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| 1. Napoleon Dynamite Director: Jared Hess | |
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Reviews (17)
The character of Napoleon, brought to life by Jon Heder, is a caricature of a high school teenager. With a tuft of brownish hair, glasses, and a permanent look of confusion, getting pushed against lockers by popular jocks are regular occurrences for Napoleon, and strange behaviors as talking about hunting werewolves or saving tatertots in his pants pockets for later seem normal to him. He is delightfully quirky, and it makes the audience root for him as the unlikely hero. From his adventures at school with his friends Deb (Tina Majorino) and Pedro (Efren Ramirez), to his life at home with his geeky 31-year-old brother Kip (Aaron Ruell), his football crazed Uncle Rico (Jon Gries), and his llama Tina, Napoleon brings a unique charm to the screen that is only enhanced by the crazy characters around him. "Napoleon Dynamite" is certainly one of the most original and strangely hilarious films of the year, and thanks to the brilliant script co-written by Jared and Jerusha Hess, the direction by Jared Hess, and the performances by all members of the cast, it is sure to win over any audience member, as quickly as it won me over.
The friend of mine who saw this at Sundance told me that a jaded audience of Hollywood types 2000 strong cheered, stomped their feet and clapped their hands raw at this movie. You will too. No log off and go see this right now.
There have been numerous comparisons for this movie to WELCOME TO THE DOLLHOUSE, and RUSHMORE. But for me, this film stands firmly on its own. It plays out like an absurdist straight drama that also happens to be funny. It is reminescent of some of the best moments in the Coen Brother's RAISING ARIZONA. The film was a big hit at Sundance, and it has been distributed well; a lucky break for Hess. Wouldn't it be wonderful if more of the youth of our country could rally behind this tiny epic, and create it as a cult film; that for a moment they step away from the commedia del raunchy that they mostly immerse themselves in; that they actually laugh at themselves, the way they really are, just kids struggling to grow up? The 13-30 year old demographic dictates our art, our music, and our movies. This little film could go a long ways in restoring the missing heart, the naivete and grace to the comedic genre. One real plus for me was the odd wholesomeness of this movie. There was zero profanity. Most of the time when a script deletes realistic high school vernacular, and changes the language to a lot of goshs, dangs, hecks, frigging, and freaking, it usually morphs quickly into the landscape of the lame. But somehow, Hess makes the lack of profanity work, and we don't miss it. Peter Travers of Rolling Stone called Jon Heder," geek deadpan perfection." He loved the film, and directs us," to laugh until it hurts." Heder is a lanky beanpole with a red Afro, all Adam's apple and oversized glasses, and overbite. At first glance one sees a young Yahoo Serious, or a Scott "Carrot Top" Thompson. But no, Heder is more natural, more believable, more absurd, and wonderfully unselfconscious. He is less the over-the-top screamer. In his best moments, like when he played tetherball with himself, or practiced his killer dance moves in his room, he reminded me of some of the great clowns; like a young Jerry Lewis, and even the precursory shadings of the great ones like Jackie Gleason in GIGOT, or Jacques Tati. Heder is Napoleon Dynamite, a prince of Preston, a nerdish Conan out to slay demons, or maybe just to get laid. The setting for the film seems to be the early 1990's. Napoleon, and his older brother, Kip, live with their grandmother, played by Sandy Martin, who does a great turn as a biker grandma, who still dates, eats entirely too much steak, and loves her llama. In smaller roles we first find Diedrich Baker as the karate teacher Rex, and he is the most seasoned veteran of the cast, having appeared in 33 films. He had a lot of fun with this part, prancing around in his American flag "bad-boy" pants, and pushing around the local kids while taking their money. Then there is Shondrella Avery appearing as Kip's cyberlove La Fawnduh. She is one hot mama, and she seems to like short skinny white dudes. When Kip boards the bus with her, bandana on his head, glasses in his pocket, suitcases in his hands, leaving home for the first time, we realize the film has come full circle, and now is a fairy tale. I had approached this film skeptically, not being sure how I would react or relate to it...but it won me over. It was not just another dumb comedy that would disentegrate two points off my intelligence quotient just by sitting through it. Rather, it was a fine little film, large on ambition, that I came to care about. I recommend it highly.
Lisa Nary
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| 2. Office Space Director: Mike Judge | |
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Amazon.com Reviews (493)
Well worth the price of the DVD, even though the transfer was only fair.
The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends. Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious. You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!
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| 3. Ice Age Director: Carlos Saldanha, Chris Wedge | |
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Reviews (306)
Story Commentary: This is a computer-animated remake of "The Three Godfathers" but the first half seemed a LOT like "Shrek" meets "Monsters, Inc." transposed into the distant past. Then, something happens, and the movie became wondrous for me. The things that created this transformation were: the turmoil and complexity of Diego's emerging character as he discovers a different way of being; the whole scene in the ice cavern, and especially the wall-drawing of the mastodon that Manfred sees (and then imagines into a microcosmic summary of Ice Age life); the growing sense of duty, stewardship, and surrogate fatherhood. The ice cavern scene is the start, and is an unforgettable movie moment for me. The interspersed vignettes of the squirrel (coati mundi?) provided great comic relief, plus an ending to make one chuckle. Technical Commentary: This film looks very different than did "Shrek" and "Monsters, Inc." but is on a par, technically, with them. The stark beauty of an Ice Age winter, turned into an icy playground with lethal traps and pitfalls, was a work of minimalist art. At the halfway point, I would have given the film two to three stars, and complained that it lacked originality times three. The last half gets five stars.
The first hint I had of what "Ice Age" would be was a preview long before the movie ever came out. The preview featured a squirrel trying to bury an acorn in the snow, but nothing was working and in the attempt to bury the acorn, the poor little squirrel inadvertently caused an avalanche. It was funny, and it was the one of the best previews that I had seen. Fortunately, this squirrel makes several appearances throughout "Ice Age" and steals every scene that he appears in (which is saying something for a piece of animation). However, the main story of the film has nothing to do with the squirrel. A pack of saber tooth tigers are seeking to attack a human settlement in revenge for some of their own being killed by human hunters. The plan is to take the human baby of the lead hunter. The tigers attack, but the baby's mother manages to escape and dives into the river. With her last breath the mother places the baby at the feet of a mastodon who is standing by the riverbank. This much is still set up for the primary story being told, and that is the story of Manfred the mastodon (Ray Romano) and Sid the sloth (John Leguizamo). Since the world is in the middle of an ice age, the animals are migrating south to get out of the cold. Manfred is initially going north to get away from everyone else when he comes upon Sid. Sid was left behind and he also needs protection. He's a sloth, but rather than being exceptionally slow, he appears to be more clumsy than anything else. The two animals end up traveling together (over the objections of the mastodon), and it is then that they come across the human baby. Manfred is ready to leave the baby behind, but Sid insists on keeping the child until they can find another human settlement. Enter Diego (Denis Leary). Diego is a saber tooth tiger who has been sent by his pack to reclaim the human baby as revenge for the pack. Even a tiger fears to go up against a mastodon, so Diego pretends to have the best interests of the baby at heart and now we have the rather strange group of Manfred, Sid, and Diego all trying to return the baby (except for Diego, who is only pretending). "Ice Age" is a very cute movie, suitable for children of all ages. It is funny at times (any time the squirrel gets to make an appearance is a highlight for me), and it should be enjoyable for children and adults. Excellent animation and excellent voice acting. "Ice Age" is a good movie that should not be overlooked (even though it was overlooked in the theatre because of Pixar's "Monsters Inc"). ... Read more | |
| 4. Kim Possible - The Movie - So the Drama (Extended Edition) Director: Steve Loter | |
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Amazon.com Reviews (26)
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| 5. Teresa's Tattoo Director: Julie Cypher | |
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Reviews (3)
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| 6. Olive, The Other Reindeer Director: Steve Moore | |
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Amazon.com Reviews (32)
The message of hard work, acceptance and charity that is expressed in this special is far from 'anti-Christian' and is, in fact, much better than the 'buy our toys' sentiment conveyed by most contemporary holiday fare. With jokes, songs, celebrity cameos and an innovative, cut-paper animated style, "Olive" is truly 'family-entertainment' that can be enjoyed by most everyone in the family - except those who wear bibs and diapers (sorry Grandpa). P.s. To the irrate 'Christian' who, among other things, thinks that the representation of a Menorah denotes an anti-Christian slant: what does Santa Claus have to do with Christ anyway? I must've missed that passage in the Bible in which Kris Kringle and the flying reindeer make an appearance.
The voice for Olive is played by Drew Barrymore, who does a fantastic job. The simple song she sings at the beginning and end of the movie is so cute, and really adds to the special feeling the film has to offer. From the opening shot, the animation is amazing ... it truly has to be seen to be appreciated. The rest of the movie's music is also excellent, and it brings a very festive, joyous tone to the film. Overall, Olive the Other Reindeer is sure to become a classic holiday hit, that your family will enjoy season after season!
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| 7. The Country Bears Director: Peter Hastings | |
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Amazon.com Reviews (31)
It has a solid cast of well-known and not-so-well known actors. Christopher Walken plays the sore loser turned destructive banker bent on destroying Country Bear Hall. Deidrich Bader and "Chill" Mitchell play two goofy state highway patrolmen. Haley Joel Osment provides the voice of "Beary." Steve Tobolowsky plays the fun father figure of this film. The film has a good overall message, but some younger kids may be turned off by the pace. It does introduce the younger lot to musicians like Don Henley, Bonnie Raitt, Willie Nelson, Elton John, Brian Setzer, and Don Was. It also has cameos by stars the youngsters will probably recognize like Wyclef Jean and Queen Latifah. I think that's what I like most about this film. It covers the Country Bear's "influence" across the board and manages to mix a number of musical genres into one. From hip-hop to rockabilly, it's all covered here. The Country Bear band has a Southern rock sound, with a little Eagles thrown in to boot. For good family fun, I recommend this one.
The story focuses on the adventures of a young talking bear out to discover his roots and reunites an old band in the process. Beary Barrington (some joke, huh?) always knew he was different then other boys but when his older brother informs him that he is adopted, the bear cub runs away figuring he doesn't fit into his adopted family. Beary sets out to seek his higher purpose in life and along the way he falls upon Bear Hall, the former home of his favorite band, The Country Bears. Unfortunately due to conflicting issues amongst the band members, they broke years ago and the Hall is faced with destruction if $20,000 isn't paid in time. Beary's new mission is to reunite the old members of The Country Bears so that they can perform a benefit concert to save Bear Hall before it meets the wrecking ball. The story for The Country Bears resembles that of the theme park attraction, from which this is based on, in that it offers a few catchy tunes but the performance wares on as the show rolls along. The uninventive storyline is all too familiar to the plot for the Blue Brothers 2000, thus the whole movie seems uncontrived and lacking in the least sense of substance. Most of the main characters for the film are ... well, you guessed it, bears! Actually, they are audio animatronic puppets, created by the talented folks at Jim Henson's Creature Shop, who have facial expressions controlled by puppeteers off screen but have a person inside the costume walking through the scenes. Granted there are some human characters within the feature but they are as interesting as the audio-animatronic bears. Beary's family, unfortunately, is like any other typical Disney movie family complete with the loving father, worried mother and punky older brother. These were the least interesting characters in the film, which defeats the film's message of the importance of family entirely. Deidrich Bader and Daryl Mitchell offer some off-beat comic relief as Officer Cheets and Officer Hamm (get the joke?) but intentions can be deceiving especially by viewing the trailer for the film. They aren't nearly as funny as television spots made them out to be and the filmmakers seem to know this as the two officers seem to disappear completely near the end of the film. The only redeeming factor is the casting of Christopher Walken, who never seems to disappoint his fans. He presents a relatively serious character in the beginning but manages to make humorous in the long run. Overall, The Country Bears is one of the most unoriginal feature films of the year and quite a disappointing start to Disney's theme park feature rollout. There is little to compliment this film, though one can make the argument about the music. The songs themselves, for the most part, were catchy and get your foot tapping every now and then but if you want to go for the music then just go to the local store and buy the soundtrack. The main problem with the musical numbers, though, is the feeling that they are too staged. Someone in the course of the film would utter a one line comment and then suddenly the entire cast would brake out into a song and dance number. Outside of Christopher Walken and some of the songs, The Country Bears leaves little to the imagination. Note that the film is intended for children and thus this review may be meaningless to them. Take this into consideration when taking the children to the film. But if you are a parent and hate to be dragged to this then follow my suggestion: Sit back, relax, pay attention when Christopher Walken comes on screen, tap your foot to some of the music and thank God that they didn't make an It's A Small World movie. ... Read more | |
| 8. Dynamotion - Muscle Hustle Director: Todd Hochkeppel | |
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Description -- Amy DeLouise, Anice Hoachlander, & Tyler Whitmore co-creators of Dynamotion | |
| 9. Ice Age Director: Carlos Saldanha, Chris Wedge | |
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Reviews (306)
Story Commentary: This is a computer-animated remake of "The Three Godfathers" but the first half seemed a LOT like "Shrek" meets "Monsters, Inc." transposed into the distant past. Then, something happens, and the movie became wondrous for me. The things that created this transformation were: the turmoil and complexity of Diego's emerging character as he discovers a different way of being; the whole scene in the ice cavern, and especially the wall-drawing of the mastodon that Manfred sees (and then imagines into a microcosmic summary of Ice Age life); the growing sense of duty, stewardship, and surrogate fatherhood. The ice cavern scene is the start, and is an unforgettable movie moment for me. The interspersed vignettes of the squirrel (coati mundi?) provided great comic relief, plus an ending to make one chuckle. Technical Commentary: This film looks very different than did "Shrek" and "Monsters, Inc." but is on a par, technically, with them. The stark beauty of an Ice Age winter, turned into an icy playground with lethal traps and pitfalls, was a work of minimalist art. At the halfway point, I would have given the film two to three stars, and complained that it lacked originality times three. The last half gets five stars.
The first hint I had of what "Ice Age" would be was a preview long before the movie ever came out. The preview featured a squirrel trying to bury an acorn in the snow, but nothing was working and in the attempt to bury the acorn, the poor little squirrel inadvertently caused an avalanche. It was funny, and it was the one of the best previews that I had seen. Fortunately, this squirrel makes several appearances throughout "Ice Age" and steals every scene that he appears in (which is saying something for a piece of animation). However, the main story of the film has nothing to do with the squirrel. A pack of saber tooth tigers are seeking to attack a human settlement in revenge for some of their own being killed by human hunters. The plan is to take the human baby of the lead hunter. The tigers attack, but the baby's mother manages to escape and dives into the river. With her last breath the mother places the baby at the feet of a mastodon who is standing by the riverbank. This much is still set up for the primary story being told, and that is the story of Manfred the mastodon (Ray Romano) and Sid the sloth (John Leguizamo). Since the world is in the middle of an ice age, the animals are migrating south to get out of the cold. Manfred is initially going north to get away from everyone else when he comes upon Sid. Sid was left behind and he also needs protection. He's a sloth, but rather than being exceptionally slow, he appears to be more clumsy than anything else. The two animals end up traveling together (over the objections of the mastodon), and it is then that they come across the human baby. Manfred is ready to leave the baby behind, but Sid insists on keeping the child until they can find another human settlement. Enter Diego (Denis Leary). Diego is a saber tooth tiger who has been sent by his pack to reclaim the human baby as revenge for the pack. Even a tiger fears to go up against a mastodon, so Diego pretends to have the best interests of the baby at heart and now we have the rather strange group of Manfred, Sid, and Diego all trying to return the baby (except for Diego, who is only pretending). "Ice Age" is a very cute movie, suitable for children of all ages. It is funny at times (any time the squirrel gets to make an appearance is a highlight for me), and it should be enjoyable for children and adults. Excellent animation and excellent voice acting. "Ice Age" is a good movie that should not be overlooked (even though it was overlooked in the theatre because of Pixar's "Monsters Inc"). ... Read more | |
| 10. Dynamotion - Food Fun Director: Todd Hochkeppel | |
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Description Dynamotion is designed as a proactive health literacy campaign created for children during their formative years. Through a grant from the National Institutes of Health, scientific research shows that Dynamotion teaches children how their bodies work and how to keep them healthy. Electronic media is here to stay, so why not use them as tools to increase physical activity and promote healthy eating habits and behaviors?Dynamotion is all about kids moving to music, learning how their bodies and muscles work, and most importantly, having fun!-- Amy DeLouise, Anice Hoachlander, & Tyler Whitmore co-creators of Dynamotion Reviews (2)
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| 11. The Assassination File Director: John Harrison | |
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Reviews (2)
I guess if we actually swallowed such farcical and lazy writing, we would be seized with paranoia, but since our leaders are admittedly only so-so when it comes even to geography, it's hard to be impressed by such callow, pandering ridiculousness.
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| 12. Preppie Murder Director: John Herzfeld | |
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Reviews (1)
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| 13. Hercules: Zero to Hero Director: Phil Weinstein | |
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Amazon.com Reviews (7)
Will kids want to see it? Probably. The blue and pink color of Panic and Pain that reminded me of the boo-hoo/shh-shh verses of Clap Hands look mighty appealing to them.
The cover art was awful. Not even gonna go there.
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| 14. Office Space Director: Mike Judge | |
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Reviews (493)
Well worth the price of the DVD, even though the transfer was only fair.
The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends. Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious. You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!
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| 15. The Beverly Hillbillies Director: Penelope Spheeris | |
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Reviews (27)
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