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| 1. Uncle Tom's Cabin Director: Stan Lathan | |
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| 2. Guyana Tragedy: The Story of Jim Jones Director: William A. Graham | |
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Reviews (14)
The riveting 2-part 1980 TV film GUYANA TRAGEDY: THE STORY OF JIM JONES gives us a pretty good idea. Neither director William A. Graham nor screenwriter Ernest Tidyman could have found anyone better to play Jim Jones than the then-unknown Powers Boothe. I agree strongly with a previous reviewer who said that Boothe literally BECAME Jones right before our eyes. It's not a surpise, then, that he should have won an Emmy for his magnetic performance. The film also features a big-name cast, including Ned Beatty, Meg Foster, Randy Quaid, Brenda Vaccaro, Brad Dourif, Madge Sinclair, Colleen Dewhurst, and Diane Ladd. This is a must-see for anyone interested in incredible single events like the nightmare of the Jonestown massacre.
The film is engrossingly disturbing from start to finish. It chronicles the events leading to one of the most horrific days in history, only parrelled by the attack on Pearl Harbor and that day in September two years ago. ... Read more | |
| 3. Malcolm X Director: Spike Lee | |
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Amazon.com essential video Reviews (72)
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| 4. Separate But Equal Director: George Stevens Jr. | |
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This excellent 1991 docudrama was aired in two parts. The first part looks at the segregated school system in Claredon County, South Carolina, one of the four cases that comprised the ruling, and the harm of segregation is captured in a memorable sequence in which young black children always pick the white doll rather than the black doll to describe who is smarter, better, etc. The second part of the film deals with the lengthy process by which the high court deliberated the case, doing a better job of capturing the process than any drama I have ever seen. Portier provides Marshall with all the dignity appropriate to the role, and it is a treat to see the actor play a lawyer arguing before the high court. Lancaster, in his final role, performs a key function: he is earnest and likeable, which means that in the context of this story our opposition has to be to his position and not to him personally. In other words, this is a legal matter that has to be determined on the point of law and not on our feelings about bigots and racism. However, writer/director George Stevens, Jr. has set us up, because for Kiley's Earl Warren it is a question of justice rather than the law, especially after the former Governor of California visits the battlefield at Gettysburg and discovers his driver had to sleep in the car because no local hotel would accept a black. For me this is Kiley's film and the most fascinating part of "Separate But Equal" is watching him rally the Court to make its landmark ruling. This is a long, hard, effort for Kiley, who insists that a unanimous ruling is important to make it clear to the nation that there is no longer two sides to this issue. I appreciated that Stevens simply has Kiley read the actual ruling at the film's climax. Again, Stevens using a simple image to bring home the significance of the ruling as the preacher and father who were at the heart of the case we watched in the first part hear the news on the radio, pull over their car, get out and kneel by the side of the road to give thanks. At 193 minutes this docudrama would consume a week of class, but it could be well worth the effort. Certainly screening it for students would produce some interesting questions and discussions. Final comment: Stevens uses irony throughout "Separate but Equal" (e.g., Marshall and the NAACP lawyers cannot get a cab to take them to the Supreme Court to hear the decision), but there is one delightful use of humor, when a young white lawyer who is helping with the appeal explains to the NAACP lawyers why he is there working with them.
"John, if this case goes before the Supreme Court. . . I'm gonna need you" It's the early 1950's, in America. The governor of South Carolina James Francis Byrnes, in his 70's at the time, pays a visit to his friend, the famous lawyer John W. Davis. Davis had argued 138 cases in front of the Supreme Court. Byrnes was turning to him for help. Byrnes was determined to show that discrimination and segregation in public schools were not the same thing. He wanted black school children to have equal schools. He was ashamed of the terrible condition the black schools were in, in his state of South Carolina. He even levied a three percent sales tax to fund the improvement of black schools. He was prepared to spend 75 million dollars to improve the public schools for black children in his state. But he knew, that the small case that a few courageous people (Harry Briggs, Reverand J.A. Delaine) had started in Clarendon county, SC, was too big of an issue for his efforts alone. The case was on it's way to the Supreme Court of the United States of America. The National Association for the Advancement of Colored People (the NAACP), had become involved. Their head lawyer, Thurgood Marshall had combined this case and four other similar cases (from Delaware, Kansas, DC and Virginia) into one called 'Brown v. Board of Education', and made it his mission to strike down segregation in public schools in America. The great thing about this movie is how it makes each side look respectable. The movie does not make this a 'bad evil white men against poor suffering black people' type of story. But rather, the film, portrays the white men as being highly respected, educated and willing to do the right thing. But at the same time, very concerned and perhaps even afraid of the consequences of their decisions. I also loved the humor in this film. For example when Byrnes is conversing with Davis and says 'I admit to past sins, our colored schools are a disgrace'. Or when one of the lawyers at the NAACP legal defense fund says about the South Carolina case "If we win this one, we'll only have 11,172 school districts left." The heart of this film is the uncommon courage of the people. Courage among so many involved. Of course, first from the blacks from those small towns, who risked their jobs and safety, and faced the hate of the Ku Klux Klan, by taking these complaints to their local lawyers. Then, to the NAACP, for climbing this long and expensive uphill battle. But also, to the judges on the Supreme Court, and in particular the Chief Judge Earl Warren. Warren was quoted as saying 'Everything that I did in life that was worthwhile, I caught hell for.' What a difficult decision, but what a remarkable effort on his part to unite the nine members of the Supreme Court to conclude the case with a unanimous decision to end segregation in public schools in America. It took a lot of brave people on both sides, to end separation of black and white school children in public schools. Perhaps Thurgood Marshall summed it up best, when he mocked the thinking of people in the south by saying 'you can have them attending the same State Universities and Graduate schools, but if they attend the same elementary and high schools together, the world would fall apart.' A wonderful treasured movie. Must see for all.
However, this is a terrible DVD. The colors are dark. There is no sharpness to the film at all. In effect, it is worse than what you saw when it originally came out. As usual, Artisan does not take advantage of the DVD technology. I tried to contact them, but their website has no email address. This DVD is cheaply made, which is a shame. This a film classic, much more deserving than the shabby treatment Artisan has given it. This ranks right up there with the horrible DVD that Artisan made of "The Quiet Man." Please Artisan, either give us good copies of these great films, or quit ruining them. FIVE STARS FOR THE FILM, 1 STAR FOR ARTISAN
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| 5. Hearts of Darkness: A Filmmaker's Apocalypse Director: Eleanor Coppola, Fax Bahr, George Hickenlooper | |
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Amazon.com Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoy Reviews (15)
The filming of Apocalypse Now was supposed to take just sixteen weeks at a budget of $13 million. It wound up costing more than $30 million, much of it put up by Francis Coppola himself, and took almost three years to get to the public. Coppola' wife Eleanor and their three children went along on location in the Philippines. She was interested in making a documentary and shot a lot of behind-the-scenes footage, even secretly recording private conversations she had with her husband about the film. The authenticity of the experience really comes through, as everyone involved with the production seemed to go a little bit insane. Coppola had serious doubts throughout and we hear his words of despair as he thinks he's making a bad movie. We see the terrible typhoon that destroyed all the sets and realized that the helicopters that were being used for the shooting were actually property of the Philippine government who kept calling them away to fight a real disturbance that was going on just ten miles away. We see shots and scenes that never made it into the original film (although much of it eventually made it into the 2001 "Redux" version). We see and overweight Marlon Brando who insisted on being filmed in shadows. And we are right there to watch the filming of the scene in which Martin Sheehan has a mental breakdown. In order to do this he became bleary-eyed drunk, cut his thumb on a mirror and used the blood as part of the scene. The intensity is chilling and when, a short time afterward, he has a life-threatening heart attack at the age of 36, we're all there to see him as he is given first aid. Now, years later, some of the actors are interviewed about their experiences. We learn that they did a lot of drugs during many of the scenes - acid, speed, marijuana, alcohol, which certainly added to the authenticity as well as the craziness of the whole production. Robert Duval talks about how his famous line "I love the smell of napalm in the morning was improvised. And the whole cast talks about how they improvised a massacre scene. Laurence Fishburne was only 14 when the film was made, a real coming-of-age experience for him. But this very stirring film portrait belongs to Francis Coppola. We get to meet him as a very imperfect human being doing his best to create an art form out of the script, changing it constantly as he went along, and eventually turning out a small masterpiece which went on to be nominated for eight academy awards. I give this video my highest recommendation. It is a "must" for movie buffs. And an essential education for anyone involved in filmmaking itself. Don't miss it!
The amazing thing about the Coppola's efforts is the circular karma that seemed to go into overdrive: Francis tries to make a film based on "Heart of Darkness", a story about a man and a country that gets lost in his mental interior while probing the interior of an alien land. He uses the story to try and tell the story of a different man and a different country getting lost in their mental interiors while probing the interior of another alien land. In the process Coppola, trying to deal with his lead actor getting lost in his mental interior while probing the interior of an alien land, loses himself in his mental interior while probing...well, you get the picture. ... Read more | |
| 6. Danielle Steel's Star Director: Michael Miller | |
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| 7. Beloved Director: Jonathan Demme | |
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Amazon.com The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, productive life in Ohio. Yet through chilling, sparing use of flashback, Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home. While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley Reviews (113)
The shock of several scenes depicting the horrors and cruelity of slavery wained after my first several viewings, but I continued to find the story powerful, sad, joyous, strange and hauntingly beautiful. I can't seem to get enough and have returned again and again. My purchase of this movie will be a great addition to my most selective library of films. This film has stayed with me. I though it should be given a chance and have asked several friends who also passed it up to view Beloved just for their opinion. It seems more people than not truly enjoy this film once they give themselves permission to view it with an opened mind and look pass the five second dog scene. It's a shame Winfrey, Glover and the entire cast were so overlooked for their contributions. This film should be given a second chance. What do you think?
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| 8. The Night They Saved Christmas Director: Jackie Cooper | |
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Reviews (30)
As we start out, we meet Mr. Baldwin, a professional oil rigger who has been dynamiting ice fields near the north pole. This smells trouble for Santa and the elves. So Mr. Balwdin and his wife Claudia go home and there we meet his kids, David(oldest), Marianne (middle), and C.B. (youngest). David is basically a good kid that is sort of a suck-up to his parents. Marianne is an average yound girl with a heart of gold. Their youngest son C.B. is a trouble maker. He's always getting into fights with bullies who parade around saying, "There's NO Santa Claus." So C.B. is having trouble getting into the holiday spirit. The next day Mr. Baldwin meets Santa's chief elf named Ed. He warns Mr. Balwdin that he has to stop the dynamiting because he will eventually blow up the North Pole. He breaks out in laughter and doesn't believe any of this. So Mr. Baldwin goes home and relays this whole story to his family and everyone laughs except C.B. because he's the only one that believes it. The next day when Mr. Baldwin goes to work, Ed (Chief Elf) visits Claudia and her kids at their house and brings them to the north pole in a motorized Reindeer sleigh. There Claudia and the kids meet all the elves and SANTA! Then they go visit Santa's house where he has a talk with Claudia as to why they should stop the dynamiting. She is convinced that this tragedy will happen if they don't stop now. So she and the kids go home and she tries to get her husband to stop right away. Finally he stops the dynamiting. This is movie is full of love, laughter and joy and is a Christmas classic. The movie has great visual effects and the setting of the North Pole is unbelievably stunning. This movie should be the next Christmas movie in your collection.
A real "Feel Good" movie!!
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| 9. Long Hot Summer Director: Stuart Cooper | |
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| 10. Apocalypse Now Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (285)
That is not to say that this isn't an excellent film. Captain Willard (Martin Sheen) is an apparently unattached Airborne soldier who is "waiting - waiting for a mission" and is enlisted to find and "terminate the command" of the renegade Special Forces Colonel Kurtz (Marlon Brando). Along the way, we meet a motley crew of a Navy riverboat, including a very young Lawrence Fishburne as a 17-year-old machine-gunner. The plot takes an almost whimsical turn when we meet Lt. Col Kilgore (Robert Duvall) who is an Air Cavalry commander, and plays the immortal "Flight of the Valkyries" while systematically laying waste to a North Vietnamese village. While the fighting is still going on, he orders a couple of his soldiers to either "surf or fight", being that he is a huge fan of surfing. It is from Duvall's character that we get the immortal line, "I love the smell of napalm in the morning. It smells like --- it smells like victory!" After this scene, Sheen and his crew of Navymen proceed further upriver, until they reach the last American outpost on the river. The outpost is under apparent heavy attack, and there are no officers to be found. This scene, which makes no sense in the context of a typical war movie, makes perfect sense in this film. The leaderless American soldiers seem to move about in a haze, apparently oblivious to anything outside their immediate surroundings, particularly the grenadier, who is either at far beyond the point of psychological exhaustion, or heavily drugged. Copolla never makes either clear, but rather leaves that to the imagination of the viewer. When Sheen and his crew get further upriver, the plot takes stranger and stranger turns - the crew is attacked by an unseen enemy, in which Clean (Fishburne) is killed, and shortly thereafter, the boat's chief is killed in an attack by natives hurling, of all things, spears at the Americans! However, the strangest part of the movie is the last half-hour or so. Sheen reaches his objective, but Col. Kurtz is heavily guarded by native warriors toting modern weaponry. There are bodies everywhere - hanging from trees, floating in the river, laying sprawled about on the ground. It is truly horrific, and speaks to the level of insanity to which Col. Kurtz has descended, but it also begs the question - "How could all those people stand being around all those rotting corpses?" In the climax, Sheen sneaks past Kurtz' guards, and hacks the colonel to death. As he lay dying, Kurtz whispers, "The horror - the horror..." All in all, an extremely powerful and moving film, although rather slow-paced.
Anyway this is a brilliant adaptation and well worth the few bucks it costs.
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| 11. Betrayed Director: Costa-Gavras | |
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The artistry in this film is evident, the plot is gripping from beginning to end. I was pleased to see so many familiar faces in the cast: Betsy Blair, (a 1955 Oscar Nominee for "Marty"), "Frasier" dad John Mahoney, John Heard, and character actor Ted Levine ("Silence of the Lambs") all are here, and all do a wonderful job. (John Mahoney is especially excellent, in a chilling but affable way.) The plot unfolds slowly at first, with only faint hints of what is to come. (Actually, the less you know about this film going in, the more you will be surprised by it.) The "wholesome" farm community which seems so "normal" holds so much more--something troubling and sinister. But yet, these people still retain that "wholesome" normalness to them, even after we see what is underneath. The "normalness" never completely goes away, and in some cases, we still are actually able to sympathize with these characters, as depraved as they are. As a previous reviewer said, the "insanity of normality". "Betrayed" depicts this well. The whole cast is wonderful--Winger is compelling and convincing, as is the rest of the cast. The characterization (and acting) of Tom Berenger as the "insane/normal" Gary should be applauded particularly. All through the film his character is consistent--a man with a "normal" ability to love those close to him. Even when see how his motivations and world view are so completely warped, we see a Gary who feels deeply, loves, and wants many the "normal" things in life. These qualities do not disappear when the darker side of him is revealed, which makes his character all the more fascinating and even sympathetic at times. The "insanity of normality" is most evident in his character. Great film score by Bill Conti--understated at times, but effective. All-in-all, a fantastic film. A must-see.
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| 12. Major Payne Director: Nick Castle | |
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The soundtrack is so good. Sounds are quite exagerated and thus become funny. For instance, during the Universal opening title when the (r) registred mark symbol appears, you hear a DING ! When Major Payne meets the Madison school headmaster, you can hear all these insects and butterflies (the headmaster loves entomology) flying and buzzing around and over the shaved head of Major Payne. This scene is purely hilarious, one of my favorite moment. I was laughing so much I thought I shall died. Maybe another victim of Major Payne (fortunately not the final one). The music by Craig Safan is particularly successful and sustains any funny actions, the Aretha Franklin's musics too. It seems obvious Craig Safan enjoyed to create a real musical background that depicts a "cartoon" atmosphere. Sometimes very serious, and few seconds later so funny. The story is not only comedy but extraordinary rich thanks to the work of Damon Wayans and the cast. One best moment is when Major Payne offers a bullet from his heart to his new "girlfriend" or when Major Payne understands that Cadet Alex Stone wants to push him outside Madison school (Do you want to see me gone?). Only Damon Wayans can play like that (heartily). The texts are outstanding (even for a french viewer). The american vocabulary is so rich and the art of using it (and expanding it) is so irresistible. I laugh from the first to the last second of Major Payne. The french translation is also a success even if the task was enormous because there is so much american idioms. Nevertheless, the french dub is really funny. I do prefer the original voice of Damon Wayans because he talks so perfectly as a USMC drill instructor. This man is not an actor, he is a human VTR! He can spend two weeks with Marines and then speaks like them. The french voice is very good but the dub actor was unfortunately unable to complete such performance. The scene with the hidden man into the closet and how Major Payne definitely "kills" the Tiger's nightmare is a masterpiece. Nick Castle did one of my favourite movie, forever and I just wanted to thank him and all the cast for giving us such good time. Vive the USMC, Vive Major Payne, Vive Damon Wayans.
"Major Payne" is a hilarious movie. While you watch the movie, you'll be laughing a lot, but you'll also see that it's a good movie. I recommend anybody to get "Major Payne."
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| 13. Get on the Bus Director: Spike Lee | |
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Amazon.com Reviews (16)
His worst: at times some of his films implode when Lee gets on his soapbox and goes too heavy-handed---the Message blots out the Movie. This happens towards the last one-third, with the last 10 minutes especially preachy and contrived. The film craft breaks down, characters and dialogue that before had been pretty much spot-on suddenly verge into labored allegory and caricature. It's like Lee drew up a laundry list of Pressing Societal Problems (brings to mind Larwence Kasdan's "Grand Canyon") and tried to allot 5-10 minutes for each one. Sometimes he does so with grace and wit, but sometimes he stumbles into glibness and stereotyping. I was a little disappointed that Lee didn't show more of the actual Million Man march, maybe explore the controversial Louis Farrakhan a little bit more deeply. I was however pleasantly surprisd that Lee does take a fairly mature, gutsy stand on homosexuality and homophobia absent in some of his earlier films. Had Lee made this film more as a straight (or pointed) documentary rather than trying to turn it into a heavy-handed inspirational treatise, I'd gladly give it 5 plus stars. Even in its current form it's well worth watching.
Great performances from GABRIEL CASSEUS, HILL HARPER, OSSIE DAVIS and the rest of the cast.
Some may criticize the "stereotypical" treatment of the white characters, but this may be a bit much. The Jewish Bus driver is an honorable character, and in a scene with him and Charles Dutton, director Lee let's him speak his side of the story "OK, I may have some problems with blacks....but no more worse than the problems you have with whites. I don't have anything to prove to these guys". Randy Quade's redneck cop may have been over the top, but suffice to say, there are people in parts of America who still treat people that way. Overall, I think this film is definitely Lee's most underrated work. ... Read more | |
| 14. Rookie of the Year Director: Daniel Stern | |
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