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| 1. Tell Them Willie Boy Is Here Director: Abraham Polonsky | |
![]() | list price: $9.99
(price subject to change: see help) Asin: B0000065MX Catlog: Video Sales Rank: 27103 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 2. Uncommon Valor Director: Ted Kotcheff | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6300214478 Catlog: Video Sales Rank: 14075 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (19)
So you can just imagine how Houston theater audiences reacted, about half an hour into this film, after a commando team has been assembled to train for a mission back to Nam... and we see a helicopter floating above a vista of beautiful, rugged, tree-covered low mountains divided by sparkling streams, with the onscreen caption "Somewhere Near Galveston, Texas." ... Read more | |
| 3. Hour of the Gun Director: John Sturges | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6302718961 Catlog: Video Sales Rank: 8159 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (10)
Jason Robards plays a wonderfully subdued Doc Holliday, almost to the point of trying to remain Wyatt's moral voice. In a surprising turn, James Garner turns in a dynamic performance as the stiff-laced Wyatt, who won't rest until justice for the death of his brother has been avenged. This film serves as a companion piece to THE GUNFIGHT AT THE OK CORRAL (wildly inaccurate in most of its depictions), and it succeeds admirably in attempting to set the record straight. But, there's still the Johnny Ringo bit ... While a VHS purchase may work well for some Wyatt and Doc purists, I'm holding out for a DVD widescreen version, hopefully with some extras for those of us who believe good things come to those who wait.
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| 4. Adam at 6 00 Am Director: Robert Scheerer | |
![]() | list price: $29.98
(price subject to change: see help) Asin: 6301697014 Catlog: Video Sales Rank: 31214 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 5. Zoot Suit Director: Luis Valdez | |
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(price subject to change: see help) Asin: 6302113156 Catlog: Video Sales Rank: 28738 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (14)
Also a film about Latinos (my people) and the problems they face in the inner city. It's much better than those terrible soap opera's in Mexico, this film is a musical but it's also a drama focusing on different Hispanic characters. Edward James Olmos career is synomonus with these type of films Despite the great performances the film does suffer from Still "Zoot Suit" is a good film.
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| 6. Kotch Director: Jack Lemmon | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6304017111 Catlog: Video Sales Rank: 28597 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 7. Pork Chop Hill Director: Lewis Milestone | |
![]() | list price: $4.94
(price subject to change: see help) Asin: 0792837959 Catlog: Video Sales Rank: 19880 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (19)
As the battle unfolded, I began to mentally compare the production with recent, outstanding, "last stand" epics, specifically WE WERE SOLDIERS and BLACK HAWK DOWN - both also based on true events. PORK CHOP HILL comes up short, but not by much. The obvious difference is that PCH - released in 1959 - is filmed in black and white. This mutes the gore, which, in any case, is positively negligible compared to the grisly and graphic realism of today's simulated combat footage. However, the resulting tension felt by the viewer as Joe's unit is surrounded and faced with impending annihilation is only a click less than that felt during the height of the WWS and BHD on-screen fighting. At one point, Clemons orders a bayonet charge, which, as he says, may be the last one ever carried out by the U.S. Army. Well, the last perhaps until Mel Gibson's character, Lt. Col. Harold Moore, orders his Air Cav troopers to do the same to get out of a tight spot in WE WERE SOLDIERS. PORK CHOP HILL is anti-war to the extent that it condemns the rear echelon desk jockeys tempted to sacrifice American boys on the altar of political expediency, or just from pure incompetence. It also isn't afraid to show the demoralization within Joe's command, and that not every grunt was itching to go over the top and charge the enemy trenches. In a film made well before the Vietnam debacle, such candidness must have been some sort of cinematic milestone for U.S. audiences used to the gung-ho dramas based on the nation's relatively recent World War II victories. My sole motivation in watching this film was to see Peck. I can't think of any actor today whose on-screen presence exudes such dignified strength and integrity. I'm so convinced of this fact that I've gone ahead and ordered a biography of the man. We are missing the likes of him (and icons Jimmy Stewart, Henry Fonda, and Cary Grant).
The movie has a very narrow focus, narrow in time and narrow in location, that of the taking of the hill, and the very, very short scene at the negotiating table just scratched the surface of what could have been milked out of that confrontation. An occasional cutaway to the commanding officers (would have liked to have seen more of Barry Atwater, Mr. Cool Cranium) provides only brief relief from the main task of taking and holding the hill. The Leonard Rosenmann music score is used sparingly and in a utilitarian fashion. I enjoyed the supporting cast, including Norman Fell, Martin Landau, George Peppard, and Harry Guardino. Other than that there were no surprises or unexpected plot twists. Blood and guts were kept to a relative minimum -- no use of squibs. For it's time, I'm sure it was a groundbreaking film, they even use the word DAMN a couple of times. This is straightforward storytelling that tells the story of incredibly brave men, but rather low in shock or artistic value by today's standards. They soft-pedaled the "what are we fighting for" message -- they could have hit a lot harder with that one, but seeing as this was an Army-approved production, the conclusions and emotions one draws from this film seem rather watered down.
Pork Chop Hill is the story of a company of American GI's in the Korean War, commanded by Lt. Clemens, portrayed magnificently by a stoic and brave Gregory Peck. They are ordered to advance on a heavily defended Chinese hill, a geographical point of little consequence. Told the hill is lightly defended, Peck advances with confidence, but it quickly becomes clear that this is far from the mop up operation promised by his superiors. He takes heavy casualties, and is drawn into a fierce battle against overwhelming Chinese forces. Meanwhile, his communication to the rear is cut, and Peck is forced to make some tough decisions on his own. Shockingly, the commanders fail to understand the facts on the ground, and continue to make woefully ill informed decisions, in order to save face. Their inaction causes numerous deaths, and Peck is stuck in a battle he cannot win. The film also shows the high command, who care little about a minor battle and the men involved. Peck is absolutely wonderful as the solid battlefield commander who will do anything for his men. When his troops falter, he is there to steel them. One of the most effective scenes in the film is when Peck is confronted by a soldier who has deserted his position and questions the worth of the ground they are on. Peck tells him the age-old battle axiom, that the lands worth is measured by the amount of blood spilled, and that you fight for your friends, nothing else. A unique point in Pork Chip Hill is the emphasis on the Chinese propaganda system, which must have been devastating, as it effects the viewer, and must have been even worse on the actual soldiers involved. It is just a great battlefield film in so many ways, a must see for fans of cinema and especially for Gregory Peck admirers.
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| 8. Kotch Director: Jack Lemmon | |
![]() | list price: $5.99
our price: $5.99 (price subject to change: see help) Asin: 6304847076 Catlog: Video Sales Rank: 32930 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 9. The New Adventures of Heidi Director: Ralph Senensky | |
![]() | list price: $3.99
our price: $3.99 (price subject to change: see help) Asin: 6305505284 Catlog: Video Sales Rank: 51521 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
Maybe I just got a dud DVD copy, but this was not worth the shipping cost, much less the cost of the film.
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| 10. Tell Them Willie Boy Is Here Director: Abraham Polonsky | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 6300181901 Catlog: Video Sales Rank: 37039 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
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| 11. Countdown Director: Robert Altman, William Conrad | |
![]() | list price: $19.99
our price: $19.99 (price subject to change: see help) Asin: 6300269965 Catlog: Video Sales Rank: 10945 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
Totally different style, but the only other movie I can think of like this is "Payback," where Mel Gibson just kind of walks in and starts kicking .... He never gets capture, never gets put in trouble, just kinda shoots his way through to the final boss. I wonder if the simplistic linearity of this film was created by the studio's re-edit of the film, or if that's largely true to Altman's idea? During the last five minutes of the film, as the character announces that he has five minutes of oxygen left and doesn't see the docking station, I thought it was going to be an Altmanesque last-minutes-to-live-final-soliloquy ending. But no. The space station was there all along. All you had to do with click your heels together, three times...
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| 12. New Adventures of Heidi Director: Ralph Senensky | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: 6303115446 Catlog: Video Sales Rank: 54736 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
Maybe I just got a dud DVD copy, but this was not worth the shipping cost, much less the cost of the film.
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| 13. New Adventures of Heidi Director: Ralph Senensky | |
![]() | list price: $5.99
our price: $5.99 (price subject to change: see help) Asin: 6305505276 Catlog: Video Sales Rank: 84725 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
Maybe I just got a dud DVD copy, but this was not worth the shipping cost, much less the cost of the film.
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| 14. Invasion of Carol Enders Director: Burt Brinckerhoff, Dan Curtis | |
![]() | list price: $29.99
(price subject to change: see help) Asin: 6301641787 Catlog: Video Sales Rank: 89893 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 15. The Invasion of Carol Enders Director: Burt Brinckerhoff, Dan Curtis | |
![]() | list price: $19.98
our price: $19.98 (price subject to change: see help) Asin: 6303320619 Catlog: Video Sales Rank: 82882 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 16. The Picture of Dorian Gray Director: Glenn Jordan | |
![]() | list price: $19.98
our price: $19.98 (price subject to change: see help) Asin: 6303320600 Catlog: Video Sales Rank: 34251 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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| 17. Pork Chop Hill Director: Lewis Milestone | |
![]() | list price: $14.95
(price subject to change: see help) Asin: B000006M7E Catlog: Video Sales Rank: 44539 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (19)
As the battle unfolded, I began to mentally compare the production with recent, outstanding, "last stand" epics, specifically WE WERE SOLDIERS and BLACK HAWK DOWN - both also based on true events. PORK CHOP HILL comes up short, but not by much. The obvious difference is that PCH - released in 1959 - is filmed in black and white. This mutes the gore, which, in any case, is positively negligible compared to the grisly and graphic realism of today's simulated combat footage. However, the resulting tension felt by the viewer as Joe's unit is surrounded and faced with impending annihilation is only a click less than that felt during the height of the WWS and BHD on-screen fighting. At one point, Clemons orders a bayonet charge, which, as he says, may be the last one ever carried out by the U.S. Army. Well, the last perhaps until Mel Gibson's character, Lt. Col. Harold Moore, orders his Air Cav troopers to do the same to get out of a tight spot in WE WERE SOLDIERS. PORK CHOP HILL is anti-war to the extent that it condemns the rear echelon desk jockeys tempted to sacrifice American boys on the altar of political expediency, or just from pure incompetence. It also isn't afraid to show the demoralization within Joe's command, and that not every grunt was itching to go over the top and charge the enemy trenches. In a film made well before the Vietnam debacle, such candidness must have been some sort of cinematic milestone for U.S. audiences used to the gung-ho dramas based on the nation's relatively recent World War II victories. My sole motivation in watching this film was to see Peck. I can't think of any actor today whose on-screen presence exudes such dignified strength and integrity. I'm so convinced of this fact that I've gone ahead and ordered a biography of the man. We are missing the likes of him (and icons Jimmy Stewart, Henry Fonda, and Cary Grant).
The movie has a very narrow focus, narrow in time and narrow in location, that of the taking of the hill, and the very, very short scene at the negotiating table just scratched the surface of what could have been milked out of that confrontation. An occasional cutaway to the commanding officers (would have liked to have seen more of Barry Atwater, Mr. Cool Cranium) provides only brief relief from the main task of taking and holding the hill. The Leonard Rosenmann music score is used sparingly and in a utilitarian fashion. I enjoyed the supporting cast, including Norman Fell, Martin Landau, George Peppard, and Harry Guardino. Other than that there were no surprises or unexpected plot twists. Blood and guts were kept to a relative minimum -- no use of squibs. For it's time, I'm sure it was a groundbreaking film, they even use the word DAMN a couple of times. This is straightforward storytelling that tells the story of incredibly brave men, but rather low in shock or artistic value by today's standards. They soft-pedaled the "what are we fighting for" message -- they could have hit a lot harder with that one, but seeing as this was an Army-approved production, the conclusions and emotions one draws from this film seem rather watered down.
Pork Chop Hill is the story of a company of American GI's in the Korean War, commanded by Lt. Clemens, portrayed magnificently by a stoic and brave Gregory Peck. They are ordered to advance on a heavily defended Chinese hill, a geographical point of little consequence. Told the hill is lightly defended, Peck advances with confidence, but it quickly becomes clear that this is far from the mop up operation promised by his superiors. He takes heavy casualties, and is drawn into a fierce battle against overwhelming Chinese forces. Meanwhile, his communication to the rear is cut, and Peck is forced to make some tough decisions on his own. Shockingly, the commanders fail to understand the facts on the ground, and continue to make woefully ill informed decisions, in order to save face. Their inaction causes numerous deaths, and Peck is stuck in a battle he cannot win. The film also shows the high command, who care little about a minor battle and the men involved. Peck is absolutely wonderful as the solid battlefield commander who will do anything for his men. When his troops falter, he is there to steel them. One of the most effective scenes in the film is when Peck is confronted by a soldier who has deserted his position and questions the worth of the ground they are on. Peck tells him the age-old battle axiom, that the lands worth is measured by the amount of blood spilled, and that you fight for your friends, nothing else. A unique point in Pork Chip Hill is the emphasis on the Chinese propaganda system, which must have been devastating, as it effects the viewer, and must have been even worse on the actual soldiers involved. It is just a great battlefield film in so many ways, a must see for fans of cinema and especially for Gregory Peck admirers.
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| 18. Menace on the Mountain Director: Vincent McEveety | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 6301707990 Catlog: Video Sales Rank: 50268 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 19. Prime Suspect Director: Noel Black | |
![]() | list price: $9.95
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