Description

Before Velvet Goldmine, there was Buddha of Suburbia.The coming of age story of Karim, an assimilated Indian in London during the swinging seventies.Winner of seven international film awards. Soundtrack by David Bowie. ... Read more

Reviews (3)

Five stars - four hours went by too fast!
This movie (miniseries, actually) remains on my top ten list of favorite films. The writing, the acting , the storyline, everything, just leaves me wanting to watch more (after four hours, that is saying a lot!). This film is inventive and captivating without a lot of special effects or high budget - it is just good. The basis of the story is the coming of age in 1960's London, of Kareem, (played by Naveen Andrews, from the English Patient) who is the son of and Englishwoman and Indian man. His place in English culture, in Indian culture, among his respective extended families on each side, as well as his place in life - exploring his career options, his [body], etc. - make this a thoroughly enjoyable experience. This movie is very entertaining and quite funny, especially when Kareem's ... father decides to jump on the East-West Hindu yoga and spirituality bandwagon of the sixties to make money. I just cannot describe all of the amusing and touching scenes from this film that make it such a gem. Very well made, and it has a very good soundtrack as well, featuring some good David Bowie songs. This film is a must-see.

Buddha of Erotica
Wonderful BBC film adaptation of the Hanif Kureishi novel of the same name. The translation to the small screen worked well primarily because Kureishi himself co-wrote the screenplay.

A satirical witty look at bi-racial issues in the teeming London (and its suburbs) of the 1970's. The film is unexperimental on a cinematographic level but carried brilliantly by a well writen screenplay and superior acting.

Narrated from the perspective of a selfish young man, this is on the surface a tale of a suburban London youth trying to get laid and make it in the world.

Issues of family and commitment are looked at with a subtlety that is refreshing in a world of films that often try to beat you over the head with their moralizations.

Karim is confussed about the world around him (as young people all are) and trying to balance loyalty to his quirky family with the duality of his racially mixed background. All of this is set upon a backdrop of a young man trying to find sex and excitement and his place in the world.

Kureshi is spectacular!
Hanif Kureshi is one of the best contemporary authors on the shelf. the BBC's interpretation of his book does him justice! Buy it! ... Read more

Reviews (17)

Engrossing and captivating! Highly recommended.
"The Tenant of Wildfell Hall" is based on the Victorian novel by Anne Bronte. It tells the story of secretive, passionate and outspoken Helen Graham who lives quietly with her young son in Wildfell Hall. She befriends a young neighborhood farmer, Gilbert Markham, and he falls in love with her, despite her objections. It soon unfolds that Helen is "on the run" from her privileged life and her cruel, alcoholic husband - Arthur Huntingdon - and a series of flashbacks tell the story of her life with him. The story itself is engrossing and, like Jane Eyre, it's ultimately a story of a strong woman overcoming the odds and coming out triumphant in the end.

The BBC has done a great job with this production. Tara Fitzgerald ("The Woman in White," "Brassed Off") is perfectly cast as the downtrodden but feisty Helen. Handsome actors Toby Stephens ("The Great Gatsby") and Rupert Graves ("Room with a View," "Mrs. Dalloway") are excellent as the devoted Gilbert and the detestable Huntingdon. Tara Fitzgerald and Toby Stephens have a chemistry that most would find irresistible. The performances from the principal actors are excellent and Rupert Graves does such a good job that I found myself hating and pitying him at the same time. I highly recommend to anyone who enjoys Bronte's work or first-rate British drama.

My favourite video!
This video (which runs for 160 mins) follows rather closely to the classic novel by Anne Bronte (except for the ending - nevertheless, it will still please you).

The production is lavish, the costumes beautiful and very correct to the period of time. The cast very capably brought to life the characters of the suffering Helen Graham, the scoundrel Arthur Huntington and the love-struck Gilbert Markham.

Tara Fitzgerald appeared a little miscast, owing to her often unnecessarly harsh displays of emotions and an unsuitable gruffy voice. But because she played the role of Helen Graham (who's an exceedingly likable heroine), I grew to ignore all that and found myself rooting for Helen to find all the happiness she deserves.

I simply love Toby Stephens whom I think, is just perfect as Gilbert, the handsome, young gentleman farmer who sees the goodness in Helen and seeks to protect her from the hypocrisy and prejudice shown by his unkind relatives and neighbours.

The cinematography is lush and breathtaking. It's obvious that this is a well-planned production with no expense spared.

I have only 1 minor complaint - that the romantic scenes involving Helen and Gilbert weren't made more passionate (the way it should be). Instead, we see more displays of love and affection between Helen and Lord Huntington (during their courtship days and early marriage). And to what purpose do they serve? - Since we know just what a brute Huntington turns out to be later!

If you love this video, please pick up the book (ie. if you haven't already) - the book fleshes out the thoughts, emotions and agonies of the love-lorn Gilbert much more effectively than could be captured on film.

Nevertheless, I love this video. It's great to have in one's collection for repeated viewings.

"He only wants for guidance."
In this excellent BBC adaptation of Anne Bronte's novel, an attractive young woman and her young son move into long-neglected Wildfell Hall. The woman (Tara Fitzgerald), Mrs. Helen Graham, claims to be a widow who is forced to make her living as an artist. Some of the local families try to befriend her, but they find Mrs. Graham to be abrasive and unfriendly. Local farmer, Gilbert Markham (Toby Stephens) is attracted to Mrs. Graham, and this does not escape the jealous eye of local lass, Eliza Millwood. Soon spiteful rumours abound about Mrs. Graham and her relationship to her landlord, Mr. Lawrence. Mrs. Graham tells Giles the truth about the past--including her desperate need for secrecy regarding her true identity. It seems that Mrs. Graham is really Mrs. Huntingdon--the wife of a dissolute rake who leads a life of debauchery in his constant pursuit of pleasure.

One of the reasons I enjoy "The Tenant of Wildfell Hall" so much is it clearly depicts Victorian notions of womanhood. Bronte, however, through the characters and the story shows the absurdity and unfairness of the woman's role. Helen Huntingdon embodies the Victorian ideal of "the Angel in the House" and certainly Huntingdon expects angelic behaviour from her--no matter what abuse rains down on her head. Huntingdon thinks himself above criticism, and yet he holds Helen to the highest standard. He's a petty bully with a penchant for gratuitous cruelty. While he criticizes Helen's housekeeping abilities, her performance as a wife and as a mother, he also calls her "half mortal, half angelic." Helen embodies this perfect Victorian ideal, but we see the absurdity of her sacrifices as Huntingdon tramples on Helen's "delicate goodness" again and again. Bronte's book was a scandal when it was published in 1848, and while this adaptation no longer has the ability to make the average viewer swoon, nonetheless, there is great power to this story.

Fans of the novel should be happy with this adaptation. It is perfectly cast--even in the fairly minor roles. The photography is stunning, the costumes marvelous, and a haunting score accompanies the drama. There are several very clever camera shots. In one scene, the camera sweeps slowly and lovingly along the curve of Helen's shoulders, and in some scenes, the camera appears to take a bird's eye view of ballroom dancers. Tara Fitzgerald is always wonderful in these period piece roles. As Mrs. Graham/Huntingdon, she has a veneer of coldness, and Markham at first finds her "too hard, too sharp, too bitter." Helen Huntingdon's character is explored very well in the flashbacks of her awful married life to Arthur Huntingdon. Toby Stephens as Markham is in complete contrast to Huntingdon (Rupert Graves). Markham plays a solid, genuine lover--conscious of his social inferiority to the Huntingdons. Rupert Graves is an old hand with these sorts of roles, and he really does a spectacular job as Huntingdon--a man who's used to using his boyish charm to get what he wants, and yet the most unpleasant side of him shows after Helen is at his mercy while he runs with his pack of equally dissolute friends. Huntingdon delivers some of the very best lines in the film. Bronte fans, and BBC costume drama fans should be equally delighted with this production. The video is 160 minutes long, and it's worth every penny--displacedhuman

I'm Wanting to See This Wonderful Movie Transferred to DVD!
I haven't read the Anne Bronte classic novel yet but I saw this movie version of The Tenant of Wildfell Hall on cable one day and this is the movie that made me love watching British period costume movies. It is a wonderful movie with some terrific acing from the whole cast. Tara FitzGerald and Toby Stephens are wonderful but I think Rupert Graves gives a standout performance and I very greatly recommend this movie and I'm hoping it will be transferred to DVD! I'm also thinking about reading the classic novel!

The spirit of the original left out
I read Anne Bronte's book, loved it, then checked out the reviews for the VHS version here at Amazon. I couldn't find it to rent anywhere, but the reviews convinced me that I could safely buy a copy without viewing it first. Now that I've seen it, I am scratching my head wondering why it got the great reviews it did (and KICKING myself for buying it). Compared to the book, this BBC rendition I just watched last night made me think of cutting the arms and half the body off of your favorite sweater so that you could pack it better; it may fit in your small suitcase now, but it's not at all what it was. I gave the movie two stars instead of one star because the filming locations were good, and the costuming and the acting were not distracting - but the spirit of Anne Bronte's original story isn't there at all. The only thing that keeps it going for two cassettes is whatever the screenplay writer picked out of the book to make it recognizable. I think the worst misconstrued line in the movie comes from Gilbert, and it illustrates my point about the spirit of Anne Bronte's work being cast aside: Gilbert goes to Helen when she is with her husband, who is still alive - NOT in the book - and tells her (by way of trying to woo her), "It's not a sin to be happy." This line has become a classic in our generation, but this spirit was nowhere to be found in the book, and makes a completely different Helen and Gilbert than Anne Bronte would have given her permission for, which says a lot, since Helen and Gilbert are the principle characters. This video adaptation ruins the message of Anne Bronte's wonderful work. ... Read more

Reviews (1)

Romantic, thrilling period piece.....top notch drama!
This is a splendid dramatic adaptation based on the Catherine Cookson novel. It stars handsome Jack Davenport (The Talented Mr. Ripley) as a poor carpenter who works as a servant for a wealthy family and becomes the love interest of his boss' daughter (played by Juliet Aubrey - "Middlemarch"). It also stars Justine Waddell (lately of "Mansfield Park" and BBC's "Great Expectations"). It explores issues of class, family vs. personal obligations, and love vs. duty. This is one of Ms. Cookson's best work! I highly recommend it - great acting, production values and is very satisfying and enjoyable! ... Read more

Description

Roy Marsden stars as poetry-loving detective Adam Dalgliesh in this three-part adaptation of P.D. James' A Certain Justice.

Top flight criminal attorney Venetia Aldridge (Penny Downie), a high-profile woman with an abrasive reputation and turbulent private life, has been found dead in her office, stabbed through the heart with her own paper knife. Commander Dalgliesh and his team are called to investigate the murder. As Dalgliesh and Detective Inspector Kate Miskin (Sarah Winman) unravel the complex clues to Venetia's bizarre death, the other members of her prestigious chambers close ranks against the embarrassing questions of Scotland Yard's top commander. Then, just as a prime suspect is within Dalgliesh's grasp, an apparent suicide throws the case into turmoil. ... Read more

Reviews (3)

Heavy Duty
P. D. James is never afraid to tackle the dark side of human nature. In A Certain Justice, that is made apparant. It begins with the trial of Gary Ashe, an obvious psychopath that is accused of brutally killing his aunt. Venetia Aldridge, as usual, proves her expertise as a defense attourney by getting the young man off. She regrets it when she finds out that, only a week after the trial, he and her 18 year old daughter are "in love". That sends her into a slight state of hysterics. She turns to her married lover for help to find that he is dumping her. Now, through her lifetime, she had gathered many enemies, including her fellow lawyers. With all these terrible events in her life, she takes her anger and despair out on everyone more than ever. So it is no big surprise when she is found dead. Inspector Dagleish enters the story here. There are many likely suspects, but Dagleish thinks that this was a murder that came from the depths of someone's sorrow, not just ambition. The story also foccuses on Ashe and Octavia Aldridge. Once again, an impeccably acted, very heart wrenching story is told with Inspector Dagleish. It made me read the book, and I was happy to see that it followed it very closely.

Another top adaptation of P D James's Books!
This adaptation is very close to the original book and provides an insight into the 'Old Bailey' and the justice system. The series was filmed on location in the actual courts, and around the 'Lawyer's' haunts of inner London. The normally staid, conservative corridors of the members of the bar are thrust into a world of fear and horror, death and revenge, when one of their own is murdered in their chambers. The repercussions reververate further afield when the victim's daughter is also put into danger. It becomes a race against time to save her. Again, Roy Marsden portrays Alam Dalgliesh with his renowned flair. He is an accomplished actor who can portray an inner thought of Dalgliesh through a simple twitch of an eyebrow! The cast is excellent,and like Marsden, come from theatrical backgrounds, giving superb, clear diction, acting excellence and verisimilitude to the whole story. Only the English can make such a great mystery show seem so authentic. The evil murderer, Gary Ashe, and the bitchy, aloof Venetia Aldridge QC, the victim, are chillingly portrayed. Like the book, this adaptation elegantly shows the philosophical themes of the older P D James, as the story ends with a brilliant twist, that leaves the viewer wondering if justice has been served at all - or at best, only 'A Certain Justice.'

A Stunning Murder Mystery!
Even though I only saw the First and Third parts of "A Certain Justice" it compelled me to watch with eager glance and pounding heart; I was completely spellbound by Danglishs detective ability to solve such a compelling MYSTERY! on PBS MYSTERY! ... Read more

Amazon.com

The BBC adaptation of Anne Bronte's moral tale The Tenant of Wildfell Hall will be a delight to those who revel in classics brought to the screen. Tara Fitzgerald stars as Helen Graham, a secretive woman who seeks independence for herself and her son from her cruel husband, Arthur Huntingdon. Huntingdon, a rake taken with women and drink, is played to perfection by Rupert Graves, believable as both the young lover who seduces Helen and as the depraved and brutish man he becomes. Toby Stephens is Gilbert Markham, the suspicious yet adoring yeoman farmer smitten with the supposed widow. The scenery and costumes of this period piece are lush, although the use of flashback as a narrative device is at times jarring. This tale is darker than the Jane Austen adaptations that BBC audiences are used to, yet the two-part film has an ending satisfying enough for even the most cynical of romantics. --Jenny Brown ... Read more

Reviews (17)

Engrossing and captivating! Highly recommended.
"The Tenant of Wildfell Hall" is based on the Victorian novel by Anne Bronte. It tells the story of secretive, passionate and outspoken Helen Graham who lives quietly with her young son in Wildfell Hall. She befriends a young neighborhood farmer, Gilbert Markham, and he falls in love with her, despite her objections. It soon unfolds that Helen is "on the run" from her privileged life and her cruel, alcoholic husband - Arthur Huntingdon - and a series of flashbacks tell the story of her life with him. The story itself is engrossing and, like Jane Eyre, it's ultimately a story of a strong woman overcoming the odds and coming out triumphant in the end.

The BBC has done a great job with this production. Tara Fitzgerald ("The Woman in White," "Brassed Off") is perfectly cast as the downtrodden but feisty Helen. Handsome actors Toby Stephens ("The Great Gatsby") and Rupert Graves ("Room with a View," "Mrs. Dalloway") are excellent as the devoted Gilbert and the detestable Huntingdon. Tara Fitzgerald and Toby Stephens have a chemistry that most would find irresistible. The performances from the principal actors are excellent and Rupert Graves does such a good job that I found myself hating and pitying him at the same time. I highly recommend to anyone who enjoys Bronte's work or first-rate British drama.

My favourite video!
This video (which runs for 160 mins) follows rather closely to the classic novel by Anne Bronte (except for the ending - nevertheless, it will still please you).

The production is lavish, the costumes beautiful and very correct to the period of time. The cast very capably brought to life the characters of the suffering Helen Graham, the scoundrel Arthur Huntington and the love-struck Gilbert Markham.

Tara Fitzgerald appeared a little miscast, owing to her often unnecessarly harsh displays of emotions and an unsuitable gruffy voice. But because she played the role of Helen Graham (who's an exceedingly likable heroine), I grew to ignore all that and found myself rooting for Helen to find all the happiness she deserves.

I simply love Toby Stephens whom I think, is just perfect as Gilbert, the handsome, young gentleman farmer who sees the goodness in Helen and seeks to protect her from the hypocrisy and prejudice shown by his unkind relatives and neighbours.

The cinematography is lush and breathtaking. It's obvious that this is a well-planned production with no expense spared.

I have only 1 minor complaint - that the romantic scenes involving Helen and Gilbert weren't made more passionate (the way it should be). Instead, we see more displays of love and affection between Helen and Lord Huntington (during their courtship days and early marriage). And to what purpose do they serve? - Since we know just what a brute Huntington turns out to be later!

If you love this video, please pick up the book (ie. if you haven't already) - the book fleshes out the thoughts, emotions and agonies of the love-lorn Gilbert much more effectively than could be captured on film.

Nevertheless, I love this video. It's great to have in one's collection for repeated viewings.

"He only wants for guidance."
In this excellent BBC adaptation of Anne Bronte's novel, an attractive young woman and her young son move into long-neglected Wildfell Hall. The woman (Tara Fitzgerald), Mrs. Helen Graham, claims to be a widow who is forced to make her living as an artist. Some of the local families try to befriend her, but they find Mrs. Graham to be abrasive and unfriendly. Local farmer, Gilbert Markham (Toby Stephens) is attracted to Mrs. Graham, and this does not escape the jealous eye of local lass, Eliza Millwood. Soon spiteful rumours abound about Mrs. Graham and her relationship to her landlord, Mr. Lawrence. Mrs. Graham tells Giles the truth about the past--including her desperate need for secrecy regarding her true identity. It seems that Mrs. Graham is really Mrs. Huntingdon--the wife of a dissolute rake who leads a life of debauchery in his constant pursuit of pleasure.

One of the reasons I enjoy "The Tenant of Wildfell Hall" so much is it clearly depicts Victorian notions of womanhood. Bronte, however, through the characters and the story shows the absurdity and unfairness of the woman's role. Helen Huntingdon embodies the Victorian ideal of "the Angel in the House" and certainly Huntingdon expects angelic behaviour from her--no matter what abuse rains down on her head. Huntingdon thinks himself above criticism, and yet he holds Helen to the highest standard. He's a petty bully with a penchant for gratuitous cruelty. While he criticizes Helen's housekeeping abilities, her performance as a wife and as a mother, he also calls her "half mortal, half angelic." Helen embodies this perfect Victorian ideal, but we see the absurdity of her sacrifices as Huntingdon tramples on Helen's "delicate goodness" again and again. Bronte's book was a scandal when it was published in 1848, and while this adaptation no longer has the ability to make the average viewer swoon, nonetheless, there is great power to this story.

Fans of the novel should be happy with this adaptation. It is perfectly cast--even in the fairly minor roles. The photography is stunning, the costumes marvelous, and a haunting score accompanies the drama. There are several very clever camera shots. In one scene, the camera sweeps slowly and lovingly along the curve of Helen's shoulders, and in some scenes, the camera appears to take a bird's eye view of ballroom dancers. Tara Fitzgerald is always wonderful in these period piece roles. As Mrs. Graham/Huntingdon, she has a veneer of coldness, and Markham at first finds her "too hard, too sharp, too bitter." Helen Huntingdon's character is explored very well in the flashbacks of her awful married life to Arthur Huntingdon. Toby Stephens as Markham is in complete contrast to Huntingdon (Rupert Graves). Markham plays a solid, genuine lover--conscious of his social inferiority to the Huntingdons. Rupert Graves is an old hand with these sorts of roles, and he really does a spectacular job as Huntingdon--a man who's used to using his boyish charm to get what he wants, and yet the most unpleasant side of him shows after Helen is at his mercy while he runs with his pack of equally dissolute friends. Huntingdon delivers some of the very best lines in the film. Bronte fans, and BBC costume drama fans should be equally delighted with this production. The video is 160 minutes long, and it's worth every penny--displacedhuman

I'm Wanting to See This Wonderful Movie Transferred to DVD!
I haven't read the Anne Bronte classic novel yet but I saw this movie version of The Tenant of Wildfell Hall on cable one day and this is the movie that made me love watching British period costume movies. It is a wonderful movie with some terrific acing from the whole cast. Tara FitzGerald and Toby Stephens are wonderful but I think Rupert Graves gives a standout performance and I very greatly recommend this movie and I'm hoping it will be transferred to DVD! I'm also thinking about reading the classic novel!

The spirit of the original left out
I read Anne Bronte's book, loved it, then checked out the reviews for the VHS version here at Amazon. I couldn't find it to rent anywhere, but the reviews convinced me that I could safely buy a copy without viewing it first. Now that I've seen it, I am scratching my head wondering why it got the great reviews it did (and KICKING myself for buying it). Compared to the book, this BBC rendition I just watched last night made me think of cutting the arms and half the body off of your favorite sweater so that you could pack it better; it may fit in your small suitcase now, but it's not at all what it was. I gave the movie two stars instead of one star because the filming locations were good, and the costuming and the acting were not distracting - but the spirit of Anne Bronte's original story isn't there at all. The only thing that keeps it going for two cassettes is whatever the screenplay writer picked out of the book to make it recognizable. I think the worst misconstrued line in the movie comes from Gilbert, and it illustrates my point about the spirit of Anne Bronte's work being cast aside: Gilbert goes to Helen when she is with her husband, who is still alive - NOT in the book - and tells her (by way of trying to woo her), "It's not a sin to be happy." This line has become a classic in our generation, but this spirit was nowhere to be found in the book, and makes a completely different Helen and Gilbert than Anne Bronte would have given her permission for, which says a lot, since Helen and Gilbert are the principle characters. This video adaptation ruins the message of Anne Bronte's wonderful work. ... Read more

Reviews (1)

VERY UNUSUAL
AN UNUSUAL FILM WHICH VACILLATES BETWEEN FANTASY AND REALITY. I DIDN'T KNOW IF THE FILM STORY WAS REALLY TRUE OR NOT (EVEN THOUGH THE OPENING SAYS IT IS) UNTIL THE LAST SEGMENTS OF THE PICTURE.

OUTSTANDING PERFORMANCE BY KIEFER SUTHERLAND ... Read more

Amazon.com

Joe Orton was briefly the embodiment of a certain kind of '60s rebel, and Stephen Frears's film adaptation of the British playwright's biography successfully conjures up that outrageous spirit. The hostile, fussy codependency between Orton (Gary Oldman) and his brooding lover Kenneth Halliwell (Alfred Molina) forms the centerpiece of a story that features not only Orton's success and his brutal demise at Halliwell's hand, but also a vivid depiction of what gay sexuality meant in a repressive era. What really propels it are the performances--Oldman's naughty, overgrown boy could believably have written Orton's romps, and the powder-keg priss rendered by Molina helps establish motivations that the script lacks. It's always good to see Vanessa Redgrave (ideal as Orton's agent), and Julie Walters has a hysterically unrecognizable bit as Orton's exasperated mum. If the film is a bit aloof, it's also crisp and often acidly funny (Orton and Halliwell do jail time for writing luridly phony synopses in library books). Frears has done a memorable bit in bringing both a man and his time to life. --Steve Wiecking ... Read more

Reviews (11)

get this if you like good writing and exceptional acting
At last. This film has been unavailable on VHS for a couple of years now. I seriously contemplated stealing the copy from my local video store but couldn't do it. The whole cast is superb. The story is extremely interesting and it's all true. Oldman is Joe Orton, the uninhibited English playwright who was the toast of the town in 60's London. Young and successful he lives life to its limits, hindered only by his mentor, lover and eventual murderer Kenneth, exceptionally portrayed by Alfred Molina (who has fallen far, now starring in a horrendous American sitcom called Ladies' Man). Their story is very engrossing. Vanessa Redgrave is the literary agent and this performance made her one of my fave female actors of all time. She's excellent. Get this movie!

looking for success
A beautiful film, a cult movie, finally on video.
The love-hate relationship between Joe Orton, the famous playwright of the 60s and his friend Kenneth Halliwell, a love story which is also a strife between two men who seem to try to overcome each other, what they both want is success, until one of them(Joe Orton) wins the "match" and becomes famous.
His sex life is extraordinarily "lively"; he finds sex in all the men's toilets and dark alleys of london, seeking those fleeting exciting moments that only the "hunt" can give. Eventually he writes all these episodes down in his diaries asking Halliwell to read them,"so you would like me a little less" says Orton.
He is now a famous playwright, Halliwell is his "personal assistant" as he defines himself trying to find a purpose in his life that he considers useless: Joe doesn't love him, he doesn't have sex with him any more, he cannot share success with Joe. Halliwell gets terribly depressed..........Then the tragedy.
Gary Oldman and Alfred Molina are two superb actors, director Stephen Frears is at his best.
A film that everybody should see.

I LOVE THIS MOVIE!
Am thrilled that it's finally being released on DVD. If you haven't seen it -- beautiful performances, fascinating subject. You won't be disappointed.

A short life story of Joe Orton
This was an entertaining film with suprizes. The production quality was good and the acting solid. I had no idea what to expect when I got this film and viewed it with an open mind. It is the life story of Joe Orton, Playwrite and all around character. A some what more modern Quentin Crisp although Mr. Crisp was bold and respectful and Mr. Orton was bold and much less concerned with being respectful. For his short life he was an Out, in your face sort. Gary Oldman did a masterful job of not only capturing the bold and harsh aspect of Orton but also did an outstanding job of letting us see the soft, tender and even semi-romantic feeling Orton had for his lover of ten years, Kennith. Just when your sure that Orton is cruel and cold, he shows you a loving act that that renews your hope.
The acting made this film a great investment and the story is excellant. You will most likely want to add this to your collection as I did. It was an impressive film.

A small gem for fans of modern English culture
This little-known movie has a great cast (actors who are quite famous now), and tells the story of gay playwrite Joe Orton. It's interesting in the details of gay life in less liberal times, and the quirkyness of its characters. Orton is a self-destructive enfant-terrible of British arts in the 60's, and we are often fascinated to see how someone like this tears through the lives of those who care about him, while creating great, or at least popular, art with apparently little effort. Somewhat like Jim Morrison or Jackson Pollock. ... Read more

Reviews (6)

superb acting by the Asian-Indian Al Pacino
This movie documents the struggle of Asian-Pakistani immigrants to Britain and how racism, culture and Britain in the 70s and 80s affected this family and the main character Kareem. In many ways this movie reminds me of a American movie Mi Familia that documents the life of a Mexican-American family throught the 70s to present day. It also shows that second generation people have many problems to encounter besides the usual racism and stereotypes. Naveen Andrews is a great actor and has done much for Asian-Indians all over the world. If you have an open mind watch this movie if not there's always the next blockbuster.

Wonderful Movie
I loved it. Fantastic attention to detail with its 70's setting (Walnut Whip package, teenager room walls, the cars...) Humorous. Insightful, enlightening. Lovely how this care free-drifter type grows assertive and aimful after finding his niche in life. There is more to this movie then what is visually presented to you. Seemingly dynamic main character. I was sad when it was over, only because there wasn't a third tape to put in.

An Incredible Story, An Incredible Actor, An Incredible Film
Naveen Andrews is great and this is his GREATEST role!!!! The story presents liberal-minded thoughts on racial issues and sexual freedom. The characters are well-developed and bring a true sense of reality to the film. I would recommend this film to anyone!

refreshingly faithful to the novel...
but perhaps thats what happens when the author writes the screenplay. no one but naveen andrews could have played creamy; no one else can possess quite the same mixture of vulnerability and endearing snottiness and manage to be so sexy at the same time. though the novel and the film are set in the 70s, the genX feeling is overwhelming, allowing me to connect w/ creamy in a way that few other protagonists in contemporary novels/film have allowed me to do. perhaps its kureishi's voice and narrative, perhaps its the presence of an arguably genX actor. but anyway you slice it, _buddha_ is a wonderfully real escape that doesnt end before youre ready--its 4 hours long!

A wonderful film adaptation of Hanief Kureshi's best novel
Hanif Kureshi's television film production is wonderfully adapted. I encourage you to read the novel, and then view the film. Both the film and novel are great. Bowie's soundtrack to the film is both creative and different from his usual works. Too bad this film does not have a huge following in the US. I highly reccomend purchasing or viewing this film; rare to find in a video rental shop so buy the video here. ... Read more

Reviews (11)

get this if you like good writing and exceptional acting
At last. This film has been unavailable on VHS for a couple of years now. I seriously contemplated stealing the copy from my local video store but couldn't do it. The whole cast is superb. The story is extremely interesting and it's all true. Oldman is Joe Orton, the uninhibited English playwright who was the toast of the town in 60's London. Young and successful he lives life to its limits, hindered only by his mentor, lover and eventual murderer Kenneth, exceptionally portrayed by Alfred Molina (who has fallen far, now starring in a horrendous American sitcom called Ladies' Man). Their story is very engrossing. Vanessa Redgrave is the literary agent and this performance made her one of my fave female actors of all time. She's excellent. Get this movie!

looking for success
A beautiful film, a cult movie, finally on video.
The love-hate relationship between Joe Orton, the famous playwright of the 60s and his friend Kenneth Halliwell, a love story which is also a strife between two men who seem to try to overcome each other, what they both want is success, until one of them(Joe Orton) wins the "match" and becomes famous.
His sex life is extraordinarily "lively"; he finds sex in all the men's toilets and dark alleys of london, seeking those fleeting exciting moments that only the "hunt" can give. Eventually he writes all these episodes down in his diaries asking Halliwell to read them,"so you would like me a little less" says Orton.
He is now a famous playwright, Halliwell is his "personal assistant" as he defines himself trying to find a purpose in his life that he considers useless: Joe doesn't love him, he doesn't have sex with him any more, he cannot share success with Joe. Halliwell gets terribly depressed..........Then the tragedy.
Gary Oldman and Alfred Molina are two superb actors, director Stephen Frears is at his best.
A film that everybody should see.

I LOVE THIS MOVIE!
Am thrilled that it's finally being released on DVD. If you haven't seen it -- beautiful performances, fascinating subject. You won't be disappointed.

A short life story of Joe Orton
This was an entertaining film with suprizes. The production quality was good and the acting solid. I had no idea what to expect when I got this film and viewed it with an open mind. It is the life story of Joe Orton, Playwrite and all around character. A some what more modern Quentin Crisp although Mr. Crisp was bold and respectful and Mr. Orton was bold and much less concerned with being respectful. For his short life he was an Out, in your face sort. Gary Oldman did a masterful job of not only capturing the bold and harsh aspect of Orton but also did an outstanding job of letting us see the soft, tender and even semi-romantic feeling Orton had for his lover of ten years, Kennith. Just when your sure that Orton is cruel and cold, he shows you a loving act that that renews your hope.
The acting made this film a great investment and the story is excellant. You will most likely want to add this to your collection as I did. It was an impressive film.

A small gem for fans of modern English culture
This little-known movie has a great cast (actors who are quite famous now), and tells the story of gay playwrite Joe Orton. It's interesting in the details of gay life in less liberal times, and the quirkyness of its characters. Orton is a self-destructive enfant-terrible of British arts in the 60's, and we are often fascinated to see how someone like this tears through the lives of those who care about him, while creating great, or at least popular, art with apparently little effort. Somewhat like Jim Morrison or Jackson Pollock. ... Read more

Amazon.com

"There's no such thing as a safe haven," wrote British mystery novelist P.D. James.This is certainly the case in her mystery novel A Certain Justice, which has been given a splendid interpretation in the British TV series Mystery.Brilliant, successful defense attorney Venetia Aldridge (Penny Downie) is found murdered in her court chambers. She had been a controversial figure, not least because she was a strong woman who didn't hesitate to tell her male colleagues exactly what she thought of them.In the first episode of this three-part miniseries, Venetia piles up enemies, any one of whom might be guilty of her murder. The implacable Commander Adam Dalgliesh of Scotland Yard (played, as always, by Roy Marsden) must discover whodunit.The show features wonderfully well-developed characters: Venetia herself, her innocent teenage daughter, Octavia (doe-eyed Flora Montgomery), and Octavia's psychopathic boyfriend, Gary Ashe (whom Venetia successfully defended in a murder trial).As Ashe, Ricci Harnett delivers a truly disquieting performance.Suspense builds inexorably until the chilling conclusion, leavened regularly by P.D. James's cheeky, sardonic humor. Gore mixed with drollery--a tone only the English can pull off. --Laura Mirsky ... Read more

Reviews (3)

Heavy Duty
P. D. James is never afraid to tackle the dark side of human nature. In A Certain Justice, that is made apparant. It begins with the trial of Gary Ashe, an obvious psychopath that is accused of brutally killing his aunt. Venetia Aldridge, as usual, proves her expertise as a defense attourney by getting the young man off. She regrets it when she finds out that, only a week after the trial, he and her 18 year old daughter are "in love". That sends her into a slight state of hysterics. She turns to her married lover for help to find that he is dumping her. Now, through her lifetime, she had gathered many enemies, including her fellow lawyers. With all these terrible events in her life, she takes her anger and despair out on everyone more than ever. So it is no big surprise when she is found dead. Inspector Dagleish enters the story here. There are many likely suspects, but Dagleish thinks that this was a murder that came from the depths of someone's sorrow, not just ambition. The story also foccuses on Ashe and Octavia Aldridge. Once again, an impeccably acted, very heart wrenching story is told with Inspector Dagleish. It made me read the book, and I was happy to see that it followed it very closely.

Another top adaptation of P D James's Books!
This adaptation is very close to the original book and provides an insight into the 'Old Bailey' and the justice system. The series was filmed on location in the actual courts, and around the 'Lawyer's' haunts of inner London. The normally staid, conservative corridors of the members of the bar are thrust into a world of fear and horror, death and revenge, when one of their own is murdered in their chambers. The repercussions reververate further afield when the victim's daughter is also put into danger. It becomes a race against time to save her. Again, Roy Marsden portrays Alam Dalgliesh with his renowned flair. He is an accomplished actor who can portray an inner thought of Dalgliesh through a simple twitch of an eyebrow! The cast is excellent,and like Marsden, come from theatrical backgrounds, giving superb, clear diction, acting excellence and verisimilitude to the whole story. Only the English can make such a great mystery show seem so authentic. The evil murderer, Gary Ashe, and the bitchy, aloof Venetia Aldridge QC, the victim, are chillingly portrayed. Like the book, this adaptation elegantly shows the philosophical themes of the older P D James, as the story ends with a brilliant twist, that leaves the viewer wondering if justice has been served at all - or at best, only 'A Certain Justice.'

A Stunning Murder Mystery!
Even though I only saw the First and Third parts of "A Certain Justice" it compelled me to watch with eager glance and pounding heart; I was completely spellbound by Danglishs detective ability to solve such a compelling MYSTERY! on PBS MYSTERY! ... Read more