| UK | Germany |
| Home - Video - Actors & Actresses - ( H ) - Hall, Kevin Peter | Help | |
| 1-20 of 20 1 |
click price to see details click image to enlarge click link to go to the store
| 1. Harry and the Hendersons Director: William Dear | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 1558807225 Catlog: Video Sales Rank: 158 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (16)
This movie is about a family who is visited by big foot. The acting in this movie is amazing! The charcters responded so realisticly. I know this is supposed to be a comedy, but the actors responded so realistcly to having a big foot living in their house. Thats the way I would have acted if it was really happening to me. Well, not much can be said about this movie. It basicly speakes for it itself. ENJOY
All kidding aside, I loved this flick when I was a kid. We had a VHS copy of the film, and my brothers and I wore it out something nuts. HARRY AND THE HENDERSONS is a family film. It's great for children and people who have yet to accept the fact that unicorns, Bigfeet and the Loch Ness Monster are "pretend." Meanwhile, you and your friends might enjoy picking this monster up from video stores on a rainy night when you just feeling like laughing at extreme silliness. I mean, c'mon guys, we're talking about some folks that run over a sasquatch and take it back to suburbia where it becomes a part of the family. If that won't make you laugh, I just don't know what will. I'm laughing just thinking about it. The part when Harry gets into the car and his head makes the roof bulge up, because he's so tall and big and strong..... golly that's just the best! Well, John Lithgow (FOOTLOSE; SHREK) may be one of the best banjo players this side of Uranus, but all that fingerpicking sure doesn't get in the way of his fathering/acting skills. He's constantly caught between doing what he thinks would be best for his family and his compassion for imaginary, Harries. However, when Jacques LaFleur (David Suchet - GREYSTOKE; A PERFECT MURDER), a hunter out for Bigfoot blood, starts sniffing the sasquatch trail, Harry and co. are forced to recruit Dr. Wallace Wrightwood (Don Ameche - TRADING PLACES; COCOON), a Bigfoot enthusiast, and flee to the hills to save Harry. Isn't that a unique tail? While the film is a winner in many ways, one can't escape the fact that Bigfoot is not a real creature! This staggering statement can't be ignored. Throughout the film, you just can't help but laugh and comment, "Hang on just a darn second! Now, that's not real. There's no such thing as Bigfoot." And, then you'd laugh out loud and smack yourself on the knee. Overall, HARRY AND THE HENDERSONS is a must-own rental for anyone with a flare for cheesy movies about nonsensically impossible creatures and the families they love. ... Read more | |
| 2. Predator 2 Director: Stephen Hopkins | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6301963725 Catlog: Video Sales Rank: 2956 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (136)
Danny Glover may not be your first choice when thinking 'action hero' but he does a VERY convincing job. Bill Paxton plays a street-smart, wise-cracking cop and delivers a fun character (as usual) that dies (as usual). As, Gary Busey plays the testosterone injected Special Ops officer that thinks he can actually CAPTURE the deadly Predator! The AWESOME Predator effects (cloaking, vision modes) make this movie shine (not to mention the AMAZING number of bullets fired in this movie, DAMN!) The direction, lighting, fog and camera movement in the final showdown onboard the Predator's ship is pure genius as it makes you feel like you are actually "there" on an alien craft watching this galactic fight to the death, AWESOME! For any self-respecting 'Predator' fan, this is a MUST SEE!!!
| |
| 3. Predator Director: John McTiernan | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: B00005B238 Catlog: Video Sales Rank: 21110 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 4. Mazes and Monsters Director: Steven Hilliard Stern | |
![]() | list price: $14.99
(price subject to change: see help) Asin: 6301650697 Catlog: Video Sales Rank: 32065 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Description Reviews (28)
Tom Hanks as usual fits comfortably in any role he plays. The theme may be a little dated, but it is still fun to watch and speculate "There but for fortune go I". As you have guest the story is about a role-playing game that gets out of hand. Tom Hanks plays a person that might not be quite stable and the addition of this game feeds his fantasies. This leads to a mysterious disappearance. This is more of a physiological movie than a blood and guts type. Before people say what is real or not, different people will come to this movie from different backgrounds, and go away a little closer.
| |
| 5. One Dark Night Director: Tom McLoughlin | |
![]() | list price: $25.00
(price subject to change: see help) Asin: B00000F5EO Catlog: Video Sales Rank: 22988 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
When you consider the setting for the film, a mausoleum, you know it's going to be creepy. Just the thought of sleeping overnight in a mausoleum makes the hairs on the back of my neck stand straight up. One dark night is a perfect movie to watch on a late evening or on Halloween night; it's a cinematic example of what Halloween is all about. Containing lots of spooky elements that you look for in horror films:
The effects of one smiling grandmotherly corpse which glided so effortlessly, just inches above the ground, added to the creepiness of the film. Imagine being stuck, late at night, in a mausoleum! This kind of movie is not made anymore, today's movie's, even sci-fi, are computerized. With this movie, a lot of time and attention was given to detail, and plot as well as creepiness. The scene of a little girls corpse emerging from her coffin, still holding the baby doll she was buried with, I'll never forget! It just simply falls from her arm after her body begins to 'glide'. The movie definetley gets an A for horror, and B for plot!
Dr Jacques COULARDEAU
| |
| 6. Predator (Widescreen Edition) Director: John McTiernan | |
![]() | list price: $19.98
(price subject to change: see help) Asin: 6304973179 Catlog: Video Sales Rank: 62834 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 7. Misfits of Science Director: James D. Parriott | |
![]() | list price: $39.98
(price subject to change: see help) Asin: 6300185133 Catlog: Video Sales Rank: 17149 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
| |
| 8. Predator Director: John McTiernan | |
![]() | list price: $9.98
(price subject to change: see help) Asin: B00000JGEF Catlog: Video Sales Rank: 35611 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 9. Mazes and Monsters Director: Steven Hilliard Stern | |
![]() | list price: $3.99
(price subject to change: see help) Asin: B00005BGOP Catlog: Video Sales Rank: 9243 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (28)
Tom Hanks as usual fits comfortably in any role he plays. The theme may be a little dated, but it is still fun to watch and speculate "There but for fortune go I". As you have guest the story is about a role-playing game that gets out of hand. Tom Hanks plays a person that might not be quite stable and the addition of this game feeds his fantasies. This leads to a mysterious disappearance. This is more of a physiological movie than a blood and guts type. Before people say what is real or not, different people will come to this movie from different backgrounds, and go away a little closer.
| |
| 10. Predator Director: John McTiernan | |
![]() | list price: $9.98
(price subject to change: see help) Asin: 6300248178 Catlog: Video Sales Rank: 12659 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 11. Monster in the Closet Director: Bob Dahlin | |
![]() | list price: $19.98
(price subject to change: see help) Asin: B00000F531 Catlog: Video Sales Rank: 105149 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
A spittoon-toting Sheriff (Claude Akins) tries to defeat the monster while ignoring scientific counsel from scientists Denise Dubarry and Henry Gibson. Gibson is particularly entertaining as a half-baked forgetful professor who thinks he can communicate with the creature via a xylophone (he can, as it turns out, not that it does him any good), and is forever prattling on about a frog he once found. The male lead is Donald Grant, who does a great job as the naive 'Pretty Boy' reporter sent to cover the story as harassment by veteran reporter "Scoop" played by Frank Ashmore. I have never been as pleased in a movie as when Grant stands up to Ashmore. When the creature finally does show up it is a gross looking kind of excrement monster with a second sub-head in a spoof of "Alien", which actually can be communicated with. In the end not only does Gibson get to chat with the creature via the xylophone, but Grant gets to chat via kazoo, as well. The Army seems powerless to do anything, a romance subplot flourishes, and we get to what would seem to be the climactic scene of the film. There is a great twist in the last 15 minutes, which I did not see coming, and probably most other people won't either. Suffice it to say, it is silly, involves a lot of property mutilation that I would not want to explain to my Homeowner's policy issuer, love, self-sacrifice (sort of), and hope springing eternal. (And ultimately a lot of expensive remodeling.) The film is a great, cheesy, fun movie to watch (best with friends) and I highly recommend it. Troma distributes it, but did not produce it, so it is not typical Troma fare. It is not particularly violent (except the scenes of violent closet disruption and some Army efforts at the grade school) or gory (well, OK, the monster mouth is pretty nasty), has little objectionable except one fairly gratuitous scene of Stella Stevens in an excellent "Psycho" parody, and is just plain fun. Watch a great low budget movie and see why B Movies can be so much fun. Grab "Monster In The Closet" today!
Its a great movie and people should by it anyway. even if you rnot a fergie fan.
Richard Clark is a hopeless reporter who is sent out to cover the nutty story. What he finds is a true story of horror and terror that can shock the world. He is suddenly in the middle of the biggest story ever. A wonderful cast helps keep the movie right on track. Claude Akins is the tobacco-spitting Sherif and Henry Gibson is an Einstein-like scientist plus many others. The movie is rated PG although Stella Stevens has a nude scene and many of the disks extras (there are dozens) are obviously R rated. But if you have ever loved those campy B flicks, you will really want to see this one. ... Read more | |
| 12. Monster in the Closet Director: Bob Dahlin | |
![]() | list price: $14.95
our price: $14.95 (price subject to change: see help) Asin: 6303957293 Catlog: Video Sales Rank: 59456 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
A spittoon-toting Sheriff (Claude Akins) tries to defeat the monster while ignoring scientific counsel from scientists Denise Dubarry and Henry Gibson. Gibson is particularly entertaining as a half-baked forgetful professor who thinks he can communicate with the creature via a xylophone (he can, as it turns out, not that it does him any good), and is forever prattling on about a frog he once found. The male lead is Donald Grant, who does a great job as the naive 'Pretty Boy' reporter sent to cover the story as harassment by veteran reporter "Scoop" played by Frank Ashmore. I have never been as pleased in a movie as when Grant stands up to Ashmore. When the creature finally does show up it is a gross looking kind of excrement monster with a second sub-head in a spoof of "Alien", which actually can be communicated with. In the end not only does Gibson get to chat with the creature via the xylophone, but Grant gets to chat via kazoo, as well. The Army seems powerless to do anything, a romance subplot flourishes, and we get to what would seem to be the climactic scene of the film. There is a great twist in the last 15 minutes, which I did not see coming, and probably most other people won't either. Suffice it to say, it is silly, involves a lot of property mutilation that I would not want to explain to my Homeowner's policy issuer, love, self-sacrifice (sort of), and hope springing eternal. (And ultimately a lot of expensive remodeling.) The film is a great, cheesy, fun movie to watch (best with friends) and I highly recommend it. Troma distributes it, but did not produce it, so it is not typical Troma fare. It is not particularly violent (except the scenes of violent closet disruption and some Army efforts at the grade school) or gory (well, OK, the monster | |