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| 1. In the Beginning Director: Kevin Connor | |
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Amazon.com Reviews (6)
The performances are uniformly mediocre, with only Martin Landau standing out as Abraham. The scenes of creation, including Adam and Eve, as well as the Fall, are quite nicely told through flashback, as Abraham tells the story around a campfire. But, it quickly falls apart after that. If you really want to watch the story of Joseph, Moses, and the rest, I recommend watching the animated films JOSEPH and PRINCE of EGYPT. If you want to watch a classic story of Moses, go with THE TEN COMMANDMENTS--it's a classic that still rates close to 5 stars!
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| 2. Further Tales of the City Director: Pierre Gang | |
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Description Exploring his sexuality full tilt, Michael embarks on a series of sexual escapades involving cowboys, cops and Cage Tyler (JOHN ROBINSON) a closeted movie star. Michael's friend and neighbor Mary Ann Singleton (LAURA LINNEY) is challenged with a relationship problem of a different kind.Her boyfriend and upstairs neighbor, Brian Hawkins (WHIP HUBLEY) who has spent most of his adult life as a womanizer, comes to the realization that he wants to marry her.She, however, is hesitant to take the next step as she is focused on her career.Longing to become a serious reporter, but not given a chance by her station manager, she is forced to work as a daytime host of the "Bargain Matinee" show. Mary Anns late boss widow, socialite Frannie Halcyon (DIANA LEBLANC) is tormented by her daughter DeDes (BARBARA GARRICK) apparent demise in the Jonestown Massacre.Living on Mai Tais and sleeping pills, she refuses to accept that DeDe and her children, Little Anna and Edgar were killed.She seeks advice from psychics to help her find her missing daughter.When a fortune-teller convinces her that DeDe is indeed alive, she asks for the support of society columnist Prue Giroux (MARY KAY PLACE) to make her story public. When Prue refuses to get involved, Frannie calls Mary Ann to share her secret. Since Mary Ann is always searching for a good story, she is eager to meet in hopes of finally getting a break on the evening news. Meanwhile, Prue meets a mysterious homeless man, Luke (HENRY CZERNY) in Golden Gate Park.Immediately drawn to his intense charm, she falls madly in love with him.Little does she know that shes opening Pandoras Box when she attempts to bring him back to society with the help of flamboyant celebrity priest Father Paddy Star (BRUCE MCCULLOCH).Lukes past is far more sinister than Prue could ever imagine. Then its revealed that DeDe Halcyon Day has spent three years in Cuba with her lover Dorothea (FRANÇOISE ROBERTSON) after escaping the massacre in Guyana.She ends up in a camp for gay Cuban refugees in Fort Chafee, Arkansas and finally calls her mother Frannie in San Francisco to tell her that she wants to come home. Through DeDes unexpected reappearance and a twist of fate, the storylines begin to intertwine and all of the characters in Maupins tales find themselves in the midst of an unpredictable adventure. Reviews (12)
A special mention needs to be made of the DVD - a whole disc packed with an outstanding set of extras. From interviews, to behind the scenes footage, and much more besides - you really get a indepth look at the making of the miniseries - all TV shows should be released on DVD like this! Hopefully there will be 'Even Further Tales' for us to enjoy in the future....
This set keeps going where the "2nd" set left off. A few casting changes were made (some for the better, other...oh, well!). A few facts worth knowing for those who are "jumping in" with this 3rd installment in the series: The main character, Maryann Singleton, an innocent 20-something Ohio girl escapes the smothering arms of her over-protective parents and becomes the latest arrival at mysterious Ms Madrigal's house of sweet, odd and gorgeous young people. Not only is she (like everyone else) welcomed and accepted, but soon finds herself in a web of weird situations, corporate greed, sexual experimentation, suicide, and other shocking things. The recurring central focus on homosexuality eventually becomes so nonchallante, that the viewer soon no longer sees this as anything worth talking about. It's almost like watching episodes of "Ellen", "Roseanne" or "Will & Grace", only that any "viewer advisories" seem redundant now (it's about time!). Tales of the City is a look back at the 1970s decadence we saw in "Studio 54", but otherwise only 'heard rumors about'. This is an honest, unashamed view of the "San Francisco Scene" as experienced by the author/screen writer Amistad Mopin. Along with historically authentic facts and references (The "Jonestown Tragedy" of 1979 is briefly referenced at the end - if you blinked you missed it!) this otherwise mostly ficticious plot makes for fun viewing. The 6 part series nicely fits on this DVD. Have it piece meal or all at once. I think you're gonna like this picture!*****
Perhaps it's because they tried to stuff more than three hours worth of material onto 1 DVD, but like others, I too was unable to play this all the way through on my DVD player. The problems start right about at the start of episode 4, and just keep getting worse. But perhaps it's just bad mastering, because I had the same problem with the second, extras, DVD, which isn't nearly so full. It's a shame such a wonderful series is marred by a badly mastered disc.
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| 3. Bram Stoker's Dracula Director: Francis Ford Coppola | |
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Amazon.com essential video Reviews (345)
Columbia Pictures has raised the bar on DVD video and sound quality with the new "SUPERBIT" series movies. This feature improves the picture by doubling the bit rate digital transfer. Simply, twice the picture quality of existing DVD transfers. Also the sound has been enhanced equally in performance. NOTE: GOODS NEWS - All this can be enjoyed on existing DVD players with noticeable improvements. BAD NEWS - Its not really bad news its really the "BOTTOM LINE NEWS" - the "SUPERBIT COLLECTION IS FOR YOU IF" you have; a Home Theatre, HDTV WideScreen (Enhanced 16:9)w/Component Video, Progressive Scan DVD (480p) w/Component Video & DTS or 5.1 Sound environment. IF you have this then the "SUPERBIT COLLECTION" Dracula explodes of the screen!!!!!! Summary: SUPERBIT Dracula directed by Francis Ford Copplola is a very beautiful photographed eerie love story. With a story line more to the tragedy of Dracula (brillantly played by Gary Oldman)than the viciousness of vampires. The detailed scenes & colors explode off the screen with this "SUPERBIT" version film. The 5.1 sound is crystal clear and adds immensely to the eeriness of this dark gothic horror film. This SUPERBIT detailed film makes for an unbelievable visual experience. Coppola does a grand job providing us with an unsusual twist in the story of Dracula. This is the best "SUPERBIT" transfer so far in the Columbia Pictures Collection. Just remember, "SUPERBIT" was developed to give the Home Theatre owner a new improved DVD experience and they have done this with "Bram Stokers, Dracula". Enjoy.
The best parts of the movie are those that remain true to the book: Jonathan Harker's travel to the castle and fateful meeting with the Count; Harker's confrontation with Dracula's three vampire lovers; the newly arisen Lucy Westenra confrontation as a vampire with her loved ones in the cemetery; and the exciting race with the sun and the gypsies taking the coffin-bound Dracula to his castle. The script follows Dracula's strengths and vulnerabilities faithfully. The Dracula of this movie walks in the daylight -- just as in the novel. Even when the movie departs from the original and the plot lags with the romance of Dracula and Mina, Coppola creates breathtaking images with their own potent spell that held me enchanted. Overall the performances are well done with one or two notable exceptions. Sadie Frost, however, steals the movie in the role of Lucy Westenra. The movie, in my opinion, would have been better with more emphasis on horror. Dracula should be more scary than sympathetic. Still, this is one of my favorite vampire movies ever and well worth repeated viewings.
This version of "Dracula" is fascinating because it's so different from the Bram Stocker famous novel. In the novel there was no mentioning of a love story between Dracula and Mina. In this film exists a sad love story. | |
| 4. Tales of the City : Volume 2 Director: Alastair Reid | |
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| 5. Tales of the City Director: Alastair Reid | |
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Reviews (1)
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| 6. The Rocketeer Director: Joe Johnston | |
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Amazon.com Reviews (69)
Now, that aside, the film was a fantasy filled adventure set in the not so distant past (30's - 40's) about a secret device invented by Mr. Howard Hughes himself which was stolen by some gangster with the intentions of steeling it Hitler himself. The special effects are great and the Rocket is very cool. Even the costumes were very unique. The device is a jet pack that when worn with a special helmet made by the character played by Alan Arkin, will allow the person to fly through the air (and water) at great speeds. With the villainous Timothy Dalton playing a Nazi spy and world famous actor chasing him. Paul Servino plays a great Mafioso. The film stars relatively new comers at the time Bill Campbell and Jennifer Connolly as the boyfriend-girlfriend who end up having the mafia, Nazi's and the FBI chasing them! It got a lot of heart and a lot of humor and it is a great family film. I really enjoyed this. No real extras on this DVD but maybe later. I think you'll enjoy this too.
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| 7. Rising Place Director: Tom Rice | |
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Reviews (9)
Through a series of flashbacks from the present to 1940 we are introduced to a beautiful young woman who falls in love with a pilot, becomes pregnant, is ostracized by the community for her indiscretion and finds solace in the strong friendship with a bright, knowledgeable African American woman unafraid of the racist slurs and 'enter through the back door' milieu of this town. The two girls align with another young male 'rebel' who is searching for his own identity in this stew pot of life. Slowly we discover that the story is that of one Aunt Millie who is failing and whose life comes floating to the surface to her niece as Millie approaches death. The background includes redneck white extremists, hatred of anything foreign (e.g. the Japanese invasion, whites mixing with blacks, unwed motherhood) and it is against this background that the three main characters search for and find the meaning of friendship, forgiveness, and equality. Yes, stories such as this are familiar, but rarely has a director found a cast so strong, visuals so hauntingly beautiful, and a composer so in tune with the message of the movie. The members of the cast - all superb - include many well known actors as well as introducing some new faces whose presence is indelibly fine. Singling them out would be inappropriate in an ensemble effort as excellent as this. The DVD includes an alternate ending and deleted scenes. View these, as it seems that the deleted scenes should have been included, so very fine are these moments. This is a beautifully touching film that deserves a wide audience. Perhaps that will come with the welcome release of this DVD. ... Read more | |
| 8. The Brylcreem Boys Director: Terence Ryan | |
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Description Reviews (7)
See it if you can.
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| 9. In the Beginning (EP Edition) Director: Kevin Connor | |
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| 10. Tales of the City, Vol. 3 Director: Alastair Reid | |
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| 11. Enough Director: Michael Apted | |
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Reviews (181)
The first dose of reality hits when Slim discovers Mitch is cheating on her; she protests, he hits her, and she determines to leave him. The fact that Slim is very strong in her decision to not wait for him to hit her again certainly sends a good message to women and girls about abuse. It seems for a moment that the stereotype of the fairytale romance will be subverted and that the woman will triumph. The reality of what happens next is just as questionable as the fairytale beginning to the story; Mitch becomes completely evil, like a villain from a comic book, while Slim becomes the self-sacrificing mother who would do anything for her child. On the surface, Lopez's character appears to be a strong, independent woman who is capable of taking care of herself. However, throughout the film she proves to be dependent on men. Her adoptive father helps her escape from Mitch's house with her daughter and she turns to her biological father for financial help. She seeks shelter and support from her close friend, Joe, and she finally seeks training in fighting techniques from a man. Ginny, played by Juliette Lewis, is a female friend who does help her a great deal, but most of the people that helped to 'save' her were men. This reinforces the stereotype that women cannot really be strong on their own; they are never really safe without the help of men. Another stereotype of women supported in this film was that of the mother. Slim does absolutely everything for her daughter, Gracie. Never does she speak of leaving Mitch for her own good; Slim always speaks of the safety of her daughter. In other words, the filmmaker is essentially saying that women must remain mothers above all else. In addition to the female stereotypes we see, the idea of a woman being surveyed by the male surveyor is seen several times in Enough. At the very beginning of the movie, Mitch sees Slim and finds her attractive; he is a wealthy man who observes a beautiful woman and wants her for his own, so he takes her. Later in the film, when Slim has changed her name and moved to the west coast, we see Mitch's henchman staring at her through the window, simply watching her sleep and get dressed. Then, when Mitch arrives to 'take back what is his,' he also observes her like someone watching a movie. He looks at her from afar like a man surveying his land; he clearly sees her as his property rather than an actual person.
Slim leaves her abusive husband with her daughter Gracie in tow and with help from friends old and new, lives a life on the run. It's not her daughter who's in danger, it's her. If she is found her husband (played by Billy Campbell)he will kill her. So what to do? Go to the police? He'll find her. Go to a friend? He'll find her. She decides to use the rules her own way...she spends one month traing heavily with a martial arts instructor and decides to make the fight fair. Jennifer Lopez does a fabulous job, as usual, of never playing herself. She is Slim, the once submissive wife who wants to be happy. Be we watch her become much more...a tough cookie who knows how to play a man's game. I enjoyed this movie very much. Lopez always surprises me with her characters. Some scenes were very difficult to watch. Many times heartfelt moments between Slim and Gracie were real tearjerkers. I am not sure how a movie like this would translate into the real world, but on-screen it seems quite convincing. My only problem with the movie...I wanted more from the ending. It left me a little dry. Otherwise, I would say most would enjoy "Enough" as a great night's rent. Kudos to Juliette Lewis, I haven't seen her in a film for years. She is an outstanding actress (remember "Cape Fear")?
Let's face it, we all know where ENOUGH is headed. J-Lo plays a greasy spoon waitress (yeah, like that's believable) who happens to fall for a smooth-talking swell (Bill Campbell) who turns out not to be the nicest guy on the block. Er, the planet. And when J-Lo confronts Hubby about his flagrant infidelity, Hubby responds with some fisticuffs and then refuses to let his wife out of the marriage. Granted, Campbell is ultra-creepy to watch. . .he's so revolting and disgusting that even my dog knew he was going to get the ultimate comeuppance at the end of this flick. With the help of friends, J-Lo and young daughter flee and relocate thousands of miles away, yet Hubby is relentless in his pursuit. Once it becomes obvious that a custody showdown is inevitable, J-Lo does the only logical thing: She enlists the aid of a martial arts dude and learns how to fight like a tiger. Tigress? Then, it's back to California to sneak into Hubby's new flat and extract a pound of posterior. And, of course, predictability reigns supreme as the film rolls to its conclusion. I've had the luxury of viewing this film with other ladies, and their reaction has been somewhat universal. Not a one of them would have put up with the guff J-Lo did; in fact, the first time a punch was thrown Hubby would have first been looking at the floor to find his mountain oysters, just before he would feel the piercing pain of buckshot. But, perhaps justice is swifer in my neck of the woods. Anyway, in ENOUGH J-Lo kind of blindsides her husband during their kung fu match. Ain't fair. I demand a best two-out-of-three.
Yeah, the premise as it unfolds is a little ridiculous, especially as Mitch seems to have a GPS system to track his fleeing wife, but the escapism is pure adrenaline-rushing fun. Jennifer Lopez is naturally appealing and solid in her performance, although the emotional range of the role seems to demand only fierceness and fright. Still, the chemistry between her and young co-star Allen is unmistakable, even poignant. Noah Wylie does a fantastic turn as Robbie, a character I won't describe for fear of spoiling the plot. Juliette Lewis has her usual on-screen charisma even though she's not given much to work with. This film was much better than I expected. Viewers hoping for something new or even substantial on the theme of domestic violence will be disappointed since it only serves as a plot device to put Lopez's character in danger. This would make a great date flick since men will appreciate the constant action (not to mention the lead actress) and women will be drawn to the subject matter.
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| 12. Second Jungle Book: Mowgli and Baloo Director: Duncan McLachlan | |
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Amazon.com Reviews (6)
Jamie Williams (Mowgli) is very talented actor. It's very believable that he's real feral child in many scenes. His ability to play character's emotions and his body speech is exceptional. Althought he was 10 and half years old only, he performed all stunt scenes in the movie. In few scenes, he didn't show the fear, when he was about 5 feets far from the adult tiger, who was on thin lead only. Some review says that fake animals are used in some animal scenes. It's not true. They used blue screens and split scenes few times, but all animals in the movie are real.
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| 13. Lover's Knot Director: Peter Shaner | |
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Reviews (2)
I love Tim Curry more then life itself, but not in this movie. He dosen't belong here at all. There are two very short scenes worth watching and Adam Ant is in both of them. If I could cut those scenes out to watch and throw the rest away I would.
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| 14. Menno's Mind Director: Jon Kroll | |
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Reviews (5)
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| 15. The Night We Never Met Director: Warren Leight | |
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Description Reviews (5)
This movie is an excellent example of what I mean. Matthew Broderick plays a single guy sick of living with roommates, but unable to afford to move out on his own. He finds a happy medium at a rent-controlled apartment only available a few days per week, while the remaining days are distributed amoung two other tennants. Inevitably, the schedule gets mixed up, and the confusion that arises is the basis of this movie's plot. All in all, it's not spectacularly wonderful or anything, but it's funny, captivating, and it's definately cute. I guess you could call it a "feel good movie" - if you did that sort of thing. But, I don't. Instead, I call it a "chick flick" ... one of the ones I'd not only watch, but buy my own copy of.
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| 16. Enough Director: Michael Apted | |
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Reviews (181)
The first dose of reality hits when Slim discovers Mitch is cheating on her; she protests, he hits her, and she determines to leave him. The fact that Slim is very strong in her decision to not wait for him to hit her again certainly sends a good message to women and girls about abuse. It seems for a moment that the stereotype of the fairytale romance will be subverted and that the woman will triumph. The reality of what happens next is just as questionable as the fairytale beginning to the story; Mitch becomes completely evil, like a villain from a comic book, while Slim becomes the self-sacrificing mother who would do anything for her child. On the surface, Lopez's character appears to be a strong, independent woman who is capable of taking care of herself. However, throughout the film she proves to be dependent on men. Her adoptive father helps her escape from Mitch's house with her daughter and she turns to her biological father for financial help. She seeks shelter and support from her close friend, Joe, and she finally seeks training in fighting techniques from a man. Ginny, played by Juliette Lewis, is a female friend who does help her a great deal, but most of the people that helped to 'save' her were men. This reinforces the stereotype that women cannot really be strong on their own; they are never really safe without the help of men. Another stereotype of women supported in this film was that of the mother. Slim does absolutely everything for her daughter, Gracie. Never does she speak of leaving Mitch for her own good; Slim always speaks of the safety of her daughter. In other words, the filmmaker is essentially saying that women must remain mothers above all else. In addition to the female stereotypes we see, the idea of a woman being surveyed by the male surveyor is seen several times in Enough. At the very beginning of the movie, Mitch sees Slim and finds her attractive; he is a wealthy man who observes a beautiful woman and wants her for his own, so he takes her. Later in the film, when Slim has changed her name and moved to the west coast, we see Mitch's henchman staring at her through the window, simply watching her sleep and get dressed. Then, when Mitch arrives to 'take back what is his,' he also observes her like someone watching a movie. He looks at her from afar like a man surveying his land; he clearly sees her as his property rather than an actual person.
Slim leaves her abusive husband with her daughter Gracie in tow and with help from friends old and new, lives a life on the run. It's not her daughter who's in danger, it's her. If she is found her husband (played by Billy Campbell)he will kill her. So what to do? Go to the police? He'll find her. Go to a friend? He'll find her. She decides to use the rules her own way...she spends one month traing heavily with a martial arts instructor and decides to make the fight fair. Jennifer Lopez does a fabulous job, as usual, of never playing herself. She is Slim, the once submissive wife who wants to be happy. Be we watch her become much more...a tough cookie who knows how to play a man's game. I enjoyed this movie very much. Lopez always surprises me with her characters. Some scenes were very difficult to watch. Many times heartfelt moments between Slim and Gracie were real tearjerkers. I am not sure how a movie like this would translate into the real world, but on-screen it seems quite convincing. My only problem with the movie...I wanted more from the ending. It left me a little dry. Otherwise, I would say most would enjoy "Enough" as a great night's rent. Kudos to Juliette Lewis, I haven't seen her in a film for years. She is an outstanding actress (remember "Cape Fear")?
Let's face it, we all know where ENOUGH is headed. J-Lo plays a greasy spoon waitress (yeah, like that's believable) who happens to fall for a smooth-talking swell (Bill Campbell) who turns out not to be the nicest guy on the block. Er, the planet. And when J-Lo confronts Hubby about his flagrant infidelity, Hubby responds with some fisticuffs and then refuses to let his wife out of the marriage. Granted, Campbell is ultra-creepy to watch. . .he's so revolting and disgusting that even my dog knew he was going to get the ultimate comeuppance at the end of this flick. With the help of friends, J-Lo and young daughter flee and relocate thousands of miles away, yet Hubby is relentless in his pursuit. Once it becomes obvious that a custody showdown is inevitable, J-Lo does the only logical thing: She enlists the aid of a martial arts dude and learns how to fight like a tiger. Tigress? Then, it's back to California to sneak into Hubby's new flat and extract a pound of posterior. And, of course, predictability reigns supreme as the film rolls to its conclusion. I've had the luxury of viewing this film with other ladies, and their reaction has been somewhat universal. Not a one of them would have put up with the guff J-Lo did; in fact, the first time a punch was thrown Hubby would have first been looking at the floor to find his mountain oysters, just before he would feel the piercing pain of buckshot. But, perhaps justice is swifer in my neck of the woods. Anyway, in ENOUGH J-Lo kind of blindsides her husband during their kung fu match. Ain't fair. I demand a best two-out-of-three.
Yeah, the premise as it unfolds is a little ridiculous, especially as Mitch seems to have a GPS system to track his fleeing wife, but the escapism is pure adrenaline-rushing fun. Jennifer Lopez is naturally appealing and solid in her performance, although the emotional range of the role seems to demand only fierceness and fright. Still, the chemistry between her and young co-star Allen is unmistakable, even poignant. Noah Wylie does a fantastic turn as Robbie, a character I won't describe for fear of spoiling the plot. Juliette Lewis has her usual on-screen charisma even though she's not given much to work with. This film was much better than I expected. Viewers hoping for something new or even substantial on the theme of domestic violence will be disappointed since it only serves as a plot device to put Lopez's character in danger. This would make a great date flick since men will appreciate the constant action (not to mention the lead actress) and women will be drawn to the subject matter.
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| 17. Out There Director: Sam Irvin | |
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Reviews (1)
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| 18. Brylcreem Boys Director: Terence Ryan | |
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Reviews (7)
See it if you can.
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