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| 1. Made in Heaven Director: Alan Rudolph | |
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Reviews (30)
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| 2. A House Divided Director: John Kent Harrison | |
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Reviews (5)
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| 3. Basic Director: John McTiernan | |
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Reviews (109)
For long stretches of its running time, "Basic" feels like a puzzle in search of a key to its solution. The attempt at a "Roshomon"-like flashback structure - in which the same event is viewed through the conflicting testimonies of multiple eyewitnesses - often leads to more confusion than clarity, resulting in the audience scratching its head wondering just what is actually going on here. One of the primary reasons for this air of incomprehensibility is the fact that the filmmakers don't do a sufficient job differentiating the minor characters from one another so that we can't always understand who is doing what to whom and why any of what we are seeing on screen really matters. However, the trick turnabout ending goes a long way towards clearing things up - or making them even more confusing, depending on how you look at it. For that's just the kind of film "Basic" is; it exists entirely to deceive and trick the audience and make us thank it for the privilege of being bamboozled - and that it does reasonably well. Actually, the key to enjoying a film like "Basic" is to go with the flow and not worry overmuch if every plot detail makes perfect sense when seen in the grand scheme of things. "Basic" is noteworthy mainly for the terrific, slightly over-the-top performance of Travolta, who seems to be having the time of his movie acting life playing this highly charismatic, no-nonsense, slightly seedy rogue investigator. Travolta commands the screen in a way that few members of his acting generation are able to do these days. He alone is reason enough to check out "Basic."
However, weighing everything, this is a good film worth it's money.
This is one of those films that are difficult to discuss without spoiling the plot. Suffice it to say that I found the production values first rate, and the sound and action sequences generally well done. I don't mind Travolta, like Connie Nielsen, and wasn't too put off by a fairly cliched performance by Samuel Jackson as the (usual) hard-bitten Sergeant. However, the movie cannot stand up to close analysis of the plot and its various devices. Sins against the viewer are committed by the screenwiter and director--the principle one being that characters who are shown to have certain knowledge at the end do not act consistently with that knowledge throughout. That's all I'm going to say except that having the DVD will enable you to replay some of the scenes sufficiently to see the extent to which the viewer has been manipulated. There is honest and clever manipulation that always takes place in good thrillers, but this movie, while clever in spots, isn't very honest.
If you are looking for a military movie this will satisfy you but it takes more credit as a murder mystery. It is gripping, intriguing and a great whodunit with a twist that is unpredictable at the end. Highly entertaining and well worth the ride. ... Read more | |
| 4. Year of the Comet Director: Peter Yates | |
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Reviews (2)
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| 5. Denise Calls Up Director: Hal Salwen | |
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Reviews (5)
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| 6. Diner Director: Barry Levinson | |
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Reviews (34)
Diner takes place in Baltimore in the 1950s and tells the story of five young men hanging onto their high school antics by the skins of their teeths while coming to terms with fast-approaching adult responsibilities. College, work, marriage, and responsibility in general threaten the quality time they spend hanging out at the Diner, discussing "What's on the B-Side?" and "Who's better: Sinatra or Mathis?" (The answer, of course: "Presley"). The film's laughs originate from its good ear for dialogue and the fantastic acting, which at times appears to be improvised. The film's young actors include Daniel Stern, Mickey Rourke, Kevin Bacon, and Steve Guttenberg in the collective high point of their careers. A thought-provoking and laugh-out-loud masterpiece.
I decided to watch Diner again recently, since I had little recollection of it. Given all of its critical acclaim and somewhat cult-status, I'd say I felt just a little let down. Really, I do mean a little: I think part of the reason for all of the accolades is that the film's "free-form" style was somewhat groundbreaking in 1982. It has been done better several times since then. Overall, I'd say this is a solid, entertaining film. Great? Nah.
Boogie (Micky Rourke), his gambling problems aside, struggles to keep his dreams but must learn to accept the responsibilities of life. The intellectual but alcohol-plagued Fenwick (Kevin Bacon) must face-down his crusty, aloof family once and for all. Shreevie (Daniel Stern) must learn to translate his love for love songs for love for his wife before his marriage completely evaporates. Mama's boy (with a twisted mama), Eddie, (Steve Guttenburg) who has no real excuse for treating his fiancee so badly, is the most desperate in need of growing up. To me, Billy (Timothy Daly) has the most poignant of all problems. He's willing to face up to his responsibility; he's willing to do the right thing. In one scene, where he decks the last opposing player of a baseball team that had ganged up on him, he essentially has put his boyhood behind him. What's standing in his way is the woman carrying his child but won't marry him. (She has good reason, by the way, for being reluctant.) But comedy is watching other people struggle with their problems, after all. To me, the more believeable the problems (and they are believeable) the more effective the comedy. Levinson squeezes so much humor out of these characters, and the actors deliver beautifully. The ease with which the cast interacts makes the viewer wonder whether they had been friends for years before making this film. Unlike other comedies of the early 80s--the infamous one-liners strung together--DINER's tangle of plot lines grows logically; it progresses as a result of the characters, not the situation. And while the film ends, according to true comic convention, with a wedding, it is the only traditional aspect of the film. It was truly unique for its time. And perhaps the time will come again when people will appreciate the value of this movie.
The only reason I'm giving this 2 stars is because the film itself was made fairly well. It did have a 1950's atmosphere, but other than that, I was highly disappointed. ... Read more | |
| 7. Year of the Comet Director: Peter Yates | |
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Reviews (5)
This movie has been compared to Romancing the stone, and I think that is a fare comparison. If you buy this movie, you will love it.
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| 8. Stephen King's Storm of the Century Director: Craig R. Baxley | |
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Reviews (132)
Now, for the rest... A weird guy shows up in an island in Maine (King's favorite State), and kills an old lady for no real reason. But he doesn't go away - he waits to get arrested. In this case, however, the real prisoners are the residents, some of whom are murdered in vicious ways by the stranger, with the help of his ominous-looking cane. Colm Feore is terrific in the role of the evil man, while Tim Daly does a decent job as the town grocer and Constable. The really cool thing about this film is that you never notice the length (close to 4 hours!), as scene after scene captures your imagination and tortures your soul. Small town mentalities and moralities are exposed for what they are - cheap, narrow, selfish, and deadly. Each character has (or has had) a past (or present) that they'd never like the world to ever know. But the stranger (the Legion) knows EVERYTHING about everyone. As secrets come out, and as hidden conflicts are brought out into the open, one can see the characters change faces. When the main objective of the stranger is revealed by him during a town meeting during the course of the storm, it's time for soul-searching and morals-testing. None emerges unscathed, except Tim Daly and his wife, though in completely opposite ways. The ending is definitely not satisfactory, and seems forced to deliver some sort of closure to the viewer. In summary- Positive things: 1. Good, strong character development. 2. Powerful storyline. 3. Intelligent, relevant screenplay. 4. Good photography. 5. Excellent acting by most. 6. Wonderful music score. Negative things: 1. Length (some people will definitely groan!) 2. Unsatisfactory ending. 3. Colm Feore is not used very well. 4. Slow beginning, with a few scenes of really bad dialogue delivery and acting.
This movie had to be good, because Stephen King himself wrote the screenplay - which was an original screenplay and no adaptation from one of his story. King wrote this sinister little tale especially for ABC television and I have to admit, that beside the fact that it is a good story for a cold night, snow piling up outside, it is a very good mvie as well. I loved the actors, the filming and just every minute of the 4-hour mini-series. I even watched the whole thing just listening to Stephen King's commentary (although I skipped the parts director Craig Baxley commented) - the commentary was as good as the movie itself, because it was not some poor strawhat talking about something, but Stephen King doing what he can do best: not commenting, but telling. Stephen King gives very delightful inside-information on the making of the movie and talks about works related to this movie, how he came across the idea for the story (it was partly influenced by a play by Friedrich Dürenmatt King had a part in when being in High School), how he tried to work it out, stuff like that. So this is a very interesting bonus for every Stephen King fan: you get a very good movie and a very fine commentary by Stephen King, with all the information and all the amusing details 'n' extras. Story's Rough Cut: Small town off the coast of Maine, Little Tall Island, the setting of "Dolores Claiborne" - "life on the island is different from the life on the mainland." Stranger makes the small township aware of his evil presence by murdering an old woman, Martha Clarendon, and therefore arrested - "because I choose," as the stranger, André Linoge, claims. Linoge knows all the dirty little secrets of the clean-shirted islanders and he wants what he inevites, unless he will not go away. What exactly Linoge wants, you have to find out for yourselves, sorry. It is worth finding out, believe me, just this one time! ;-) Let me finish with a praise for the movie by some newspaper I do not remember, "it is a high-voltage, spine-tingling shocker, which has been called one of the best King films ever!" It sure is.
Was that annoying? Now you know how I felt going through this film. He wants a kid. That's what he wants. He wants a kid. There, I just saved you three hours of agonizing torture.
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| 9. Dr. Jekyll and Ms. Hyde Director: David Price | |
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Description Reviews (8)
Tim Daly (Dr. Jacks) tries to find a potion to cure the source of human evil by adding estrogen to the potion. By doing this, he transforms into sexy (and annoying) seductress Helen Hyde (Sean Young) on occasions. Helpless to stop this process of man to woman and woman to man, Dr. Jacks tries to convince his fiancee, Sarah (sexy and always watchable Lysette Anthony) to help him find a cure for taking Helen out for good. The movie is delightfully campy in the beginning, but in the last 15 to 30 minutes, suddenly turns somewhat suspenseful, hilarious, and romantic. A hilariously campy movie with a satisfying ending. Rated PG-13 for crude sex-related scenes and humor, sexual innueudo, nudity and language.
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| 10. The Object of My Affection Director: Nicholas Hytner | |
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Reviews (87)
Jennifer Aniston is perfectly cast as the lead character, Nina Borowski, and gives an excellent performance that making the viewer feel what she's feeling. Paul Rudd, as her roommate and eventual love interest, is very appealing too. (In my opinion, he doesn't really seem gay, but then again he doesn't really need to. As long as the viewer just accepts the fact that he IS, it works.) John Pankow is great as Nina's irritating boyfriend, Vince. And of course, Nigel Hawthorne does a wonderful job as Rodney. Big surprise. The best scene in the film is a scene where Nina's overbearing sister, Constance (Allison Janney), descends on Nina and George along with her equally annoying husband (Alan Alda) and daughter (Lauren Pratt). It is so funny, and so well acted. All in all, The Object Of My Affection rates five stars in my book. Granted, there are some clunky bits in the script (as mentioned in the editorial review), and some bits that require suspension of belief. But those things are easy to ignore, and more than likely, you'll want to watch this film over and over again.
"The Object of My Affection" has as many twists and turns as a rollercoaster ride, switching and redefining the status quo a thousand times. Some moments are genuine and heartfeld, others have a sitcom humorous feel and at times it gets overboard with high levels of sugar and sappyness. The story is about the relationship between two young adults, a gay teacher (Paul Rudd) and a modern NY girl (Jennifer Aniston). Beginning as a tight friendship, their connection then appears to turn into something more deep, and from this point on the plot delivers a lot of subplots and new characters. The acting is overall good and the movie tries to touch some serious issues, but unfortunately the story is so contrived that the result is just uneven and not very impressive. The pacing isn`t the best as well, delivering a lot of slow and dull moments that go nowhere. Despite these flaws, "The Object of My Affection" still has some entertainment value and a couple of interesting scenes, even if it`s just another average movie. Watchable enough.
Watchable enough. ... Read more | |
| 11. The Batman Superman Movie Director: Toshihiko Masuda | |
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Amazon.com Reviews (44)
The story involves the uneasy first meeting between the two superheroes and a shared interest in one Lois Lane. Thus, the pair forms a strained alliance when forced to combat the team composed of their respective nemeses Lex Luthor and The Joker. Such a real-life quality adds realism to the highly fictional world of comic book endeavors. Hey, superheroes have problems, too! As far as the actors providing the exemplary voice work, each is superb in their roles. Tim Daly and Kevin Conroy give just the right balance for their animated counterparts' dual personalities. Clancy Brown's deep resonance has an aristocratic and arrogant air about it that makes him the perfect Lex Luthor. Dana Delaney as the very independent Lois Lane is quite good. Arleen Sorkin shines in her role as Harley Quinn, Joker's sidekick who is as "far off the deep end" as is The Clown Prince of Crime. But it is Mark Hamill who really rises to the occasion in a truly over-the-top performance as the Joker. Forget Nicholson or even TV's Caesar Romero! Hamill is the Joker. His utterances and nuances in every line delivered are brilliant. I can remember Tim Curry winning an Emmy several years ago for his work on the animated Peter Pan series. Hamill has done no less. His mantle deserves some tangible reward. Maybe, it will be our appreciation for his masterful performance in this film that will be recognition enough.
Batman and Superman's first meeting, herein portrayed, is rather nice, especially because they really just don't like each other a heck of a lot. Especially because Lois Lane falls hard for Bruce Wayne. Their mutual discovery of secret identities plays nicely on the two characters' strong points, with Superman using his superpowers and Batman demonstrating why he's the world's greatest detective. Harley Quinn's running feud with Luthor's female bodyguard/chauffeur, Mercy, is one of the high points. The Joker's "Dance of Death" over the fallen Superman, adding shocks from his super-charged handbuzzer to Big Blue's suffering in his kryptonite death trap is rather chilling; in this and a few elements of violence this production (originally aired in prime-time, and then as three episodes of the television series) goes a bit beyond what the afternoon TV series can usually portray, and the Mark Hamill-voiced Joker is truly scary. The Joker's raving laughter as he (apparently) goes to his death as a result of one of his own traps gone wrong is both chilling and in character. (Harley Quinn, on the other hand, is just a *bit* too broadly portrayed.) (There is, by the way a comicbook/"graphic novel" adaptation of this material -- now sadly out of print. While it doesn't bring much new, it's a good counterpoint to this film, as it gives alternate, slightly more "adult" views on some things -- if you have one, you really need the other.) One question -- does Lois Lane have a trust fund or something? Otherwise, how does she afford that Simply Incredible apartment on a mere reporter's salary? Also -- a couple of scenes, notably the lab where the robots are kept and where Superman fights them, and Superman straining to (just barely) prevent a huge aircraft from crashing into buildings strongly suggest deliberate homages to the old Fleischer Bros "Superman" cartoons, specifically to "Metal Monsters" and "Japoteurs".
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| 12. Made in Heaven Director: Alan Rudolph | |
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Amazon.com Reviews (30)
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| 13. Spellbinder | |
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(price subject to change: see help) Asin: 6301300521 Catlog: Video Sales Rank: 26746 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
There are too many things wrong with the movie. There is no intelligent storyline, and lots of cheap thrills for the dull audience. I'll give only a brief list of the problems with the movie. Some small spoilers here, but I will not give away the fundamental plot. 1) In one scene, the man and woman are trapped in a house while 10 or so devil worshippers cast spells to "bend" the windows and destroy it -- the woman even casts counter-spells. In spite of witnessing all this, the man doesn't have the sense to either get help from the police or a church. In fact, he treats it as common, everyday occurrence in life! I guess the audience is supposed to take it as "stuff that happens when you protect a woman." 2) During the scene in 1), the woman says, "everything will be all right next morning, I'll be free of the cult", but nothing really changes the next day, and when it becomes evident that the cult is still after her, the man never asks why, and knowing that he's fighting 20 other members of a cult, never gets help. 3) The man behaves in a REALLY STUPID manner repeatedly. A witchy-woman challenges him to call the cops, and then does the old trick of running out of his office disheveled so as to create the impression that he has assaulted her. He falls for this, and even pushes the woman around when everyone is watching. 4) Don't get me started on the ending -- why the cult has to go through all the trouble and wait till the end is simply not explained in the movie. I saw it on TV for free and didn't think it was worth it, I would certainly not recommend paying for the video!
Jeff Mills saves Miranda Reed from an apparent abusive situation. The pair falls in love. She charms everyone except Jeff's secretary, Grace Woods; Grace suspects her of being more that what meets the eye. Will Miranda's past catch up with them? Can Jeff protect her from impending consequences? Luckily he has the help of his lawyer buddy and a client that is held up in a bunker.
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| 14. Caroline at Midnight Director: Scott McGinnis | |
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Reviews (4)
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| 15. Just the Way You Are Director: Fern Field, Edouard Molinaro | |
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(price subject to change: see help) Asin: 6302759978 Catlog: Video Sales Rank: 15044 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
The dance scene where Kristy and Patrick Cassidy dance is suppose to "symbolize" the main character loosening up. Instead, it's just goofy dancing to bad music, even for 1984 standards. I think the actors did their best with the material they were given. Sorry Kristy, it just wasn't enough.
I really wanted to like this movie simply because Kristy was in it, but have to say that it was phoney, unrealistic and didn't convince me that it was a script worthy of ever being put into production. It seemed that it was designed to promote the careers of men, at Kristy McNichol's expense. After seeing this movie I actually had fantasies of throwing the video off the cliff into the ocean here in San Francisco, but I didn't want to break the law. Anyone who actually enjoyed this movie -- must lead a very boring life. Overthrow the status quo establishment that put this thing together is all this movie says to me!
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| 16. The Associate Director: Donald Petrie | |
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Reviews (12)
viewing the movie helped me to make many successful deals without feeling like a helpless female! Anyway Whoopi plays a guy as well as she does a girl! Five stars for you Whoopi!
This Comedy is a Remake from a French 1982 film. Goldberg is Quite Good in the lead. Great suppoting cast:Including-Two Time Oscar Winner:Dianne Wiest, Eli Wallach, Timothy Daly, Bebe Neuworth, Austin Pendleton and Lainie kazan. Directed by Donald Pertie (Grumpier old men) has made a good comedy but he has made funnier films that this one. Grade:B.
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