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| 1. Judas Kiss Director: Sebastian Gutierrez | |
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Reviews (18)
Alan Rickman simply cannot make a bad movie or turn in a less than perfect performance. The variety of his role choices continues to provide his fans insight into every possible facet of his magnificent talent. His role as good-cop in 'Judas Kiss' is no exception. Coupled with Emma Thompson as a tough federal agent, the two English talents provide this film with 'class'. Simon Baker (TV's The Guardian) appears as a character devoid of 'class' in a role completely opposite the classy, brooding attorney we have come to associate with this very talented young Australian actor. Hal Holbrook and Roscoe Lee Brown give their usual great performances in roles a little closer-to-home for them. The steamy sex, mayhem and murder, and New Orleans atmosphere make this film as hot as the 'Big Easy' in August, but the setting compliments rather than overwhelms the film. The story could have been set in any big city. I recommend this film for those who enjoy a quirky, interesting mystery with style. While for fans of Rickman - it is a must-see!
Enter the local police detective and the F.B.I. These are played delightfully by Alan Rickman and Emma Thompson. An odd choice to cast two Brits as New Orleans natives...but that's where the fun begins. If you truly want to enjoy this film for what it is, you are going to have to overlook the bad accents. But that's easy to do because it's obvious that these two actors are having a blast playing these roles. Alan is just great as the near-burnt-out, cynical, yet still honest detective and Emma is a hoot as the tough-as-nails F.B.I. agent. No proper Miss Dashwood this time. She is a fast-talking, hard-hitting, no-nonsene dame who exchanges witty repartee and sexy double-entendres with Alan while a cigarette dangles from the corner of her mouth. I was half expecting her to call him "doll-face" or refer to him as a "to-may-tah". She even stalks her suspect on rollerblades. You go, girl! Alan Rickman is excellent as the detective who slowly realizes that he is being used in an elaborate, backroom scam by corrupt officials. When he finally figures it all out...he's pissed as hell but determined to expose the whole lot of them. Watch out for that golf swing! The criminals are an unusual bunch with a stand-out performance by Carla Gugino. She is the soul of this disturbing group of misfits and despite the terrible crime she commited, she plays her role with such honesty that you can't help but end up pulling for her. All in all this is an unusual yet enjoyable film. The New Orleans backdrop and salsa/jazz soundtrack add to the spiciness as this tale twists and turns to it's conclusion. Not a bad way to spend a Saturday night.
The plot involves a kidnapping that goes awry and the centers mostly on the grifters as they try to make things right get the loot and not get caught. It was a forgettable group with the typical wackoo muscle guy and the Harvard intellectual and staring a pair of low-life lovers hoping for the big score. Dont waste your time getting this movie for 10 minutes of Emma Thompson. ... Read more | |
| 2. Ride With the Devil Director: Ang Lee | |
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Reviews (62)
RIDE WITH THE DEVIL was one of the most satisfying movies of 1999, featuring one of the strongest ensemble casts I've seen in a long, long time. Highly recommend!
The story here focus on six young men who join the bushwackers: Jake Roedel (Tobey Maguire), a first generation American who wants to be considered as much a Southerner as any one else even though his father can from Germany (which means he is called "Dutchy"); Jack Bull Chiles (Skeet Ulrich), who hates the Yankees and has seen his family killed; George Clyde (Simon Baker-Denny), a gentleman fighting to preserve a way of life that is going to be gone with the wind; Daniel Holt (Jeffrey Wright), an ex-slave who fights besides Clyde because the man freed him; Pitt Mackeson (Jonathan Rhys Meyers), who is a sadist who glories in killing; and Black John (James Caviezel), almost as brutal but more driven by anger and revenge. The idea in "Ride with the Devil" is that when America went to war with itself in 1861 the young boys growing up in Missouri and Kansas were suddenly forced into a less than honorable manhood overnight. Consequently, one of the first casualties of the war was their innocence. In 1987 Missouri-born author Daniel Woodrell wrote his Civil War-era novel "Woe to Live On." For Ang Lee the appeal was the drama of young people coming of age in the worst possible time in American history and the theme of self-emancipation. The principal actors were put through three weeks of "boot camp" to capture the way the war dehumanized the young men forced to fight it. This film start out focusing on the friendship between Jake and Bull as much as it is on anything else, but then while hiding out from the Yankees during the winter Bull takes a liking to Sue Lee Shelly (Jewel), a young widow woman who is helping to provide them with food. Having lost both his father and his best friend, Jake continues to fight because that is what he is supposed to be doing and starts to connect with two other characters in ways that will eventually change his life. After the Lawrence Raid it is clear that the war is going to be lost and a young man who has not even seen twenty years realizes he is lost as well. Certainly "Ride with the Devil" is a beautiful film with the sense of period authenticity you would expect from Lee. It is not really a movie about the Civil War any more than "Cold Mountain" is (an obvious comparison), but more about the friendships that take place during a war. It is just not clear that this is the central theme because our expectations are raised by more standard plot considerations (love and revenge) that do not get played out the way you would think. There is also a sense in which Roedel is the least interesting character of the bunch, yet he emerges as the central figure and the most important gun in the film is perhaps the one that is not fired.
Skeet Ulrich and Tobey Maguire play two Missouri teens who join a rebel group of Bushwackers (Confederate sympathizers). But this isn't a film that promotes one side or the other. Rather, it shows the similarity and familiarity between both sides. The acting is wonderful and the story sensitive.
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| 3. Sunset Strip Director: Adam Collis | |
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Reviews (6)
Buy Almost Famous, it's the best rock movie ever!
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| 4. The Affair of the Necklace Director: Charles Shyer | |
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Reviews (40)
What an utter shame. For she was surrounded by some true talent. The actor who plays Cardinal de Rohan is fantastic. In fact, all of the secondary actors and actresses do a decent job. There's also the matter of the wildly inaccurate retelling of history. Clearly the writers and director wanted viewers to feel terribly sorry for poor little Jeanne. They perverted history in the telling of the story, casting Jeanne in the role of the poor, innocent, misused and discarded aristocrat who is justified in her actions. The truth was, Jeanne de la Motte was a whore and a thief, a con-woman who helped topple the monarchy and murder a queen. For more information on the affair of the necklace, read Simon Schama's book Citizens, or visit the award-winning website, Let Them Eat Cake. The costumes in this movie are phenomenal. Truly eye candy. If it weren't for the wonderful sets and splendid costumes, this movie would have rated a ZERO.
"The Affair of the Necklace" has to be viewed with a generous suspension of disbelief, or with one's forehead protected for a lot of flat-palming. Ninette's final, "If I reached for anything that shown brightly..." speech- which is a bit too Shirley Temple for the rest of the movie- actually diminishes our sympathies for her and cuts the film's last thread of realism. Marie Antoinette's sub-guillotine, "well, maybe I was a bit excessive," flashback, is also a little inexplicable given the modern frame of the movie. Only on Google groups does one still find such negative and simplistic representations of her. And Louis XVI was more fully encompassed in "Start the Revolution Without Me". The scenery, however, especially at Versailles, is fantastic and- though I have doubts about the wisdom of Swank's "Annie"-style hair on the cover (given her character's orphaned status)- the movie generally fits in well with other flawless, high-end costume dramas. If it hadn't been "based on true events," a tag which subjects a movie to a greater deal of scrutiny than most can stand, I would have thought this one much stronger than it was. In the end, Pryce, Brody, and Walken do save the movie from itself, and generally make it an entertaining, if not accurate, weekend rental. As an addition to one's video library, however, it is best passed on.
Hilary Swank delivers a superb performance as the scheming Jeanne de la Motte-Valois. Jonathan Pryce and Christopher Walken also shine in this well executed movie. The Affair of the Necklace is a movie that combines greed, lust, corruption and sexuality in a most beguiling mix. This movie is the end result of a rare combination of quality acting, distinguished directing, skillful script writing, a large budget and careful attention to historical accuracy in every detail. The Affair of the Necklace is a masterpiece.
An interesting (extremely boring for some) drama.
Hilary Swank, although not my top choice for a costume drama, does a good job of playing Jeanne de la Motte-Valois, a woman who lost her parents and her title at a young age. With the help of a court women-chaser, Baker, she uses the Cardinal's desire for Marie Antoinette, and the luxurious diamond necklace that comes into place, to get what she wants. As lies are told, and people pretending to be someone else, the grand plot begins to resemble a tower of playing cards that can topple at any moment. It was a wonderful movie, that felt cozy, and it was almost like a mystery drama, in beautiful lavish costumes. The ending is great, and unexpected for some characters. ... Read more | |
| 5. Red Planet Director: Antony Hoffman | |
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Reviews (143)
It's the middle of the 21st century and a dying earth reaches out to colonize Mars as a last hope. Val Kilmer, Carrie-Anne Moss (The Matrix), Benjamin Bratt, Tom Sizemore and Terrence Stamp represent all humankind in the first landing on the mysterious red planet. Also on board is the extraordinary, multifunctional robo-assistant AMEE. But, wouldn't you know it, a malfunction has forced her into a relentless killing-machine mode hell-bent on destroying the crew. And that's not all the crew must deal with; barren Mars has breathable oxygen and -- other inhabitants. Like the poster says: "They didn't find life on mars. It found them." This somewhat by-the-numbers adventure is saved because it's looks great (the sets, locations and props are always credible) and the action never lets up. The striking Martian landscape is rendered vast and real and, yes, red. Recommended. (Color, Widescreen, Dolby Surround, 107 Minutes, Rated PG-13)
So why can't Hollywood make a decent movie about Mars? The latest flaccid attempt, "Red Planet", is a joyless ride through outer space that brings out every cliche in the book and pastes them together with little coherence or seeming forethought. Characters get into fights for no reason; the plot is told through flashbacks and voiceovers (the lazy man's way to make a film--why bother having people act when you can simply TELL the audience what's going on?); and the most basic laws of science are simply ignored. Here's a note to the director and screenwriters: flashbacks are not necessary to tell a good story. If you'd simply shown the scenes in order, you'd have made the characters ten times more interesting. The story, such as it is, goes like this: In the year 2057, humanity has at last overtaxed the natural resources on Earth. Desperate for a solution, we seed Mars with genetically taiored algae to generate oxygen so we can colonize the planet. Suddenly, our remote monitoring of Mars goes quiet, so a manned mission has to be assembled to check it out. Commanded by Navy Commander Kate Bowman (Carrie-Anne Moss), things go wrong for the crew of Mars-1 almost as soon as they enter Mars orbit. A freakish solar flare fries the ship's electronics, forcing an emergency evacuation to the surface of Mars. This sequence is terrific and exciting, especially the crash landing, which had members of the audience gasping for breath. Things get worse for Our Heroes, though; the ship's self-directed robot navigator, AMEE, has gone into lethal "military mode" and begins stalking the stranded astronauts, picking them off one by one. Unfortunately, this movie goes straight downhill from there. Despite the presence of stars like Val Kilmer (as self-described "space janitor" Robby Gallagher and Terence Stamp as scientist-cum-philospher Dr. Chantilas, "Red Planet" goes nowhere fast. When one of the astronauts is critically injured during the landing and insists on being left behind, do any of the others try to talk him out of it? Do they even stand around and say goodbye to him? With the exception of Val Kilmer's Gallagher, the answer is nope--they just take off. Yeah, right--you just spent the last six months with this guy and you're just going to bail on him. Some friends. By the time the final credits rolled, I found myself just not caring about the stupid, cliched plot or the stock characters or the numbskull "science" that a fifth-grader could refute. As an example, the film's explanation for what happened to the algae is in direct contradiction with even basic biochemistry. Didn't the filmmakers care? 'Cause it sure looks like they didn't even try. As Andy Griffith used to say, "I'm mighty disappointed." -terry-
1. Armageddon Out of all of these, "Apollo 13" is the best, simply because it's a true story that was made with emotional honesty and a compelling narrative. Here's everything you need to know about "Red Planet": -the best actor (Terrence Stamp) the dies first Plot synopsis: In an attempt to terraform Mars because Earth is so polluted, the "international community" has been seeding Mars with large algae mats to make its atmosphere more human-friendly. Something goes wrong, and a team is dispatched to Mars to investigate. As they enter Mars' orbit, the ship is exposed to a large solar flare, which fries much of its circuitry. Most of the crew go to the Mars surface, with the pilot staying on-board to try to save the ship. The crew jettisons the landing gear and lands, fatally injuring the surgeon/philosopher. The survivors march to a nearby base previously set up by un-manned missions. The base is kaput. One survivor kills another without the others knowing it. They discover that they can breathe the air. The pilot tells them that if they can get to an old unmanned rover several hours away, they can make it back to the ship. Along the way, one survivor goes nuts and is killed by a damaged robot navigator (jettisoned with the landing gear) and some bugs. The biogeneticist figures out why the air is breathable and kills himself before the bugs can eat him. Meanwhile, the pilot has repaired the ship. The lone survivor gets to the rover, fights the robot, steals its battery, and makes it back to the ship. End of story. There. In 15 sentences (including "end of story"), I have told you THE WHOLE STUPID MOVIE. That's it. There's nothing else to know about this movie. The premise of the conflict is wholly absurd and serves as the engine of a barely-mediocre flick. In order to make near-future sci-fi compelling. the science must be relatively sound. So here are the two big science stinkers (leaving aside the whole atmosphere issue) that make this movie wholly implausible: 1. There are things called circuit breakers and other safety devices to prevent power surges from frying stuff. All satellites and space equipment using solar panels have these devices and have survived many many solar flares. Why would they build a ship without these precautions? 2. None of the Mars survivors consumed water once they reached the surface. With demanding physical activity and little-to-no atmospheric moisture, they would have died of dehydration sometime during the second march, if not on the first day. Don't waste your time with this movie. Rent something good. Heck, if you just have to see bad sci-fi, watch "Jason X" - the visuals are just as good, and you'll be much more entertained. This movie gets 2 stars for graphical competence and having Terence Stamp utter a few lines. Can I have my money back?
The special effects are not bad. The science IS bad, and inconsistant, but since this is a movie and not a documentary, so I suppose that's allowable. I would have loved to see more Terrance Stamp. The relationships between the crew are not well explained and take unexpected turns here and there. The flashback- oh yeah - this happened - scene to explain the Kilmer-Moss relationship irritated me. Why on earth (or Mars) not show it as it happened - then we might all understand the situation. At times, I was wondering "Why are they acting like this?" Not bad - SF fans will still like it - keep expectations low. Mike ... Read more | |
| 6. Sunset Strip Director: Adam Collis | |
![]() | list price: $104.99
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Amazon.com Reviews (6)
Buy Almost Famous, it's the best rock movie ever!
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| 7. Most Wanted Director: David Hogan | |
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Reviews (14)
About the Movie: Interestingly enough, Most Wanted stands a career side road for comedian Keenan Ivory Wayans, who's probably best known for his work in "In Living Color" in the 90's. Most Wanted is intended as a serious action film. While there is some humor in the film, it's the action hero variety and not the slap stick brand Wayans is known for. He stars instead as a serious action hero and surprisingly doesn't do as badly as one would expect. While he'll never make a career as an action star, he does pull off the roll, albeit with a lot of cheesy and stagy lines here and there. The movie co-stars Jon Voight, as very predictably, the villain. This movie, perhaps more than many of the others he's been in, really does reveal what an over-actor he is. Scenes with Voight are almost painful to watch because he so overplays his character that the character becomes a grotesque characature. His over-acting is so bad that he actually was nominated in 1998 in this role for a Razzie for *worst* supporting actor. That's quite a distinction. The movie also co-stars Jill Hennessy as a doctor who becomes Dunn's unlikely side-kick. In a movie with no female roles except for the First Lady, (who shows up just long enough to get shot and killed) she provides Most Wanted's only female lure. She isn't terrible in her role, but she does very little to make her shine either. Mostly, she's there to add the female element and look pretty. On the up side, the best played role in the film turns out to be played by Paul Sorvino in CIA Director Kenny Rackburn. Sorvino's solid acting, and charming style help to raise the movie up a notch. It also helps that he's so easy to like. Sorvino provides a nice counterpoint to Voight's horrible and stagey overacting. Plotwise, Most Wanted isn't really very original. Thankfully, the story moves in a good pace, and despite its predictability and plot holes you could drive a bus through, it still manages to hold your interest throughout. Some of the stunts and special effects are pretty good, and there are a number of action sequences that are a lot of fun (if also a little unbelievable). This one would never get any awards (except a Razzie), but it still can be a fun watch, especially if you've got a bunch of buddies with you to poke fun at it with. About the DVD: The one exception is the separate music track on the DVD. It allows you to watch the movie without any dialog and just the music. I did watch it that way, just for kicks, and found it fascinating to watch from an artistic standpoint to see how the music was used in the movie. I'm not entirely sure what this feature is good for otherwise, unless you leave the TV on occasionally for background noise. The picture on this DVD isn't too bad, but I did notice some problems with the sound. I'm not sure if this is a problem with the sound editing in the film itself, or the transfer to DVD. Either way, the sound volume seemed to fluctuate at times, lowering and raising so that I was occasionally reaching for my remote to turn up the volume, only to be blasted out of my chair a few minutes later when it returned to its previous levels. It's not a major problem, but it does lower the overall quality of the release and provides a minor distraction while watching. Bottom Line is that this is a predictable and unoriginal movie in a budget DVD release (with some technical issues). If you're looking for a cream of the crop action film, this is not the place to look. Still, if you like this type of film, you might like this one. 2 stars.
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| 8. Restaurant Director: Eric Bross | |
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Reviews (7)
As we watch Chris and his friends pinball between the things they want to do, and the things they need to do, we begin to relive our own painful experiences in the field of love. Tensions rise as Chris grasps to make decisions that will forever affect his happiness, for better, and for worse. Adrien Brody, Elise Neal, Simon Baker, & Lauryn Hill give memorable performances.
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| 9. The Ring Two Director: Hideo Nakata | |
![]() | Asin: B00005JN4X Catlog: Theatrical Release Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (11)
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| 10. Ride With the Devil Director: Ang Lee | |
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(price subject to change: see help) Asin: 078324262X Catlog: Video Sales Rank: 74761 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (62)
RIDE WITH THE DEVIL was one of the most satisfying movies of 1999, featuring one of the strongest ensemble casts I've seen in a long, long time. Highly recommend!
The story here focus on six young men who join the bushwackers: Jake Roedel (Tobey Maguire), a first generation American who wants to be considered as much a Southerner as any one else even though his father can from Germany (which means he is called "Dutchy"); Jack Bull Chiles (Skeet Ulrich), who hates the Yankees and has seen his family killed; George Clyde (Simon Baker-Denny), a gentleman fighting to preserve a way of life that is going to be gone with the wind; Daniel Holt (Jeffrey Wright), an ex-slave who fights besides Clyde because the man freed him; Pitt Mackeson (Jonathan Rhys Meyers), who is a sadist who glories in killing; and Black John (James Caviezel), almost as brutal but more driven by anger and revenge. The idea in "Ride with the Devil" is that when America went to war with itself in 1861 the young boys growing up in Missouri and Kansas were suddenly forced into a less than honorable manhood overnight. Consequently, one of the first casualties of the war was their innocence. In 1987 Missouri-born author Daniel Woodrell wrote his Civil War-era novel "Woe to Live On." For Ang Lee the appeal was the drama of young people coming of age in the worst possible time in American history and the theme of self-emancipation. The principal actors were put through three weeks of "boot camp" to capture the way the war dehumanized the young men forced to fight it. This film start out focusing on the friendship between Jake and Bull as much as it is on anything else, but then while hiding out from the Yankees during the winter Bull takes a liking to Sue Lee Shelly (Jewel), a young widow woman who is helping to provide them with food. Having lost both his father and his best friend, Jake continues to fight because that is what he is supposed to be doing and starts to connect with two other characters in ways that will eventually change his life. After the Lawrence Raid it is clear that the war is going to be lost and a young man who has not even seen twenty years realizes he is lost as well. Certainly "Ride with the Devil" is a beautiful film with the sense of period authenticity you would expect from Lee. It is not really a movie about the Civil War any more than "Cold Mountain" is (an obvious comparison), but more about the friendships that take place during a war. It is just not clear that this is the central theme because our expectations are raised by more standard plot considerations (love and revenge) that do not get played out the way you would think. There is also a sense in which Roedel is the least interesting character of the bunch, yet he emerges as the central figure and the most important gun in the film is perhaps the one that is not fired.
Skeet Ulrich and Tobey Maguire play two Missouri teens who join a rebel group of Bushwackers (Confederate sympathizers). But this isn't a film that promotes one side or the other. Rather, it shows the similarity and familiarity between both sides. The acting is wonderful and the story sensitive.
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| 11. Most Wanted Director: David Hogan | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: 0780621182 Catlog: Video Sales Rank: 53079 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (14)
About the Movie: Interestingly enough, Most Wanted stands a career side road for comedian Keenan Ivory Wayans, who's probably best known for his work in "In Living Color" in the 90's. Most Wanted is intended as a serious action film. While there is some humor in the film, it's the action hero variety and not the slap stick brand Wayans is known for. He stars instead as a serious action hero and surprisingly doesn't do as badly as one would expect. While he'll never make a career as an action star, he does pull off the roll, albeit with a lot of cheesy and stagy lines here and there. The movie co-stars Jon Voight, as very predictably, the villain. This movie, perhaps more than many of the others he's been in, really does reveal what an over-actor he is. Scenes with Voight are almost painful to watch because he so overplays his character that the character becomes a grotesque characature. His over-acting is so bad that he actually was nominated in 1998 in this role for a Razzie for *worst* supporting actor. That's quite a distinction. The movie also co-stars Jill Hennessy as a doctor who becomes Dunn's unlikely side-kick. In a movie with no female roles except for the First Lady, (who shows up just long enough to get shot and killed) she provides Most Wanted's only female lure. She isn't terrible in her role, but she does very little to make her shine either. Mostly, she's there to add the female element and look pretty. On the up side, the best played role in the film turns out to be played by Paul Sorvino in CIA Director Kenny Rackburn. Sorvino's solid acting, and charming style help to raise the movie up a notch. It also helps that he's so easy to like. Sorvino provides a nice counterpoint to Voight's horrible and stagey overacting. Plotwise, Most Wanted isn't really very original. Thankfully, the story moves in a good pace, and despite its predictability and plot holes you could drive a bus through, it still manages to hold your interest throughout. Some of the stunts and special effects are pretty good, and there are a number of action sequences that are a lot of fun (if also a little unbelievable). This one would never get any awards (except a Razzie), but it still can be a fun watch, especially if you've got a bunch of buddies with you to poke fun at it with. About the DVD: The one exception is the separate music track on the DVD. It allows you to watch the movie without any dialog and just the music. I did watch it that way, just for kicks, and found it fascinating to watch from an artistic standpoint to see how the music was used in the movie. I'm not entirely sure what this feature is good for otherwise, unless you leave the TV on occasionally for background noise. The picture on this DVD isn't too bad, but I did notice some problems with the sound. I'm not sure if this is a problem with the sound editing in the film itself, or the transfer to DVD. Either way, the sound volume seemed to fluctuate at times, lowering and raising so that I was occasionally reaching for my remote to turn up the volume, only to be blasted out of my chair a few minutes later when it returned to its previous levels. It's not a major problem, but it does lower the overall quality of the release and provides a minor distraction while watching. Bottom Line is that this is a predictable and unoriginal movie in a budget DVD release (with some technical issues). If you're looking for a cream of the crop action film, this is not the place to look. Still, if you like this type of film, you might like this one. 2 stars.
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| 12. The Affair of the Necklace Director: Charles Shyer | |
![]() | list price: $9.94
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Reviews (40)
What an utter shame. For she was surrounded by some true talent. The actor who plays Cardinal de Rohan is fantastic. In fact, all of the secondary actors and actresses do a decent job. There's also the matter of the wildly inaccurate retelling of history. Clearly the writers and director wanted viewers to feel terribly sorry for poor little Jeanne. They perverted history in the telling of the story, casting Jeanne in the role of the poor, innocent, misused and discarded aristocrat who is justified in her actions. The truth was, Jeanne de la Motte was a whore and a thief, a con-woman who helped topple the monarchy and murder a queen. For more information on the affair of the necklace, read Simon Schama's book Citizens, or visit the award-winning website, Let Them Eat Cake. The costumes in this movie are phenomenal. Truly eye candy. If it weren't for the wonderful sets and splendid costumes, this movie would have rated a ZERO.
"The Affair of the Necklace" has to be viewed with a generous suspension of disbelief, or with one's forehead protected for a lot of flat-palming. Ninette's final, "If I reached for anything that shown brightly..." speech- which is a bit too Shirley Temple for the rest of the movie- actually diminishes our sympathies for her and cuts the film's last thread of realism. Marie Antoinette's sub-guillotine, "well, maybe I was a bit excessive," flashback, is also a little inexplicable given the modern frame of the movie. Only on Google groups does one still find such negative and simplistic representations of her. And Louis XVI was more fully encompassed in "Start the Revolution Without Me". The scenery, however, especially at Versailles, is fantastic and- though I have doubts about the wisdom of Swank's "Annie"-style hair on the cover (given her character's orphaned status)- the movie generally fits in well with other flawless, high-end costume dramas. If it hadn't been "based on true events," a tag which subjects a movie to a greater deal of scrutiny than most can stand, I would have thought this one much stronger than it was. In the end, Pryce, Brody, and Walken do save the movie from itself, and generally make it an entertaining, if not accurate, weekend rental. As an addition to one's video library, however, it is best passed on.
Hilary Swank delivers a superb performance as the scheming Jeanne de la Motte-Valois. Jonathan Pryce and Christopher Walken also shine in this well executed movie. The Affair of the Necklace is a movie that combines greed, lust, corruption and sexuality in a most beguiling mix. This movie is the end result of a rare combination of quality acting, distinguished directing, skillful script writing, a large budget and careful attention to historical accuracy in every detail. The Affair of the Necklace is a masterpiece.
An interesting (extremely boring for some) drama.
Hilary Swank, although not my top choice for a costume drama, does a good job of playing Jeanne de la Motte-Valois, a woman who lost her parents and her title at a young age. With the help of a court women-chaser, Baker, she uses the Cardinal's desire for Marie Antoinette, and the luxurious diamond necklace that comes into place, to get what she wants. As lies are told, and people pretending to be someone else, the grand plot begins to resemble a tower of playing cards that can topple at any moment. It was a wonderful movie, that felt cozy, and it was almost like a mystery drama, in beautiful lavish costumes. The ending is great, and unexpected for some characters. ... Read more | |
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