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| 1. Committed Director: Lisa Krueger | |
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Reviews (18)
But her belief is to be tested when her newly-wed husband left her without obvious reasons, afterwards sending only a postcard with a blurred postmark. But she has to believe what she has believed, so she decides to hit the road, goes to El Paso, and tries to find something she has been missing in her life. The story is interesting, but you soon find that the film has little to offer except the heroine's engaging personality. However, the whole film is somehow sustained by Heather Graham's presense, which almost compensates for its meandering plot. Of course, this means that if you don't like her character, or just don't get it, you lose interest in the film, but for Heather Graham's fans, it is not a bad thing to watch this one for once. Another merit of the film is the unique cast of the film, which includes Casey Affleck, Golan Visnjic, and Alfonso Arau as male players, but more amusing are females, the cameos of Clea Duvall, Summer Phoenix, Patricia Velasquez (one of the best players in the sequel of "The Mummy"), and Mary Kay Place, who was in the director's previous film "Manny & Lo." Whether or not they are used in the most suiable way remains a point to be dabated, but it certainly is good to see them showing up on the screen. And the photography of the film captures the beauty and climate of El Paso very well. "Committed" is not a good film, but still has original concept and lovely Heather Graham, last of which would anyway justify my defending the film. For her fans, or those who are looking for something totally different.
Anyway, it's dull, misguided and a bit sexist. Your husband leaves you, you see him making out with another woman, why on earth would you be spineless enough to want him back? Sure, more power to keeping your committments, but how could you ever be committed to someone who isn't committed back? This is not a love story, this is teenage obsession.
What really makes this film work is the character of Jolie. Some romantic comedies stretch creditably to the limit to ensure a happy ending. In "Committed" it is the fact that main character sees everything in such a positive light, despite what is happening to her, that makes it refreshing upbeat. Jolie is a wonderfully, engaging, proactive character and I haven't watched such a loveable character in long time. "Committed" is a great little film. ... Read more | |
| 2. Chasing Amy Director: Kevin Smith | |
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Description Reviews (355)
One of the BEST love declaration speeches in movie HISTORY is in this movie, when Holden spills his cuts (in the rain, no less) to Alyssa. That scene sums up the whole movie. It's just such a good movie. Supporting cast includes the performance of Fan Fav. "Jay and Silent Bob" in a wonderful moment that sums it all up. Truly inspired writing on Smith's part. I hope everyone appreciates it like I do. It's fabulous!
The main plotline made no sense whatsoever. There was no chemistry between Ben and Joey's characters, and suddenly, after about 10 minutes, he found himself deeply in love with her and had to make a 5 minute confession to her. Then it turns out she, a former lesbian, was in love with him all along too, and suddenly they're kissing in the rain. There was no build-up to this, and as such I felt nothing for their relationship or anything they were going through. The drawn-out monologues in the movie are pretty silly as well. The characters talk at each other for long periods of time while the others just stare at them blankly. (Ben Affleck has indeed mastered the blank, gaping stare.) And parts of the movie are so silly that I wasn't sure if any of the movie was supposed to be taken seriously at all. Sometimes it seems it has a message, but then it's just stupid. It was kind of entertaining at times, and the supporting characters were amusing. So that's why it got 2 stars. But overall it was a pretty bad movie.
This film the third release in the Jersey "trilogy" (quintilogy to be exact) is also the one where Silent Bob speaks more than any other release. In this film,(Ben Affleck) a comic book artist falls in love with young women who is also a comic book artist, only to discover that she is lesbian. The film is not for children and like the film "Clerks" almost got an NC-17 rating based solely on sexual dialog. The Criterion DVD has numerous special features. The Criterion Collection remains the exclusive distributer for the film's DVD format as of the time this review is being written.
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| 3. Gerry Director: Gus Van Sant | |
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Reviews (65)
Through watching it, I found myself fidgeting, fastforwarding, losing interest, pausing... I felt like I was lost in the desert... oh! All sorts of rants went through my mind, "Oh would you two just have sex with each other already;" "Oh I don't care if you get out alive;" "Well what the heck did you leave the path for anyway!" Existential, situational, experiential. If that's not your cup of tea, stay away. But if you like a thinking game and like to share the feelings of the characters in the film, have at it. Oh and yeah, the desert is almost as beautiful as Matt Damon.
So next, I popped in "Gerry". Considering the reviews and media attention had been favoring "Elephant", I figured I wasn't in for much. Instead, I was treated to one of the most daring and original films I've ever watched. The film is slow, but intentionally so. It portrays to the psyche of the viewer what a film like "Cast-Away" never could--the sheer monotony, hopelessness, solitude and fear of being lost or stranded. The vistas are beautiful in widescreen and become a character themselves, playing the antagonist off of the two protagonists, Affleck & Damon. I won't go into the big question in this film, because it's a spoiler. But just keep in mind that certain characters in this film may not be characters at all, at least in the physical sense. It's this metaphysical and existential play that makes this film so interesting; the only work in cinema I can think to compare it to is Antonioni's "L'Avventura", which it pays homage to, but actually exceeds in its purpose, in my opinion. If you can appreciate cinema that challenges you, check out this film. If that's not your thing, you probably won't like it.
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| 4. Lemon Sky Director: Jan Egleson | |
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Reviews (2)
The DVD with its extras offers great insight into the making of this film. "The Making of Lemon Sky" with director Jan Egleson takes you through the creative process from start to finish and lets you in on why the finished product is so captivating and moving. This is Kevin Bacon at his best. But the entire cast is riveting without exception. If you haven't seen or heard of "Lemon Sky" treat yourself to a unique film experience. ... Read more | |
| 5. Soul Survivors (The Killer Cut) Director: Stephen Carpenter | |
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Reviews (103)
Okay, so the story at first doesn't seem anything special. However, there's a great deal more than meets the eye. First of all it manages to put its audience on edge without resorting to blood and gore tactics. Even if it never scares, it certainly creates a loaded tension. Secondly, the various dream sequences are genuinely disturbing and really help to give an idea of the hallucinatory hell that the character goes through. Plus there's an efficient cast, including Wes Bentley ('American Beauty') and Eliza Dushku (Faith in 'Buffy The Vampire Slayer') although inexplicably these more bankable stars aren't given top billing. Those honours go to Melissa Sagemiller and Casey Affleck (Ben Affleck's brother), who are certainly good enough. Although the movie does steer off course for a while with a contrived scene where the leading ladies get to shower together, it's unoriginal start punctuated with an underlying nastiness make it seem like a wink to its audience. What's most impressive though is its twist, which will make you look back at what's gone on before in a different light. This may not be as constantly innovative and frightening as 'Scream', but it sure does beat most of the other teen horrors out there.
Cassie(Melissa Sagemiller) is about to leave for college, but not before spending one last night partying with her boyfriend Casey Affleck(Ben's brother), her ex-boyfriend Wes Bentley(American Beauty, The Four Feathers), and her best friend Eliza Dushku(Bring It On, The New Guy). The party goes bad when first, the new boyfriend catches Cassie kissing the ex-boyfriend(how soap opera!) and then they all get into a nasty car wreck. Cut to a few months later, Cassie's in college, her boyfriend is supposedly dead, and things basically degenerate into one big incoherent mess of a movie. Let's see, there are creepy guys chasing Cassie around the college, Eliza Dushku is having sex with Angela Featherstone for no apparent reason, the dead boyfriend keeps showing up, there are flashes of an operation, and Cassie meets a young priest(Owen... no wait, Luke Wilson) who seems to know a lot more about what's happening than he's letting on. That's the movie! Throw in some Twilight Zone, a little Jacob's Ladder, and a dash of David Lynch, and you get a movie that's not as good as any of those three things. In fact, this movie [is bad]. While someone like Lynch throws in weird images and disjointed logic for a specific reason, this movie is basically weird for weird's sake. The acting was pretty decent, considering what they had to work with. Eliza Dushku, in particular, is a young actress with real potential. She is much better than most of the flicks she's been in, and here again, she's the best part of a bad movie. Wes Bently, another good one, stick with American Beauty, son. In the end, I think that instead of being a Jacob's Ladder or Mulholland Drive, Soul Survivors is gonna go down with Blair Witch 2 as a wanna be mind bender that didn't quite work.
All fine films, unlike this crud. SOUL SURVIVORS was a boring mess. After the accident, the girl grieves her dead boyfriend, and is stalked by supernatural hoodlum types. At one point, midway through the film, I thought, "You know, these supernatural hoodlums are kinda like those demon-things stalking the still-dying Tim Robbins in JACOB's LADDER. I suppose the girl could still be dying in the car accident, and she's imagining all this ... Naw, that'd be a real lame ripoff. I'm sure the filmmaker is more original than that." NOT! Yes, this film turns out to be JACOB'S LADDER in FINAL DESTINATION packaging. Except JACOB'S LADDER was creepier, more atmospheric, darker, and had a stronger ending.
After surviving a car crash that killed her boyfriend (Casey Affleck), Cassandra (Melissa Sagemiller) finds herself haunted by his ghost. A priest (Luke Wilson) tries to exorcize these frightful visions from Cassandra's mind, but her college friends see her vulnerability as the perfect outlet for their malicious plans. She tries to carry on her life like all the other college freshmen, but it unravels when she begins to believe she is being stalked. Then Cassandra has horrifying hallucinations; during a midterm, she bleeds profusely all over her desk, and the drain in her shower explodes with blood. Gradually, Cassandra understands what is happening to her, but will she be able to survive? "Twenty or more minutes of this movie could put you into coma." | |
| 6. Floating Director: William Roth | |
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Description Reviews (8)
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| 7. American Pie 2 (R Rated Special Edition) Director: James B. Rogers (II) | |
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Reviews (286)
Jason Biggs continues to throw himself into the most embarrassing of situations with admirable gusto, and the movie hinges on his ability to play Jim's most humiliating shenanigans with an odd but appealing, dogged dignity...even when wearing only his drawers. His comic timing is even better than last time, and the movie's best moments come of his straight-faced delivery. And in this sequel you can see how Alyson Hannigan managed to walk off with the most famous line in the original: Given much more weight in American Pie 2, Hannigan is a delight, playing Michelle's offbeat geekiness but hidden warmth to perfection. And her deadpan delivery (the "trumpet" line is bound to become another classic) is beautiful as always. Shannon Elizabeth is surprisingly lacklustre, and Tara Reid is still stuck with the most boring character of the bunch, but otherwise the rest of the supporting cast (Seann William Scott is especially good, reprising uber-jock Stifler) is great, and the sight and verbal gags come faster and tighter than in the original, with the benefit of familiar characters. The famous central gag (won't give it away) had me belly-laughing for a solid minute, something I haven't done since the first time I saw Clerks. No, it's not cerebral, nor is it an unprecedented classic. But for a good rowdy night of teen comedy, American Pie 2 hits the spot.
Anyway, Jason Biggs is in his usual role as Jim, despite getting laid last movie by a band geek, of having zero confidence in his ability to score (or do much else, for that matter). I disliked the opening scene, especially with that cheesy line "this is my first time......since my.....first time....so....technically, it's my second time," which made me weary about this movie. However, when Jim's dad (Eugene Levy) enters the room, the scene became hilarious, as Eugene perfectly plays the nimwitted father who is completely inept to the fact that no kid wants his/her father to see him/her naked. The movie continues as Stifler (Sean William Scott) and Oz (Chris Klien) discuss how many girls a man is supposed to have sex with during one year at college. This scene could have been a waste of a few minutes, but Scott, being the acting prodigy that he is, knows how to play the cocky card while not coming off as a complete a$$hole. When the four boys Oz, Jim, Kevin (Thomas Ian Nicholas), and Finch (Eddie Kaye Thomas) later meet at their local diner, Finch comes off as this sex god, having gotten laid with a Japanese girl in an art museum, his psychology professor, and of course, Stifler's mom. Finch and Stifler steal the show this time around, as the two have amazing chemistry as enemies. Stifler constantly makes fun of Finch's practice of tantric sex, and Finch constantly practices his tantra in various places just to piss off Stifler (like the plant in the house that the boys rent for the summer), as well as.......well, I won't reveal the ending. They rent this house to throw monster parties, and to help Jim have amazing sex with Nadia when she plans to visit him at the summer. Jim also gets practice from the nerd he "scored" with last time around, and when she told him that he sucked, I laughed my ass off! (not only at how she said it, but Jason Biggs needs to be told he sucks, and I relished that moment). Also, the scene where Jim is mistaken for a trombone king Petey is very poorly done (what a surprise, since Biggs is a the forefront of the whole scene). He isn't as bad in this sequel as he was in the first one, but overall, Biggs isn't even close to the talent of the others (which is how he usually is). However, I do have to admit that the superglue scene was quite funny, mostly because we expect lousy things to happen to Jim, though I have to give him credit for putting effort into at least that scene. Despite any other minor flaws this movie may have, it overall comes across as a strong comedy that often goes for the gut, and succeeds about 98% of the time, with viewers in constant pursuit of fresh air after laughing so hard.
1)Lesbian Scene 10/10 | |
| 8. Drowning Mona Director: Nick Gomez | |
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Reviews (79)
Directed by Nick Gomez (Illtown, Laws of Gravity, New Jersey Drive) made a Clever Off-Beat Black Comedy that was a Box Office Disapointment in the Winter of 2000. It's also One of the Most Underrated Comedies in Years. DeVito, who is also One of the Executive Producers in the film, He gives a good-hearted performance in the movie. Affleck is also good as the nervous fiance to the chief's, who might have been involved with Mona's Death. The lighlight of the film is the highly good comedic cast. The Canadian DVD has an sharp Pan & Scan (1.33:1) transfer and an good-Dolby Stereo 2.0 Surround Sound. While the Canadian DVD has no extras. While the American DVD is Presented in an anamorphic Widescreen (1.85:1) Presentation with Dolby Digital 5.1 Surround Sound. DVD Extras are a Trailer, Director's Commentary and Deleted Scenes with/without Commentary. This Misunderstood Comedy is a Forgetten Gem, don't miss it. Will Farrell has a Cameo in the film. Written by Peter Steinfeld (Analyze That, Be Cool). Grade:A-.
My husband and I hadn't expected much from this film because the trailers were so cryptic and we personally aren't too into Bette Midler, but from the first to last scene we were in stitches. Example: Neve Campbell's character freaks out when her fiance (played by Casey Affleck) tells her he killed Mona. As she storms off, saying that now she has to deal with her fiance being a murderer while taking care of wedding plans, he weakly calls after her, "We need milk." Another example: Mona's two sons go to her gravestone and see that the inscription says, "Demoted mother, wife, and dressmaker." One guy looks at the other and says, "I didn't know mom was a dressmaker," and the other says, "Me neither." Although I'm sure I'm killing the humor by trying to relay it without context, comic timing, or nonverbal communication, this is the kind of humor that you'll find in "Drowning Mona." If you're offended by this kind of thing, don't bother. Everyone in the town hated Mona, so a lot of the jokes center on her death. And I've gotta' respond to reviewers who didn't see the point of the Yugos' omnipresence, even though it sort of detracts from the funniness. As a plot device, it's necessary precisely because Yugos were such cheap and unsafe cars that Mona's brakes could possibly have failed due to manufacturer error. If everyone had been driving Porches, there wouldn't have been any mystery at all. Also, you can't help but laugh when every character in the movie jumps in a colorful little bumper car, which sometimes needs a running start, to get around.
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| 9. Race the Sun Director: Charles T. Kanganis | |
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Reviews (11)
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| 10. Drowning Mona Director: Nick Gomez | |
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Reviews (79)
Directed by Nick Gomez (Illtown, Laws of Gravity, New Jersey Drive) made a Clever Off-Beat Black Comedy that was a Box Office Disapointment in the Winter of 2000. It's also One of the Most Underrated Comedies in Years. DeVito, who is also One of the Executive Producers in the film, He gives a good-hearted performance in the movie. Affleck is also good as the nervous fiance to the chief's, who might have been involved with Mona's Death. The lighlight of the film is the highly good comedic cast. The Canadian DVD has an sharp Pan & Scan (1.33:1) transfer and an good-Dolby Stereo 2.0 Surround Sound. While the Canadian DVD has no extras. While the American DVD is Presented in an anamorphic Widescreen (1.85:1) Presentation with Dolby Digital 5.1 Surround Sound. DVD Extras are a Trailer, Director's Commentary and Deleted Scenes with/without Commentary. This Misunderstood Comedy is a Forgetten Gem, don't miss it. Will Farrell has a Cameo in the film. Written by Peter Steinfeld (Analyze That, Be Cool). Grade:A-.
My husband and I hadn't expected much from this film because the trailers were so cryptic and we personally aren't too into Bette Midler, but from the first to last scene we were in stitches. Example: Neve Campbell's character freaks out when her fiance (played by Casey Affleck) tells her he killed Mona. As she storms off, saying that now she has to deal with her fiance being a murderer while taking care of wedding plans, he weakly calls after her, "We need milk." Another example: Mona's two sons go to her gravestone and see that the inscription says, "Demoted mother, wife, and dressmaker." One guy looks at the other and says, "I didn't know mom was a dressmaker," and the other says, "Me neither." Although I'm sure I'm killing the humor by trying to relay it without context, comic timing, or nonverbal communication, this is the kind of humor that you'll find in "Drowning Mona." If you're offended by this kind of thing, don't bother. Everyone in the town hated Mona, so a lot of the jokes center on her death. And I've gotta' respond to reviewers who didn't see the point of the Yugos' omnipresence, even though it sort of detracts from the funniness. As a plot device, it's necessary precisely because Yugos were such cheap and unsafe cars that Mona's brakes could possibly have failed due to manufacturer error. If everyone had been driving Porches, there wouldn't have been any mystery at all. Also, you can't help but laugh when every character in the movie jumps in a colorful little bumper car, which sometimes needs a running start, to get around.
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| 11. Committed Director: Lisa Krueger | |
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Reviews (18)
But her belief is to be tested when her newly-wed husband left her without obvious reasons, afterwards sending only a postcard with a blurred postmark. But she has to believe what she has believed, so she decides to hit the road, goes to El Paso, and tries to find something she has been missing in her life. The story is interesting, but you soon find that the film has little to offer except the heroine's engaging personality. However, the whole film is somehow sustained by Heather Graham's presense, which almost compensates for its meandering plot. Of course, this means that if you don't like her character, or just don't get it, you lose interest in the film, but for Heather Graham's fans, it is not a bad thing to watch this one for once. Another merit of the film is the unique cast of the film, which includes Casey Affleck, Golan Visnjic, and Alfonso Arau as male players, but more amusing are females, the cameos of Clea Duvall, Summer Phoenix, Patricia Velasquez (one of the best players in the sequel of "The Mummy"), and Mary Kay Place, who was in the director's previous film "Manny & Lo." Whether or not they are used in the most suiable way remains a point to be dabated, but it certainly is good to see them showing up on the screen. And the photography of the film captures the beauty and climate of El Paso very well. "Committed" is not a good film, but still has original concept and lovely Heather Graham, last of which would anyway justify my defending the film. For her fans, or those who are looking for something totally different.
Anyway, it's dull, misguided and a bit sexist. Your husband leaves you, you see him making out with another woman, why on earth would you be spineless enough to want him back? Sure, more power to keeping your committments, but how could you ever be committed to someone who isn't committed back? This is not a love story, this is teenage obsession.
What really makes this film work is the character of Jolie. Some romantic comedies stretch creditably to the limit to ensure a happy ending. In "Committed" it is the fact that main character sees everything in such a positive light, despite what is happening to her, that makes it refreshing upbeat. Jolie is a wonderfully, engaging, proactive character and I haven't watched such a loveable character in long time. "Committed" is a great little film. ... Read more | |
| 12. Ocean's Twelve Director: Steven Soderbergh | |
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| 13. Soul Survivors Director: Stephen Carpenter | |
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Okay, so the story at first doesn't seem anything special. However, there's a great deal more than meets the eye. First of all it manages to put its audience on edge without resorting to blood and gore tactics. Even if it never scares, it certainly creates a loaded tension. Secondly, the various dream sequences are genuinely disturbing and really help to give an idea of the hallucinatory hell that the character goes through. Plus there's an efficient cast, including Wes Bentley ('American Beauty') and Eliza Dushku (Faith in 'Buffy The Vampire Slayer') although inexplicably these more bankable stars aren't given top billing. Those honours go to Melissa Sagemiller and Casey Affleck (Ben Affleck's brother), who are certainly good enough. Although the movie does steer off course for a while with a contrived scene where the leading ladies get to shower together, it's unoriginal start punctuated with an underlying nastiness make it seem like a wink to its audience. What's most impressive though is its twist, which will make you look back at what's gone on before in a different light. This may not be as constantly innovative and frightening as 'Scream', but it sure does beat most of the other teen horrors out there.
Cassie(Melissa Sagemiller) is about to leave for college, but not before spending one last night partying with her boyfriend Casey Affleck(Ben's brother), her ex-boyfriend Wes Bentley(American Beauty, The Four Feathers), and her best friend Eliza Dushku(Bring It On, The New Guy). The party goes bad when first, the new boyfriend catches Cassie kissing the ex-boyfriend(how soap opera!) and then they all get into a nasty car wreck. Cut to a few months later, Cassie's in college, her boyfriend is supposedly dead, and things basically degenerate into one big incoherent mess of a movie. Let's see, there are creepy guys chasing Cassie around the college, Eliza Dushku is having sex with Angela Featherstone for no apparent reason, the dead boyfriend keeps showing up, there are flashes of an operation, and Cassie meets a young priest(Owen... no wait, Luke Wilson) who seems to know a lot more about what's happening than he's letting on. That's the movie! Throw in some Twilight Zone, a little Jacob's Ladder, and a dash of David Lynch, and you get a movie that's not as good as any of those three things. In fact, this movie [is bad]. While someone like Lynch throws in weird images and disjointed logic for a specific reason, this movie is basically weird for weird's sake. The acting was pretty decent, considering what they had to work with. Eliza Dushku, in particular, is a young actress with real potential. She is much better than most of the flicks she's been in, and here again, she's the best part of a bad movie. Wes Bently, another good one, stick with American Beauty, son. In the end, I think that instead of being a Jacob's Ladder or Mulholland Drive, Soul Survivors is gonna go down with Blair Witch 2 as a wanna be mind bender that didn't quite work.
All fine films, unlike this crud. SOUL SURVIVORS was a boring mess. After the accident, the girl grieves her dead boyfriend, and is stalked by supernatural hoodlum types. At one point, midway through the film, I thought, "You know, these supernatural hoodlums are kinda like those demon-things stalking the still-dying Tim Robbins in JACOB's LADDER. I suppose the girl could still be dying in the car accident, and she's imagining all this ... Naw, that'd be a real lame ripoff. I'm sure the filmmaker is more original than that." NOT! Yes, this film turns out to be JACOB'S LADDER in FINAL DESTINATION packaging. Except JACOB'S LADDER was creepier, more atmospheric, darker, and had a stronger ending.
After surviving a car crash that killed her boyfriend (Casey Affleck), Cassandra (Melissa Sagemiller) finds herself haunted by his ghost. A priest (Luke Wilson) tries to exorcize these frightful visions from Cassandra's mind, but her college friends see her vulnerability as the perfect outlet for their malicious plans. She tries to carry on her life like all the other college freshmen, but it unravels when she begins to believe she is being stalked. Then Cassandra has horrifying hallucinations; during a midterm, she bleeds profusely all over her desk, and the drain in her shower explodes with blood. Gradually, Cassandra understands what is happening to her, but will she be able to survive? "Twenty or more minutes of this movie could put you into coma." | |
| 14. Attention Shoppers Director: Philip Charles MacKenzie | |
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Amazon.com Reviews (6)
Summary: I'd give it zero stars but it won't let me.
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| 15. Race the Sun Director: Charles T. Kanganis | |
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Reviews (11)
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| 16. 200 Cigarettes Director: Risa Bramon Garcia | |
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The film follows a bunch of young, 20-something people in East Village on New Years Eve 1981. The costumes are very eighties, the music is great and my favorite actress Kate Hudson was adorable in one of her first movie roles. The all-star cast; including Paul Rudd, Gaby Hoffman, Christina Ricci, Casey Affleck, Ben Affleck and Janeane Garofalo gives more stars than sneers. I also liked Martha Plimpton as cynical, grumpy Monica. The cameo by Elvis Costello was fine as well.
Indy gal J. Garafolo is her dark and dismal chain smoking wisecracking self and fun again. Fun! Romantic comedy a guy will like!
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| 17. American Pie 2 (Unrated Special Edition) Director: James B. Rogers (II) | |
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