Amazon.com

How many movies offer the rare spectacle of a parasailing pink starfish flying over a crowd with a congratulatory pennant clenched between his buttcheeks? And that's only the tip of the iceberg--The SpongeBob SquarePants Movie is a freewheeling goof of a cartoon, full of surreal twists as its diminutive heroes head down a dangerous road to rescue the lost crown of King Neptune. SpongeBob (voiced by Tom Kenny), an arrested adolescent in the mold of Pee-wee Herman, works at a fast-food restaurant that serves something called Krabby Patties (as the restaurant owner is himself a crab, it's not clear what exactly they're made of). His best friend Patrick Starfish (Bill Fagerbakke) lives under a rock and has an IQ in the lower digits. Still, their friendship carries them through many a tight spot as they strive for manliness. Anyone seeking a coherent world will be disappointed; in this undersea adventure, things catch on fire or seem to be surrounded by air whenever it's convenient for a gag. The jokes are often more silly than actually funny, but there's an undeniably energetic joviality to the proceedings. Featuring the voices of Scarlett Johansson, Jeffrey Tambor, Alec Baldwin, and a fully fleshed appearance by David Hasselhoff. --Bret Fetzer ... Read more

Reviews (161)

Adorably Sweet and Funny To Boot!
The animation was perfect, the plot was funny as well as interesting and (at times) touching, and the music rocked!!

I think you'll also find the new characters quite charming, especially the sweet and beautiful Princess Mindy (who SHOULD be Spongebob's romantic interest, not Patrick's...but, ah well.).

This movie is definatley wonderful... I give two thumbs WAY, WAY up!

Sometimes EXTREME ignorance can be charming!
I am a big fan of the TV series; unfortunately, the movie is not nearly as entertaining to me. If you enjoyed "An Extremely Goofy Movie" or maybe "The Care Bears Movie" then you might want to chance it, but if you're expecting the TV show forget it. The most interesting thing about this movie to me is that it drew someone like p kitts out from under whatever rock he/she was hiding. Word creations like "lagh" (used 5 times), "houp" for "hope," "seen" for "scene," and "though" for "tough," when teamed with expressions such as "i seen it 2 times," etc., are funnier than anything in "The Spongebob Squarepants Movie"! Just funny, funny stuff! And I don't mean any disrespect, honestly. I just wish the movie had entertained me as much as that review!

Spongebob's Biggest Adventure Yet!
King Neptune somehow misplaces his crown and suspects it was stolen. He then goes to Mr. Krabs, who is a crab {obviously}, and the owner of the restaurant the Krusty Krab. He is also egomaniacal. Spongebob and his friend Patrick who is a starfish agree to go find the crown so King Neptune would be happy. {It's nice to not have commercials in between the movie too}. But, Mr. Krabs nemisis, Plankton, hires a guy {more like a tough biker} to go after Spongebob.

loved it , two tumbs way up!!
I love this movie i seen it 2 times in the theaters, and bought it when it came out.For allmost a month i watched evey night ,and somtimes throughout the day.Even adults can love this.My favorite seen is when spongebob sings "Goffy gober rock" when it showes patrick with tights on LOL. I laghed untill I allmost cried ,but when i seen it the second time i didnt lagh,but i was expecting eveyone else to lagh but no one laghed.(must have been a though crowd), if you have not seen it you must at least rent it,or buy it if you are a spongebob fan like me or anyone else,houp you like it!

Good L-o-L Fun
there are some good jokes in this film and funny scenes. Worth the buy, that simple. ... Read more

Amazon.com

This strange and charming documentary by Al Pacino, in which he also stars, is an exploration of several topics: Shakespeare and his hump-backed villain, the impulse to act, the way actors work--and Pacino's single-minded effort to make the Bard accessible to all audiences and not just the effete few. Over the course of the film, Pacino alternately discusses the role and the text; roams Manhattan, talking about Shakespeare with everyone from scholars to people on the street; and re-creates scenes from the play in a production staged at the Cloisters, an evocative castle-like museum on the north end of Manhattan. He assembles a cast that includes Kevin Spacey, Winona Ryder, Estelle Parsons, and Alec Baldwin to perform the scenes, and he slips back and forth between text and discussion of the play in a way that makes Shakespeare comprehensible and fascinating to viewers who know or care nothing about his writing. --Marshall Fine ... Read more

Reviews (37)

Lost and Found
I have to admit I was skeptical of watching Al Pacino try his hand at ANY Shakespeare, much less Richard III, which isn't the easiest play to put on in the first place. But by the end I actually quite enjoyed the whole production, even if I wouldn't call it a masterpiece.

I'd recommend this film to anybody who enjoys the Bard, live at Stratford or even if it's some over-the-top movie version--and particularly for high school students who are still a little too dense to totally 'get' Shakespeare. It's informative for the uninitiated, and as a documentary, it works reasonably well, and moves at a brisk enough pace so you're not bored stiff.

Add to that some particularly insightful words from Derek Jacobi, and Sir John Gielgud (amongst others), it's well worth a rental, and doesn't embarrass any of the actors who were smart enough to take part in this.

And as a reminder to the bloke who trashed this in favour of Ian McKellen's excellent turn as Richard III, this wasn't meant to compete, but instead to enlighten the masses. Who to be quite honest, COULD understand Shakespeare if they put their minds to it, but most don't.

They're usually forced to in grade nine at best.

Amazing for an indepth look
I saw this movie in 1996 while in college on a "movie night" with other actors in my field of study. We were simply electrified by Pacino's depth and power that he put into the understanding of this amazing Shakespeare character. I have performed in Richard III, and believe me, i wished that i had this film to look at during that time to help me with some difficult scenes! I found Pacino to be extremely human, bendable, and thought-provoking; it's a definate must for the Shakespeare lover, and will expand your mind if you love Pacino! At least rent it!

Engaging!
I came across this movie on one of the movie channels on dish and, being a teacher of literature, got completely sucked in. I loved how the actors explore the characters of the play and the various plot sequences, then the audience is treated to the final outcome. Though the scenes are acted out at different locations throughout London, rather than on-stage, and one might say that it detracts from the film's credibility, the locations are well thought out and appropriate to the scene.

I can't wait to use this film as a teaching tool.

Mildly entertaining but also pretty deliberately dumbed down
I like Al Pacino in many movies, especially, of course, Godfather 2. I've seen him on the stage & enjoyed his performances in O'Neill & Mamet.

But to me Shakespeare is not his forte. In this film which I find to be mostly an exercise in actorly self-indulgence, he comes off sounding like Mel Brooks both as narrator & especially in character.

I also find the intent rather condescending & for the most part irrelevant. The gap between English & American actors doing Shakespeare has to do with Language & History. I didn't hear much commentary on these issues. Mostly the film sounds like a treatise for making Shakespeare palatable to grade schoolers.

Pacino's best film ... where's the DVD?
Although Richard III is one of Shakespeare's most violent and Gothic plays, Pacino's loving and intelligent exploration of the classic tragedy - and the legendary bard who penned it - emerges as one of Pacino's most compelling and inspiring films. A movie that makes me proud to be an Italian-American studying for his Ph.D. in British literature. ... Read more

Amazon.com essential video

Before making Batman, director Tim Burton and star Michael Keaton teamed up for this popular black comedy about a young couple (Geena Davis and Alec Baldwin) whose premature death leads them to a series of wildly bizarre afterlife exploits. As ghosts in their own New England home, they're faced with the challenge of scaring off the pretentious new owners (Catherine O'Hara and Jeffrey Jones), whose daughter (Winona Ryder) has an affinity for all things morbid. Keaton plays the mischievous Beetlejuice, a freelance "bio-exorcist" who's got an evil agenda behind his plot to help the young undead newlyweds. The film is a perfect vehicle for Burton's visual style and twisted imagination, with clever ideas and gags packed into every scene. Beetlejuice is also a showcase for Keaton, who tackles his title role with maniacal relish and a dark edge of menace. --Jeff Shannon ... Read more

Reviews (107)

Say it once, say it twice, third time's the charm!
When this movie first came out about fifteen years ago, my father owned a video store and every Wednesday night was "Beetlejuice" night. I'm older now, obviously, but I still cannot get enough of this movie.

Alec Baldwin and Geena Davis play Adam and Barbara Maitland, two Connecticut yuppies who die prematurely in a car wreck. Within a couple weeks, their home is overrun by an ultra-trendy New York City family, Charles and Delia Deetz, and their Goth daughter, Lydia (played respectively by Jeffrey Jones, Catherine O'Hara, and Winona Ryder). Adam and Barbara want their house back, and attempt to scare the Deetz's out of the house by wearing sheets and even by possessing them over dinner, making them sing and dance to Harry Belafonte's "Day O." Those attempts fail and enter Michael Keaton as Betelguese, "the afterlife's leading freelance bio-exorcist." The movie is dark without being scary and funny without being ridiculous.

In my opinion, one of the real gems in this film is the late Sylvia Sidney as Juno, Your Case Worker. Sidney was pushing eighty when this film was made, but turns in a great performance as the embittered equivalent of an afterlife social worker. Love how the smoke from her ever-present cigarette comes out of the slit in her throat.

If you've never seen this movie, see it. If you have seen it but don't own it on DVD, get it. The picture quality is better than ever.

tim burton=a classic movie
a couple dies.they live in a house as spirits and then some people move in.the dad is a dork.the mom is a control freak,crazy women who sculpts.she is a similar character in home alone but in that one shes a unbelivably terrible and neglectful psycho mom.the daughter is a dark depressed girl played by wyona ryder.she looks very sexy in thisone.a cool line is:my whole life is a dark room.one big dark room.they get constant visits from other weirdos also.the 2 dead people-some dork and a belive it or not somewhat sexy geena davis play them.they spirits try to scare the living out but are too good natured to suceed.so they hire michael keaton-beetlejuice-to get rid of them.he is more forceful.it is a tim burton movie which of course means its awesome.most everyone could like this.wyona ryder looks awesome in a red wedding dress late in the film.that stupid child hater of a mom lady is this movies only flaw.shes such a bitch.this movie is full of well written mastery and great special effects.it is great!

beetlejuice
this movie was really good, it was so creative, like edward scissorhands. i loved the story and the underworld scenes were great. i think that winona ryder did an excellent job as Lydia, the troubled daughter. betelguese was hilarious! this is not your mainstream kid movie, be aware of that if if you plan on showing it to your kids.

Remains one of my favorites
Re-watching Beetlejuice more than a decade after it thrilled, frightened and enthralled me as a child makes me sad about Mr. Tim Burton's transformation into a Hollywood favorite semi-quirky remake-director (Planet Of The Apes, Sleepy Hollow) in recent years (Big Fish indeed signals a hopeful recovery - if only Charlie And The Chocolate Factory doesn't spoil it...!) At the young age of thirty, and in only his second full length feature, Burton created a cult favorite that is one for the ages. In this bizarre, off-beat script by Michael McDowell (who collaborated with him before on an episode of the 'Alfred Hitchcock Presents' television series) he found the ideal vehicle for his unique and strange imagination - and indeed, Burton's unique vision is more apparent here than in any of his movies, The Nightmare Before Christmas being the happy exception. Though it's true that it's not as personal a creation as 'Nightmare' or Edward Scissorhands, this is the movie that would place Burton on the map as a major director, and would earn him his breakthrough job - directing the first Batman feature film. It is on Beetlejuice that he would also start several long-time collaborations with actors who would work with him again in the future - Michael Keaton (Batman & Batman Returns), Winona Ryder (Edward Scissorhands), Jeffrey Jones (Ed Wood, Sleepy Hollow), Glenn Shadix and Catherine O'Hara (both of whom did voiceovers for Nightmare Before Christmas).

So, again, while Beetlejuice isn't as deep and personal film as we would see in Nightmare Before Christmas, Edward Scissorhands, Ed Wood or Big Fish, Beetlejuice is an incredibly imaginative and captivating film and is a perfect black comedy. Geena Davis and Alec Baldwin are both more than adequate, but Michael Keaton in the title part is of course the real star of the show - although in reality his part is much smaller than those of Davis and Baldwin. Keaton is electric and mesmerizing as the bio-exorcist or 'the Ghost with the Most', Beetlejuice (spelled BETELGEUSE!), probably the greatest and most memorable performance of his career (with the possible exception of the part of Batman). Keaton really let loose in Beetlejuice, and he and Burton were seemingly having a blast - they created one of the most memorable horror and comedy characters on the big screen. Seventeen year old Winona is also terrific as Goth-girl Lydia, fascinated and repulsed by Betelgeuse's extreme personality. Similarities between her character here and the one in Edward Scissorhands are easy to find, but for my money her performance as Lydia is the better one.

And in conclusion, if there's any movie that I'd recommend to own on VCR or DVD, it's Beetlejuice; because Burton at his best made films that are well rewarding in repeated viewing, and Beetlejuice is Burton at his very, very best, even if it's not his best film. So even if it's not an essential masterpiece like Edward Scissorhands, Beetlejuice is one of the classic cult films of all time, and I can't imagine going through life without it - that is, if you have the tiniest bit of a sense of fun and humor.

This is the dumbest movie I ever saw...
I can't see why so many people liked this movie. I think it stinks. It has no script, Burton's story telling is lost in bad effects and cheesy dialoge and Keaton gets to act like a goofball. These two were no way the right ones to make Batman. ... Read more

Amazon.com

In these tales from the island of Sodor, Thomas and friends welcome Skarloey home from the menders, and Oliver and Toad teach some trucks a lesson. The usual busy sets and clever, mock action are on hand. The Skarloey story is better than average. There's a bonus music video, "Don't Judge a Book by Its Cover." --Tom Keogh ... Read more

Reviews (6)

Not Bad!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This episode is really good even though George Carlin replaced Ringo Starr. I also like the other episodes like Thomas Gets Bumped (which I got in 1991 when I was born in Downtown Charleston) I liked all the adventures of Thomas and Friends.
I wonder what Thomas Meets the Queen will be like. Do you?

The sequal of the little engines
I watched this video for the first time in 4 years. Thomas and the Special Letter is pretty much just a sequal of a video before it, "Rusty to the Rescue". This video has the return of the little engines Peter Sam and Sir Handel along with new little engines like Skarloey and Duncan. There's also "the bluebell engine", Stepney. Each one of their stories that there in show what character their displaying. Duncan starts to Rock N' Roll and Rock N' Rolls himself off the rails. Stepney and Duck pull a passenger train that a new diesel was supposed to pull. The only thing that was bad about this video was that in each story another new engine would return instead of showing a story about the classic engines (Gordon, James, Thomas).

Thomas and the Special Letter was pretty good
One of the things I really like about Thomas the Tank Engine is the little engines. This video along with three or four others, has a lot of these stories containing the little engines. Lately they've put one or two little engine stories every other tape. Rusty's face sure did get bigger. Home at last makes you wonder why Skarloey's repairs took so short and he gets back and Rheneas still isn't home. And appartently there were so many changes while he was gone so he must have been gone awhile. Oliver had a good episode in this one too and so does Stepney. The Diesel from Bowled out reminded me of a combination of Daisy and Diesel becasue he didn't lie or make so many insults but he was still very rude. Duncan pretty funny because he's so stubborn. Peter Sam is innocent and friendly to others unlike Sir Handel but he hasn't been even mentioned in any recent ones. They also discontinued his train so I wonder if he's not on it anymore. That would be a shame becasue Rock N Roll was pretty good. This tape has no bad episodes and I would recommend it to any Thomas lover.

Thomas and the Special Letter and Other Stories
This is a great video! See what happens when Sir Handel tries to compare himself to George the steam roller, and Oliver and Toad teaching the freight cars a lesson. See if Duncan will ever like Rusty the diesel and stopping "Rock 'N Roll". See what happens when Thomas and his friends go to a big city, and what happens when a mean diesel comes when Stepney leaves the railway.

The story stops are: Thomas and the Special Letter; Home at Last; Rock 'N Roll; Steam Roller; Toad Stands By; Bowled Out; and the music video "Don't Judge a Book By its Cover".

Overall, this is a GREAT video. I know you'll like it.

wow!
This is a cool video. I'm glad I have the video. It contains the following stories: Thomas & The Special Letter, Home At Last, Rock 'N' Roll, Steam Roller, Toad Stands By, Bowled Out, and the song "Don't Judge A Book by Its Cover." ... Read more

Reviews (5)

Refurbished Streetcar rides better than the original
I was age two in 1951 when Tennessee Williams's A STREETCAR NAMED DESIRE had its first Silver Screen incarnation. I don't recall seeing this film during the 50s as part of a twenty-five cent, Saturday, kiddy matinee double feature. Well, we would have been bored with such grown-up tempests-in-a-teapot anyway. As an adult, I can now view both the original and this 1995 version, and reap the benefit of improved film-making technology and relaxed censorship, though both versions are substantively identical - no surprise, since they're both working off the same script.

Blanche Dubois arrives in post-WWII New Orleans from Mississippi to visit her younger sister Stella, who's married to Stanley Kowalsky. Both women were the products of a genteel, Southern upbringing, and Blanche is appalled by Stanley's brutishness and the sweltering, seedy, French Quarter apartment in which her sister happily lives. Early in life, Blanche was psychologically devastated her young husband's death. He'd committed suicide after Blanche had discovered his homosexuality and confronted him. Stella having departed the family estate, Belle Reve, for the Big City, the widowed Blanche was left to deal with the deaths of parents and the eventual loss of Belle Reve to creditors. Now, at the edge of sanity, Blanche perceives herself as a classic Southern lady fallen on hard times. But she has another side which Stanley, a male "pig" if there ever was one, immediately perceives. It's their tense interaction over several months that provides the story's conflict and seals Blanche's fate.

How do the players compare?

Alec Baldwin's 1995 Stanley is more than adequate. OK, he doesn't have the animal presence of Marlon Brando's original, but at least the former doesn't talk as if through a mouthful of cotton. And if I hear the 1951 Stanley screech his high-pitched "Stella!" one more time, I'll lose it.

The role of Blanche is better served by Jessica Lange than Vivien Leigh. To me, Leigh's version came off with a touch of spoiled brat, while Lange's embodied more of the vulnerability and residual gentility that comprised the essence of Blanche. In that persona, Leigh's illusions and delusions seemed overacted, while Lange's seemed inherently genuine. (Do I suffer from being too infatuated with Jessica's role in TOOTSIE?)

John Goodman as Mitch, who becomes smitten with Stanley's sister-in-law, is more of a flawed-yet-sympathetic figure than was Karl Malden's original. Perhaps it's because Goodman's more massive physique contrasts better with his (initial) gentleness.

Played by Diane Lane (1995) and Kim Hunter (1951), Stella is a toss-up. I give Ms. Lane the nod simply because she's a superb, contemporary actress that I fondly recall from LONESOME DOVE and UNFAITHFUL.

Purists will rage, but if I had to recommend one version over another, it would be this one. Filmed in color, it provides more atmosphere and depth than the B&W original. And the viewer no longer has to cope with the early-1950s censorship that muddied dialog and scenes having to do with homosexuality, rape and nymphomania. This is a half-century later; let's move on for Chrissakes! After all, the "classic" story is Williams's original play. (Who knows? In 2050, a third screen edition may do it even better. Perhaps it'll be a holographic presentation.)

For me, the best scene in both is at the end when Blanche is gallantly treated like the lady she believes herself to be, and she poignantly remarks, "Whoever you are, I have always depended on the kindness of strangers." To get through life, we all do.

Simply Perfect
I've never seen the original, but this TV version was truly mezmerizing. I love Jessica Lange so I am biased when it comes to her performances. However, I had such compassion for her portrayal of Blanche. She portrays the character as such a lost and troubled soul. You feel a sence of impending doom building throughout the film which is satisfied by the film's explosive climax. The entire cast is first-rate and seem to compliment each other's performance. I could watch this one over and over.

Jessica is truly amazing!
It's hard for anyone to believe that Jessica Lange could outshine Vivien Leigh in one of the latter's signature role, but she did. Alec Baldwin is no match for Marlon Brando. However, this new version is more faithful to the original. And it's worth seeing even only for Lange's magical performance. Her final scene is truly heartbreaking.

Jessica' s best performance?
I always thought that Vivien Leigh's interpretation of Blanche will be the definitive performance for this role. I am not so sure after I watched Lange's heart-breaking performance in this version. She is truly amazing. ALthough this actress given tons of great performance in her career ('Frances', 'Country', 'Sweet Dream', 'Music Box', 'Blue Sky'), she very likely gives the performance of her career in a made for TV movie.

Excellent Version of Williams' Masterpiece
While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.

Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams. ... Read more

Reviews (111)

My Kids Love This Movie
This story takes place in the perfect little town, Shining Time, where everyone apparently sits around at the train station with nothing to do; and the Island of Sodor, which is populated only by trains (which leaves me wondering, why the need for passenger cars) and Sir Topham Hat, the cranky railway controller. Mr. C is a tiny little guy who magically pops in and out using gold dust. Gold dust is the only way to travel to the Island of Sodor and it's running out. And to make things worse a nasty Diesel engine is running amok threatening the steam engines. Hence the plot of this movie.

I have to agree with almost all of the other reviews-- for the most part the acting stinks, but my kids love it. They want to watch it nearly every day. They love to watch the "choo-choo's". Because of that I gave it 4 stars.

From an adult perspective I would give it 2 stars, only because of Alec Baldwin. If it weren't for Baldwin this movie would have nothing for the adults to watch. He is absolutely hillarious as Mr. Conductor. He plays the part perfectly. The only other good acting comes from C Jr., Mr. C's nephew (don't know his real name), who plays a funny British surfer-dude. On the other hand Peter Fonda's acting is so bad, it would be funny if he weren't so annoying. He plays Burnett Stone, a sad-sack old recluse who never comes down from the mountain and now I see why. If he did come down he would be pelted with rocks.

This movie is full of stupid dialog and situations. One of the more stupid moments in this movie: A girl asking a stray dog what train to get on and where to get off. The most stupid lines: Native-American: "Does Burnett Stone ever give you a smile?" Patch: "No, but he doesn't frighten my horse either. Which means I don't think he's a bad man."

Thomas the Magic Railroad wasn't so magical after all.
After reading the previous reviews about the film and comtemplating on the opinions. I realized that this film doesn't have the Thomas spirit. I'm 16 years old and I have watched numerous videos of Thomas in my young childhood and like to rejoice on the great memories that I have had with Thomas. When the movie was released, I watched it at home and I wasn't all that impressed. The basic storyline was pretty well thought out but it didn't seem like a regular Thomas storyline. Some of the children nowadays would think it is boring and simply terrifying with the exception of Diesel 10. The majority of the children have watched the show and videos and learned that Thomas is a innocent, friendly, and a hard worker. When you put a evil train into the mix, it doesn't seem right. The original Diesel used to cause trouble out in the yards etc., but this one didn't fit. Overall the storyline isn't all that bad, but the they could have had better acting and more train scenes instead of the humans. I mean it is Thomas's movie. But in conclusion, they didn't ruin the Thomas series, it just put a little confusion in the likes of the series.

3 y.o twins love it - but are now saying "GET OUTTA MY WAY!"
It is definitely for the under 5 crowd, and they will sit through this unlike many other movies. It captivates them, and I can handle watching it, but the boys did learn the "GET OUTTA MY WAY!" phrase from Deisel 10 and I am not thrilled about that. Especially when repeated in the preschool yard!

Should be zero stars
Honest - I think this may be the worst movie I've ever seen. I agree with the previous reviewer: kids who are young enough to be interested in Thomas won't sit still for the live-action scenes. And an adult who doesn't mind watching a typical Thomas video with a child will find this movie just excruciating. The "plot" is extremely tedious, and the acting is just plain awful. I have no idea why Alec Baldwin and Peter Fonda took these roles unless (1) they never read the script or (2) somebody backed a truckload of money up to their door. I would have rated it a zero if I could. Just plain bad. Don't waste your money.

Mara wilson. 4th may 2004.
By looking on the advertisements, it looked fairly good. Mostly wanted it cos mara wilson was in it, i like her films, she is a good actress. I don't think it is amusing for any older kid, after watching it myself i know that older kids might get a bit bored of it. Not just for those who just like thomas the tank engine, it is kind of an adventure too. People who don't like thomas might absolutely hate this film, for me there is too much talking trains and it is great for an ill kid,especcially young ones. ... Read more

Reviews (8)

Eggs and Bacon please?
^_^I just can't help but luv this video.Why?A few reasons-
1.Its pretty similar to Better Late Than Never and other stories
2.Ringo was great for his first 2 seasons,but Carlin rules all American narrators
3.And third and most important of all...........Diesel-kun!^__________^
Though it IS a complemation(Thomas Comes To Breakfast,Pop Goes The Diesel,Dirty Work,A Close Shave,Off The Rails and others),its still enjoyable to watch.^_^

Wonderful video!
Story stops include:

Thomas Comes To Breakfast - For many years, Thomas the Tank Engine has run his well-known Branch Line, and knows just where to stop. 'You could almost manage it without me!' jokes his driver. What a surprise Thomas gets when he tries to do so and pays the Station Master an unexpected visit!

Pop Goes The Diesel - Duck is boasting about being Great Western and how useful he is, much to the annoyance of the others. Later, Sir Topham Hatt introduces Diesel, a diesel shunter who is "on trial". He asks Duck to show Diesel around, but Diesel says he doesn't need Duck. Duck leaves him to it and Diesel has a accident with some trucks. He thinks it's Duck's fault.....

Diesel's Devious Deed - Diesel is still angry at Duck from last episode, and he plans his revenge. He tells the trucks jokes about Gordon, Henry and James, and says Duck told them to him. The trucks start gossiping, and soon enough the big engines find out. Angry at Duck, they refuse to let him into the shed. Duck is sent away for a while by Sir Topham Hatt.

A Close Shave for Duck - Duck has been sent to work with Edward for a while, and tells Edward that Sir Topham Hatt and the other engines all hate him. Edward says they don't, and asks Duck if he would like to help him work. Duck helps Edward pull a heavy goods train up Gordon's Hill, but the trucks break away and speed down the line. Duck manages to control them, but crashes into a barber's shop. Sir Topham Hatt arrives and tells Duck he prevented a very nasty accident, and says that Diesel has been sent home in disgrace, as after Duck left he still kept telling lies. The other engines welcome Duck back.

Gordon Takes a Dip - Gordon is annoyed when he is asked to pull a goods train. Whilst on the turntable, he tries a bit of sabotage-which doesn't go according to plan...

Double Trouble - Whilst bragging about his paintwork, Thomas has an accident at the coalhopper and gets smothered in coaldust! Percy teases his about it; however he soon changes his mind when Percy has an incident with coal himself...

A Cow on the Line - Clanking, old Edward feels cross when he has an accident with some cows. Gordon and Henry laugh about it and boast that cows wouldn't bother THEM! However, they'd reckon without Bluebell the cow...!

Trouble In The Shed - Gordon, Henry and James decide to go on strike, declaring that 'Tender Engines DON'T shunt!' The Fat Controller sends Edward to do the work; but when poor Edward is being teased, the Fat Controller then decides to buy a new tank engine called Percy.

Good but Ringo Starr is better
I really want to know why they had to stop the production of 3 of the 5 Thomas tapes and rerealse of of the old tapes with George Carlin. Don't get me wrong I think George is a excellent narrator but they rearranged the episodes from the oringinal tapes. This is a mix not a oringinal tape. Thomas Comes to Breakfast was a funny episode and they would use that story later on when Daisy was released. Also Gordon takes a Dip was used for the one when Thomas falls down a mine and the both of those were used later for Thomas Meets the Queen. The three episode Diesel story was good but i'm sad that, that was Duck's really only good moment. He was in Donald's Duck and Duck takes Charge but this one was his best. These are good for people who can't get the old tapes but if you can try to find the original ones. You won't be sorry.

second best video ever
i like all the stories. my favorite is "gordon takes a dip". my least favorite is "truoble in the shed". in THOMAS COMES TO BREAKFAST: thomas crashes into the station master's house. in POP GOES THE DIESEL: theres a new visitor and he brakes the frieght cars. in DIESELS DIVEOUS DEED: the engines don't want duck anymore. in A CLOSE SHAVE FOR DUCK:edward finds duck then they crash into a barber shop. in GORDON TAKES A DIP: gordon dosen't want to take the apecail train and falls in a ditch. in TROUBLE IN THE SHED: the three engines won't shunt then they get locked up then percy comes back to the island of sodor.

What Fun!
If your little kid loves Thomas, then do yourself a favor and get this video. Its adorable!
Three Cheers! ... Read more

Reviews (87)

The Edge
Couldn't have been better. Anthony Hopkins, Alec Baldwin, and Elle McPherson star in an awesome film from director Lee Tamori, with a great moral, great lesson, great number of suspenseful scenes, and is just plain a great flick. Hopkins plays billionaire Charles Morse, who with his wife (McPherson) and photographer friend Robert Green (Baldwin) and his partner decide to take a trip to the wild backwoods of Alaska. When Morse, Green, and their friend are thrown into the wilderness after a plane crash in a lake in the middle of who knows where, the group of men must add up eachother's bravery and try to escape from the edge, and not "die of shame", as quoted by Hopkins, while being pursued by a goliath kodiak bear. YOU HAVE TO SEE THIS MOVIE. It's rated R, BUT IT'S WORTH SEEING!

A Beauty That Can Devour!
The Edge is a very much underrated film that sadly did not get the proper recognition it deserves, for it is an above average multi-layered movie that works very well on many levels, all equally well written and directed.
New Zealander Lee Tamahori, with the excellent Once We Were Warriors to his name,and writer David Mamet manage to make a movie that offers much more than its genre might suggests, both on the drama and thriller levels.
First there is the breathtaking Alaskan wilderness, spaces so vast they are equally inviting and menacing.A Napoleon general, lamenting the disaster that befell the French army once said: 'The vasteness of Russia devours us'. In the Edge you will too get the impression that the beauty of this untamed nature can also devour: break the bodies and souls of our heroes, Anthony Hopkins and Alec Baldwin, both offering their most underrated acting best.
Three men are lost in the middle of a wilderness after their plane crash.The hope for an early return/rescue is dashed by the misleading spaces and a huge and determined Kodiak bear.One man, played by Harry Perrineau gets to know first hand about this determination,leaving Hopkins and Baldwin, bewildered, and weary,to try and escape with their lives.
This is when the film really starts. It becomes a journey of incredible hardship that will strip both men of their 'social' selves and replace it with the need to survive that will take them to the 'Edge' of endurance on one hand, and the depths of their own souls on the other. The animosities, tension and grudges that laid hidden between the two men emerge as a powerful and consistent force that mark their relationship from then on.
David Mamet has managed to write the 'Edge' that any human being can face whether lost in an unforgiving wilderness or anywhere else for that matter.It is simply how human beings change,and how social niceties is slowly eroded when the need to survive becomes the single driving force. This is a fine piece of writing!
Of course there is the thriller angle in the film..the bear, the master and primary predator of its environment,chasing two men that have been stripped from all the power and control they once possessed and taken for granted.
The direction and cinematography of these scenes are of top quality.
So if you want to watch gorgeous scenery, be scared of this huge and beautiful animal,or witness the changes incredible circumstances that trigger in men, then the Edge is the film for you eyes and mind, a journey that can easily be revisited in the safety of your own home.

Mamet's Mutt
This movie is so hokey and predictable, I can't believe it was written by the same mind who gave us "Glengarry Glen Ross." I have so many problems with this film, but I'll just list the main ones: (1) unoriginal plot (disaster strikes on a trip into the wilderness. Only the 999th movie to give us that lame storyline.) (2) After the "PLANE CRASH!!!", when the big bear is killed, all of a sudden there is no more bear threat. it's like there were only two bears in that whole wilderness. With all the bleeding going on between those three guys, bears would have been having a festival with those nimrods. (3) Then, it was so implausible to me that Alec Baldwin's character, Bob, would try to kill Anthony Hopkins' character, Charles, who had singlehandedly killed a bear and saved their lives --- because he, Bob, was SECRETLY in love with Charles' wife, the beautiful supermodel back at the warm cozy hunting lodge! Wouldn't he at least have waited until he was a little bit closer to being found? (4) Later, when Bob is injured and bleeding badly, he fades out for a second and Charles says "Don't die on me, Bob!" Hello! Is that not the most hackneyed line in show business? and (5) my personal favorite: just when Bob is playing his deathbed scene --- cue the helicopter to appear through the mountain fog! They're saved! All is well! But, (6) Ooops! Bob just died while the helicopter was buzzing the mountainside! Then, when it mercifully fades to black, we see "The producers would like to thank 'BART THE BEAR' for his contribution to this motion picture. Puhleeeeeeze! Just a horrible, unoriginal film. The only redeeming features were two performances: First and foremost Anthony Hopkins. He made chicken salad out of you know what. And believe it or not, supermodel Elle Macpherson, in the small role of Charles' wife, is not bad. It was a revelation to be a supermodel come through with an understated performance with some nice depth even when she's not speaking; it was very nice. As far as the other actors, they were all right, but nothing great. Alec Baldwin did his usual grimacing, shouting and gnashing of teeth; nothing new from him. I stayed up until 3:30 in the morning watching this thing, waiting for it to become a good film. I kept telling myself "This is Mamet. Come on!" A total disappointment. At least the cinematography was good. And the music was quite good. But the rest of it: A big ole stinker. But I am giving it 2 stars, just because it's Mamet, and I'm sure if I know Hollywood, they probably made him put in some of that junk.

ANTHONY HOPKINS IS INCREDIBLE IN THIS MOVIE !
A man who possess many bilions dollars and a privats plane has not friend every people see his fortune an nothing other as this hunter qui speak to him, after a few minutes, he can discern than he is same at the other, but he possess a trump in his play, he has an instinct to be able to the survival at any problem witch can arrives without attain his force morale he will be bound to rescue his life, and the lifes of his real enemy
after a crash witch bring about the death of the pilot of the plane, and also later a young man who will be devoured by a GRIZZLY who can smell the blod at many miles around a wound the three men, thus, when they will be only two, the reals sentiments will appear time after time INCREASINGLY ! But who will be SURVIVOR at this reculiar fight for the life AGAINST the death ?

The rabbit is smoking a pipe.
A juggernaught of a film, THE EDGE delivers and then some. Extreemly well written, expertly lensed, wonderfully acted, mature, exciting, edge of your seat entertainment that moves like a hungry mankilling bear after a portly english thesbian. Fast. A great adventure tale that's grounded in reality, making it THE ultimate survival flick. THE EDGE also bennefits from a strong plot as well, a story thick with character development (another in the long string of superb HOPKINS performances) and edge of your seat cliffhangers. Oh, and a giant bear whose desire for dining on human flesh is insatiable. Great DVD viewing, there is a lack of extras on the disc but with a film this good all you need is the feature. ... Read more

Reviews (11)

Great Thomas the Tank Songs
We have MANY MANY Thomas the Tank videos, this one is unique because it has songs and stories...the songs are great, my son loves this video!!!

A must-have for all "Thomas" fans
If you and your child love Thomas the Tank Engine and all his friends, and you've seen the many videos, the songs on this collection will remind you of why kids love the popular train stories. All songs will be familiar to you, and you'll be surprised when you realize how much more you like the song(s) after you know what the words are! My 3 year old son is mesmerized whenever he watches this video. Most of the seven songs relate to Thomas but a few have some 'words of wisdom' that I think are useful and appropriate for kids and adults of all ages. "Gone Fishing" reminds you to take a break and relax after working hard and "Don't Judge a Book By Its Cover" says it all. My only wish is that a 2nd version or "volume 2" is released soon as this compilation was done in 1995.

Good for little kids
This was Thomas's first musical tape and it was certainly better than the next musical one. The two episodes are Peter Sam and the Refreshment Lady and Bulldog. Peter Sam and the Refreshment Lady is about how Peter Sam rushes to make sure he gets to Henry in time but he leaves the refreshment lady behind. In Bulldog Duke saves Falcon and he shows no matter how old you are you can still be useful. The stories on this tape focus on the little engines which is great because I don't think they have enough stories. Little kids love to dance to the songs and it's a greatidea for Christmas and Birthday presents.

Awesome!
My three year old son chose this video as a rental. He cried and threw a fit when we returned it. He asked for it everytime we passed the video store. We've now rented it three times and I have been amazed at how much he and my six year old daughter love it! It has the text along the bottom of the songs and the bouncing ball that tracks the words-a great introduction to reading for the little one and great practice for the older.

Sing Alongs and Stories
Even though I got this video in summer 1997 (I was 6 years old then) I still watch it occasionally and like it, too. Its song's words are displayed at the bottom of the T.V. screen and a bouncing cloud goes over the words. Speaking of songs, the songs in order are Thomas' Anthem, Let's Have a Race, Gone Fishing, Toby, Don't Judge a Book by Its Cover, Island Song and Really Useful Engine. Some of those songs are in other Thomas videos, too. This video also has 2 stories, Peter Sam and the Refreshment Lady, and Bulldog. ... Read more

Amazon.com

To call Pearl Harbor a throwback to old-time war movies is something of an understatement. Director Michael Bay's epic take on the bombing that brought the United States into World War II hijacks every war movie situation and cliché (some affectionate, some stale) you've ever seen and gives them a shiny, glossy spin until the whole movie practically gleams. Planes glisten, water sparkles, trees beckon--and Bay's re-creation of the bombing itself, a 30-minute sequence that's tightly choreographed and amazingly photographed, sets the action movie bar up quite a few notches. And in updating the classic war film, Bay and screenwriter Randall Wallace (Braveheart) use that old plot standby, the love triangle--this time, it's between two pilots (Ben Affleck and Josh Hartnett) and a nurse (Kate Beckinsale) who find themselves stationed at Pearl Harbor on December 7, 1941, during what they thought would be a nice, sunny tour of duty. Then, of course, history intervened.

For the first 90 minutes of the movie, Affleck and Beckinsale find a nice, appealing chemistry that plays on his strengths as a movie star and hers as a serious actress--he gives her glamour, she gives him smarts. Their truncated romance--the beginning of which is told in flashback so we can get right to the point where he has to leave her to go to England--works, thanks to their charm. They're no Kate and Leo from Titanic (a strategy the film strives hard toward), but they're pretty darn adorable in their own right. Hartnett, as the not entirely unwelcome third wheel, squints bravely but makes only a slight dent in the film. Everyone else in Pearl Harbor--from Cuba Gooding Jr.'s brave navy seaman to Jon Voight's able impersonation of FDR--is pretty much a glorified walk-on, taking a backseat to the pyrotechnics and action sequences that keep the three-hour film in fairly constant motion. But when that action does take hold, Pearl Harbor is quite a thrilling ride. --Mark Englehart ... Read more

Reviews (1812)

'Pearl Harbor' a big misfire
From up to its pretty exciting 15-minute sequence as the Japanese bomb Pearl Harbor, 'Pearl Harbor' is a lumbering, barely involving film, which gives us a love triangle between two hunkish World War II fighter pilots, Josh Harnett and Ben Affleck and pretty nurse Kate Beckinsale.

'Pearl Harbor' tries to capture the atmosphere and engaging set up of 1997's better "Titanic" by setting up three star-crossed lovers, instead of the usual two. It fails terribly, but it's mostly scripter Randall Wallace's fault, which tries to balance three to four subplots by compromising the film's integrity and intelligence.

This 3+ hour film is obviously meant as a tribute to the people who died December 7, 1942 and has pretty nice cinematography, but the film itself is a shoddy-made puzzle in which all the pieces don't quite fit together.

The characters wallow in sentimentality and the film unsuccessfully tries to create atmosphere, romance and humor, but the film's bottom drops out in the final third, not only to reveal a plot full of holes, but a incomprehensible story told in bad faith.

Sorry, Bruckheimer. Nice try but no cigar.

September 11, 2001: Another "date that will live in infamy!"
"Pearl Harbor" is a movie of far greater importance after the terrorists attacks of September 11. We are now at war against ideologues committed to destroying our nation. Americans only a few months ago considered "Pearl Harbor" as merely a depiction of a bygone tragic era, but not particularly relevant to our present
concerns. Needless to add, this mindset is no longer embraced by the majority. Jon Voight brilliantly portrays President Franklin D. Roosevelt. You will have a difficult time remaining stoic and tearless when Voight gives tongue to Roosevelt's famous radio speech to the American people after the Japanese treacherous
December 7, 1941 assault on Pearl Harbor. "We are at war," declared the President and "we have been described as weaklings and playboys" unwilling to overcome formidable obstacles, and too cowardly to fight. Does this rhetoric sound familiar? History has been repeated, and once again we are challenged to bravely confront our enemies.

The cast that includes Ben Affleck, Kate Beckinsale, Cuba Gooding Jr, Josh Harnett, Alec Baldwin, and Jon Voight are fantastic. Michael Bay should be congratulated for directing this work of art. The lengthy battle scene ranks among the best of all time. Every moral person should also be taken aback by the scene
where a wounded seaman curses a Japanese-American physician who comes to his aid. Racial and ethnic bigotry was wrong in 1941, and must be wholeheartedly rejected today when some less than admirable individuals are tempted to blame their fellow Americans of Arab descent for the horror of just a few weeks ago. The
United States courageously and ethically faced its enemies over fifty years ago. We must do so once again.

The very fact that this film's creators relied so extensively on focus groups to guide the making of this film was a serious mistake. Both Liberal and Conservative commentators used this as an excuse to blast "Pearl Harbor" immediately upon its initial release. Many wrongly concluded that these marketing studies might be dismissed as a mere cynical attempt by the producers to increase their profits. I strongly disagree with this assessment, and instead strongly recommend that every citizen view this film at least once. It may very well be your duty to so.

Awesome deleted scenes
This is the DVD to get, it has the deleted scenes of the love affair between Doolittle (played by Baldwin) and Beckinsale - the child Beckinsale carries was actually Doolittle's, not Josh Harnett's - in this restored, original version

good but not THAT good
This is a good movie but not great. It's way too long and the actors are not really that good. The special effects are amazing to look at but it gets boring after a while. Jennifer Garner had a very small role in the movie. Why didn't she got a bigger part is beyond me. This unrated version is not that special only has a lot more gore/violence. Why did I waste time and money on this one I really don't know. If you love violence movies buy this now if now avoid it at all costs.

Pearl Harbore, and inaccurate
I must say that, when I saw this film. I was expecting a high intensity build towards the ultimate climax of the attack itself. Instead, we get the usual Hollywood love fest, Hollywood liberties on the truth (though I am not bothered by the liberties themselves, but sometimes the liberties are too ridiculous!) For example, some of the ships used in the movie to be hit by torpedoes are woefully modern, IE not of WWII time period. The Doolittle Raid, look at the aircraft carrier, it shows an angle that only modern nuclear ACC's have, back then the ACC's were long rectangler shaped vessels.

Lastly, I just found it boring and it was like the director was attempting to do a Titanic style story with fictional characters caught in a love triangle all the while the story builds towards the attack as a secondary mentioning. Just way too much Hollywood liberties taken against one of the darkest times for America, and I can't help but feel that the veterans, especially those who were there, should have been given something that respected them more.

I will say though, the attack itself is stunning, why I give it two stars... other than that this movie falls flat for me. ... Read more

Amazon.com essential video

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon ... Read more

Reviews (191)

Docked two stars for shoddy DVD treatment
First of all, let me go on the record as saying that Glengarry Glen Ross is one of my all-time favorite films. The acting is nothing short of astounding. Each actor (particularly Jack Lemmon) is at the top of their form. This is an actor's movie. There's no special effects, chase scenes, superfluous love story subplot, or pat ending. It should be obvious to anyone watching this film that it is based on a play -- specifically, David Mamet's Pulitzer-prize winning play of the same name. Mamet also wrote the screenplay, which is full of the fiery brilliance he always brings to the table. This is not a film for the timid. The language is raw and crude. The film takes no prisoners and I love it.

The film takes place in a real estate office, where cutthroat salesman do "cold calling," basically selling land by telemarketing. It's a brutal business (we've all been on the other end of that phone call and usually end up hanging up on the salesman), and the people these guys work for are brutal as well.

Case in point: during an early, crucial scene, Blake (played brilliantly by Alec Baldwin) tells the gathered crew that the top prize for highest sales is a Cadillac. The second prize is a set of steak knives and the third prize -- "you're fired." The speech is a sadistic, humiliating version of a pep talk, all macho brags and venomous insults. He dangles the new contacts, or "leads," in the faces of the salesmen. "They're for closers," he tells them. These guys would kill for the good leads, and Blake knows it. The scene was written especially fo the film and Baldwin eats it up. It's easily the best thing I've seen him do.

Jack Lemmon plays Sheldon Levene, the office's oldest employee. He used to be the best one around (they call him "The Machine"), but he's been on a bad streak lately and desperately needs his luck to change. His daughter's in the hospital and is unable to pay her medical bills. Al Pacino plays Ricky Roma, the current hotshot. His way of befriending a potential client in a bar and gaining his trust is odd, but effective (his opening monologue is totally insane, but thoroughly entertaining). Kevin Spacey is the office manager who will not bend the rules for anyone, much to the rage of the office. Ed Harris and Alan Arkin round out the rest of the salesmen. Harris plays Dave Moss, who has the world's biggest chip on his shoulder. Arkin is George Aaronow, who desperately needs to land a good sale. Most of his role consists of reacting to Harris and Pacino, but he's very good.

The day after Baldwin's talk, the salesman come to work to find the office robbed. The new leads are missing. Probably an inside job. It could have been anyone. Everyone is questioned by the police and everyone is insulted that they are considered suspects. Ricky is mad because the robbery may have screwed up his latest sale, putting his ownership of the Cadillac in jeopardy. Also, last night's client comes looking for him -- he has second thoughts. The way Ricky tries desperately to blow off his client while still playing the salesman is creepy and brilliant. Lemmon is amazing as Levene -- I've never seen desperation played so well.

Having said all that, I, along with the rest of the GGR fans, have been waiting years for this film to arrive on DVD. Especially since it's been promised as a "two-disc special edition." What a disappointing package it turned out to be.

Well, let's be fair. First of all, the film. It looks great. It sounds great. They did a great job with the film itself. But don't promise a loaded special edition and then give us something as lame as this. The only commentary track on the widescreen version is director James Foley. He only speaks during three scenes. The other commentary tracks are only available on the full-frame version (on disc two) and are not scene-specific.

The extras include "Magic Time," a tribute to the late Jack Lemmon, which is well-meaning but could have been a lot better. It does, however, end with a clip from Lemmon's appearance on "Inside the Actor's Studio," which is sweet. There is also "Always be Closing," another slapdash mini-documentary that features directors, playwrights, actors (including GGR's Alan Arkin and Alec Baldwin) discussing the role of the salesman in plays and films, as well as actual salespeople themselves. Sound interesting? It's not. It lacks any kind of cohesive thread. It appears to have been produced by a first-year film student. There's no structure to it. It looks unfinished.

There's also a clip from Kevin Spacey's appearance on "Inside the Actor's Studio" where an audience member acts out a scene from GGR with Spacey. I'll admit, I enjoyed that bit.

Why in the world didn't Criterion release this? They would have done a much better job and besides, they released the laserdisc version (with commentary tracks from Jack Lemmon, among others, I'm told). What we end up with here is an amazing film with an amazing transfer...and a bunch of lame extras thrown in.

If you're a fan of this film, by all means, buy the DVD...but don't expect much in the area of extras.

Best Sales Movie Ever
Exaggeration & Repetition: Performance keys to live by

There are two keys to being a good performer, whether you are writing or telling a story, whether you are selling something or selling yourself: Always exaggerate things by one thousand percent, and use repetition at least 500 percent.

Those who understate a story or product that may not be very strong in the first place, will fall victims to making that story or product look weak. The way to avoid making yourself or whoever/whatever you are representing look weak is to follow the aforementioned keys. The way to do that when the product or story is weak is to learn how to "B.S." That is where being a good performer comes in...

You are an actor, and being outgoing and to the extreme will always give the impression that whatever you are talking about is "the best." A good actor can do this perfectly and not come off as overly co.cky or obnoxious. Always say what the other person wants to hear. The customer is always right. Do whatever you can to "nail the gig."

There is something else to keep in mind when doing this particular form of "B.S.-ing," and that is the "K.I.S.S." method of "keep-it-simple-stupid." That may sound like a contradiction to the keys, but it is not. Keeping it simple, is not disclosing the real specifics, but still making your case sound like it's above and beyond every other possible option. This comes in handy particularly when someone asks you a question that you may not know the full answer to. That is where "filling" comes in---something that students do when writing an English essay on a test. If you have a general idea of what you want to say but don't have a specific reply to a portion of the question, you "fill" that essay with long winded run-on sentences. However, the whole thing must be coherent, and if your essay is well-written and has a good amount of clever puns and humor, you cannot lose. If you are a slick actor or writer, you can fool even the best of English teachers into at least giving you an "E" for effort.

Another thing to keep in mind is that you will never lose if you can "meet in the middle." What that means is this: Suppose a shirt looks like it is worth $15 to a customer but you build it up so much and make it sound like it's worth $50... By the end of the conversation, if you are doing your job, you are going to get them to meet you in the middle and the final conclusion will be that the price of the shirt is around $25. The real worth may be no more than $15 (and maybe even less), and certainly nowhere near $50, but you still get the "E" for effort and earn $25. You aren't really getting into details on why the shirt is worth so much more than the customer thinks, but you are pounding it into their head that it's worth $50. You are exaggerating and repeating. You are using adjectives that may or may not apply to that shirt but you are making it sound great and far above what it's worth. So finally, they will concede a price of $25. You were stretching the truth about the shirt being worth $50 and they may have been undervaluing it at $15. Essentially, you are both lying and both playing a game with one another, but finally, a minimum of $25 is agreed upon. No one may ever find out the true value, but it's irrelevant anyway. This works in any situation.

Exaggeration and repetition. But remember to K.I.S.S.

These keys could have been discussed in one paragraph, but it took an entire page, yet you as the reader were compelled to hang onto each word from start to finish. So I succeeded as a writer in that this essay was read from start to finish and my point was proven.

The "Whale"

A whale is a customer that you pull in, hook, line and sinker and mount on the wall. He is a golden nugget, a superstar, a monster. This type of customer that you get lucky enough to snag will be your customer for life. That means, you will either be set up for life from one deal you strike up or you will have him as a repeat customer that you can call back as a strong possible prospect forever.

Sometimes it is tough to spot a whale, he may not always be overly outgoing or obvious about being a "buyer." So anyone can be a whale. The way to learn if someone is a whale or not is to simply get into their home and learn about their life and about them. So anything you can do to get your foot in the door will work.

Start off small and discuss something that may appeal to their interest and work your way into their world. Don't pre-judge them until you learn about them. This will take time and patience, but all you need is a small "in" and then you can build on that and if you win the whale's trust, all it takes is one big deal to set you up for life.

So practice the "A.B.C." method of "always be closing" with everyone, because anyone can be a prospect. While the impression may be given that you genuinely care about them, the main objective is getting them to sign on the dotted line.

Of course the obvious "Gordon Gecko" type whales who go around showboating their spending habits and their skills are the true whales that if you are lucky enough to somehow snag, you are set.

A play trapped inside a movie.
'Glengarry Glen Ross' has good dialogue and good acting by the fine actors, but this is actually a play trapped inside a movie. They should not have made it into a movie.

Put that coffee down!
If you're looking for car crashes, gun fights and naked people you won't find them here. But if great dialogue and raw emotion hold your interest, it doesn't get any better than this. Every one of these guys should have won an award for their roles in this movie. Not sure if this particular DVD contains the interview with Jack Lemmon that was included after one of the cable TV broadcasts of the film. If not, it should!

Always Be Closing!
Most people think of explosions, car chases and action/adventure films as guy movies. Well, maybe, but those are for boys. There's no car chase in this movie, no deaths and no guns. But it manages to hold your attention while telling its story of real estate salesmen. This is the quintessential guy movie. This screen adaptation of David Mamet's Pulitzer-winning play is incredibly stagebound, which was a stroke of genius: thus, the fast-paced dialogue and the desperate, macho facades of the characters become, and stay, the focus. This allows the amazing talents of the cast to flourish. Pacino and Lemmon are untouchable. Ed Harris is outstanding. Having just the four main characters makes the whole thing seem oddly forced at times. Baldwin's slick delivery of his ball-busting speech to the three underachieving salesmen, is a scene to remember. Highly recommended. ... Read more

Reviews (5)

Re: Very very good
Its always fascinating when a movie comes out that shows the inner workings of Government and/or the White House....to get a sense of how our elected officials tick. To be honest I was not all that familiar with the Vietnam War so this movie provided me with some fascinating insight. All the performances are terrific,
very highly recommended.

Great Movie
We could not stop watching, a great movie.

The Forgotten Society
I highly recommend this movie for two very good reasons.

First, the acting and the dialogue involved with this project are great. I can still hear Lady Bird Johnson telling a frightened and fatigued LBJ "When eloquence of words are no longer effective, then perhaps it is time for eloquence of action..." And with these words, LBJ decides to retire the presidency and public life.

Second, I recommend "Path to War" because of the subject of this impressive movie is Lyndon Baines Johnson. Arguably one of the most controversial figures of American history, it is easy to forget all the good he has done for our country in the hell of Vietnam. This movie finally reminds the viewer that although President Kennedy had such wonderful dreams and ideas for our society, it was President Johnson who made those dreams a reality by maneuvering the congress to enact the "Great Society" laws. The audience can feel his joy and elation as he sees his vision of an America that has beaten poverty, racial discrimination, and the host of other social ills present in America during the 1960s. Then, we see his dreams transformed into nightmares as the American public become increasingly angry and hostile with his policy towards Vietnam. The audience is shown the private torture inflicted by decisions president Johnson makes in regards to Vietnam and the anger he knew they would generate...In conclusion, "Path to War" reminds me of a Greek tragety; riveting and enjoyable to watch and experience in the comfort of ones own home.

The last great film of John Frankenheimer
Being a huge John Frankenheimer fan, this movie was on my list to see for some time since I don't have HBO. Overall, I wasn't expecting too much from this movie, somehow I have that perception with all made-for-tv movies. The movie certainly has that feel in the first few minutes, with acting that seems a bit forced and wooden. But as the story progressed, I slowly got pulled into the situation and characters of all involved. By the time the movie was over, I was impressed with the portrait provided of LBJ as a troubled man who wanted to do so much for the country, but was held back with a stalemate war. It's expertly directed by Frankenheimer, with his classic visual style that exudes tension with facial close-ups. Gambon does a pretty good job too, although most of his acting in this movie falls into the 'concerned man' and the 'screaming and yelling man' episodes; it still shows the bi-polar sources pulling at him.

It resonates a bit with the current tensions and war in Iraq (some of this is mentioned in the bonus features), but it still carves out its own identity; when was the last time a President talked about a Great Society? It makes me wonder how significant of a President Johnson could have been (many books defer to this position as well, almost worthy of a place on Mt. Rushmore). But as a youngster, most of the Presidents I've been alive to experience are focused more on cautious outlooks than on civil progression and visionary goals. Of course its all easier said than done, but it seems to me the era visionaries has ceased with Johnson's statement not run for a second term in office.

I know very little of the historic values of past Presidents, but it's a genre I enjoy experiencing in the movies and television. If you watch the West Wing on a regular basis, or just enjoy movies with historical facts and situations (13 days, JFK, All the Presidents Men), then you'll enjoy this movie. I expected little, and I got a home run in return. I think it's a great movie that concludes Frankenheimer's career. I like his work a lot, and he will be missed.

It should be noted that the movie is not 4x3 full frame format. Instead it's in 16x9, anamorphic format; and the transfer I would rate as 'good' but not exceptional.

Path to War
Path to War is a great movie for several reasons. For one, it is a movie about LBJ, which is rare. In most movies he is a background figure, perhaps because it is hard for an actor to capture his personality. Secondly, it is a Vietnam movie that shows a different side of the war: the political side. Movies like Platoon, Born on the Fourth of July, and The Deer Hunter have done a superb job of showing the side of the common soldier in Vietnam, but what went on in the corridors of power in Washington is rarely shown. And, finally, the filmmakers have assembled a great team of actors and historians to bring this film to life. Michael Gambon, who portrays LBJ, does a commendable job, as does Alec Baldwin as Robert McNamara, but the best is Donald Sutherland as Washington insider Clark Clifford. As an added bonus, the DVD version of the film is loaded with extras including cast interviews and commentary by historian Michael Beschloss. Despite its length, it goes by fairly fast, and it is easy to get caught up in the tension and paranoia that plagued LBJ during his presidency. ... Read more

Reviews (157)

Fantastic adaption of Clancy's novel
A first-rate thriller that provides the goods again and again. Excellent cast, good direction (the almost always reliable McTiernan--see "Last Action Hero" for the only real blemish on his record), plenty of suspense and thrills. There are a few differences between the novel and the film, but only purists will quibble about that. And yes, Scotsman Connery plays a Lithuanian, but he does it well, and as always, brings a touch of class to the role. I despise Alec Baldwin, but he's perfect as Ryan--the right age and look combined with the proper mix of guile, humility, and cockiness. The film also boasts an excellent supporting cast, with kudos to Sam Neill, Richard Jordan, and Courtney Vance for their performances. Scott Glenn and James Earl Jones are also solid in their roles. The occasional "technobabble" and military talk may confuse those unfamiliar with such terms, but it doesn't detract from the plot or action--in other words, you can still understand and follow the film even if you don't understand the terminology. The DVD features no extras of note, unfortunately, but the transfer quality--while a bit off-color at times--is still far better than VHS, and those of you with home theaters BEWARE--the sound quality (5.1 Surround) is frighteningly good at times (is that torpedo in your living room, or on the screen?!?). A so-so disc, but an incredible, intelligent thriller that's worth buying in any format.

Decent film; terrible DVD
"The Hunt for Red October" is a smart, tightly directed adaptation of Tom Clancy's novel of the same name. It's probably one of the more entertaining submarine movies (if you'll buy into the genre). There are some wonderful performances (especially by Joss Ackland, Courtney B. Vance, and the late Richard Jordan) as well as some inspired casting (most notably Tim "Dr. Frank-N-Furter" Curry as Dr. Petrov). While this film is certainly no "Das Boot," it is highly entertaining for all of its 134 minutes.
However, as an avid collector of DVDs and laser discs, this is perhaps the worst video transfer I have ever seen. In fact, I've seen Chinese bootleg copies of other films that have been superior in terms of video quality. For example: In the opening sequence there is a great deal of dust and dirt on the screen - like you're in a third-rate theater watching the film after it has been showing for about a month and a half. Another example: There is an important interior scene on the USS Dallas that features a wonderfully acted and written interplay between Seaman Jones (Vance) and Seaman Beaumont (Ned Vaughn). However, each shot of Jones is inexplicably awash with so much video noise that it completely distracts from the performances.
Why Paramount would neglect such a film is beyond me. The other huge disapointment on this disc is the complete lack of any extras. This disc is a complete bust. Frankly, I hope that another edition is released out of respect to this worthy film.

The best of the Jack Ryan film series.
Based on Tom Clancy's 1984 novel of the same title, "The Hunt for Red October" is the first Jack Ryan adventure on film. Although I like Harrison Ford better in the role of Jack Ryan than either Alec Baldwin or Ben Affle