Reviews (6)

A WWII aviator melodrama
John Wayne stars in this sluggish war-related Technicolor bioflick profiling Navy aviator-cum-Hollywood screenwriter Frank Wead, who (apparently) was influential in developing naval strategy before and during WWII... It's not gripping or as grim as director John Ford's similarly reverential "They Were Expendable," but it works in its own way. Dan Dailey steals scene after scene as Wayne's salty Navy sidekick, as does Ward Bond who has a delicious role as John "Dodge", lampooning the director himself, who apparently brought Wead to Hollywood. Maureen O'Hara does her Hepburn-y best as Wead's long-suffering wife. Of particular interest, plotwise, is the depictation of her as a boozy, chainsmoking modern gal, as well as the lengthy exploration of Wead's struggle to overcome a severe physical disability, which kind of undercuts the smothering machismo of the pre-feminist military world. Nice use of stock footage, too. Not Ford's best, but he definitely makes it better than it would have been otherwise.

The Wings of Eagles-John Wayne and Maureen O'Hara
This is a typical Ford film. Yes, at times The Duke was a bit compassionate towards his co-star than we are used to seeing it the all tough western parts he is famous for. This movie is ladened with talent through and through, from Dan Daily, Ken "Festus" Curtis and the list goes on. It is a true account of part of our naval history that many do not realize. Filmed aboard the USS Philipine Sea, and utilizing many of this carriers actual sailors for extras. A must to complete any John Wayne Collection.

Great Cast. Great Story. OK Movie
It is hard ot believe that the same team that gave us "The Quiet Man" is at work here.

A sense of whimsy and fun permeates that movie. In that film even the darker moments bring a weight and seriousness that makes the humour all the better.

Here the movie never rises above mediocre. The light moments of the film just seem to make the characters look like fools and the dark moments seem to be about what you would expect they deserve. One side note, A lot of this movie takes place in the hospital and I loved watching the doctors standing around smoking cigaretes as they looked at Xrays orconsulted with patients.

I never really felt any concern for the relationship between Wayne and O'Hara and I wondered early on why they didn't just divorce and get it over with.

perhaps I am too hard on this film, but I felt let down that this movie did not live up to the standards set by so many classics produced by this team.

Golden Wings, Salt Spray- Ford's Tribute to A Naval Aviator
This is a factual naval aviation story, intermixed with Army Air Corps rivalry and combat scenes. It provides a chronological view of one naval family- their love and adversity, including Navy and Army aviators supported by their loyal maintenance personnel who helped in the advancement of U.S. military aviation during 1920s to 1940s. Add, of course, a mixture of competition provided by the navy wives and their only rival- the United States Navy. Released 22 February 1957, The Wings of Eagles was considered an adult story, wrought with the thrills, laughter, and family hardships all to well experienced by the real heroes of this story- the pioneer naval aviation wives (there is still no "Hall of Fame" dedicated to these gallant ladies at the National Museum of Naval Aviation, NAS Pensacola, FL).

Ms. Maureen O'Hara who acted the gallant part of Mrs. Minnie (Bryant) Wead was well received by the "naval aviation wives of gold", and was nominated at a Naval Aviation Cadet Recruiting Officers Convention, Long Beach, CA, as "Ms. Naval Aviation- 1957." Other familiar actors included: John Wayne (CDR Frank "Spig" Wead), Kenneth Curtis (RADM John "Johnny" Dale Price), Dan Dailey (Chief "Jughead" Carson- loyal Chief Aviation Machinist's Mate), Kenneth Tobey (characterization of Lieutenant Jimmy H. Doolittle), Ward Bond (representing Hollywood director John Ford), Edmund Lowe (RADM William Adger Moffett, USN- Chief, Bureau of Aeronautics), and Charles Trowbridge (representing ADM Ernest J. King) whose one line was: "I like it...write it up". The railroad boxcar scene, the hangar fly-through, the various odd aircraft shown, the newsreel aviation reports of winning the Schneider Cup of 1923, the loyal efforts and contributions by the aviation maintenance personnel keeping the aircraft flying were all real events. Today's aspiring military aviators may find this aviation story of much interest.

This story may bring tears and some fond memories back to those pioneer naval aviation wives who are still around and had experienced it all. Their stories can relate back to the days of sugar white sands at Santa Rosa Island and of Coronado Beach; the babies they lost from the 1919 flu influenza; the open-air jalopy rides down old Warrington Road and Coronado Avenue; the screened front-porch bungalows of Bay Front, Pensacola, and Coronado Island; the seaplanes skimming across Pensacola and San Diego bays; meeting their husbands as they landed in their squadron fighters and torpedo planes following short at-sea flight operations aboard USS LANGLEY (CV-1); followed by the many naval aviator and bridge parties given at Mustin Beach and North Island officers' clubs- all this on just a naval Lieutenant's salary (with flight pay) to make ends meet during the Great Depression.

This is an MGM/ John Ford contribution to those "naval aviators in leather skull caps"- he did this well, focusing on the triumphs and tragedies often found within the War and Navy departments during the development of our country's military aviation. This was also Ford's tribute to Army-Navy aviation camaraderie- America's early combat teams. Seen here are episodes of Army-Navy departmental budget rivalries; around-the-world "beat the Navy" Army Air Corps celebrations; CDR Wead at the Office of Strategic Services (OSS) during 1942 - 1943; combat films compiled by CDR Ford, USNR (Chief, Field Photographic Branch, OSS- worked for William "Wild Bill" Donovan, Director of OSS); and, the story of how CDR Wead got production approval of new "jeep" aircraft carriers on converted cruiser hulls- with the approval of ADM King and President Franklin D. Roosevelt in 1941. There is combat footage aboard carriers- a reenactment of CDR Wead aboard USS YORKTOWN (CV-10) as Chief of Staff/ Operations for RADM Charles A. "Baldy" Pownall, CTF-50, during the Gilbert and Marshall islands operations.

Interests in making this film concerning CDR Wead began with correspondence between Vice Admirals John Dale Price, Calvin Thornton Durgin, and John Ford. Ford received first priority from the Department of Defense (DoD) to film a story about CDR Wead, months ahead of an attempt by Warner Brothers Pictures Distributing Corporation. Priority permission to Ford was granted by Donald E. Baruch (Chief, Motion Picture Section, Pictorial Branch, DoD). The film was to be based upon historical material from DoD, tales from Price and Durgin, earlier correspondence received from CDR Wead, and a book by "Red" Futhven & Jerry Stagg titled "Staircase". The public has seen this magnificent Ford tribute to CDR Wead since 1957. A newcomer to this film might ask- who was this naval aviator called Spig Wead?

CDR Frank Wilbur Wead, USN, acquired the nickname "Spig" during his Naval Academy days (1912 - 1916). He accumulated 9 years & 7 months total sea service prior to his accident. Together, Lieutenants Wead, Price and Durgin received their aviation wings 22 May 1920, NAS Pensacola, FL. Later, LT Wead led the U.S. Navy Schneider Cup Team to England and brought this famous cup to America aboard S.S. LEVIATHAN, October 1923. With LT Price they broke five seaplane records, 11 - 12 July 1924. Along with fleet exercises aboard USS LANGLEY with VT-2, there were staff duty assignments under Admirals Moffett and Joseph M. Reeves, and with 11th Naval District Commander. Wead wrote for leading magazines (The Saturday Evening Post and The American Magazine) and Hollywood during 1930s to 1940s. His final assignment was as commanding officer of VF-2. During WWII, he acquired combat duty aboard USS YORKTOWN, receiving the Legion of Merit (Combat). CDR Wead was relieved from active duty 21 July 1944, at Fleet Air, Alameda, California, where his last naval boss was RADM Pownall (Commander Air Force, Pacific Fleet).

The accident: Tragedy struck Wednesday morning, 14 April 1926, during heavy electrical storm over San Diego and Coronado. Combination of power outage and hurrying in the darkness, LT Wead accidentally tripped, falling down dark stairway, fracturing his neck. This occurred in a two-story home he and Minnie recently rented: 600 9th Avenue, Coronado, CA Today, one can still see this home corner of 9th and H avenues.

The Wings Of Eagles
This is a wonderful "campy" John Wayne, Maureen O'Hara movie, alot of fun and hi-jinks. A very strong supporting cast, and it makes fun of not only John Wayne but Howard Hawks. If you are a true John Wayne fan this one is a must! ... Read more

Reviews (12)

A monotonous showbiz drama
A perfectly dreadful song-and-dance musical starring Betty Grable as a wholesome hoofer who marries her Vaudeville partner, has kids, but still can't shake the call of the road. The plot is pedestrian and minimal, the dance routines are incredibly repetitive, and Grable's Technicolor winsomeness is a faint echo of her wartime glory days. Kind of okay, but really not. You really have to be into Grable to love this one.

Betty at her best!!
This is Betty Grable at her best!! A musical with a story...considerably ahead of it's time. Grable in Technicolor is a balm for the eyes. Don't miss it!

Mother Wore Tights
This movie is an all time favorite for my children and me. Great family "values" with strong cohesive family trying to stay together despite parents' jobs in show business and adolescent girls not wanting "to be seen" with parents. Much warmth with fabulous, uplifting old vaudeville tunes--great singing and dancing--kids of all ages love it. An original song from this movie was a "hit" on radio, making it into the top ten for 1947!

Old Fashioned Fun
This movie has given my daughter and I hours of fun! The dance scenes make your feet tap and the songs are sweet. I love to watch the chemistry between Betty Grable and her co-stars. The children are fun and good actresses themselves.The values taught are still great for today! It's great to see Senior Wenses with his hand puppet! I love this movie!A mother/daughter favorite!

s grand old film
i gave it five stars cause all of the stars in this movie was great and it had a great story line. ... Read more

Amazon.com essential video

The third collaboration between Stanley Donen and Gene Kelly, It's Always Fair Weather falls short of the classics On the Town and Singin' in the Rain, mostly due to a slow plot and middling songs by Andre Previn, Betty Comden, and Adolph Green.In a story reminiscent of On the Town, Kelly, Dan Dailey, and Michael Kidd play three GIs who return from the war vowing to stay buddies forever.When they reunite 10 years later, however, they find they have little in common, other than having given up on their dreams. Best known as the choreographer of such MGM evergreens as Seven Brides for Seven Brothers, the diminutive Kidd proves adept at kicking up his heels in front of the camera.Cyd Charisse plays a scheming television producer (an unusually down-home character) and Delores Gray is the toothy TV show host.(Gray gets to sing and Charisse dances a little, though not with Kelly.) The best moments, of course, are the dance numbers Kelly choreographed, including the three GIs' trash-can-lid dance, Charisse's solo supported by a crew of boxers, and Kelly's number on roller skates, "I Like Myself," which combines some of the free spirit of "Singin' in the Rain" with the stunt footwear made famous by Fred Astaire and Ginger Rogers in 1937's Shall We Dance. Unfortunately, the pan-and-scan format spoils the film's wide CinemaScope presentation, often fitting only two of the three characters on the screen.Enjoyable, but not quite a classic.--David Horiuchi ... Read more

Reviews (15)

One of the best musicals of the 1950's
Besides Singin' in the Rain and 7 Brides for 7 Brothers (which always get good reviews), this is a forgotten gem. I like the movie because there is some cynicism in the characters that make their transformations that much more memorable. If you don't know the basic story line, it's about 3 guys who were the BEST of friends as war buddies, decide to meet years later, and have realized that through the passage of time...now they HATE each other. Of course, it's an MGM musical, so you should know how the ending turns out.
Gene Kelly proves again that he's not only a great dancer, but a great actor, although I do believe like the other reviews that Dan Dailey does the best acting job. Michael Kidd does a good job being the simplest of the three. And don't forget the ladies, especially Cyd Charisse--I don't think she ever does anything wrong.
2 musical sequences stand out-- one is when the 3 main characters are in 3 different locations and start singing a song and the dance choreography is the same for all of them--you see 3 different screens (so they are obviously in 3 different settings) which I think was unique in the 1950's. Just an amazing sequence that makes you realize why movies are great. And the 2nd is the Gene Kelly roller skating sequence, which I feel has a bigger emotional lift considering the circumstances in the movie than his "singin' in the rain" bit of the movie of the same title. The movie's not as good as "singin' in the rain" , but if you're looking for some great musicals that they don't make anymore, I think you'll enjoy the flick.

"A Neglected Charmer"
This musical, oddly neglected, is in fact a worthy companion to "Singing in the Rain" and "The Bandwagon." Gene Kelly is his usual brilliant self, and the underrated Dan Dailey and Michael Kidd almost rival him in elegant hoofing. Not only their opening dance sequence employing garbage can tops, but also that terrific scene in a fancy restaurant where these three World War II war buddies are later reunited and privately sing of their disappointment in each other rival in wit anything in the aforementioned musicals. Moreover, the photography in both these scenes surely ranks among the most imaginative ever put on screen in the service of that elongated band-aid, Cinemascope. Cyd Charisse, always beautiful, is here at last given something to do. Her singing and dancing scene with the boxers in Stillman's Gym shows her at her cinematic best. Dolores Gray as a TV host is wonderfully over the top, and TV itself as a new medium comes in for a wonderfully insightful drubbing remarkably early in its career as the boob tube. Finally ,then, only one question arises - When will this film be released in widescreen on DVD?

Gene Kelly Is Love On Two Feet!
Standout production about three inseperable Army buddies with big plans who on their last drunken night together after World War II vow to reunite ten years later...and can't stand each other when they do.

This really is an overlooked diamond which deserves among all others the DVD treatment for its wonderful use of 2:35:1. There is one scene which particularly suffers from the pan and scan - the musical number in which the three pals sing and dance on a tri-split screen (each thinking the same thing about the others - `Once Upon A Time I Had Two Friends...' is the song). Compositions are great all around, though. Jazzy, upbeat musical numbers and some of the greatest dance steps Gene Kelly ever pulled off (the stellar one on the roller skates `I Like Myself' which is seen briefly by Jean Reno in THE PROFESSIONAL, and a great set in the beginning where the GI's tap dance with trash can lids on their feet are particularly amazing). Cyd Charrise kicks it up with a gym full of pugs in `Baby, You Knock Me Out' and Dolores Grey for my money gives the best performance in the awesome `Thanks A Lot But No Thanks,' alternately dynamiting and gunning down her suitors...it cracks me up every time.

And the story is smart and sweet too, touching on the endurance of real friendship, the benefit of hindsight, and the healing effects of true love. Granted, like a good horse it tends to sag a little in the middle, but it comes back kicking in the end. This one is a real classic. I love it too much to give it less than four stars, but it loses one for the pan and scan.

Pan and Scan Disaster
Everytime I see this VHS, I think back to an interview with Kelly where he said this film would never be released on VHS during his life because he would have to chop it in half. Kelly hated the pan and scan that came with a standard 1.33:1 TV screen and if you ever see this film letterboxed, you will understand why. (Luckily I have the Gene Kelly Collection on laserdisc which is letterboxed.)
It is a gritty film, that at times moves a little slowly, but the tap dancing rollerskates is truly one of the most talented things I have ever seen Kelly do-it is amazing.
Serious Gene Kelly fans should push for a re-issue of the above mentioned collection on DVD. Then you could see it as it should be seen.

A cynical "On The Town."
It is a Gene Kelly vehichle and there are three wartime buddies, but that's pretty much where the "On The Town" similarities end. It is a surprisingly sharp, cynical story in which the protagonist's dreams do *not* initially come true- due to life circumstances. Betty Comden and the late Adolph Green- responsible for so many great film scores as well as the scripts of "Auntie Mame," "Bells Are Ringing," and "What A Way To Go-" contribute very witty songs here, including the Danubian tri-liloquy sung by the guys and Dolores Gray's "Thanks A Lot, But No Thanks" and "Music Is Better than Words (delivered with a rich, smooth contralto)." I wish Kelly and Charisse had danced together (the omission makes the film appear a bit empty), but my favorite numbers are still his garbage-can dance through the streets and her sexy sweater-and-skirt dance with the boxers, "Baby, You Knock Me Out." And I would've liked the roller-skating finale better if it didn't have a big, looming, piece of the "Singin' In The Rain" set in the background. ... Read more

Reviews (3)

What came first
Today this film suffers from not being associated with the times in which it was produced. Why did Cyd Charisse do that anti-Rock 'n' Roll number which today seems completely out of context? Does the film not emanate from the 'sane' world of the time giving its answer to The Girl Can't Help It which, incidentally, had a plot just as forgettable? The format is the same - guest appearances in cabarets by stars using their own name and, yes, don't miss the names in neon lights, Louis Prima, Keely Smith, the list goes on . It is all at once naive and fabulous, one of the voices in the wilderness against the intrusion of the decadent Rock. A collector's item!
Simply cannot agree with the statement that all of the numbers in it were unknown, The Gal With The Yeller Shoes was a big hit and If You Can Dream featured at the time as well.

An MGM musical from an alternate universe
This film contains all the marks of the big MGM musical -- lavish production numbers, lots of singing and dancing, and stars... Except the stars aren't exactly top flight. And you've never heard of any of the songs. And the musical numbers veer into the bizarre.

There are two really unbelievable scenes. In one, the British music hall star Jerry Colonna kicks off a number called "My Lucky Charms," and the showgirls have wacky costumes that could have bene designed by the same person who designed the showgirl costumes in the "Springtime for Hitler" nubmer in "The Producers" -- remember the pretzel and beer stein costumes? Like that. And then there's a ballet number in which two dozen dancers play volleyball. Yes, with a net and a ball -- en pointe.

The story is forgettable, and so is the acting, but if you've got a few friends over and you're feeling giddy, pop this into the VCR and let the good times roll.

Cyd Charisse's custom-made vehicle a must-see for fans
This was the first (and really only) film written specifically as a star vehicle for Cyd Charisse and it is far and away the perfect film for her fans. While Cyd was always rather bland in her dramatic roles, in MMILV she shows an unexpected flair for knockabout comedy. The fantastic range of her dancing styles is showcased brilliantly from ballet to burlesque. Cyd was never lovelier than in this film, which displays every inch of her ideal frame (and her famous legs) in myriad ways. A must for Cyd fans. I withheld one star for Dan Dailey's presence. ... Read more

Amazon.com

This 1954 dinosaur brings together two giants of Broadway, Ethel Merman and Irving Berlin, just as their moment was passing forever, to create one last hurrah: a celebration of the glories that were vaudeville. Still, it's hard to imagine that Broadway--or nightclub entertaining, for that matter--was everquite this lavish and satisfying. The story centers on a married couple, the Donahues (Dan Dailey and Merman), who live on the road as vaudeville entertainers, and since they have children, begin incorporating the kids into the act. Eventually, the kids grow up to be Donald O'Connor, Mitzi Gaynor, and Johnny Ray, and they begin having interests of their own. Donald's is an ambitious showgirl (Marilyn Monroe), whose standoffish response to his romantic overtures drives him to drink. Best for its lavish, splashy production numbers built around some of the best of the Berlin songbook, including the title tune and "A Pretty Girl Is Like a Melody." --Marshall Fine ... Read more

Reviews (27)

Something for Everyone
This movie has something for everyone. Watched it for the first time today, then read reviews here on Amazon and elsewhere on internet. Marilyn fans think she is the best thing in the film. Ethel Merman fans rave about her performance. Hollywood musical fans rave about the extravagant production numbers. Johnny Ray fans rave about his only film appearance. Technical reviews(of DVD version) rave about the sharpness of the image, color rendition, sound reproduction and restoration process. Of course, Pseudo-Intellectual-Sophisticates like Tom Reynolds panned this film ... but pay no attention to the naysayers. This is a really fun film to watch, a gem, a blast from the past, non-stop singing and dancing from the Golden Era.

Overblown but tremendous fun!
It's wonderful to have these recordings available in true stereo and the version of the title song belted out by Merman remains her most definitive recording of the song. A few oddities: Johnny Ray's vocal track for "If You Believe" is wildly out-of-synch (and re-listening to the original Decca album it does sound as if they manipulated the track with some editing. Ray was deaf.. perhaps he could not hear the click track? At any rate, Varese should have tried to edit the song so that it sounds the same as in the film) and there are a few other places where the orchestra comes in too early. Minor quibbles. More curious was the decision to drop some musical segments that were in the film: Gaynor adn O'connor doing a wicked parody of (parents) Merman and Daily; Dailey's "You'd be surprised"; Merman's "Let's Have Another Cup of Coffee" and the deleted songs "Anything You Can Do" and Marilyn Monroe's unused vocal of "You'd be surprised" - but what is on the disc is great! And the set comes with good liner notes.

It's the Five Donahues..............
Ok Ok. I have been a lifelong Marilyn Monroe fan since childhood, I love her. But when you are a Marilyn fan you have to put up with hit and miss movies. No Business is one of them. When Marilyn is on the screen singing and dancing, the movie is all hers. Who doesn't love the Heat Wave number? The rest of the movie is a drag and unless you are a huge Ethyl Merman fan (?) this film doesn't have much to offer.

This is a musical with a very light plot; the story of the Donahue Family in show business. The two sons grow up to be a couple of dorks. The one who wants to be a priest is just scary. He acts like a Peter O'Tool derelict with a murderous smile. The other one is driven over the edge by Marilyn's lack of interest and joins the Navy.

Like I said, if you are a Marilyn fan, there are scenes in this film that you must have. If youare not a Marilyn fan, well you got Ethyl and Berlin music.

BETTY GRABLE WHY DID'NT YOU DO THIS MOVIE?
Betty Grable was supposed to play the Ethel merman part , but looked to young to be a mother of grown ups Donald O'Conner , Mitzi Gaynor and Johnny Ray so they hired Merman.

A must Have Musical
I think this is one of the best musicals available. And- if you're into musicals this one you need to get. Since Hollywood refuses to make musicals you better latch on to this one while you can. I think the color and the musical numbers are wonderful! And in those days they used better color for films than they do today! For color films and for tv viewing they use cheap color. Many people has told me that they thought their tv was fading out and had a foggy color to it. I've told them it's not their tv at all. The best color was always used back in the 40's and 50's. I see nothing ethnically wrong in the film that would be wrong. People are just too too sensitive these days and now they are picking the old films apart. They need to learn how to get over it. I am so glad that they have not destroyed these old films because 98 per cent of the films today are trash and will never become classics such as this one. When all the great producers and directors and screenwriters pass away there just seems like no one can take their place. They knew what they were doing back then. The craftsmanship has been lost. ... Read more

Reviews (3)

Great Baseball Movie
I bought this movie after watching the 1952 "Angels in the Outfield". I think both of them are great. Dizzy Dean was a colorful character and this movie does a good (although slightly inaccurate) job of portraying it. He was also an outstanding pitcher and all the boasting he did (he did it A LOT) was wonderful because he backed it up. The movie is interesting all the way through, even the portions after his career ended.

I recommend this film to any fan of classic baseball films.

A great old Baseball gem
I love this movie. I always avoided renting it and ran out of choice one night and reluctantly picked it up. Wow, was I suprized. I laughed and really enjoyed this movie thoroughly. I especailly like the part when they are in the world series and Dizzy calls a time out to talk to the pitcher. You think it's going to be something big, but he says, "Does your dad still have the shotgun for sale?" The pitcher is like..."what???" And then when he becomes an announcer at the end of the movie....fabulous good movie. By all means rent, buy or borrow this movie. Good clean fun for the whole family. You won't be sorry, unless You've somehow distroyed every once of goodness in you.

A real hoot, any baseball fan would love it!!!!
If you like baseball movies, you got to have this one. The portrayal of Dizzy Dean is way over the top but I laughed all the way through this movie. It portrays Dizzy Dean as an "aw shucks" hick from the sticks that makes it to the minor leagues, tells his team mates he is just passing through on his way to the big league club in St. Louis, he apologizes to his manager for not throwing a no hitter after he gave up ONE hit in a game, and it even portrays how he got the name Dizzy. A great corny baseball flick!! ... Read more

Amazon.com

One of the best American pre-war films to attempt to explain the crisisbrewing in Europe, this 1940 MGM film documents the effects of the new Naziregime on a small, peaceful Alpine village. James Stewart and Margaret Sullavanstruggle to understand the unjust changes being forced upon their community bythe growing Nazi influence. Helpless to avert the horror unfolding before them,Stewart and Sullavan witness old friends becoming fearful and suspicious. Otherscast their lot with the new order and become cruel, jealous, and vengeful--evendrunk on Nazi power. The small German village seduced by the corrupt Nazimessage is an excellent analogy for what happened in Germany as a whole. At thetime, Americans did not want to get involved in another "European war," butfilms like The Mortal Storm tried to show Americans that what washappening overseas could also happen on Maple Street, USA. --Mark Savary ... Read more

Reviews (16)

A brutally depressing film about the horrors of Nazi Germany
"The Mortal Storm" is the most depressing but arguably the most powerful movie about what was happening in Germany produced by Hollywood before America entered World War II. University Professor Viktor Roth (Frank Morgan), a non-Aryan, is dismayed when his sons Otto (Robert Stack) and Erich (William T. Orr) become Nazis, following their fanatical friend Fritz Marberg (Robert Young). The professor's daughter Freya (Margaret Sullavan) tries to escape the country with her anti-Nazi friend Martin Breitner (James Stewart), but this is one of those films where nobody gets out alive. When this 1940 film directed by Frank Borzage and based on the novel by Phyllis Bottome was released in Europe, Hitler banned all MGM films from being shown in territories occupied by the Nazis. However, "The Mortal Storm" was a box-office failure in the United States, mainly because by the time it was released it was all too obvious what was happening in Germany. So on the one hand this film is a blistering indictment of Nazi Germany and on the other hand it produced about a year too late to have much of an impact in this country. On balance, I go with the fact that the film is brutally honest at a time when Nazis were being reduced to cartoonish buffoons in films to determine how I would rate this film. For me this is an unforgettable story with a message that could never have been repeated often enough.

An Important Pre-WWII Film
The VHS version of the 1940 MGM film, "The Mortal Storm" is certainly worth viewing, and makes a strong contribution to any resource library dealing with the history of the Second World War.

This film version of Phyllis Bottome's book is expertly crafted in classic MGM style. Jimmy Stewart, Margaret Sullavan, Robert Young (Father Knows Best), Frank Morgan (The Wizard of Oz); gowns by Adrian, and art direction by Ward B. Rubottom (later to become Art Director at WED Enterprises / Disneyland Inc. for 1955's Main Street USA in Disneyland); all add up to a cast and crew that Hollywood can be proud of.

While the bombs had not yet dropped on Pearl Harbor, some in our nation could foresee the storm that was rising while Hitler seized power throughout Europe. This is the story of that rise, and the consequences for both action and inaction as power is centralized and abuse of that power spins out of control.

An historic and highly recommended story.

A Powerful Indictment Of Nazism
THE MORTAL STORM is an excellent movie about the early days of Nazi oppression. The film is adapted from a book by Phyllis Bottome.

The story concerns a young couple played by James Stewart and Margaret Sullivan who attempt to flee Germany to Austria on skis after Hitler gains power in 1933. The acting by Stewart and Sullivan is superb. A Strong supporting cast includes Robert Young, Frank Morgan, Robert Stack and Bonita Granville. Frank Borzage is known for directing many other fine movies including A FAREWELL TO ARMS.

Understanding "The Mortal Storm" means Understanding Borzage
Probably the best movie concerning the rise of Hitler and Nazism ever made. By far, the most compelling performances were that of Jimmy Stewart (Martin Breitner) and M. Sullivan. There are many familiar faces in this film that went on to even greater heights: Frank Morgan (The Wizard of Oz), Robert Stack (The Untouchables), & Robert Montgomery (Father Knows Best, Marcus Welby MD). But to really understand this film you have to understand the director, Frank Borzage. A 2-time Oscar winner (Seventh Heaven, The Bad Girl), he attained high rank in the Masonic Order. A primary axiom of the Masons was their belief in the universal brotherhood of man. The idea that all had value. This themes is very evident in the film. The alpine village depicted here serves as an excellent model relative to what happened in nearly every German home. Although a box office failure, the film serves as perhaps the best commentary ever on the effects of Nazism on the individual German family.

Powerful WWII-era political drama
A chilling and surprisingly effective political drama detailing Germany's transition from a center of European high civilization into the totalitarian paranoia of the Nazi regime. Jimmy Stewart is a free-thinking, kind hearted Everyman, whose best friends turn on him when he refuses Party membership, and whose life and career are destroyed by the people who were once his neighbors and confidants. The sense of horror and surprise at how swiftly things changed is made manifest in this film, which is one of Hollywood's most effective pre-war antifascist propaganda films. Margaret Sullavan plays opposite Stewart, and once again adds a nice touch to her role as the girl he loves, and the daughter of an eminent scientist who runs afoul of the local Nazi fanatics. Robert Stack also appears, so young (and so blond!) that you'll hardly recognize him. A powerful film; well worth watching. ... Read more

Reviews (6)

WHAT PRICE GLORY? - ANY BUT THIS!
"What Price Glory" is a World War I lover's triangle set against the ravaged backdrop of French countryside circa, 1918. Drama aside, the film is not what one might expect from the directorial giant likes of John Ford. James Cagney is a bit over the hill to be believable as Capt. Flagg, a stoic commander of a motley troupe of conscripts. Flagg's ill at ease postulating does not bode well with his men, so he turns to disrespectful and disreputable Sgt. Quirt (Dan Dailey) for a little bit of hard knock military strength. But the tensions between Flagg and Quirt are pressed to the breaking point when they both fall for the same girl - stop me if you've heard this one before. Strong performances elevate this film above the tripe that - generally - it is.
THE TRANSFER: Frankly, not up to snuff. Although the overall color scheme has retained much of its original luster, the picture quality is a disappointment. There is an excessive amount of film grain and age related artifacts throughout for a not very smooth visual presentation. Fluctuations in color balancing are - at times - severe and distracting. There is a minor amount of digital grit that further detracts from the image. Black levels are weak. Contrast and shadow delineation is poorly balanced for a very unstable looking presentation. The audio has been cleaned up but remains strident sounding and lacking in bass. EXTRAS: As with the other war films in this batch from Fox, you get nothing to augment your experience. BOTTOM LINE: "What Price Glory" isn't recommended either as a war film, or for its transfer quality. Seek satisfying your thirst for conquest elsewhere.

Easy to recommend war movie
Taking place in World War I is the James Cagney-Dan Dailey drama "What Price Glory" made in 1952 by the legendary director John Ford. Essentially the movie is a classic love triangle story set against the backdrop of the ravaged French countryside of 1918. Cagney plays the part of Capt. Flagg, a commander in charge of a ragtag group of conscripts who must rely on the brash and disrespectful Sgt. Quirt to whip them into shape. Trouble brews though when Flagg and Quirt both fall for the same girl. The movie is a triumph for all concerned both in strong performances from the actors (including a young Robert Wagner) and a technical masterpiece from the crew. The same cannot be honestly said for the DVD. Although the picture and sound are both acceptable the quality of the overall print shows some wear and there are noticeable fluctuations in the color balance. Still for such a low price it is a title that is easy to recommend.

Sad and funny
The story of a tough Captain and a tough top Sgt in France in 1918 who can't stand each other but both need to get a green batch of marines ready to fight with the hard fighting, hard drinking and hard joking vets of company L.

There are a lot of sub plots here from a young Robert Wagner to a Young Harry Morgan as another Sgt to the rivalry between our two leads for the innkeeper?s daughter.

There isn't much war in this war picture but what there are hits you in the gut, the vets are hard fighters but don't love it and know the score.

Cagney says it best late in the movie "it was ok when you had a bunch of guys who know what they're doing but not when you've got a bunch of kids."

They know it stinks but they do their job.

Another winner from John Ford.

One of the worst!...
This movie was totally void of any believable plot. The characters were portrayed as childlike adults. The plot never really became believable. Everyone in the movie was portrayed as a bumbling idiot. A total waste of time to watch!

Typical John Ford Movie: Terrific!
1952 movie directed by John Ford starring James Cagney as Captain Flag, a 'tough-as-nails' Marine company commander in World War One. Just after returning from the front-line trenches to rest and refit his company, he receives a new top sergeant, Sergeant Quirt played by Dan Dailey, to get his new replacements ready for the next tour on the lines. Sergeant Quirt is probably the best in the Marines, but he's also a wild rival to Captain Flag and they soon show their stuff after Quirk's arrival with a quick fistfight in Flag's office.
The Marine company is full of old battle-hardened veterans portrayed in an entertaining manner by numerous actors including William Demarest [Uncle Charlie from "My Three Sons"] and Henry Morgan (Colonel Potter from "M.A.S.H."]. A youthful Robert Wagner stars as one of the many newly assigned 'boys,' falling in love with one of the village's girls during the company's training period.
John Ford did masterful job rolling in humor, drama and romance. The film is well balanced and portrays the Marines as hard-core soldiers who do more than their share for the war effort, possessing colorful personalities who play hard in their off time. There's good action when the company returns to lines, although sanitary by today's standards, and captures some element of the hardship in World War One's trench warfare. It's a romantic and entertaining feature that rivals Ford's other well-known feature "The Quiet Man."
The VHS edition is very good quality, full-frame format, and deserves a DVD edition. ... Read more

Reviews (6)

Pepe
The last time I watched Pepe I was very young. This movie was entertaining, funny, and in good taste. I think most everyone will enjoy this movie.

Pepe
I remember seeing this movie when I was growing up. I've only been able to find this film on VHS only in Spanish. I would like to beable to find one in English. If anyone can help me I would appreciate it.

It was full of laughter and tears.
Pepe, Is one of my all time favorite movies. Growing up I would watch him with my mother who is 87 years old. It made me cry and laugh at the same time. They just don't make movie like that anymore.

Pena ajena
Lots of Hollywood stars attend this Cantinflas funeral. IT'S DREADFUL! If you haven't seen any Cantinflas movie please don't see this one, or you'll never understand why this genius was once considered by Chaplin "the funniest man alive".

A Classic with more than 25 famous stars - many now gone.
Pepe is a flimsy story meant to showcase a bunch of Columbia's stars...and it succeeds. Cameos abound and it's fun to "count the stars" as they pass through the story line - especially Greer Garson playing herself, as Mrs. Buddy Fogelson! Most of these stars are gone now, and it's a pleasure seeing them in their heyday. Cantinflas is his usual original self, and the music is fun too! ... Read more

Reviews (13)

GARLAND, LAMARR AND TURNER!
The adventures of three girls in show-business. ZIEGFELD GIRL is an immense backstage musical into which MGM poured tons of talent; it also marked Pandro S. Berman's first assignment with that studio after his years of success at RKO. Just why Jimmy Stewart received top-billing for this rather uneven but entertaining movie is a mystery - his role is virtually a minor one. Robert Z. Leonard directed this two and a quarter hours worth of stuggle, triumph, pain and music, but the two big production numbers, MINNIE FROM TRINIDAD and YOU STEPPED OUT OF A DREAM, were the work of the fabled wizard of cinematic choreography, Busby Berkeley. Judy is darling as Susan Gallagher and her scenes with her Irish Pop (Charles Winninger) are realistically executed. I felt Lana Turner's performance is a bit artificial and inept in her acting technique; she plays Sheila who succumbs to the bottle. As Sandra, Lamarr is astonishingly beautiful, but her acting hardly lingers in one's memory! Jimmy Stewart would enlist himself in the Army before this film premiered; he wouldn't make another film until 1946; it was a sleeper (just kidding) entitled IT'S A WONDERFUL LIFE.

SPARKLING NEW TRANSFER OF A STELLAR STAR FILM VEHICLE!
"Ziegfeld Girl" is not one of MGM's greatest musical achievements so much as it is one of their biggest rip offs. The plot wreaks of faint formaldehyde right down to its stolen montage sequence from "The Great Ziegfeld" (1936) that supplants Virginia Bruce from the top of that film's revolving staircase with Judy Garland in a blonde wig. What a sham! If the film had absolutely no merit at all this would be an easy review to write. However, "Ziegfeld Girl" is a blessed with a stellar cast including Lana Turner, Hedy Lamarr and Ms. Garland, as well as Tony Martin, Jackie Cooper and Edward Everett Horton. The film also has two lavish set pieces all its own, the rather maudlin, though eye-popping "You Stepped Out Of A Dream" with the entire cast parading down a gigantic spiral staircase and "Minnie From Trinidad", a Garland standout with a tropical theme that is both light, humorous and melodic. Garland also has the outstanding solo ballad, "I'm Always Chasing Rainbows" though this is sung with only modest accompaniment and an uninspired stage backdrop.
THE TRANSFER: In keeping with Warner's commitment to the classics, "Ziegfeld Girl" looks remarkably pristine on DVD. The gray scale is perfectly balanced. Contrast and black levels are right on. Some scenes suffer from age related artifacts. There are also minute traces of edge enhancement but nothing that will terribly distract. The audio is mono but nicely balanced.
BOTTOM LINE: "Ziegfeld Girl" is for fans of Judy Garland. It's not an outstanding musical but will nevertheless entertain.

OVERLONG STORY BUT THE MUSIC IS GREAT!
I am a great fan of the MGM musicals. This is an entertaining vehicle and Judy Garland's numbers "Minnie from Trinidad" and "I'm Always Chasing Rainbows" are stellar!! Judy could do anything!!! They are worth rating the movie 5 stars for them alone. However, those numbers are not all there is to the movie. The film is overlong telling the stories of three girls (Garland, Lamarr and Turner)who enter into the Ziegfield realm. Lamarr is simply there for decoration, Judy, of course is there for the talent, and Turner in a surprisingly good dramatic role is there for the soap opera element. Jimmy Stewart is given top billing here but he is completely wasted and he and Lana Turner have absolutely no chemistry together. His screen time averages to less than 15 minutes. The story drags and is overlong. However, the musical numbers make up for the flaws in the story which is nothing more than trite soap opera drivel.

The DVD is high quality, great picture and sound.

If you're a fan of Garland or Turner, buy this DVD. You won't be disappointed. As I said, Garland is worth anything in anything she does. And Turner proves she can act.

They Stepped Out of a Dream
An intriguing, albeit somewhat superficial, look at the lives of three young women destined for stardom in the Ziegfeld Follies. While gorgeous Hedy LaMarr is merely decorative, the radiant young Judy Garland is marvelous in numbers like "Minnie From Trinidad" and "I'm Always Chasing Rainbows", and Lana Turner is a revelation as the spoiled beauty who succumbs to the darker side of stardom. Unfortunately, James Stewart is wasted in this film and does not pair well with Turner. This aside, the MGM glamour is spectacular, with stunning costumes by Adrian and set design by Cedric Gibbons. What a shame that MGM chose to film this in black-and-white, rather than Technicolor! While the film is overlong and somewhat dated, you'll rarely get the opportunity to see the likes of Garland, Turner, and LaMarr together in one film. For this reason alone, it should not be missed.

It's interesting what I learned from reading Amazon reviews!
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I wanted to read more about this film here on Amazon to determine whether I might like to see it.

I learned two interesting things:

1.The film unfortunately is in black & white, which is a disappointment because I am a technicolor fan.

2. Joel from NYC is gay gay gay!!! He said he started watching these kinds of films when he was only 12. He must be one big queen from Queens by now!

Well, I simply adore gay taste in films and music, so if Joel liked it, I guess I just may have to watch it too!

Thanks Joel! ... Read more

Description

The story of the late J. Edgar Hoover, who was head of the FBI from 1924-1972.The film follows Hoover from his racket busting days through his reign under eight U.S. presidents. ... Read more

Reviews (2)

Fact and Fiction Mixed--But Closer to Truth Than Most
This movie is informative with fiction added.The suspense of the movie is portrayed by the facts presented. It's the closest thing to what is likely the truth about J.Edgar Hoover's life you'll find---especially given the onslaught of one-sided written and movie attacks on one (Hoover) who gave a great deal more than most to the country he loved. While many did their best to destroy Hoover's reputation in the aftermath of his death,here,Broderick Crawford portrays Hoover as a great American but human--with his own skeletons in the closet (no pun intended) and who made his share of mistakes. The movie also touches on the lives of other great Americans--John and Robert Kennedy and Martin Luther King. One sees that they,just as Hoover,were human,made mistakes and had their skeletons just as we all do. (See the movie's version of the Kennedys and Marilyn Monroe). Although much of what we would like to know went to their graves with Hoover,King,the Kennedys and others,this movie is,in many respects,the closest to the truth about Hoover and,to a lesser extent,the Kennedys and King that's been attempted. It will probably anger all who see it,whatever their political slant,to some extent at least,and that fact alone points to the best reason to get this movie and watch it with an open mind.

The Life Of America's First Top Cop
Casting Broderick Crawford as Hoover was a stroke of genius on the part of the casting director of this film. He's perfect for the part. He brings out the gruffness and arrogance of the character, while simultaneously showing the insecure, low self-esteem inner man that Hoover is portrayed as being.

We see him first as a young idealist, working in the Justice Department, wanting to protect the legal rights of immigrants and fighting the internal corruption of the FBI in the 1920's. Then he becomes the "Top Cop" of the nation and a publicity seeker with the help of Walter Winchell. And finally as an old man jeolously guarding his power and firmly entrenched in the political system. But more importantly, we see the dual nature of his morality: on the one hand, his fastidious approach to sexuality and his ego crushing sensitivity to his own unattractiveness; and on the other hand, his sessions-------bottle in hand--------listening to the sexual encounters on FBI surveillance tapes.

The film is not without humor, however. Look for a scene about disposing of a fly in Hoover's office.

In some ways, a waxworks of a film with actors looking and sounding like famous political leaders, but more importantly a record------part fact, part fiction------of a very complex man, who's personality and inner demons helped to form the concept of justice in the American public's mind from the 1930's until his death. ... Read more

Reviews (1)

Poor Plot Great Music
MGM had some of the most talanted musical stars of all time. This musical proves that with out a doubt. Unfortunately is loses a lot in the plot. It is hard to tell what is going on in this movie. I don't know if it is because it is confusing or boring. The music is great and Ann Sothern's voice is beautiful as always. Lena Horne also adds much to any movie. I love Virginia O'Brien's musical numbers, particularly (Did I Get Stinking At The Club Savoy). It is also humorous the way she chases Alan Mobrey around during (Let's Be Buddies). ... Read more

Reviews (2)

Fact and Fiction Mixed--But Closer to Truth Than Most
This movie is informative with fiction added.The suspense of the movie is portrayed by the facts presented. It's the closest thing to what is likely the truth about J.Edgar Hoover's life you'll find---especially given the onslaught of one-sided written and movie attacks on one (Hoover) who gave a great deal more than most to the country he loved. While many did their best to destroy Hoover's reputation in the aftermath of his death,here,Broderick Crawford portrays Hoover as a great American but human--with his own skeletons in the closet (no pun intended) and who made his share of mistakes. The movie also touches on the lives of other great Americans--John and Robert Kennedy and Martin Luther King. One sees that they,just as Hoover,were human,made mistakes and had their skeletons just as we all do. (See the movie's version of the Kennedys and Marilyn Monroe). Although much of what we would like to know went to their graves with Hoover,King,the Kennedys and others,this movie is,in many respects,the closest to the truth about Hoover and,to a lesser extent,the Kennedys and King that's been attempted. It will probably anger all who see it,whatever their political slant,to some extent at least,and that fact alone points to the best reason to get this movie and watch it with an open mind.

The Life Of America's First Top Cop
Casting Broderick Crawford as Hoover was a stroke of genius on the part of the casting director of this film. He's perfect for the part. He brings out the gruffness and arrogance of the character, while simultaneously showing the insecure, low self-esteem inner man that Hoover is portrayed as being.

We see him first as a young idealist, working in the Justice Department, wanting to protect the legal rights of immigrants and fighting the internal corruption of the FBI in the 1920's. Then he becomes the "Top Cop" of the nation and a publicity seeker with the help of Walter Winchell. And finally as an old man jeolously guarding his power and firmly entrenched in the political system. But more importantly, we see the dual nature of his morality: on the one hand, his fastidious approach to sexuality and his ego crushing sensitivity to his own unattractiveness; and on the other hand, his sessions-------bottle in hand--------listening to the sexual encounters on FBI surveillance tapes.

The film is not without humor, however. Look for a scene about disposing of a fly in Hoover's office.

In some ways, a waxworks of a film with actors looking and sounding like famous political leaders, but more importantly a record------part fact, part fiction------of a very complex man, who's personality and inner demons helped to form the concept of justice in the American public's mind from the 1930's until his death. ... Read more

Reviews (16)

A brutally depressing film about the horrors of Nazi Germany
"The Mortal Storm" is the most depressing but arguably the most powerful movie about what was happening in Germany produced by Hollywood before America entered World War II. University Professor Viktor Roth (Frank Morgan), a non-Aryan, is dismayed when his sons Otto (Robert Stack) and Erich (William T. Orr) become Nazis, following their fanatical friend Fritz Marberg (Robert Young). The professor's daughter Freya (Margaret Sullavan) tries to escape the country with her anti-Nazi friend Martin Breitner (James Stewart), but this is one of those films where nobody gets out alive. When this 1940 film directed by Frank Borzage and based on the novel by Phyllis Bottome was released in Europe, Hitler banned all MGM films from being shown in territories occupied by the Nazis. However, "The Mortal Storm" was a box-office failure in the United States, mainly because by the time it was released it was all too obvious what was happening in Germany. So on the one hand this film is a blistering indictment of Nazi Germany and on the other hand it produced about a year too late to have much of an impact in this country. On balance, I go with the fact that the film is brutally honest at a time when Nazis were being reduced to cartoonish buffoons in films to determine how I would rate this film. For me this is an unforgettable story with a message that could never have been repeated often enough.

An Important Pre-WWII Film
The VHS version of the 1940 MGM film, "The Mortal Storm" is certainly worth viewing, and makes a strong contribution to any resource library dealing with the history of the Second World War.

This film version of Phyllis Bottome's book is expertly crafted in classic MGM style. Jimmy Stewart, Margaret Sullavan, Robert Young (Father Knows Best), Frank Morgan (The Wizard of Oz); gowns by Adrian, and art direction by Ward B. Rubottom (later to become Art Director at WED Enterprises / Disneyland Inc. for 1955's Main Street USA in Disneyland); all add up to a cast and crew that Hollywood can be proud of.

While the bombs had not yet dropped on Pearl Harbor, some in our nation could foresee the storm that was rising while Hitler seized power throughout Europe. This is the story of that rise, and the consequences for both action and inaction as power is centralized and abuse of that power spins out of control.

An historic and highly recommended story.

A Powerful Indictment Of Nazism
THE MORTAL STORM is an excellent movie about the early days of Nazi oppression. The film is adapted from a book by Phyllis Bottome.

The story concerns a young couple played by James Stewart and Margaret Sullivan who attempt to flee Germany to Austria on skis after Hitler gains power in 1933. The acting by Stewart and Sullivan is superb. A Strong supporting cast includes Robert Young, Frank Morgan, Robert Stack and Bonita Granville. Frank Borzage is known for directing many other fine movies including A FAREWELL TO ARMS.

Understanding "The Mortal Storm" means Understanding Borzage
Probably the best movie concerning the rise of Hitler and Nazism ever made. By far, the most compelling performances were that of Jimmy Stewart (Martin Breitner) and M. Sullivan. There are many familiar faces in this film that went on to even greater heights: Frank Morgan (The Wizard of Oz), Robert Stack (The Untouchables), & Robert Montgomery (Father Knows Best, Marcus Welby MD). But to really understand this film you have to understand the director, Frank Borzage. A 2-time Oscar winner (Seventh Heaven, The Bad Girl), he attained high rank in the Masonic Order. A primary axiom of the Masons was their belief in the universal brotherhood of man. The idea that all had value. This themes is very evident in the film. The alpine village depicted here serves as an excellent model relative to what happened in nearly every German home. Although a box office failure, the film serves as perhaps the best commentary ever on the effects of Nazism on the individual German family.

Powerful WWII-era political drama
A chilling and surprisingly effective political drama detailing Germany's transition from a center of European high civilization into the totalitarian paranoia of the Nazi regime. Jimmy Stewart is a free-thinking, kind hearted Everyman, whose best friends turn on him when he refuses Party membership, and whose life and career are destroyed by the people who were once his neighbors and confidants. The sense of horror and surprise at how swiftly things changed is made manifest in this film, which is one of Hollywood's most effective pre-war antifascist propaganda films. Margaret Sullavan plays opposite Stewart, and once again adds a nice touch to her role as the girl he loves, and the daughter of an eminent scientist who runs afoul of the local Nazi fanatics. Robert Stack also appears, so young (and so blond!) that you'll hardly recognize him. A powerful film; well worth watching. ... Read more