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| 1. Star Wars - Episode IV, A New Hope Director: George Lucas | |
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Reviews (283)
From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.
George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.
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| 2. Star Wars - Episode IV, A New Hope (Special Edition) Director: George Lucas | |
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(price subject to change: see help) Asin: 6304539258 Catlog: Video Sales Rank: 2346 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (283)
From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.
George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.
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| 3. Star Wars Director: George Lucas | |
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Reviews (4)
This is the great original Star Wars, the 1977 movie in which the world first discovered the allure of The Force and the Jedi Knights. Young Luke Skywalker (Mark Hamill) teams up with Jedi veteran Ben Obi-Wan Kenobi (Alec Guinness) and the mercenary Han Solo (Harrison Ford) to rescue the gorgeous Princess Leia Organa (Carrie Fisher) from the sinister clutches of Darth Vader and the evil empire. A momentous battle between good and evil. With the empire perhaps at the time representing the evil Soviet Empire, which the free world was then fighting against for freedom in 1977. It has that wonderful 1970's feel, and who would not want to rescue the sexy huggable Princess Leia, even if it means battling the goons of the empire and the horrific Darth Vader?
A momentous battle between good and evil. With the empire perhaps at the time representing the evil Soviet Empire, which the free world was then fighting against for freedom in 1977. It has that wonderful 1970's feel, and who would not want to rescue the sexy huggable Princess Leia. | |
| 4. Balto Director: Simon Wells | |
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Amazon.com Reviews (51)
Story Summary: Our main character is a half-dog, half-wolf protagonist who is shunned by the townspeople and rejects the outside life of the wolves, he doesn't belong anywhere. This story sees the children of the town threatened by a virus and when it seems that the life-saving medicine will be impossible to obtain, our protoganist throws himself into the world of both realities for the sake of others and getting his chance at proving his worth to the world, but not without it's trials and tribulations of course. Place in an overbearing and selfish lead husky, a gentle canine love interest, a cynical goose partner, and some fun polar bears, then be prepared for a ride filled with danger, love and humour. All carried along with a powerful message that "You don't need a pedigree to help someone" and of acceptance of the self so as to cherish those personal qualities that make you different and attempt to rise above the odds by acting to your fullest. Elements: The animation is wonderfully done, very impressive and carries the story well. As mentioned before, the music is also a treat, the end credits vocal fits the whole movie extremely well and is as powerful as the movie's message itself, the instrumental soundtrack also gives a powerful underlying atmosphere to all the dynamic scenes. The plot is played out well, as firstly you are gradually introduced to the main characters through fitting scenes and get a good feeling for who they are and how they carry themselves out in life, an important factor for following a character driven plot. Then there is a good variety in the action, causing our protagonist to be pitted against an array of odds that keep you gripped and doesn't let the pace die. As mentioned, the voices are all acted out very well. Conclusion: Either way this film is a must-see in my opinion, and one I have happily seen many times myself. I hope you enjoy it as much as I do. Sidenote: However on another note, I believe the VHS cover would of been better than this new cover, it seemed to have a more powerful composition with a nice variety of colour. If I remember right, it doesn't outrightly say "true story", it was more like "the story that became a legend" which could still be in a fictional sense since it is a word often used in mystical themes, rather than the word "true" that pulls away any doubt of this not being from something or other based in reality. If I remember correctly that is. Either way, since I didn't enter this movie initially thinking in a forward manner of "This is based on a true story" I felt the ending words had an added impact. But this is an extremely minor point, and this movie is very impacting either way in my opinion. So, as stated, this is based loosely on a true story. For the purpose of this version of the original story things have been re-invented and so on. I do not believe this being an alternative interpretation detracts from this movie, incase you wondered, and I feel it's very impacting and influential. When I first watched this film I had no idea of this being based at all on a true story, so when the final words came, "Based on a true story", I was very touched as the underlying achievement is extremely impressive. To see the bare facts you may wish to see other documentation in company with this movie, however. All in all, a great and influential story.
My only gripe is that is was released in 4:3, aka "Full Screen." This was probably done for the kiddies, but for those of us that enjoy a good animated flick, release it in widescreen! That's the only reason it doesn't rate 5 stars. If you've got access to a region free DVD player, order the German version from Amazon.de. It's a much nicer presentation, in it's original 16:9, with the english dialogue track. Maybe Universal will release a special edition here in the states, with the theatrical version. Don't hold your breath too long, tho!
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| 5. Fatherland Director: Christopher Menaul | |
![]() | list price: $7.95
(price subject to change: see help) Asin: B00000EZTR Catlog: Video Sales Rank: 9956 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (17)
While Robert Harris novel's focus is REVELATION of Der ENDLOSUNG and politically-driven killing of architects of mass murder, the movie tries to deal with more. An uneasy relationship between March and his young son ( well-played by Rory Jennings) has more depth than the book and more complex resolution. The film-emphasized ironies of alliance between Hitler-led Germany and a President Joseph P. Kennedy Sr.-led USA speak for themselves. Nazi eugenics/abortion policies are given brief, but powerful rebuke in "Father-Son" breakfast sequence wherein young Pili March guilelessly relates to papa what he's learning in school. Jean Marsh has a terrifying cameo as former paramour of a targeted Nazi henchman trading secret knowledge of the Holocaust for asylum in America. Her vile gloating over the fate of the Jews is scary. Miranda Richardson essays the role of American reporter sent to cover THE KENNEDY-HITLER meeting (to be held on Hitler's 75th birthday). She's okay. But her characterization as recklessly fearless, confronting barely masked terrorism of the Police State is sometimes gratingly unbelievable. As is...to some extent...the unsurprising "surprise" ending. The film's pacing and (retro-futuristic: 1964) art direction is fine. This "WHAT-IF?" is recommended for genuinely provocative moments making it a solid, political sci-fi thriller......
This is a very well done film, and I agree with some of the other reviewers that this film is even better than the book. (By the way, the book is superb as well, and also merits five stars). This is one of those wonderful films in which the musical score adds an extra dimension to the mood, and Gary Chang deserves kudos for his work here. Rutger Hauer turns in an outstanding performance as Xavier March, once again proving that this underrated actor is a considerable talent. Overall this movie absolutely convinces the viewer about how our world might have been. And thank God is not. I trust that this superb film will soon be available on DVD.
The acting was impeccable but not outstanding. I think this movie is worth seeing, but I'd recommend sticking to the book and keeping the picture R. Harris paints in the novel. ... Read more | |
| 6. Spy Game Director: Tony Scott | |
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Reviews (201)
It also happens to be one of the few movies that makes my job as a film critic surprisingly difficult. There's not a moment in "Spy Game" during which something is going on that adds up to the big picture, which makes the formulation of a discreet synopsis that much harder. And while this presents a challenge, it also proves the movie's brilliance. The plot begins with an undercover operation in a Chinese prison, in which Tom Bishop (Brad Pitt), a CIA agent, makes an attempt to rescue an unknown prisoner, but fails in succeeding. Soon after, word reaches his mentor, fellow CIA agent Nathan Muir (Robert Redford), who is on the brink of retirement. Tom's impending execution for espionage brings Nathan to a top secret meeting with the heads of Central Intelligence, who seem more inclined to ignore the situation than to take action. Nathan's drive to understand their position on the matter leads him to answer their questions about his interactions with Tom, from their initial meeting in Vietnam, to his belief that Tom was incarcerated while trying to rescue Elizabeth Hadley (Catherine McCormack), a missionary with whom he shared a relationship. This is all told in flashback, a technique which begins slowly but evolves as past events lead to the present situation at hand. As all of this is going on, Nathan is using his resources and smarts to devise a plan to rescue Tom before time runs out. The use of reminiscent storytelling takes time to gain momentum; the initial flashbacks allow the relationship between these two different men to expand. Some audience members will lose interest, but as these sequences progress, it gives us an understanding of the complexities and strategies that are important to the success of their various missions. Such a technique is successful in both shaping the characters as well as building up to the later, more intense plot twists. This is done with an exceptionally high degree of energy. As the movie begins to reach the final half hour, everything we've seen, every action and reaction, every small detail or occurrence, will coalesce into one of the most satisfying conclusions to a film of this genre in quite some time. There's a certain degree of predictability to the final moments, yet they leave no loose ends, and manage to live up to the intelligence and delectable logic of the previous events. Director Tony Scott adds an extra kick to his film by incorporating an edgy style that suits the material. From sepia tones and dismal colors, to swift, sometimes frightening cuts, the movie never fails to dazzle the senses as well as the mind. Also worthy of mention is the diverse score from Harry Gregson-Williams, which captures the setting and various moods exquisitely, ranking as one fine composition that blends fast, alternative beats with sweeping, heartfelt emotion. The shining attribute of this gem, however, is its supremely delightful cast, who make the material realistic and exciting. Pitt turns in yet another worthy performance, stock-piling various elements from his previous roles into Bishop's character, whose bold outlook clashes with his naivety with dangerous results. McCormack adds a much-needed mysticism as well as true emotion to Elizabeth, whose motive we're never quite sure of until the movie's finale. Redford steals the show in a patented Redford-esque performance, playing Nathan with all the wit, intelligence and presence that we have come to love him for as an actor. You can grumble about the style of "Spy Game," but there's no denying its ability to entertain in a pleasing fashion. Here's a movie that knows what it's about, and has the good sense and brains to take us there without resorting to cheap tricks or formulaic contrivances. It's a smart thriller that is easily understood once it picks up speed, and everything about it brings a smile to my face.
In SPY GAME, Redford plays Nathan Muir, at the very end of a thirty-year career with the CIA. Before arriving at his Langley headquarters office on retirement day, he learns that a former protégé, Tom Bishop (played by Brad Pitt), has been imprisoned and condemned to death by the Red Chinese. Over the next 24 hours, Muir must race to save Bishop's life in the face of a high level CIA decision to sacrifice the incarcerated agent on the altar of the President's economic rapprochement with China. In the battle of wits with his weasely superiors, Muir must flashback for them (and the film's viewers) the history of his relationship with Bishop, which extends from 1975 Vietnam forward through Cold War Berlin and the war-torn Beirut of the mid 1980s. SPY GAME is flashy and extremely fast paced, the latter because of film editing which limits each continuous scene to no more than perhaps 15-20 seconds. It's far unlike one of my very favorite spy flicks of the past, THE RUSSIA HOUSE (1990), starring Sean Connery and Michelle Pfeiffer. In the latter, the emphasis is on plot evolution and character development - a slower paced, thinking man's film. However, the differences between the two don't reflect badly on SPY GAME. Redford is too fine an actor to be involved in anything substandard, and watching his Muir persona run circles around his Langley superiors is one of the movie's chief delights. (When was the last clunker Redford starred in?). Pitt does a creditable and credible job as the young military sniper (trained to shoot in the Boy Scouts!) first employed by agent controller Muir for an assassination in Laos, and then permanently recruited for the Agency by Muir soon after the US scuttled out of Southeast Asia. SPY GAME did have its hiccups. I was unreasonably annoyed that the "Berlin" sequences were actually filmed in Budapest, probably because Berlin is one of my favorite cities. Actress Catherine McCormack's relatively cold performance as Bishop's love obsession didn't really click for me, though she was my heartthrob of the moment in DANGEROUS BEAUTY (1997). And, it seemed a bit much of a stretch for the Chinese correctional officer to connect bubblegum with a prison break. On the other hand, the depiction of chaotic and violent Beirut (filmed in Morocco) was masterfully done. Overall, the director succeeded in producing an intelligent and engrossing holiday thriller. And it's so good to see Redford back. Thus, 4.5 stars, rounded for Amazon to 5.
How behind the times is a film which still tries to portray the embattled North Vietnamese as an enemy requiring murderous force to extirpate? How confused is a movie in which Redford refers in one moment to the 'seventeen sects' in Lebanon and thereafter has to use the cumbersomely neutral locution of 'the Lebanese militia' to refer to the sect the US had sided with? How cliched is a movie which intercuts between a tuxedoed reception at an embassy and a gritty car-chase behind the iron curtain? Plus the enemy du jour is - surprise, surprise - the Chinese. The moviemakers' meticulous research and attention to detail is evdient throughout: Redford repeatedly pronounces Sheik as 'chic'; a scene opens with a shot of the Szabadság bridge in Budapest while the subtitle reads 'Berlin'; and of course stealing top-secret documents at Langley is simply a matter of distracting the secretary, swiping them off his desk and hiding them under your jacket. But I suppose you could just watch it for the garbled morals, the inapposite techno/dance soundtrack and director Tony Scott's frenetic swoop-then-freezeframe camerawork...
David Hemmings and Charlotte Rampling have cameos.
The supporting cast is mostly unknowns who do a superb job as CIA flacks, and the plot is full of twists, turns and yet is logically laid out. The tension builds nicely at the beginning, and though this is a longish film (2 1/2 hours) it carries the tension well and never, ever drags. I enjoyed this film for the fact that nothing really was telegraphed as to outcome, though we almost see the film in full circle from beginning to end. A fine effort by Pitt, Redford and most of all, Tony Scott. Highly Recommended. JLD ... Read more | |
| 7. Endless Descent Director: Juan Piquer Simón | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 6301901304 Catlog: Video Sales Rank: 29607 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
a must see if you like the genre.......
Siren I is a nuclear sub that's lost under the water. Another submarine, Siren 2, is sent down to find it. An S.O.S. signal leads them to an underwater cavern. There, they find something that begins to kill the crew off one by one and the survivors must find save one more crewmember and find a way to escape. From the plot, Endless Descent could have been fun entertainment, but it's just plain bad. Had the film been armed with a bigger budget and a longer running time (to match the budget of course) it could have succeeded, but with what the director had to work with, the film is just awful. The special effects are the worst part. Occasionally, one of the creature effects looks somewhat impressive but almost all the time, they're laughable creations. There's a laughable scene invovling a guy getting eaten by something that looks like a giant starfish. The sets are also quite fake looking and the interior of the submarine looks way too plain and bland. These designs and effects reek of straight-to-video quality. Director J.P. Simon tries to mount some tension by adding some action sequences in. Heck, one sequence reminded me a lot of the one in Aliens when all the soldiers first encountered the aliens and tried to escape. Simon does manage to create some genuine tension for about five minutes, but that's it. After the sequence is over, the film just goes back to being plain boring. The acting is pretty bad, too. There's only one decent performance, which belongs to R. Lee Ermey as the captain. Jack Scalia is too bland and Deborah Adair never convinced me she was a real biologist. The movie's filled with all the usual horror cliches. Black man gets killed, the good-looking woman (as opposed to the middle aged one) is killed, and one person has to make a major sacrifice. Guessing who the survivors are isn't too hard, either. In DeepStar Six, it was a guy and his wife. In Leviathan, it was also a man and a woman. With this pattern, it wouldn't take a rocket scientist to figure out this one.
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| 8. Fatherland Director: Christopher Menaul | |
![]() | list price: $19.99
(price subject to change: see help) Asin: 6303421903 Catlog: Video Sales Rank: 13479 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (17)
While Robert Harris novel's focus is REVELATION of Der ENDLOSUNG and politically-driven killing of architects of mass murder, the movie tries to deal with more. An uneasy relationship between March and his young son ( well-played by Rory Jennings) has more depth than the book and more complex resolution. The film-emphasized ironies of alliance between Hitler-led Germany and a President Joseph P. Kennedy Sr.-led USA speak for themselves. Nazi eugenics/abortion policies are given brief, but powerful rebuke in "Father-Son" breakfast sequence wherein young Pili March guilelessly relates to papa what he's learning in school. Jean Marsh has a terrifying cameo as former paramour of a targeted Nazi henchman trading secret knowledge of the Holocaust for asylum in America. Her vile gloating over the fate of the Jews is scary. Miranda Richardson essays the role of American reporter sent to cover THE KENNEDY-HITLER meeting (to be held on Hitler's 75th birthday). She's okay. But her characterization as recklessly fearless, confronting barely masked terrorism of the Police State is sometimes gratingly unbelievable. As is...to some extent...the unsurprising "surprise" ending. The film's pacing and (retro-futuristic: 1964) art direction is fine. This "WHAT-IF?" is recommended for genuinely provocative moments making it a solid, political sci-fi thriller......
This is a very well done film, and I agree with some of the other reviewers that this film is even better than the book. (By the way, the book is superb as well, and also merits five stars). This is one of those wonderful films in which the musical score adds an extra dimension to the mood, and Gary Chang deserves kudos for his work here. Rutger Hauer turns in an outstanding performance as Xavier March, once again proving that this underrated actor is a considerable talent. Overall this movie absolutely convinces the viewer about how our world might have been. And thank God is not. I trust that this superb film will soon be available on DVD.
The acting was impeccable but not outstanding. I think this movie is worth seeing, but I'd recommend sticking to the book and keeping the picture R. Harris paints in the novel. ... Read more | |
| 9. Chasing Liberty Director: Andy Cadiff | |
![]() | list price: $58.97
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Description Reviews (69)
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| 10. Onassis Director: Waris Hussein | |
![]() | list price: $89.98
(price subject to change: see help) Asin: 6302530997 Catlog: Video Sales Rank: 8448 US | Canada | United Kingdom | Germany | France | Japan |
| 11. Last Days of Patton Director: Delbert Mann | |
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Reviews (13)
George C. Scott does a great job in his portrayal of one of the great military leaders of the 20th century. I think it is a good buy for people who like Patton or who like movies dealing with World War II.
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| 12. Nightmare Years Director: Anthony Page | |
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Reviews (2)
Ronald R. Harris, PhD
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| 13. Lie Down With Lions Director: Jim Goddard | |
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(price subject to change: see help) Asin: 6304312148 Catlog: Video Sales Rank: 39005 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
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| 14. Balto Director: Simon Wells | |
![]() | list price: $14.98
our price: $14.98 (price subject to change: see help) Asin: B00005TSMQ Catlog: Video Sales Rank: 1950 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (51)
Story Summary: Our main character is a half-dog, half-wolf protagonist who is shunned by the townspeople and rejects the outside life of the wolves, he doesn't belong anywhere. This story sees the children of the town threatened by a virus and when it seems that the life-saving medicine will be impossible to obtain, our protoganist throws himself into the world of both realities for the sake of others and getting his chance at proving his worth to the world, but not without it's trials and tribulations of course. Place in an overbearing and selfish lead husky, a gentle canine love interest, a cynical goose partner, and some fun polar bears, then be prepared for a ride filled with danger, love and humour. All carried along with a powerful message that "You don't need a pedigree to help someone" and of acceptance of the self so as to cherish those personal qualities that make you different and attempt to rise above the odds by acting to your fullest. Elements: The animation is wonderfully done, very impressive and carries the story well. As mentioned before, the music is also a treat, the end credits vocal fits the whole movie extremely well and is as powerful as the movie's message itself, the instrumental soundtrack also gives a powerful underlying atmosphere to all the dynamic scenes. The plot is played out well, as firstly you are gradually introduced to the main characters through fitting scenes and get a good feeling for who they are and how they carry themselves out in life, an important factor for following a character driven plot. Then there is a good variety in the action, causing our protagonist to be pitted against an array of odds that keep you gripped and doesn't let the pace die. As mentioned, the voices are all acted out very well. Conclusion: Either way this film is a must-see in my opinion, and one I have happily seen many times myself. I hope you enjoy it as much as I do. Sidenote: However on another note, I believe the VHS cover would of been better than this new cover, it seemed to have a more powerful composition with a nice variety of colour. If I remember right, it doesn't outrightly say "true story", it was more like "the story that became a legend" which could still be in a fictional sense since it is a word often used in mystical themes, rather than the word "true" that pulls away any doubt of this not being from something or other based in reality. If I remember correctly that is. Either way, since I didn't enter this movie initially thinking in a forward manner of "This is based on a true story" I felt the ending words had an added impact. But this is an extremely minor point, and this movie is very impacting either way in my opinion. So, as stated, this is based loosely on a true story. For the purpose of this version of the original story things have been re-invented and so on. I do not believe this being an alternative interpretation detracts from this movie, incase you wondered, and I feel it's very impacting and influential. When I first watched this film I had no idea of this being based at all on a true story, so when the final words came, "Based on a true story", I was very touched as the underlying achievement is extremely impressive. To see the bare facts you may wish to see other documentation in company with this movie, however. All in all, a great and influential story.
My only gripe is that is was released in 4:3, aka "Full Screen." This was probably done for the kiddies, but for those of us that enjoy a good animated flick, release it in widescreen! That's the only reason it doesn't rate 5 stars. If you've got access to a region free DVD player, order the German version from Amazon.de. It's a much nicer presentation, in it's original 16:9, with the english dialogue track. Maybe Universal will release a special edition here in the states, with the theatrical version. Don't hold your breath too long, tho!
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| 15. Born to Ride Director: Graham Baker | |
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Description Reviews (5)
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| 16. Balto Spanish Dubbed Director: Simon Wells | |
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Reviews (51)
Story Summary: Our main character is a half-dog, half-wolf protagonist who is shunned by the townspeople and rejects the outside life of the wolves, he doesn't belong anywhere. This story sees the children of the town threatened by a virus and when it seems that the life-saving medicine will be impossible to obtain, our protoganist throws himself into the world of both realities for the sake of others and getting his chance at proving his worth to the world, but not without it's trials and tribulations of course. Place in an overbearing and selfish lead husky, a | |