks. We also recall he washed his hair with a bar of green soap that morning. At the denouement, we may wonder, like the psychiatrist, whether Peter's hair turned green. Was it imagined, magic, a miracle, or an accident? Still, Peter has his message to sustain him.

Despite its troubled past, the film is a cult classic. It has been released again on vhs, when I would've preferred a dvd. The transfer might've been better. The new release from Terra Entertainment also has an acceptable image, probably on par with an internet version I've seen. Though I'm certain Losey sometimes shot in subdued light to fit the mood. Perhaps Stockwell might've offered commentary for a dvd. He's almost the last survivor of the principal cast. Though he viscerally hated acting as a child, he gave a very mature, thoughtful performance. Variety's review commented on Stockwell's "absorbing and sensitive" performance, as did others. Few juvenile performers today can match him. His home studio, MGM, now aware they had a standout juvenile star after "Genleman's Agreement" (he'd won a Golden Globe award) and BWGH (he'd won the Parent's Magazine award), exploited his talent. His famous roles in "Down to the Sea in Ships", "The Secret Garden", "The Happy Years", and "Kim" followed immediately. I believe it should be restored. It was the little film that caused a lot of trouble.

A classic, mostly unknown....and unnappreciated.
I first saw this movie when I was a child, and was immediately fascinated by it. I have seen it many times since, and enjoy it each time. It is a war story, (WWII) about a little boy, Dean Stockwell, (Peter) who loses both his parents and goes to live with his grandfather, Gramps, wonderfully played by Pat O'Brien. Gramps is a magician by nature and a waiter by trade, and he must work nights, consequently leaving young Peter home alone. The boy is terrified at first, but Gramps reassures him with the sentence: "There's nothing in the dark that wasn't there when the lights were on." He amuses the boy with magic tricks, and eventually wins his trust and love. One day at school there is a paper drive for war orphans, and it is then, from a classmate, (with the typical cruelty of children) tells him he resembles a boy in one of the war posters, and Peter responds: "I do not look like him; anyway, he's a war orphan." And the classmate says, "So are you." And that's how he finds out his parents are never coming back, and he really is a war orphan, and feeling betrayed, mistrusts Gramps and his teacher, and everyone else. Then he wakes up one morning and finds his hair has turned green. He is astonished, as is Gramps, who finds the color is permanent and will not wash out. When he goes to school that day, he attracts a great deal of attention, and at first, it's interesting; then people start to panic: "It's the milk, it's the school," etc. and fear spreads. So finally, the milkman complains and everyone shuns Peter and Gramps takes him to the barbershop where he has his head shaved completely bald. He wears a cap, but still the kids at school plague him, and one day, on the way home from school they chase him into the woods. They go away, he loses them, and finds himself in a glade, and flings himself down on the ground, crying...he looks up suddenly, aware that he is not alone, and sees a group of poor, bedraggled children, all sorrowful, all terribly thin, with torn, ragged clothes. The tallest and oldest of the children, a boy of about fourteen, speaks and tells him why his hair turned green...and why it is of such importance. The performances are fantastic, and the musical score is superb, a song written by a true original, **Eden Ahbez, the real First Hippie/rebel:

(**he was a legend in Hollywood for his unusual life style. Even after he and Jacobsen had a son, they kept on living out under the stars, with not much more than a bicycle, their sleeping bags, and a juicer to their name. The story may be apochryphal, but it's said that once, when Ahbez was being hassled by a cop who assumed from his wild appearance that he deserved to be hauled off to a mental institution, he remarked calmly, "I look crazy, but I'm not. And the funny thing is, that other people don't look crazy, but they are." The cop thought it over and responded, "You know bud, you're right. If anybody gives you any trouble, let me know.")

and it is called, aptly, "Nature Boy", sung beautifully by Nat King Cole. Haunting melody. It should be required viewing in all schools, and should also be released on DVD. Buy the VHS and see it, you are in for a great night's entertainment and more. ... Read more

Reviews (2)

Deanna Durbin in a movie that has it all!
This is, in my opinion, one of Deanna Durbin's most underrated screen vehicles (the other being "Something in the Wind"). "The Amazing Mrs. Holliday" is a film that has it all - action, suspense, drama, comedy, romance and (with Deanna on board) music! This was Deanna's most dramatic film to date. As a young woman forced to flee China with eight young war orphans, Deanna shows what a talented actress she actually is. She also sings some beautiful songs (including "Mighty Lak' a Rose"). Throw in Barry Fitzgerald for some comedy, and Edmond O'Brien for romance and you have a wonderful little film that is sure to brighten your view of the world! Overall, one of Deanna's greatest pictures.

Deanna tries to find a way to care for eight war orphans.
This is a most unusual Deanna Durbin film. In this movie, Deanna is a missionary returning from China with eight war orphans. The movie is partially nararrated by Deanna herself as she recounts the story of how she found the orphans and brought them to America. It is very touching although it has a few comic twists. Barry Fitzgerald is his delightful self and causes her no end of trouble. In the end she is the proud mama of NINE war orphans and has found them a very charming daddy. We really enjoyed this film even though it wasn't Deanna's usual style. It showed us that she was certainly capable of playing a more serious role. ... Read more

Reviews (1)

Don't make this your first "Rusty" picture
This is the last of Columbia's eight boy-and-his-dog stories of the 1940s. By this time the boy, Ted Donaldson, is now a tall high-school junior and has just about outgrown the series. Good cast (Ann Doran, John Litel, and several Columbia contract players), good direction, good camerawork, but... the misguided screenplay is by the person who generally wrote for The Dead End Kids and Little Tough Guys, and you can tell. Donaldson is awkwardly cast against type, getting into a fistfight and becoming angry, introspective, and suspicious of the new kids in town. Not very much footage of Rusty, the handsome German shepherd, either. Diehard fans of "B" pictures may be curious to see Donaldson grown up, but others should try one of Rusty's earlier adventures. Print quality is superb but the tape is recorded at the extended-play speed, which may not track properly on all machines. ... Read more

Reviews (1)

Boy-and-his-dog story aimed at kids, but heavy on the civics
Columbia's "Rusty" series of the late 1940s were small-town dramas centering around Danny (Ted Donaldson, one of the better juvenile actors) and his German shepherd Rusty (a handsome animal). This entry has Danny and his pals encountering a mysterious, uncommunicative stranger in town, and running afoul of the man who owns the land where their clubhouse is. Youngsters will enjoy Rusty (and Rusty's girlfriend, Barb), but some of this plays like an instructional film; the morality-play script spreads the civics lesson mighty thick as the kids learn about good citizenship. The film is well made, like most Columbia's "B" pictures, and the print is gorgeous. A technical note: some copies of this title are in the extended-play mode and may not track properly on all machines. ... Read more

Reviews (1)

A Patriotic Movie about Football and War
THE IRON MAJOR is a film about the life of Frank Cavanaugh from his days as a football player at Dartmouth through his triumphant career as coach at Boston College and Fordham. In between he coaches at Cincinnati and Holy Cross and also tries his hand as a lawyer.

When World War I breaks out Cavanugh enlists in the army and is wounded leading an artillery battalion in France. By surviving his wounds he earns the nickname of the "Iron Major." His career at Boston College and Fordham follows World War I and lasts until he gradually loses both his sight and his health.

THE IRON MAJOR is above all a patriotic movie about football and war made at the height of World War II. Pat O'Brien plays Cavanaugh and Ruth Warrick has the role of his sturdy wife who is also the mother of their nine children. The supporting cast includes Robert Ryan and Leon Ames.

Ray Enright directed NAUGHTY BUT NICE and RETURN OF THE BAD MEN in addition to THE IRON MAJOR and several other films. ... Read more

Reviews (4)

Film noir comes to suburbia in this suspenseful gem
Cause For Alarm (1951) is something of an oddity in the film noir genre, bringing its gritty sense of increasing tension and suspense out of the shadows of the night into the bright, daytime light of suburbia. Only a talented actress could make this story work, and Loretta Young shines in the role of the distraught wife of a paranoid, dying husband. Her character Ellen Jones seems to be quite the devoted wife caring selflessly for her bedridden husband George (Barry Sullivan), and a flashback to the couple's first meeting reveals a husband madly in love with her from the moment he laid eyes on her. This happy-go-lucky fellow is a far cry from the man we meet upstairs suffering from a mysterious heart ailment, for he has come to believe that his wife and best friend/doctor, Ranney Grahame (Bruce Cowling), are plotting to kill him so that they can be together. He is so convinced of this that he sends a thoroughly incriminating letter to the district attorney before confronting Ellen with his charges. He tells Ellen all about the letter that she herself delivered into the hands of the postman but collapses before he is able to exact his mad revenge upon her personally. Ellen's in a real spot; the man she loves has just died trying to kill her, and the terrible letter already on its way to the D.A. will make everyone think she killed him. What she must do, of course, is get that letter back before it reaches its destination. What follows is a frustrating, maddening, increasingly suspenseful paper chase, with all manner of obstacles placed in Ellen's way. Trying to get a letter back from the postman may not sound exciting, but Cause For Alarm delivers an almost frenetically suspenseful plot that leaves one wondering what will happen at the very end. Not only did I wonder if she would get the letter back in time, I wondered if there was more to George's paranoid suspicions than there originally seemed, as Ellen climbs up to the very pinnacle of panic, enmeshing herself in an increasingly entangling web of lies and deceit that stand to bring upon herself the very suspicions that she seeks to avoid. Cause For Alarm really and truly kept me in growing suspense from start to finish, culminating in a perfectly effective and satisfying conclusion.

A very entertaining film.
I really like this film. It's very entertaining, and makes the viewer wonder what will happen next. Loretta Young is great in the role of the young housewife. Her husband kills himself, but writes a suicide note accusing her. A letter that she mailed incriminate sher and she must get it back from the postman before it reaches th epolice. She goes through a frantic and stressful fight to get it back. She ends up finding love and a new life with a doctor who hd een her friend for years. It's a film well worth seeing.

A loco husband and an incriminating letter
Engrossing and taut "suburban noir" about a hapless housewife's formerly happy home life degenerating into a hell on earth. Loretta Young stars as the young wife whose once brash and confident husband has retuned from the war with a heart ailment and a sullen, mean temperament which spirals into all-out paranoia when he believes his wife and doctor friend are in love and planning to kill him. Barry Sullivan plays Young's invalid husband, who is relegated to the sickbed (when he's not sneakily creeping about) and generally makes day-to-day life miserable for her with his constant cutting remarks and her having to wait on him hand-and-foot. The action gets underway when Sullivan boasts to wife Young about a lengthy letter to the district attorney she has just posted for him--which contains detailed "evidence" of how his death has been planned, should it occur. He then intends to shoot her and then claiming self-defense--but just before he can do so the strain of his vituperative tirade and resultant physical exertion causes him to drop dead before her very eyes. Now the heat is on for Young to get that incriminating letter before it reaches the D.A., and the anguish and frustration she experiences at the many obstacles she faces will leave you feeling her pain!

Paranoia
Loretta Young got some of her best roles toward the end of her film career, and this was one of them. She stars as the patient and loving wife of Barry Sullivan, a bedridden man who has become paranoid and who manages to implicate her in his own death. Through a winding series of events, she must race against time to save herself from a murder charge. Young is excellent in the role, being given more opportunity to show her dramatic range than in many of the other films she made. The tension builds well and the story manages to remain credible. Although a small film and hardly a classic, it is quite good. ... Read more

Reviews (58)

Delightful Holiday Story
Cary Grant stars as an angel named Dudley who suddenly appears and befriends an Episcopal bishop (David Niven) who is completely focused on raising money for his new church, and the bishop's wife (Loretta Young), who has become lonely and unhappy as her husband has gotten lost in his work. Grant uses little bits of heavenly magic and loads of charm to help Niven raise money and to help Young rediscover the joy of life. He also helps Niven and Young rediscover each other and realize that love must be the highest priority for anyone, including an ambitious bishop who's devoted to his job.

The acting is superb, as one would expect from this stellar cast. The story takes place at Christmas and, while not shown as much as other Christmas movies, I think it's one of the best. Cary Grant, all charm and suave coolness, plays this part perfectly, and the viewer even sees a touch of wistful envy in the angel who cannot have the Earthly love and happiness he helps Niven and Young rekindle for themselves. Buy this one and watch it every Christmas (or any other time you need a happiness booster or a reminder of the importance of love and kindness).

P.S.: "It's a Wonderful Life" is a good movie, but definitely I prefer "The Bishop's Wife".

A Family Favorite!
This film is one of the best of the Christmas Classics. The Bishop's Wife tells a story of an angel (Cary Grant) who comes down to earth in answer to a busy Bishop's (David Niven) prayer. The angel helps the Bishop learn to adjust his priorities and comes close to falling in love with Julia, the Bishop's wife (Loretta Young). The movie includes a lovely Skating/ Dance scene that defies description. Make this movie a tradition for your family this year.

Christmas with Cary Grant.
I think overall, this movie is maybe my favourite that was set around Christmas time. It's better than the brilliant - although overrated - Capra classic, "It's a Wonderful Life". I am in no way meaning to compare the two though. "The Bishop's Wife" is not really like that movie. But both films remain the two greatest christmas time classics to come out of the 1940's.

The film is, as one would have already guessed, set around christmas time. The main plot of the story, is that David Niven is this Bishop, who prays for guidance, of how to get a new cathedral built. Dudley (Cary Grant) is an Angel, who has been sent to help, although the Bishop does not take to him being an Angel too seriously, for some time. Dudley helps everyone he meets, but not always in the way they might prefer, to start off with. Dudley spends a lot of time with the Bishop's wife (Loretta Young) and he is not liking it. Dudley becomes the popular friend among all the people he meets, and helps, but the Bishop is the odd one out, becoming more annoyed, and frustrated with him as it goes along. It all ends nicely though, of course.

The film is really wonferful. There is a skating scene, that is inparticularly memorable, among Cary Grant always charming, excellent performance. The acting in this movie, is simply brilliant. I cant possibly have seen it being any better. The script, the story, everything about this movie is great. Repeated viewings are easy, and its one of Cary Grant best movies.

This DVD from MGM has a great print. It contains very few signs of scratching, and the other little artifacts you find in some movies of this age, and is an overall good looking transfer. The extras are lousy. You get the trailer (which is quite fun, might I add) but absolutely nothing else. Oh well, the print is the main thing, and they have done a good job in that part. Highly recommended.

Charming but overlong
Bishop: Are you expecting a letter?
Dudley: Well, you never know. If I did get one, the stamp would certainly be worth saving.

That's because Dudley (Cary Grant) is an angel sent to give guidance to forlorn Bishop Henry Brougham (David Niven), and who eventually lights up the lives of everyone else in the Bishop's life, especially The Bishop's Wife in this delightful Christmas film from 1947. When the Bishop prays for help in getting a new cathedral built (the local millionairess widow will only give if her late husband's name is prominently displayed), Cary Grant shows up as his "assistant" but soon makes the Bishop even more miserable by charming his wife Julia (radiant Loretta Young), daughter Debby, and even housemaid Matilda (Elsa Lanchester, always wonderful).

The Bishop's Wife is truly "heavenly" with Grant playing off his tried-and-true persona. Originally Grant and Niven were supposed to have the opposite roles, but Grant decided he could do more with the angel role -- and Grant was a bigger star -- so they were exchanged. Good thing, too: I can't imagine Cary playing the indecisive Bishop any more than I can imagine Niven charming a woman away from Cary Grant.

Only a few things keep The Bishop's Wife from being perfect. There is an overlong ice-skating scene that really stretches the believability (I had to keep telling myself "he's an angel; he can do anything), and the film runs on about twenty minutes too long. In the beginning, Grant is so taken by Young that, if he weren't an angel, those looks would feel really sleazy. Turns out that Cary is just discovering temptations, which makes the ending all the more noble.

Watching The Bishop's Wife in June (during a Cary Grant festival on Turner Classic Movies) is a little strange, but the movie is so ... happy that it's easy to slip into the vibe, especially with all the Christmas carols being bandied about like so many candy canes. I'd certainly recommend that fans of the stars watch it at least once (especially since Loretta Young, whom I don't find all that attractive, is made, through Gregg Toland's photography, into a very appealing woman). Niven is rather on the milquetoasty side and his richest scene involves him being stuck in a chair, but the rest of the film is two hours of Christmas joy.

Charming!
THE BISHOP'S WIFE is a thoroughly charming movie about an "angel" (Cary Grant) who changes the life of a bishop (David Niven) who at Christmas time is trying desperately to raise funds to build an elaborate cathedral and has consequently neglected his wife, Julia (Loretta Young). The three leads give beautiful performances, and there is a wonderful supporting cast, including Monty Woolley as a kindly if doubting professor and James Gleason as a loveable cab driver. The screenplay is subtle, as is the musical score. The scene near the end of the film in which Grant, Young, and Gleason take time out for some ice skating is a delightful respite, very much like a number in a movie musical. THE BISHOP'S WIFE is a relatively recent addition to my video library, but it has quickly become my favorite classic Christmas movie -- next to MIRACLE ON 34th STREET and Alastair Sim's A CHRISTMAS CAROL, that is. ... Read more

Reviews (3)

Gripping Story
When I first started watching this film, I thought it was about WWII. Hence, I was disappointed when I found that it was about Korea, but I soon lost all disillusionment. The story caught and held me very quickly. The dialogue is well written as it shows the feelings of the pilots about the futility of their continuing mission. The scene when one pilot has to guide his blinded friend back to the carrier is definitely a literal "knuckle-biter", as mentioned by another reviewer. I highly recommend this story to anyone. Period.

A View of the Korean War Through Naval Aviation
This is a spectators view of how the Korean War was fought by carrier aircraft and about the pilots who flew round-trip sorties to their assigned targets. The "spectator" is the ship's flight surgeon who starts to tell the story to a visiting friend (and the audience) while on board the aircraft carrier.

Aircraft transported their pilots who "commuted" to the war with hope for a safe return to a warm bed, a hot meal and needed rest until their next assignment. A far cry from the previous bloody war within which many of the pilots were veterans.

Home and family seemed so far away, a vivid memory beyond reach. War was somewhere near, yet at a safe distance as the carrier sailed on in safe waters. Some of the men were questioning why they were there, and why this war was called a "police action".

Squadron assignments required low-level attack of ground targets exposing the pilots to heavy return fire. This led to the inevitable yet unexpected and sudden loss of a fellow pilot and friend. However, they were not challenged by enemy aircraft throughout the movie. The frequent flying scenes were impressively displayed with technical continuity and logical sequences.

Detailed shots of the flight deck crew rigging catapult launches and assisting in the recovery of aircraft were smoothly spliced in with realism. Acting was acceptably believable as the actors seemed to play themselves. Overall, great flying scenes with a simple plot that keeps the audience (and the pilots) wondering who will survive.

An excellent look at the Air War in Korea
Perhaps the most under-rated war film ever made, "Men of the Fighting Lady" is a fine piece of work. Like James Michener's "Bridges at Toko-Ri" this story centers on Naval Aviation during the Korean War. Taken from stories originally published in "The Saturday Evening Post," this is an engrossing and moving story with acting that is first class (Walter Pidgeon and Van Johnson head an outstanding cast of familiar faces). Though the print is decidely more grainy than that of "Bridges at Toko-Ri" (both movies use some of the same footage) the story is just as compelling.

The tale of Ensign Ken Shechter, based on "The Case of the Blind Pilot," is knuckle-biting to say the least. Far more captivating and emotionally taxing than "Top Gun," "Men of the Fighting Lady" must surely be ranked among the great war films. It is guaranteed to please. Don't forget to chcukle at "Ski," the absolute embodiment of the typical airplane maintenance chief. ... Read more

Amazon.com

In Cause for Alarm, Loretta Young is an elegantly tailored happy homemaker caring for her invalid husband (Barry Sullivan), a former pilot suffering from a mysterious heart disease that has driven him to almost complete madness. Convinced his wife and his doctor are in collusion to kill him, he's carefully recorded the "evidence" of their crime in a letter to the district attorney and prepares to turn the tables on them, but even his own sudden death can't stop the chain of events that plunges his wife into a waking nightmare. An unusual entry into the film noir school of paranoia, TayGarnett's melodramatic thriller trades the dark alleys and long shadows of urban menace for the sunny, tree-lined streets of middle-class domesticity. Young, so often cool, calm, and carefully coifed in her studio roles, beautifully evokes the American Dream as the dutiful wife who collapses into a state of hysterical desperation. Spinning a web of lies to retrieve the damning letter, her world falls apart around her as she unwittingly sinks herself deeper into a morass of suspicion and circumstantial evidence. Though this is less slick and stylish than his claim to film noir fame The Postman Always Rings Twice, Garnett spins a simple premise into a tense, terrifying ordeal, and Young's deadened narration adds an eerie mood of doom to the suburban setting. --Sean Axmaker ... Read more

Reviews (4)

Film noir comes to suburbia in this suspenseful gem
Cause For Alarm (1951) is something of an oddity in the film noir genre, bringing its gritty sense of increasing tension and suspense out of the shadows of the night into the bright, daytime light of suburbia. Only a talented actress could make this story work, and Loretta Young shines in the role of the distraught wife of a paranoid, dying husband. Her character Ellen Jones seems to be quite the devoted wife caring selflessly for her bedridden husband George (Barry Sullivan), and a flashback to the couple's first meeting reveals a husband madly in love with her from the moment he laid eyes on her. This happy-go-lucky fellow is a far cry from the man we meet upstairs suffering from a mysterious heart ailment, for he has come to believe that his wife and best friend/doctor, Ranney Grahame (Bruce Cowling), are plotting to kill him so that they can be together. He is so convinced of this that he sends a thoroughly incriminating letter to the district attorney before confronting Ellen with his charges. He tells Ellen all about the letter that she herself delivered into the hands of the postman but collapses before he is able to exact his mad revenge upon her personally. Ellen's in a real spot; the man she loves has just died trying to kill her, and the terrible letter already on its way to the D.A. will make everyone think she killed him. What she must do, of course, is get that letter back before it reaches its destination. What follows is a frustrating, maddening, increasingly suspenseful paper chase, with all manner of obstacles placed in Ellen's way. Trying to get a letter back from the postman may not sound exciting, but Cause For Alarm delivers an almost frenetically suspenseful plot that leaves one wondering what will happen at the very end. Not only did I wonder if she would get the letter back in time, I wondered if there was more to George's paranoid suspicions than there originally seemed, as Ellen climbs up to the very pinnacle of panic, enmeshing herself in an increasingly entangling web of lies and deceit that stand to bring upon herself the very suspicions that she seeks to avoid. Cause For Alarm really and truly kept me in growing suspense from start to finish, culminating in a perfectly effective and satisfying conclusion.

A very entertaining film.
I really like this film. It's very entertaining, and makes the viewer wonder what will happen next. Loretta Young is great in the role of the young housewife. Her husband kills himself, but writes a suicide note accusing her. A letter that she mailed incriminate sher and she must get it back from the postman before it reaches th epolice. She goes through a frantic and stressful fight to get it back. She ends up finding love and a new life with a doctor who hd een her friend for years. It's a film well worth seeing.

A loco husband and an incriminating letter
Engrossing and taut "suburban noir" about a hapless housewife's formerly happy home life degenerating into a hell on earth. Loretta Young stars as the young wife whose once brash and confident husband has retuned from the war with a heart ailment and a sullen, mean temperament which spirals into all-out paranoia when he believes his wife and doctor friend are in love and planning to kill him. Barry Sullivan plays Young's invalid husband, who is relegated to the sickbed (when he's not sneakily creeping about) and generally makes day-to-day life miserable for her with his constant cutting remarks and her having to wait on him hand-and-foot. The action gets underway when Sullivan boasts to wife Young about a lengthy letter to the district attorney she has just posted for him--which contains detailed "evidence" of how his death has been planned, should it occur. He then intends to shoot her and then claiming self-defense--but just before he can do so the strain of his vituperative tirade and resultant physical exertion causes him to drop dead before her very eyes. Now the heat is on for Young to get that incriminating letter before it reaches the D.A., and the anguish and frustration she experiences at the many obstacles she faces will leave you feeling her pain!

Paranoia
Loretta Young got some of her best roles toward the end of her film career, and this was one of them. She stars as the patient and loving wife of Barry Sullivan, a bedridden man who has become paranoid and who manages to implicate her in his own death. Through a winding series of events, she must race against time to save herself from a murder charge. Young is excellent in the role, being given more opportunity to show her dramatic range than in many of the other films she made. The tension builds well and the story manages to remain credible. Although a small film and hardly a classic, it is quite good. ... Read more

Reviews (4)

Film noir comes to suburbia in this suspenseful gem
Cause For Alarm (1951) is something of an oddity in the film noir genre, bringing its gritty sense of increasing tension and suspense out of the shadows of the night into the bright, daytime light of suburbia. Only a talented actress could make this story work, and Loretta Young shines in the role of the distraught wife of a paranoid, dying husband. Her character Ellen Jones seems to be quite the devoted wife caring selflessly for her bedridden husband George (Barry Sullivan), and a flashback to the couple's first meeting reveals a husband madly in love with her from the moment he laid eyes on her. This happy-go-lucky fellow is a far cry from the man we meet upstairs suffering from a mysterious heart ailment, for he has come to believe that his wife and best friend/doctor, Ranney Grahame (Bruce Cowling), are plotting to kill him so that they can be together. He is so convinced of this that he sends a thoroughly incriminating letter to the district attorney before confronting Ellen with his charges. He tells Ellen all about the letter that she herself delivered into the hands of the postman but collapses before he is able to exact his mad revenge upon her personally. Ellen's in a real spot; the man she loves has just died trying to kill her, and the terrible letter already on its way to the D.A. will make everyone think she killed him. What she must do, of course, is get that letter back before it reaches its destination. What follows is a frustrating, maddening, increasingly suspenseful paper chase, with all manner of obstacles placed in Ellen's way. Trying to get a letter back from the postman may not sound exciting, but Cause For Alarm delivers an almost frenetically suspenseful plot that leaves one wondering what will happen at the very end. Not only did I wonder if she would get the letter back in time, I wondered if there was more to George's paranoid suspicions than there originally seemed, as Ellen climbs up to the very pinnacle of panic, enmeshing herself in an increasingly entangling web of lies and deceit that stand to bring upon herself the very suspicions that she seeks to avoid. Cause For Alarm really and truly kept me in growing suspense from start to finish, culminating in a perfectly effective and satisfying conclusion.

A very entertaining film.
I really like this film. It's very entertaining, and makes the viewer wonder what will happen next. Loretta Young is great in the role of the young housewife. Her husband kills himself, but writes a suicide note accusing her. A letter that she mailed incriminate sher and she must get it back from the postman before it reaches th epolice. She goes through a frantic and stressful fight to get it back. She ends up finding love and a new life with a doctor who hd een her friend for years. It's a film well worth seeing.

A loco husband and an incriminating letter
Engrossing and taut "suburban noir" about a hapless housewife's formerly happy home life degenerating into a hell on earth. Loretta Young stars as the young wife whose once brash and confident husband has retuned from the war with a heart ailment and a sullen, mean temperament which spirals into all-out paranoia when he believes his wife and doctor friend are in love and planning to kill him. Barry Sullivan plays Young's invalid husband, who is relegated to the sickbed (when he's not sneakily creeping about) and generally makes day-to-day life miserable for her with his constant cutting remarks and her having to wait on him hand-and-foot. The action gets underway when Sullivan boasts to wife Young about a lengthy letter to the district attorney she has just posted for him--which contains detailed "evidence" of how his death has been planned, should it occur. He then intends to shoot her and then claiming self-defense--but just before he can do so the strain of his vituperative tirade and resultant physical exertion causes him to drop dead before her very eyes. Now the heat is on for Young to get that incriminating letter before it reaches the D.A., and the anguish and frustration she experiences at the many obstacles she faces will leave you feeling her pain!

Paranoia
Loretta Young got some of her best roles toward the end of her film career, and this was one of them. She stars as the patient and loving wife of Barry Sullivan, a bedridden man who has become paranoid and who manages to implicate her in his own death. Through a winding series of events, she must race against time to save herself from a murder charge. Young is excellent in the role, being given more opportunity to show her dramatic range than in many of the other films she made. The tension builds well and the story manages to remain credible. Although a small film and hardly a classic, it is quite good. ... Read more

Description

The master detective Sherlock Holmes (Basil Rathbone) and his faithful cohort Dr. Watson (Nigel Bruce) are back, preserved and digitally restored in 35mm to original condition by the UCLA Film and Television Archive. This newly restored version of the classic film includes the period war bond tag, studio logo and credits from its original theatrical release.Filled with ominous shadows and interesting camera angles, the visual beauty of the film in 35mm is stunning. London is in a panic over a series of apparent "Pajama Suicides."Sherlock Holmes, however, is more inclined to believe that they are calculated murders.It is up to the great detective to discover the motive and the means of these crimes and to unmask the murderer.Enter Miss Adria Spedding; an intoxicating woman of character whom Holmes is convinced is behind the killings.A series of masquerades and deadly game playing ensues as Holmes and Watson enter a battle of wits with The Spider Woman. Packaging and design ©2003 MPI Home Video.WARNING:For domestic use only.Any unauthorized copying, hiring or lending for public performance of the digital videodisc is illegal.The supplemental information included on this DVD was compiled by MPI Home Video and is not part of the original program.Printed in USA. ©1942, 1969 King World Productions, Inc.All Rights Reserved.

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63 MINUTES ... Read more

Reviews (2)

Creepy thriller is one of Holmes' best
With this, the fifth film in Universal's Sherlock Holmes series starring Basil Rathbone, the studio dropped the great detective's name from the title, confident that other aspects of the production were powerful enough to attract audiences. "Spider Woman" was a perfect entry in which to deemphasize the appearance of Sherlock Holmes since Gale Sondergaard's performance as Andrea Spedding, aka the Spider Woman, would have been good enough to make this episode memorable even if she had matched wits with a less formidable opponent. Her character was so well received that it inspired an unofficial sequel, "The Spider Woman Strikes Back" (unofficial because she technically played another character and Holmes was not involved) in which another alumnus of the series, "Pearl of Death"'s Rondo Hatton, was also featured.

For fans of Arthur Conan Doyle's stories, it's fun to see how screenwriter Bertram Millhauser uses Doyle's "The Dying Detective" as a source for our first glimpse of Holmes here, and, as always, Roy William Neill creates a beautifully eerie atmosphere with scenes draped in shadows the likes of which can only be found in German Expressionism (and don't miss the scene in Ordway's lab, perhaps the most frightening moment in any of the 12 films). Neill deserves more acclaim than he's received, and the fact that he never rose above the assembly line of B movie making is a damning indictment of Hollywood's inability to properly utilize its talent.

Rathbone is superb, as always, and Dennis Hoey as LaStrade also shines especially in the affecting moments early in the film when the Inspector believes his rival has died. And Nigel Bruce as Dr. Watson, though bumbling as amusingly as ever, is given the opportunity to demonstrate his intelligence, even showing Holmes up for once.

The only drawback to this creepy thriller is a disappointing climax. Otherwise, "Spider Woman" has bite to spare.

Get the Pop Corn and Coke!
I am writing this pre-review to express my Great Expectations and excitement over the upcoming DVD release of the 14 Sherlock Holmes movies made by Basil Rathbone and Nigel Bruce.
For those of us who have loved and worn out our VHS versions of these films, I am sure that I speak for many of us in expressing incredible anticipation and near shock that someone has finally recognized the need to release a "restored version" of these timeless classics.
We are told that they have been "Preserved and restored in 35mm by the UCLA Film and Television Archive." This is marvelous and I have already pre-ordered Vol. 1 and Vol. 2 from MPI Home Video.
I so hope that the entire 14 movies, are ultimately released in restored condition. Especially the rarest of them, "The Scarlet Claw" which has rarely been shown on televison and only been available on VHS sporadically.
To me and many others I know, Basil Rathbone is the definative Holmes. Not just because he looks alarmingly similar -as much as is humanly possible- to Sidney Pagets drawings of Holmes from the Strand Magazine illustrations, but mostly we love Rathbone because he portrayed the same Holmes that we as readers get through the buffer of Dr. Watson explaining away not magnifying Holmes' shortcomings.
Jeremy Brett chose to amplify every negative aspect of Holmes' personality that in the written versions Watson explained away. Rathbone's Holmes has been demeaned visciously over the past years and hopefully the respect and dignity that he gave his portrayals will be seen in all their accuracy and glory with these new digitally restored releases. ... these will have to be the best quality versions of these classics ever released... ... Read more

Reviews (1)

LAUGH LAUGH LAUGH OH SO FUNNY!
This is Delightful! We let the kids open one present early for Christmas this year and this was it. We all sat down and watched it as a Family. Oh we all laughed so hard! Dagwood is so funny. He joins the Reserves so look out! Here comes Blondie! And Daisy and her family are adorable! This is rich. Something clean and enjoyable. You'll love it! : ) ... Read more