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Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another, and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land nonetheless is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift which followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks ... Read more

Reviews (16)

I Love this Movie!
I highly recommend this movie to all war or history buffs.This movie is based on the true story of the Battle of Isandlwana in south Africa .The battle was fought on Jan. 22nd 1879 between the 24th regiment under the command of Lt.Gen. Lord Chelmsford and the Zulu nation under King Cetshwayo. To make a long story short, The Zulus crushed and wiped out the entire British regiment largely in part because they outnumbered the British 24,000 to about 1,500, but also due to British arrogance(Which is pointed out time and time again in this movie)and the lack of respect and where abouts of the enemy.An allstar cast including Peter O'toole and Burt Lancaster Star in this Classic. The only Bad thing about this movie is that it is no longer in print, which to me is a real travesty, considering all the garbage that was made that still is in print. In fact i had to buy this movie off an online auction. I hope that the Movie Company that made this Great film comes to it's senses and Redistributes this movie so that it can be enjoyed on DVD as well.

Disaster at Isandhlwana
ZULU DAWN is a superb companion film to the classic ZULU, particularly since both films were written by the same man, Cy Enfield. ZULU DAWN climaxes with the Battle of Isandhlwana, which immediately preceded the Battle of Rorke's Drift, accurately portrayed in ZULU. While the Battle of Isandhlana is important, the real significance of ZULU DAWN lies in its revelation of how the British governor of South Africa orchestrated the war against the Zulu. Moreover, the British governor, Sir Henry Bartle-Frere, acted against the wishes of Queen Victoria and Parliament, resulting in the bloody defeat and near annihilation of the British 24th Regiment of Foot at Isandhlwana. The arrogance and carelessness of the British is shocking and the humiliating defeat of the British army in South Africa strikes the viewer as completely justified. The fact that good copies of ZULU are hard to find is pitiful enough, but the unavailability of ZULU DAWN is a real tragedy. It's extremely difficult to rent; it's been out of print so long that most recent video rental establishments have never been able to acquire it. I myself have only encountered two copies for sale ever, and I bought both of them (one went to my uncle, who turned me on to ZULU DAWN in the first place). Keep an eye out for ZULU DAWN in used video stores and exchange shops.

Less Heroics, More History
I really wish this would come out on DVD, it is an excellent movie. This is the 'prequel' to the Stanley Baker. . .and introducing Michael Caine. . .epic, 'Zulu.' While made almost 15 years later, it completes the story. This movie has a much more interesting cast and more accurately shows the fact that the British were the aggressors in this war. The Battle of Isandhlwana was, and is, the single most disastrous defeat of the British Army, and one brought on by the hubris of the commanding officers and the politcal operatives of the British Government. I really like this movie and have it on VHS, but it is getting worn out.

zulu's a kinkin royal butt
very well made movie
large supporting cast and known actors's
those carbines that the infantry used were
the only flaw i seen, after the ammo ran out this'
became a bayonet vs spear.

Great Historical recreation of a British Military defeat.
Very well done. Must watch this movie first and then the 1960 movie "Zulu". Also read about these events. Some shocking facts will surprise you. Excellent movies! ... Read more

Reviews (206)

Chicken FUN!
Last night, I was lucky enough to attend a sneak preview of this new adventure from Aardman Studios (makers of the "Wallace and Gromit" films), so let me be the first (but definitely not the last) to say that "Chicken Run" is simply the most delightful, visually amazing, and FUN animated movie since Disney's "The Lion King." Other studios (notably Warner Brothers) have tried to take a bite out of Disney's pie-share of the kid-movie market, but Aardman and Dreamworks have done it best in this charming, hilarious, and edge-of-your-seat thrilling animated fantasy about a group of hens trying to break out of a chicken farm. Running the farm with an evil eye and an iron ax are the villainous Mrs. Tweedie and her henpecked (literally) husband, who's sure those chickens are plotting escape. The voices are perfect, from Julia Sawalha and Jane Horrocks from "Absolutely Fabulous" as chickens to Mel Gibson as the "flying" rooster Rocky. I want to recommend that every parent take their kids to see this one: unlike many other recent cartoons, this one is completely suitable for all but the very youngest children (there's some tense moments in a chase at the end, and a little threatening to the chickens with an ax), but even better, this will delight and amuse the adults with its clever animation, perfect voice-casting, witty visual allusions to famous movies like "The Great Escape," "The Bridge over the River Kwai," and "Raiders of the Lost Ark," and Indiana Jones-type thrills that range from a chase inside a automatic chicken pie-making machine to a dramatic and climatic escape that is reminiscent of, but even improves on, the high-energy chase sequences of Aardman's "Wallace and Gromit" films. The moral lessons (you can succeed better with teamwork; stand by your friends) are pointed but gentle, without hitting kids over the head. I can't recommend this one highly enough, folks, whatever age you are. And if you head out of the theater and go eat a chicken pot pie, you have a much, much, harder heart than mine!

RUN and see Chicken Run...
I don't know quite what I expected when I saw this movie, but I have to say, that despite its theme, the humor was definitely NOT just for children. I was originally hoping it to be polished and neatly produced (similar to the fantastic Toy Story movies) but you can only do so much when it comes to clay-mation. Well with that said, 'Chicken Run' was truly a delight. The jokes were on a childrens level--PART of the time...SOMETIMES the jokes were outright WAY over the heads of children--nothing dirty mind you, but the producers also realized what Disney figured out a few years back: 'Sure, it might be considered a kids film, but there are going to be a LOT of adults that see this, too--and you simply CANNOT ignore them anymore'.

TRYING to escape from a chicken's version of a concentration camp (the similarities are hilarious) and the motto of those running the camp: "NOBODY escapes!" All of the characters are funny, especially the knitting lady who wonders about the chickens who disappeared by asking, "Did they go on holiday?" The first time I saw an animated film with the voice of Mel Gibson I hated it, I hated, hated, HATED IT!! 'Course I'm talking about the abysmal 'Pocohontas' and while watching it I just COULDN'T help but think of Gibson's face every time his character spoke...I was afraid that was also going to be the case here, but thank heavens that isn't what happened at ALL. In fact I completely forgot about Gibson almost immediately. This is not just fun for children, but VERY worthwhile for adults as well. Grab it while ya can and you will most likely see it over and over.

Not funny?
All those 1 star reviews claim that the movie was bad and not funny. Well, the first time was about to see it I thought it would be funny. It had quite a few funny moments but overall I got impression that it was rather sad (but optimistic). Then I realized that I liked it that way.
Technically, it is perfect, even in the era of 3D animated movies.
Chickens are not your prime target of any movies, but this is THE chicken movie to own. Funny and sad at the same time, if you think about it.

P.S: my usual comment for amazon reviewers. Before you claim that this or that movie is THE worst you ever saw, think twice. It might imply that you indeed have seen VERY few movies in your life, or that you are just talking bull. Can you seriously claim that a particular movie is the WORST movie you have ever seen? I don't know about you, but it would take me some serious thinking to come up with a SINGLE WORST movie I ever watched. Unless you are a Tibetian Monk, you probably did not think it through. It might be bad, but is it the worst?

Good for everyone!!
Kids love this movie for the talking chickens and their attempts to fly along with the creative rats...adults love this movie for the subtle humor and gentle jabs at other movie classics. If you are looking for a movie for all ages, this is one to fit the bill. And, it doesn't forget to examine the question, "Which came first?"

A real pleasure, with little (if anything) to offend.

THIS CHICKEN LAYS A GOLDEN EGG
CHICKEN RUN is a delightful film, fun for both children and adults! The stop motion animation is brilliant and the characterizations and the voices that supplied them are superb! What is basically an animated poultrified GREAT ESCAPE comes across with laughter, touching sentimentality, and lots of wonderful vignettes. Julia Swahala and Jane Sherrocks (both from Absolutely Fabulous) are indeed absolutely fabulous in their roles. Sawahla's Ginger is the epitome of today's female action hero---brave, loyal, independent and a touch feisty! All of the hens are wonderful, and producers should be ashamed in not featuring them in the credits. Their names don't appear until the end and they go by so fast you can barely read it. These actors are wonderful and deserve more credit for the quality of this film. Its only "star", Mel Gibson, is dashingly heroic and fits Rocky to a tee. Tony Haygarth (so good in Frank Langella's Dracula) does great with Mr. Tweedy's role and Miranda Richardson as the evil Mrs. Tweedy is perfect. This film is lovingly made and has wonderful music, as well. Also, catch some references to other films, such as "Raiders of the Lost Ark" where the tumbling boulder is replaced by tumbling wingnuts, and catch Mrs. Tweedy's Cruella deville impression after she is bombed with gravy!
I loved this movie, it makes you feel good, and is excellent to boot! Don't miss out on this one! ... Read more

Reviews (8)

Surprisingly sweet--without the calories or cavities!
I hadn't seen any of Jennifer Beals' early films when I watched THE BRIDE just the other night. From her more recent work (FOUR ROOMS, THE ANNIVERSARY PARTY and now THE L WORD), I know she is a first-rate actress, but didn't know what to expect from her beginning work (I still have to see FLASHDANCE.) Though I've read critics' reviews panning this film, I think THE BRIDE is quite good and deserving of the regard other "undiscovered" or "underground" films receive.

The story is straightforward enough: The infamous mad scientist Frankenstein creates a mate for his "monster" (whom will later be named Viktor). Things go wrong, however and Eva is left at the hands of Dr. Frankenstein (Viktor having run off when fire breaks out in the lab). Frankenstein (played to irritatingly perfect pompousness by Sting) has Eva all to himself and attempts to make her into a "proper lady."

The plot is not the main reason to watch this endearing movie, though it definitely keeps your interest with the main plot and the storyline involving Viktor after he flees the fire and meets up with a wonderful character played by David Rappaport. No, the real reason to watch is in the little touches, whether it be the memorable scene where Eva (played with incredible innocence and searching curiousity by Jennifer Beals) snarls at a cat during her first outing at a fancy dinner to meet the "important" people
or the tender friendship between Viktor and Rinaldo.

I don't want to reveal too much about where the movie goes but it does a surprisingly good job of capturing universal themes such as loneliness and searching for one's own roots. A big plus in its favor is that it comes closer to the original intent of Mary Shelley's novel than the old Hollywood versions and reminds us that Shelley's novel was never really about scary horror but the horrors in our fellow humans' behavior and our own isolation.

An uplifiting Frankenstein film? Read on...
First of all, this isn't at all close to anything from the original novel by Mary Shelley. In the book, work begins on a bride for the creature, and is then abandoned, which leads to all sorts of unpleasantness.This film is sort of a exploration of how the story might have developed if work on the creatures mate had continued. Sting, of the Police, plays the Doctor, and Jennifer Beals plays his second creation. Obviously, his skills have improved from his first effort, however an accident in the lab leads to a fire, and the loss of the first creature, or so he believes. He then sets out to educate her as a continuing experiment. Meanwhile, the first creature is being educated by different experiences as he wanders the countryside, eventually befriending a dwarf who helps him find employment. Eventually, the creature and his intended bride cross paths again...with results which are perhaps unexpected, given their different backgrounds. This is perhaps the only Frankenstein film with an positive ending, attempting to show that even artificially created humans might have a soul, or a spirit, which seeks to rise above the limitations of the flesh. The set design of the film was good, especially 'the masoleum'. Jennifer Beals is gorgeous as 'The Bride', and the performance by Clancy Brown as the 'creature' is also good, as is David Rappaport as the dwarf. I enjoyed it.Ron

For fans of Frankenstein, Sting, or Jennifer Beals.
This movie is hard to review. I guess it's for fans of Frankenstein and/or Jennifer Beals. I can understand why some people won't like the picture. I enjoyed it. The relationship between the monster and the midget is very entertaining and touching. Jennifer Beals is so beautiful that who couldn't take your eyes of this picture for her alone! I do have to slam the comentary. The director rambles on about things that are not interesting. Directors should watch their movies and take notes and then record the comentary. This guy doesn't get to the point and changes topics while in the middle of sentences. Aside from that I am glad this film is out on DVD. The scenery is beautiful and it's a great escape from reality. Imagine if you can make yourself a bride that looks like Jennifer Beals. What a fantasy!!

Interesting and Dark
In 1985 when both Sting and Jennifer Beals were huge draws, this movie was created: A retelling of The Bride of Frankenstein. On a dark and stormy night, Baron Frankenstein works feverishly in his lab trying to bring to life the agreed to Bride of the monster previously created. Sting, as Frankenstein, is intelligent, determined, and methodical. He brings to life his newest creation and quickly discovers that the mistakes he made when creating the man have been corrected, bringing to life a beautiful woman. Upon seeing his bride, the monster (Clancy Brown)inadvertently hurts her. Frankenstein strikes the monster and removes the bride from the creature's grasp. A fight ensues and the monster flees into the night. The next day Frankenstein names the woman Eva and decides to teach how to be "as bold and as proud as a man." Meanwhile, the creature runs into a little person named Renaldo (David Rappaport) who understands what it is like to be an outcast and befriends him. As the movie progresses, we see two stories take place. Eva becoming "the new woman" and the creature learning about life and friendship.

I have always enjoyed this movie. Sting is great as Frankenstein and plays him with a hint of madness that such a man would likely have been. Jennifer Beals plays Eva with childlike innocence early on then shows the maturity of a bold, intelligent woman, but still she is disturbed about who she truly might be. (Check out the scene when she does discover the truth. Fantastic!) Clancy Brown, too, shows growth and maturity in the development of the creature (later named Victor by Renaldo) from clumsy, confusion to brave determination. Cary Elwes has the role of Josef, one of the Countess' guards. And how can we forget the late David Rappaport as the compassionate and insightful Renaldo. Through him we see the pain and prejudice he faces by being a little person.

The extras on the DVD are few, but nice to have. I don't recall ever seeing the trailer before so having it on the DVD was a plus. The Director's commentary could have been better. He admitted that it had been so long since he had seen the film. Knowing this, he should have watched it a few times and made notes. As it was, he forgot a lot of the information. Later in the film, he would comment that the movie never addressed this or never addressed that when in actuality, the movie had established those things earlier in the movie. To me, a great commentary is when the person commenting on the film is discussing the scene: either the actors or the background, or something relevant. This director sometimes went on little tangents that had nothing to do with the movie at all. I kept thinking "can we please talk about this movie?" There was some good information though about the French scenery, how Sting got the role, the relationships between the actors, and the loss of David Rappaport. So the commentary wasn't a total loss, but could have been better if the Director was better prepared.

An underrated little gem
Thank goodness for the current DVD boom. It seems that all the major studios, in a rush to get product on the shelves, are in the process of scouring through their back catalogues and releasing everything and anything available. The "Midnite Movies" series from MGM is a perfect example.
So likewise, Columbia has released The Bride on DVD. True, it is NOT a horror film, and yes, a musician is in the lead role(always a dubious casting move), but it does succeed on many levels. This retelling of The Bride of Frankenstein works more as a romantic fantasy, and the narrative chugs along at quick, engrossing pace, especially the sub-plot of Victor(the Monster) and Rinaldo. The many poignant moments between these two and the child-like demeanor of Victor gives the movie its soul. That said, the ending is a bit of a dissappointment, which the director freely admits to on the commentary track, which is filled with relevant and amusing anecdotes about the film itself.
So if anyone remembers this eighties artifact fondly, I say its a worthy addition to your collection. And listen to the commentary! ... Read more

Reviews (9)

Hey tygerkitten...
It sounds like you and I had the same teen years! The soundtrack to "Times Square" blew my head open in about '83 & then I saw this movie on Night Flight in '84 & immediately bought the album. Yes, this must come out on DVD. OK, the storyline is predictable, but Hazel's impassioned performances make this a standout in the "sad rock story" genre. And the music is just wonderful - and still relevant dammit!

I want this on DVD!!!
The things I want most that I can't have right now are for this and a movie called "the Quiet Earth" to be released on DVD, and for the soundtrack of an obscure punk rock movie called "Times Square" to come out on CD. This movie changed my life. I loved it, no matter what someone seeing it for the first time today would think of it, I loved it when I first saw it and I still love it. Hazel O'Connor was outstanding.

Living in the shadow of the mushroom tower
It's 1982 and I'm a teenager stuck in a small town in Southeast Missouri. Then, one fateful night, I saw 'BREAKING GLASS' on a show called Night Flight. This movie, along with 'SMITHEREENS','THE FABULOUS STAINS', and 'LIQUID SKY' completely lead me into the world of art and music I am surrounded by today. I am begging for this movie to be released on DVD in the United States.I know it may only be a silly low budget movie to some, but, it truly reflects everything I treasure about my youth and I can not praise it enough.

Star '80
An interesting, but dramatically flat time capsule of the English "No Wave" scene that followed the first explosion of Punk. Real-life aspiring rock star Hazel O'Connor displays a certain amount of on-screen charisma and gives a credible performance playing, er, an aspiring rock star in 1980 London. The energetic cast features Phil Daniels (star of "Quadrophenia", released the previous year) and "Brazil" star Jonathan Pryce. Unfortunately, the script humorlessly trots out every predictable music-biz cliche, and the film suffers for it. O'Connor performs a couple catchy tunes, but the relentless assault of her music (vocally reminiscent of Nina Hagen or Lene Lovich) may start to grate on you if you aren't a fan of that frenetic, "herky-jerky" early 80's sound. Like the Clash's "Rude Boy" (also released the same year), most of the political context of the film has not dated well and has lost any impact it may have had at the time. Ultimately, the movie just takes itself too seriously for its own good. For pure entertainment value, there are several other similar "female punk" films of the era that I would recommend before this one, such as "The Fabulous Stains", "Starstruck" or "Smithereens". Early Punk/New Wave diehards may experience a slight nostalgic twinge (guilty!) but still find the story curiously uninvolving.

DVD Please
One of the best movies I have seen about 80's England. Please, please, please release this movie on U.S. DVD. ... Read more

Reviews (46)

great cast in a fun film about a 70s-band reunion
This movie is quite entertaining. It has a great cast and none of the performers are wasted: Stephen Rea is the sweet guy who wants the band to take advantage of a reunion and achieve the success that internal bickering and problems cost them years ago; Billy Connolly is a hoot as the band's pragmatic roadie; Bill Nighy captures dim-witted preening lead singer Ray without making him unsympathetic; Timothy Spall brings laughs as the drummer still living in the past ('If women are from Venus and men are from Mars, drummers are from Pluto'); Jimmy Nail is the guitarist with grudges, regrets and a nice voice; and Juliet Aubrey is engaging as the woman who was a fan/runner and steps in as manager for the group. Though the two younger supporting roles aren't given much to do, that leaves more screen time for the adult characters, each of whom is three-dimensional, sympathetic and interesting. Billy Connolly's voiceovers are well-written and fun, and while not every joke works, there are many one-liners that you will make you laugh the next day.

You can see bits of your favorite 70s bands paid tribute, from Pink Floyd to Deep Purple, with insight and affection and the songs, written by veterans of Foreigner and Squeeze, are quite good. The film is very funny for the first half and then takes a few missteps as the drama quotient is elevated, but it finds its way again before the close. All in all, a lot of fun from a fine cast and talented crew, just the ticket for music fans with a sense of humor.

DVD features include: English, Spanish or Portuguese sound and English, Spanish, Portuguese, Chinese, Korean or Thai subtitles; a short making-of featurette; a trailer; and filmographies for director Gibson and some of the cast members.

Nostalgia Has Never Been So Humourous!
This movie is tremendous for uplifting the Spirits.

To begin, the soundtrack is unbelievable. Mick Jones (Foreigner) and Chris Difford (Squeeze) penned the songs, making Strange Fruit the best thing that ever hit today's music scene.

Unfortunately, Strange Fruit are a strictly fictitional band of the late 1960's to early 1970's. To complicate matters, they were never a hit to begin with, due to drug use and inner fighting. One wonders what might have been, while listening to their fanatastic music play throughout.

The Fruit draw inspiration from The Rolling Stones, Deep Purple, David Bowie, and The Who.

Each member of Fruit are quite memorable.

Stephen Rea stars as down-and-dead-broke Tony Costello, who is asked by a festival promoter to reunite his band for a reunion tour, with hopes of reaping monetary benefits. Costello haply approaches ex-roadie Karen Knowles, played by Juliet Aubrey, to help him rekindle the flame of a dream long past.

Juliet gathers up the bitter rhythm guitarist Jimmy Nail (Les Wickes), blundering Timothy Spall (David 'Beano' Baggot), and the extravagantly glamouresque lead singer Ray Simms (Bill Nighy). Tumbling in is another ex-roadie, the hippy-toker-jokester Hughie (Billy Connolly), who never let the flame burn out.

As Juliet searches for the last member of their motley band, the elusive lead guitarist-songwriter Brian Lovell (played by the brooding Bruce Robinson), the reunited members squabble, just like old times, fighting over long lost memories.

The band is then given the chance to do a small Dutch tour, to prepare for their promised festival. With young Hendrix-like Luke Shand (Hans Matheson) taking the place of Lovell, the crew hits the road. The sparks fly as their memories flame forward, threatening to burn their unfinished goals...

Be prepared to laugh, sing, cheer, and cry, as these memorable characters etch themselves into your hearts...

"And the flame still burns
It's there in my soul for that unfinished goal
And the flame still burns
From a glimmer and then, it lights up again
In my life"

A surprisingly good film
We rented this on impulse because it had Billy Connolly. The description reminded us of This Is Spinal Tap (which we love) and we greatly enjoyed the movie. Bill Nighy's clueless Ray was really wonderful and Stephen Rea as keyboardist Tony Costello was enjoyable to watch but the scene-stealer was Timothy Spall's Bilbo Baggot, the drummer. I just about fell off my seat when he finds out that his most vivid memory of touring is when the Fruit played the Hollywood Bowl--only to hear they never played there. And Billy Connolly is always a treat to watch, whatever he does.

I`m Not Too Crazy About It
This british movie about a 70`s rock band named "Strange Fruit" that makes a comeback isn`t funny enough to be a sucessful comedy neither deep enough to qualify as a drama. It`s a competent, at times moving picture, not too memorable but mildly enjoyable. The acting is fine, but the plot, that focuses the band members effort to became famous again, isn`t very absorbing or grabbing.
What we end up having here is a little movie about the music business, showing how those who had sucess in their youth react when they aren`t so stellar today and have to deal with their aging process. Mildly interesting, even if it`s another movie to watch once and be done with it. I`m not sorry I watched it, but I don`t feel the need to watch it again.

Still Crazy
wow! much too short, quite inspiring, and altogether wonderful! don't miss it, and stick with it to the very end of the titles. ... Read more

Reviews (16)

I Love this Movie!
I highly recommend this movie to all war or history buffs.This movie is based on the true story of the Battle of Isandlwana in south Africa .The battle was fought on Jan. 22nd 1879 between the 24th regiment under the command of Lt.Gen. Lord Chelmsford and the Zulu nation under King Cetshwayo. To make a long story short, The Zulus crushed and wiped out the entire British regiment largely in part because they outnumbered the British 24,000 to about 1,500, but also due to British arrogance(Which is pointed out time and time again in this movie)and the lack of respect and where abouts of the enemy.An allstar cast including Peter O'toole and Burt Lancaster Star in this Classic. The only Bad thing about this movie is that it is no longer in print, which to me is a real travesty, considering all the garbage that was made that still is in print. In fact i had to buy this movie off an online auction. I hope that the Movie Company that made this Great film comes to it's senses and Redistributes this movie so that it can be enjoyed on DVD as well.

Disaster at Isandhlwana
ZULU DAWN is a superb companion film to the classic ZULU, particularly since both films were written by the same man, Cy Enfield. ZULU DAWN climaxes with the Battle of Isandhlwana, which immediately preceded the Battle of Rorke's Drift, accurately portrayed in ZULU. While the Battle of Isandhlana is important, the real significance of ZULU DAWN lies in its revelation of how the British governor of South Africa orchestrated the war against the Zulu. Moreover, the British governor, Sir Henry Bartle-Frere, acted against the wishes of Queen Victoria and Parliament, resulting in the bloody defeat and near annihilation of the British 24th Regiment of Foot at Isandhlwana. The arrogance and carelessness of the British is shocking and the humiliating defeat of the British army in South Africa strikes the viewer as completely justified. The fact that good copies of ZULU are hard to find is pitiful enough, but the unavailability of ZULU DAWN is a real tragedy. It's extremely difficult to rent; it's been out of print so long that most recent video rental establishments have never been able to acquire it. I myself have only encountered two copies for sale ever, and I bought both of them (one went to my uncle, who turned me on to ZULU DAWN in the first place). Keep an eye out for ZULU DAWN in used video stores and exchange shops.

Less Heroics, More History
I really wish this would come out on DVD, it is an excellent movie. This is the 'prequel' to the Stanley Baker. . .and introducing Michael Caine. . .epic, 'Zulu.' While made almost 15 years later, it completes the story. This movie has a much more interesting cast and more accurately shows the fact that the British were the aggressors in this war. The Battle of Isandhlwana was, and is, the single most disastrous defeat of the British Army, and one brought on by the hubris of the commanding officers and the politcal operatives of the British Government. I really like this movie and have it on VHS, but it is getting worn out.

zulu's a kinkin royal butt
very well made movie
large supporting cast and known actors's
those carbines that the infantry used were
the only flaw i seen, after the ammo ran out this'
became a bayonet vs spear.

Great Historical recreation of a British Military defeat.
Very well done. Must watch this movie first and then the 1960 movie "Zulu". Also read about these events. Some shocking facts will surprise you. Excellent movies! ... Read more

Reviews (52)

John in L.A.
I have been waiting for someone to put Quadrophenia to disc for YEARS! Finally someone (Rhino) did. The movies is still awesome. Unfortunately, the producers of the DVD fell way short. They attempted to "restore" the film. They did a lousy, cheapy job of it. Using a device called a Rank to enhance/color correct the film, it failed miserably. The Rank is good but you cannot stop there, you must DRS (Digital Restoration System)the film to remove dirt and scratches. Merely using the Rank is the poor man's way out. The disc allows you to see a split screen of the old and new. The old looks better most of the time! You can tell they didn't "restore" the film by looking at the very first shot of the movie, when Jimmy is on the cliffs. There are more scratches on the film than on my old Quadrophenia vinyl LP from 1979! Truly hideous and disappointing. They should have fixed this.
The sound is equally weak. First off, in the professional world, they don't use Protools for mastering audio, especially 5.1 audio (more shocking that they even admitted it right there on the disc). Another lame attempt to consumers into thinking they "restored" it. When you switch from original stereo to 5.1, it sounds like you gust turned the volume up a few notches, sot to mention all of the pops and cracks that are still present in the sound. Obviously they must have had poor elements, or would/couldn't attain original source audio.
The menus are also weak. Here was a chance to do something really creative, but all they did was pulled some images from the film, made them different colors and threw them onto the screen. Unfortunately, they did biography menus too that were all static and boring as well. The WORST was the "pop up video" feature. Almost always worthless trivia having nothing to do with the film! They could have hit a home run with this feature, but they didn't even make it off home plate. Rhino has also included a photo-gallery of old press photos, and continuity pictures. This also could have been cool but they are so small and poorly digitized onto the disc, that they aren't worth looking at. The producers should have cleaned them up and enhanced them or not included them at all. By far the best thing they did was to get the director to do a commentary. It was great. Worth the price of the disc just for this. But I have to ask: weren't there any other actors in the film? Perhaps some of them could have participated on the commentary track, I know that most of them are available.
The bottom line is that the film is always going to be great and the DVD version blows the old VHS away, but the people at Rhino fell asleep on this one (though I still bought two).

Brilliant look at the brink between adolescence & adulthood
This film deserves to be in the pantheon of classic teen angst films (though it will really speak to adults reflecting on their years more so than it will for teens). I think it's the best film I've ever seen in that genre (and is based on probably the best album that ever covered such ground). There is real grit to the film, real emotion and pathos (but also a teriffic sense of humor). The cast is also outstanding (why Phil Daniels didn't become a big star is anybody's guess). But add to this the knockout soundtrack (from the "Quadrophenia" LP and other radio hits of the 60s), and you practically have a perfect film (I'm always hesitant to say anything is truly perfect). But I wouldn't change anything here. It is an unqualified success.

It helps to understand the milieu of the film, so read up here on the mods and rockers so that you understand the time and place. But then hang on for a long, LOUD ride! This movie just knocks me out! I wish I had seen it when I was a teenager. Better late than never!...

Don't miss it! And I will say this movie was much better the second time around (especially at a theatre). The film is so loaded with atmosphere and cultural references that you can't possibly take it all in in one sitting.

An unforgettable teen angst classic
When "Quadrophenia" first came out in 1979, I think most people were expecting a "Tommy"-like rock opera, with music by The Who blasting from the speakers and Roger Daltry playing pinball adorned in a mask. Much to most people's surprise, "Quadrophenia" is a story about teen angst in England, with background music by The Who. The story is the key, and "Quadrophenia" details the historic Mod/Rocker riots of the 1960s. The riots were fueled by teen rebellion, rock music and a youthful generation seeking its identity.

The beauty of "Quadrophenia" is the film's themes of youths trying to find their place in the world is timeless and internationally identifiable. You don't have to be a British lad to love this story. Several scenes are so emotionally harrowing as to be disturbing. The protagonist Jimmy Michael Cooper (brilliantly played by Phil Daniels) begins to self destruct as the movie progresses. He loses his home, his job, his girlfriend and eventually his identity in a haze of drugs and misguided motivation. The scene where he begs his ex-girlfriend to explain herself, to which she answers "It was just a giggle" will bring a tear to most eyes. It is the saddest form of rejection and as emotionally truthful a scene one is most likely to see.

I think many teenagers eventually go through a process similar to what is seen in "Quadrophenia." One's identity when growing up is always related to the music, the parties, the mode of dress and the friends one chooses. The world is seemingly yours. As the Mods begin their march in Brighton, chanting, screaming, arms wrapped around one another, they are a force. They can change the world. So when the world rudely interrupts the dream, as the police break up the riots, as people move on to the next day, one uncomfortably realizes it really was all just a "giggle."

This is the sad quandry Jimmy Michael Cooper must confront. When watching "Quadrophenia," specifically the final scene where he rides the stolen scooter along the cliffs of Brighton, you're never sure what choice Cooper is going to make.

The Mods most certainly fueled the eventual punk movement, and I think many people who love this film came from that 1980s generation. The clothes and the hairstyles (including Sting, in an early role as the coolest Mod) are identifiable to the punk generation. What Jimmy Michael Cooper eventually confronts is similar to the conflicts of the punk generation (or any teen generation for that matter). Sadly, the movement must be left behind and we must ask ourselves what the meaning of it all was. To reach maturity, many of us must travel the same path of Jimmy Michael Cooper - and he's faced with some difficult choices.

The Who produced this film, and they must be applauded (as should director Franc Roddam) for creating a classic work about teen rebellion. The music of The Who, including "The Real Me," "Love Reign O'er Me," "Bell Boy," and "I Am the Sea" has been expertly used throughout. "Quadrophenia" is a great film not just because it details British teen angst, but timeless, international teen angst.

Corrections
Michael Gillis here with a small request. Having already written a review fof Quad sp edition, i would like to point out that my review is featured twice. I did some grammer changes after I submitted my review thinking the changes would become automatic, instead a second review appeared with the changes in place. Could you please remove the first review as it is now irrelevant. Thank you kindly. Michael Gillis.

what is special about this special edition
Quadrophenia is not so much an account of mod (or modernisim as it was originally known). It is much more of a conceptual piece centering itself around the experiences of Jimmy Cooper, a multi faceted personality, with the mod aspects giving a base to his predicaments. It was a story developed by Pete Townshend in the 70's with the 60's mod movement in mind. This is further developed by director Franc Roddam's use of a contempory setting. Some people have criticised the film for not being firmly rooted in the 60's, but I think the crossover works well, allowing the mix to sit in with the overall themes of the film. By using this approach the film can also unite people form different generations. I think this is important. And now to the film.

Quadrophenia opens where it closes, above the clifftops of brighton. From here we are transported back to sheppards bush where we are introduced to Jimmy Cooper(played by Phil Daniels). We see the surface side to his charachter as he enters the goldhawk club, well dressed and self assured. A true Mod. As the film continues though we see him repond differently to various situations, be it his home life, at work, with his friends or when chasing his dreamgirl Steph ( played by Leslie Ash.). He is basically dissatisfied and in search of what's elusive. It is during the second half of the film we see this becoming more obvious. Set in Brighton on a bank holiday weekend Jimmy and his friends join together with an army of mods, for a weekend of dressing, dancing, pills and punchups. It is when Jimmy gets evicted from the dance for jumping of a balcony he begins to drift away from the numbers. For me this is where Quadrophenia begins to apply its poetic quality. Jimmy wanders the beach at night until dawn by which point the dancing has ended and the majority of mods are re-congregating at the beach front cafe for a quick egg sandwich and the days itinerary. It is here Jimmy reconnects and the day unfolds.

Heading for Brighton peer, with Jimmy in centrefield, the mods unite with their chants of glory not only atracting media glare but also the attention of their stylistic opposites, the rockers. A huge battle erupts and the beach is invaded by mods and rockers at war with each other with not even the sea being able to separate them. It is Jimmy's role in all of this that is the most significant. Having joined up with Steph, he becomes euphoric, reinacting the violence for her. " I was there". For Jimmy it in this moment that everything becomes crystalised. He is a mod, he is part of the action and now Steph is by his side.This is further enhanced by the film's most famous scene when Jimmy and Steph enter an alleyway and have sex together.Quadrophenia is a doccument of a time and place that for the most part no longer exists. The film plays an important role in allowing us to visit that place. In saying this I think the real relevance of the film lies in its exploration of youthful themes. Jimmy Cooper is a complex character but he is no more complex than any person in search of a real identity or an ideal place. It is for this reason I think it Quadrophenia will be relevant to future generations, to Identify with and to enjoy. Quadrophenia is a wonderfully youthful cinematic composition.

EXTRAS

UPPERS; There are quite a few interesting things contained on this special edition of Quadrophenia.
The US trailer is good ( except for the dialogue)
An interwiew with Sting is also interesting ( Pity it wasn't Phil Daniels though)
The directors commentary and archival photo's were of real interest to me. Nice one.
Also the trip form London to Brighton was great fun as was the 'Are you a mod or a rocker quiz"
Finally the Restoration which on the whole was good though a little dark visually in certain places.

DOWNERS: This is a big disappointment. Has anyone even noticed there are 4 sucessive scenes missing from the US print. Wake up.
The scenes in question take place from where Jimmy exits the cafe after talking to Kev through to the start of the party at Kitchener road. Consult your English or Australian standard edition, they are all present. I would assume this had something to do with the original US cinema print but for me this is the major upset for after all, 'I am one of the faces'.

Reviewed by Michael Gillis. ... Read more

Amazon.com

Franc Roddam's terrifically energetic movie, set to music from the Who's Quadrophenia, is--at the very least, the best film ever based on a rock album (and, yes, that includes, Tommy, Pink Floyd: The Wall, and Jesus Christ Superstar). Actually, this tale of the battle between two early '60s youth subcultures--Mods and Rockers--in the seaside teenage wasteland of Brighton, England, isn't so much a cinematic "version" of the Who's 1979 double-record rock opera as it is a story based on the sequence of songs on the album. Quadrophenia is about that crucial time in teenhood when the lion's share of your sense of identity is tied up in the music you listen to, the clothes you wear, and the groups you hang out with. Jimmy (Phil Daniels) identifies himself with the sharp-dressing, scooter-riding Mods, who listen to American soul and British pop-rock (The Who themselves were once rather Mod). The Rockers, on the other hand, are leather-jacketed, black-booted, motorcycle-riding tough guys who listen primarily to classic American rock & roll. The film captures this minor pop-culture revolution perfectly. Look for Sting as a club-hopping slickster, who's shameful secret is that he's a hotel bellboy by day. --Jim Emerson ... Read more

Reviews (52)

John in L.A.
I have been waiting for someone to put Quadrophenia to disc for YEARS! Finally someone (Rhino) did. The movies is still awesome. Unfortunately, the producers of the DVD fell way short. They attempted to "restore" the film. They did a lousy, cheapy job of it. Using a device called a Rank to enhance/color correct the film, it failed miserably. The Rank is good but you cannot stop there, you must DRS (Digital Restoration System)the film to remove dirt and scratches. Merely using the Rank is the poor man's way out. The disc allows you to see a split screen of the old and new. The old looks better most of the time! You can tell they didn't "restore" the film by looking at the very first shot of the movie, when Jimmy is on the cliffs. There are more scratches on the film than on my old Quadrophenia vinyl LP from 1979! Truly hideous and disappointing. They should have fixed this.
The sound is equally weak. First off, in the professional world, they don't use Protools for mastering audio, especially 5.1 audio (more shocking that they even admitted it right there on the disc). Another lame attempt to consumers into thinking they "restored" it. When you switch from original stereo to 5.1, it sounds like you gust turned the volume up a few notches, sot to mention all of the pops and cracks that are still present in the sound. Obviously they must have had poor elements, or would/couldn't attain original source audio.
The menus are also weak. Here was a chance to do something really creative, but all they did was pulled some images from the film, made them different colors and threw them onto the screen. Unfortunately, they did biography menus too that were all static and boring as well. The WORST was the "pop up video" feature. Almost always worthless trivia having nothing to do with the film! They could have hit a home run with this feature, but they didn't even make it off home plate. Rhino has also included a photo-gallery of old press photos, and continuity pictures. This also could have been cool but they are so small and poorly digitized onto the disc, that they aren't worth looking at. The producers should have cleaned them up and enhanced them or not included them at all. By far the best thing they did was to get the director to do a commentary. It was great. Worth the price of the disc just for this. But I have to ask: weren't there any other actors in the film? Perhaps some of them could have participated on the commentary track, I know that most of them are available.
The bottom line is that the film is always going to be great and the DVD version blows the old VHS away, but the people at Rhino fell asleep on this one (though I still bought two).

Brilliant look at the brink between adolescence & adulthood
This film deserves to be in the pantheon of classic teen angst films (though it will really speak to adults reflecting on their years more so than it will for teens). I think it's the best film I've ever seen in that genre (and is based on probably the best album that ever covered such ground). There is real grit to the film, real emotion and pathos (but also a teriffic sense of humor). The cast is also outstanding (why Phil Daniels didn't become a big star is anybody's guess). But add to this the knockout soundtrack (from the "Quadrophenia" LP and other radio hits of the 60s), and you practically have a perfect film (I'm always hesitant to say anything is truly perfect). But I wouldn't change anything here. It is an unqualified success.

It helps to understand the milieu of the film, so read up here on the mods and rockers so that you understand the time and place. But then hang on for a long, LOUD ride! This movie just knocks me out! I wish I had seen it when I was a teenager. Better late than never!...

Don't miss it! And I will say this movie was much better the second time around (especially at a theatre). The film is so loaded with atmosphere and cultural references that you can't possibly take it all in in one sitting.

An unforgettable teen angst classic
When "Quadrophenia" first came out in 1979, I think most people were expecting a "Tommy"-like rock opera, with music by The Who blasting from the speakers and Roger Daltry playing pinball adorned in a mask. Much to most people's surprise, "Quadrophenia" is a story about teen angst in England, with background music by The Who. The story is the key, and "Quadrophenia" details the historic Mod/Rocker riots of the 1960s. The riots were fueled by teen rebellion, rock music and a youthful generation seeking its identity.

The beauty of "Quadrophenia" is the film's themes of youths trying to find their place in the world is timeless and internationally identifiable. You don't have to be a British lad to love this story. Several scenes are so emotionally harrowing as to be disturbing. The protagonist Jimmy Michael Cooper (brilliantly played by Phil Daniels) begins to self destruct as the movie progresses. He loses his home, his job, his girlfriend and eventually his identity in a haze of drugs and misguided motivation. The scene where he begs his ex-girlfriend to explain herself, to which she answers "It was just a giggle" will bring a tear to most eyes. It is the saddest form of rejection and as emotionally truthful a scene one is most likely to see.

I think many teenagers eventually go through a process similar to what is seen in "Quadrophenia." One's identity when growing up is always related to the music, the parties, the mode of dress and the friends one chooses. The world is seemingly yours. As the Mods begin their march in Brighton, chanting, screaming, arms wrapped around one another, they are a force. They can change the world. So when the world rudely interrupts the dream, as the police break up the riots, as people move on to the next day, one uncomfortably realizes it really was all just a "giggle."

This is the sad quandry Jimmy Michael Cooper must confront. When watching "Quadrophenia," specifically the final scene where he rides the stolen scooter along the cliffs of Brighton, you're never sure what choice Cooper is going to make.

The Mods most certainly fueled the eventual punk movement, and I think many people who love this film came from that 1980s generation. The clothes and the hairstyles (including Sting, in an early role as the coolest Mod) are identifiable to the punk generation. What Jimmy Michael Cooper eventually confronts is similar to the conflicts of the punk generation (or any teen generation for that matter). Sadly, the movement must be left behind and we must ask ourselves what the meaning of it all was. To reach maturity, many of us must travel the same path of Jimmy Michael Cooper - and he's faced with some difficult choices.

The Who produced this film, and they must be applauded (as should director Franc Roddam) for creating a classic work about teen rebellion. The music of The Who, including "The Real Me," "Love Reign O'er Me," "Bell Boy," and "I Am the Sea" has been expertly used throughout. "Quadrophenia" is a great film not just because it details British teen angst, but timeless, international teen angst.

Corrections
Michael Gillis here with a small request. Having already written a review fof Quad sp edition, i would like to point out that my review is featured twice. I did some grammer changes after I submitted my review thinking the changes would become automatic, instead a second review appeared with the changes in place. Could you please remove the first review as it is now irrelevant. Thank you kindly. Michael Gillis.

what is special about this special edition
Quadrophenia is not so much an account of mod (or modernisim as it was originally known). It is much more of a conceptual piece centering itself around the experiences of Jimmy Cooper, a multi faceted personality, with the mod aspects giving a base to his predicaments. It was a story developed by Pete Townshend in the 70's with the 60's mod movement in mind. This is further developed by director Franc Roddam's use of a contempory setting. Some people have criticised the film for not being firmly rooted in the 60's, but I think the crossover works well, allowing the mix to sit in with the overall themes of the film. By using this approach the film can also unite people form different generations. I think this is important. And now to the film.

Quadrophenia opens where it closes, above the clifftops of brighton. From here we are transported back to sheppards bush where we are introduced to Jimmy Cooper(played by Phil Daniels). We see the surface side to his charachter as he enters the goldhawk club, well dressed and self assured. A true Mod. As the film continues though we see him repond differently to various situations, be it his home life, at work, with his friends or when chasing his dreamgirl Steph ( played by Leslie Ash.). He is basically dissatisfied and in search of what's elusive. It is during the second half of the film we see this becoming more obvious. Set in Brighton on a bank holiday weekend Jimmy and his friends join together with an army of mods, for a weekend of dressing, dancing, pills and punchups. It is when Jimmy gets evicted from the dance for jumping of a balcony he begins to drift away from the numbers. For me this is where Quadrophenia begins to apply its poetic quality. Jimmy wanders the beach at night until dawn by which point the dancing has ended and the majority of mods are re-congregating at the beach front cafe for a quick egg sandwich and the days itinerary. It is here Jimmy reconnects and the day unfolds.

Heading for Brighton peer, with Jimmy in centrefield, the mods unite with their chants of glory not only atracting media glare but also the attention of their stylistic opposites, the rockers. A huge battle erupts and the beach is invaded by mods and rockers at war with each other with not even the sea being able to separate them. It is Jimmy's role in all of this that is the most significant. Having joined up with Steph, he becomes euphoric, reinacting the violence for her. " I was there". For Jimmy it in this moment that everything becomes crystalised. He is a mod, he is part of the action and now Steph is by his side.This is further enhanced by the film's most famous scene when Jimmy and Steph enter an alleyway and have sex together.Quadrophenia is a doccument of a time and place that for the most part no longer exists. The film plays an important role in allowing us to visit that place. In saying this I think the real relevance of the film lies in its exploration of youthful themes. Jimmy Cooper is a complex character but he is no more complex than any person in search of a real identity or an ideal place. It is for this reason I think it Quadrophenia will be relevant to future generations, to Identify with and to enjoy. Quadrophenia is a wonderfully youthful cinematic composition.

EXTRAS

UPPERS; There are quite a few interesting things contained on this special edition of Quadrophenia.
The US trailer is good ( except for the dialogue)
An interwiew with Sting is also interesting ( Pity it wasn't Phil Daniels though)
The directors commentary and archival photo's were of real interest to me. Nice one.
Also the trip form London to Brighton was great fun as was the 'Are you a mod or a rocker quiz"
Finally the Restoration which on the whole was good though a little dark visually in certain places.

DOWNERS: This is a big disappointment. Has anyone even noticed there are 4 sucessive scenes missing from the US print. Wake up.
The scenes in question take place from where Jimmy exits the cafe after talking to Kev through to the start of the party at Kitchener road. Consult your English or Australian standard edition, they are all present. I would assume this had something to do with the original US cinema print but for me this is the major upset for after all, 'I am one of the faces'.

Reviewed by Michael Gillis. ... Read more

Amazon.com

This early Mike Leigh film was made for British television in 1983 (released theatrically in 1985), and introduced both Gary Oldman and Tim Roth. Set in the Thatcher era, the story--typically for Leigh--is more a matter of dramatic evolution than a conventionally realized script. The action revolves around a middle-class family whose male members are all on the government dole, and whose matriarch (Marion Bailey) is long-suffering in the sight of her two sons, one a half-wit (Roth) and the other a cynical bum (Phil Daniels). Oldman plays the latter's skinhead pal, mostly a goof with no future, and Alfred Molina portrays a relative of the brothers strongly resistant to nudging their lives in a more constructive direction. The story, such as it is, is actually a series of discrete, deceptively unambitious, and highly entertaining scenes that could just as easily stand on their own as belong to some greater whole. Leigh, not quite fully baked as a filmmaker in the early 1980s, occasionally engages a rather obvious wit, such as shooting a long take in a laundry room from an angle that favors the sight of a washing machine and ignores the characters from the waist up. The remarkable actors, however, are as deeply immersed in their roles as in any of Leigh's work, and the film is ultimately as moving and funny as one expects from this unique director. --Tom Keogh ... Read more

Reviews (10)

meantime
This realist picture of the british working class was orginally made just for T.V. The reason it is now realeased on video is proberbly due to its highly noteworthy cast and the fact its directed by Mike Leigh. However "Meantime" truely deseaves to be rediscoved- its a little gem! Set on a council estate in London, Leigh masterfully caputures the sights and sounds of his environment. The film centres around the unemployed Pollock family, particually sons Mark and Colin. Mark(Phil Daniels) has an attitude of frankness and nihilism, not unlike that of johney in Leighs "Naked". Colin(Tim Roth) on the other hand is slow witted, confused and vunerable to the outside world. Through-out the film we sense Marks well guarded affection for his younger brother as he trys desperatly to protect him. Like most Leigh films "Meantime" is mostly improvised, and as usual, he has a fine ensemble of actors who wont disappoint. Daniels and Roth are both equally convincing and absorbing in their roles- they even look like brothers! Gary Oldman makes his debut and theatens to steal the whole show as impish, skinhead Coxy. But perhaps the most commendable performance here belongs to Marion Bailey as the middle class aunt who attempts to put an optomistic smile on their situation(only to have her good intensions torn apart by Mark). This film may be to bleak and low-key for some viewers. There is no real story line to speak of, but it is a very pure piece of art. I'd recomend it to anyone who is willing to look beneath the surface.

Tim Roth & Gary Oldman is the best...
This movie is a great movie...to see Tim Roth and Gary Oldman when they first started out is a treat..in this movie they were kids...Roth was around 18-19 when he made this role.
I enjoyed this film a raw and gritty look at a working class family and their friends..the stand out performances are Roth and Oldman incredible.......
..i hope the distributors of Made in Britain makes this movie and the meantime/made in britain double pack availble to regional 1 folks.......

One Star for the DVD only
Don't buy this DVD. The sound is bad. The dialect in Leigh's films can be hard enough for us Yanks without having it be virtually inaudible and painfully blotted out by the music. The mix of this DVD is really bad and it spoils the movie. That said, the movie is fantastic; too bad the DVD does it such an injustice.

Don't buy this DVD.
The sound [is bad]. Leigh's characters' dialect is hard enough to understand sometimes but on this DVD the dialogue is inaudible and much softer than the music itself, which blots it out most of the time. Frustrating -- because the movie is fantastic.

A wonderful movie, an awful DVD
I'd give the movie five stars. The problem is, the DVD release from Fox Lorber is awful. There's something seriously wrong with the soundtrack; the dialog elements are drowned out by the music, and there's a synchronization problem that often leaves the left and right channel staggered by about half a second. Even more distracting, added sound effects often come from the wrong channel compared to the supposed visual source of the sound.

My guess is that instead of using a properly mixed mono soundtrack, Fox Lorber went back to the multi-channel master tapes for the mono soundtrack and used them as a fake stereo master -- but did a really bad job on the mix.

Whatever the technical explanation, it ruined my enjoyment of the movie. ... Read more

Reviews (46)

great cast in a fun film about a 70s-band reunion
This movie is quite entertaining. It has a great cast and none of the performers are wasted: Stephen Rea is the sweet guy who wants the band to take advantage of a reunion and achieve the success that internal bickering and problems cost them years ago; Billy Connolly is a hoot as the band's pragmatic roadie; Bill Nighy captures dim-witted preening lead singer Ray without making him unsympathetic; Timothy Spall brings laughs as the drummer still living in the past ('If women are from Venus and men are from Mars, drummers are from Pluto'); Jimmy Nail is the guitarist with grudges, regrets and a nice voice; and Juliet Aubrey is engaging as the woman who was a fan/runner and steps in as manager for the group. Though the two younger supporting roles aren't given much to do, that leaves more screen time for the adult characters, each of whom is three-dimensional, sympathetic and interesting. Billy Connolly's voiceovers are well-written and fun, and while not every joke works, there are many one-liners that you will make you laugh the next day.

You can see bits of your favorite 70s bands paid tribute, from Pink Floyd to Deep Purple, with insight and affection and the songs, written by veterans of Foreigner and Squeeze, are quite good. The film is very funny for the first half and then takes a few missteps as the drama quotient is elevated, but it finds its way again before the close. All in all, a lot of fun from a fine cast and talented crew, just the ticket for music fans with a sense of humor.

DVD features include: English, Spanish or Portuguese sound and English, Spanish, Portuguese, Chinese, Korean or Thai subtitles; a short making-of featurette; a trailer; and filmographies for director Gibson and some of the cast members.

Nostalgia Has Never Been So Humourous!
This movie is tremendous for uplifting the Spirits.

To begin, the soundtrack is unbelievable. Mick Jones (Foreigner) and Chris Difford (Squeeze) penned the songs, making Strange Fruit the best thing that ever hit today's music scene.

Unfortunately, Strange Fruit are a strictly fictitional band of the late 1960's to early 1970's. To complicate matters, they were never a hit to begin with, due to drug use and inner fighting. One wonders what might have been, while listening to their fanatastic music play throughout.

The Fruit draw inspiration from The Rolling Stones, Deep Purple, David Bowie, and The Who.

Each member of Fruit are quite memorable.

Stephen Rea stars as down-and-dead-broke Tony Costello, who is asked by a festival promoter to reunite his band for a reunion tour, with hopes of reaping monetary benefits. Costello haply approaches ex-roadie Karen Knowles, played by Juliet Aubrey, to help him rekindle the flame of a dream long past.

Juliet gathers up the bitter rhythm guitarist Jimmy Nail (Les Wickes), blundering Timothy Spall (David 'Beano' Baggot), and the extravagantly glamouresque lead singer Ray Simms (Bill Nighy). Tumbling in is another ex-roadie, the hippy-toker-jokester Hughie (Billy Connolly), who never let the flame burn out.

As Juliet searches for the last member of their motley band, the elusive lead guitarist-songwriter Brian Lovell (played by the brooding Bruce Robinson), the reunited members squabble, just like old times, fighting over long lost memories.

The band is then given the chance to do a small Dutch tour, to prepare for their promised festival. With young Hendrix-like Luke Shand (Hans Matheson) taking the place of Lovell, the crew hits the road. The sparks fly as their memories flame forward, threatening to burn their unfinished goals...

Be prepared to laugh, sing, cheer, and cry, as these memorable characters etch themselves into your hearts...

"And the flame still burns
It's there in my soul for that unfinished goal
And the flame still burns
From a glimmer and then, it lights up again
In my life"

A surprisingly good film
We rented this on impulse because it had Billy Connolly. The description reminded us of This Is Spinal Tap (which we love) and we greatly enjoyed the movie. Bill Nighy's clueless Ray was really wonderful and Stephen Rea as keyboardist Tony Costello was enjoyable to watch but the scene-stealer was Timothy Spall's Bilbo Baggot, the drummer. I just about fell off my seat when he finds out that his most vivid memory of touring is when the Fruit played the Hollywood Bowl--only to hear they never played there. And Billy Connolly is always a treat to watch, whatever he does.

I`m Not Too Crazy About It
This british movie about a 70`s rock band named "Strange Fruit" that makes a comeback isn`t funny enough to be a sucessful comedy neither deep enough to qualify as a drama. It`s a competent, at times moving picture, not too memorable but mildly enjoyable. The acting is fine, but the plot, that focuses the band members effort to became famous again, isn`t very absorbing or grabbing.
What we end up having here is a little movie about the music business, showing how those who had sucess in their youth react when they aren`t so stellar today and have to deal with their aging process. Mildly interesting, even if it`s another movie to watch once and be done with it. I`m not sorry I watched it, but I don`t feel the need to watch it again.

Still Crazy
wow! much too short, quite inspiring, and altogether wonderful! don't miss it, and stick with it to the very end of the titles. ... Read more