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Amazon.com Jessica Lange and Michelle Pfeiffer are quietly dazzling in thisunderrated adaptation ofJane Smiley's best-sellingmodern version of King Lear. The two play sisters of a stubborn, alcoholic Iowa farmer (Jason Robards), who decides to leave his fertile farm to them and their youngest sister (Jennifer Jason Leigh). It is a decision that rends the family, setting siblings against one another and forcing long-held secrets out of their guilty closets. The family dynamics become ever more destructive, and the refuge of sanity the two older sisters have created may be their only salvation. It's a tragedy not quite on a Shakespearean scale, but anyone who appreciates the difficulties of a dysfunctional family will relate to the heartbreak--and the promise of redemption. Pfeiffer especially is breathtaking as the good housewife Rose, whose rage at her father and her husband is never far from her placid surface. --Anne Hurley ... Read more Reviews (24)
excellent cast performs beautifully despite mediocre script
The dramatization of Jane Smiley's "A Thousand Acres" is dissapointing in that not only does it come from an excellent novel, but also because of the dream cast involved. The story is loosly based on Shakespeare's "King Lear," in only that the father in the modern version is an evil villain, while the two daughters are alleged martyrs. The issues involved in the film are important and though-provoking--incest, sexual abuse, breast cancer, Alzheimer's disease, dysfunctional families--too bad the writers handled these noteworthy subjects so messily. The calamities piled upon the characters happen in an episodic way, that makes the film feel like a miniseries without commercial breaks. With each new mini-drama, you feel as if you should watch this movie in installments. The script is also full of cliched dialogue, and characters without motivation. Despite all these flaws, the film is still worth watching if just for the cast. Jessica Lange, Michelle Pfeiffer, and Jason Robards prove themselves brilliant performers in this film--each actor gives more than the shallow script deserves. Lange plays Ginny Cook, the shy and docile oldest daughter, who accepts her lot in life without complaint, and manages to live a relatively happy life. Her character is the most appealing, and Lange gives nuances and shadings to the character that weren't written in. Ginny described herself in the film as a "ninny" and she is written as so--Lange gives her so much more, and it is amazing to watch her create a true three-dimensional character. Jason Robards is Larry Cook, a dragon of a father. He like Lange is given an essentially cardboard character, and his performance gives Larry a sense of pity and pathos, that the script did not allow. The writer wanted him to be simply evil, and Robards chose, wisely, to instead, elevate Larry out from the cartoonishly evil lines he was given, and make him a complex human being. Michelle Pfeiffer gives the most provoking performance of the three main stars, because hers seems to be an mixture of Robards and Lange's. Her role is also quite underwritten, but she manages to breath life (not just fire) into her character, the angry and resentful, Rose. The part is written as dour and bitter--completely unlikable, and even as the story moves on (slowly) and you realize the sacrifices Rose has made, she is still written in a completely shrewish way. Pfeiffer gives her vulnerability sorely needed, and manages to steal the film (not an easy thing to do, considering her costars). Jennifer Jason Leigh has a smaller role as Caroline, the youngest daughter. Her role is underwritten on the lines of Robards' and Pfeiffer's characters, yet unlike the two, she fails to bring any depth to the essentially pouty and boring person she is portraying. All in all, a good movie to watch to witness the beautiful chemistry between two of America's finest actresses.
good performances despite some script flaws
The actors save this sparse script in this film.
"Daddy, dearest?"
A good film driven by a rather creepy performance by Robards. Memorable.
Recommended.
Shakespeare it isn't!
This film definitely has merit as well as an all-star cast. It may well be an updated version of King Lear, but I found the topic less than entertaining...and I was not thrilled with the ending. As for Colin Firth's performance as an American drifter... he successfully portrays a Mr. Wickham from his P&P days. He is charming, available, and easy to like ~ except he is definitely not going to be around for the duration. And what sort of cad sleeps with sisters of the same family...simultaneously?
When Majesty Doth Stoop To Folly
I saw this when it came out on televison and I must say I thought it was just awful. How can anyone win any literary prize for something that is little more than Shakespeare...? While this is a majestic production with great acting, direction, and cinematography I confess I found it much too predictable as it seemed to follow Shakespeare's KING LEAR almost act for act and scene for scene. The only persons missing were Kent, Glouster, Edmond, Edgar, and of course the Fool. Had the story line varied sufficiently as to be a mere suggestion of the play, I would have enjoyed it very much. It bothers me that the the author received accolades for a mere re-write! It is as Kent said "when majesty doth stoop to folly!"
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