Reviews (13)

One Of My Favorite Movies
This movie is where I first saw Greg Peck, who is always a treat to watch. It is an adaptation of A.J. Cronin's book of the same name. I've read all of Cronin's books and they are a delight, so that is an additional reason for appreciating this film. It is a story about a priest who is a missionary to China and most of the action takes place in (a movie back lot that is supposed to be) China. Excellent characters; both good and bad people. The only flaw might be that the priest played by Peck seems almost too good to be true. But then again, I've known such men. If you like swordplay, guns, and things blowing up, this isn't your film (though it has some of those things). But if you like a good story, lovingly told, you'll like this film.

The Keys of the Kingdom
This is an excellent old movie showing how a Catholic Priest (Gregory Peck) overcomes adversity while trying to establish a Christian mission deep in China. When first arriving, he refuses to use rice to "buy" converts as the previous mission director had, and as a result has no "converts"----only one true believer who comes to offer to be his helper. They pray constantly for God to show a way, and eventually God does answer that prayer and reveals to Peck another way to win converts and save souls----a way of truth and integrity and compassion. This is NOT some dry, stale, boring story----the movie is filled with gun battles, war, the burning of the village, and a lost love, as China is caught up in the policital upheavel of the early 20th century. The best part is the end....one last battle back in the States....and the fruit of all his years in China is revealed.

"how the days tumbled into my lap"
Based on the best-selling novel by A.J. Cronin, who also had a part in writing the script, this is a quiet, inspiring film that follows the long life of Father Francis Chisholm, who was not talented or clever in the traditional sense, but who lead a courageous and adventurous life and touched so many people with his great love, generosity and faith.
It starts with him as a child in Scotland, and when he becomes a priest, he is sent to China as a missionary, where he endures a multitude of challenges and successes.
It is told in the form of a narrative, as Cedric Hardwicke, playing Monsignor Sleeth, reads through Father Chisholm's journal.

This was Gregory Peck's second starring role (the first being "Days of Glory", which was not well received) and it earned him a Best Actor Oscar nomination; he is wonderful in the part, and other great performances come from Thomas Mitchell as Dr. Willie Tullock, Rose Stradner as Sister Maria-Veronica, Benson Fong as Joseph, and Roddy McDowall as the young Francis.
Sensitive direction by John Stahl and music by Alfred Newman complete this film, which is satisfying viewing, and a must for Peck fans.
being 60 years old, the quality of the film shows a little age, but does not take away from the beauty of it. Total running time is 137 minutes.

What really counts!
Since Vatican 2 there has been more dialogue between Roman Catholics and Protestant Evangelicals. This movie should be shown before each discussion. It transcends doctrinal battles, not discounting them, but simply realizing that God saves people in both camps. In this religious strife humility and tolerance are best reflective of the New Testament call for agape love among all. Let God judge and punish, but let His people be kind even on doctrinal differences. The truth exchanged between the Presbyterian doctor and the Roman priest is worth the price of the movie. Psalm 130 is quoted by Father Chisholm at the death of his atheist friend Willie Tulloch despite the religious disgust of the Mother Superior. The contrast between Mealey, the proud bishop and Chisholm the humble priest is dramatically, but not unkindly presented. The cause of Christ would be greatly helped if His followers would show a tad more humility and let He Himself punish the heretics.
I strongly recommend the movie as a spur to buy the book by A.J. Cronin which will, I believe, be profitably read once a year.

Inspirational Film and Performance by Gregory Peck
This is a film perfectly scripted and directed for and delivered by Gregory Peck. This simple yet powerful story is so bright in its message of hope and honesty through good deeds of the human spirit. Gregory Peck the man seems so dedicated to his craft as an actor by putting his talents to such a sincere role as demonstrated in this film that one must take the time and give thanks that such a man as Peck ever walked this earth. This film is among Peck's finest as he demonstrates such dignity of this simple yet kind man. ... Read more

Reviews (21)

Nominated For Best Picture in 1937
THE GOOD EARTH is a screen adaptation of Pearl Buck's story about a poor Chinese farmer (Paul Muni) and how he is lifted out of poverty by the efforts of a sturdy wife (Luise Rainer) who was formerly a slave. After becoming prosperous Muni acquires a young second wife (Tilly Losch), an event which leads to considerable turmoil and scandal for him and his family.

Performances by Muni and Rainer were excellent. Both incidentally were born in Austria. Rainer had already won an Oscar in 1936 for THE GREAT ZIEGFELD in only her second Hollywood role. Much has been made about the lack of Chinese actors in the lead roles but the fact that there were still so many Asian actors in the cast was rather unusual for the times. Soo Yong, Keye Luke and Roland Lui filled important supporting roles.

Keye Luke plays Muni's elder son. He is best remembered for his numerous appearances in Charlie Chan movies. Luke is also respected for his fine acting in more than one hundred films and thirty television shows during a distinguished career which lasted over forty years.

The movie was produced at the height of the Sino-Japanese War. The special effects were outstanding for that period just before the outbreak of World War II.

THE GOOD EARTH received Oscars for Best Actress (Luise rainer) and Cinematography. It was also nominated for Best Picture, Director (Sidney Franklin) and Editing. The main competition for Oscars in 1937 came from THE LIFE OF EMILE ZOLA, CAPTAINS COURAGEOUS and THE AWFUL TRUTH.

You must see this movie
I am an American born Chinese, and I am very impressed by this exceptionally fine production of "The Good Earth". I am also not bothered by the casting of Caucasian actors, Paul Muni and Luise Rainer, in the lead roles. This was an expensive production for MGM. They understandably sought well-known stars who could draw audiences into movie theaters. Muni and Rainer were both Oscar winners with the name recognition and prestige that MGM needed to make this project viable.

I give enormous credit to Thalberg and MGM for hiring a mostly Chinese cast and for bringing a story about Chinese peasants to the screen in the first place. In the 1930's, the world was much more provincial than it is today. It took courage for MGM to undertake such a project as "The Good Earth".

As it turned out, the studio's foresight paid off because this movie achieved both critical and popular success when originally released.

The 1937 version of "The Good Earth" most assuredly stands the test of time. As other reviewers have so eloquently expressed here, every aspect of this production is superb with emphasis on the skillful direction and special effects. The special effects in this movie are even more realistic than alot of the effects you see in today's movies. Mercifully, they used REAL locusts in the 1937 version of "The Good Earth". If "The Good Earth" were filmed today, "animatronic" locusts or computer generated images of locusts would be used instead. Those generally are not as convincing as the real thing.

But what really sets this movie apart from other great films are the quality of the two lead performances by Paul Muni and Luise Rainer. Muni's character, Wang Lung, is a poor, unsophisticated farmer. Muni could have easily portrayed him as a caricatural "hick from the sticks" or as a bumbling ethnic stereotype. Instead, he gives the farmer depth and universality as a decent, hardworking man who has not had the advantages of education or travel, but who wants to make life better for his family. Wang Lung is basically a simple man, yet he is not simple-minded. Muni is able to convey the keen intelligence and drive beneath the farmer's lack of worldly experience.

Luise Rainer is a revelation as the farmer's wife, O-Lan. O-Lan's quiet strength, selflessness, and dignity are poignantly suggested by the gifted Miss Rainer whose slightest gestures, glances, or whispers can make the audience feel tidal waves of empathy and emotion.

I only wish that more people were familiar with this brilliant and ethereally beautiful actress. Miss Rainer's performance as O-Lan seems to transcend acting and enter the realm of spiritualism. It's truly one of the great performances by any actor in any medium.

For that alone, you must see this movie.

Fascinating Stereotypes
THE GOOD EARTH is fascinating today because of its blatant portrayals of Chinese stereotypes. Neither of the leads are Chinese but are Caucasians dressed in "yellow face" make-up which was supposed to make them look Chinese but in fact makes them look more like space aliens from another planet. The film deserves attention today because of the atrocious performance by Luise Rainer of Pearl Buck's heroine, the long-suffering peasant wife O-Lan. Originally, Anna May Wong was up for the role but deemed "not Chinese" enough for the part. Ha ha! Today, Rainer's performance which won an Oscar at the time has not withstood the test of time. Yet her cowering, passive, pathetic Chinese woman performance has influenced generations of Americans to view Chinese women as passive and docile. Books written by Chinese do not show any such thing! Check out Mo Yan's RED SORGHUM (there's a book and movie version starring Gong Li) to see the portrayal of a brave Chinese peasant woman. The movie is still worth seeing because it helps us to understand the stereotypes of yesteryear when the Chinese were seen as very exotic, but don't expect a realistic portrayal of Chinese rural life. For that, check out Zhang Yimou's films, such as Qiu Ju, Not One Less, and of course Red Sorghum.

"Good Earth" on CD
Would you purchase this movie on CD? Perhaps we can get them to make it available on CD if enough people rate this movie. Need I say more?

The Good Earth
I think this was the most terrible movie I've ever seen. You should run, run as fast as you can away from this movie.... Now! ... Read more

Reviews (16)

Johnathan Livingston Seagull
This movie is so uplifting! The music and photography are mesmerizing, as well as the messages of striving to reach past your perceived limits to totally new horizons. When I'm troubled I watch the movie or listen to the cd and remember that it's the striving in life that makes us who we are, not our present problems.

An encounter with the soul
First of all, I speak and write the English a little.
I think is a very good film , very good music and a very good performance in the Neil Diamond voice,the nature, the clouds, the ocean and a magnificent fly of the seagull.A dialog with our souls, I saw the movie in 1979, and I still listening the music of my old soundtrack cassete.
It wiil be nice that the children can enjoy the film today.
Sometimes you need think in the short time you have to enjoy this life.

WAKE UP ZOMBIES OF MATERIALISM.
I just cant understand, how dare people here can say awful words about this CLASSIC history? Im not talking about the quality of the movie, but the NECESSARY here is the MESSAGE.
there is a person here, that his name is '' a viewer'' i mean a chicken one, that dont said the name, from MIAMI, that said:
( '' this movie show a bunch o seagulls eating garbage, and Neil diamond singing SEAAAAAAA GULLLLLL,'') oh my GOD
for the one who said that, for gods sake, GET A LIFE!!!.
this movie need to be watch on a focus of HUMANS, NOT SEAGULLS .
well, i just had to say that, because for me, Richard Bach is a Genius, and his book, and movie, is a HOPE that the HUMANS still have a light inside of us, we are not just Animals seeking for food, water, sex, POWER, etc etc... This movie makes me feel important, to myself, to the World, and to our Father, GOD.
thanks Richard Bach, for writing this book and movie.
Your Work WILL NEVER DIE, NEVER.

Wonderful Movie
Great music, great photography.. and how did they ever get those wonderful shots of seagulls in flight?

I never looked at a seagul the same once I saw this movie years ago. I had to have the movie because, living near the ocean, I felt it important that my children experience "Jonathan" and his quest to be different. Great, great movie.

Cult of JLS
I saw this movie in the theater during its first release when I was in grade school. I remember at the time, the book had a bizarre, cultish following - some teachers even mandated that very young students read it - not to examine it as any other literary work - but for the purpose of betterment and enlightenment - like the book was a cult leader's manifesto. My parents made me go to this movie with my older brother. Even at my young age, I recognized the movie as being meandering, ridiculous, seemingly pointless and ultimately very boring. What I DID learn was this - my parents were probably on something back in 1973. ... Read more

Description

The adventures of an American sea captain stranded on Micronesia in the South Pacific, as he tries to become an entrepreneur. ... Read more

Reviews (2)

A rousing old fashioned adventure movie
Lancaster gives a fine performance in this classic account of a soldier of fortune willing to risk his neck for profit, and yet, act with honor and courage.
Terrific support cast, excellent settings and the color is superb.
Plenty of action, nefarious German officals and a bevy of lovely dancing girls, some evil slave traders and some good fist fights to boot.
Well worth the price is you are looking to pump up your tape collection.
Go for it, you won't be disapointed
Mike

Burt in All His Glory!
If you like Burt Lancaster, you gotta love this movie. It's even strangely politically correct for its time. One of the themes boils down to not messing around with indigenous cultures to satisfy the White Man's greed. Meanwhile, if you want to dispense with the anti-exploitation morality, just enjoy the most virile male lead in Hollywood history spreading his testosterone around the Fiji islands. Every Burt Lancaster film has a memorable scene that marks his territory forever in your mind. In this movie its the scene where is challenged by the native chief and fights him for domination of the island. His Majesty O'Keefe is a flawed hero, but a real man, no question. He learns from his mistakes, such as ruining the native economy while trying to do them a favor. It does a satisfying job poking holes in the White Man's Burden myth and is rousing entertainment. This isn't a rampant swashbuckler like Crimson Pirate, but if you like that movie, you'll probably enjoy this one also. ... Read more

Reviews (21)

richly romantic lovely film
This is a very richly romantic and great film, starring jennifer Jones and William Holden. It's amust see for all movie fans, especially of romance. The really have a great chemistry, a beautiful and poignant love story. The theme song is beauitufl as well.

A CAPTIVATINGLY BEAUTIFUL THOUGH TRAGIC LOVE STORY!!!
Jennifer Jones and William Holden are perfectly cast as star-crossed lovers, in this film. The story is poignant and beautifully done. Jennifer Jones portrays her character, Dr. Han Suyin with depth and feeling. She is believable! William Holden, as Mark Elliot, war-correspondent, is charming and determined to win her love. And yet, he respects her wishes and her ancient heritage and culture. The scenery throughout the film is breath-taking.The title song, played throughout the picture only enhances the scenic beauty. My favorite parts are, of course their first meeting at the Palmer-Jones cocktail party, their outing that begins on the beach and their brief but romantic meetings on the hill over-looking Hong Kong. The ending, though most tragic, is beautifully done! A must see movie!!!!!

Love is a Syrupy, Schmaltzy Thing
This film looks great, and that's about where my praise ends.

"Love Is a Many Splendored Thing" came out in the very schizophrenic year of 1955, when candy-coloured nonsense like this co-existed with trail-blazing artistic fair like "Kiss Me Deadly." As a trend toward smaller, socially conscious films like "On the Waterfront" and "Marty" established itself in the mid-50's, other directors felt the need to stick with the unchallenging, pandering melodrama that classifies so many other films from that decade, and "Love" is one of the latter.

This is the kind of 50's movie where the Technicolor is used to its garish utmost and the lighting is invariably high-key; even scenes taking place in a dark room or at night are brighter than the average sunny day. I never want to hear the theme song again, as it's played frequently enough over the course of the film to last anyone a lifetime, and I certainly don't want to hear it sung by the shrill, ear-piercing choir that belts it out over the end titles. Jennifer Jones and William Holden are passable, but really anybody could have played these parts. Jones' role is horribly written--her character is incredibly inconsistent, and it seems as if whenever her character is required to make a decision about something, the screenwriters flipped a coin to decide what that decision would be.

People will undoubtedly tell me I'm taking this film too seriously, that I'm unromantic, etc. But I loved "All That Heaven Allows," released the same year and just as cornball in its own way, except that Douglas Sirk is able to turn melodrama into an art form, whereas Henry King (director of "Love") is not.

I'm usually able to enjoy bad melodrama, but in this case I was just bored.

Grade: D+

ANAMORPHIC TRANSFER - A MANY-SPLENDORED THING!
When 20th Century-Fox initially released this film to DVD the 2:55:1 transfer was not enhanced for widescreen televisions. This new version of "Love Is A Many Splendored-Thing" corrects that oversight and gives us a comprehensive documentary on William Holden besides. The film concerns itself with a real life love story between Eurasian doctor, Han Sue-Yin (Jennifer Jones) and married American reporter, Mark Elliot (William Holden). Set in the unstable political climate of Hong Kong, and featuring some breaktaking cinematography, captured in all its Cinemascope glory, this film is a remarkably effective piece of fiction and, with its Oscar-winning title song, remains a sure fire hit.
Aside from its anamorphic enhancements, this new transfer doesn't make any quantum leaps forward in image quality. The initial print was remarkably smooth looking, save a few instances where film grain is a bit excessive. Edge enhancement, aliasing and shimmering details are kept to a bare minimum. Colors are very rich, vibrant and, for the most part, accurate, only occasionally giving way to orangy flesh tones. Pixelization is a problem from time to time. The audio is the same 4.0 as the previous disc - occasionally strident, but on the whole very well spread across all of the speakers.
As already stated, this disc includes a Biography special on William Holden that is remarkably comprehensive, considering its running time plays at under an hour. Image quality varies, according to the elements of film stock from the various movie clips used. There's also a theatrical trailer - badly dated, and a Movietones news reel of the film's premiere.
BOTTOM LINE: NICELY DONE FROM FOX THIS TIME AROUND. My only concern is this - as with all Fox movies previously issued to DVD, the source elements were cleaned up before their reissue. As in the case of "The Ghost & Mrs. Muir" (last month's studio classic release) the image quality of a first run DVD was bad to awful. I only hope that next month's release "The Song Of Bernadette" comes closer to "Love Is A Many-Splendored Thing" than "The Ghost And Mrs. Muir". I'll keep you posted.

Love is a Many Splendered Thing
If I'd been given the option of no stars I'd have taken it. This must be one of the worst films I've ever seen, even considering the period in which it was made. It is suffused with the most patronizing stereotypes and condescending dialogue, including the "how could the poor benighted Chinese do this to themselves" mentality that was so prevalent in the '50s. The dialogue is badly written and even more badly delivered. The crowning moment of absurdity, among many such moments, may be the scene in which Holden and Jones reach the climax of one of their many thoroughly unconvincing love scenes by having Holden light a cigarette, stick a cigarette in Jones' mouth, and stick the lit end of his cigarette dramatically against the end of her cigarette as the overwrought theme music rises in the background. May be worth watching for a good laugh, if you're into that sort of thing. ... Read more

Reviews (7)

like molasses, a little slow but very sweet
Based on Russell Janey's novel, the Ben Hecht/Quentin Reynolds script for this film is sometimes sappy and often uneven, but it's also a nice sentimental story, told in flashback, by William Dunnigan (played in a somber manner by Fred McMurray), a press agent who was never a very happy guy, and is burying the woman he loved (but was never able to tell her so).
The real reason to watch this film is to see Alida Valli play Joan of Arc, in a "film within a film" segment. She is luminous and incredibly beautiful, and would have made a terrific Joan. Coincidentally, the lavish "Joan of Arc" production starring Ingrid Bergman was released the same year as this film.

Another reason to view "The Miracle of the Bells" is to see Frank Sinatra, skinny as a rail, in the unlikely part of a soft spoken priest; this was five years before his success in "From Here to Eternity", and he is surprisingly good, but far from great. He sings "Ever Homeward", a cappella, as he sits among the grave stones; there's a lot of gloomy aspects to the film, one of them being that the setting is a poor coal mining town...though it all has a nice pay-off.
Lee J. Cobb is Marcus Harris, the film producer making "Joan of Arc", and he has the humorous moment in the film with his "I won't stand for any press agent miracles !" rant, which was funny enough to make me laugh out loud, a rarity for me.
Some might say it's improbable that headlines of "Nation Mourns For Movie Star" could ever happen, especially when the "movie star" is unknown, but seeing how today's media obsesses about inconsequential stories, and runs with them for days (nay, weeks !) on end, on a slow news cycle, anything could happen.
Total running time is 120 minutes.

Memorable Movie
Orginally, I saw this movie about ten years ago and it really left an impression on me. It brilliantly grabs the viewer's heart...You would have to be dead not to be touched by this film. I loved it and I'm getting ready to purchase a copy for my 15-year-old daughter to watch. I've shared with her many other classics I've valued in my lifetime, i.e. Jane Eyre (Orson Wells), Wuthering Heights, and Alice Adams. I hope she will treasure the classics as much as I do.

A Feel-Bad Christmas Movie
The first time I saw "The Miracle of the Bells" was a New Year's Eve party in 1980, and man, it was a bring down. Here is a somewhat nasty Fred MacMurray mourning the loss of Valli (from "The Third Man"), who had only just completed filming her Joan of Arc movie, the movie that would have catapulted this obscure nobody into a major star, it seems, but fate would have it otherwise, since she up and died. Frank Sinatra plays against type big time as a gentle young priest. I really disliked this movie, and I bet you would too.

Setzer's Amazing Vocals and Stronger Edge of Music, Yet...
On this '86 effort the Cats try for a little harder rock-a-billy edge.The only problem is that there is nothing really memorable that stands out (except for one country twang-like tune on which Brian Setzer's vocals soar). By '86 the public's interest with Stray Cat strut had started to become diluted. However, because of the type of music or genre the Stray Cats have mastered it is a true collector's keeper. While I do not own the c.d., my vinyl copy is flawless and the track listing is exactly the same (no extras or bonus tracks on the import c.d.).

kinda silly, kinda nice
One theme of this movie is the importance of becoming a movie star. Contrary to one review below, Sinatra does sing in this movie--and tries to act, too (he's pretty wooden, in my own humble opinion). The contention in the movie that the entire American nation would hysterically mourn the loss of an actress they'd never met, seen, or heard of, is, in a word, hysterical. But, all that said, this is a kinda fun movie to watch. VALLI is MAGNIFICENT! She should have played Joan of Arc--watch the movie and you'll see why. I've heard rumors that the film will be re-made with Tom Hanks as the actor and Meg Ryan as the agent! ... Read more

Reviews (5)

Excellent war story, not so great love story
Never So Few is an excellent WWII adventure that deals with a part of the war that very few other movies even go near. Captain Tom Reynolds is the leader of a force of Americans and Kachins, Burmese natives, who wreak havoc on Japanese forces in the Burmese jungle in whichever way they can. During an ordered vacation, Reynolds falls in love as well as picking up a doctor, a driver, and much needed medical supplies. This is a very good movie that suffers because of an unneccesary love story. I know this part was inserted to draw people in, but the movie is much better when it deals with Reynolds and his unit. The action scenes are very well done at the beginning and the end while most of the middle portion is occupied by the relationship between Reynolds and Carla. Even with the love story, this is still a very enjoyable film.

Never So Few boasts an impressive cast that works well together. Frank Sinatra in the role of Capt. Tom Reynolds is very good as the leader of the Americans and Kachins harassing the Japanese. Gina Lollobrigida is decent as Carla, but as I said I think the love story was not needed. Reynolds' men include Richard Johnson as right-hand man Lt. Demortimer, Steve McQueen in an excellent supporting role as Cpl. Bill Ringa, Peter Lawford as doctor Captain Travis, Dean Jones as radioman Sergeant Norby, Charles Bronson as Navajo Indian Sergeant Danforth, and Philip Ahn as Nautang, the leader of the Kachins. The film also stars Brian Donlevy in a great supporting role, Paul Henreid, and Robert Bray. I really do hope that Never So Few gets released on DVD. I watched the letterbox version of this movie on TCM so I can't answer for the VHS, but if you like Sinatra and WWII action movies then you'll love Never So Few.

Frank Sinatra and his guerrillas take on a Chinese warlord
Captains Tom Reynolds (Frank Sinatra) and Danny DeMortimer (Richard Johnson) are fighting the Japanese in Burma during World War II. Ordered to take a "holiday" to Calcutta to find a doctor and get medical supplies for their group of guerrillas, they find Dr. Grey Travis (Peter Lawford) and a driver named Bill Ringa (Steve McQueen). But the two officers also meet war profiteer Nikko Regas (Paul Henried) and his mistress, Carla Vesari (Gina Lollobrigida). Although she is not responsive to Reynold's initial overtures, when she warms up to the captain when he is in the hospital after being wounded. When Reynolds returns to the field he has to put up with not only the Japanese, but a Chinese warlord who is stealing American supplies to sell to the Japanese. The main problem with "Never So Few" is the romance between Sinatra and Lollobrigida, which gets in the way of what is a more than decent story of O.S.S. operatives in the Burma theater. I know this is sacrilegious, but every time Gina came on screen, I went to make popcorn or get something to drink. There is really no chemistry between the two. Only when Sinatra is with his troops out in the jungle is "Never So Few" on the right track. This 1959 film, directed by John Sturges (who later directed McQueen in "The Great Escape"), is based on the novel by Tom T. Chamales.

Never so Few: A Visonary War Movie of Things To Come
In 1959,no one heard of Vietnam or the struggles with the Indo-China question,or at least the American public did not know much about the Far East and its complicated politics. The Excellent "Never So Few" really comes out of nowhere to become a topnotch war film and predicts the Vietnam War in some of its implications.The director John Sturges has always been a great action director, for this is the director that gave us the wonderful classic, "The Great Escape," among many very good action films and the action sequences in this movie are vibrant, real, and startling. The cast is excellent. Frank Sinatra has never been better save "The Manchurian Candidate," probably his best role and of course Maggio in "From Here to Eternity," which he won an Academy Award for.He is totally convincing here as the guerilla officer leader of the native forces in Burma with some "advisors" and the similarities are many to Vietnam, when the sides blurr and decisions are made out of necessities over military orders.Other standouts in the cast went on to become superstars. Steve McQueen steals many scenes he is in and gives portents of stardom to come. John Sturges uses him beautifully here and of course again in "The Great Escape." Others include Charles Bronson before he got the Death Wish, Dean Jones, Richard Johnson( One of Kim Novak's husbands for a short time but here and excellent actor), and Gina Lollobrigida, who brings the action to a stop and the romantic scenes don't ring as true as the rest of the film. But overall, "Never So Few" is an action film that holds up fairly well, telegraphs future movie stars, and has an epic stature it really earns. Sturges was one of our best action directors and "Never So Few" is one of his better efforts. Re-dicover it. A great movie of action and substance.

Never So Few
This is much more than a war movie. Made years before Viet Nam became a quagmire, it examines how politics plays a dirty hand in war. When Sinatra & Co. fight the "wrong" bad guys it leads to a confrontation with the brass that is so topical it should be required viewing for any politician considering sending our troops into conflict. On another level it entertains as a great action movie and the romance between Sinatra and Lollabrigida really rocks. This movie also has one of the deepest casts of sixties star power ever assembled. Check it out!

Very Good
The movie was very good, Steven McQueen gave one of his best performances. Some little details could have been changed but all in all it was worth the money and time to watch it. ... Read more

Reviews (11)

Return To the Island State.
In this movie, Elvis plays a laid off airline pilot who returns to his home state of Hawaii (he's the descendant of missionaries) and starts a helicopter transportation business with his best friend. The scenery in the movie isn't as breathtaking as in BLUE HAWAII. Nevertheless, the plot of the movie is much more believable and well written than BLUE HAWAII. However, the improvement in the script is dragged down by Elvis' apparent lack of enthusiasm; during the singing sequences he just goes through the motions with no emotion whatsoever. Yet, there is some excitement in the movie found in an unlikely source: the King is stood up in this film by 10 year old Donna Butterworth who steals practically every scene she is a part. Overall, pretty much, just your average Elvis flick.

With Elvis, Hawaii IS paradise!
A sort of repeat of "Blue Hawaii", but "Paradise, Hawaiian Style" shows more exotic locations. Only this time around Elvis takes you by air. He stars as a handsome unemployed helicopter pilot who decides to open his own helicopter tourist service with his partner. Along the way, Elvis can't keep several beautiful wahinis out of his hair. "Is this any way to run an airline?" You bet! With one look at this movie, you'll see it's not called "Paradise, Hawaiian Style" for nothing. The young child costar Donna Butterworth was a huge Elvis fan before she starred in this picture with Elvis. Why not? A little girl who loved Elvis to death and now she's doing a motion picture with him in person. You could call it a dream come true. Elvis fans, don't delay.

Dude, where's my career?
What on earth is this stupid film about? It's complete garbage. Elvis plays a pilot (what a shocker) who goes to Hawaii and, well, that's it. No story, rubbish songs, singing brats, creepy semi naked women. It's terrible. Elvis looks terrible, bloated and bored. If this is as good as it got, no wonder he was spaced out. How could anyone, thinking they are a professional in the movie game, come up with this mess. The other actors in it are nobodies or hasbeens and that says it all. No laughs, no good tunes and definitely no good acting. No star rating please.

Pure, unadulterated nonsense.

Dog Days
The dogs in this movie seem to have more fun than Elvis.
10 year old Donna Butterworth steals her scenes and it is no wonder as she is a fan living a dream. Making a movie with Elvis would have been great for any fan. Nice songs and good story for the whole family.

Not The Nadir
I've always been an Elvis fan, but most of his movies have been pretty hard to take. In the second half of his movies, he looks sullen and angry--unless he's singing.
What makes PARADISE HAWAIIAN STYLE stand out?
I believe this is the one Elvis movie where the king looks thoroughly bored for the ENTIRE film. In every scene, he looks like he's just seconds from stomping off the set and going back to Memphis to figure out just where his movie career went wrong.

In fact, here's a game for you: who looks more bored and disgusted for the entire length of a movie?
Elvis in PARADISE or Sean Connery in YOU ONLY LIVE TWICE.
It's not as easy to pick as you think. ... Read more

Reviews (8)

may we never forget Bataan
Some of the most horrific events of WWII occurred in the Pacific Theater, and this film touches on what happened in Bataan, where tens of thousands of U.S. and Philippine soldiers died in captivity, either on the infamous Death March, the appalling POW camps, or the hell-ships.
At the beginning and ending, this film briefly shows some of the survivors, though it is "sanitized", and the men have some flesh back on their bones.

John Wayne is terrific as Colonel Madden, who organizes the resistance fighters, and does his own stunts, some of which must have left him muddy and bruised.
Anthony Quinn is also excellent as Captain Bonifacio, the leader of the Filipino guerillas. Both Wayne and Quinn are at their most handsome and heroic, and make a fine cinematic pairing.

Though the script is sometimes stilted, it is based on actual events and people, and was written as history was happening, taken from the daily newspapers to the screen.
Edward Dmytryk's direction is well paced, and Max Steiner's "stock music" was used, along with an original score by Roy Webb.

Much in this film can be said to be "propaganda", as it is "good vs. evil", with no subtleties or gray areas, but these were the days when Hollywood and patriotism were compatible, a sentiment that filmmakers seem to have lost, and a time that seems long gone.
May we never forget the souls who bravely fought for freedom and suffered so much in Bataan.

Just a little patriotism involved
Back to Bataan is a flag-waving patriotic movie that was filmed and released as WWII was drawing to a close. The story is about the Filipino people and their fight for freedom from their Japanese oppressors. This is very obvious patriotism with the Japanese portrayed as cowardly murderers and the Americans as noble freedom fighters. John Wayne stars as Colonel Joe Madden, the man selected to help organize the Filipino guerilla movement. His small company wreaks havoc on the Japanese forces in the Phillipines as the war progresses. The young Duke is very good in his role as Madden with Anthony Quinn also excellent as Captain Andres Bonifacio. Also starring are Beulah Bondi, Lawrence Tierney, Vladimir Sokoloff, and Paul Fix. This is a very good movie that shows a part of the war many people do not know about. Check this one out to see an exciting, well-told, adventure story. Classic Duke!

Back to Bataan: The Last of the
With the end of the Second World War close at hand, Hollywood was taking no chances as it continued to churn out patriotic, flag-waving war movies, most of which featured John Wayne. In BACK TO BATAAN, director Edward Dmytryk does showcase Wayne along with Anthony Quinn as both pay homage to the inspired loyalty of the Philipino men and women who risked their lives to aid the Americans against the Japanese. BACK TO BATAAN is an old-fashioned war film, of the kind that has not been filmed since then. In addition to the heroics of the American leads, it features a sterling cast of slanty-eyed Japanese villains to boo and hiss and stalwart Filipinos to cheer. Phillip Ahn and Richard Loo (both ethnic Chinese) play moustache-twirling Japanese officers who speak fluent if not accented English as they spin out their lines of threats and entreaties backed by more threats. Vladimir Sokoloff, a veteran of scores of films, here plays an unassuming school principal who refuses to haul down the American flag when ordered to do so. He is hanged for that, but his body, cleverly draped by the Stars & Stripes, is an unabashed symbol of solidarity between American and Philipino. Ducky Louie, as the schoolboy Maximo, is equally heroic as one who could not spell 'liberty' correctly but whose death proved that he full well understood its meaning. What BACK TO BATAAN shows is Hollywood's contemporary paen to America that the patriotism that is nowadays derided as colonialistic and left-wing jingoistic was then seen as a necessary adjunct to a war that had the bad guys on one side and us on the other.

A so-so Hollywood war film...
A hearty, but hamfisted, formulaic WWII propaganda film about the liberation of the Phillipine Islands from the Japanese occupation, loosely based on contemporary history. Future McCarthy snitch Edward Dymytrk directs; a handsome young John Wayne is the white guy who organizes the guerilla resistence, and Anthony Quinn is cast in one of his many "ethnic" roles, as the grandson of a legendary Filipino political figure, who is now called upon to lead their people to freedom. Although there's plenty of "good neighbor policy" talk about the nobility and can-do spirit of the Filipino people, this jingoistic, bluntly-scripted film is mostly pretty patronizing... And of course, the "Japs" are just pure, conniving evil. The script is pretty action-packed, though... if you like shoot-em-ups, this is OK, if you don't think too much about it. Really nice B&W cinematography.

Realistic and Innovative Filmmaking
This is an excellent film about Filipino guerillas fighting the Japanese during W.W.II. A highlight of this film is the black and white photography of realistic combat scenes filmed by cinematographer Nicholas Musuraca and directed by Edward Dmytryk. These were exciting and ahead of their time. John Wayne as Colonel Joe Madden and Anthony Quinn as Captain Andres Bonifacio give inspirational performances. The cast also included Beulah Bondi, Richard Loo, Lawrence Tierney, Paul Fix and Vladimir Sokoloff. This is one of my favorite war films of the period. ... Read more

Amazon.com essential video

This love story made in 1955 and set against the backdrop of war is a many-splendored thing: it features a drop-dead gorgeous Eurasian doctor seeking meaning in her life (Jennifer Jones), a dashing but married American war correspondent who's macho yet not afraid to declare his love (William Holden), and a couple of murky subplots to give their relationship its oh-what's-going-to-happen-next edge (her Chinese heritage, his wife, the outbreak of the Korean War). One scene builds beautifully upon the next, accompanied by dialogue that often sounds like poetry: "I will make no mistakes in the name of loneliness," the doctor says near the beginning of their relationship. The movie also makes few mistakes as it combines thoughtful words with Oscar-winning costumes to tell its tale. It even leaves you with a hummable tune--the Academy Award-winning title song--as you reach for the Kleenex. --Valerie J. Nelson ... Read more

Reviews (21)

richly romantic lovely film
This is a very richly romantic and great film, starring jennifer Jones and William Holden. It's amust see for all movie fans, especially of romance. The really have a great chemistry, a beautiful and poignant love story. The theme song is beauitufl as well.

A CAPTIVATINGLY BEAUTIFUL THOUGH TRAGIC LOVE STORY!!!
Jennifer Jones and William Holden are perfectly cast as star-crossed lovers, in this film. The story is poignant and beautifully done. Jennifer Jones portrays her character, Dr. Han Suyin with depth and feeling. She is believable! William Holden, as Mark Elliot, war-correspondent, is charming and determined to win her love. And yet, he respects her wishes and her ancient heritage and culture. The scenery throughout the film is breath-taking.The title song, played throughout the picture only enhances the scenic beauty. My favorite parts are, of course their first meeting at the Palmer-Jones cocktail party, their outing that begins on the beach and their brief but romantic meetings on the hill over-looking Hong Kong. The ending, though most tragic, is beautifully done! A must see movie!!!!!

Love is a Syrupy, Schmaltzy Thing
This film looks great, and that's about where my praise ends.

"Love Is a Many Splendored Thing" came out in the very schizophrenic year of 1955, when candy-coloured nonsense like this co-existed with trail-blazing artistic fair like "Kiss Me Deadly." As a trend toward smaller, socially conscious films like "On the Waterfront" and "Marty" established itself in the mid-50's, other directors felt the need to stick with the unchallenging, pandering melodrama that classifies so many other films from that decade, and "Love" is one of the latter.

This is the kind of 50's movie where the Technicolor is used to its garish utmost and the lighting is invariably high-key; even scenes taking place in a dark room or at night are brighter than the average sunny day. I never want to hear the theme song again, as it's played frequently enough over the course of the film to last anyone a lifetime, and I certainly don't want to hear it sung by the shrill, ear-piercing choir that belts it out over the end titles. Jennifer Jones and William Holden are passable, but really anybody could have played these parts. Jones' role is horribly written--her character is incredibly inconsistent, and it seems as if whenever her character is required to make a decision about something, the screenwriters flipped a coin to decide what that decision would be.

People will undoubtedly tell me I'm taking this film too seriously, that I'm unromantic, etc. But I loved "All That Heaven Allows," released the same year and just as cornball in its own way, except that Douglas Sirk is able to turn melodrama into an art form, whereas Henry King (director of "Love") is not.

I'm usually able to enjoy bad melodrama, but in this case I was just bored.

Grade: D+

ANAMORPHIC TRANSFER - A MANY-SPLENDORED THING!
When 20th Century-Fox initially released this film to DVD the 2:55:1 transfer was not enhanced for widescreen televisions. This new version of "Love Is A Many Splendored-Thing" corrects that oversight and gives us a comprehensive documentary on William Holden besides. The film concerns itself with a real life love story between Eurasian doctor, Han Sue-Yin (Jennifer Jones) and married American reporter, Mark Elliot (William Holden). Set in the unstable political climate of Hong Kong, and featuring some breaktaking cinematography, captured in all its Cinemascope glory, this film is a remarkably effective piece of fiction and, with its Oscar-winning title song, remains a sure fire hit.
Aside from its anamorphic enhancements, this new transfer doesn't make any quantum leaps forward in image quality. The initial print was remarkably smooth looking, save a few instances where film grain is a bit excessive. Edge enhancement, aliasing and shimmering details are kept to a bare minimum. Colors are very rich, vibrant and, for the most part, accurate, only occasionally giving way to orangy flesh tones. Pixelization is a problem from time to time. The audio is the same 4.0 as the previous disc - occasionally strident, but on the whole very well spread across all of the speakers.
As already stated, this disc includes a Biography special on William Holden that is remarkably comprehensive, considering its running time plays at under an hour. Image quality varies, according to the elements of film stock from the various movie clips used. There's also a theatrical trailer - badly dated, and a Movietones news reel of the film's premiere.
BOTTOM LINE: NICELY DONE FROM FOX THIS TIME AROUND. My only concern is this - as with all Fox movies previously issued to DVD, the source elements were cleaned up before their reissue. As in the case of "The Ghost & Mrs. Muir" (last month's studio classic release) the image quality of a first run DVD was bad to awful. I only hope that next month's release "The Song Of Bernadette" comes closer to "Love Is A Many-Splendored Thing" than "The Ghost And Mrs. Muir". I'll keep you posted.

Love is a Many Splendered Thing
If I'd been given the option of no stars I'd have taken it. This must be one of the worst films I've ever seen, even considering the period in which it was made. It is suffused with the most patronizing stereotypes and condescending dialogue, including the "how could the poor benighted Chinese do this to themselves" mentality that was so prevalent in the '50s. The dialogue is badly written and even more badly delivered. The crowning moment of absurdity, among many such moments, may be the scene in which Holden and Jones reach the climax of one of their many thoroughly unconvincing love scenes by having Holden light a cigarette, stick a cigarette in Jones' mouth, and stick the lit end of his cigarette dramatically against the end of her cigarette as the overwrought theme music rises in the background. May be worth watching for a good laugh, if you're into that sort of thing. ... Read more

Amazon.com

Snicker if you will, but Kung Fu was one of the most influential TV series of the 1970s, one that managed to inject a note of both spirituality and Eastern religion into the standard Western formula and make it seem new. This was the pilot, an intriguing and scene-setting TV movie in which David Carradine starred as the mysterious Caine--half-white, half-Chinese, reared in a Shaolin monastery in China by blind master Po (Keye Luke), then exiled to America, on the run for killing the men who killed his master. The pilot mixes flashbacks to Caine's youth with a story set in the Old West of Caine battling intolerance as he begins the search for his father. --Marshall Fine ... Read more

Reviews (9)

Hope they put the whole series on DVD
I have loved this series for years. I just love the little thought provoking things that Caine, the main character says. I've watched it since I was a little kid, and when I was in my twenties, it came on at 4 am on a channel once a week so I'd stay awake just to see it. I really hope they put the whole series on DVD. I'd buy it in a minute.

I love the quiet demeanor of Caine. I enjoy his humility and his respectfulness. The Caine character proves that you don't have to be "bad" to be cool. The pilot movie is definitely worth watching.

Unique Western flick.
This is certainly by no means an all-time favorite movie of mine, but it's an excellent little flick nevertheless -- especially considering that it was made-for-TV, the pilot for the "Kung Fu" TV series. My wife and I just saw it tonight and quite enjoyed it. At a mere 74 minutes, it's short and sweet, kinda the way I wish more movies would be! It's definitely a Western, as it takes place out West in the late 19th century, but it's unique for this genre in that it incorporates Eastern philosophy/wisdom and martial arts -- sorry, no quick-draw shootouts here.

A great scene appears near the beginning wherein Caine walks into a saloon after walking (!!) across a desert to get some water. Naturally some redneck dork wants to start a fight with him 'cause he's one of them "slant-eyes." Three times the guy attempts to attack Caine and three times Caine swiftly and decisively repels the attacks. The guy wisely decides not to attack again as Caine finishes his water and humbly walks out of the saloon leaving the saloon patrons in astonishment.

There's more martial arts action toward the end, but, it should be noted, this is by no means a standard martial arts flick. The movie teaches humility and respect for elders & all fellow human beings.

Despite the fact that they have very little dialogue, Caine develops a close father/son relationship with blind Master Po.

Some scenes have such a reverent and touching quality to them that they actually brought tears to my eyes .

In Brian Garfield's "Western Films" guide he criticized this film as "Juvenile tripe." With all due respect for the brilliant Mr. Garfield, this film is neither juvenile or tripe! As far as Westerns go, it's quite mature and original. Good Eastern-style music too.

Kung Fu: The Movie of Respect
KUNG FU is one of the few movies I have ever seen that has respect for a foundation. It is unfortunate that the martial arts are what viewers most often think of when they remember either the movie or the long running television show. Yet, a respect for tradition and a veneration for one's elders form the philosophical underpinning for both. The young Kwai Chang Caine, played modestly by Rademas Pera, portrays Caine as the height of worshipful respect. Having grown up as an orphan, we see in flashbacks, that he and the other village orphans, were invited to visit the local Shaolin monastery. He waits patiently in the rain for days until he is admitted. Once he is, he and a group of ragamuffins sit down at a table laden with food. The other orphans gorge themselves. Young Caine does not. Because he had the manners to wait, he is invited to stay by Master Po. During his years in the monastery, there are many scenes of interaction between him and his Shaolin instructors. It is these vignettes of the Wise Sages instructing the Eager Youth that lend the movie its charm. Caine, played now by David Carradine, grows to adulthood and leaves the temple to wander China. He is forced to kill the Emperor's nephew and must flee to America. These scnes of exposition are required for the movie to make sense. Caine's rise to maturity forms the basis for his encounter with villainous engineers and a renegade monk.
One subtle scene of respect occurs midway in the film when the adult Caine is working on a desert railroad somewhere in the western region of the United States. A heavily loaded wagon threatens to tip over, and Caine rushes over to prop it up with his surprisingly strong skinny arms. As he raises his arms, the Chinese crowd sees the tatoo of a dragon on his arms, and they bow in reverent silence. Later at the end, Caine must fight an outlaw monk whom he kills, but takes no joy in his victory. Even in defeat, a beaten enemy commands respect.
KUNG FU is the movie that attempts to make some sort of sense out of a violent unpredictable life. Caine seems to say that respect for all may make that possible. Perhaps he is right.

Good Script Makes Up For Bad History...Grasshopper!
Much has been written about the philosophical & moral lessons that can be learned from watching the old "King-Fu" tv series. However, one lesson that can be learned from this show has not been mentioned...a good script & solid acting performances can make up for very bad history done in an American western!

Alright, David Carradine does do a solid acting job as the peaceful, philosophical Buddhist monk roaming the American west. (Yup, like that other early 1970's martial-arts hero "Billy Jack", Carradine's "Caine" preaches "peace" & "brotherhood", until he's harrassed by "rednecks", then he tosses out all of that philosophy & kicks...! This show isn't really a martial-arts showcase. It's a hippie's wish-dream!) The surrogate father/son relationship between Carradine & Keye Luke as the blind master "Po" is solid, & let's face it, the bad guys racial slurs of "Chinaman" & "slanty-man" are delightfully repulsive! (I'm an Asian-american, & I enjoy watching Carradine, who's really a white actor in "yellow-face", kick the stuffings out of the bad-guys after they insult him!) And this tv pilot does have solid social commentary, with the background of the Chinese-american railroad workers as symbolic of American racial-exploitation.

Okay, so what's off about this show? Actually, you can't harp on the lack of martial-arts flash in the fight-scenes, since Hong-Kong movies made about this time (the Shaw Brother's "Duel of The Iron Fist", "Street-Gangs of Hong-Kong", "Seven Blows of The Dragon", etc.) also have sloppy fight scenes! You might harp on the practice of casting a white actor in a Chinese role, but then prior to the 1980's, most well meaning films with an Asian as a central character usually were cast with white actors. (Remember "Dragon Seed?" It was a pro-China World War Two propaganda film, with the Chinese, who were our allies against Japan, as the heroes. Katherine Hepburn was the heroine! Yet, you certainly can't call that movie "anti-Chinese.") I don't even think you can harp on passing up Bruce Lee for the lead role, because the central character has to have an inner-peace to him, & Bruce, well....watch "Fist of Fury/Chinese Connection" to understand why I don't think his personality would fit the role (though physically, because of his expertise in martial-arts, he would have been great...in the fight scenes.) You certainly can't fault the writing & acting, which we already said was solid.

Nope. It's the "Chinese" history & culture presented here that strains the believability for a learned viewer. For one thing, Chinese martial-artists (& Chinese Buddhist monks for that matter) DON'T go around barefoot! (They wear shoes! It's the Japanese & Okinawans who don't wear shoes during practice!) The look of the Shaolin robes are off & the bald monks are lacking in incense burnings on the tops of their heads. (They look like dots when you see them.) Not only that, but going by strict Chinese history of the 19th Century, I don't think "the emperor" would have been able to send anyone after "Caine." He (or actually the Empress Dowager) would have been too busy fending off the Taiping Rebels, the British, the French, & the various secret societies that were tearing up China at that time! (Of course, if you go by strict Chinese historical events, "Caine" wouldn't have had to leave China! He, like various other real-life monks, could have joined up with the various rebel secret societies that were plaguing the Manchu government at that time & besides, China is huge! If David Jansenn's "Doctor Kimble" from "The Fugitive" tv show didn't have to leave America after being accused of killing his wife, why should "Caine" have to leave a huge, easily to disappear in country like China?)

However, when I watch "Kung-Fu", I'm not convinced that those are real Shaolin monks or that that was China! It's like watching a medieval knight with a six-shooter!

Rent this video if you can, but only buy it if you can't rent it!

Kung Fu - A Martial Arts Classic
This will go down in martial artis history as a classic.

The fact that Bruce Lee was denied the lead role because of his being "too Chinese-looking" caused it to lose some of its luster, but it is still a must-see. ... Read more

Reviews (4)

The Original "Catch me if you Can"
If you liked "Catched me if you can", then you would enjoy watching the original with Tony Curtis. Tony Curtis does a real good job of pretending to be other people.

The Great Imposter: When Being Yourself Is Not Enough
Nearly everyone has at one time or another wished to be other than who they are. The reaching out to be more than one is has often formed the staple of Hollywood. The result is humorous more often than not. In THE GREAT IMPOSTER, director Robert Mulligan provides a darkly comical aspect of a subject that, in this film at least, is only a hairsbreath away from tragedy. Tony Curtis plays Ferdinand Waldo Demarra, a young man who from early childhood cannot make his own mark on the world and determines to make a series of marks by stealing the identities of more qualified others. In a series of vignettes whose only link is to show that Demarra's quest for recognition by using the names of others whom he deems as more worthy than himself is each time an exercise in futility. It does not matter whether he impersonates a physician, a warden, or even a police officer. In each case, he performs flawlessly to such an extent that he is the victim of his own celebrity and talent. When he is exposed, he moves on, shedding his previous identity before assuming a new one. The irony is that Demarra refuses to believe the sincerity of the accolades that he truly earns. The more his peers praise him, the more he cannot accept that praise at face value. Nowhere in the film does he provide a meaningful rationale for his futile gropings for self-esteem. His deficient ego is simply there, daring both himself and the audience to wonder what drives on a man who has such limitless talent at improvisation but such limited belief in his own identity as Demarra. By the movie's end, he has gone full circle. He has learned nothing about what fuels his desire to be someone else, and when the audience sees that he has been hired to catch himself, the humor of this irony covers a mystery that may never be revealed.

A neglected minor gem!
You will rarely see this film mentioned in books on cinema history, or on lists of "top video faves", but it is a highly enjoyable minor gem which provides an excellent role for the young Tony Curtis. It is the (mostly) true story of Ferdinand Demara Jr., and his amazing career of successfully posing as a U.S. Army officer, a Navy dental surgeon, a prison warden, and several other things which he was not. Solid support is provided by several fine character actors (Edmund O'Brien, Arthur O'Connell, Larry Gates, Raymond Massey, Karl Malden). Slightly overlong, but well worth seeing. The final shot is very funny.

Stranger than life fiction turns out to be true!
Adapted from the novel by Robert Crichton, Tony Curtis portrays the depression era character, Fred Demara. Shortly after graduating from high school Demara flees the poverty stricken streets of Lawrence, Massachusetts and embarks on a thirty five year journey that would not be believable but for the fact that it's true. At the time this film was shot (1960), Curtis was the number one box office attraction in the country. A must see for the historical as well as the entertainment value. ... Read more

Reviews (5)

Only one point to make
This is one of the good ones. Moviegoers who are not traditionally devout, who find no comfort in organized religion, often find they can't stand movies with any religious content. This is a good one, though. Humphrey Bogart plays an American pilot who has found he has only one way to escape the Chinese warlord (Lee J. Cobb? LEE J. COBB? Yeah, really!) who has practically owned him for years. Rent it first, if you like: this is one of the good ones, though.

Some Flaws, but Surprisingly Good
The Story: Humphrey Bogart plays a pilot who crashes in rural China, is captured/enslaved/employeed by the local warlord (Lee J. Cobb), escapes, and poses as the new priest coming to a mission, where there is a doctor (E.G. Marshall), the doctor's wife (Agnes Moorehead), and an assistant (Gene Tierney). Bogart never fits well into the role of the priest, but then that misfitting is fitting, as a pilot-turned-enslaved soldier would be awkward if he posed as a priest. Tierney falls guiltily in love with the new "priest", while Bogart is surprisingly passionate and effective in his efforts to help the local villagers.

Commentary: This is a quiet story with much tension but little action. It does not give the viewer enough of Bogart interacting with the villagers to show why they admire him as much as they do. Cobb is totally convincing as a ruthless warlord, but totally UNconvincing as a ruthless CHINESE warlord. Despite these flaws, this is a quietly memorable film because it tells its little story well.

For Bogart collectors this is one of his best.
The movie does not quite follow the book however the basic script is Bogart is a downed flier that was recruited by a Chinese warlord (Lee J. Cob). In reality he was a prisoner placed in command with out authority. His only goal in life is to escape at any cost. Gene Tierney is a mission nurse in a Catholic village waiting for a replacement priest. Seems the priest do have very strong constitutions. Naturally through a series if events Bogie turns up as the priest and has to confront the waiting village, handle his feeling of the nurse who has feelings for him, and later the wrath of the warlord.

What make the movie great is not the outline of the story, but the acting and the unique way each situation is handled. I do not want to go into details so you can be surprised. I will say that I like the retelling of the tale of the confutation between the priest and the warlord.

Bogart Goes To China
Humphrey Bogart stars as one of the righthand men of a Chinese warlord (played by Lee J. Cobb) who takes off from his boss and poses as missionary priest. Gene Tierney also stars as one of the workers at the mission, while E.G. Marshall and Agnes Moorhead co-star as the mission's doctor and his wife. Bogart as a priest is a little farfetched, and he never quite seems to get completely into the character. The rest of the performances are acceptable and the setting of the Chinese mission is an unusual one. It may have been more interesting if the script had further explored the growing attraction between Bogart and Tierney (who thinks he's a priest) and spent a little more time concentrating on Bogart's effect on the Chinese villagers. The movie is interesting enough, but has little impact.

Bogie as missionary - surprisingly believable
In this Movie Bogart and Dmytryk swap the mean streets of LA for the wilds of China. Bogie is convincing as a missionary priest, which is more than can be said of Lee J. Cobb, who plays a Chinese Warlord in a performance that would draw attacks from Chinese people to any theatre in which the film was exhibited today. It looks good, but it doesn't explore Bogart's moyives for being a missionary enough, it's a bit too pro-Christian, and even on it's own terms, it's not as good as The Inn of Sixth Happiness or Anna and the King of Siam ... Read more

Reviews (1)

Typical Forties War Film, Well Made
Dennis Morgan stars as fighter pilot Colonel Robert Lee Scott who flies with the Flying Tigers, trying to keep the Burma Road open, while also launching attacks into Hong Kong, trying to strike down the Japanese Navy. Scott believes in himself and in luck, while missionary priest Alan Hale tries to make him see that God's hand can be found all over. Morgan is good in the lead role, and well supported by Hale and many familiar character actors with faces you might remember, even if their names escape you. The film isn't quite as moralistic as the title would suggest, although Morgan's gradual acceptance of God's power is certainly at the heart of the film. I imagine that the image of God taking care of everyone must have been a comfort to audiences at a time when the world had been turned upside down. The film is also filled with some terrific air battles, replete with some bad Japanese trash talking (did Forties' audiences buy this?). I've seen enough Forties war films to expect that, as well as some stiff, corny dialogue between the fliers, and I find that part of the fun of watching these kinds of movies. At only an hour and a half, the film moves along quickly, mixing in enough action with the sentiment to keep me entertained. ... Read more

Reviews (7)

A Fantastic Fun Movie
I absolutely love this movie. It is heartwarming! Shirleys talent shines in this movie.

Ching-Ching the Witch is Dead
Soon Wizard of Oz would come but in " 37 " for now Shirley was the queen of the screen. You wouldnt believe how much talent showed in this movie of hers. She spoke chinese and amazed the crowd. She did a hilarious imitation of Giner Rogers and Fred Astaire. I was surprised how well she did in this more dramatic film of hers not only was she all you wanted to see but the story of the other characters was really entertaning too. I was glued to the screen for the entie film!

Shirley at her dramatic best!
I love Shirley! This is one of her best dramas vs. musical. Her chemistry is good with Robert Young, and she even does well with foreign language. A must for a Shirley Temple collector.

A Great Temple Film
Filmed in 1936 at the height of Shirley Temple's popularity, "Stowaway" is a lovely, light-hearted comedy.

Shirley plays "Ching-Ching," the orphaned daughter of missionaries in China. When her village is threatened by invaders, she is plucked from school by the village elder and sent off to the big city for safety. Along the way, her purse is stolen, she loses her guide and, while wandering through the streets, she befriends American playboy Tommy Randall (Robert Young, in a character that is miles away from his clean-cut "Father Knows Best" role!). After falling asleep in Randall's car, she finds herself an unwilling stowaway on a luxury cruise ship. Of course, she gets to stay on the boat, plays Cupid with Randall and Susan Parker (Alice Faye) and attempts to stay out of the mean old orphanage.

The story here is a lot of fun, and the setting is interesting. Temple was given a great showcase for her dramatic, rather than musical, abilities, and worked well with both Faye and Young. She spoke hundreds of Chinese phrases with correct tone and accent and did hilarious imitations of Al Jolson and Ginger Rogers. "Goodnight My Love," which was sung in the film (with different lyrics) by both Temple and Faye, was a 1936 radio hit.

Playing matchmaker :)
As an orphan from China, Shirley plays a little matchmaker aboard a ship. She is discovered with her dog and claims she doesn't know how she got aboard ship.

There are some funny moments, as in all her films. This one is filled with Chinese Proverbs. Shirley also helps her "uncle" find the right girl and ends up with a mom and dad. ... Read more

Reviews (2)

De Mille turns a heroic tr