Reviews (6)

Nice Little Christmas Video
I chanced upon this on the Hallmark Channel last night and really enjoyed it. Sure, it has some of the usual syrupy elements you find in holiday movies, but they're served in moderation, leaving you with a smile and not a tummy-ache. (How's that for holiday metaphor? wink!)

Carla Gugino is wonderful in her role, and effortlessly carries much of the emotional energy of the production. A number of veteran actresses make appearances, but none "steals the show," allowing the focus to stay on the main characters.

There are a few moments of "Christmas magic," but the focus of the story is on the spirit of the holidays (love, family, kindness, generosity, togetherness, etc.) and can be enjoyed by all, regardless of religious background. There are a lot of funny, heart-tugging, or happy little moments, and there is an sense of innocence throughout. It's definitely one the whole family can watch and is perfect for a quiet holiday evening.

A Lovely Family Christmas Story
This has already become one of my favourite Christmas movies and I just bought it the other day! It's a wonderful family film and as usual Hallmark has put out an outstanding production. Anyone who loves touching Christmas movies with a romantic story line will find this one hard to pass by. The touching scenes are combined with great humour to create a very enjoyable movie. The acting is superb by all the cast. Patty Duke is the angel and is charming in her role. The movie is based on the novel by Marilyn Pappano.

Emilie Thompson, played by Carla Gugino, is an aunt who wants to keep custody of her niece and nephew. Their mother, her sister, is a drug addict and is in jail. The opening scene shows Emilie and the children going to see her in the hospital because she had a drug overdose. A Children's Aid worker meets them there and tells Emilie she will put them in foster care immediately, because Emilie does not have a way of supporting the children. Emilie leaves with the children and starts on a journey to try to keep them together. They wind up in Bethlehem, USA and I love the line in which Emilie says, "We can't be THAT lost!" With direction from the angel, they wind up staying in an abandoned house in the community and find themselves holding up a facade.

In an amusing turn of events, while trying to escape the law, Emilie falls in love with the town police officer, Nathan Blair. David Conrad is really good in this role, and portrays the perfect man who is VERY handsome, sensitive, good with children, etc. In fact if most women don't "fall in love" with him while watching this movie, I would be very much surprised.

The lies Emilie has told in order to keep the family together, catch up with her on Christmas Eve and create a true test to the love that has developed between her & the children and Nathan.

There are some good messages to learn from the story about the importance of family and the fact that Anything is Possible.

My only disappointment is that it is presently not available on DVD. Hopefully that changes soon.

Great family movie
This is one of those movies you will sit down and watch again with your family (maybe at Christmas) I would recommend this movie to anyone it can be watched by the whole family, rare these days.

A Hallmark Special
As an avid Christmas movie-aholic I found this one made me feel good. A woman runs off with her prison-bound sister's kids and ends up in the town of Bethleham (in the USA). With no money and a broken down car they take up residence in a long empty house that is awaiting the deceased owner's heir. Emilie is mistaken as the heir and doesn't correct the townpeoples assumption. The "Miracle" is when the children find a normal life and find out that "anything is possible". If you like feel good movies and putting the tissue box to use, get this one.

A Very Sweet Christmas Romance
This movie is fulled of miracles! It's so sweet! All I have to say is buy it! It's about two young children who are to be taken into foster care after their "druggy" mother is put into a "jail." The children's young and spirited aunt desides she isn't going to let them be taken away. That's when the adventure (and the romance begins)! ... Read more

Reviews (13)

A Great First "dramatic" role!
If you do any type of collecting, you know that you eventually run across hidden gems in bargain places. Such was it for me w/this DVD. Look in just about any retail movie outlet under DVDs under 10.00 & you're bound to find this movie! What a buy! This was Michael (Beetleguises) first real dramatic role. Unlike a lot of comedic actors before him ( Bill Murray's Razor's Edge springs to mind), Keaton brings home a powerful performance of a chronic substance abuser in rehab for all the wrong reasons. What he comes away with, and what the audience comes away with, is a tightly woven film, full of interesting characters and fine performances, lead, of course, by Michael Keaton. Although some will argue that he's had his share of dramatic roles since, they've all been either contrived (My Life), cartoonish (Batman), or psychos (Pacific Heights & Extreme Measures). What Keaton needs is more fine roles like he enjoyed in this film to make the leap from comedic actor to dramatic actor (ala Tom Hanks). I just hope that he can at least keep his incredible comedic edge!

Keaton has never supassed this movie, yet
This still is Micheal Keaton's best film. Oddly, it was his first dramatic film. Most people today know Keaton as someone who does dramatic films, not remembering he always did comedies and standup. He did Mr. Mom, Beetlejuice, the Dream Team, Night Shift, etc. Taken in light of this, Clean and Sober is a very depressing film, and one of the better films to handle the often overly-used storyline on drug addiction. I was stunned at Keaton's acting ability in this film. You genuinely hated him, but throughout the film, you learn to accept him and give him the thumbs up as he tries to build his life back together. Not a family flick, nor a rousing "I'm glad I'm alive" film. It's a dark and realistic film. And, hey, it's got Morgan Freeman in a stellar supporting role, too. Keaton's best film to date.

The DVD doesn't have anything else on it, but frankly, here's one instance where I just wouldn't want anything extra. It would have been nice to have Dolby Digital 5.1 sound, but I can live with it. It's not an action film, after all.

Yes, but now he needs to quit smoking cigarettes
I've seen this movie in the Bargain Bins? I bought it for 3 times the price but I don't regret it. Several of my favorite movies can be had cheap now. This movie is sobering. The acting is flawless. It should be a very depressing movie but it's not for some reason. I think I've watched this one more than any I have in my collection.

displeased with Warner Bros.
Its a shame that Warner Brothers dismissed this excellent film, probably the best they released in the '80's, with a shoddy transfer and no extras. The DVD menu does not even have a graphic from the film but instead their obnoxious WB gold logo. At least a trailer would be nice. I'm not asking for a 7 disc Criterion Collection edition with 40 hours of supplemental footage or anything. They did this with Driving Miss Daisy" also. No widescreen either. Nonetheless, the DVD does exist. Hopefully, Warner will do a better job with After Hours when they get around to transfering that.

Sobering, Thought-Provoking Film
One of the toughest things about drug and alcohol addiction is owning up to the fact of that addiction; being able to say, "I'm an addict." Because until that happens, the addiction will continue and the prospect of getting any help will lessen with each passing day. And the important thing is getting that help before it's too late, regardless of how it comes about. It's being able to recognize the opportunity and having the gumption to take advantage of it, which is what happens to a young man on the brink of disaster in "Clean and Sober," directed by Glenn Gordon Caron. Michael Keaton stars as Daryl Poynter, a high power real estate broker with a couple of problems: He's appropriated some $90,000 from an escrow account to play the stock market (which quickly took a nose-dive on him, leaving him about $52,000 short), but that's not even his biggest problem; his biggest problem is that he's a cocaine addict, as well as an alcoholic-- and he doesn't even know it. All he knows is that his life is in turmoil and he can't fathom why. And when a girl picks up at a mall ODs in his bed one morning, his life really begins to fall apart. He needs some time to sort things out and he needs to get away-- to hide for awhile-- and he comes up with a brilliant idea; he'll hide out in a rehab center where they guarantee anonymity and confidentiality.

He checks in, and it works. Nobody knows where he is, and the rules of the house prevent him from having any contact with the outside world. But Daryl-- a born hustler-- has hustled himself into a corner this time. Because he can't stay in if he doesn't play the game, which precipitates taking a long, hard look at himself. So for the first time in his life he gets caught up in his own scam; and it just may be his salvation. But before he can come back, he's going to have to hit rock bottom first, which he does-- in a pivotal scene involving a phone call to his mother. And it's only when he's faced with total collapse that he finally begins to look inward, and to take stock of how he measures up against the others he meets at the facility; when he starts to realize that he's not the only person on the planet.

Working from a tightly written screenplay by Tod Carroll, director Caron delivers a hard-hitting film that takes an uncompromising look at the effects of addiction, without relying or dwelling upon the physical aspects of the problem to illustrate the depths of despair to which it can lead. To be sure, Daryl looks strung out; but that aside, the story relentlessly chronicles how swiftly drugs and alcohol can wreck a life in all regards. It's a powerful statement, unflinchingly delivered in a concise and straightforward manner. Caron approaches the subject head-on, avoiding any melodramatics while keeping it grounded in reality, which enhances the impact of the drama as it plays out. And it clearly demonstrates how far-reaching the problem is, in that it touches so many others-- friends and family-- any and all who come into contact with Daryl. It gives a personal perspective on the issue that is even more pronounced, in fact, than that of Sandra Bullock's "28 Days" or the more recent "Blow," and is more emotionally involving as well, on the level of Steven Soderbergh's affecting drama, "Traffic." This is an Oscar-worthy film on any number of levels, but 1988 was the year of "Rain Man," and the Academy was clearly looking in another direction, leaving this film without even a nomination. And it's a shame.

As Daryl, Michael Keaton gives a performance that had Oscar written all over it; that he failed to receive even a nomination for his work here is a travesty, as this is without question the best he's ever done and on a par with any of the best of that year, including Hoffman's Oscar-winner. Whenever an actor can disappear within a character so completely-- as Keaton does here-- it speaks volumes about the performance and the believability of that character; and there's no sign of Keaton when Daryl is on screen. Keaton has a very definitive persona, but as you watch Daryl, there's not so much as a fleeting glimpse of Billy Blaze in "Night Shift," Carter Hayes in "Pacific Heights," Jack in "Mr. Mom," or even "Beetlejuice" or "Batman." With Daryl, Keaton has created a unique character, so real and presented with such intensity, that even a passing thought that this is an actor playing a role is impossible. And that's a performance that deserves much more than a passing nod of acknowledgement.

Also turning in an extremely affecting performance is Kathy Baker, as Charlie Standers, a fellow addict Daryl meets in rehab. Baker has an alluring quality that works perfectly for the blue-collar character of Charlie, whose vulnerability quickly gains the sympathy of the audience and helps to draw you into the story emotionally. There's an obvious softness beneath Charlie's rough-hewn exterior that is becoming, a down-to-earth aspect of the character that Baker conveys quite nicely. This is a very real person she puts up on the screen, and it's easy to believe that she operates a crane in a steel mill, because there's nothing in the way Charlie is presented that is false or pretentious. It's a solid performance, and one of the strengths of the film.

The supporting cast includes Morgan Freeman, who gives an understated, impressive performance as Craig, Daryl's counselor; Claudia Christian (Iris); M. Emmet Walsh (Richard), Tate Donovan (Donald), Brian Benben (Martin) and Henry Judd Baker (Xavier). A realistic examination of a problem that affects virtually everyone either directly or indirectly, "Clean and Sober" is a sobering film that, while at times is emotionally draining, is nevertheless a worthwhile and entirely satisfying experience. ... Read more

Reviews (239)

Almost
Set against the backdrop of the American Civil War, Cold Mountain is mostly a story about both the kindness and the cruelty of ordinary people during difficult times.

It's also a love story.

Unfortunately, at least for this reviewer, I felt that the budding relationship between Inman (Jude Law) and Ada (Nicole Kidman) wasn't developed enough. Although they flirt and share a special kiss before Inman leaves for war, there just didn't seem to be enough of a bond between them for someone to risk their life returning home. (Perhaps this aspect of the film will be fleshed out more in an extended DVD version?)

Honestly, even at 2 1/2 hours, I felt like this epic film could have been a half an hour longer. There were plenty of interesting characters who deserved more screen time.

Up and coming actress Natalie Portman (Star Wars: Attack of the Clones) finally breaks out with an incredible performance as a single mother with a baby just trying to get by through the ravages of war. Even though her part was small, she still managed to convey the utter despair of her very sad character.

Cinematically, this film is breathtaking. In fact, the filmmakers have managed to painstakingly recreate the 1864 siege at Petersburg, Virginia complete with trenches, gaunt Confederates and even the Battle of the Crater. As far as I know, I don't believe this particular battle has ever been depicted in a major motion picture. As such, it was well researched and very authentic.

All in all, Cold Mountain is a good film. However, I believe it missed the mark of greatness by not developing the relationship early on between the two main characters. This detracted a bit from the aspect of Inman's long and perilous journey home. Was she really worth all of that?

In sum, if you're a fan of period Civil War movies like "Summersby" or "Ride With the Devil", then this film is certainly one for your DVD library.

Emotionally Cold Mountain
This story of one man's walk from Virginia to North Carolina in his attempt to return to the love that motivates him has - unsurprisingly - a somewhat rambling form. Somehow I think the rambling and episodic structure was probably better suited to a novel than to a mainstream Hollywood film.

In part "Cold Mountain" is based on Homer's Odyssey, with Jude Law as the Ulysses-like Inman, and Nicole Kidman's Ada Monroe as the Penelope who waits for him despite the attention of at least one highly unsuitable suitor.

The film's set before and during the American Civil War, and begins with a devastating battle in Petersburg, Virginia. Troops from the Northern Army mine the Southern front line. The resulting explosions demolish it to great effect, but all doesn't go according to plan, as the advancing Northern soldiers are caught in the crater made by their own explosions ... and mown down. That scene is writer / director Anthony Minghella's version of "Saving Private Ryan's" opening scene, and very much shows us that the movie isn't going to be about the glories of war.

"Cold Mountain" gets off to an excellent start, inter-cutting gritty battle scenes with Inman's memories of Ada, the woman he loves, and with whom he's shared little more than one hurried kiss. Ada is the daughter of Reverend Monroe, played by Donald Sutherland, and has received a fairly good education in Charleston. That means she hasn't learned how to do much of anything practical.

Inman, after suffering a bad neck wound, decides he is going to return to Ada whatever the cost, deserts the army, and begins his long trek back to North Carolina and Cold Mountain. Ada meanwhile is having to cope with the death of her father, the difficulty of surviving as a single woman, and the attentions of lecherous bad guy and home guardsman Teague, played by Ray Winstone. Her neighbours, including Sally Swanger (the excellent Kathy Baker) try to help her, but it becomes pretty clear she's not going to make it through the next winter without help, and that help turns up in the shape of the extremely practical and down to earth backwoods girl Ruby Thewes (Rene Zellwegger)

Although the film starts superbly, it gradually becomes disappointing. The grittiness of the beginning gives way to ever more Hollywood glamour as the movie goes on, particularly in the story of Kidman's Ada. Kidman gets prettier and prettier as times get harder and harder. Zellwegger comes on like Doris Day in "Annie Get Your Gun" or something out of "Oklahoma", and adds scrunched up funny faces to the mix. And the bad guys back at home turn into cardboard villains that might almost come from a spaghetti western, particularly the almost albino Bosie (Charlie Hunnam). And why are albinos always evil in movies?

Inman's story fares somewhat better. During his trek he encounters a variety of picaresque characters. There's a preacher (played by Philip Seymour Hoffman) who is initially about to murder his pregnant black mistress when Inman stops him. Jena Malone plays a girl who operates a ferry boat that will allow them to escape their pursuers, if they pay her enough. Giovanni Ribisi is hillbilly Junior, who in another nod to the Odyssey, lives with a bevy of sex-starved siren-like women. Natalie Portman is Sara, a single mother who Inman sleeps beside and then has to rescue from the attention of marauding Southern soldiers. And there's a strange gipsy woman who - particularly given that much of the movie was shot in Romania - seems rather like a refugee from one of the old universal werewolf movies.

John Seale's cinematography captures the din of war, the stunning scenery of Romania, and the quieter interiors, well. And, visually the film is helped much by the production design of Dante Ferretti, although I wonder if sometimes that too isn't a little too pretty. There's some good music, although the best of it is performed within the film, old American hymns, and folk music such as "Wayfaring Stranger". There's even a song composed by Sting and sung by Alison Krauss, which works better than one might expect it to. Gabriel Yared's more thematic soundtrack music seems rather less memorable.

Ultimately, "Cold Mountain" is marred by several weaknesses, one of the worst is that in its conclusion it's something of a shaggy dog story. It also suffers, like some of Minghella's other films, from a strange emotional coldness: neither Jude Law nor Nicole Kidman touches us as much as they should. Often the emotions surrounding the cameo characters are far more intense, particularly those played by Nathalie Portman and Kathie Baker.

But this is nothing new for Minghella. In both "The English Patient" and "The Talented Mr. Ripley" you wanted to feel somewhat more emotional about the characters than you actually did. In his first film "Truly, Madly Deeply" director Anthony Minghella struck a wonderfully poignant emotional note. With the move to Hollywood his films to have become much more focussed on about surfaces or spectacle, and that's a pity.

Like "Legends of the Fall" Cold Mountain" is ultimately an attempt to transform a sweeping and often gritty historical novel into a movie that's just far more glamorous than it should be for its own good. It's an interesting movie, but not a wholly successful one.

A waste of time
I absolutely hated this movie. Nicole Kidman is too old to play such a young character. The story started depressing and ended suicidal! I actually bought this dvd and after I watched it one time, I threw it in the trash. The only good thing about it was Renee Z's excellent rendition of a tough country girl. Only watch this movie if you like self-punishment.

Moving
Cold Mountain is a very good movie. The only problems I have with the movie is it takes so long to get into (but once you do it's so worth it) and the fact that they barely met and were already madley in love!

As a previous reviewer mentioned there is a very explicit love scene. It is my opinion that the love scene is so very important to the movie. You almost feel the love between the two. The movie would not have made such an impact on me without this scene.

Violence, OK but sex bad?
so it is OK to see people maimed and killed in horrible ways, but if two people have sex it is bad? Give me a break. ... Read more

Reviews (259)

Who Ever THought of This Film was an Insane Genius
Whomever came up with the concept for this film needs very serious mental evaluation; A love story about a guy with scissors for hands? But perhaps we will put that aside for now becasue the movie is simply stupendous. Edward ScissorHands is one of my all time favorite movies, I assume this goes for many others as well, becasue i have never found someone who didnt like this movie. It appeals to the strange geek inside us all who just wants to be accepted for what he is. For an overview of the movie read the summary amazon has provided, i will talk only about the dvd. THe extras are quite neat with commentary tracks, production art, and best of all some old Burton shorts. Vincent is a great clayamtion thing about a kid trying to be vincent price, it reminded me of beetlejuice, visually. Frankenweenie is kinda dumb and boring, but its about a kid who brings his dog back to life. THe image clarity is fantastic, as is the sound on this disc. It has some really cool animated menus too. So go buy it. You might wanna see it first though becasue it is pretty strange. Bottom line is if you like Burton films, you will love this one. (I still have a little trouble seeing that kid from the breakfast club as a bad guy, but whatta gonna do?)

fantastic DVD, even better movie
Edward Scissorhands is quite simply the best fairy tale never told. This is Tim Burton in his eccentric prime, and his presence is palpable in every arena of this beautiful and personal film. The inventive art direction is perhaps the most memorable aspect of that presence, most notably in the pastel palette that covers everything from the ingenius solid-color costumes to the quaint neighborhood/town our characters inhabit.

The genius of this movie is more far-reaching than that. Everything fits seamlessly together--from Danny Elfman's quirky score to Stefan Czapsky's meticulous camera work to an entire cast full of nuanced performances... the list goes on and on. While this film's acting gem is Diane Weist in the role of the sweet and overly altruistic mother, Johnny Depp plays the titular role in a beautifully understated performance. Similarly, Winona Ryder wonderfully (and blondly) embodies young beauty and Alan Arkin turns in a comedic yet touching performance as the sometimes-overbearing father. The ensemble cast is flawless, complementing the quirky but ultimately realistic tone.

Perhaps the best aspect of this movie is that it achieves its goals with amazing subtlety--the overt themes of "being different", family, and (let's not forget) love are constantly driven into cliché these days, but Edward Scissorhands accomplishes it all with a snip, not a stab.

This 10th Anniversary Edition DVD is everything this movie deserves--insightful commentaries from Tim Burton AND Danny Elfman and an interesting featurette, along with the concept art, trailers, TV Spots, and scene selection we've all come to expect. (The Interactive 3-D Menus are priceless!)

This is just one of those positively timeless, life-affirming movies that belongs in everyone's collection.

A true work of art!
This has certainly got to be one of Burton's most imaginative creations. I can't remember a movie be that puzzlling, and yet so interesting and fun. Only Jonny Depp could prouduce such a voice, and performance. And that hair! Well, that was just the final icing on the cake. Let's face it. It's not easy to act the part of a lonly anodroid,and especially one that looked on with curiosity one moment and hated the next. Horror king, Vincint Price does a good job too as Edward's maker. Who is despreat for companionship. I laughed, I cried, then I laughed some more. All in all, this is not that bad of a movie.

A Beautiful Movie
I first saw this movie not so long ago and I fell in love with it. It is a beautiful story with very sad moments as well as exciting ones. Burton and Depp make a great team. This is one of the most moving movies I have ever seen. It tells the story of Edward (Depp), a person created by an inventor (Vincent Price)who passed on just before he had a chance to amputate Edward's scissorhands. Edward lived alone in a castle until sweet-hearted Avon lady Peg Boggs(Dianne Wiest)comes and takes him to her home to live with her family. A must see for Tim Burton fans and anyone who enjoys a magical time watching a movie. I have recently bought this DVD and I love it. I give Edward Scissorhands two big thumbs way up and 100 stars. I hope my review has helped you.

masterpiece
i just realised that "Edward Scissorhands" is one of my favourite films. it has so much power. Tim Burton's storytelling, it is magnificent. his imagination is so great. the way he portrays his characters is so unique. every character is very distinct. like characters in his other works: Jack Skellingon, Ichbod Crane, Edward Bloom, Betelgeuse. now let's talk about the acting. johnny depp was magnificent. you could sense his emotion, even though he barely talks, as he portrays a lost, innocent, confused child. his make-up is excellent too. yes, he does look like a freak. but he looks good. and Winona Ryder. she's such a good actress. and can you say "pretty?" and oh! the set design and cinematography. the use of colour to expose the contrast between the two worlds. the pastel versus the dark castle. and the town! oh my. it is a dreamland. did you know that it is an actual neighborhood in Florida? one more thing. Danny Elfman's score is superb! ... Read more

Amazon.com

After a mysterious serial killer named Mr. Frost (Jeff Goldblum) confesses to the murder of two dozen people in England, he is shuttled around psychiatric hospitals throughout Europe as topnotch shrinks attempt to penetrate his psyche and discover why there are no known records of his existence. During this two-year period he refuses to speak to anyone until he arrives at a French facility, where he finally opens up to Dr. Sarah Day (Kathy Baker), who becomes intrigued by his insistence that he is the devil. Throughout their various confrontations, the duo debate the nature of good versus evil and science versus spirituality. While Dr. Day is skeptical, she begins to wonder about Mr. Frost's true identity as he seemingly exerts a psychic influence on the staff and patients of the facility. Meanwhile, the cop who prosecuted Frost's case tries to warn the doctor of Frost's mesmerizing powers, afraid he is trying to take control of her. If her patient is the devil, what can Sarah do?

Directed by Philip Setbon, Mr. Frost is a classy suspense thriller that builds tension from moody cinematography and intriguing, existential dialogue, and it generally keeps its violence off-screen, implying horrific incidents without needing to display them. Goldblum is delightfully creepy as the cryptic title character, conveying his character's sinister manipulations with both calculated coldness and charm. --Bryan Reesman ... Read more

Reviews (18)

jeff is wonderful
Mr. Frost -
"You should fit in well here then. We have one patient who calls himself Lucifer and another calling himself Mephistopheles."
"There's one difference. They're obviously insane."
With this dialogue the tension begins to mount in Director Philippe Setton's thriller. Writers' Derry Hall and Brad Lynch have created a perfect showcase for the quirky acting talents of lead, Jeff Goldblum.
Goldblum's character is arrested at the beginning of the movie for the savage torture/murder of 24 people. We become aware of these murders as we see the investigators watching the tapes he made. Their reactions intensify the impact more than actually viewing it our self would have.
Frost is immediately incarcerated in a psychiatric institute where he begins to make the claim he is actually the Devil and his mission on earth is to cause people to regain their belief (faith if you will) in him. Strange things begin to happen shortly after his arrival, which cause Dr. Sarah Day, played by Kathy Baker, to consider his claim.
The movie leaves it to the viewer to decide if Frost is really causing things to happen using Demonic powers or just "brilliantly" insane and everyone, including the hospital staff, is falling prey to his psychosis. It is a well-directed and written story with a standout performance coming from Goldblum. He instills in his character a certain evil slyness, which will cause you to glance quickly behind you when Mr. Frost lays his eye on you.

One of the best psychological chillers ever.
This is one of the more underrated "horror" movies ever, slipping out of the genre even into a more suspense/psychological thriller category. What keeps it pegged as a horror film is the fact that Goldblum plays Satan, but the whys of the movie are what makes it stand apart from the rest. He is not come to reap souls and claim the world in fire and rivers of blood, only to prove to the world one simple thing: true evil still exists. He does that rivetingly well. The original story and Goldblum's excellent sinister demeanor make the flick.

Mr. Frost
Imagine that: Jeff Goldblum plays the devil - lovely. "Words," he says - like Hamlet -, and then, "My best invention." The film begins with him (Jeff) answering the door as the homicide inspector rings. "I guess you'd like to see the bodies?" - "Well, yes..." "OK but I'm just finishing a cake..." Just what he does with the cake is enough to make the movie great. So. The devil is bored. Nobody believes in him anymore. So he will take on the new "god" [of the time, at that time] - psychiatry. He, a mass murderer who has willingly gone into custody but not spoken for two years, speaks to his doctor-ess [Kathy Baker], top shrink of the known universe. She gets the job of understanding/documenting him and Jeff's purpose is to get the new god (psych.) to "lose it" - i.e.., kill him. Maybe the plot, the movie, ain't so great for action lovers or what have you but the precept is wonderful (although perhaps I describe it badly) and the one-liners are immaculate. It's one of my favorite movies and I wish I could recommend it more strongly.

Great Goldblum, Poor Movie
Goldblum's performance is intensely chilling and disarmingly charming as needed for Evil personified. His tall, dark, and strong physique also reinforces the immense black power of the character. Most of the dialogue was well-written and thought-provoking. The cinematography was occasionally creative and suspenseful, but more often awkward. The cheesy score, wooden acting from others, and the disjointed plot ruined the total effect for me. Overall, I give the film a 5 for Goldblum's casting and acting, and a 2 for all other aspects.

The single scariest movie I've ever seen
I think my title says it all, but this is the scariest movie I've ever seen, and I've seen a lot. No other movie, not "Poltergeist," not "Amityville," not "Jason," not "Freddy," not "Damien," or even "The Exorcist" ever scared me like "Mr. Frost" did. This movie f***** me up for a good week and ruined my sleep like no other movie has ever been able to do. Now THAT'S a good horror flick!

I think the brilliance of this movie, and what many present-day directors forget, is that we can imagine things 1,000 times worse than they actually are. And in "Mr. Frost" the director doesn't show us the gore, death, and destruction caused by Mr. Frost. Instead the director alludes to the horrible, torturous deaths Mr. Frost has caused and lets us, the audience, fill in the gaps with our incredibly creative minds.

There is also the added bonus, as other reviewers have mentioned, of the wonderful dialog between Mr. Frost and his psychiatrist about the nature of the world. Is there true evil in the world, and is the true evil really manifested in Mr. Frost? And if there is true evil, how will the psychiatrist respond to it?

All in all, a great movie, especially for those of you who like to think about movies. ... Read more

Description

WILLIAM H. MACY plays Bill who, despite crippling cerebral palsy, uses humor, initiative and warmth to make his way as a salesman and to make a difference in the lives of his customers. ... Read more

Reviews (31)

William H. Macy gives the perfomance of a lifetime!
It is hard to believe that William H. Macy did not get an Oscar for his performance in this film. The film tells the real life story of a door-to-door salesman named Bill Porter (Macy) who overcomes his challenges with cerebral palsy in order to become the company's most successful door-to-door salesman. Having overcome physical challenges, the movie shows the human side of Bill Porter as it shows the wall of self-independence he has erected and the friendships he develops, and almost loses, as he allows others who care about him to help him and become a part of his life.

This movie is funny, heart-warming, and endearing thanks to what I consider the best performance from William H. Macy ever. A must see movie!

Patience and Persistence
One doesn't see the classic DOOR TO DOOR salesman anymore. (The occasional youthful hawker of magazine subscriptions or Girl Scout cookies doesn't count.) But for more than 40 years beginning in 1955, Bill Porter walked the same sales route in Oregon for the (real-life) Watkins Company, which sold (and still sells) an esoteric mix of products from laundry soap to dog biscuits to condiments.

Porter was afflicted with cerebral palsy at birth. In this made-for-TV film, Porter (William Macy) explains its cause as the too assiduous application of forceps by the obstetrician who delivered him. As the film opens, Bill is attempting, at age 21, to land his first job as a salesman, the profession of his deceased father. Porter is encouraged and supported by his mother (Helen Mirren), who writes the words "patience" and "persistence" with ketchup on the outside of her son's brown-bag sandwiches after Watkins reluctantly hires the young man. To prove that he can do the job despite his disability, Porter has challenged Watson by offering to take the toughest sales route that nobody else wants. Soon after, Bill's mother begins to suffer the mental impairment that eventually lands her in an assisted care facility. Bill is now on his solitary own.

If it wasn't for Macy's performance, DOOR TO DOOR would just be another of those warm and fuzzy human interest stories that otherwise makes my eyeballs roll for its political correctness. Macy, who's cast in the lead too infrequently, turns in his best performance since FOCUS (2001) - perhaps better. The actor's depiction of Porter's handicap is a pointed reminder of the difficulties to be surmounted by one so afflicted, even including painful isolation from normal, male-female sexual intimacy and romance.

At the end of the film's credits, the audience is made aware of the fact that the real-life Bill Porter has a website. Out of curiosity, I signed onto it and discovered that it's actually a link to Watson's on-line shopping catalog. It left me wondering if I hadn't just been manipulated into watching a lengthy Watson promo. It's that vague feeling of having been conned that causes me to award 4 stars instead of the five otherwise due Macy's brilliant work.

Excellent
William Macy, like no other actor I think, can evoke such feelings of compassion. He is also plays a very likeable developmentally disabled person in this film. Bring a Kleenex box along when you view this movie. As a parent of a severely disabled autistic boy, I felt for the character who was limited in his coping skills but who tried and tried and tried to make his life meaningful and to help others through his job as a traveling salesman. Detractors may say Macy over acts, but I think his character makes a sterling point, that people can overcome their severe disabilities with perseverance and the constancy that evolves from the honesty of the human heart.

A+

Jeffrey McAndrew
author of "Our Brown-Eyed Boy"

Nice Uplifting Movie
This film doesn't aspire to be much more than it is - a simple, well acted movie that follows a very determined man who has cerebal palsy through his life and career and shows how he snuck in touched others lives along the way. The movie is quiet and unfolds slowly. If you are patient, it will grow on you just as Bill Porter slowly grew on his customers. Touching and inpiring.

A MUST WATCH
A must watch movie for all ages. William H.Macey portraits Bill Porter who has C.P. It is about the trials and tribulations he endures every-day . All that he wanted was a sense of belonging. Through his perseverance and determination he gets a job with "Watkins House Hold Products" selling their products door to door. A truly inspirationl account of one man's courage. ... Read more

Reviews (21)

An excellent film which, unfortunately, few people saw.
Permanent Record is one of the few films to deal honestly with the subject of teen suicide and its effects on loved ones and, especially friends. The film excels because it does not paint its characters in black and white - teenagers do not have all the answers, and grown-ups are not one-dimensional antagonists. The film basically focuses how on a group of high school students react when their friend, an intelligent and well-liked young man, takes his own life for no apparent reason. Permanent Record contains Keanu Reeves' best performance to date as the suicide's best friend, who tries to find answers as to why his friend took his own life, and who feels guilty that he could not prevent this tragedy (the scene where he finally expresses that guilt is particularly moving). Barry Corbin (Northern Exposure) and Kathy Baker (Picket Fences) also give fine performances as the parents of the suicide. The film was not around very long when it was released, so few saw it, but its availability on video can rectify this.

Powerful
This film was way ahead of its time. In this day and age, teenage suicides happen often, and appear in the press. This is a movie, set in the 80s, and really has a powerful effect on you.

To start with, I was trying to figure out why the main character decided to kill himself. It never really says. But the movie concentrates more on what David's close friends feel on his suicide. The film focuses heavily on Keanu Reeves character, Chris. He features in some of the film's most powerful scenes, and although he plays his Ted character, goofy and gangly, he really acts his socks off. He also features in an almost painful crying scene.

There's a terrific song, which unfortunately isn't available. It's worked on throughout the film, but it really comes to light towards the end. It's called "Wishing On Another Lucky Star", performed by J.D. Souther.

This is a very powerful movie, although it didn't leave much of an effect on me. I was expecting it to leave me with something at the end of the movie, but this kinda movie has been done better in recent years - The Virgin Suicides for example.

been through it...
Right before this came out, I went through a boyfriend's suicide. The movie really hit home. It really explains the feelings that those left behind feel. Sure, as I look back it is corny in the 80's way but the questions everyone had and the wonder of why is so true for the survivors.

The one thing the movie focused on is really the most important issue. Once the person has committed the suicide, they are no longer the problem. It is the recovery and coping of the survivors. A group of kids with no one to talk to or go to. Very much like it is today, 16 years later.

I would suggest that if anyone knows of someone that is thinking of suicide, make them watch the movie. Show them what their friends and family will feel once they are gone. It may be a movie but it is very close to the real life feelings we survivors feel when we lose someone we love and don't know why and feel guilt because couldn't stop it. Remember, suicide is a permenant solution to a temporary problem.

Keenu Reeves really takes the emotion and makes it real. Anyone could have played the part but he put such a realistic feel to the sorrow and anger, I really can't see anyone else in the roll. The song is beautiful and I had it at one time on cassette, now if that doesn't date me then I don't know what will. The whole movie is represents a process and the actors/actresses did a very good job of portraying it to the viewer.

The scenes in Portland and the surrounding areas are a nice change to a sound stage. I think it brings a touch of reality because it doesn't take place in LA or New York. How many normal people live outside of those 2 cities? I would say a lot and this movie shows that problems exist in all walks of life.

After School Special-icious!
I caught this film off cable a couple years ago. It is overwhelmingly cliche, but fun despite its corniness. Some of the music is good, one song, though melodramatic, "Wishing on Another Lucky Star," performed near the end, is absolutely beautiful, and worth the viewing just to hear performed. All in all the film is so-so, it's just a little cheesy, but not mean spirited or vapid. Hey, it was the 80s, Keanu Reeves is in the movie playing a grief stricken version of his "Bill and Ted's," character (huge surprise), what more can be expected? Basically, it is a very polished (in that 80s way which is barely) after school special. Don't expext any emotional revelations from it. If you're looking for a touching movie about grief, see "Ordinary People" (or the wonderful, "Imaginary Crimes" with Fairuza Balk), if you want to see a good 80s movie, catch "Some Kind of Wonderful," but if you just want to see a watchable movie with a few cute, sappy moments, this flick is for you!

Thout provoking
I saw the movie in 1989, and it really left a lasting impression on me. Too many movies glamorize suicide. This one shows the aftermath and the pain that is caused for those left behind. I think it should be shown at all high schools. Too many teens think that suicide is such a romantic thing to do. The reality of it just doesn't sink in with them. What I like so much about this movie is that it shows how very selfish suicide is.

Keanu is amazing in this movie. I also fell in love with the song, Wishing on another Lucky Star. I wish J.D. Souther would release this as a single. I'd buy it in a heartbeat. ... Read more

Reviews (69)

Jennifer Garner Shines!
There was a movie that came out a few years ago starring Tom Hanks called "Big." I never saw "Big" but I know what it is about nonetheless. It is about a boy who wants to be grown up or, well, big. He wakes up one mourning and he is still in the same year, except he is an adult. "13 Going on 30" is about a 13 year old girl who wants to be 30 years ago, and because of some magical wishing dust, she wakes up 17 years later looking like Jennifer Garner. The difference is that in "Big" the only thing that changes is Tom Hanks. Everything changes for Jennifer Garner in "13 Going on 30."

"13 Going on 30" is one of those movies where you know everything that is going to happen before you sit down. As the movie goes on, you could figure out all of the little things that are going to happen. There is nothing really new going on in this movie. What makes it good is the way actress Jennifer Garner handles the role. Jennifer Garner's last movie is "Daredevil," and in that film she was too busy fighting and having sex with Ben Afflick to really have a role. In this movie, it is her first leading role, and she is able to handle the film by herself. She is the main star, and not the co-star like she normally is. She also proves that she has a knack for comedy movies. I predict that we will be seeing more movies with her in them in the future.

The movie starts in 1987 and we meet Jenna Rink, who is a 13 year old girl who wants to be older. On her birthday, she invites the popular girls, including Lucy, to her party. They trick her in a very mean way, leading her to yell and get mad at her friend and next door neighbor Matt. She wishes that she was 30 years old, and her wish comes true after magic wishing dust sprinkles on the top of her head. The next day, she is a beautiful 30 year old in the year 2004. She has no idea what is going on, and whose house she is in, and who the strange man that is in her bathroom is. She finds out that she is the editor of her favorite magazine, and her best friend is that girl Lucy from when they were kids. Both of them work for Richard Kneeland. Jenna finds the grown up Matt, and learns that they have not been friends since the day of her birthday party, and have not even seen each other since high school ended. Matt isn't happy to see Jenna, and Jenna also finds out that while he became a very good photographer, she has become a very bad person that not many people like. More bad news happens when it turns out that a rival magazine is stealing their ideas. Jenna suddenly finds herself falling in love with Matt, and trying to save her company from being no more.

Another good part of "13 Going on 30" is Andy Serkis. Andy Serkis was not in this movie much, but his preformance was very well done. He played Gollum in "The Lord of the Rings The Two Towers," and "The Lord of the Rings The Return of the King." Him and Jennifer Garner probably saved this entire movie from being a flop. I like how Jennifer Garner acted like a 13 year old in her body. She did what Jamie Lee Curtis did in "Freaky Friday" which was another great preformance. I liked "13 Going on 30." It was not a great film, but it was an amusing way to spend two hours or so. I am looking forward to the next movies that Jennifer Garner makes.

ENJOY!

Rated PG-13 for some sexual content and brief drug references.

Surprisingly fresh and funny - old themes given a new twist!
Jenna Rink (Jennifer Garner), age 13, wants nothing more than to be "thirty, flirty, and thriving." But nothing prepares her for waking up one morning to find that her dream has come true. She stumbles out of bed only to find that she is in a strange house, and there's a naked man in her shower! Once Jenna manages to pull herself together, she sets out to discover just what's happened to her in the last 17 years, of which she has no recollection. She looks up her best friend from childhood, Matty (Mark Ruffalo), in hopes that he'll be able to help fill in the gaps. What she finds out, though, is that maybe, despite the fact that she's achieved all her childhood dreams, she's actually lost more than she's gained.

Now, the basic theme of the movie has obviously been used before - someone wishes they could jump to a different time in their life (either forward or backward depending on their goals), only to discover that once they achieve this, it's not quite all they had hoped for and they'd like nothing better than to just go back to the way things were before. But the plot is given several fun twists that keep it from feeling hackneyed. The '80s theme throughout the movie is a delightful touch, and Jennifer Garner's comedic timing is perfect, providing us with tons of genuinely funny laughs. Some moments had the whole theater in stitches! We also see Jenna discover some truths about herself and undergo transformations that are touching. The overall moral message is that true friendship is more important, and has more long-term rewards, than high school popularity.

All the actors did fantastic jobs. Jennifer Garner makes Jenna's character both touching and funny, and Mark Ruffalo is incredibly sweet and charismatic. The chemistry between the two is great. The show, however, is often stolen by the brilliant performance of Andy Serkis, who plays the adult Jenna's stuffy but loveable boss. You may know Serkis as the actor who provided Gollum's voice and actions in "The Lord of the Rings," and it's great to see him here in a more visible role. I'd definitely recommend this movie for a lighthearted weekend excursion. The ending is a little predictable, but it's done well and the overall effect is heartwarming. It's worth seeing in the theater, worth renting when it comes out, and even perhaps worth owning if you find you really like it. I certainly wouldn't mind seeing it again.

Flashback!
I saw this with my husband in the theater and we both loved it! It was an immediate favorite and we had to purchase it as soon as it came to DVD. The bloopers and extra cast footage is hilarious. I relived some of my own past memories all over again. The hair and the outfits made me feel like I'd gone back in time, and the movie truely makes you miss/enjoy being young and full of life. We definitely recommend this movie to anyone looking to have a few laughs and plenty of memorable moments.

Amazing Jennifer Garner!!!
I went to see this movie not only because it looked extremely cute and funny but also because I am an Alias addict and have numerous posters and collages of Alias and Jennifer Garner, however throughout this movie I did not think of her as Sydney Bristow, Jennifer Garner takes on the role of Jenna Rink so completely she IS Jenna. She is a remarkably talented actress and as a switch from somber Sydney Bristow we actually get to see her smile and laugh. It is a feel good movie that just leaves you completely happy. I've already ordered it and I can't wait to see the feauturettes and bloopers. I know we will see other great movies from Jennifer Garner!! (Hopefully one with Michael Vartan!)

13 going on fabulous
This movie was a surprise. I anticipated enjoying this movie, but I didn't realize that I would actually love it. I thought Jennifer Garner as Jenna Rink was refreshing, loveable and relatable. This is definitely a film that even the movie cynics can enjoy. Jennifer Garner will draw you in and the supporting cast is great. I have pre-ordered a copy for myself and will have this on my Christmas List to give to others. Great Movie! ... Read more

Reviews (7)

Excellent performances all around!
I bought this movie because I am taking an acting class on character study, and I am working on a scene from Stephen Metcalfe's "Strange Snow", the play upon which "Jacknife" is based. Since the play's script is no longer available, I had to go with the movie to get the "big picture" of the characters and their motivations. But damn! What a great movie! The acting is just stupendous and the climactic scene with Ed Harris & De Niro is so powerful. Wish it was on DVD!

Underseen, Unknown...and Deserves To Be On DVD
I agree with all the other reviews...this is a beautifully acted piece by Robert De Niro, Ed Harris and Kathy Baker. I remember seeing this for the first time in a theater and was completely blown away by the performances and the way the subject matter was handled.

For my money, the scene near the end, when "Jacknife" finally gets Davey to break through his pain about their pal Bobby dying in Vietnam, is one of the most heartbreaking I've ever seen in any film.

Ed Harris is simply remarkable and damn near steals the film. This was the first time I'd seen Kathy Baker, and I don't think she's ever been better. And De Niro...wow. This was a peformance from him that I'd never seen before, and he just knocked me off my seat.

Now if someone can get the rights to this film and get it on DVD...that would be great.

Jacknife.......The best movie nobody saw
As a Viet Nam veteran, this movie had a tremendous impact on me when I first saw it. Each time I watch it, I am totally engrossed by not only the subject matter, but in the finest performances I have seen, by not only Robert DiNiro, but also Kathy Baker and Ed Harris. This is a tender, yet gut wrenching story of a Viet Nam vet, DiNiro, who returns home to help another vet, Ed Harris, finally come to terms with their tragically entwined past. In the process he meets and falls in love with his friends sister, played by Kathy Baker, in a masterful and understated performance which lends credibility to the adage that sometimes less is more. I truly feel that this movie, and all it's stars, should have at least been nominated for Academy Awards. A truly gripping and realistic drama.

Why doesn't Ed Harris have an Oscar for this movie?
Wonderful movie about friendship, pain, love, and loyalty. Ed Harris turns in yet another powerful performance. This is one of those small and overlooked films that packs an emotional punch. This could have played like just another movie-of-the-week, but the script is gentle yet taut, and the cast brings so much greatness to it that they elevate it on all fronts. DeNiro is perfect, of course, but Ed Harris' breakdown at the end really tugs at the ol' heartstrings.

Robert De Niro at his most subtle
This is perhaps the most likable role Robert De Niro has ever had, as a Vietnam vet doing his best to come to terms with the death of a friend he served with there. The stellar ensemble work he does with Ed Harris, as another embittered vet who served with De Niro, and with Kathy Baker as the Harris character's sister and De Niro's love interest, make for a movie that's touching without being overly sentimental. It also serves as another reminder of why De Niro is justly called one of the screen's best actors. ... Read more

Description

When a television presenter's investigation leads to the suicide of a bank president, his position-and his life-are called into question. Torn between truth and lies, between mistress and wife, he must fight for more than just his image. ... Read more

Reviews (2)

Great!
Really good movie. Turned it on, and could not stop watching it. John Mahoney (Frasier's TV dad) is great in it!

Loved it...Very Powerful!
I was blown away by this movie, and its really top cast. The script was GREAT and the some of the lines are hoot. Look for a nice little early perfomance by Brad Pitt as the TV Cameraman. Finney is masterful. ... Read more

Reviews (107)

A CLASSIC
It's great to finally see The Right Stuff appear on DVD as a special-edition. The sound and image quality is awesome, much better than the LD.

This is one of the greatest achievements in film, depicting the birth of the space program. It's difficult to think of anything wrong with the production.

The cast (many of whom at the time were not A-list caliber) is top notch, especially Ed Harris as John Glenn and Sam Shepard as Chuck Yeager.

The beginning, which chronicles the breaking of the sound barrier, is excellent. One particular scene has Yeager staring down the X-1 while on horseback; almost as if two living ceatures are involved in duel. The Oscar-winning score by Bill Conti brings tears to my eyes every time, especially the breaking the sound barrier and the final coda, which ends at Gordo Cooper's historic orbit.

Director Philip Kaufman (just look at his resume; what an incredible career, with Henry and June, Unbearable Lightness of Being and Quills among his films), brings a humanness and respect to his characters, and dots the script with bit of humor and tenderness as well. He depicts the Mercury astronauts as heroes, an aspect that unfortuantely has gone away. These men (and their wives) pushed the envelope to it's capacity, went to the top of the pyramid.

We live in a time in which we no longer look up when a plane passes overhead, where, instead of real people risking their lives to further technology and science, our heroes are born out of comic books or the sports pages.

The Right Stuff is truely a very special film! They don't make 'em like this anymore!

New Stuff
The Right Stuff is Phillip Kauffman's sprawling three-hour epic about the Mercury Space Program. Based on Tom Wolfe's amazing book, the movie is a visual stunner with a top-notch ensemble cast. Sam Sheperd stands out as Chuck Yeager, the first man to break the sound barrier. He portrays Yeager as a cowboy who flies jets instead of riding horses. Mr. Sheperd gives a cool and impressive performance. Ed Harris first sprang to attention with his performance of John Glenn. He gives a gentle and passionate performance and the scenes with his wife (who was hearing-impaired) are touching. Fred Ward gives a blustery and gruff performance as Gus Grissom who appears to be on the verge of cracking after his space launch goes awry. Scott Glenn adds a touch of humor to film as Alan Sheppard the first American in space. Dennis Quaid is brash and cocky as Gordo Cooper. This 20th Anniversary two disc special edition is an immediate upgrade over the original dvd, which was one of the first films to be released in that format. The film is perfectly suited for the dvd landscape and while the picture quality was excellent on the original release, the digital transfer adds depth and scope to the film. The real bonus is the 5.1 Dolby Surround Sound. The film won four Academy Awards and two were for Best Sound and Best Sound Effects and the remastered audio increases the powerful and majestic tones of the film in home viewings. The extras are great for any space program aficionados as there are interviews with the real life astronauts from the film.

well done
Hollywood has mostly ignored one of the most dramatic events of the modern age, the space program. It's been willing to lavish millions on sci-fi and fantasy but has been meager in detailing the real drama. Tom Wolfe's marvelous book has been captured in this film with the same blend of irony, whimsy, humor and real drama.
The astronauts were accidental heroes, men who never expected to be elevated to such a public Olympus. They were never what the PR machine promoted but they got the job done and eventually earned the heroic status they were automatically granted by the propaganda machine of the time.
An interesting film that genuinely manages to distill out the essence of the 'right stuff.'

The Greatest American Epic
The fact that "The Right Stuff" lost the Oscar for best picture to "Terms Of Endearment" is beyond me; this movie should have won. The fact that it wasn't a hit at the box office back in 1983 is also beyond me. We are talking about what I think it's the best American epic in all the sense of the word.
It's strange that a Venezuelan-born like me should talk about a movie like this, but I feel that "The Right Stuff" should have been a classic -well, it is for me. The story of the "Mercury" astronauts is portrayed marvelously by Philip Kaufman's direction, showcased beautifully by Caleb Deschanel's stylish photography, and supported by an incredible cast including Scott Glenn, Ed Harris, Barbara Hershey, Sam Shepard, Pamela Reed, Kim Stanley, and Veronica Cartwright.
In fact, I remember when I was watching that movie at home, and my late father asked me if a man that appeared on the screen was astronaut John Glenn because he looked just like him. Of course I told him he was an actor who was playing his role. That said, it's incredible to see how Ed Harris is perfectly cast as Glenn.
And I don't want to forget one of the reasons why I love this movie, and that's Bill Conti's spectacular music score. Of course it may sound a little like Holst's "The Planets", but I usually weep every time I listen to the main theme.
I'm glad that a special edition DVD of "The Right Stuff" has been released, with fantastic extras that include new interviews with the cast and crew, deleted scenes, and an incredible documentary on John Glenn. I'm also glad about it because I think that this movie should be rightfully appreciated not only because it deals with historical events like the breaking of the sound barrier and the first American astronauts, but also because, as I said before, this is a classic.

FABULOUS
"The Right Stuff", based on Tom Wolfe's book and directed by Phillip Kaufman, was a wonderful American story about the Mercury space program that told the tale of U.S. pilots just brimming with gusto, bravado and...the right stuff.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
STWRITES@AOL.COM ... Read more

Amazon.com

Based on the off-Broadway play Strange Snow, this chamber drama is essentially a three-hander between Robert De Niro, Kathy Baker, and Ed Harris. Harris is a Vietnam vet suffering the recurring effects of posttraumatic stress disorder. De Niro is an old army buddy who looks him up and helps him come to terms with the ugly memories he has of their days together in Vietnam and of a pal who didn't make it out alive. Baker plays Harris's sister, a schoolteacher and wallflower who blossoms under the attention of the rough-hewn De Niro. Harris and De Niro clash in a cathartic confrontation, but not before De Niro and Baker play an incredibly erotic and understated love scene that serves as the film's emotional core. --Marshall Fine ... Read more

Reviews (7)

Excellent performances all around!
I bought this movie because I am taking an acting class on character study, and I am working on a scene from Stephen Metcalfe's "Strange Snow", the play upon which "Jacknife" is based. Since the play's script is no longer available, I had to go with the movie to get the "big picture" of the characters and their motivations. But damn! What a great movie! The acting is just stupendous and the climactic scene with Ed Harris & De Niro is so powerful. Wish it was on DVD!

Underseen, Unknown...and Deserves To Be On DVD
I agree with all the other reviews...this is a beautifully acted piece by Robert De Niro, Ed Harris and Kathy Baker. I remember seeing this for the first time in a theater and was completely blown away by the performances and the way the subject matter was handled.

For my money, the scene near the end, when "Jacknife" finally gets Davey to break through his pain about their pal Bobby dying in Vietnam, is one of the most heartbreaking I've ever seen in any film.

Ed Harris is simply remarkable and damn near steals the film. This was the first time I'd seen Kathy Baker, and I don't think she's ever been better. And De Niro...wow. This was a peformance from him that I'd never seen before, and he just knocked me off my seat.

Now if someone can get the rights to this film and get it on DVD...that would be great.

Jacknife.......The best movie nobody saw
As a Viet Nam veteran, this movie had a tremendous impact on me when I first saw it. Each time I watch it, I am totally engrossed by not only the subject matter, but in the finest performances I have seen, by not only Robert DiNiro, but also Kathy Baker and Ed Harris. This is a tender, yet gut wrenching story of a Viet Nam vet, DiNiro, who returns home to help another vet, Ed Harris, finally come to terms with their tragically entwined past. In the process he meets and falls in love with his friends sister, played by Kathy Baker, in a masterful and understated performance which lends credibility to the adage that sometimes less is more. I truly feel that this movie, and all it's stars, should have at least been nominated for Academy Awards. A truly gripping and realistic drama.

Why doesn't Ed Harris have an Oscar for this movie?
Wonderful movie about friendship, pain, love, and loyalty. Ed Harris turns in yet another powerful performance. This is one of those small and overlooked films that packs an emotional punch. This could have played like just another movie-of-the-week, but the script is gentle yet taut, and the cast brings so much greatness to it that they elevate it on all fronts. DeNiro is perfect, of course, but Ed Harris' breakdown at the end really tugs at the ol' heartstrings.

Robert De Niro at his most subtle
This is perhaps the most likable role Robert De Niro has ever had, as a Vietnam vet doing his best to come to terms with the death of a friend he served with there. The stellar ensemble work he does with Ed Harris, as another embittered vet who served with De Niro, and with Kathy Baker as the Harris character's sister and De Niro's love interest, make for a movie that's touching without being overly sentimental. It also serves as another reminder of why De Niro is justly called one of the screen's best actors. ... Read more

Amazon.com

William Wharton's startling and moving novel about fathers and sons got an above-average film adaptation from TV's Gary David Goldberg, who wrote and directed. While the film couldn't capture the sadness and wonder of Wharton's worlds-within-worlds construct, it did get exactly right the notion of how one closes the distance from a parent or a child. Danson plays an ambitious businessman forced to put work aside to care for his aging parents (Jack Lemmon and Olympia Dukakis) when his mother is hospitalized. Mom, it turns out, is a domineering dictator who has stifled Dad all these years; with her out of the way, Dad suddenly recognizes the possibilities of his own life. Meanwhile, Danson's estranged son, Ethan Hawke, comes home as well, allowing the two of them a rapprochement. Lemmon is particularly good (and almost unrecognizable). --Marshall Fine ... Read more

Reviews (9)

Emotional Blackmail
Couples who live in retirement often undergo a role-reversal. The wife becomes the dominating partner since housekeeping was always her domain. The marriage of Jake (Jack Lemmon) and Bette Tremont (Olympia Dukakis) developed nearly into a mother-child relationship. She takes every responsibility off his shoulders and when she suffers a heart-attack their son John (Ted Danson) realizes how helpless his father has become. He tries to make him understand that his mother needs rest: homework is now his task. Those sensible activities are conductive to Jake's mind and body. He surprises his big-boss son with his common sense and even passes his driving-test. But Jake is diagnosed with cancer - the disease he fears most. He is seized by panic and suffers a shock: a form of senility that comes and goes. John blames the doctors whose commitment leave much to be desired. When he discovers his father tied up to his chair he takes him (freshly operated!) out of hospital to nurse him at home - perhaps the most dangerous "rescue-operation" in film history. He is completely overcharged, of course. His father is dazed, hides under the bed and struggles against his son who finally gives up. Just when John despairs of his father's recovery Jake wakes up. Good medication or solicitude? He enjoys his new life to the full, dresses up to the nines, plays golf and learns japanese. But his wife is alarmed at his sex-drive and she feels exposed to ridicule in front of the neighbors. Since she remains uncooperative Jake retires in his own dream-world where he creates a new family: a successful schizophrenic. During an argument John tells his mother: "He wants his life back!". The reconciliation gives Jake strength when the cancer recurs...

A travesty of William Wharton's novel and perhaps the most dishonest film ever made. Jake is portrayed as charming and docile baby. Neither does this film reveal the pitiable effects that diseases like alzheimer or dementia can have on a person's moral strength, nor does it show the extent of the distress and the helplessness of the relatives. Wharton described in agonizing detail how the son labored in vain for a father who lost control over his bodily funcions, and how trying it is for the son when the father uses vulgarisms and pesters him with the demand to sleep with his (convalescent) wife. They could not film this, of course, but exactly this is often the #1 problem of the families, a cause for shame and isolation. Danson hits exactly the right phony-cheerful tone and Dukakis is perfect as the adamant wife - even if means playing against the lines of Hollywood's scriptwriters. Jack Lemmon gives the kind of bad performance that only a good and honorable actor can give: His attempts to save a role that cannot be saved are so over-zealous that they border on (pardon!) artistic prostitution. DAD was produced by Steven Spielberg: pretty shots and pretty music...The film minimizes the duties of those who nurse ailing persons and belittles their efforts.

watched in Health Class
I watched this movie in health class during a unit on ageing. The movies was very touching, and turned the whole class to tears. But, it was a great movie that was very touching, and I would suggest watching it.

Realistic, Funny, and Sad
I saw this movie on Father's Day. I think Jack lemmon should have received an award for this movie. Excellent supporting actors too. I would recommend this to anyone who is looking for a good family movie.

Definitely One of My Favorite Movies
"Dad" is definitely one of the most touching movies I have ever seen. I have seen this movie several times, and every time I cry at the end! The son lives far away and is so obsessed with work that he has not been home to see his elderly parents much in recent years. When his mother is unexpectedly taken ill, he comes home and is shocked to see how his father has gone down under the overprotective eye of his domineering mother. John, the son, starts teaching his father to be independent, at the same time rebuilding a good quality relationship with him. It is so touching later in the movie when his dad becomes ill and John dotes over him and refused to give up. This also inspires John to build a relationship with his own son, with whom he has not had much contact. I can relate to this story, as can anyone who has dealt with the illness and/or death of aging parents. I would recommend this movie to anyone, especially anyone who has dealt or is now having to deal with the aging and/or death of a parent. This movie puts a lot of things into perspective about aged parents and with dealing with the illness and death of a parent.

A dance before dying.....
I don't know when I first realized that my parents would not live forever, but I remember how helpless it made me feel. For a while I denied myself the truth of what would one day happen, choosing instead to casually push the thoughts of how I would deal with family situations into the back of my mind, burying them under piles of work, responsibilities and more important things.

John Tremont (Ted Danson) is also faced with the realities of his parents aging and is shocked by their declining health. It always seems to happen so quickly and for John, he is more aware of the change due to his two year absence from his family.

This is an adaptation of William Wharton's novel about fathers and sons and how John, the businessman is forced to put his job on hold while he cares for his aging parents (Jack Lemmon and Olympia Dukakis).

The main theme of the story is love and family. This is a movie about how our parents become our children as we become their parents. It is about learning to let go of those we love and letting our parent's souls move from earth to eternity.

How does it happen that just as we begin to live, our parents seem to be leaving? Is life such a short dance? How can we make the dance last longer? Do we pay enough attention to those we love in life or do we regret our decisions once they are gone? These are some of the questions this movie will make you ask.

Fortunately, John Tremont realizes he has missed out on his father's life and wants to prevent the same mistakes in his relationship with his son. As he takes responsibility for his father, he rekindles the relationship they once had. When his father has to deal with the issue of cancer, he realizes his father is perhaps human after all. Highly recommended as a way to deal with real-life issues we all have to face. I thought the movie should have ended with the dance, I think you will agree. ... Read more

Reviews (201)

The most poignant film of 1999
In 1985, John Irving penned an American classic about a young man's quest for belonging in the world besieged by World War II and self-doubt. The first script adaptations of the novel would have made for a nine-hour movie but being a daring writer, Irving trimmed it down to two hours of human heart and true nature. The result was one of 1999's biggest hits and a Best Picture Oscar nominee. Tobey Maguire stars as Homer Wells, the central character, who has been reared in an orphanage in rural Maine from infancy by a caring doctor named Wilbur Larch (Michael Caine in his superb Oscar-winning performance). For years, Homer has watched and studied the practices of Dr. Larch on pregnant women who either wanted an abortion or refused their babies. When he sees a chance to leave and explore the world on his own, he takes it and begi