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| 1. Danielle Steel's Family Album Director: Jack Bender | |
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Reviews (5)
Don't miss out on Danielle Steele's "Family Album"... it's a great flick! Great performances were delivered by Jackyln Smith, Michael Ontkean and then newcomer Joe Flanigan.
Lots of production values makes this one look like a regular theatrical release rather than a TV film. Well worth seeing.
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| 2. Surviving Gilligan's Island Director: Paul A. Kaufman | |
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Reviews (5)
Tina Louise was tricked onto the show by her manager. She was under the impression that it was her show. Mrs. Howell had no breasts. At 94 years old, Mary Ann is still hot. Bob Denver sold his soul to the devil for eternal life, but looks like a mummy. Russel Johnson, the professor can invent anything except for a diet pill. The guy weighs 450 pounds.
Very Nice. Hosted By Dawn Wells (Mary Ann Summers), Bob Denver (Willy Gilligan), & Russell Johnson (Proffesor Roy Hinkley "The Proffesor"). It includes re-enactments of things that happend behind the scenes. I have a Gilligan website. I had known about their real names like Willy Gilligan and Roy Hinkley, and Mrs. Howell's name (Eunice Wentworth (Lovey) Howell), and the Skipper Jonas Grumby's name. Now they announced the whole Willy thing on this and now everyone thinks that's the only way I knew. It was a great special. I'm really glad they're releasing it on DVD. I hope they'll release all the episodes, and the other two movies, The Castaways on Gilligan's Island, and The Harlem Globetrotters on Gilligans Island on DVD. They're not even on VHS. Hopefully the quality on those will be better than the rescue from gilligans island dvd. I heard that wasn't very good. I have that on VHS. GREAT MOVIE. ... Read more | |
| 3. Digital Man Director: Phillip J. Roth | |
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Reviews (1)
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| 4. Lovely and Amazing Director: Nicole Holofcener | |
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Reviews (30)
Holofcener again uses the acerbic Indie staple Catherine Keener, who plays the lazy, bored and arrogant eldest daughter. Keener is without doubt the best thing here, she's played this character many times before but does it so well the repitition hardly matters. If only the other characters were as engaging (or as painfully true to life). Lovely And Amazing suffers from the presence of a few flat (male) characters and one too many unresolved subplots. In an age of expensive, overpraised, CGI smothered, Tinseltown atrocities, the very existence of a small budgeted delight like Lovely And Amazing is quite revolutionary.
Along with Annie, Jane has two adult daughters. The older one, Michelle (Catherine Keener), is a former homecoming queen who has turned into a childish, self-centered neurotic. Though Michelle's husband constantly prods her to get a job, she fancies herself an artist. She makes miniature chairs to sell to knickknack shops, but no one's buying. Michelle's younger sister, Elizabeth (Emily Mortimer), is a beautiful aspiring actress who's already landing some small movie roles. But she has such a distorted self-image that she thinks of herself as unattractive -- even as she's posing for a photo spread in Vogue. Asked to do a "chemistry" audition with a big star named Kevin McCabe (Dermot Mulroney), she's forced to listen while casting agents casually appraise her sexuality -- or lack thereof. Both sisters are stuck in unfulfilling relationships. Elizabeth's overcritical live-in boyfriend is tired of hearing her obsess about her auditions, her resume photos, her agent, etc. Meanwhile, Michelle's sullen self-absorption and testy attitude have worn down her husband to the point that he's not especially interested in sleeping with her. To spite him, she takes a menial job at a one-hour photo shop, where her teenage boss (Jake Gyllenhaal) takes a Mrs. Robinson-like interest in her. As she proved in her fine 1996 film, "Walking and Talking," director Holofcener has an uncanny understanding of people as well as a gift for sharp, funny dialogue. Yes, "Lovely & Amazing" will probably spawn noxiously shallow lifestyle pieces on why women have poor self-esteem. But the film is much subtler and more complex than that. The entire cast is terrific, from Goodwin to Mulroney. But you have to focus on Keener, perhaps best known for her role as the merciless co-worker of John Cusack in "Being John Malkovich," who's become the Queen of Late Summer. She's creating her own type -- the acerbic smarts and ironic world-view of wisecracking dames like Rosalind Russell or "Frasier's" Peri Gilpin, with a twist of simmering anger and a drop of self-loathing. As vulnerable as she is venomous, she doesn't want to be the way she is, but she can't quite give it up, either. Deftly directed, winningly acted and shrewdly written, "Lovely & Amazing" is as softhearted as it is ruthless, as amusing as it is poignant, but it does have its faults. Mostly, it doesn't offer a lovely and amazing final resolution, one reason why I wish it went on longer. It's an engrossing and emotional film that every woman (and gay man) should see.
For example, the adopted girl, Annie, shows white viewers that even at her young age she must confront such topics as: straightening her hair, being told her "mother" (older black woman who is a mentor) must wear a swimming cap in the pool while the white swimmers do not; being told she doesn't need sunscreen because her "skin is already brown"; understanding why her adopted mother needs liposuction to look better (Annie must wonder if she needs to look better also). These are but a breach in the bundle of issues this movie examines. Each character raises a multitude of motifs that could serve as meaningful topics for lengthy essays. If I were a sociology professor, this movie would be required viewing in my classes.
Nicole Holofcener (Sex and the City, Gilmore Girls, Six Feet Under) delivers her second feature film in which a lot of people do a lot of talking and no one actually does much of anything. This one centers around a mother (Brenda Blethyn, recently seen in Little Voice) who's about to go into the hospital for liposuction, and her three daughters, Elizabeth (Emily Mortimer of The Ghost and the Darkness fame), Michelle (Catherine Keener from being John Malkovich), and adopted daughter Annie (Raven Goodwin, last seen in The Station Agent). The mother and the three daughters are all variously dysfunctional. Elizabeth, an actress, has a minor part in a movie that's about to open and no other forthcoming prospects. Michelle is an artists trying to consign her handicrafts to various art stores and failing repeatedly, while her husband is off knocking boots with her best friend. Annie, transracially adopted, is just trying to fit in however she can. Let's face it, it's an Oprah Movie Club pick waiting to happen, if Oprah ever starts a movie club. Still, it's got its good points. I rented it solely for the Jake Gyllenhaal factor, truth be told. While Gyllenhaal's entrance into the movie comes late, the boy is never less than a pleasure to watch onscreen, and he does a great deal to redeem the movie (his character is the catalyst that drives many of the few events that actually occur in the film). Dermot Mulroney, as a possible new relationship for Elizabeth, does some of his best work here since Young Guns (one wonders if, between this and The Safety of Objects, Mr. Mulroney isn't beginning to vault himself up onto the A list). The four main actresses are all very good in their roles, if not actually given much to do. Even the normally loathsome Brenda Blethyn is watchable (i.e., a bit less loathsome than usual), though she just doesn't sound right with an American accent. The strength of the movie, however, lies in Raven Goodwin. Annie's search for some way to fit in to the mess that is this family provides most of the movie's truly absorbing moments (the relationship between Keener and Gyllenhaal providing the rest of them). The rest of the movie seems to be made with an eye towards exciting a kind of embarrassed, nervous laughter from the viewer (and it succeeds well), but most of the scenes containing Annie aim for the heart, and without the usual emotional manipulation one is apt to find in most Hollywood fare. It's a refreshing change. If you want movies where lots of things happen, you can probably dismiss this. If you don't mind a slow pace and a lot of dysfunction, give it a look. ** ½ ... Read more | |
| 5. Bitter Vengeance Director: Stuart Cooper | |
![]() | list price: $79.95
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Reviews (2)
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| 6. Everybreath Director: Steve Bing | |
![]() | list price: $89.99
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Reviews (2)
Sincerely Submitted, Mavis L. Collins ... Read more | |
| 7. Hollywood Confidential Director: Reynaldo Villalobos | |
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Reviews (1)
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| 8. Hollywood Confidential Director: Reynaldo Villalobos | |
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Reviews (1)
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| 9. They Nest Director: Ellory Elkayem | |
![]() | list price: $99.99
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Reviews (7)
For one, the characters are pretty well fleshed out. Our hero is a former surgeon who's hands are a little shaky (unless he has a drink) and so retires to a small fishing island. The locals don't really like him, and he has to put up with constant black-outs at his isolated mansion. The sudden emergence of cockroaches doesn't make things that much happier. Gradually, the cockroaches go from lovable little squishies to killer parasites. There a few good scenes of the little buggers popping out of people's mouths, chests, and stomachs. They also learn to fly near the end There are some well done surprises here. Granted, I didn't feel particularly frightened at any part of this movie, but it will make you a bit queezy. The scene at the dinner table where our hero lifts up his fork to reveal a bug on it made me jump. There are other plusses for this movie. For once...I actually CARED if the main character lived! And the romantic interest not only can support herself and helps out, but the relationship with our hero isn't rushed and you actually do feel some chemistry between them. The only real downfall of the movie is the ending. It's one of those typical "one [insert type of animal]is still alive" endings. It's just corny and cliche. Overall, a decent horror movie. It's not a great movie, and I'm not gonna buy it for my collection any time soon, but considering what other horrors I've seen it was definately worth my time.
The Story: (***1/2 stars) "When Dr. Ben Cahill takes a leave of absence from his medical practice and moves to Orrs Island off the coast of Maine, all he expects is some quiet time away. But the solace of the tiny isle is hattered when bizarre and frightening deaths begin to occur. The victims appear to have died by natural causes, yet each body has red insect bits on its flesh. When an autopsy reveals one dead man's chest cavity filled with insect cocoons, Cahill is horrified to discover that a rare breed of African cockroaches has invaded the island and they are using the inside of human beings as breeding grounds! Now, it's a race against time as the islanders try everything they can to escape the deadly insects before they are eaten alive!" The FX: (**** stars) Good enough to be totally grossed out! The Score: (**** stars) Keeps you on the edge of your seat, pumping more anticipation than you would rarely expect in a horror picture. The Picture Itself: (**** stars) The actors did a great job in protraying these characters to be enough believable to make you feel for them, (and yes, even the damned creepy crawlers that make your skin crawl, literally). It's good enough to watch it again. So the next time yo uare looking for a really good horror flick, you might wanna check out "Creepy Crawlers," a well done movie that should get more than it deserves. Don't judge the cover by its looks: you might be surprised to have yourself a really good time. Also, to Amazon.com: You rated this film [R] on the flm ratings when it is actually a [PG-13] rating according to the VHS box set. [PG-13] for creature violence and peril. Now, when I watched the film myself, I didn't really see any sexual nudity or a sex scene, which I was greatful. There was very little mild language in it as well. So it would be appreciated if you could change the rating back to [PG-13]. I would be apprecitaed. All in all, Creepy Crawlers is a creepin' good time! "Veiwers beware, you're in for a scare!" ~R.L. Stine's Goosebumps
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| 10. Wolves Director: Steve Carver | |
![]() | list price: $92.98
our price: $92.98 (price subject to change: see help) Asin: 6303948901 Catlog: Video Sales Rank: 74751 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 11. The Sweeper Director: Joseph Merhi | |
![]() | list price: $14.99
(price subject to change: see help) Asin: 6304048041 Catlog: Video Sales Rank: 45492 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
Starring C. Thomas Howell who had his first hit with Francis Coppola's The Outsiders. Unfortunately, this movie does not even seem to have the umph of even a TV show like Cops or NYPD let alone a feature movie - even if it was a "straight to video" release. First of all, the movie itself is very lacking in how it's plot unfolds, climaxes and ultimately concludes. In the beginning Howell's character Mark Goodard sees his entire family wiped out (rather, he is there when it takes place...hiding in a bathroom). One of the perpetrators confronts him and shoots him but failed to kill him...or something like that. Flash 15 years later, we find Howell as a cop who is divorced from his wife and doing his shoot 'em up thing. He received an offer to join an elite group of warriors for justice called JI or Justice Incorporated, reluctantly he joins hoping they can tell him about who killed his family -- so they promised. He carries out his assignments in administrating justice with ease...too much ease that is. Everything falls into his proverbial lap. I figured this was just filler unto he came to the ultimate fight, taking out the killers of his family. Ok so he find out that JI is actually the culprit when one of the people he is sent out to knockoff is a cop who was his father's partner. It seems that something is missing in how Howell becomes convinced that the JI people had a hand in his family's death. Anyway, he simply and I mean simply knocks the entire group off without so much as a fight...However the boss gets away. There is a car chase(oh really?) and then an airplane getaway. Goodard actually manages to get on the plane as it is taking off by jumping from his car. A rather lame and tame fight takes place once Goddard is on the wing. There is no erratic flying in order to try to knock the cop off as he hangs on the landing gear and climbs up, no gun fire, no nothing. It's almost as if the plane's occupant's are oblivious to what's going on. Ok the boss falls to his death and well that's it! No real dramatic climax, no getting wounded shot etc. Sort of like James Bond but even though he comes out unscathed it ain't without a fight. The movie ends rather abruptly leaving no real resolution. One question I have was why Mark Goodard was recruited by a people who knew he was the one whose family they killed. I guess one could conclude it was hopefully to knock him off but that did not seem to be the case. What about after the boss was knocked of the plane? Goodard yells to the pilot "put us down of your next! On the ground. He then sits back exhausted. I guess the pilot landed without any resistance. OH PULLLLEASE! As for Howell's character, Howell does not make a convincing tough guy any more than Britney Spears makes a convincing version of "I Love Rock n Roll". His voice even seems to give him away here as well as all of his oohs and uhhs and yelps as he chases his enemies. Tommy if you read this please don't be mad.
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| 12. Lovely and Amazing Director: Nicole Holofcener | |
![]() | list price: $49.98
(price subject to change: see help) Asin: B00006JUDI Catlog: Video Sales Rank: 106203 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (30)
Holofcener again uses the acerbic Indie staple Catherine Keener, who plays the lazy, bored and arrogant eldest daughter. Keener is without doubt the best thing here, she's played this character many times before but does it so well the repitition hardly matters. If only the other characters were as engaging (or as painfully true to life). Lovely And Amazing suffers from the presence of a few flat (male) characters and one too many unresolved subplots. In an age of expensive, overpraised, CGI smothered, Tinseltown atrocities, the very existence of a small budgeted delight like Lovely And Amazing is quite revolutionary.
Along with Annie, Jane has two adult daughters. The older one, Michelle (Catherine Keener), is a former homecoming queen who has turned into a childish, self-centered neurotic. Though Michelle's husband constantly prods her to get a job, she fancies herself an artist. She makes miniature chairs to sell to knickknack shops, but no one's buying. Michelle's younger sister, Elizabeth (Emily Mortimer), is a beautiful aspiring actress who's already landing some small movie roles. But she has such a distorted self-image that she thinks of herself as unattractive -- even as she's posing for a photo spread in Vogue. Asked to do a "chemistry" audition with a big star named Kevin McCabe (Dermot Mulroney), she's forced to listen while casting agents casually appraise her sexuality -- or lack thereof. Both sisters are stuck in unfulfilling relationships. Elizabeth's overcritical live-in boyfriend is tired of hearing her obsess about her auditions, her resume photos, her agent, etc. Meanwhile, Michelle's sullen self-absorption and testy attitude have worn down her husband to the point that he's not especially interested in sleeping with her. To spite him, she takes a menial job at a one-hour photo shop, where her teenage boss (Jake Gyllenhaal) takes a Mrs. Robinson-like interest in her. As she proved in her fine 1996 film, "Walking and Talking," director Holofcener has an uncanny understanding of people as well as a gift for sharp, funny dialogue. Yes, "Lovely & Amazing" will probably spawn noxiously shallow lifestyle pieces on why women have poor self-esteem. But the film is much subtler and more complex than that. The entire cast is terrific, from Goodwin to Mulroney. But you have to focus on Keener, perhaps best known for her role as the merciless co-worker of John Cusack in "Being John Malkovich," who's become the Queen of Late Summer. She's creating her own type -- the acerbic smarts and ironic world-view of wisecracking dames like Rosalind Russell or "Frasier's" Peri Gilpin, with a twist of simmering anger and a drop of self-loathing. As vulnerable as she is venomous, she doesn't want to be the way she is, but she can't quite give it up, either. Deftly directed, winningly acted and shrewdly written, "Lovely & Amazing" is as softhearted as it is ruthless, as amusing as it is poignant, but it does have its faults. Mostly, it doesn't offer a lovely and amazing final resolution, one reason why I wish it went on longer. It's an engrossing and emotional film that every woman (and gay man) should see.
For example, the adopted girl, Annie, shows white viewers that even at her young age she must confront such topics as: straightening her hair, being told her "mother" (older black woman who is a mentor) must wear a swimming cap in the pool while the white swimmers do not; being told she doesn't need sunscreen because her "skin is already brown"; understanding why her adopted mother needs liposuction to look better (Annie must wonder if she needs to look better also). These are but a breach in the bundle of issues this movie examines. Each character raises a multitude of motifs that could serve as meaningful topics for lengthy essays. If I were a sociology professor, this movie would be required viewing in my classes.
Nicole Holofcener (Sex and the City, Gilmore Girls, Six Feet Under) delivers her second feature film in which a lot of people do a lot of talking and no one actually does much of anything. This one centers around a mother (Brenda Blethyn, recently seen in Little Voice) who's about to go into the hospital for liposuction, and her three daughters, Elizabeth (Emily Mortimer of The Ghost and the Darkness fame), Michelle (Catherine Keener from being John Malkovich), and adopted daughter Annie (Raven Goodwin, last seen in The Station Agent). The mother and the three daughters are all variously dysfunctional. Elizabeth, an actress, has a minor part in a movie that's about to open and no other forthcoming prospects. Michelle is an artists trying to consign her handicrafts to various art stores and failing repeatedly, while her husband is off knocking boots with her best friend. Annie, transracially adopted, is just trying to fit in however she can. Let's face it, it's an Oprah Movie Club pick waiting to happen, if Oprah ever starts a movie club. Still, it's got its good points. I rented it solely for the Jake Gyllenhaal factor, truth be told. While Gyllenhaal's entrance into the movie comes late, the boy is never less than a pleasure to watch onscreen, and he does a great deal to redeem the movie (his character is the catalyst that drives many of the few events that actually occur in the film). Dermot Mulroney, as a possible new relationship for Elizabeth, does some of his best work here since Young Guns (one wonders if, between this and The Safety of Objects, Mr. Mulroney isn't beginning to vault himself up onto the A list). The four main actresses are all very good in their roles, if not actually given much to do. Even the normally loathsome Brenda Blethyn is watchable (i.e., a bit less loathsome than usual), though she just doesn't sound right with an American accent. The strength of the movie, however, lies in Raven Goodwin. Annie's search for some way to fit in to the mess that is this family provides most of the movie's truly absorbing moments (the relationship between Keener and Gyllenhaal providing the rest of them). The rest of the movie seems to be made with an eye towards exciting a kind of embarrassed, nervous laughter from the viewer (and it succeeds well), but most of the scenes containing Annie aim for the heart, and without the usual emotional manipulation one is apt to find in most Hollywood fare. It's a refreshing change. If you want movies where lots of things happen, you can probably dismiss this. If you don't mind a slow pace and a lot of dysfunction, give it a look. ** ½ ... Read more | |
| 13. The Sweeper Director: Joseph Merhi | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B00008G38G Catlog: Video Sales Rank: 101255 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
Starring C. Thomas Howell who had his first hit with Francis Coppola's The Outsiders. Unfortunately, this movie does not even seem to have the umph of even a TV show like Cops or NYPD let alone a feature movie - even if it was a "straight to video" release. First of all, the movie itself is very lacking in how it's plot unfolds, climaxes and ultimately concludes. In the beginning Howell's character Mark Goodard sees his entire family wiped out (rather, he is there when it takes place...hiding in a bathroom). One of the perpetrators confronts him and shoots him but failed to kill him...or something like that. Flash 15 years later, we find Howell as a cop who is divorced from his wife and doing his shoot 'em up thing. He received an offer to join an elite group of warriors for justice called JI or Justice Incorporated, reluctantly he joins hoping they can tell him about who killed his family -- so they promised. He carries out his assignments in administrating justice with ease...too much ease that is. Everything falls into his proverbial lap. I figured this was just filler unto he came to the ultimate fight, taking out the killers of his family. Ok so he find out that JI is actually the culprit when one of the people he is sent out to knockoff is a cop who was his father's partner. It seems that something is missing in how Howell becomes convinced that the JI people had a hand in his family's death. Anyway, he simply and I mean simply knocks the entire group off without so much as a fight...However the boss gets away. There is a car chase(oh really?) and then an airplane getaway. Goodard actually manages to get on the plane as it is taking off by jumping from his car. A rather lame and tame fight takes place once Goddard is on the wing. There is no erratic flying in order to try to knock the cop off as he hangs on the landing gear and climbs up, no gun fire, no nothing. It's almost as if the plane's occupant's are oblivious to what's going on. Ok the boss falls to his death and well that's it! No real dramatic climax, no getting wounded shot etc. Sort of like James Bond but even though he comes out unscathed it ain't without a fight. The movie ends rather abruptly leaving no real resolution. One question I have was why Mark Goodard was recruited by a people who knew he was the one whose family they killed. I guess one could conclude it was hopefully to knock him off but that did not seem to be the case. What about after the boss was knocked of the plane? Goodard yells to the pilot "put us down of your next! On the ground. He then sits back exhausted. I guess the pilot landed without any resistance. OH PULLLLEASE! As for Howell's character, Howell does not make a convincing tough guy any more than Britney Spears makes a convincing version of "I Love Rock n Roll". His voice even seems to give him away here as well as all of his oohs and uhhs and yelps as he chases his enemies. Tommy if you read this please don't be mad.
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| 14. They Nest Director: Ellory Elkayem | |
![]() | list price: $99.99
our price: $99.99 (price subject to change: see help) Asin: B0000640YO Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
For one, the characters are pretty well fleshed out. Our hero is a former surgeon who's hands are a little shaky (unless he has a drink) and so retires to a small fishing island. The locals don't really like him, and he has to put up with constant black-outs at his isolated mansion. The sudden emergence of cockroaches doesn't make things that much happier. Gradually, the cockroaches go from lovable little squishies to killer parasites. There a few good scenes of the little buggers popping out of people's mouths, chests, and stomachs. They also learn to fly near the end There are some well done surprises here. Granted, I didn't feel particularly frightened at any part of this movie, but it will make you a bit queezy. The scene at the dinner table where our hero lifts up his fork to reveal a bug on it made me jump. There are other plusses for this movie. For once...I actually CARED if the main character lived! And the romantic interest not only can support herself and helps out, but the relationship with our hero isn't rushed and you actually do feel some chemistry between them. The only real downfall of the movie is the ending. It's one of those typical "one [insert type of animal]is still alive" endings. It's just corny and cliche. Overall, a decent horror movie. It's not a great movie, and I'm not gonna buy it for my collection any time soon, but considering what other horrors I've seen it was definately worth my time.
The Story: (***1/2 stars) "When Dr. Ben Cahill takes a leave of absence from his medical practice and moves to Orrs Island off the coast of Maine, all he expects is some quiet time away. But the solace of the tiny isle is hattered when bizarre and frightening deaths begin to occur. The victims appear to have died by natural causes, yet each body has red insect bits on its flesh. When an autopsy reveals one dead man's chest cavity filled with insect cocoons, Cahill is horrified to discover that a rare breed of African cockroaches has invaded the island and they are using the inside of human beings as breeding grounds! Now, it's a race against time as the islanders try everything they can to escape the deadly insects before they are eaten alive!" The FX: (**** stars) Good enough to be totally grossed out! The Score: (**** stars) Keeps you on the edge of your seat, pumping more anticipation than you would rarely expect in a horror picture. The Picture Itself: (**** stars) The actors did a great job in protraying these characters to be enough believable to make you feel for them, (and yes, even the damned creepy crawlers that make your skin crawl, literally). It's good enough to watch it again. So the next time yo uare looking for a really good horror flick, you might wanna check out "Creepy Crawlers," a well done movie that should get more than it deserves. Don't judge the cover by its looks: you might be surprised to have yourself a really good time. Also, to Amazon.com: You rated this film [R] on the flm ratings when it is actually a [PG-13] rating according to the VHS box set. [PG-13] for creature violence and peril. Now, when I watched the film myself, I didn't really see any sexual nudity or a sex scene, which I was greatful. There was very little mild language in it as well. So it would be appreciated if you could change the rating back to [PG-13]. I would be apprecitaed. All in all, Creepy Crawlers is a creepin' good time! "Veiwers beware, you're in for a scare!" ~R.L. Stine's Goosebumps
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