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| 1. History of the World -- Part I Director: Mel Brooks | |
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Amazon.com essential video Reviews (85)
Brooks appears in several different roles while (in fact) portraying himself: Moses, Comicus, Torquemada, and King Lou. Other members of the Brooks Ensemble Company include Madeline Kahn (Empress Nympho), Cloris Leachman (Madame de Farge), Harvey Korman (Count de Monet), Ron Carey (Swiftus), Andreas Voutsinas (Béarnaise), and Shecky Green (Marcus Vindictus). Brooks has assembled a cast of thousands. The production values are remarkably good. However, as in other Brooks films such as Blazing Saddles and High Anxiety, the quality of the humor varies from Brilliant & Inspired (e.g. King Lou professing love of "the little people" while shooting at airborn peasants who have been launched as targets: "Pull!") to Oh No (e.g. Moses reducing the number of Commandments to Ten by dropping/breaking one of three tablets while descending Mount Sinai, and, Jesus becoming confused by use of his name as an expletive). Brooks is an incurable gagster and punster. More often than not, the humor in this film works. But when it doesn't.... Several clever touches. For example, beginning the film with a parody of 2001: A Space Odyssey, with Orson Welles providing the voice-over. Also, it is fun to play the equivalent of "Where's Waldo" by trying to spot familiar actors in supporting roles such as Bea Arthur (Clerk), Charlie Callas (Soothsayer), Jack Carter (Rat Vendor), Sid Caesar (Chief Caveman), John Gavin (Marche), Ronny Graham (Oedipus), Nigel Hawthorne (Official), John Hillerman (Rich Man), Hugh Hefner (Entrepreneur), Barry Levinson (Column Salesman), Spike Milligan (Monsieur Rimbaud), Howard Morris (Court Spokesman), Jan Murray (Nothing Vendor), and Henny Youngman (Chemist). As I said, a cast of thousands...if not more. Brooks' best films, those most effectively developed, are The Producers and Young Frankenstein, the latter being a remarkably respectful version of several earlier films. All comics are thieves. The best comics steal from the best sources. I thought about that when I saw this film again recently, wondering if Brooks' History of the World -- Part I was in any way influenced by The Story of Mankind (1957), a film based on Henrik Willem Van Loon's bestseller. For purposes of parody, The Story of Mankind would be an excellent target of opportunity. Those among its diverse cast of thousands (if not more) include Charles Coburn (Hippocrates), Ronald Colman (The Spirit of Man), Cedric Hardwicke (High Judge), Dennis Hopper (Napoleon), Hedy Lamarr (Joan of Arc), Peter Lorre (Nero), Virginia Mayo (Cleopatra), Chico Marx (Monk), Harpo Marx (Isaac Newton), Groucho Marx (Peter Minuit), Agnes Moorehead (Elizabeth I), Vincent Price (The Devil), and Cesar Romero (Spanish Envoy). Whenever a list of the Ten Most Pretentious Movies Ever Made is formulated, The Story of Mankind is frequently and deservedly given serious consideration. Despite its several flaws, The History of the World -- Part I remains a generally entertaining, at times hilarious film. Whenever I see it again, I feel eager anticipation as I await its strongest scenes, willing to endure its weakest meanwhile. To me at least, the previews for Part II (which conclude Part I) suggest why Brooks resembles the Little Girl with The Curl: "When she's good, she's very very good but when she's bad...."
Lots of comedic actors, great and small, make side-splitting appearances in the film, including Sid Ceasar, Harvey Korman, Dom DeLuise, Bea Arthur, Madeline Kahn, Cloris Leachman, Jackie Mason, and Gregory Hines. The beauty of Brooks' scathing spoofs of historical events and figures is that the humor is timeless, holding up just as well in 2004 as it did when the film was originally released in 1981. If you have never seen or heard of this film, rent or buy it now, as you have missed an iconic movie. I've even heard of European History professors using Brooks' wacky take on the Spanish Inquisition in their history classes. When it comes to bawdy satire, Mel Brooks found it "good to be the King" in the 1970s and 80s!
History of the World is a great movie that features a terrific cast including Mel Brooks, Gregory Hines, Madeline Kahn, Harvey Korman and Sid Caesar. There are others, but together they give an entertaining perspective into some of history's most important events. There are also countless quotes from the movie that will stick with you for a long time after you hear them. This is something I recommend seeing, as even after 23 years it still seems as fresh as ever with the humor it provides.
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| 2. Grease Director: Randal Kleiser | |
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Amazon.com essential video Reviews (221)
As you can see, there are some VERY bad songs, but for the most part, the songs are pretty good. The whole movie was even better than the songs. The whole idea of the movie is a senior high schooler comes to the U.S. and goes to a cheap high school. There, she runs into a guy she met in the summer, who is in a car gang that is against another car gang. Throughout the year, this girl ( her name is Sandy) and her friends deal with the guy(his name is Danny) and his friends. The movie pretty much told about the "typical" high scholl senior's problems, except in a more 60's background. The movie actually took place in the 70's. At the end, Danny's car gang beats the rival gang in a car race, and at the end of the movie, the whole gang of guys and girls gets back together without any problems at the end of the year. The movie is all in all VERY good. Buy it today.
Anyway, "Grease" is one of my favorite movies. It's just one of those timeless gems that will never die (can't say the same for the sequel, though). Every song is a joy and the film couldn't have been casted any better. John Travolta, Olivia Newton-John, Stockard Channing; all involved give indelibly charming performances. A lot of great films came out of the 70's (The Godfather, A Clockwork Orange, Taxi Driver, Chinatown, Jaws, One Flew Over The Cuckoo's Nest, etc., etc...) but "Grease" is still able to hold it's own after all these years. A quintessential film to add to your collection. As far as the DVD goes, well... it's typical of Paramount to stiff us with what could have been a solid release. If you take into account that almost everyone who buys the disc already knows all the songs and dialogue by heart, the studio could have done lots of fun things with the material. Alas, we only get a songbook (which is admittedly kinda cool) and a documentary. Oh, yeah. And a theatrical trailer. How rare. *scoffs* "Summer lovin'... had me a bla-haaast..."
There's a line in this movie about eating sh*t...I agree. ... Read more | |
| 3. It's a Mad, Mad, Mad, Mad World Director: Stanley Kramer | |
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Amazon.com Reviews (212)
After a bouncy, splashy Saul Bass animated title sequence, the story begins with a brief car chase in the California desert. Bank robber Smiler Grogan (Jimmy Durante) wrecks his car, and with his dying words reveals a secret about buried treasure to the seven strangers who stopped on the roadside. 'Look for the big W' in Santa Rosita, he says, and then he kicks the bucket. After a brief attempt at cooperation, the treasure hunt is on and it's every man for himself, in four teams. Mickey Rooney and Buddy Hackett decide to take to the air but their pilot, Jim Backus, gets hammered on Old Fashioneds. Husband-and-wife Sid Caesar and Edie Adams can only find a biplane cropduster. The lone truck driver, Jonathan Winters, can't get gas. And his mother-in-law Ethel Merman fatally hampers Milton Berle, with his wife Dorothy Provine. So all four teams scamper across the landscape, across the broad canvas of this movie, wound tight by desperate greed and calmly monitored by a Sergeant Culpepper, Spencer Tracy. This is the framing story for an amazing string of billed appearances and unbilled cameos so many that at last your senses are sort of dulled. Oh, it's Carl Reiner in the control tower. Oh, look, it's Stan Freberg, yeah. The best cameo, hands down, is Jerry Lewis, who comes barreling down Long Beach Boulevard in a moment of exuberant stupidity and runs over Spencer Tracy's hat. Probably my favorite, I have so many, co-star was Terry Thomas who plays a vacationing Englishman in a rattling station wagon, who picks up Milton Berle. He's talkative. He prattles away (accurately) about why it is that the American male is positively preoccupied with booo-sums, and says things like, "I'll wager you anything you like, if American women stopped wearing brassieres, your whole national economy would collapse overnight!" This sequence, within the context of the movie so far, has a single funny moment when this whole vast farce might come alive, find its voice, and this circus might make sense - Terry-Thomas finds the tone for the rest of the movie. I find it compelling that the aesthetic success of all this footage, all these appearances, all this thoroughly American spectacle, suddenly pivots around a few fussy syllables about breasts. But once the moment passes, Terry-Thomas is efficiently neutralized and dismissed by Ethel Merman, and on we go. The array of challengers eventually reach Santa Rosita, and several unexplainably humorous events occur. These I will not reveal to you and allow you to view the movie on your own time. I must add though, that if you do see this movie, reserve several hours. Like most from its decade its LONG... VERY LONG... But allow me to assure you, you wont be disappointed.
I can see why MGM would want to keep their pristine 35mm print whole and transfer that to DVD but perhaps they should have included a 2nd disc and a 2nd version that patched together all the missing scenes, no matter what condition, and reconstructed the film as best as they could to the longest originally released version.
Cast: Spencer Tracy ... Capt. T.G. Culpeper Intended to be the comedy to end all comedies, with a cast including virtually all the name comedians at the time. Jimmy Durante plays a guy who is in a fatal auto accident, but before he dies, tells 5 bystanders where there is $350,000 hidden under a "W", whuch leads to a chase to find the money. Meanwhile, Capt. T.G. Culpeper (Spencer Tracy) is aware of the stolen money and he and his policemen observe the chase with interest through the desert, mountains, and along the California coast, with the contestants using aircraft, cars, trucks, a bicycle and every method of transportation in their attempt to be first to reach the money. Tracy was ill when the film was shot, and so only worked four hours per day. The long shots and physical stuff was performed by stand-ins. This is a fun movie. If there is a criticism, it is that the comedy is perhaps overdone. With so many top comedians, there is certainly no dearth of funny lines, pratfalls, and laughs--that's for sure. Joseph (Joe) Pierre ... Read more | |
| 4. The Wonderful Ice Cream Suit Director: Stuart Gordon | |
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Reviews (21)
The men, Bien Azul, Martinez, Dominguez, Gomez and Daminos schedule the suit for an hour on the first night. Each takes his turn at wearing the suit, and reluctantly share it with the very filthy, smelly street urchin, as he contributed also. They take extreme pride in the suit and the urchin must be bathed, hair cut, and he needs specific instructions: He is not to fall down, no standing under trees with birds in it, no drinking wine, no smoking, don't eat juicy tacos. One other request: don't go to the Red Rooster where the fat one, Ruby Escadrillo is because she would sit on his lap and crush the suit, put powder and lipstick on it and most of all she has a mean boyfriend "El Toro", the monster. Well, the fun begins when he goes to the Red Rooster and does everything they told him not to do! The battle begins as they try to "protect" the beloved suit. There are clever slow motion shots during the action and fighting at the Red Rooster. Entertaining, fun, clean movie! This is an all star cast of talented Hispanic actors, Esai Morales, best known for "La Bamba", Edward James Olmos, Joe Montegna, Liz Torres, etc. There is plenty of music to fill this humorous movie. It's great for the entire family because it is clean and decent ...MzRizz
Gomez (Joe Mantegna) lives in the barrio; a poor man, except in spirit, for Gomez has dreams, ah, such dreams! of something better, of a better life, of the magic that can happen if you but want it badly enough and will it to! And Gomez knows how to make that magic happen. There is a store, a certain clothing store, and in the window there is a suit; not just any suit, but a magnificent white suit, as white as the clouds, as white as the snow that falls in the mountains. Oh, such a suit! The kind of a suit that can make the man who wears it anything he wants to be. And the price? The cost of this bottle holding a genie who can grant your every wish, your every desire? $100.00! Gomez has $20.00... But, he has a plan! If he can only find four others like himself-- others with dreams but no means-- and of equal size and weight (and, of course, $20.00), they could buy the suit together, and share the magic! Ah, such a plan for such a suit! For one day at a time, taking turns, they could each wear the magnificent suit that's as shiny and bright and as white as ice cream; and for a time be able to realize their dreams. And so, very quickly, or even sooner, at that very moment! Gomez puts his plan into action, driven on by the vision he holds in his mind's eye of himself, wearing that wonderful ice cream suit. Ray Bradbury wrote the screenplay for this film, which he adapted from his own play of the same title, and this is vintage Bradbury. Under the auspices of director Gordon, the film successfully captures the very essence of Bradbury the writer, Bradbury the poet, Bradbury the genius, Bradbury the beautiful dreamer; this man from Illinois, who walks with kings and dines with gods, and dares to dream such dreams. More than a film, this is a celebration of life; an acknowledgement of the joys of living, captured exuberantly in music and song, poetry, performance and, of course, in Bradbury's words-- those exquisite, noble, transcendent words, born of some special, personal, inner muse-- that flow so splendidly in time with the rhythm of his heart and conjure up the images of his singular vision. All of which Gordon manages to grasp, grab hold of and transfer so resplendently to the silver screen. The performances are first rate, beginning with Mantegna as the indomitable Gomez, who believes he can rule the world when wearing that wonderful suit; Esai Morales, as Dominguez, who dreams of enchanting beautiful women with his music and songs, and knows he can with the suit; Gregory Sierra, as Villanazul, who looks to the suit for the words of hope and encouragement he can take to his people; Clifton Gonzalez-Gonzalez, as Martinez, hoping that the suit will attract the girl of his dreams; and Edward James Olmos, as Vamanos, who just wants to have a good time! Respectively, their portrayals are alive, and with their collective breath, they bring this film to life, as well. The supporting cast includes Liz Torres (Ruby Escadrillo), Sid Caesar (Sid), Howard Morris (Leo), Lisa Vidal (Ramona), Mike Moroff (Toro) and Mercedes Ortega as the beautiful Celia Obregon. From the opening credits, awash with dazzling color and brilliant imagery, "The Wonderful Ice Cream Suit" is an exhilarating, unique treasure to be embraced with the heart; a masterpiece of delights to be watched again and again. And most importantly, it honors the man who created it all, Ray Bradbury; a man who is, himself, invested with the same kind of life and joy his film brings to the screen. It's a fitting tribute to the inimitable Bradbury, Purveyor of Happiness, Magistrate of Joy. --Then through an open window blew (From the poem, "Bradbury," by JH Clues)
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| 5. It's a Mad, Mad, Mad, Mad World Director: Stanley Kramer | |
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Reviews (212)
After a bouncy, splashy Saul Bass animated title sequence, the story begins with a brief car chase in the California desert. Bank robber Smiler Grogan (Jimmy Durante) wrecks his car, and with his dying words reveals a secret about buried treasure to the seven strangers who stopped on the roadside. 'Look for the big W' in Santa Rosita, he says, and then he kicks the bucket. After a brief attempt at cooperation, the treasure hunt is on and it's every man for himself, in four teams. Mickey Rooney and Buddy Hackett decide to take to the air but their pilot, Jim Backus, gets hammered on Old Fashioneds. Husband-and-wife Sid Caesar and Edie Adams can only find a biplane cropduster. The lone truck driver, Jonathan Winters, can't get gas. And his mother-in-law Ethel Merman fatally hampers Milton Berle, with his wife Dorothy Provine. So all four teams scamper across the landscape, across the broad canvas of this movie, wound tight by desperate greed and calmly monitored by a Sergeant Culpepper, Spencer Tracy. This is the framing story for an amazing string of billed appearances and unbilled cameos so many that at last your senses are sort of dulled. Oh, it's Carl Reiner in the control tower. Oh, look, it's Stan Freberg, yeah. The best cameo, hands down, is Jerry Lewis, who comes barreling down Long Beach Boulevard in a moment of exuberant stupidity and runs over Spencer Tracy's hat. Probably my favorite, I have so many, co-star was Terry Thomas who plays a vacationing Englishman in a rattling station wagon, who picks up Milton Berle. He's talkative. He prattles away (accurately) about why it is that the American male is positively preoccupied with booo-sums, and says things like, "I'll wager you anything you like, if American women stopped wearing brassieres, your whole national economy would collapse overnight!" This sequence, within the context of the movie so far, has a single funny moment when this whole vast farce might come alive, find its voice, and this circus might make sense - Terry-Thomas finds the tone for the rest of the movie. I find it compelling that the aesthetic success of all this footage, all these appearances, all this thoroughly American spectacle, suddenly pivots around a few fussy syllables about breasts. But once the moment passes, Terry-Thomas is efficiently neutralized and dismissed by Ethel Merman, and on we go. The array of challengers eventually reach Santa Rosita, and several unexplainably humorous events occur. These I will not reveal to you and allow you to view the movie on your own time. I must add though, that if you do see this movie, reserve several hours. Like most from its decade its LONG... VERY LONG... But allow me to assure you, you wont be disappointed.
I can see why MGM would want to keep their pristine 35mm print whole and transfer that to DVD but perhaps they should have included a 2nd disc and a 2nd version that patched together all the missing scenes, no matter what condition, and reconstructed the film as best as they could to the longest originally released version.
Cast: Spencer Tracy ... Capt. T.G. Culpeper Intended to be the comedy to end all comedies, with a cast including virtually all the name comedians at the time. Jimmy Durante plays a guy who is in a fatal auto accident, but before he dies, tells 5 bystanders where there is $350,000 hidden under a "W", whuch leads to a chase to find the money. Meanwhile, Capt. T.G. Culpeper (Spencer Tracy) is aware of the stolen money and he and his policemen observe the chase with interest through the desert, mountains, and along the California coast, with the contestants using aircraft, cars, trucks, a bicycle and every method of transportation in their attempt to be first to reach the money. Tracy was ill when the film was shot, and so only worked four hours per day. The long shots and physical stuff was performed by stand-ins. This is a fun movie. If there is a criticism, it is that the comedy is perhaps overdone. With so many top comedians, there is certainly no dearth of funny lines, pratfalls, and laughs--that's for sure. Joseph (Joe) Pierre ... Read more | |
| 6. Grease 2 Director: Patricia Birch | |
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Amazon.com Reviews (128)
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| 7. Over the Brooklyn Bridge (Amazon.com Exclusive) Director: Menahem Golan | |
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Description Reviews (1)
O.K. the film is frantic and perhaps overplayed but certain individual scenes were wonderful. A former Brooklyn boy like me especially enjoyed the scenes around Coney Island and the family squabble, in the new restaurant, is a gem. Don't recall this movie ever being distributed to the theaters, perhaps the potential distributors thought it to "ethnic' if you get my drift. ... Read more | |
| 8. Silent Movie Director: Mel Brooks | |
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Amazon.com essential video Reviews (18)
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| 9. The Fiendish Plot of Dr. Fu Manchu Director: Peter Sellers, Richard Quine, Piers Haggard | |
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Description Reviews (7)
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| 10. The Emperor's New Clothes Director: David Irving | |
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Reviews (2)
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| 11. Ten From Your Show of Shows Director: Max Liebman | |
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| 12. Grease Director: Randal Kleiser | |
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Reviews (221)
As you can see, there are some VERY bad songs, but for the most part, the songs are pretty good. The whole movie was even better than the songs. The whole idea of the movie is a senior high schooler comes to the U.S. and goes to a cheap high school. There, she runs into a guy she met in the summer, who is in a car gang that is against another car gang. Throughout the year, this girl ( her name is Sandy) and her friends deal with the guy(his name is Danny) and his friends. The movie pretty much told about the "typical" high scholl senior's problems, except in a more 60's background. The movie actually took place in the 70's. At the end, Danny's car gang beats the rival gang in a car race, and at the end of the movie, the whole gang of guys and girls gets back together without any problems at the end of the year. The movie is all in all VERY good. Buy it today.
Anyway, "Grease" is one of my favorite movies. It's just one of those timeless gems that will never die (can't say the same for the sequel, though). Every song is a joy and the film couldn't have been casted any better. John Travolta, Olivia Newton-John, Stockard Channing; all involved give indelibly charming performances. A lot of great films came out of the 70's (The Godfather, A Clockwork Orange, Taxi Driver, Chinatown, Jaws, One Flew Over The Cuckoo's Nest, etc., etc...) but "Grease" is still able to hold it's own after all these years. A quintessential film to add to your collection. As far as the DVD goes, well... it's typical of Paramount to stiff us with what could have been a solid release. If you take into account that almost everyone who buys the disc already knows all the songs and dialogue by heart, the studio could have done lots of fun things with the material. Alas, we only get a songbook (which is admittedly kinda cool) and a documentary. Oh, yeah. And a theatrical trailer. How rare. *scoffs* "Summer lovin'... had me a bla-haaast..."
There's a line in this movie about eating sh*t...I agree. ... Read more | |
| 13. Stoogemania Director: Chuck Workman | |
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