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| 1. The Silencers Director: Phil Karlson | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6304017626 Catlog: Video Sales Rank: 13356 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (18)
The four films are, of course, The Silencers, Murderers' Row, The Ambushers, and The Wrecking Crew. (A fifth intallment was storeyboarded but never shot.) Letting the studio off the hook by saying things like "widescreen areas always crop full frame versions," is being much too gracious in the face of these money-grabbing studio weasels who also CUT entire parts of the film and never even gave you an original trailer. And I should know about the widescreen concept, since I am, after all, the chairman of the WWS - the Widescreen Watchers Society. (Yes, my organization has a movie site online, but an Amazon review is not the place to plug it by posting links to it.) Rather I just wanted to point out that it is instead within the "full frame" or "standard screen" format that all cropping takes place. The most dominant style is pan-and -scan, which is done by zooming in on whatever the TV film editor decides is the most important area on screen at any given moment. That's why you often end up with the ridiculous sight of one person chattering happily away to the air for long periods of time, since you can't see the other person he's talking to. And because of the zoom effect, naturally you also get a more blurred focus on the overall picture. But a presentation in widescreen, whether it be a regular rectangle (Vista-Vision style) or a more narrow rectangle (Panavison style), or somewhere in between, never crops and/or zooms in after the fact at any point - resulting in a vast difference of ultimate picture composition in crystal clarity, giving you the best total viewing experience possible - which is why the original director filmed it that way for its theatrical release in the first place! How today's studios stamping out inferior DVDs think the public will never notice such a huge difference is completely mind-boggling! And who buys most of the DVDs of older movies anyway? Film buffs who are very picky about such things to begin with! RECOMMENDATION: Wait until all four films are put out together in an improved deluxe edition - TRUE widescreen (non-cropped and non-censored), featuring behind the scenes featurettes (which they shot back in the '60s as long commercials for such films), surviving crew interviews, trailers, etc. Otherwise, forget it. Hey, Rat Pack fans - or just fans of Dean Martin in general - you know ol' Dino deserves far BETTER than this shoddy treatment! Mama mia!
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| 2. Gidget: Beach Blanket Gidget Director: Hal Cooper, Bruce Bilson (II), Lee Philips, Don Porter, Jerrold Bernstein, Christopher Cary, William Asher, E.W. Swackhamer | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 0767801857 Catlog: Video Sales Rank: 23991 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
There are 3 episodes on this video. The first episode is the pilot where Gidget's sister Anne reads her diary to discover that her little sister may not be so innocnet after all. Tear-jerking ending. In the second episode, Gidget is reluctantly being sent to Paris for school because her sister and broher-in-law think that her dad is too dependent on her. Hilarious episode. Another tear-jerker. In the third episode on this video, GIdget falls in love with a surfer...again. I love Gidget and you will too!
Here's something you probably don't know-When Sally Field was doing her sitcom,'The Flying Nun',they occasionally used footage from her 'Gidget' days when exploring the background of her character on several episodes. Anyways,Sally is adorable,and fans of both the 'Gidget' movies and the 'Flying Nun' TV Show should all buy the two videos in this set.
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| 3. Gidget: Gidget-a-go-go Director: Hal Cooper, Bruce Bilson (II), Lee Philips, Don Porter, Jerrold Bernstein, Christopher Cary, William Asher, E.W. Swackhamer | |
![]() | list price: $9.95
(price subject to change: see help) Asin: 0767801865 Catlog: Video Sales Rank: 27944 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
Surfing is still a very male dominate sport and it shouldn't be. The first "Gidget" movie is, in my opinion, a classic!
In the first episode, Gidget gives Larue a makeover but Gidget's dad is the one who's attracted, or so eveyone thinks. Hilarious farce comedy! In the second episode, Richard Dreyfuss makes an appearance as a high school nerd who's confidence is boosted by Gidget only to have him dump her before she can sympathetically dump him. In the third (and the best of the 3) episode, Gidget meets with Jeff's parents but misunderstandings occur. I won't tell you anymore. You'll have to watch it and laugh your head off for yourself. Great episodes. Great acting. Great show. Great purchase...if you buy it.
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| 4. The Ambushers Director: Henry Levin | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6302413869 Catlog: Video Sales Rank: 6494 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
Now imagine that, instead of a robe and pajamas, Hef is decked out in attire that would have been fashionably casual for an affluent male in the 1960s. And while keeping everything else the same (the cigarette, the cocktail, the utterly casual attitude), imagine Hef in the underground lair of an evil Arch-Villain who is ready to visit death and destruction across the globe. Oh, and make Hef a James Bond-esque spy. You now have the basic feel for the four Matt Helm movies, of which "The Ambushers" (1967) was the third. (The others were "The Silencers," "Murderer's Row," and "The Wrecking Crew.") The Matt Helm movies were made as star vehicles for Dean Martin. By the mid-60s, Dino had cemented his reputation as a boozing playboy, and the Matt Helm role was written with this in mind. In the movies, Matt Helm is a boozing, affable, world-famous photographer of beautiful women who works for "Slaymate" magazine (which fits in nicely with the Hugh Hefner analogy...). BUT THAT'S JUST A COVER! Helm is REALLY a boozing, affable super-competent secret agent for the Intelligence Counter Espionage (ICE) organization. And in all four movies, he casually wanders his way through whatever the bad guys have to throw at him as though he were looking for the nearest bar. I should point out that the Matt Helm movies are all pretty bad. But they're wonderfully bad, and they're great, cheezy, campy fun. I tend to speak glowingly of the Matt Helm movies because I enjoy them for their over-the-top campiness, but more serious-minded viewers will probably be turned off. And let me tell you: THE AMBUSHERS spares *no* expense in the "campiness" department. Try this plot on for size: The ICE organization is testing out a new, super-secret flying saucer. That's right, a flying saucer. As MacDonald (James Gregory), head of ICE points out, if it works it will put the other planets "right next door," and the rest of the universe will be "just around the corner." It's never sufficiently explained why a counter-espionage organization would need to go to other planets (much less the rest of the universe), but no matter. They've made it and they're testing it. The test works fine, until the saucer is forced to land by Mysterious Bad Guys. The leader of the Mysterious Bad Guys enters the saucer, and the pilot (a female) screams. Fade to black. This all takes place within the first 10 minutes of the movie. Cut to Matt Helm, in Matt Helm heaven. He's helping to train a cadre of new ICE agents who, coincidentally enough, all happen to be gorgeous, scantily-clad babes. Go figure. But he runs into a white-haired, crazed woman who thinks all men are out to kill her. It's his old partner! It's also the woman who piloted the flying saucer! Will wonders never cease? (Answer: Of course not! This is Matt Helm!) Naturally, Helm is assigned to find the saucer, and he has to take his former partner (who's now recovered) because only females can fly the saucer. The reason is because the saucer uses "electromagnetic fields" to propel itself around the neighborhood. And, according to the movie, electromagnetic fields are lethal to males. No, I never learned that in my basic physics classes either, but there you are. You can guess the rest. Typical spy-movie stuff with the usual Matt Helm twist. Helm still wanders from place to place as though he's looking for the nearest bar. During one fight scene he gets knocked into a huge vat of beer, much to his obvious delight. And in a send-up of his singing career, the very final scene shows him trying to teach an attractive new recruit how to make love while on the job. The recruit is cold and unresponsive, even after Helm puts on a Dean Martin tune. But when he puts on Frank Sinatra, she responds amorously, much to his chagrin. High points of the movie: * The whole "electromagnetic fields are lethal to men" bit, which had me rolling on the floor. * A couple of male bad guys dying from, as near as I can tell, turning completely red all over. Even their clothes. This is, apparently, the inevitable consequence of exposing men to electromagnetic fields. (Now you know why your Mom always told you not to sit so close to the TV...) * The obvious set pieces when Helm is supposed to be outdoors. * A set of railroad tracks which leads right up to the very edge of a cliff, apparently for no other reason than to allow a railroad flatcar to careen dramatically off said cliff. * The *incredibly* cheesy effects, which include ray guns that emit sparks, and radar towers that emit obvious "radar" noises. * Helm turning his belt into a sword by the simple expedient of getting it wet. It's true that none of the other Matt Helm movies are pinnacles of the film-maker's craft. But the plot and cheesy special effects make THE AMBUSHERS a cut below the others. In ranking the four Matt Helm movies in terms of overall quality, this would be #4 on my list. But in ranking them in terms of laughs (both intentional and otherwise), this is easily #1.
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| 5. Murderers' Row Director: Henry Levin | |
![]() | list price: $14.95
(price subject to change: see help) Asin: 6302413850 Catlog: Video Sales Rank: 12614 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 6. How to Stuff a Wild Bikini Director: William Asher | |
![]() | list price: $9.94
(price subject to change: see help) Asin: 0792843940 Catlog: Video Sales Rank: 22879 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
She takes a shine to Eric Von Zipper, played to perfection by Harvey Lembeck. He is an expert cyclist from his years of being the leader of the Rat Pack. He is more than happy to keep Cassandra away from Ricky and the bad influence of "them beach bums." When Dee Dee finds out that Frankie is playing around with a native girl, she decides to join Ricky for the motorcycle race. Since Cassandra has signed a contract with the ad agency, it's decided to pair her with Eric Von Zipper. Peachy decides that an image makeover is necessary. Thus, Eric trades in his leather outfit and chains for a gray business suit! This entry in the beach movie series shows off Eric Von Zipper to best effect. Despite the Rat Pack's best efforts at sabotage, Ricky and Dee Dee end up winning the motorcycle race. However, Dee Dee doesn't want to go on a cross country promotional tour. Frankie is magically reunited with Dee Dee on the beach for a happy ending. This is the last of the classic beach movies to have Frankie and Annette together, and also features the most musical numbers. As for the movie Frankie starred in shortly afterwards, it was entitled "Sergeant Deadhead." To give you an idea of how successful that was at the box office, "Sergeant Deadhead" has yet to be commercially released on video!
Even more hackneyed than others. Bad songs. Little cleverness. A supporting cast of lesser interest, to me anyway. (No Susan Hart, no Don Rickles, no Donna Loren, darn little Buster Keaton and Bobbi Shaw- and she's a brunette here). Watchable at best.
IMHO, "How to Stuff..." needed more Buster Keaton and Bobbi Shaw. An appearance by Susan Hart wouldn't exactly have felt like a sharp stick in the eye, either. ... Read more | |
| 7. Torture Garden Director: Freddie Francis | |
![]() | list price: $59.99
(price subject to change: see help) Asin: 6302862779 Catlog: Video Sales Rank: 45213 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (2)
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| 8. How to Stuff a Wild Bikini Director: William Asher | |
![]() | Asin: B00004RFDC Catlog: Video Sales Rank: 113723 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
She takes a shine to Eric Von Zipper, played to perfection by Harvey Lembeck. He is an expert cyclist from his years of being the leader of the Rat Pack. He is more than happy to keep Cassandra away from Ricky and the bad influence of "them beach bums." When Dee Dee finds out that Frankie is playing around with a native girl, she decides to join Ricky for the motorcycle race. Since Cassandra has signed a contract with the ad agency, it's decided to pair her with Eric Von Zipper. Peachy decides that an image makeover is necessary. Thus, Eric trades in his leather outfit and chains for a gray business suit! This entry in the beach movie series shows off Eric Von Zipper to best effect. Despite the Rat Pack's best efforts at sabotage, Ricky and Dee Dee end up winning the motorcycle race. However, Dee Dee doesn't want to go on a cross country promotional tour. Frankie is magically reunited with Dee Dee on the beach for a happy ending. This is the last of the classic beach movies to have Frankie and Annette together, and also features the most musical numbers. As for the movie Frankie starred in shortly afterwards, it was entitled "Sergeant Deadhead." To give you an idea of how successful that was at the box office, "Sergeant Deadhead" has yet to be commercially released on video!
Even more hackneyed than others. Bad songs. Little cleverness. A supporting cast of lesser interest, to me anyway. (No Susan Hart, no Don Rickles, no Donna Loren, darn little Buster Keaton and Bobbi Shaw- and she's a brunette here). Watchable at best.
IMHO, "How to Stuff..." needed more Buster Keaton and Bobbi Shaw. An appearance by Susan Hart wouldn't exactly have felt like a sharp stick in the eye, either. ... Read more | |
| 9. Matt Helm Gift Set Director: Henry Levin | |
![]() | list price: $26.95
our price: $26.95 (price subject to change: see help) Asin: 6304017650 Catlog: Video Sales Rank: 7863 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
Now imagine that, instead of a robe and pajamas, Hef is decked out in attire that would have been fashionably casual for an affluent male in the 1960s. And while keeping everything else the same (the cigarette, the cocktail, the utterly casual attitude), imagine Hef in the underground lair of an evil Arch-Villain who is ready to visit death and destruction across the globe. Oh, and make Hef a James Bond-esque spy. You now have the basic feel for the four Matt Helm movies, of which "The Ambushers" (1967) was the third. (The others were "The Silencers," "Murderer's Row," and "The Wrecking Crew.") The Matt Helm movies were made as star vehicles for Dean Martin. By the mid-60s, Dino had cemented his reputation as a boozing playboy, and the Matt Helm role was written with this in mind. In the movies, Matt Helm is a boozing, affable, world-famous photographer of beautiful women who works for "Slaymate" magazine (which fits in nicely with the Hugh Hefner analogy...). BUT THAT'S JUST A COVER! Helm is REALLY a boozing, affable super-competent secret agent for the Intelligence Counter Espionage (ICE) organization. And in all four movies, he casually wanders his way through whatever the bad guys have to throw at him as though he were looking for the nearest bar. I should point out that the Matt Helm movies are all pretty bad. But they're wonderfully bad, and they're great, cheezy, campy fun. I tend to speak glowingly of the Matt Helm movies because I enjoy them for their over-the-top campiness, but more serious-minded viewers will probably be turned off. And let me tell you: THE AMBUSHERS spares *no* expense in the "campiness" department. Try this plot on for size: The ICE organization is testing out a new, super-secret flying saucer. That's right, a flying saucer. As MacDonald (James Gregory), head of ICE points out, if it works it will put the other planets "right next door," and the rest of the universe will be "just around the corner." It's never sufficiently explained why a counter-espionage organization would need to go to other planets (much less the rest of the universe), but no matter. They've made it and they're testing it. The test works fine, until the saucer is forced to land by Mysterious Bad Guys. The leader of the Mysterious Bad Guys enters the saucer, and the pilot (a female) screams. Fade to black. This all takes place within the first 10 minutes of the movie. Cut to Matt Helm, in Matt Helm heaven. He's helping to train a cadre of new ICE agents who, coincidentally enough, all happen to be gorgeous, scantily-clad babes. Go figure. But he runs into a white-haired, crazed woman who thinks all men are out to kill her. It's his old partner! It's also the woman who piloted the flying saucer! Will wonders never cease? (Answer: Of course not! This is Matt Helm!) Naturally, Helm is assigned to find the saucer, and he has to take his former partner (who's now recovered) because only females can fly the saucer. The reason is because the saucer uses "electromagnetic fields" to propel itself around the neighborhood. And, according to the movie, electromagnetic fields are lethal to males. No, I never learned that in my basic physics classes either, but there you are. You can guess the rest. Typical spy-movie stuff with the usual Matt Helm twist. Helm still wanders from place to place as though he's looking for the nearest bar. During one fight scene he gets knocked into a huge vat of beer, much to his obvious delight. And in a send-up of his singing career, the very final scene shows him trying to teach an attractive new recruit how to make love while on the job. The recruit is cold and unresponsive, even after Helm puts on a Dean Martin tune. But when he puts on Frank Sinatra, she responds amorously, much to his chagrin. High points of the movie: * The whole "electromagnetic fields are lethal to men" bit, which had me rolling on the floor. * A couple of male bad guys dying from, as near as I can tell, turning completely red all over. Even their clothes. This is, apparently, the inevitable consequence of exposing men to electromagnetic fields. (Now you know why your Mom always told you not to sit so close to the TV...) * The obvious set pieces when Helm is supposed to be outdoors. * A set of railroad tracks which leads right up to the very edge of a cliff, apparently for no other reason than to allow a railroad flatcar to careen dramatically off said cliff. * The *incredibly* cheesy effects, which include ray guns that emit sparks, and radar towers that emit obvious "radar" noises. * Helm turning his belt into a sword by the simple expedient of getting it wet. It's true that none of the other Matt Helm movies are pinnacles of the film-maker's craft. But the plot and cheesy special effects make THE AMBUSHERS a cut below the others. In ranking the four Matt Helm movies in terms of overall quality, this would be #4 on my list. But in ranking them in terms of laughs (both intentional and otherwise), this is easily #1.
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