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| 1. Quarterback Princess Director: Noel Black | |
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Reviews (10)
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| 2. The Lords of Discipline Director: Franc Roddam | |
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Reviews (14)
But things had to go, and rather than treat them badly, I have no resentment for what they left out. The movie does concentrate on some important things however, and for awhile, does it well. We see the often cruel treatment upperclassmen give underclassmen, and can see the reasoning why this seems to be necessary. It is the overriding theme of the book, and shows the givers and takers of the harrassment very well. It also does tackle one of the important subplots, which is the treatment of the first black recruit to the academy. The way the recruit was treated is shown in all of it's frightening detail. David Keith, as the assigned mentor to the recruit, does his job perfectly here by not showing too much sympathy. But then it all crashes down by trying to come up with a clean, Hollywood, more upbeat ending. The worst sin is the handling of the Pignatello character to make it much less tragic. To leave out what happens after the court martial is to take away one of the dramatic points of the story. With that said, the ending was also much too neat. The way it is handled fails to illustrate the parallel love-hate relationship the main character has with the academy. This was far too personal a story to be glossed over like this, and I wish Pat Conroy had had more pull to get it done right. He should have chosen the Larry McMurtry route and got the story filmed as a mini-series. ... Read more | |
| 3. Far and Away Director: Ron Howard | |
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Amazon.com essential video Reviews (60)
This film is the story of Joesph and his hopes and dreams. His father is killed and he seeks to kill the man that took his land. Joseph meets up with Shannon, the wealthy daughter of the man responsible for taking Joseph's land, and she pays him to take her to America. Unfortunately they're robbed and we see the cold, harsh realities of foreigners trying to survive in America. Through prize fighting, Joseph begins to make a nice life for himself, while the spoiled Shannon ends up plucking chickens to make end's meat. Their trials and tribulations bring them together in one of the best love stories told, and the ending...well, lets just say that it's one of the most wonderful endings you'll find in a film. Ron Howard has done an incredible job of bringing this film to life, and the performance of Tom Cruise is one of his best ever. Far and Away is a film that you have to see. You'll feel better about life after you have.
I hate to diss other films so I'll try not to do that here. I WILL say that I loved the love story in Far And Away because it works. And it works because it is given time to develop. Joseph and Shannon hate each others guts at first and make no secret of it, but they are drawn slowly together by the perils of their journey. It is touching to see their hatred for each other change from hatred to grudging respect, to affection, and finally grow all the way to genuine love. This works MUCH better than spending a day on a ship, and saying to yourself "Oh look, there's a pretty girl up on the next deck. Let's take her dancing, partying, teach her how to spit, how to stand on the back of a ship with her eyes shut and her arms outstretched. Then I'll draw a nude portrait of her, and then we'll go and have sex in the back of a car. All witihin a period of about three or four days." (Just for the record I loved Titanic too, but the "quickie" love story took away from the power of the film JUST a TAD because the love between Rose and Jack was not allowed to GROW and DEVELOP into itself as it is here in FAR AND AWAY. In TITANIC the love between Jack and Rose was just THERE. It was just: Boy meets girl. Girl meets boy. Boy loves girl. Girl loves boy. Badda-BING, Bada-BANG, Badda-BOOM) I'm sorry, I'm digressing again, so I'll try to keep to the point and keep the rest of this short. In summary , to me this film is a great one, well done in every part of the package. LOVELY scenery is wedded to absolutely beautiful music as two great actors are supported by an assortment of loveable aqquaintances and a couple of dastardly villians (I'm counting Mike Kelly here too, see the film to know who he is and why I call him a villian). All this comes together in a beautiful love story that has the power to touch the heart, and the tear ducts, and make you realize the importance of holding onto and going after your dreams. I loved it, and so can you, if you have the courage to let this film touch your heart. If you do allow that, it will carress it. Peace, and God bless you. Always.
In 1892-93, Tom Cruise is poor Joseph in Ireland and Nicole Kidman is rich Shannon from the same country. Their fake accents are collectively awful. Cruise sounds like a wannabe leprechaun. Together they run off to America where they tell the landlord they are brother and sister so they can share the rent. Joseph becomes a boxer and wins big in the ring. Shannon decides to be a dancehall girl. Although they profess to hate each other, you know where that storyline is going to end. It is, after all, Cruise and Kidman in their heyday. I did like the homesteading scene at the end -- where people raced across the plains and made their claims to land. I hadn't known about that piece of history before. Nicely done, Ron Howard!
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| 4. Happy Together Director: Mel Damski | |
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Reviews (4)
AS YOU CAN TELL... I NEED THIS ONE ON DVD A.S.A.P.
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| 5. Home Alone 4 - Taking Back the House Director: Rod Daniel | |
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Reviews (15)
This movie could have worked, and just been an average movie to me. But they had to use the name Makilister. The name from the original 2 movies that starred Macully Culklin. Why oh why oh why would you try to pull off a brand new set of cast as the same people that made the original box office hit's over ten years ago? The kid in this film looks nothing like the original Kevin Micalister, who resembles Culklin in now way, not to mention he's about 3 foot shorter, 2 pounds larger, and 10 times as less intelegent. Then they tried to pull off the parent's of the first 2, which look nothing like them either, nor did French Stewart trying to be Harry, who was original Daniel Sterns charactor.... they looked nothing like the originals, they didnt act anything like the originals, and why oh why would they even try to use the same name's of the charactors? If they had have given them new names, and try'd to pull this off as beeing a completly different fammily then the Macalisters, then it could have been an OK, 2 or 3 star movie. But when your sickend by whoever's idea it was to use the same name, and expect the audience to be dumb enough to go with it, then it get's 0 star's. YOU DO NOT TRY AND SELL A MOVIE AS BEEING THE SAME CHARACTORS AS THE ORIGINAL, IF THEY ARE NOT THE ORIGINALS, OR DONT EVEN RESEMBLE THE ORIGINAL ACTORS If they beleive they have made a good movie here by using the original name's, then they might as well make a 5th seaqull to bury the franchise, and get a fully grown Chris Rock to play Kevin Macilster and Leslie Neilson to play the mother, Rosie O'Donnel can be the father, the brother can be played by the rapping granny from The Wedding Singer, and we can get a new guy to play the old man from part 1? hmmm.. maybe Jim Carey? they can expect the audience not to notice the diffrence in age appearence and persinalty to take your mind away from the bad casting arrangment's. the movie could have worked if it was maybe a different fammily name, and not supposed to be the same fammily as 1 and 2's..or maybe even if they made it a cartoon? But dont mess with classic, reciginised names and charactors and expect people to buy into it? Whoever had that idea made a very big mistake.... ignore the fact that there supposed to be the same fammily, and that the kid is supposed to be Maculy Culklin, and you still will see it's not a great movie anyway. But it was a horrible idea to use the same name's, at least part 3 had a chance, because it wasnt meant to be the same kid! On a final note: Just look at the rip-off and ridicules price they want for this film?! Then look at how many + how much, used copys are going for!?!?!?! The movie isnt even worth watching for free~!
WHAT!?!??! That's like someone other than Dan Castellaneta doing the voice of Homer Simpson!! (Well, perhaps not that drastic, but you get the idea.) I wouldn't care about this movie (or at least not enough so to write a review), but it has the "Home Alone" title attached. WITHOUT MACAULAY CULKIN, JOE PESCI, AND DANIEL STERN, IT IS NOT - I REPEAT, NOT - HOME ALONE. Seriously, no more! Let the series die peacefully. Now, while it still might have a shred of dignity left. Anyway, avoid like the Noid. He ruins pizzas. HAH!!! Seriously, do not view or buy this. Stick with 1 & 2 instead.
Everything that came together on the first two in the series completely is rearranged and the timeline is altered but the result is totally disastrous on every level. Not even having one's brain turned off for a while is enough to make one enjoy this weak fourth edition. The acting is increidbly weak by everyone involved. Not to mention how they completely remade the McCallister family. The large extended family of Kevin was a riot to watch and although a bit obnoxious at times, it was funny watching Buzz get ticked off when he saw a bill for 986 dollars at the ending of the "Lost In New York" movie from 1992. "Home Alone 4" robs the family of all of it's charm by making them into just a nuclear family. Even the plot is utterly pointless with Kevin's parents spitting up and his father living with a new girlfriend at a rich mansion and Kevin stayign with him for Christmas but the mansion is robbed by would-be thieves but the slapstick jokes don't work on this movie. One scene is totally unrealistic where a faucet is left on to stop the thieves and the kitchen almost looks like an aquarium and is totally flooded. Hello! In real life, the water would just seep through cracks on the floors and walls and cause water damage to much of the structure. Plus it's impossible to turn a house into a human aquarium because the overflowing water would simply flood the room, and then the adjacent room and flow outside. You're house is far more likely to become totally filled with water if a flash flood occured (I.E. Hurricane or a large dam failed). The villain thieves are just incredibly devoid of any character and come off as being obnoxious, crass, petty and awfully stupid. Joe Pesci and Daniel Stern were perfect for playing Kevin's adversaries in the first two movies but whoever these clowns here who play them, their acting is weak and it sure looked like they were ready to leave the set. So this movie was a low-budget flick but even then, all of that money allotted into making this movie is utterly wasted in it's making. Whoever thought up of this should've looked at James Cameron's 1984 classic "The Termintor" to see how a low budget movie is made right! This movie is completely unworthy of one's time. Even the awkward "Home Alone 3" was miles above this rubbish! ... Read more | |
| 6. Space Cowboys Director: Clint Eastwood | |
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Reviews (138)
The byplay between Clint Eastwood and Tommy Lee Jones is reminiscent of that between Jack Lemmon and Walter Matthau in the ODD COUPLE movies. They just can't help but pick at each other. I think Donald Sutherland and James Garner could have had bigger roles in the movie (i.e., more lines), but they did a beautiful job with what they had. The story in this movie was engaging. I found myself asking the same questions as the characters. The action and the comedy were both subtle and more effective for it. I think the strong point of this movie was its characters. They were all vivid and pretty well developed. Their motivations were easy to understand. The one shortcoming was that there was no emotional attachment to them and so one part of the climax didn't have the effect it should have. All in all, this was a very enjoyable movie. If you're looking for a good laugh and a sense of wonder, this will definitely satisfy you. If you're looking for slap-bang action, go somewhere else.
This movie makes for a fun evening. I would have loved for Hawk to have set up a tent and cooking fire on the moon but that would have spoiled it.
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| 7. Salem's Lot Director: Tobe Hooper | |
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Description Year: 1979 Starring:David Soul, James Mason, Bonnie Bedelia, Lew Ayres, Ed FlandersDirector: Tobe Hooper Sound: ENG; Subtitles: ENG, FR Reviews (123)
David Soul ("Starsky and Hutch") plays Ben Mears, a writer who returns to his hometown to write a novel about the local haunted house, and ends up dating Susan Norton (Bonnie Bedelia, future star of "Heart Like a Wheel"). Then evil James Mason comes to town, and pretty soon 70s character actors like Fred Willard, Geoffery Lewis and Elisha Cook, Jr. are dropping dead due to... mysterious circumstances. Okay, enough phony suspense. It's a vampire movie. Vampires... in modern-day Maine. And it works better than it has a right to. Soul's not exactly tortured enough, and Lance Kerwin's a little too old to play a monster-obsessed youth, but the supporting cast, which includes Ed Flanders ("St. Elsewhere"), Lew Ayres (Paul, from the classic 1930 "All Quiet on the Western Front"), Kenneth McMillan ("Ragtime," and "Dune") and George Dzundza (everything else) more than make up for it. They're sincere, and that counts for a lot. James Mason makes a perfectly urbane villain; he's suave and dangerous, and much smarter than his undead master, who's something of a disappointment in the chills department when finally revealed. This disk contains the entire miniseries, which manages to maintain a level of suitable creepiness, despite some dated sexual innuendo and a some "made-for-tv" scenes that aren't quite as menacing as they could be. Still, a few sequences are effectively chilling, and it's well worth your time, especially around Halloween.
The film boasts a good seasoning of veteran actors in supporting roles, several of whom ---- Elijah Wood, Jr., Lew Ayres, and Marie Windsor ----- appeared in a number of film noir classics of the forties and fifties. (For a treat, see Windsor in the 1952 version of "The Narrow Margin"). But while it's fascinating to see these old pros in their various roles, it's James Mason who truly impresses. Indeed, "impressive" may be too mild a word for Mason, who plays the recently-arrived antique dealer with such impeccable style that he single-handedly transforms "Salem's Lot" from an overextended B movie into something worth remembering. Observe his reactions, for example, when informally interrogated by the town constable as suspect in the killing of a small child. Or later, when he meets Soul during a gathering in his antique shop and the former broaches the question of "evil." Says Soul: "Do you believe a house can be evil in its very boards and windows? In its stone foundations? Evil?" "Oh, you're the writer," answers Mason with mocking insouciance --- the words are neutral, but his entire manner and inflection create a devastating put-down. Here is an embodiment of "cool" that would do justice to any jazz musician, but Mason does it quietly, slowly, with the limitless patience of a man who knows he can do anything. The other outstanding element in "Salem's Lot" is Reggie Nalder as the vampire under Mason's control (though just how this control came about, and how it is sustained ---- is never explained). Some older fans of the Karloff-hosted "Thriller" series may recognize Nalder from that TV anthology, most notably in the episode, "Terror in Teakwood," where he played the sinister "Kaffke." Here, by contrast, his face is half-buried in makeup, but Nalder's cadaverous bone structure assists the illusion and makes his image of the vampire "Barlow" one of the most frightening since Max Shreck. He's not on-screen more than a few minutes, but, as Mason's character amusingly prophesizes in an early scene: "I'm sure you'll enjoy Mr. Barlow. And he'll enjoy you. Oh yes. Oh yes." "Salem's Lot" is not a great horror movie, since, along with the problems mentioned, it's burdened by lack of originality. Some scenes are atmospheric, such as those where child vampires are shown floating and beckoning through moonlit windows ---- hackneyed, but effective. These are offset by many sequences that are silly or adventitious (e.g., the one where students are acting out a historical play, so poorly directed it recalls Ed Wood or Bert I. Gordon). The film could have been better with a good lead actor, as well as more conviction from the supporting cast generally. Otherwise, it's more than worth watching for the tour-de-force performance of James Mason and the sheer scare-value of Nalder.
But let's give this fun movie the credit it deserves. For network TV, this had to be pretty racy material. Who else but Steven King would kill all those kids? And what's creepier than that kid scratching on the window? Plus, it's fun to see how much things have changed in 25 years. Its a hoot to look back at all the funny clothes, cars and phones. If you watch the TNT remake, you see that the new version is a little closer to the novel and goes deeper into detail. But the original is still the best and gives more goose-bumps for the buck. Enjoy it on a night you want to feel a little creeped-out and revel in it's 70's TV charm.
I had the liberty of seeing the TNT remake of this the other night and was rather disappointed. Although it was slightly more faithful to King's novel, I found a lot of it laughable and the effects were idiotic. This is much better. The story centers a writer returning to his hometown just as a vampire and his servant take up residence and begin preying on the townspeople. The vampire Barlow is very Nosferatu-ish in thsi when actually in the book, he was basicly an average man that happened to be a vampire, but oh well. The vampire make-up and everythingis actually pretty scary and convincing *which is more than I can say for the recent remake.* Overall, highly recommended. It's not what you would call scary, but it's good for a creepy night-time viewing. And don't miss out on the book!
Salem's Lot deals with unresolved pain and fatal curiosity. Now a successful writer, Ben Mears (David Soul) returns to his childhood town of Salem's Lot in Maine. Mears wants to rent a house for six months to investigate the strange and disturbing happenings at a creepy house in the town. Mears himself carries the haunting childhood memories of this Marsten House - a "monument to evil" - a house where young kidnapped. boys where taken.Mears believes that evil places attract evil men, and a mysterious and smug Mr Straker (played with delicious enthusiasm by James Mason), has recently purchased the house for an elusive antiques dealer, Mr Barlow. With the help of his former English school teacher, his new girlfriend Susan (Bonnie Bedelia) and her father, the local doctor, Mears sets about investigating the house and the bizarre events that unfold. ... Read more | |
| 8. Happy Together Director: Mel Damski | |
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Reviews (4)
AS YOU CAN TELL... I NEED THIS ONE ON DVD A.S.A.P.
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| 9. A Vow to Cherish Director: John Schmidt (II) | |
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| 10. That Was Then... This Is Now Director: Christopher Cain | |
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Reviews (15)
However, this movie is one of the best movies that Emelio Estevez has acted in. We all know that [Estevez] had better rolls and was a more passionate actor during the earlier part of his career, that [this movie] demonstrates his acting ability. The story is simple: two boys grow up together and feel like they are brothers. One of the boys [Estevez] gets caught up in the wrong crowd and ends up in jail. The other boy played by Schaifer tries to help [Estevez] stay on the straight and narrow. Good story by the auther of the "The Outsiders", S.E. Hinton.
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| 11. Space Cowboys Director: Clint Eastwood | |
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Reviews (138)
The byplay between Clint Eastwood and Tommy Lee Jones is reminiscent of that between Jack Lemmon and Walter Matthau in the ODD COUPLE movies. They just can't help but pick at each other. I think Donald Sutherland and James Garner could have had bigger roles in the movie (i.e., more lines), but they did a beautiful job with what they had. The story in this movie was engaging. I found myself asking the same questions as the characters. The action and the comedy were both subtle and more effective for it. I think the strong point of this movie was its characters. They were all vivid and pretty well developed. Their motivations were easy to understand. The one shortcoming was that there was no emotional attachment to them and so one part of the climax didn't have the effect it should have. All in all, this was a very enjoyable movie. If you're looking for a good laugh and a sense of wonder, this will definitely satisfy you. If you're looking for slap-bang action, go somewhere else.
This movie makes for a fun evening. I would have loved for Hawk to have set up a tent and cooking fire on the moon but that would have spoiled it.
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| 12. The Christmas Coal Mine Miracle Director: Jud Taylor | |
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Reviews (3)
The story line has a very mature theme and I would rate it as PG. Good for family watching with older children, but parents may want to discuss parts with their children/teens. The older daughter is a bit troubled and is desperate to get away from the Coal Mining town. She looks for this escape in her boyfriend Johnny (Kurt Russell). She is openly depressed about her virginity and tries to get her boyfriend to become more intimate with her. However, he tells her no, that they are going to "do things in the right way". So there is a bit of good morality there and the film might be a good discussion starter for that topic. At the end of the movie we are left with the impression that they will be getting married within the year. The main theme is the unfairness of the managers of the mine and that they force the workers to work in unsafe conditions. Tragedy strikes and by the end the workers agree to band together to fight the unfair practices. The story is also about love and family togetherness. Although most of the movie seemed realistic, parts did not. The younger child in the family seemed too old for that rocking horse! Also, what father would not reprimand his daughter when seeing her throw a rock through a store window, even if the store owners were "the enemy"?
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| 13. Heart of Dixie Director: Martin Davidson | |
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Reviews (1)
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| 14. Bang the Drum Slowly Director: John D. Hancock | |
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Amazon.com Reviews (12)
One of the finer movies of its era, Bang the Drum Slowly is the story of a big-league pitcher, superbly played by Michael Moriarty, and his roommate, a catcher dieing from Hodgkin's disease played by a young Robert DeNiro in a wonderful performance that will come as a surprise to many used to the, by now familiar, DeNiro persona. Here he is a dumb-as-dirt, but amiable Georgia farm boy and he is absolutely believable in the role. A touching story told with great humor, I think it one of the best baseball movies made, though it really isn't about baseball. This is the 70's, before super star salaries and temperaments have forever changed the game, when Managers were still King and the top salary of an ace pitcher was 100K. The film is told at a leisurely pace, 70's style, somewhat episodically, which will put some off. Quite frankly I loved the sidetrips and distractions, because it allows a great cast to all have their moments. Vincent Gardenia as Dutch, the prototypical big league Manager "Never mind the facts, give me details" a cigarette forever planted on his lower lip, ashes dripping down his chest; Phil Foster hooking unsuspecting fans to play TEGWAR (The Exciting Game Without Any Rules)with himself & Arthur; Patick McVey as the father; Marshall Ephron as the weasely Bradley; the scheming Ann Wedgewood: Selma Diamond, Danny Aiello and others. The story is narrated by Moriarty, and that narration and much of the dialogue is done in beautifully articulate mangled English. It feels lived-in. The story is told with an odd mixture of dead-pan delivery that is unsentimental and yet is very touching in the last analysis. Bittersweet. Although they avoid the big emotional "moment", the film builds its emotions slowly and carefully, and when it is done if you haven't been moved by this funny/sad story, well....too bad for you. Well worth your time, for some laughs, some tears, an insight or two and some sterling performances by Michael Moriarty and Robert DeNiro who hit all the right notes. "I don't know why you don't live it up all the time when dieing's just around the corner, but you don't. You'd think you would, but you don't." 4-1/2 Stars all the way.
The two stars--Michael Moriarty and Robert deNiro--debuted as leading men in this film and just watching these two youthful actors giving brilliant performances (as a likeably egocentic pitcher and his unsophisticated teammate) is a joy for movie fans. Vincent Gardenia is equally effective (and wonderfully funny) as the team's coach. The story---while dealing with the impending death of the team's pitcher played by deNiro----is never obvious, overdone or sentimental. Instead, the film affirms the values of friendship and teamwork with great subtlety and intelligence. Bang the Drum Slowly recently appeared on the NY Times list as one of the 1,000 greatest films ever made. I say the choice is right on. ... Read more | |
| 15. Space Cowboys Director: Clint Eastwood | |
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Reviews (138)
The byplay between Clint Eastwood and Tommy Lee Jones is reminiscent of that between Jack Lemmon and Walter Matthau in the ODD COUPLE movies. They just can't help but pick at each other. I think Donald Sutherland and James Garner could have had bigger roles in the movie (i.e., more lines), but they did a beautiful job with what they had. The story in this movie was engaging. I found myself asking the same questions as the characters. The action and the comedy were both subtle and more effective for it. I think the strong point of this movie was its characters. They were all vivid and pretty well developed. Their motivations were easy to understand. The one shortcoming was that there was no emotional attachment to them and so one part of the climax didn't have the effect it should have. All in all, this was a very enjoyable movie. If you're looking for a good laugh and a sense of wonder, this will definitely satisfy you. If you're looking for slap-bang action, go somewhere else.
This movie makes for a fun evening. I would have loved for Hawk to have set up a tent and cooking fire on the moon but that would have spoiled it.
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| 16. Salem's Lot Director: Tobe Hooper | |
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(price subject to change: see help) Asin: 630267686X Catlog: Video Sales Rank: 43033 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Year: 1979 Starring:David Soul, James Mason, Bonnie Bedelia, Lew Ayres, Ed FlandersDirector: Tobe Hooper Sound: ENG; Subtitles: ENG, FR Reviews (123)
David Soul ("Starsky and Hutch") plays Ben Mears, a writer who returns to his hometown to write a novel about the local haunted house, and ends up dating Susan Norton (Bonnie Bedelia, future star of "Heart Like a Wheel"). Then evil James Mason comes to town, and pretty soon 70s character actors like Fred Willard, Geoffery Lewis and Elisha Cook, Jr. are dropping dead due to... mysterious circumstances. Okay, enough phony suspense. It's a vampire movie. Vampires... in modern-day Maine. And it works better than it has a right to. Soul's not exactly tortured enough, and Lance Kerwin's a little too old to play a monster-obsessed youth, but the supporting cast, which includes Ed Flanders ("St. Elsewhere"), Lew Ayres (Paul, from the classic 1930 "All Quiet on the Western Front"), Kenneth McMillan ("Ragtime," and "Dune") and George Dzundza (everything else) more than make up for it. They're sincere, and that counts for a lot. James Mason makes a perfectly urbane villain; he's suave and dangerous, and much smarter than his undead master, who's something of a disappointment in the chills department when finally revealed. This disk contains the entire miniseries, which manages to maintain a level of suitable creepiness, despite some dated sexual innuendo and a some "made-for-tv" scenes that aren't quite as menacing as they could be. Still, a few sequences are effectively chilling, and it's well worth your time, especially around Halloween.
The film boasts a good seasoning of veteran actors in supporting roles, several of whom ---- Elijah Wood, Jr., Lew Ayres, and Marie Windsor ----- appeared in a number of film noir classics of the forties and fifties. (For a treat, see Windsor in the 1952 version of "The Narrow Margin"). But while it's fascinating to see these old pros in their various roles, it's James Mason who truly impresses. Indeed, "impressive" may be too mild a word for Mason, who plays the recently-arrived antique dealer with such impeccable style that he single-handedly transforms "Salem's Lot" from an overextended B movie into something worth remembering. Observe his reactions, for example, when informally interrogated by the town constable as suspect in the killing of a small child. Or later, when he meets Soul during a gathering in his antique shop and the former broaches the question of "evil." Says Soul: "Do you believe a house can be evil in its very boards and windows? In its stone foundations? Evil?" "Oh, you're the writer," answers Mason with mocking insouciance --- the words are neutral, but his entire manner and inflection create a devastating put-down. Here is an embodiment of "cool" that would do justice to any jazz musician, but Mason does it quietly, slowly, with the limitless patience of a man who knows he can do anything. The other outstanding element in "Salem's Lot" is Reggie Nalder as the vampire under Mason's control (though just how this control came about, and how it is sustained ---- is never explained). Some older fans of the Karloff-hosted "Thriller" series may recognize Nalder from that TV anthology, most notably in the episode, "Terror in Teakwood," where he played the sinister "Kaffke." Here, by contrast, his face is half-buried in makeup, but Nalder's cadaverous bone structure assists the illusion and makes his image of the vampire "Barlow" one of the most frightening since Max Shreck. He's not on-screen more than a few minutes, but, as Mason's character amusingly prophesizes in an early scene: "I'm sure you'll enjoy Mr. Barlow. And he'll enjoy you. Oh yes. Oh yes." "Salem's Lot" is not a great horror movie, since, along with the problems mentioned, it's burdened by lack of originality. Some scenes are atmospheric, such as those where child vampires are shown floating and beckoning through moonlit windows ---- hackneyed, but effective. These are offset by many sequences that are silly or adventitious (e.g., the one where students are acting out a historical play, so poorly directed it recalls Ed Wood or Bert I. Gordon). The film could have been better with a good lead actor, as well as more conviction from the supporting cast generally. Otherwise, it's more than worth watching for the tour-de-force performance of James Mason and the sheer scare-value of Nalder.
But let's give this fun movie the credit it deserves. For network TV, this had to be pretty racy material. Who else but Steven King would kill all those kids? And what's creepier than that kid scratching on the window? Plus, it's fun to see how much things have changed in 25 years. Its a hoot to look back at all the funny clothes, cars and phones. If you watch the TNT remake, you see that the new version is a little closer to the novel and goes deeper into detail. But the original is still the best and gives more goose-bumps for the buck. Enjoy it on a night you want to feel a little creeped-out and revel in it's 70's TV charm.
I had the liberty of seeing the TNT remake of this the other night and was rather disappointed. Although it was slightly more faithful to King's novel, I found a lot of it laughable and the effects were idiotic. This is much better. The story centers a writer returning to his hometown just as a vampire and his servant take up residence and begin preying on the townspeople. The vampire Barlow is very Nosfer | |