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| 41. Star Wars - Episode VI, Return of the Jedi Director: Richard Marquand | |
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Reviews (212)
The Galactic Empire has begun construction on a new Death Star which is even more powerful than the first Death Star, and meanwhile, Luke Skywalker, Princess Leia, Lando Calrissian, Chewbacca, R2D2, and C3PO are attempting to rescue Han Solo from the evil clutches of Jabba The Hutt. After they rescue Han, they plan for the destruction of the new Death Star and find out that the Emperor is personally overseeing the final stages of the construction of the new Death Star. Han, Luke, Leia, 3PO, R2, and a group of rebel commandos must disable the Shield Generator on the orbiting moon of Endor to allow rebel fighter pilots to fly into the Death Star and destroy the main reactor. While the battle rages on, Luke must face his own destiny and confront Darth Vader in a battle to the death which may spell certain doom for the Rebel Alliance and their cause to restore freedom to the galaxy. The entire movie shines with an epic look whether its a space battle, a sail barge assault above the jaws of a hungry Sarlacc, a Speeder Bike chase through the redwood forests of Endor, or a lightsaber duel between Darth Vader and Luke Skywalker. The emotions involved between Luke Skywalker and the truth about his past grip the audience in the same way that Luke feels, and suspend them above the fate of the Rebel Alliance. Han and Leia's feelings for each other are more developed in this movie, and really tie up loose ends that were left from The Empire Strikes Back. The entire movie actually ties up loose ends and is kind of the resolution point for the Star Wars trilogy. This movie is definitely the best in the trilogy, and worth buying. It is not a disappointment, but one of the greatest movies of all times.
With Return of the Jedi, the space opera saga/cultural phenomenon that began with Star Wars in 1977 and continued with The Empire Strikes Back in 1980, comes to a close. This perhaps the most difficult film to categorize as far as quality and living tup to expectations. Executive Producer Gary Kurtz parted ways with Lucas after Empire, and Jedi would have been a different film in many respects had he and his ideas stayed put. However, Lucas wanted certain things and would not buge, and what the viewer gets is a climactic and spectacular, if somewhat unfocused, conclusion to one of the most beloved film trilogies of all time. Luke Skywalker, an older and wiser man for his defeat at Cloud City, attempts a daring rescue mission in the seedy lair of the gangster Jabba the Hutt, a mission to free Han Solo who is being kept as a showroom piece by the ruffian slug. This premise gives birth to the first in a string of incredible action set pieces ranging from monster pits to desert oceans to the blackness of space to the luch forrests of the forrest moon of Endor. Moving the action along, the plot is more daring even than that of the first movie. The Rebel Alliance, having learned of a new, more powerful Death Star, prepare to mount a final resistance against the station in the hopes of ending the war with one swift stroke. To help accomplish this, Luke, Han, and Leia must deactivate the generator that keeps the Death Star shielded. However, this won't even be as easy as it sounds. Luke no knows that Darth Vader is his father, and he must confront him if he is to become a fully-fledged Jedi Knight. Han and Leia are caught by a legion of Imperials and must fight a fierce geurilla battle with the help of some unexpected (and sickeningly cute) allies. The Repel fleet is caught between a rock and a hard place - literally - and must contend with both the might of the Imperial Navy and the destructive power of the Death Star while our heroes race to accomplish their mission and restore freedom to the galaxy. There are parts of Jedi where it really shows that George was going this one alone, particularly the inclusion of the Ewoks (cute, furry, evil Teddy Bears of DOOM), but even with a few marketing concessions and a bold narrative, Jedi still manages to do a LOT of things right. Luke is a more confident character, taking charge of the movie and making you care about him more than ever before as he battles Vader, the Emporer, and the Dark Side. Han and Leia, though not as prominent in Jedi as they were in Empire, are still a joy to watch, particularly in the case of their sometimes-bumbling relationship. Even Lando is given a good deal more screen time, and more importance. Though the characters seem driven by the plot rather than the other way around, this is really the only way the concluding chaper ot the Star Wars Saga could have played out. As for the Special Edition of Jedi, it is perhaps the most despised of the three. In addition to the requisite digital additions, Lucas added in an entirely new ending sequence of galtactic (literally) proportions to play along with the Ewok celebration after the battle, going so far as to include all new music. Sure, it's still nice, but why mess with something when it's so good? Either way, this is still a darn good version of a darn good movie, and one that had a hefty bill to fill coming out of the gates. No movie collection is complete without the Star Wars Trilogy, and the trilogy isn't complete without Return of the Jedi. And hoestly, it's really such a FUN movie that it shouldn't be any other way. If you don't have this, buy, it, or, even better, wait for the DVD release later this year. Either way, the Force will be with you, always.
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| 42. Willy Wonka and the Chocolate Factory Director: Mel Stuart | |
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Reviews (224)
The parents make it obvious why their children are so impish. When the children get into trouble at the factory, the parents blame Wonka instead of the kids' own bratty behavior. From the moment they step into the factory, they're complaining and finding fault with everything Wonka does and they take things way too seriously (much like the critics of this film)! I bet if the Oompa Loompas, with their wisdom, raised these little demons, they'd be much better. Don't miss this film. It is not only a fun to watch diversion from reality, the messages are very timely and it makes you think about the good that still exists in this world. The critics and nitpickers may not get it but anyone who watches with an open mind and doesn't take it too seriouly will.
This film was made back in 1971 and is very simple in its style. The special effects are see-through and campy but the story line is a facinating metaphor for life that is forever timeless in its message. Willy Wonka is the creative genius who becomes a recluse in his chocolate factory because of society and its greed and malice. But he never loses his belief that someone in the world exists who can still believe in imagination and dreams. He finds this person in Charlie, a poor child who lives with his mother and four grandparents in a dirty basement home. Charlie has every reason to become dispirited and negative yet he remains a shining light of great positivity regardless of his circumstances. I suspect his attitude comes from the fact that his Grandfather Joe always supports his dreams, the boy never has to hear the word "can't"! The chocolate factory holds a contest and several children, including Charlie, get invited behind the doors with Willy Wonka. While on tour they are tested with fame, fortune, greed and honesty until one by one they succumb to the failure of a human heart. All except Charlie, who keeps a smile on his face and wonder in his eyes while being faced with the simple adversities that cause the other children to fail. Sadly I feel the parents are to blame creating children who thrive on material wealth, constant TV watching, gorging on food, and looking for constant attention. The parents of the children who fail refuse to believe in the dream of Willy Wonka surrounding the atomsphere with doubt and negative beliefs. How could anyone survive under such circumstances? The Chocolate Factory is filled with wonder, color and silly songs. Regardless of your age it will satisfy your sweet tooth and fill even a hardened heart. It certainly brings to life how parent's affect their children with their own actions and attitudes. Telling a child they "can't" accomplish all that they imagine only assists in stopping the world from greatness. Don't be afraid to dream!
One day there is an annoucement that Wonka is going to open his factory to visitors, to be chosen more or less at random through finding the Golden Tickets, contained in Wonka bars (a brilliant marketing device back then). Scenes of shoppers' frenzy are shown all around with world, including a Wonka delivery van shown arriving at the White House. The five golden tickets are found all around the world - the first one in Dusselheim, Germany, by the fat boy, Augustus Gloop (played by Michael Boliner, who is now a tax accountant in Munich, and is still rather large). The second ticket was found in the UK, by spoiled brat, Veruca Salt (Julie Dawn Cole, the only Wonka child still acting), whose father, Roy Kinnear, is a well-known actor in British cinema. The third ticket was found in the USA, by gum-chewing Violet Beauregarde (Denise Nickerson, now an accountant at a nuclear plant in Colorado), whose used-car-salesman father was played by Leonard Stone (who was selected over Jim Bakus). The fourth ticket was also won in the USA, by Mike Teevee (Paris Themmen, considered a real brat by most of the cast and crew); his frantic mother was played by Dodo Denny (later Nora Denny), who was one of the few minor characters in the film to consistently act after this film. The final ticket at first is reported to be won by some shady businessman from Paraguay, but in the end, that is proven to be a forgery. Of course, Charlie buys a Wonka Bar expecting nothing, and gets the ticket. An ominous figure, Slugworth (the arch-enemy of Wonka - who knew chocolate makers also made arch-enemies?), appears to each of the winners, whispering in their ears. Charlie is also confronted, and promised a reward should he bring Slugworth an example of Wonka's latest creation, the Everlasting Gobstopper. One wonders why (a) any candy maker would make a candy that never wears out (thus defeating re-sales), and (b) why Slugworth can't just buy one himself when they are released, analyse it and ruin his own factory the same way? But I digress... Gunter Meisner, a very prolific German actor, played the villain, who wasn't in the book (nor was the 'gobstopper plot'). The grand day of the event, the winners enter the factory with great fanfare, meeting Wonka (Gene Wilder) for the first time, and get the first taste of his bizarre sense of theatre. (It is reported not only Wilder's idea for the limping/somersault introduction to the crowd, but also a condition of his accepting the role.) From that point on, what was truth? It is ironic that Wonka's entrance doesn't occur until the film is half over. What we remember of the film comes after this, but over half the film is actually set-up. This is rather like the Wizard of Oz, where most of the film is done before we see 'the major character', although admittedly Wonka is far more prominent than Oz's balloonist. Wonka, the man of mystery, only ever became even more of a mystery as the tour progressed. He is constantly switching his words ('we have so much time and so little to do'), and there are surprises at every turn. Wonka borrows a lot of his key phrases (Ogden Nash, Shakespeare, Oscar Wilde) and there are a lot of fantasy-inspired elements (Alice in Wonderland, Lord of the Rings). At each major scene, something ghastly seems to happen, but in epic-fantasy form, it doesn't seem to matter to the majority, who proceed onward with their quest. In the chocolate room, Augustus Gloop meets his untimely exit from the factory by falling in the chocolate river. Violet turns into a blueberry by chewing experimental gum, and has to be squeezed (squoozed?). Veruca, in the room with the geese who lay the golden eggs, turns out to be a bad egg herself, but has a sporting chance of going down a chute with an inactive furnace. Mike Teevee shrinks in the Wonka version of the Star Trek transporter beam, leaving in the end only Charlie, who is denied his prize of a lifetime of chocolate for a minor infraction. It would seem that Wonka had a sinister side in many ways - the boat that carries the prize winners only seated eight, implying that Wonka knew someone would be missing. The Wonkamobile only had seats for four guests. Of course, the children apparently all had sinister sides, too, including Charlie, until the end. None of them let Wonka know of their Slugworth contact. In the end, we never know what becomes of the fallen questers - we are led to believe that in this candy factory they got their just desserts. The Oompa-Loompas put the moral to each downfall in song, with a 1970s karaoke-type presentation of the lyrics as they sing. In the end, of course, goodness and justice win out, as the factory is given to Charlie after his act of unwarranted kindness toward Wonka. Director Stuart always saw this film as a 'realistic' fantasy film. Those things that are not over the top are very ordinary. The people are not superheroes, and the situations, while fantastic, are not beyond the credible. Stuart also did his best for 'real' reaction - the kids had never seen Gene Wilder before his appearance at the door, the chocolate room in the factory, or the Oompa-Loompas prior to the first scene, either, so their reactions are more natural. A great film for children and adults! ... Read more | |
| 43. Star Wars - Episode IV, A New Hope (Special Edition) Director: George Lucas | |
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Amazon.com Reviews (283)
From Hero Luke Skywalker's symbolic journey from his home Tatooine to the moment of victory at the finale, we are greeted with a myriad of fantastic characters, especially Han Solo, played by a pre-Indy Harrison Ford and his buddy Chewbacca, flying around in their Millenium Falcon. And the ultimate incarnation of evil, Darth Vader. British veteran actors Alec Guiness and Peter Cushing are excellent as a wise yet ageing "Old Ben" Kenobi and Vader respictively. And that, more than anything, is what made TPM so hollow. While the action was good, the lack of good characters was disappointing. But AOTC has regained much of the sense of adventure that this film started off.
George Lucas was at his creative peak in the "Hope," and it shows. The special effects are used to help paint the world in which the characters live. They don't distract and they don't take away from the actors' performances. The trench run with the Death Star can still live today with modern special effects laden scenes. And the actors are so convincing in their roles, unlike some in the prequels. Alec Gunniess leads the cast with his Shakesperian wisdom, and the cool Harrison Ford is just , well, cool. Also Mark Hamill is great, as is Carrie Fischer as princess Leia. And who can forget Chewie? Star Wars still delivers, watch and enjoy.
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| 44. The Emperor's New Groove Director: Mark Dindal | |
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Amazon.com Reviews (234)
This movie is fun for all ages, clean for a child safe movie and comical enough for the adults. Join the arrogant Kuzco as he learns a lesson in hospitality, he won't soon forget. Prepare to meet Pacho, the villager who unwittingly will teach him that lesson, and a score of other interesting characters. This movie had my interest from start to finish. The Ultimate Groove has special features like you wouldn't believe. Did you ever wonder how a Disney movie was made, or what goes on behind the scenes? Prepare to have these questions and more answered as Director and Producer take you behind the scene, on your choice of tours. Play a game, and help Kuzco get to the castle, but beware. Danger lurks right behind you. This game was fun, but not that fun. I would not spend too much time on it. Overall, I vote for the Ultimate Groove for the backstage tours and commentary. If this does not sound like your interest, the normal version is an absolute must.
This is a pretty good special edition, though it lacks that bit of extra oomph that would have made it a great one. The bonus material gives viewers a pretty good overview of the film's production, including some nice bits of rough animation of the major characters. The commentary, while lacking the guys-sitting-around-talking-about-their-movie-and-having-fun informality of something like "A Bug's Life", is infortmative without being boring. I guess my main gripe with this DVD is the lack of real information about the "Kingdom of the Sun" version of the film. I realize that Disney wasn't really happy with the way that was going and would probably rather forget it. But a synopsis of the original plot would have been interesting, even if it only shows why that version was scrapped. Overall, this is a nice DVD that will please fans of the film and provide some interest for the animation buffs.
Two thumbs way up!
Endless babbling and anachronistic cultural references made me weary. I was glad when it was over. I know that the destruction of the Inca civilization at the hands of the Spanish conquistadors was one of history's greatest tragedies. But if I were Pizzarro, and the Incas were this annoying, I would have annihilated them, too! I recommend Disney's 2003 "Brother Bear" instead, as a wonderful film for both kids and adults. ... Read more | |
| 45. Shrek Director: Vicky Jenson, Andrew Adamson | |
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Reviews (1112)
It is easy to see with every kind of company. It's sweet, it's bitter. It's plenty of laugh and plenty of love. Music is really a big part of the film and every tune is perfect. I don't know of anybody who dislike this film. Extremely enjoyable. ... Read more | |
| 46. Erik the Viking Director: Terry Jones | |
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Reviews (16)
More: If I could give this movie 10 stars I would. It is on my list of the best five films ever made. Tim Robbins is wonderful. His facial features careen between wacky, maniacal, and just plain confused. Like another reviewer has said: what happened to the supporting actors' careers?! They were great, too, whether they were puking off the side of a ship or saying profound things about the nature of fear. Oh, and the ending was deeply touching. Conclusion: So get this movie for yourself and all your friends.
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| 47. Holes Director: Andrew Davis | |
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Reviews (169)
So when they introduced the movie, I was quite interested. Part of me was hopeful it would turn out well, the other part of me was skeptical that it would be anywhere near as good as the book. However, my fears were dashed. This movie was FABULOUS! The story jumps back and forth a little between three different tales -- the story of Elya Yelnats, the main character's "no good, dirty-rotten, pig-stealing great-great-grandfather"; the story of Stanley Yelnats IV himself; and the story of a legendary outlaw, Kissing Kate Barlow. The three stories are interwoven quite ingeniously. In some cases, you aren't completely sure what the connection will be, but then when you find out, it fits perfectly. The story IS slightly altered, of course, as most books-brought-to-movies tend to be. But it very much keeps the spirit of the original book. The boys are very believable -- I especially love Zero! Sigourney Weaver makes a wonderfully nasty warden. And John Voigt does a wonderful insane portrayal of Mr. Sir. This movie will keep you laughing and curious throughout. And if you enjoyed the book, you'll like this film!
The young cast bring to life the beloved characters at Camp Green Lake, where convicted juvenile delinquents are sent to toil in broiling Texas sun. It was great to see X-Ray, Zero, Armpit and of course Caveman brought to life. The adult parts are played by Jon Voight, Sigourney Weaver and Tim Blake Nelson, and they look like they're having a WORLD of fun playing the malicious staff at Camp Green Lake. The story is not insulting to kids, and adults can watch it and be entertained the entire length of the movie. Vignettes back at Caveman's home where Stanley Yelnats the second and third live under the curse incurred from the first Stanley Yelnats, and trips back in time where that first Stanley was cursed by European VooDoo Woman Eartha Kitt as well as the back-story around Kissin' Kate and her treasure all add to the viewing pleasure. The DVD comes with just the right amount of supplemental features, interviews and commentaries. Not many "children's movies" are as appropriate for all ages. Highly recommended.
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| 48. Fahrenheit 9/11 Director: Michael Moore (II) | |
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He takes on George W. and his administration so convincingly, so thoroughly, Howard Dean must be standing on a street corner somewhere in Vermont screaming "Amen!" Interestingly enough, the movie wasn't nearly as slanted as I assumed it would be. And he didn't limit his wrath or criticism to Bush alone, or even the Republicans alone. Fingers were pointed and jabbed at both sides of the isle as well as almost all facets of the media. He painted a picture, albeit not a pretty one, step by step, stroke by stroke, meticulously and hypnotically. And by the end it was to this viewer an unqualified masterpiece. He goes to great length to make it abundantly clear that all Americans should and do support our troops, even if we don't support this war. He effectively illustrates the horror of which they've been thrust into, and the futility of what they're up against. Only one child of the entire Congress of the United States of America is actually over there in Irag fighting. The look on the congressmen's faces of which he was interviewing when he asked if they would be willing to enlist their children in this war to show their support was priceless and telling. He goes on to fill this canvas with such shocking persuasive anecdotes, interviews and news clips that most of the audience is left in horror, disgust or laughter. There's no question that Moore is biased, but he's so thorough, so passionate, so sincere that by the end of the movie one can't help but wonder if there's not a whole lot more truth to what he's conveying than anyone was ever willing to admit out loud. Every American, of every political, cultural and racial persuasion should see this movie for themselves. And from there, let their consciences be their guide. If the standing ovation and applause at the end of the near sold-out show my wife and I attended this morning in Del Mar was any indication, we're in for turbulent summer. Kudos to Lions Gate for being so instrumental in bringing this vitally important work to the screen. And if anyone should be thinking of boycotting a studio because of this film, the name Disney comes rushing to mind.
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| 49. Fantasia 2000 Director: Gaëtan Brizzi, Pixote Hunt, Paul Brizzi, Francis Glebas, Hendel Butoy, Eric Goldberg, James Algar, Don Hahn | |
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Description Reviews (139)
That said, I had a wonderful time watching this. As in the original, some of the segments don't work as well as others. The Beethoven's Fifth segment is a bit of a bore, I thought the Respighi whales piece was excessive, and, given the choice, I wouldn't have included the Sorceror's Apprentice again. But some segments work extremely well. I've never cared much for Gershwin's Rhapsody in Blue, but its segment here gave me a whole new appreciation of that work. The Carnival of the Animals is hysterically funny, with almost a Chuck Jones feel to it. And Donald Duck is both very funny and very touching in the Pomp and Circumstance. Following a legend is an impossible task. But Fantasia 2000 is a worthy sequel to its illustrious predecessor.
Pines Of Rome A Marvel of 3-D animation in which whales swim among the clouds. Firebird Suite Exquisite visuals tell a surprisingly uplifting tale of transformation and renewal. Pomp And Circumstance Donald Duck takes on the challenge of Noah's flood, helping all the animals and his lady love. Rhapsody In Blue A rich, rhythmic portrayal of New York City citizens throughout their day and in their daydreams. Piano Concerto #2, Allegro, Opus 102 A brave tin soldier overcomes huge odds to rescue a tiny ballerina from a wicked jack-in-the-box. Beethoven's Symphony No.5 Abstract images tell the tale of good vs. evil. Carnival Of The Animals What happens when you give a yo-yo to a pink flamingo? The Sorcerer's Apprentice Returning favorite from the original in which Mickey gets into magical mischief.
I highly reccommend this movie to everyone, except maybe people who consider Scooby-Doo to be the ultimate animatoin masterpiece. ... Read more | |
| 50. Uncle Tom's Cabin Director: Stan Lathan | |
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| 51. Monty Python and the Holy Grail Director: Terry Gilliam, Terry Jones | |
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Amazon.com essential video Reviews (630)
A lot of effort went into this special edition dvd, and it shows. I particularly enjoyed seeing Jones and Palin visit locations. They were in a jolly mood, their comments are interspersed with film footage, and they meet affectionate and funny fans along the way. If you like this film you will love this dvd version; if you love the film, you wil adore this two-dvd set. An essential item for your collection. Highest recommendation.
As for the options on the special edition here's a run-down: Disc One: -"21st Anniversary" cut of the film running an extra 24 seconds; -Anamorphic Widescreen; -Dolby 5.1 track; -Original Mono Track; -Audio commentary with Terry Gilliam, Terry Jones, John Cleese, Eric Idle and Michael Palin; -subtitles "for people who don't like the film" (you get the text from Shakespeare's Henry IV instead); -an "on-screen screenplay" feature which lets you read the screenplay as you watch the film; -"Follow the Killer Rabbit" feature; Disc Two: "Three Mindless Sing-Alongs"; -"The Quest for the Holy Grail Locations" featurette; -"How to Use Your Coconuts" educational film; -"Monty Python and the Holy Grail in Japanese" (with English subtitles); -the BBC Film Night special "On Location with the Pythons; -an interactive cast directory; -still galleries with Terry Gilliam's original sketches and behind-the-scenes photos; -"A Load Of Rubbish" with mystery items; -unused ideas and other material; -two trailers Both discs represent the absolute final word resource for EVERYTHING and I do mean everything you'd need to know about the Python's greatest film. An Absolute Necessity for any Python Fan!! P.S. You can't base a system of government just because some watery tart threw a sword at you.
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