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| 1. The Rescue Director: Ferdinand Fairfax | |
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Reviews (3)
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| 2. Home on the Range Director: John Sanford (II), Will Finn | |
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Reviews (26)
The Patch of Heaven ranch is facing foreclosing, and the owner will not sell her cows because they are like family. The cows get the bright idea to track down Alameda Slim, a wanted outlaw, and collect the reward that just so happens to match the amount needed for the ranch. The voices are middle of the road too. Roseanne Barr voices the main cow, and she is just as obnoxious sounding as ever. Judi Dench gives us a British sounding cow, and Randy Quaid voices the bad guy. The songs are average as well. In the end, kids will probably enjoy it, but it may wear on adults patience. Some adult humor is sprinkled in (giving the film a PG rating), but it actually seems out of place. The best bet on this one would be to wait until it comes out on video.
The House That Mickey Built seemed to just copy themes from other films and make a new movie out of them: the basic premises (save the farm, would-be heroes) have been seen several times before. Humor goes to the dogs....er, cows, with crude humor (including a Disney limit-pushing quirk at udders). The animation, aside from the ocasionally gorgeous backgrounds, is pure lazy, and the cartoon cattle bear little resemblence to real livestock. In conclusion, Disney needs to take a hint from Pixar and get back to doing what it does best: making original and entertaining movies for the whole family.
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| 3. The Execution of Private Slovik Director: Lamont Johnson | |
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Reviews (7)
I must admit I was not all too familiar with the life and death of Mr. Slovak. As I watched his life develop under the brilliant acting of a young Martin Sheen, it became aware to me this young man only wanted to be happy and safe in life. He was not a fighter, but a lover of life. After his reformatory days, Eddie is keen on getting his life together and getting a good job, and a fine woman. He gets both eventually, Antoinette was a definite match for him made in Heaven. They complimented each other perfectly. The draft board ultimately selects Eddie and he is off to training before you know it. You can sense the fear growing in Eddie already, not only because of his new warrior status, but because he is separated from his lovely new wife. In the days that follow, he is sent to the front lines and comes under fire, which scares Eddie so much he decides to be a deserter, rather than face almost certain death from enemy fire. His zest for life picks up when the Canadians befriend him, but is reunited with his unit where he ultimately goes AWOL once again. This time, Eddie turns himself in and sign a confession stating his guilt. If only poor Eddie had broken parole back home and done a few months. He would've never been in that situation. But as Eddie said in a letter to his wife; "I never had a streak of luck". Upon his courts-martial, Eddie is convicted of the charges of desertion in three separate ballots, and sentenced to death. Even then, the reality hasn't sunk in to his head yet. There is always the hope he will be reunited with his love. It isn't until the very end, where Eddie shows his true bravery, that he accepts nervously his fate. I loved this film tremendously. As stated earlier, Martin Sheen made the movie true to life, as it should have been in the memory of Mr. Slovik. The special effects were lacking to today's standards, but hey, we're talking about a 1974 film here. The other actors, such as Ned Beatty and the actress who played Eddie's wife, we're also worth mentioning, they did a more than fine job. Also, the Major who presided over Eddie's execution and final drama was very convincing. He had many different emotions and a job to do, which conflicted with each other, and it showed. Finally, this film brings out many deep thoughts and emotions brought on by the superb acting and storyline. I highly recommend this film to anyone who is a lover of WWII, drama, and the condition of being human. It can also be considered a tragedy in a sense. I salute Mr. Slovik, may he rest in peace. ... Read more | |
| 4. Cop Director: James B. Harris | |
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Reviews (2)
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| 5. Twirl Director: Gus Trikonis | |
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Reviews (4)
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| 6. Fire & Rain Director: Jerry Jameson | |
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Reviews (1)
Fire and Rain didn't make any of these 'in-air' mistakes. There is no sensationalizing or embellishment. Everything, from the high-pitched whine of flaps extending, to the idle chatter in the passenger section, to the shadows fluttering in and out of the cockpit, contribute to an engrossing realism. Dialogue is tersely authentic, as is the turbulence. For about a thirtieth (if not a fiftieth) of the money, this film is far more realistic than the 'airline thriller' garbage of today. The film delves into individual stories of heroism and tragedy after the crash. Considering the number of people who lost their lives on 191, and the few miracles that did happen, this is only appropriate. The crash scene is authentically strewn and cluttered without being too graphic. Unfortunately some of the acting is rigid and repetitive, and the story does not really have much to expand on. In an effort to show all the feats of heroism, little attention is paid to why this actually happened beyond a laconic reference to wind shear. The reactions of many of the characters are without variety, and the story sadly relies on clichéd dialogue here and there. The films good points overwhelmingly outweigh the bad. Acting is relatively solid, not great, and should be judged on a performance-by-performance basis, with the restricted storyline in mind. If nothing else, the fantastically accurate approach scene makes this movie worthwhile, and gives the viewer a good feel for the terror those 150+ passengers endured on the final leg into DFW. In its understated realism, it is a suitable, dignified tribute to an American tragedy. ... Read more | |
| 7. Who'll Stop the Rain? Director: Karel Reisz | |
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Amazon.com essential video Reviews (13)
"Who'll Stop the Rain" is a great movie, but I don't see why the book's title "The Dog Soldiers" wasn't used. The movie moves faster, cuts to the chase, and is very lean storytelling. There's not a lot of superfluous stuff, just a sequence of events that brings each of the characters into a quagmire of his or her own making. I recommend this film to anyone who might be interested in some of the spinoff effects the Vietnam war brought to America. The only problem I have with the movie is the use of Creedence Clearwater Revival's "Hey Tonight" during the firefight towards the movie's end. Not only does the music not fit the scene, it was not recorded or distributed until 1971 or 1972, a year or two after the story's real time frame. In that context, some music by Moby Grape, Grateful Dead, or Jefferson Airplane would have been more appropriate.
The film starts in Vietnam, where Nick Nolte is a merchant marine. When his good buddy, Michael Moriarity, a disillusioned journalist, asks him to smuggle two kilos of heroin to California, Nolte reluctantly agrees. Tuesday Weld is the journalist's wife and she's the one who's supposed to get the package. But things go wrong and Nolte and Weld start playing a cat and mouse game with some bad guys who are supposed to be rogue cops. Moriarity has his share of troubles too; he's abducted and painfully mistreated by the bad guys. From there on the story is simple, but the action kept me so busy watching that it didn't really have to make sense. Nolte is cast as the lead, but it didn't challenge his acting abilities very much. He's the righteous tough guy who's had a bad life and refuses to be stepped on. There's a lot of scenes of him with his shirt off. He looks good, but I couldn't help thinking that if this were filmed today, he'd have a lot more definition to his muscles. Tuesday Weld is a druggie housewife and most of the time she's awfully sleepy. Michael Moriarity, however, is supposed to be weak. That's a harder role to play. And he does it well. There's a great soundtrack of seventies music which moves the action along, and some original special effects. There's a lot of violence and hard drugs. Also, as it was filmed in the 70s, the atmosphere of that time is captured perfectly. This is not a great film. It's implausible, the story is weak, and the acting not exceptional. And yet, I loved it. And I can't quite understand why. It's not for everyone of course. But I do recommend it.
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| 8. Broken Trust (1995) Director: Geoffrey Sax | |
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Description Reviews (2)
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| 9. The Third Miracle Director: Agnieszka Holland | |
![]() | list price: $21.96
(price subject to change: see help) Asin: B00004STDD Catlog: Video Sales Rank: 32151 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (22)
By the way, the third miracle is right there in front of our eyes..but I won't spoil your enjoyment of a great mystery story. Jim Crosson
But as another viewer said the unmentioned and understated 3rd miracle could well be Father's Shore recovered faith and Roxanne's ability to love again and have her own miracle from God, a child for her to "never abandon." Though I was a bit confused, supposedly the 1st miracle is the little gypsy girl's prayer (Roxanne's mother) stopping the bomb from landing, the 2nd being that twisted/crippled young man straightening out, and 3rd being Roxanne's mother (when older) bringing the druggy teen back from near death at the hospital. And by the way, who was that grief-stricken lady, being consoled by Father Shore, at the teen's death bed? The drunk, abusive mother who used to burn her little daughter with cigarettes?! Or was that twisted young man a hoax? I didn't get that scene in the resturant with him and his mother, who were working there. Why were they so non-committal, because it was a hoax or because Father Shore was known as the "miracle killer?" And what was the incident that caused Father Shore to lose his faith and be named "the miracle killer?" The details are never mentioned. That's what kept me from rating this 5 stars.......too many frustrating, unaswered questions for a movie to be satisfactory in the end. Email me with any comments about this movie. Thanks!
My only criticisms, and they are mild, involve the smoking, drinking clergy portrayed and their seeming love of socializing and the "good life". Also, the ending was too unexplained and it left you somewhat dangling as to how Roxanne acquired her child. Was she married? To whom? Was the child adopted? Where was the husband? It would seem that Father Shore and Roxanne would have had something more profound to say to one another after such an emotional and harrowing experience. In summation, many believers and non believers, those of strong faith and those who have doubts about their beliefs, will take something different away from this film. I would only add that we will never understand God's ways. To those who believe no proof is necessary. To those who don't, all the proof in the world is irrelevant. Dick Bobnick
Two things about this picture bothered me. The first is the attack on the Catholic church. One person commented that this is the church that "exonerates pedofiles and questions miracles." However, I think one must distinguish between the group religion and real religion which is personal and lives within the individual believer. Harris does a masterful job of showing this conflict. But it is the group attack that turned me off. The film's point of view seems to assume that the group should work with the speed of the individual. The velocities are quite different; so I found this an unaffair attack upon an easy target. The second problem I had was that the film didn't seem to go anywhere. For me, the film fizzles at the end. We go for a long time on the story then hit the "1 year later" cut and finally the "3 years later" cut. This seemed to mute the ending rather than build to one. This was not an episodic tale; so a climax would have been nice. Of all the Amazon reviewers, I guess I'm the only one who wondered if that was the priest's baby that Heche brings in the last scene. It would have been more interesting if she'd said something like, "She has your eyes." Although this film doesn't quite work, it's still interesting enough to spend some time with. Pictures dealing with faith are few and far between & to be cherished when they do come along. ... Read more | |
| 10. Altered States Director: Ken Russell | |
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(price subject to change: see help) Asin: 6302814677 Catlog: Video Sales Rank: 42327 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com William Hurt, in his screen debut, plays the mad scientist who develops a kind of think tank that regresses him to a primal state. In other words, he enters a meek scientist, but emerges a hairy ape. The film's pacing is part of the problem, as it talks us to death in the beginning, than lapses into more typical fare, disregarding the intellectual aspects of the original material. This film marks the screen debut of Drew Barrymore. --Rochelle O'Gorman Reviews (46)
The film boasts a high-quality cast of young actors from William Hurt in his major film debut to John LaRocquette in the small role of an X-ray technician. Whoever cast this knew whom to select from the period's roster of young talent. Charles Haid, frankly, has never been more impressive as the fast-talking and brilliant skeptic and Bob Balaban is outstanding and self-assured in the role of the supportive friend who forgives Hurt his eccentricities but worries that he may be going crazy. Blair Brown is sexy and appealing and frequently nude as Hurt's just-as-brainy wife anthropologist, and one of the most interesting aspects of this movie is the dialog between these two intellects from the moment they first begin their sizzling sexual liason through their matter-of-fact decision to marry, then divorce, then finally redeem their relationship -- while nearly losing Hurt's character to his high-risk experiments. Among other interesting subplots is Hurt's spiritual ambiguity since his father's fearful death, Hurt's notion that schizophrenia and related conditions may be "altered states" rather than diseases, Blair Brown's pragmatic decision to love Hurt's character, and marry him, despite the fact that he appears not to be wired to love her in return. For the sci-fi fan there is the once-removed-from-reality premise that man may be able to physically alter his reality through changes in consciousness, whether via the isolation tanks Hurt utlizes in his experiments, or through complex hallucinogenic drugs he researches after an experience with an obscure indian tribe in Mexico. The special effects and the special make-up for Hurt's "throwback" missing link are first rate for their time and still look fairly stunning today. One of the things that impresses me about this movie is that the hallucinatory sequences, while wowing us in a post-psychedelic kind of way, also make sense in terms of the protagonist's life and experience; far more than just kaleidoscopes, the content of the montages are grounded in the story, rather than detouring us from it with eye candy. Ken Russell's religious viewpoint plays a part in the choice of imagery here, but the symbols of crucifixion, the beast and the Bible do not seem intrusive or sensational because they fit seamlessly with the Hurt character's internal struggle. For the student of sociology, this movie offers a peek into the "turned on" 60s idea that drug experiences actually led somewhere -- a notion we now know to be tragically false. But at one time there was speculation that some drugs "expanded the mind" and deepened the life experience, either in terms of increasing one's understanding of the meaning of life or in some fashion maturing one's personality. The only reason this movie still works today is because the movie makes clear that in some tribes, there are substances that are traditionally and successfully used in spiritual rituals, and it is one of these that Hurt uses, in combination with sensory deprivation techniques, to try to get in touch with his own "genetic memory", for lack of a better term. Again, this movie has much to recommend it, and the DVD release makes possible an experience in the home viewing much like we enjoyed in the theater on first run. Popularly priced, I snapped it up without hesitation for my collection and was rewarded with a very nice presentation of an old favorite. Not much in the way of extras here, just trailers and some text screens for cast, crew and background, but it's still a value, and you get to see the whole 1:1.85 image.
Research scientist Eddie Jessup (William Hurt, in his first film role) believes other states of consciousness are as real as everyday reality. Using sensory deprivation, then adding powerful, hallucinogenic drugs, he explores these altered states and endures experiences that make madness seem a blessing. While Altered States features a solid cast that also includes Blair Brown, as Jessup's wife Emily, Bob Balaban as Arthur Rosenberg, and Charles Haid as Mason Parrish, Professor of Endocrinology at Harvard Medical School, as well as stunning visuals. Thanks to problems with script and the original novel's author Paddy Chayefsky displeasure with the way things were being done, the film does have a certain amount of choppiness to it at times--covered up by those effects I mentioned earlier--the impact of the film is less than it could have been. Director Ken Russell fortunately uses his best asset, the cast, to their full potential. The DVD has very limited extras. There are only a few production notes and the theatrical trailer on the disc. On the technical side, the film boasts a soundtrack remastered in Dolby Digital 5.1 that sounds awesome. Viewers can watch Altered States in either the full-screen or widescreen formats. The DVD is recommended, but the film's fault lies in covering up its weaknesses with albeit good looking eye candy.
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| 11. In the Line of Duty: A Cop for the Killing Director: Dick Lowry | |
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our price: $92.99 (price subject to change: see help) Asin: 6303341896 Catlog: Video Sales Rank: 78593 US | Canada | United Kingdom | Germany | France | Japan |
| 12. Altered States Director: Ken Russell | |
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Reviews (46)
The film boasts a high-quality cast of young actors from William Hurt in his major film debut to John LaRocquette in the small role of an X-ray technician. Whoever cast this knew whom to select from the period's roster of young talent. Charles Haid, frankly, has never been more impressive as the fast-talking and brilliant skeptic and Bob Balaban is outstanding and self-assured in the role of the supportive friend who forgives Hurt his eccentricities but worries that he may be going crazy. Blair Brown is sexy and appealing and frequently nude as Hurt's just-as-brainy wife anthropologist, and one of the most interesting aspects of this movie is the dialog between these two intellects from the moment they first begin their sizzling sexual liason through their matter-of-fact decision to marry, then divorce, then finally redeem their relationship -- while nearly losing Hurt's character to his high-risk experiments. Among other interesting subplots is Hurt's spiritual ambiguity since his father's fearful death, Hurt's notion that schizophrenia and related conditions may be "altered states" rather than diseases, Blair Brown's pragmatic decision to love Hurt's character, and marry him, despite the fact that he appears not to be wired to love her in return. For the sci-fi fan there is the once-removed-from-reality premise that man may be able to physically alter his reality through changes in consciousness, whether via the isolation tanks Hurt utlizes in his experiments, or through complex hallucinogenic drugs he researches after an experience with an obscure indian tribe in Mexico. The special effects and the special make-up for Hurt's "throwback" missing link are first rate for their time and still look fairly stunning today. One of the things that impresses me about this movie is that the hallucinatory sequences, while wowing us in a post-psychedelic kind of way, also make sense in terms of the protagonist's life and experience; far more than just kaleidoscopes, the content of the montages are grounded in the story, rather than detouring us from it with eye candy. Ken Russell's religious viewpoint plays a part in the choice of imagery here, but the symbols of crucifixion, the beast and the Bible do not seem intrusive or sensational because they fit seamlessly with the Hurt character's internal struggle. For the student of sociology, this movie offers a peek into the "turned on" 60s idea that drug experiences actually led somewhere -- a notion we now know to be tragically false. But at one time there was speculation that some drugs "expanded the mind" and deepened the life experience, either in terms of increasing one's understanding of the meaning of life or in some fashion maturing one's personality. The only reason this movie still works today is because the movie makes clear that in some tribes, there are substances that are traditionally and successfully used in spiritual rituals, and it is one of these that Hurt uses, in combination with sensory deprivation techniques, to try to get in touch with his own "genetic memory", for lack of a better term. Again, this movie has much to recommend it, and the DVD release makes possible an experience in the home viewing much like we enjoyed in the theater on first run. Popularly priced, I snapped it up without hesitation for my collection and was rewarded with a very nice presentation of an old favorite. Not much in the way of extras here, just trailers and some text screens for cast, crew and background, but it's still a value, and you get to see the whole 1:1.85 image.
Research scientist Eddie Jessup (William Hurt, in his first film role) believes other states of consciousness are as real as everyday reality. Using sensory deprivation, then adding powerful, hallucinogenic drugs, he explores these altered states and endures experiences that make madness seem a blessing. While Altered States features a solid cast that also includes Blair Brown, as Jessup's wife Emily, Bob Balaban as Arthur Rosenberg, and Charles Haid as Mason Parrish, Professor of Endocrinology at Harvard Medical School, as well as stunning visuals. Thanks to problems with script and the original novel's author Paddy Chayefsky displeasure with the way things were being done, the film does have a certain amount of choppiness to it at times--covered up by those effects I mentioned earlier--the impact of the film is less than it could have been. Director Ken Russell fortunately uses his best asset, the cast, to their full potential. The DVD has very limited extras. There are only a few production notes and the theatrical trailer on the disc. On the technical side, the film boasts a soundtrack remastered in Dolby Digital 5.1 that sounds awesome. Viewers can watch Altered States in either the full-screen or widescreen formats. The DVD is recommended, but the film's fault lies in covering up its weaknesses with albeit good looking eye candy.
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| 13. Freeze Frame Director: William Bindley | |
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Reviews (1)
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| 14. Storyville Director: Mark Frost | |
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(price subject to change: see help) Asin: 6302637597 Catlog: Video Sales Rank: 38248 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
Behind all this is a wonderful cast of characters and a standout performance by Joanne Whalley as a district attorney and former live in lover of Spader's character. Whalley does a fantastic, sensuous southern accent, and the relationship between Whalley and Spader is understated, ironic, and high on heat and barely restrained lust. Just great stuff. The film is helped immensely by filming on location in New Orleans and southern Louisiana, and the visuals really conjure the Big Easy in heat, of summer and otherwise. A notable supporting role is that of Spader's estranged wife, a dim witted, greedy and vivacious southern debutante type wonderfully played by Justine Shapiro, who went on to wider fame as the host of the Lonely Planet travel series. Great fun, very sensual and a wonderful and vastly under appreciated film.
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| 15. Children in the Crossfire Director: George Schaefer | |
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(price subject to change: see help) Asin: 630155793X Catlog: Video Sales Rank: 36392 US | Canada | United Kingdom | Germany | France | Japan |
| 16. Oliver's Story Director: John Korty | |
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(price subject to change: see help) Asin: 630021379X Catlog: Video Sales Rank: 31919 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
The movie begins with Jenny's funeral and we watch Oliver go through the motions of living, but not really participating in anything except his work. One day, he meets a jogger played by Candice Bergen. They begin a relationship that is pretty much of a bore to all but the most devoted Ryan O'Neal fans (of which I am definitely one!). Ms. Bergen's portrayal is wooden and unappealing, and viewers are probably relieved when she announces she can no longer live with Jenny's ghost. The one good thing her character, Marcy Bonwit Nash, does is take Oliver on a tour of her company's Hong Kong factories. When Oliver sees the poor conditions there, he begins to gain respect for his father and the way the senior Barrett ran his mills. Oliver's long overdue reunion with his father is touching and we finally get a glimmer of hope at the end that Oliver has learned that living is for the living, and he will finally be able to live his life again. Not a great movie, but interesting and definitely worth seeing if you loved "Love Story."
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| 17. Capone Director: Michael Pressman | |
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| 18. The Great Escape II: The Untold Story Director: Paul Wendkos, Jud Taylor | |
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Reviews (1)
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| 19. Fire Next Time Director: Tom McLoughlin | |
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Reviews (4)
This was a outstanding flim set for the veiw of our times in the world today. This shows that a family can stick together thru bad times and have many troubles. The Music in this flim set every scene prefectly as if you where in the flim yourself. as I sat back and watched this OUTSTANDING flim in my Flim Reveiw class I see that life is to short. the music director Lawerrance picked each tune for every scene very carefully because I say it makes me Speechless. With the ECO Survialist's and many others.. they really show that they care for the earth some groups want to fight back and some groups like the REA want to change the world as if it where everlasting. I give reccomand this AMAZING flim to anyone with a trouble teen in the world today, please this is a MUST SEE flim. I hope that many of your teens out there watch this flim because you can make it in life even if your family is at a bad times right now losing every inch of each other.
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| 20. Fire Next Time Director: Tom McLoughlin | |
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(price subject to change: see help) Asin: 6302765080 Catlog: Video Sales Rank: 57534 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
This was a outstanding flim set for the veiw of our times in the world today. This shows that a family can stick together thru bad times and have many troubles. The Music in this flim set every scene prefectly as if you where in the flim yourself. as I sat back and watched this OUTSTANDING flim in my Flim Reveiw class I see that life is to short. the music director Lawerrance picked each tune for every scene very carefully because I say it makes me Speechless. With the ECO Survialist's and many others.. they really show that they care for the earth some groups want to fight back and some groups like the REA want to change the world as if it where everlasting. I give reccomand this AMAZING flim to anyone with a trouble teen in the world today, please this is a MUST SEE flim. I hope that many of your teens out there watch this flim because you can make it in life even if your family is at a bad times right now losing every inch of each other.
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