Amazon.com essential video

Garry Marshall's 1988 drama about a 30-year friendship between two women, one wealthy (Barbara Hershey) and the other (Bette Midler) seeking her fortune in show business, is well written (based on the novel by Iris Rainer Dart) and nicely textured in its contrast between the characters' separate destinies. When Hershey becomes ill with cancer, the film takes a predictably sentimental course, yet Marshall brings out the best in both actresses and catches some very fine drama. The film is a little too long, perhaps, but overall it is a fine experience.--Tom Keogh ... Read more

Reviews (100)

ENTERTAINING SUDS
Barbara Hershey and Bette Midler form an unlikely alliance in this contemporary/traditional "woman's picture". Well-produced musical numbers, charting CeCe's (Bette) singing/performing career, add zest and emotion, though the central relationship is exceptionally well-played by both the young and older versions of the characters. I particularly loved the way this movie grows with the characters; the story evolves over much time, and, unfortunately, spends too much time, and the film's most overrated song (Wind Beneath My Wings, which has a bizarrely self-involved lyric) in its final half hour wallowing in suds. However, the actresses retain a power throughout, and the tears this movie works to summon forth do not feel shameless -- an age-old friendship will likely always suffer its highs and lows, though perhaps not with this many strings playing in the background.

Friendship that never dies.....
I fell in love with the movie the first time that I saw it and still love it. One of the most brilliant performances by both Bette Midler and Barbara Hershey I have ever seen.I enjoyed very much seeing Bette showcase her voice in the movie because she has such a strong and beautiful voice, not to mention she is so hilarious. The scenes in this movie are emotional, uplifting, comedic and poignant. This film reminds of a special friendship that I have, and just watching the movie reminds me a lot of my relationship with my friend. It depicts that all friendships aren't perfect, everyone has their differences but that in the end that one special friend will always be there for you. In this world today, it is hard to find a friend like that. There were also some stellar performances by John Heard as the love interest of Bette Midler, Laine Kazane as Bette's mother Leona. What a wonderful movie, a real tearjearker and call it a chick flick if you want but this is a movie that was made for both men and women.

I love this movie
Bette Midler is wonderful in this movie. Barbara Hershey gives an outstanding performance. I love their friendship and how it goes through the different phases, and yet at the end they are there for one another, to support one another. This movie is definitely a tear-jerker, yet a classic.

Made me feel dirty
Watching this movie was a very unpleasant experience for me and left me feeling like an emotional voyeur. It was just too harrowingly weepy. I'm not saying that there's anything wrong with a movie that appeals primarily to the emotions, but I felt that Beaches went way past the saturation point. By the end I was simply tired of feeling!
I have, however, given Beaches three stars because the fact that it is so well loved by so many suggests that it must successfully fulfill some sort of need for many viewers. Just be warned that, depending on your tastes, you may want to fulfill that need elsewhere.

Sad but Good!
I never read the book this movie is based on but we rented Beaches and I thought it was a good movie. It is a tearjerker that is really sad and I don't always like sad movies because sometimes they can be too melodramatic and real downers but I liked this movie and I think Bette Midler and Barbara Hershey gave good acting perfomances and I was also impressed with Mayim Bialik (Blossom) who played Bette Midler's character C.C. when the character was 11 years old. I recommend this movie! ... Read more

Amazon.com essential video

Garry Marshall (Pretty Woman) directs the screen adaptation of Terence McNally's play Frankie and Johnny at the Clair de Lune, the story of a short-order cook (Al Pacino) who drives a waitress (Michelle Pfeiffer) crazy with his adamant courtship and mixed messages. The film is okay and not much more than that, the major stumbling block being Marshall's failure to scrub away enough star veneer on Pacino and Pfeiffer to accept them as minimum-wage drones with nowhere to go but toward each other. Fortunately, Marshall's feel for the texture offered by supporting players--Hector Elizondo as a café owner, Nathan Lane as Pfeiffer's inevitably gay neighbor-buddy, Kate Nelligan as another lonely waitress--keeps things interesting enough. --Tom Keogh ... Read more

Reviews (35)

"We're expecting another call from you any minute"
Surprisingly subtle love story from director Garry Marshall. I think it tanked in theaters for the same reason I didn't see it until it went to video--I wasn't ready to accept Michelle Pfeiffer as a greasy-spoon waitress (or Al Pacino as a short-order cook). But I forgot that they can both act, and they do a wonderful job here. Nathan Lane is hilarious in a supporting role; he provides what might be the single funniest line that movie year.

Best Romantic Movie Ever Made!
This movie is one of the best!! You have to own it. If you are a hopeless romantic, then you MUST have it!!!! Not a movie for the kiddies. Just you and with someone you love or want to love...

I wish I could live in that Universe.
The dialogs are a dream come true.

I heard some people were upset that Michelle Pfeiffer was cast as Frankie. Apparently the actress who played that character on stage was Kathy Bates and came to be regarded by many as definitive in that role. I'm sure she was terrific, and I loved her in "Dolores Claiborne", but as much as I sympathize with those who claim that it's all part of Hollywood's conspiracy to make ordinary women feel dissatisfied with their "real", ordinary bodies and faces, Michelle Pfeiffer - gorgeous as she is - is a sensitive, real performer, not a Barbie doll in any way, and though I couldn't be more different from her physically, I find it very easy to relate to her thanks to her talent.

The movie is a gem, though every time I watch anything with Al Pacino in it I'm always counting the seconds for the "scream scene". I'm not sure I ever watched a movie in which he starred, that he didn't scream his head off at some point, and this one's no exception. One love scene is basically spoiled by it, although die hard fans can always make the case that the script was asking for it. No minor problems like this one can spoil the movie as a whole though, that's what's important.

A true love story
The way it really is. two people who aren't anything special at all. And they find one another and make it work despite everything else. because they have to. because they need something in their lives and this is the best thing coming around. Nice.

Beautiful Love Story!
I saw this in 1991 when I was in middle school and I instantly fell in love with the movie. This film introduced me to romantic comedies and though I am not a fan of most films of this genre this one has a lot of heart and soul.

Al Pacino took a break from his usual cop/crook roles to play Johnny, a sweet ex-con with a bruised heart. He's a kindred spirit looking for someone else to share his lonely life with. Michelle Pheiffer is the same kindred spirit except Frankie has been so bruised she can not get back. Frankie and Johnny go through twists and turns before Frankie agrees to go out on a date. The more Frankie sees into Johnny's world she realizes he's the one person who can help her move past her former relationship with a man who beat her. This actually scares Frankie even more and she does her best to fight Johnny's advances but ultimately cannot fight her own heart.

This movie is the perfect date movie all rolled into one. It would have been a great family movie except for the thrown in sex scene between Johnny and Cora. I didn't agree with that because it didn't belong in a wholesome movie like this. The set up of the diner was refreshing and it was good to see a film where everyone was struggling for paychecks and not living in mansions and driving fancy cars. I am not from New York but I got a true sense of New York life after seeing this movie. The director ( Garry Marshall) had just come off of his super hit with Pretty Woman and proved he still had the touch of gold when it came to romantic movies.

The cast was wonderful. I enjoyed Al Pacino's innocent betrayal of Johnny and he brought in a lot of himself into the character. Michelle Pfeiffer was good as well. I just wished Frankie hadn't have been so grumpy because it was hard for me to warm up to her at first. But I realized Frankie was the way she was because of the hardships in her life. This is a movie for anyone to enjoy: young, middle-aged, senior, black, white, asian. It's one of those movies that doesn't provide any culture gaps or society gaps. It's just a nice love story where anyone can relate.

Everyone has had to struggle with emotions or money and everyone has fallen in love some time or another. This film combines all those elements into a breathtaking movie. If that's not enough for you to see it, check it out for the supporting characters. Nathan Lane is a hoot. Everyone should see this film at least once. ... Read more

Reviews (58)

Fall overboard w/ laughter at this 5 star funfest of a film
Probably my favorite comedy movie of all time (starring Goldie Hawn & Kurt Russell), Overboard has it all!

A five star cast, hilarious dialogue, great comedic timing, and marvelous chemistry between Hawn & Russell easily adds up to more than five stars worth of fun. Supporting cast members like Roddy McDowell, Katherine Helmond, and Edward Herrmann make more than the most from their roles, and really shine. The actors who portray Mrs. Berberich, the school principal, and Dr. Korman, the psychiatrist, really do their part to add comedic punch as well.

The movie opens with Goldie Hawn as JoAnna Stayton, a bored, pampered, demanding and imperious heiress--husband Grant is an equally shallow and pompous aristocrat. They openly despise each other, treat the help like servants, are enamored with possessions over people, and are proof positive that money does not buy happiness.

Enter Kurt Russell as carpenter Dean Profitt, hired to build a new closet on the Stayton yacht. When petualnt Hawn refuses to pay him for his work and knocks him overboard, Russell vows he will make her pay. He soon gets his chance when JoAnna falls overboard herself and husband Grant is too preoccupied watching Lifestyles of the Rich & Famous (ostensibly to see if he made it onto a list of the top ten yacht owners!) to hear her cries for help and save her.

Once rescued and suffering from amnesia, JoAnna is taken to the mental ward of a local hospital where she terrorizes staff members with her fits and vicious snits. Only too glad to be rid of her, they fall for Dean Profitt's story that this is his missing wife, Annie, and he is permitted to take her "home."

The Profitt "residence" turns out to be a down-and-out homestead reminiscent of the farm from Green Acres, complete with car parts and debris all over the yard, a limping dog in a cast, and four unruly boys demolishing everything in sight. Watching Hawn acclimate to this nightmare is totally hilarious. At one point she sighs..."So, this is my life....I didn't marry very well, did I?" Too, too funny!

By movie's end, Hawn has transformed the unruly household into a happy family home, fallen in love with Russell and his children, and morphed into a real human being. A funny, funny movie with a feel good ending, Overboard is highly underrated. I urge you to watch it and share the humor!

Old Silly Fun
This ludicrous comedy starring Kurt Russell and Goldie Hawn is great. Wealthy and thoroughly unpleasant heiress Joanna Stayton (Hawn) suffers from severe amnesia and the carpenter she stiffs out of 600 bucks, Dean Proffitt (Russell), takes advantage of the situation to take her home to his seedy hovel and 4 unruly kids. There he convinces her that she's his wife, with the ensuing misadventures as amusing as you'd expect. Throughout the movie they fall madly in love (of course), and Proffitt is then left with the unenviable task of explaining his actions to his lovely guest when her memory eventually returns.

It's a the hokiest, silliest movie that you'll ever love, with both Goldie Hawn and Kurt Russell turning in great performances. Laughs are just about guaranteed, and it's one of those movies that just gets better with repeated showings. Reccomended.

very entertaining and enjoyable, a terrific movie!!
easily ,the best movie goldie or kurt have made together or apart, period. its for anyone who is down to earth and enjoys a good practical joke. its a funny movie yet heartwarming and will make you feel good. Part of the magic comes from goldie and kurt being a couple in real life as they have this certain chemistry. This movie I enjoy over and over and it will have a permanent place in my collection. It's just too bad there's not a sequel because you don't want the fun to end.

This was a job for Dr. Death
I don't know how many Kurt Russell fans are out there, but I am one of them. This is the first movie with Russell that I can remember seeing but none the less, I laugh harder and harder every time I watch it. Russell plays a hard working carpenter who goes by the name of Dean Proffit. Though he tries to raise a good family on his own, he can't help it, they are the white trash rednecks that no body wants to be. Then he sees in the news that a women had been found in the ocean who had harsh memory loss and did'nt know her name. Proffit recognized her as a former client. She was the very snobby, yet pretty hot Joanna Staton. So, in order to save his family, Proffit take Staton from the hospitol she was submitted to. He told her she was his wife and her name was Anne, maiden name Goolahee. In the end she regains her memory but yet can not fall out of love with Proffit. A good movie for anyone who wants to see a good movie.

Very Underrated Movie!
When ever I see Filmographys of Goldie Hawn or Kurt Russel, I rarely see this great movie mentioned! And I dont know why? I'm not into those love story kind of things, but this movie has a speichel place in my heart for some reason!

By now youve read the reveiws of what its about, so i need not bore you with another one! All I can sau is this is a very good sweet romantic comedy, and it deserves more credit then it has recieved! As you can see already, other people rated it high! They rate it high because its a finly made movie!

There no cheesyness or stupidity to it, and you will really enjoy this if you want a nice familly movie with only a tiny bit of cruedness in some areas, but i dont think its anything your grandparents would have there mouths open over!

If you have never seen this, and your into romantic comedys, then this is the one to get! Dont think its some lovey dovey sloppy stroppy kissey wussy mushy film tho! Its not.... its defnitly a feel good love flick that even the guys will probably be able to enjoy and not just rate this as a chick flick...far from it!!!! ... Read more

Amazon.com

Typical of Disney's 1970s output, this squeaky-clean comic adventure about a group of church volunteers and soccer moms who take on local gangsters is packed with slapstick humor, sight gags, and nonlethal car crashes. Curiously enough, it's based on the true story of Reverend Albert Fay Hill, who wrote a book about his efforts to stop mob-run gambling in his city. Edward Herrmann plays the fictionalized Presbyterian minister Mike Hill, a soft-spoken widower with two kids who ruffles the feathers of the dedicated church secretary (Susan Clark) when he organizes a group of women to help the Treasury Department catch the bookies in the act. The mobsters are more Damon Runyon than John Gotti: no one gets hurt and everything ends in a demolition derby free-for-all as the suburban-lady volunteers play bumper cars with the mobsters. There's a potentially fascinating story in there that Disney keeps a G-rated cap on (though seeing Karen Valentine swingin' her booty under the cover of pounds of makeup and a little halter top is a surprise in a family film), but it's a harmless little comedy enlivened by plucky performances by Barbara Harris and Cloris Leachman and a fun turn by Ruth Buzzie as a church elder with a CB-radio handle. --Sean Axmaker ... Read more

Reviews (24)

A true guilty pleasure!
I am not ashamed to say I love this film. It is good, clean fun, and absolutely hilarious. It is one of the few films that me and my mom both like. The cast is outstanding, especially Barbara Harris, Karen Valentine, Ruth Buzzi, and Cloris Leachman. I never tire of watching this movie. I call this a guilty pleasure because while most serious film lovers would never even consider this film for a Top Films List, I would. Few films make me laugh like this one.

Underrated Disney Comedy
To me, this is the best movie to come out of Disney's dry spell of the '70's (when it released such stinkers as "Million Dollar Duck" and "Herbie Goes to Monte Carlo") . . terrific fun for the whole family. Edward Herrmann (who I normally find an unbearably annoying actor) is quite good as a pastor who finds himself fighting organized crime when one of his church members gambles away church money. (True, he should be angry at the church member, but our reverend believes in tackling the ROOT of the problem). After Herrmann speaks out against organized crime publicly, two FBI agents come to him and ask him for his help in going undercover to expose these gangsters. He asks for help from his congregation, and the only ones who will aid him are 6 indomitable females (Patsy Kelly, Virginia Capers, Barbara Harris, Cloris Leachman, Karen Valentine, and - later - Susan Clark). You'll relish every second that you see all of the ladies on the screen, especially the scatterbrained soccer mom Harris (her funniest scene takes place in a grocery store, as she spies on one of the pickup men); the constantly-primping Leachman; and tough-as-nails Capers. Features a cute cameo by Ruth Buzzi as part of a church committee out to remove Herrmann (she ends up joining the ladies to fight the criminals). Unfortunately, I find that the film suffers when nervous Fed Michael Constantine leaves the project in the Reverend's hands; his exasperated scenes with the ladies are among the most enjoyable in the film. Another small drawback is the cutesy way in which the movie treats organized crime . .you'll never believe for a second the gangsters are really out to hurt these ladies. The film's final moments, a "demolition derby" of sorts, will delight kids. I can remember absolutely loving this film as a kid . . I'm positive one day Disney will remake it (hopefully they do it justice).

North Avenue Irregulars
A Disney Classic at its best. Great that Disney releasing the old time films like this one about a man of the cloth and the church people trying to save their church from being torn down. The only problem is that Disney needs to release these older titles to a wider range of stores and many of use end up special ordering or ordering on line because they can't find them in their stores.

Local Grannies Cleans Up Neighborhood
This film is very entertaining and definitely for all audiences. A group of elderly ladies forms a "neighborhood watch", or better a "neighborhood clean-up crew". They join forces to rid their formerly "nice neighborhood" of the trash that gives it a bad name.

Fearless and determined, the "North Avenue Irregulars" (played by many familiar comediennes) show the bad guys who's boss and reclaim their "turf". Many laughs, and a timely message: Don't let the scum take over your neighborhood!****

Funny Comedy about Quirky Church-goers
I have never laughed so hard at such a funny comedy. The movie is about the North Avenue Presbyterian Church, when a church member bets the entire church sinking fund on a horse race and loses. This makes the rest of the church members go on a secret mission to tear up the underground gambling ring in their city. It is a very funny movie and worth the money to add to your collection. ... Read more

Reviews (29)

perfect revenge movie
Death Wish was an excellent movie that told the story of mild mannered common man Paul Kersey driven to become a vigilante after the murder of his wife and rape of his daughter. Death Wish is very artistic and was a hit that spawned 4 sequels. Death Wish 2 set the pattern for the other movies in the series and is a different type of film from the first. The second Death Wish falls into the category of revenge films and has a gritty look to it that captures the rawness of it's subject. Some have complained about the look of the film, but it serves to make it much more visceral from the first film and one of the grittiest films ever made. There's a disturbing snuff film/documentary feel about Death Wish 2 which both repulses and transfixes, and at the same time the film also works on a much more unreal level as a revenge fantasy.
In the first film Kersey never catches the thugs who destroyed his family, but in Death Wish 2 his revenge isn't just aimed at random criminals, but at specific thugs responsible for his daughter's death. The first Death Wish was about Kersey's transformation into a vigilante, but Death Wish 2 is about hunting down specific guilty criminals and seeing that they pay for their crimes. There have been many revenge films, but there's just something much more satisfying about the way justice is served in the Death Wish series than in other films. William Lustig's Vigilante is another good film of this type as is The Exterminator, but Death Wish 2, like the rest of the series, really provides the audience with a satisfying feeling of justice. The combination of the hyper real and the fantastic make Death Wish 2 compelling viewing. As a cinematic revenge fantasy it's the best of it's kind.

A sequel far from equal to the first.
For some reason it took 8 to 9 years for there to be a sequel made to the movie that most people associate with Charles Bronson. It wasn't worth the wait. Even revisiting the movie on DVD (sadly full frame, at least they could have restored it to its proper aspect ratio) did not improve my original thoughts on this follow up. Death Wish 2 is to Death Wish what Jaws 2 was to Jaws, a sequel that attempts to pass itself off as a continuation of the first film but largely recycles its plot and most memorable moments. Paul Kersey (Charles Bronson) is now living in Los Angeles and he has had his still mentally withdrawn (and actually younger looking) daughter Carol moved to a nearby facility. Evidently her husband left her, as that character is not mentioned this time out, even in passing. When Kersey and his new girlfriend (played by Bronson's real life wife Jill Ireland) take Carol out for some quality family time, Paul is attacked by muggers who steal his wallet. Of course Kersey gives chase and manages to pound one mugger against a wall, but they still have his wallet - which contains his address and, of course, the muggers are gunning for revenge. This is obviously meant to recreate (or homage) the set-up for the attack by a trio of thugs who get the Kersey home address at the supermarket in the first Death Wish. The muggers attack the Kersey household, sexually assaulting both the housekeeper as well as Kersey's daughter (again), both of whom die. The major difference from the first movie is that Kersey is there and thus knows just who to hunt down after a little alone time. In the first Death Wish it was a business trip to Tuscon, in Death Wish 2 it's a weekend at a friend's rustic cabin. The rest of the movie is basically Bronson wandering around the seedier areas of Hollywood until he finds his prey - that and avoiding his girlfriend while trying to keep her clueless about what he is doing at night. Death Wish 2 delivers on the violence and sleazy exploitation, but it misses the mark in even attempting to create a compelling story. Despite there being ample oppurtunity to do so. Some Bronson fans will no doubt want this, put it remains a poor follow up to a truly great movie.

A real Winner
Not sure where to begin with Death Wish 2. Significantly, it was directed by Michael Winner, who directed the first and would go on to direct the amazing third entry in this series about 'bleeding heart liberal' architect Paul Kersey and his vigilante side job.

Paul Kersey now lives in sunny Los Angeles, which like New York is depicted as a pit of human filth and depravity. The incredible cynicism of the filmmakers begins right away as Kersey's housemaid and daughter--who, remember, was violently raped in the original--are brutaly raped, with the maid murdered. Then Kersey's daughter is taken away, raped again, and decides to jump out a window rather than endure the rest of the film. Kersey then puts down his slide ruler and blueprints and takes up his old hobby of blowing away criminal scum.

The main difference between Part 2 and the original, besides an even deeper cynicism, a lower budget, and overall abysmal effort by all involved, is that Bronson actually hunts down the individuals responsible for these acts of malfeasance. His behavior now flat-out pathological, he rents a cheap office in a bad part of LA, using it as a home base for his vigilante operations. Donning ski cap and dark clothes and packing heat, he roams the streets of LA, looking for revenge.

Even the tagline is noteworthy:

Bronson's on the loose again! Seems to suggest that, in effect, it didn't matter who Bronson was playing, because 'he' was on the loose again!

Overall, it's bad. Very, very bad. Part 3 is bad, but it has other things going for it, namely that it cannot be taken seriously for a moment and it knows it, the tongue so firmly in cheek that it becomes an incredible guilty pleasure and one of the best bad movies of the 80s, perhaps ever. But Part 2, for the most part, is an exploitation movie. The film looks cheap, grimy, and rushed. It can't even succeed as a bad movie, which is pretty depressing. It feels seedy, right down to the very grainy film stock and washed out look to the picture. And to top it off, Jimmy Page contributes one of the most appalling scores I've heard in a movie of any genre. Not even his score for Part 3 was this embarassing. And yes, it is THE Jimmy Page.

As for Bronson, he's particularly wooden in this one. Which may be appropriate as at this point, Kersey is less than sane.

But alas! The Death Wish flicks finally reappeared on DVD, right around the time of Bronson's death in 2003. Obviously recommended if you like, well, Death Wish movies, the DVDs are capable, if pretty bare bones. I would love to hear Michael Winner do a commentary track to discuss his state of mind when he directed this one.

Character Development
REASONS TO BUY:
Unlike the first part, Bronson has a strong unyielding character. He's not the least bit afraid to get the job done this time and doesn't stop untill he gets every single on of those creeps that killed his daughter. It really gives you a sense of staisfaction even if it's just a movie.

REASONS NOT TO BUY:
This is the cut version. Evidently, some people believe that we are not intelligent enough to view certain scenes. I think it's worth the time to search the internet for the full uncut version.

Brutal reality
Plot
This film is the second appearance of the character of Paul Kersey, the liberal architect who became a vigilante after his daughter was assaulted (with spray paint) and his wife was killed while trying to stop the assault perpetrators. Kerseys daughter is visiting her father but is still in the state in which she was left in the first film, only she seems to be happier. Kersey takes his daughter and his girlfriend to a fair, then goes to get ice cream. But it seems that he is the only man in the world who can get mugged during such an activity; a gang with a kingpin played by Lawrence Fishburn steals his wallet. He chases after them and stops, but this is definitely not the last he hears of them as they use his ID to find his home then rape his maid; then he returns with his daughter and they knock him out, kidnap his daughter and rape her. She dies by throwing herself out a window. And so the plot is set for Charles Bronson's character to avenge his daughter and reenter the vigilante lifestyle.

Analysis
I very much enjoyed this movie, from seeing a movie shows reality in a form that's so blunt it offends many people, to the delivery of such lines as "Do you believe in Jesus...well now your going to meet him."

In this movie, unlike its predecessor, Kersey actually knows who he is hunting, and he does not to bother those who he did not see in the apartment, while in the first movie he simply capped those who tried to mug him, or in one case a gang who was harassing a middle aged man. Rather than simply being a vigilante, Bronson is now also playing an avenger.

There is another change in Kersey in this movie; he no longer is reluctant to kill. Granted that went away in the second half of the first movie but in the sequel that reluctance is even less. Kersey now delivers lines to his enemies before doing away with them, and does it as though it's the most natural thing in the world. Having Bronson play the protagonist really aids this effect; with is calm voice he can make statements in a straightforward and threatening manner but at the same time not show any signs that he has lost his cool. As though dispatching criminals and antagonizing them were just a normal part of life for him, oh wait, it is lol.

Notes
The film that was actually released in theatres is different from the original version in terms of graphic rape scenes. The MPAA was going to give it an X rating but gave it an R after the movie was toned down.

See Lawrence Fishburn playing a rapist known as Cutter; he doesn't have quite the same effect as the paint fetish guys from DW but he's still pretty sadistic. ... Read more

Amazon.com essential video

Mel Brooks's directorial debut remains both a career high point and a classic show business farce. Hinging on a crafty plot premise, which in turn unleashes a joyously insane onstage spoof, The Producers is powered by a clutch of over-the-top performances, capped by the odd couple pairing of the late Zero Mostel and Gene Wilder, making his screen debut.

Mostel is Max Bialystock, a gone-to-seed Broadway producer who spends his days wheedling checks from his "investors," elderly women for whom Bialystock is only too willing to provide company.When wide-eyed auditor Leo Bloom (Wilder) comes to check the books, he unwittingly inspires the wild-eyed Max to hatch a sure-fire plan: sell 25,000 percent of his next show, produce a deliberate flop, then abscond with the proceeds. Unfortunately for the producers (but fortunately for us), their candidate for failure is Springtime for Hitler, a Brooksian conceit that envisions what Goebbels might have accomplished with a little help from Busby Berkeley.

Truly startling during its original 1968 release, The Producers does show signs of age in some peripheral scenes that make merry at the expense of gays and women. But the show's nifty cast (notably including the late Dick Shawn as LSD, the space cadet that snags the musical's title role, and Kenneth Mars as the helmeted playwright) clicks throughout, and the sight of Mostel fleecing his marks is irresistibly funny. Add Wilder's literally hysterical Bloom, and it's easy to understand the film's exalted status among late-'60s comedies. --Sam Sutherland ... Read more

Reviews (163)

A comedy classic
Whether or not you've caught the hot Broadway remake of Mel Brooks' 1968 classic - 'The Producers,' anyone who appreciates satire along with Brooks' zany style of humour will find great enjoyment in this 90 minute ode to show business, hucksterism, broadway musicals and nazism. While the humour is somewhat dated at times, no one can deny the sheer comedic energy given off by the likes of Zero Mostel, Gene Wilder, Dick Shawn, etc that will leave you laughing out loud every 6 mintues or so. Also of note is the craziness in the musical numbers themself that border on the fine line between absurd and offensive yet always manages to pull itself out brilliantly in the end.

For those planning on purchasing the DVD make sure that you get the 2002 released 'Special Edition' version. This edition includes over one hour of documentaries that actually manage to be viewable. Aside from the numerous other extras on this disc the video transfer is great (for an older movie) and a remastered 5.1 surround mix is included as well.

Zero is Hero - One of the great comedies
Zero Mostel glides and sparkles like a medal-winning ice dancer in Mel Brook's irreverent masterpiece. A terrifcally tasteless script is rewarded with some of the most outrageous performances ever grouped for one sitting. Mostel plays a down-at-heel producer looking for an easy return to the big time who stumbles on a cert thanks to Leo bloom (played by Gene Wilder). Leo realises you can make more with a sure-fire flop than with a smash, and so they herd together failsafe flops (Kenneth Mars as the Nazi playwight, Dick Shawn as the hippie Hitler and, unforgettably, Christopher Hewitt as director of "dopey dancers in gooey gowns," Roger Debris). Moments of unadulterated joy pepper this movie; Dick Shawn as LSD gives an otherworldly audition for Hitler, the opening scene of "Springtime for Hitler" is a jaw dropper and Zero dancing in the bar at the interval is priceless (even the way he gets from the bar to the jukebox and puts in the coin is poetry). If you haven't seen this gem a dozen times, don't rent it, buy it. It's one you'll never tire of.

DOOZY PREMISE WITH *SOME* GOOFY GAGS, BUT..
The theme held so much promise -- a couple of spent-out producers setting out to create the worst play ever to exploit an accounting glitch with finances. But something happened on the way to the execution.

The comic timing is good, and Zero and Gene have an engaging chemistry which dangles a promise in the first 30 minutes. There was even an occasional giggle here and there, but soon the clock was ticking and I had only found the film annoying, overacted and frequently just downright silly.

It's basically two guys fumbling around like a couple of idiots for a farcical hour and thirty minutes. "Springtime for Hitler" could've been hilarious, but even that fell flat. Come on, a drug-induced sixties, flower-power stoner playing Hitler is supposed to be funny?

There's a whole bunch of weird bits of comedy that are definitely original. But that's all they are. That originality sports very little zest or appeal. Did I have to be born in the late sixties to get the humor? Is this a dated comedy?

Maybe I missed something. Perhaps a rental if you have a particularly open evening.

Still Funny After All These Years
I saw this movie at the cinema when I was in high school...many moons ago...and I laughed until I cried that evening...this movie holds up well with time and it is still hysterically funny...especially the wonderful performance by the Dick Shawn, as "LSD".

Where Did I Go Right?
The Producers is the best of Mel Brooks' trio of masterpieces, which includes Young Frankenstein and Blazing Saddles. Who knows if this is one of the funniest movies of all time? It's on my list of the funniest, though. You either love Mel's work, or you think he's inane and over-the-top; or both. Gene Wilder's best work may be found in Mel's movies; and Zero Mostel would certainly have been a mainstay in Mel Brooks movies if not for his unfortunate demise. The Producers is full of funny one-liners, and outrageous sight gags. Even the aspects that seem "dated" are still funny, because they were played over-the-top ridiculous in the first place; their datedness just plays into their over-the-topness now. ... Read more

Reviews (3)

Excellent Example Of Dark Comedy
This is such a funny movie, but not in the obvious slapstick or toilet humor vein that passes for modern movie comedy nowadays. In this spoof of the Mafia and an attempted "hostile takeover", the humor is dark, sometimes subtle, with hilarity that simmers just under the surface. It helps to know something about Italian families---both regular and criminal---, but this movie is painfully funny nevertheless, much in the same way as the great British series "Fawlty Towers". This is a very 70's type of comedy, demanding that the viewer have an attention span and a sharp eye for detail. Like British and other genre comedies, it may not be for everyone, but we found it very enjoyable.

The cast is terrific: Jerry Orbach is perfect for the part of the luckless Sally Palumbo, Jo Van Fleet gives an incredible performance as his creepy mother, Leigh Taylor-Young is both tough and sweet as his little sister, and a young Robert DeNiro is superb as the con-artist Mario. The others, including Herve Villechaize, Lionel Stander, Joe Stantos and Frank Campanella, are all great and there isn't a bad actor in the wide array of supporting players. The story line is also well-written, taking the viewer on one sick and crazy ride through the bowels of both the Mafia and a "typical" Italian family---and who can say which is worse?

Pay close attention when watching this; some jokes are more readily apparent than others. Our personal favorites included: the panties' check done on the little sister by the neighborhood thugs as she heads for school (After which they report to her mother that, yes, she's wearing them.), the attempted knife-throw that cuts the power line, the professional mourner at the funerals, the demolitions expert who gets blown up by the cops using their radio to report his suspicious activity, and Sally Palumbo feeding his pet lion the wrong brown paper bag. The list could go on for a mile, but we don't want to spoil things for folks who have never seen this movie.

In summary, this is a great example of a 70's dark comedy in which whatever can go wrong for this hapless gang will go wrong. If you prefer slapstick or obvious humor, you may not like this film, but most people should find it at least reasonably enjoyable. We felt like we got more than our money's worth, if only to get a look at DeNiro when he was a kid. "The Gang That Couldn't Shoot Straight" is a wonderfully good time, well-written and well-acted.

NOW this is Entertainment!
Unfortunely this movie was a sleeper in the theatres when it first came out. But check out the cast! Jo Ann Fleet (thoughtly modern millie) and Robert DeNiro in a comedy.An a comedy it is. It's just pure fun and a great uplifing movie if you have the blues. It's so funny and you won't be disappointed,,,i promise..

keystone mafia?
this is a very funny movie with a lot of action. original book written by jimmy breslin; this is the mafia as never seen before. very early robert deniro in a comedy role. hilarious. must see! ... Read more

Amazon.com essential video

A gung-ho and merciful angel (Buck Henry) pulls Joe Pendleton (Beatty), a football star, out of his body before his time, forcing the higher powers to come up with a substitute host. Joe settles on a vicious multimillionaire whose wife and partner are trying to kill him. Light, breezy, with not a mean bone in its body, Heaven is based on the 1941 film Here Comes Mr. Jordan. Beatty is wonderfully daft and innocent as Joe, Jack Warden is on top of his form as Joe's trainer Corky, and Julie Christie appears to be playing a diaphanous summer dress. Great comic relief is provided by Dyan Cannon, Charles Grodin, and the notion that the 1978 Los Angeles Rams could go to the Superbowl. --Keith Simanton ... Read more

Reviews (22)

Theologically Suspect...
Just kidding! I actually suspected I might find a killjoy review that might be along the very lines of my little "headline" above. There are always tut-tutters who'll utter, "God doesn't MAKE mistakes!" (I'm thinking of taking up hip-hop by the way).

But almost everyone seems to be in agreement that this is a charming fantasy with a lot of heart. And they're right. This is a sweet-natured movie, perhaps the lightest fare that Warren Beatty ever produced. And of course, GOD doesn't make mistakes, but bumbling newly promoted angels do, at least in fantasy land. In that, this movie pays homage to earlier classics like "It's A Wonderful Life" as well as its source film, "Here Comes Mr. Jordan."

Speaking of "Mr. Jordan," while many of the reviewers here duly praise Beatty, Julie Christie and comic villains, Dyan Cannon and Charles Grodin (perfect pairing), it also bears mentioning that James Mason is perfectly cast in what would have been the title role if they hadn't gone and changed the title. It's hardly a stretch for him, but like the rest of the cast he seems to be having a great time. In fact, that's one of the secondary pleasures of HEAVEN CAN WAIT. Sometimes, you slog through a particularly painful film, because it's a masterpiece(genuine or reputed), but you figure it had to be agony to make. HEAVEN CAN WAIT is not like that at all. They probably served angel food at the wrap party!

A heck of a lot of fun.
I really like this motion picture. The combo of Warren Beatty and Julie Christie has always pleased me (my absolute favorite of theirs--and one of my favorite films, period, is "McCabe & Mrs. Miller"). What I think is special about "Heaven Can Wait" is the great supporting cast. All are wonderful and wonderfully funny. Some of the dialogue between Diane Cannon and Charles Grodin is side-splitting. James Mason plays the sophisticated guide, Mr. Jordan, to a tee, while Buck Henry's dry wit hits with pin-point accuracy. Jack Warden is always solid and this film was certainly no exception.

The only thing negative I can comment on is Julie Christie's role. Many parts of the screenplay failed her miserably, especially the scene where she was confronting Beatty (when he became Farnsworth) for the first time. As the scene played out, it felt like someone was running a fingernail across a chalkboard. Actually, Christie's role turned out to be minor compared to the others, and this is a shame. She is one of the most beautiful and talented actresses ever to grace the screen, and I felt her talents were wasted for much of the film. I also agree with the reviewer who didn't like her hair. Oh, well....

However, everything else is so good, and the performances so rich, that I can't help giving this movie a very solid 8 out of 10. If you want to watch a film with some real belly-laughs, this one doesn't disappoint. I think the last time I laughed this hard was when I watched "What's Up Doc?" (my type of humor, I guess....)

BEATTY'S BEST.
Joe Pendleton is one of the most delightful and endearing characters of the past 3 decades. It's Warren Beatty's best performance pre-BUGSY and his best directing efforts, surpassing his work on both BUGSY and REDS. HEAVEN CAN WAIT is better than the original HERE COMES MR. JORDAN: It's better cast, better told and extremely heart warming...you ache when Pendleton is taken from earth twice (but not in the order you think would elicit the pain). I hope James Mason is waiting to greet me at the way station.

Totally Enjoyable!!!
This has to be one of the nicest films which Warren Beatty has ever been in, and such a likable character, too. He plays the role of a football star who dies suddenly, and is later re-incarnated into another life. Of course his essential character is still the same, and he tries to continue on in his quest to win the Superbowl (a game which he failed to win because of his sudden demise).

There are so many wonderful parts of this film. Jack Warden is superb as the coach who has to be persuaded that it is, indeed, Warren Beatty, and he goes a long way "in faith" to accept it as true, especially in light of the fact that Beatty has entered into the body of a very wealthy man, and the team doesn't want to have some "rich guy" owning the team.

Then there are the "angels," James Mason and Buck Henry, and they are equally good as well, although I can't say I'd buy into seeing real angels look like them. But they are inspiring, in a quirky kind of way.

Last of all, the "love interest" with Julie Christie, and I have to admit that this a film which majors on romance, without the sex, language, and other deleterious side effects of modern day film making.

"Heaven Can Wait" is a great classic film, and you would do well to add it to your collection. A Marvelous soundtrack as well. Highly recommended!!!

'You put me in a closet!!'
Rarely has a story been this whimsical and fun. I own an old, OLD, VHS tape of this and am on the brink of replacing it with a DVD. I saw the original film a long time ago, and (not meaning to cast any negative opinions) remember nothing about it except that it felt heavier and more disjointed. This version is peerless- from the comic, slightly neurotic turn of angel (and co-writer) Buck Henry, to the extremely neurotic, over-the-top performance of socialite wife Dyan Cannon. Her scenes with Charles Grodin ("yes, Mr. Farnsworth") feebly trying to hide their affair are hysterical. The best moments are with the genteel, easygoing James Mason and trainer Jack Warden (a nice guy who I always felt got short-changed at the end of the film). There's also a certain magical quality felt when hearing the line (used several times throughout) "there's nothing to be afraid of." In fact, there isn't. ... Read more

Reviews (8)

'THE FLAMINGO KID'
MATT DILLON OFFICIALLY BECAME A SUPERSTAR AS HE SHINES IN THIS SURPRISINGLY EFFECTIVE 1984 COMEDY. DILLON STARS AS A COLLEGE AGED BROOKLYN YOUTH WHO AGAINST HIS FATHERS (HECTOR ELIZONDO) WISHES LANDS A SUMMER JOB AT AN UPPER CLASS LONG ISLAND BEACH CLUB. THERE DILLON MEETS A SUAVE CAR DEALERSHIP OWNER (RICHARD CRENNA) WHO IS ALSO THE FAT CAT GIN RUMMY KING OF THE FLAMINGO BEACH CLUB. THERE ARE PLENTY OF LAUGHS AS WELL AS TOP NOTCH ACTING AND GREAT DIRECTING BY GARRY MARSHALL. LOOK FOR NICE SUPPORTING ROLES GIVEN BY JESSICA WALTER AND JANET JONES WHO WE DISAPPOINTINGLY NEVER REALLY SAW MUCH OF AFTER THIS SOLID PERFORMANCE.

Sweet Ginger Brown
Good coming of age movie set in 1963 about a guy, his Dad, and the bi wig aouto dealer and card shark. Plus you get to see one of the great butts in film history when Janet Jones in her film debut gets out of the pool.

"Dad, how many potatoes do you think you'll eat b4 u die?"
I fell on the floor with above line by Matt Dillon, to his father, perfectly played by Hector Elizando. And many other lines as well.

Dillon is a young impressionable kid from working-class Brooklyn who is in awe of the part played by Richard Crenna, a charming charlton. Dillon's character is swept up by wealth and the beautiful people and Crenna's character undoubtedly likes the attention. So Jeffrey hangs on to every word and goes home at night and repeats them. It doesnt take long for his true-to-his word father to catch on and call him on it.

The differences in class and values come to a head when Elizando and Crenna meet.

Funny and very entertaining.

Summer the way it used to be...
Whoa! Trip to yester year.... Matt Dillon is outstanding in one of his earlier and most memorable flicks. A great story well told, we learn that father really does "know best", and that the old-fashioned values are the only substantial anchor. Fisher Stevens as Hawk is awesome in his first "named" role. Also good is Janet Jones (better-known now as Wayne Gretzky's wife)--heaven only knows why she never received another significant role. Too bad the film was marred by a couple of iterations of the PG-13 word and a nude sex scene (sensitive body parts hidden...)--I would like to have shown this one to my kids.

Richard Crenna steals the show
Yes, Matt Dillon may "come of age" in this film, but Richard Crenna steals the show as a fat-cat owner of a car dealership who lies and cheats at gin and thereby teaches young Jeffrey Willis that all that glitters is not gold. A lovely bikini-clad Jessica Walter as Crenna's wife not only brings her impressive acting talent to this film, but also holds her own (at the age of 43) against the younger bathing beauties that populate the Flamingo Club. ... Read more

Amazon.com

Rock Hudson stars in this unsettling look at second chances. Banker Arthur Hamilton (John Randolph) lives a comfortable, stifling life until he is contacted by a mysterious caller offering "what every middle-aged man wants: complete freedom." Hamilton, with the help of an enigmatic corporation, fakes his own death and starts over in his new swinging-bachelor persona (now played by Rock Hudson). A change of life, though, is not just a change of scenery, and Seconds, for all its thriller aspects, contains some sad and disturbing meditations on the way we make our own prisons. Director John Frankenheimer uses skewed angles, bizarre close-ups, and fisheye lenses to underscore the film's off-kilter tension, and Rock Hudson gives a performance that is light-years removed from Pillow Talk. Well worth watching twice. --Ali Davis ... Read more

Reviews (44)

Second-to-None
We've all had days where we wished we could escape our ourselves and our lives, to be someone else somewhere else. But even if it were possible, could we really start over? Seconds asks and answers that question - some might argue quite cynically - through some of the most searing and surreal images and dialogue on film, in a story both jarring and emotionally resonant because it tells truths about humanity.

Without giving up too much of the plot, it is difficult to convey just how profoundly disturbing and haunting this film is, even after multiple viewings. From the pipe-organ score by Jerry Goldsmith that breathes with an eerie, heretic fervor; to the distorted faces in the titles by Saul Bass; to the stunning wide-angle black-and-white photography by James Wong Howe; to the peerless direction by John Frankenheimer; and of course, to the career-topping performance of Rock Hudson as the protagonist striking the faustian bargain to trade in his humdrum, middle-age existence for a new beginning, this film is simply one of the most overlooked and underrated gems of '60s cinema.

That it was made nearly 40 years ago is evident because of the film's many on-location shots, but the movie transcends its era and its genre (science fiction?) because it deals with timeless themes and a premise that in today's world of cloning and biotechnology seems increasingly plausible (at least physically). Seconds also remains more chilling than Frankenheimer's more popular masterpiece, The Manchurian Candidate, because it speaks poignantly about something we can all identify with: identity.

The new DVD is very much worth the price of admission: the picture transfer is really superb, and the sound isn't bad relative to most films of its time period. The disc also contains a trailer and a commentary by Frankenheimer. While Frankenheimer's thoughts are informative, I was disappointed that he focused mostly on technical aspects of the movie (e.g., "here's James Wong using the wide-angle lens again . . . ). I wish he had provided more insights about plot and thematic elements; maybe he thought these were better off left to the viewer to figure out. You likely won't be able to rent this one at Blockbuster, because unfortunately it remains a cult classic only.

Seconds is director John Frankenheimer and lead actor Rock Hudson's finest hour, and I can't recommend it more highly. This is one movie that will make you think differently about yourself, your life, and your loved ones.

Second to None
We've all had days when we wished we could escape our ourselves and our lives, to be someone else somewhere else. But even if it were possible, could we really start over? Seconds asks and answers that question - some might argue quite cynically - through some of the most searing and surreal images and dialogue on film, in a story both jarring and emotionally resonant because it tells truths about humanity.

Without giving up too much of the plot, it is difficult to convey just how profoundly disturbing and haunting this film is, even after multiple viewings. From the pipe-organ score by Jerry Goldsmith that breathes with an eerie, heretic fervor; to the distorted faces in the titles by Saul Bass; to the stunning wide-angle black-and-white photography by James Wong Howe; to the peerless direction by John Frankenheimer; and of course, to the career-topping performance of Rock Hudson as the protagonist striking the faustian bargain to trade in his humdrum, middle-aged life for a new beginning, this film is simply one of the most overlooked and underrated gems of '60s cinema.

That it was made nearly 40 years ago is evident because of the film's many on-location shots, but the movie transcends its era and its genre (science fiction?) because it deals with timeless themes and a premise that in today's world of ..biotechnology seems increasingly plausible (at least physically). Seconds also remains more chilling than Frankenheimer's more popular masterpiece, The Manchurian Candidate, because it speaks poignantly about something we can all identify with: identity.

The new DVD is very much worth the price of admission: the picture transfer is really superb, and the sound isn't bad relative to most films of its time period. The disc also contains a trailer and a commentary by Frankenheimer. While Frankenheimer's thoughts are informative, I was disappointed that he focused mostly on technical aspects of the movie (e.g., "here's James Wong using the wide-angle lens again . . . ). I wish he had provided more insights about plot and thematic elements; maybe he thought these were better off left to the viewer to figure out. You likely won't be able to rent this one at Blockbuster, because unfortunately it remains a cult classic only.

Seconds is director John Frankenheimer and lead actor Rock Hudson's finest hour, and I can't recommend it more highly. This is one movie that will at least make you think - perhaps even differently - about yourself, your life, and your loved ones.

Seconds
Perhaps the most unknown and under appreciated American film of all time. John Frankenheimer at his edgiest and most paranoid. Rock Hudson is brilliantly cast as the young reincarnation of a middle-aged man who under goes surgery to regain his youth. A film truly ahead of its time and an inspiration to filmmakers everywhere. Story is told brilliantly with some of the most inventive camera work ever!

Frankenheimer's Trippy Twilight-Zonish Masterpiece
Seconds is probably the trippiest film you're likely to see. It stars Rock Hudson as Tony, a "reborn" of John Randolph (one of the actors blacklisted under McCarthy). It's ostensibly about this guy in a midlife crisis who is forced into this super secret organization that creates second lives for people by giving them new identities. This film hit so close to home for Rock he nearly broke down during filming.

At first glance the second chance at life looks great. A new identity, a house on the beach, and a beautiful new girlfriend in the seemingly hippyish Nora (Salome Jens). Then things go downhill and into a nightmarish realm. Really the whole film is a surreal nightmare, from the meat packing district to Randolph being drugged to out-of-proportion camera lenses and strange angles. And especially inside the reborn offices; what happens there is utterly otherworldly. Filmed in black and white this captures an experiment in surrealism that a major director wouldn't dare attempt today. And like all great '60s films this has a '60s feel and atmosphere to it. Especially when Nora and Tony go to a hippy festival, though Tony feels out of place there; after all he was formerly a square banker.

When Beach Boy Brian Wilson saw this film when it was released in 1966 he literally went insane. He believed Phil Spector was beaming him secret messages through the film to sabotage his career (the main character's last name was Wilson which may have added to his paranoia). But for a relatively healthy viewer it won't drive you insane...but it'll definitely have an effect on you.

If one had to pin down what this film is a metaphor for, it would have to be the old alienation of modern society theme, but here with an intense sci-fi-like twist. A must for all Frankenheimer fans, Rock Hudson fans, and/or '60s afficionados.

A Disturbing Mid-Life Crisis
Without question, "Seconds" is a disturbing and unique film. It's odd, unclassifiable, and not easily forgettable. It is also one of the few films that will upset you with each subsequent viewing. The passing of John Hamilton gives me pause to reflect on this underrated films - one of the best dramas of the mid-1960s, and one of the best psychological thrillers ever put to film.

John Randolph is Arthur Hamilton, a man haunted by the thought of life passing him by. Arthur is brought to a strange agency, and is given a unique opportunity: the agency will erase Arthur's old persona via a convenient faked death, perform plastic surgery, and give him a new life as a "second". Rock Hudson plays Tony Wilson, his post-surgery "second" persona. In his new "second" identity, Tony learns that a new body and new identity don't address his need for individuality. Tony never lets go of his supreme self-centeredness, which eventually leads to his downfall.

The film settles in the pit of your stomach with several strange and unsettling scenes. At the agency, he meets a friend who has something on his mind...he seems very intent that Arthur adopts a "second" identity. When Tony awakes from surgery he is bandaged, and is told not to talk because his teeth have been removed. As he recovers, he is given a strange personality and occupational aptitude battery (I have never trusted these after seeing this movie!) Eventually After having too much to drink, he realizes all of his friends are fellow "seconds". Tony visits his wife, who think's he's dead. The gravity of Arthur/Tony's choice is clear; he can never go back. Eventually Tony returns to the agency, and is asked to suggest fellow clients...he never realizes the danger of not ponying up a new candidate. And the final scene...I won't spoil it, but you'll feel cold afterwards.

Hudson is brilliantly and presciently cast, as it was made before his sexuality was common knowledge. It's little wonder that "Seconds" is recognized as Hudson's best work. John Randolph as the gray, depressed Arthur Hamilton is overshadowed by Hudson, but his understated performance is critical to the Hudson's portrayal as Hamilton's "second" chance. Never a great actor, Murray Hamilton is at his best as a frightened agency client - we know why he's nervous, but wonder why Arthur can't see it. Will Geer is eerie and unforgettable as the agency's patriarch, who waxes philosophical with his failed clients. Frankenheimer's work is brilliant. "Seconds" takes a toll on it's viewers, and I find that I have to steel myself to watch this great film again. Strongly recommended. ... Read more

Reviews (3)

strange
they took a film classic and did a tv-movie sequel to it -- much like the SCARLET sequel to GONE WITH THE WIND. music is good.

BETTER THAN THE ORIGINAL...THE BEST!
What is it about TV Westerns that make the majority of them so memorable? Perhaps it`s the fact that these films are often made in order to tell a story to the viewers instead of making big bucks or promoting a certain actor.
This film is really great! The story is so well-made that you don`t need to be familiar with or have a particular liking for the original "High Noon" in order to enjoy this movie.The scenery is powerful,the music is beautiful and the characters are,for the most part,interesting-but a funny thing is that it is one of the smaller parts that becomes really big here.Will Kane is one-dimensional and tiresome and his wife Amy almost becomes invisible-but one character,the marshal who tries to keep Kane from returning to his past position and enjoy new triumphs,JD Ward,is remarkable in all his realness-a man with all the faults in the world,whom we still can identify with and even feel sympathy for,because he is portrayed in such a realistic and lively way-unlike for instance Peckinpah`s "bad guys",who seldom become anything more than cardboard characters. All honour to the ones who made this film great!

Superb Shoot "Em" Up Western!!
In a large,dusty Texas town called Haderville arrives a terrorizing new Sheriff,J.D. Ward(Pernell Roberts) and his corrupt, vicious gang of thug Deputies.Just released,spending the last 3 years in the Yuma Prison,Ben Irons (David Carradine), who is just passing through town, is mistakingly accused of being a wanted Outlaw with a heavy bounty on his head.Anxious for blood and money,Sheriff Ward and his ruthless Posse go after to shoot down Irons.The only person who knows of Irons innocence is Will Kane (Lee Majors) but is unable to convince Ward and eventually becomes hunted himself.This film is a Superb Shoot "Em" Up Western that is well worth watching!! ... Read more

Reviews (8)

'THE FLAMINGO KID'
MATT DILLON OFFICIALLY BECAME A SUPERSTAR AS HE SHINES IN THIS SURPRISINGLY EFFECTIVE 1984 COMEDY. DILLON STARS AS A COLLEGE AGED BROOKLYN YOUTH WHO AGAINST HIS FATHERS (HECTOR ELIZONDO) WISHES LANDS A SUMMER JOB AT AN UPPER CLASS LONG ISLAND BEACH CLUB. THERE DILLON MEETS A SUAVE CAR DEALERSHIP OWNER (RICHARD CRENNA) WHO IS ALSO THE FAT CAT GIN RUMMY KING OF THE FLAMINGO BEACH CLUB. THERE ARE PLENTY OF LAUGHS AS WELL AS TOP NOTCH ACTING AND GREAT DIRECTING BY GARRY MARSHALL. LOOK FOR NICE SUPPORTING ROLES GIVEN BY JESSICA WALTER AND JANET JONES WHO WE DISAPPOINTINGLY NEVER REALLY SAW MUCH OF AFTER THIS SOLID PERFORMANCE.

Sweet Ginger Brown
Good coming of age movie set in 1963 about a guy, his Dad, and the bi wig aouto dealer and card shark. Plus you get to see one of the great butts in film history when Janet Jones in her film debut gets out of the pool.

"Dad, how many potatoes do you think you'll eat b4 u die?"
I fell on the floor with above line by Matt Dillon, to his father, perfectly played by Hector Elizando. And many other lines as well.

Dillon is a young impressionable kid from working-class Brooklyn who is in awe of the part played by Richard Crenna, a charming charlton. Dillon's character is swept up by wealth and the beautiful people and Crenna's character undoubtedly likes the attention. So Jeffrey hangs on to every word and goes home at night and repeats them. It doesnt take long for his true-to-his word father to catch on and call him on it.

The differences in class and values come to a head when Elizando and Crenna meet.

Funny and very entertaining.

Summer the way it used to be...
Whoa! Trip to yester year.... Matt Dillon is outstanding in one of his earlier and most memorable flicks. A great story well told, we learn that father really does "know best", and that the old-fashioned values are the only substantial anchor. Fisher Stevens as Hawk is awesome in his first "named" role. Also good is Janet Jones (better-known now as Wayne Gretzky's wife)--heaven only knows why she never received another significant role. Too bad the film was marred by a couple of iterations of the PG-13 word and a nude sex scene (sensitive body parts hidden...)--I would like to have shown this one to my kids.

Richard Crenna steals the show
Yes, Matt Dillon may "come of age" in this film, but Richard Crenna steals the show as a fat-cat owner of a car dealership who lies and cheats at gin and thereby teaches young Jeffrey Willis that all that glitters is not gold. A lovely bikini-clad Jessica Walter as Crenna's wife not only brings her impressive acting talent to this film, but also holds her own (at the age of 43) against the younger bathing beauties that populate the Flamingo Club. ... Read more

Reviews (4)

IFFY
My mom was an extra in this movie and I think it was pretty cool.

A Brother and Sister Act - - - Why not more with these two?
I disagree with Leonard Maltin's opinion that this is a "dreadful film". It's a good film with a good cast; Julia Roberts makes her first film appearance and, to my knowledge, her only appearance with her brother, Eric, a fine actor who is seldom given the credit he deserves. My emotions were stirred by the unjust inflictions suffered by the wine growers. The film was impressive enough to inspire me to check railroad history and learn what I can to determine whether there really were any unscrupulous railroad barons like Dennis Hopper's character; incidentally, he handled the Irish accent very well.

You'll fight for the characters!
This is a story of a man who has imigrated from a foreign country only to find his land is being sought after by a dirty businessman who wants to put a railroad through it for his own benefit. Eric Roberts plays the son who fights for his right to deny access to his family's land. It's a predictable movie that leaves you wanting someone to re-write the ending.

Julia in the beginning...
I love Julia Roberts and this was an exciting and informative movie,I recmmend it to anyone who enjoys movies in th 1800's. ... Read more

Reviews (163)

A comedy classic
Whether or not you've caught the hot Broadway remake of Mel Brooks' 1968 classic - 'The Producers,' anyone who appreciates satire along with Brooks' zany style of humour will find great enjoyment in this 90 minute ode to show business, hucksterism, broadway musicals and nazism. While the humour is somewhat dated at times, no one can deny the sheer comedic energy given off by the likes of Zero Mostel, Gene Wilder, Dick Shawn, etc that will leave you laughing out loud every 6 mintues or so. Also of note is the craziness in the musical numbers themself that border on the fine line between absurd and offensive yet always manages to pull itself out brilliantly in the end.

For those planning on purchasing the DVD make sure that you get the 2002 released 'Special Edition' version. This edition includes over one hour of documentaries that actually manage to be viewable. Aside from the numerous other extras on this disc the video transfer is great (for an older movie) and a remastered 5.1 surround mix is included as well.

Zero is Hero - One of the great comedies
Zero Mostel glides and sparkles like a medal-winning ice dancer in Mel Brook's irreverent masterpiece. A terrifcally tasteless script is rewarded with some of the most outrageous performances ever grouped for one sitting. Mostel plays a down-at-heel producer looking for an easy return to the big time who stumbles on a cert thanks to Leo bloom (played by Gene Wilder). Leo realises you can make more with a sure-fire flop than with a smash, and so they herd together failsafe flops (Kenneth Mars as the Nazi playwight, Dick Shawn as the hippie Hitler and, unforgettably, Christopher Hewitt as director of "dopey dancers in gooey gowns," Roger Debris). Moments of unadulterated joy pepper this movie; Dick Shawn as LSD gives an otherworldly audition for Hitler, the opening scene of "Springtime for Hitler" is a jaw dropper and Zero dancing in the bar at the interval is priceless (even the way he gets from the bar to the jukebox and puts in the coin is poetry). If you haven't seen this gem a dozen times, don't rent it, buy it. It's one you'll never tire of.

DOOZY PREMISE WITH *SOME* GOOFY GAGS, BUT..
The theme held so much promise -- a couple of spent-out producers setting out to create the worst play ever to exploit an accounting glitch with finances. But something happened on the way to the execution.

The comic timing is good, and Zero and Gene have an engaging chemistry which dangles a promise in the first 30 minutes. There was even an occasional giggle here and there, but soon the clock was ticking and I had only found the film annoying, overacted and frequently just downright silly.

It's basically two guys fumbling around like a couple of idiots for a farcical hour and thirty minutes. "Springtime for Hitler" could've been hilarious, but even that fell flat. Come on, a drug-induced sixties, flower-power stoner playing Hitler is supposed to be funny?

There's a whole bunch of weird bits of comedy that are definitely original. But that's all they are. That originality sports very little zest or appeal. Did I have to be born in the late sixties to get the humor? Is this a dated comedy?

Maybe I missed something. Perhaps a rental if you have a particularly open evening.

Still Funny After All These Years
I saw this movie at the cinema when I was in high school...many moons ago...and I laughed until I cried that evening...this movie holds up well with time and it is still hysterically funny...especially the wonderful performance by the Dick Shawn, as "LSD".

Where Did I Go Right?
The Producers is the best of Mel Brooks' trio of masterpieces, which includes Young Frankenstein and Blazing Saddles. Who knows if this is one of the funniest movies of all time? It's on my list of the funniest, though. You either love Mel's work, or you think he's inane and over-the-top; or both. Gene Wilder's best work may be found in Mel's movies; and Zero Mostel would certainly have been a mainstay in Mel Brooks movies if not for his unfortunate demise. The Producers is full of funny one-liners, and outrageous sight gags. Even the aspects that seem "dated" are still funny, because they were played over-the-top ridiculous in the first place; their datedness just plays into their over-the-topness now. ... Read more

Reviews (163)

A comedy classic
Whether or not you've caught the hot Broadway remake of Mel Brooks' 1968 classic - 'The Producers,' anyone who appreciates satire along with Brooks' zany style of humour will find great enjoyment in this 90 minute ode to show business, hucksterism, broadway musicals and nazism. While the humour is somewhat dated at times, no one can deny the sheer comedic energy given off by the likes of Zero Mostel, Gene Wilder, Dick Shawn, etc that will leave you laughing out loud every 6 mintues or so. Also of note is the craziness in the musical numbers themself that border on the fine line between absurd and offensive yet always manages to pull itself out brilliantly in the end.

For those planning on purchasing the DVD make sure that you get the 2002 released 'Special Edition' version. This edition includes over one hour of documentaries that actually manage to be viewable. Aside from the numerous other extras on this disc the video transfer is great (for an older movie) and a remastered 5.1 surround mix is included as well.

Zero is Hero - One of the great comedies
Zero Mostel glides and sparkles like a medal-winning ice dancer in Mel Brook's irreverent masterpiece. A terrifcally tasteless script is rewarded with some of the most outrageous performances ever grouped for one sitting. Mostel plays a down-at-heel producer looking for an easy return to the big time who stumbl