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| 1. Metropolis Director: Fritz Lang | |
 | list price: $12.99
our price: $12.99 (price subject to change: see help) Asin: 6303471188 Catlog: Video Sales Rank: 71244 Average Customer Review: 
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Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 2. Metropolis Director: Fritz Lang | |
 | list price: $24.95
(price subject to change: see help) Asin: 6301581067 Catlog: Video Sales Rank: 34077 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 3. Metropolis (Restored Authorized Edition) Director: Fritz Lang | |
 | list price: $29.95
our price: $29.95 (price subject to change: see help) Asin: B00007L4MI Catlog: Video Sales Rank: 28050 Average Customer Review: 
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Reviews (94)
Until now. A great chunk of METROPOLIS--perhaps as much a quarter of more--has been forever lost, but this Kino Video DVD release offers the single best version of the film available. The previously cut footage that still exists has been restored; gaps in the film have been bridged by the occasional use of stills and explanatory title cards; the film itself has been painstakingly and digitally restored; and the soundtrack is the Gottfried Huppertz original created for the film's 1927 Berlin debut. In seeing this version of METROPOLIS, I was struck by how very differently it reads from the previously available truncated version. The visual style and the story itself are much more exciting and cohesive, and in the wake of this restoration it becomes impossible to deny the film status as landmark of international cinema. Freder Fredersen (Gustav Frohlich) is the son of Joh Fredersen (Alfred Able), who reigns over the great city of Metropolis. Freder is surprised to discover his lifestyle has been built on the unseen but backbreaking labor of an entire class of unseen workers who tend the machines that make the city run--and he descends to the subterranean levels of Metropolis in an effort to understand their lives... and, not incidentally, to find the mysterious but beautiful woman Maria (Brigitta Helm) who has inspired his interest in the workers' plight. But his father is concerned by both Freder's interest and Maria's activities among the workers, and he turns to scientist C.A. Rotwang (Rudolf Klein-Rogge) for aid. Rotwang has created a robot, and he agrees to give it the likeness of Maria in order to undermine both Freder's love for the girl and her own activities. But Rotwang has a hidden agenda of his own: once the robot has been unleashed, he will use her to destroy Metropolis and thereby exact revenge on Joh Fredersen for past transgressions against him. In many respects the story is simplistic, but the film's visual style and connotations are anything but. Deeply influenced by such art movements as Expressionism, Objectivism, Art Deco, and Bauhaus, the film is visually fascinating--not only in its scenic designs, but in director Lang's famous skill at creating the powerful crowd scenes that dominate the film and building the pace and tension of the film as it moves toward an intense climax. But while one can--and many do--admire the film purely at this level, there is quite a lot going on in terms of philosophical content as well: while it offers few viable solutions, the film raises such issues as the relationship between capital and labor, the place of religion in modern society, human reaction to overwhelming technology, and (perhaps most interestingly) the drift of government into a class-conscious corporate entity. And religious motifs abound in the film: a largely deserted cathedral; Moloch; the Tower of Babel; and crosses--intriguingly juxtaposed with a repeating motif of the pentagram-like designs associated with the robot. It is fascinating stuff. There has been complaint that this restoration runs at incorrect speed and the performances are therefore unnecessarily jerky. I did not find this to be the case. In certain instances the movement is deliberately jerky and mechanical--the workers are a case in point--but beyond this there is nothing for which the difference between silent acting and modern acting techniques cannot account. There has also been some complaint that the title cards should have been left in their original German and translated via subtitle. There is a certain validity to this, but it seems a minor quibble; title cards were typically translated in the silent era itself. The DVD includes a number of extras, including still photographs, biographies of the major figures involved in the film, and two interesting documentaries-one on the restoration process and one on the creation of the film itself. Both are interesting; the audio commentary track by film historian Enno Patalas, however, is mildly disappointing. But when all is said and done, it is the film that counts. And this restoration is a remarkable achievement, to say the least, a project which brings a great landmark of world cinema back from the edge of the abyss. Indispensible; a must-own. --GFT (Amazon Reviewer)--
The Kino-produced DVD is in itself impressive. It is the absolute best version of the film ever to be made available in any form to the public. The video quality is astonishing considering the difficulty they must have had finding good prints to work with. The audio, too, is superb. You'll really enjoy the extra bonus material as well. So get this DVD, pop up some popcorn, turn out the lights, and transport yourself back to the 1920's. You're really going to love this one.
It is a pity that this film will almost certainly NEVER be completely restored. Like The Magnificent Ambersons, this is a masterpiece that seems permanently damaged. But in 2002, the next best thing was done; and the most complete possible restoration was carried out. The results are truly remarkable. You can see that silent films were NOT originally shown in a spotty, scratchy condition with hyperactive actors. When they first came out, silent movies looked just as good as any modern movie (well, maybe less screen-resolution). The original soundtrack was discovered and recorded - and it, too, is a revelation. Silent movies were NOT actually silent - they had live soundtracks (though only rich premieres had full orchestras). The soundtrack is as well-composed as any modern soundtrack. I initially thought I would not be able to get used to another soundtrack after hearing the Moroder version - but now I think I can't see the film any other way. Most importantly, the film now actually makes sense! Every scrap of film possible was extracted from archives all over the world, to make the film as complete as is humanly possible. The scenes still missing (alas, comprising a quarter of the film even now) are signified by intertitles telling the audience what they ought to be seeing. This is not a perfect compromise, but it's probably the best solution. Silent movies often look strangely modern, since they concentrate almost entirely on visuals at the expense of the actors (a feature that, incidentally, made movies easier to show overseas than any modern movie). Compare that to our movies, which are very heavy on visuals and contain the simplest and least amount of dialogue possible in order to cater to foreign markets. Also, the complete manipulation of the image, so favoured in Metropolis, is very much like modern computer graphics.
Metropolis is a great move that overcomes most of the barriers between moderns audiences and silent movies. The genre is unmistakably sci-fi--the forerunner to nearly all modern sci-fi movies. It was a fantastic movie that just happens to be a silent movie, and anybody who sees it will understand that silence is not a handicap. The biggest barrier for silent movies is that there are usually variant DVD editions in circulation, and unlike pictures made in the last few decades, it really does matter which edition you see. Kino's restored edition is (and shall be for a while if not forever) the definitive edition of Metropolis. I had been viewing an incomplete, incoherent version of the film for years before i treated myself to Kino's delightfully exhaustive work, and it was then that i realized what i had been missing. Watching this version was like watching a different movie. In fact, the restoration is so immaculate, it was like watching a movie that was just filmed yesterday, or rather, like i was watching it in 1926. Kino should be praised for the edition (which they have been), that vindicates fans of Metropolis, sci-fi, and silent movies. Even the flaws are reasonable: some scenes are missing, but they are filled in with explanations and still photos, when available; there could have been enough extras to fill 2 more discs, although the extras included are sufficient and repeatable, as compared to the loads of extras fans normally demand but rarely ever watch. All in all, this is an excellent restoration of an epic movie that deserves this treatment and attention. Include the Kino version in your collection over all of the inferior versions circulating.
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| 4. Dr. Mabuse - The Gambler Director: Fritz Lang | |
 | list price: $39.98
our price: $39.98 (price subject to change: see help) Asin: B00005M2G8 Catlog: Video Sales Rank: 64488 Average Customer Review: 
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Reviews (8)
Many of the other reviews do an excellent job of discussing the plot and the like so in the context I will not go into any detail other than to say it may well in total be a 4 hour experience but it DOES NOT feel like it. This is one of my favourite pieces of cinema. I think much of garbage coming out of Hollywood could learn much from a thriller such as this. David Kalat's narration is fantastic, and so are the other Mabuse films he has reviewed. Like all great teachers you never feel as if you are being educated but being entertained. Bravo on the DVD and Bravo to David.
Sergei Eisenstein was an admirer of Dr. Mabuse the Gambler, and supposedly he obtained a copy and studied its construction. I can only assume that the picture had a influence on other filmmakers around the world; it has a much more modern feel than any film I've seen from the early 20s. The pace is quick (at least in the first part), the cross-cutting between scenes is sophisticated, there is great attention to detail in the sets, and it rarely has the "stagy" feel that many silent films suffer from. If one had to point to one element that puts it ahead of its time, it would be its overall construction--the way the various shots and scenes are put together to create the story. Dr. Mabuse the Gambler creates a sense of both time and space; many things happen simultaneously in the movie-world, and the locales we see are not two-dimensional stage sets but rather three-dimensional spaces where we peer around corners and follow the characters from one room to the next. The only silent filmmaker I can think of who lavished so much attention on creating a credible world is Erich von Stroheim, though one could argue that that filmmaker should have taken a lesson from the economy of Lang's storytelling. In addition to its status as a landmark film, Dr. Mabuse the Gambler is also truly entertaining, particularly the first part. There are car and train chases, riotous gambling dens, memorable bit characters, and some great special effects. The basic story of good versus evil is compelling. Dr. Mabuse is one of the screen's greatest villains, a shrewd megalomaniac who seems to be tormented and driven by his overpowering desires. Rudolf Klein-Rogge is truly fantastic in the part. Mabuse revels insanely at his conquests and explodes with fury when he is thwarted. However, though he is extreme, he is no cartoon supervillain or two-dimensional monster; he is a fallible character, not evil itself but rather human evil, and this is what makes him exciting. The quality of the DVD is good to fair. I was thrilled with the clarity and felt that Image had done a superb job, but those who expect every title on DVD to be as crystal-clear as a movie that was released last year will be disappointed. This is not a perfectly restored copy; there are little imperfections in the film, from scratches to missing frames. There are even some very minor shots missing--for example, the very first shot of the seance scene shows the circle of hands from above, and this is missing from the DVD version. However, this is the most extreme case that I noted. In all cases the missing scraps do not affect the film as a whole; it is just that there are moments where you might think that Lang had a poor sense of continuity (and this is not the case!). Another oddity about the copy is that at least one of the shots differs slightly from that on a copy I have on videotape. There is a scene on the DVD where von Wenk is speaking to Carozza in the prison, and the shot shows all of the two characters. On the videotape I have, the shot is a close-up from a slightly different angle. I have had the same experience with another film, The Last Laugh. On two different videotapes the same shot differs slightly. All this being said, I HIGHLY RECOMMEND this DVD. One must take into account that the film is from 1922 and is not very well-known. It is not a beloved classic that someone is going to lavish a small fortune into restoring to perfection. Note too that this is a movie that was not previously available on any format, period. There was one mail-order company that offered a home-made version on video, but the quality was poor at best and unwatchable at worst. It was like trying to watch the movie through a bowl of soup. Of particular note is that on the new DVD the film image has been shrunk so that it does not fill all of the available space of the television. This is because the aspect ratio of silent films was more square than the familiar 1:33 to 1 of the television set; sometimes leading to the tops of heads being cropped out when silents are transferred to video. This problem is solved on the DVD of Mabuse. And, of course, the DVD shows the movie at the correct speed. I totally disagree with the reviewer who said that it seemed speeded-up. Some of the chase scenes seem a little faster than normal speed, but I think that this was a device of Lang's rather than an imperfection of the DVD. There is also a commentary by a Mabuse scholar which, judging from the little I heard, is very well-informed. As a side note, Fritz Lang's sequel to Mabuse, 1933's The Testament of Dr. Mabuse (the original German version is available only on video), is also very entertaining, and it features Lohmann, the detective from M! However, The Thousand Eyes of Dr. Mabuse from the sixties (Lang's last film, I believe) is unfortunately quite forgettable and I cannot recommend it.
The commentary is terrific.
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| 5. Metropolis Director: Fritz Lang | |
 | list price: $14.99
our price: $14.99 (price subject to change: see help) Asin: 6305827435 Catlog: Video Sales Rank: 42193 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 6. Metropolis Director: Fritz Lang | |
 | list price: $14.95
our price: $14.95 (price subject to change: see help) Asin: B00001W0G7 Catlog: Video Sales Rank: 49510 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 7. Metropolis Director: Fritz Lang | |
 | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: 6304019513 Catlog: Video Sales Rank: 40231 Average Customer Review:
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Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 8. Metropolis Director: Fritz Lang | |
 | list price: $29.99
our price: $29.99 (price subject to change: see help) Asin: B000007P9E Catlog: Video Sales Rank: 37737 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 9. Metropolis Director: Fritz Lang | |
 | list price: $5.98
(price subject to change: see help) Asin: B00005YUQA Catlog: Video Sales Rank: 86464 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
As others have noted the trasfer is terrible, the music is good but sound quality is terrible too. Having watched this version of Metropolis I was able to get some kind of plot out of it and even with the poor film transfer the imagry is at times stunning. Here's my advice; if you just have to see Metropolis and do not want to pay the substantially high price of the Kino version buy this copy, but understand...and please take my word on this as I'm one of the people that made a similar decision, know that you are getting poor quality all around. Whether this will ruin the film's experience for you has more to do with your aesthetics. Metropolis has major historical importance and watching it I could see where other favorite dystopian films liberally borrowed ideas. In the end it was acceptable for the price I paid. I would not buy this new and would cough up the extra money and get the Kino version if buying it new. I will be purchasing the latest DVD eventually just to be able to enjoy the superior quality. 5 stars for the film being wonderful 0 stars for the quality. The average would be 2.5 and although it's a great film Metropolis is gutted by this poor DVD. When reading reviews it is easy to take it personal, that a poor review of the DVD (a product) in some way says something negative towards the film on it. In this review the quality of the film is the only reason more than one star was given. My last parting shot...
The DVD quality is poor however, as the color contrast is lacking from the color contrast from the original negatives seen on VHS releases. The trivia sections are nice, but what is missing is an audio commentary, or any existence history of the making of the film which should prove very interesting. I'm sure it won't be long before such a version comes to be. TRIVIA: Brigitte Helm was one of James Whale's choices to play the Monster's Mate in BRIDE OF FRANKENSTEIN before Elsa Lanchester got the part. ... Read more | |
| 10. Metropolis (1926) Director: Fritz Lang | |
 | list price: $6.99
(price subject to change: see help) Asin: 6301681363 Catlog: Video Sales Rank: 80867 Average Customer Review:
US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video Reviews (139)
That said, I've noticed a lot of people dissatisfied with the music on several releases.. I'm a bit of a fan of the silent films.. I have yet to see one with a decent soundtrack. If I see one more 'Nosferatu' with a blaring organ score I swear I'll vomit; and don't even get me started on the 1990 version of Phantom of the Opera with score by Rick Wakeman. But I am a big fan of the films, so this is how I've managed to get past the horrible music without watching them silently. Find a CD that reflects the ideas and atmosphere you feel to be present in Metropolis, and let it play while you watch the film. I have one of the many 115-minute versions, and the image quality is a bit rough, but that doesn't really bother me.. I've always seen Metropolis as an Industrial film anyway. The rough quality just adds to it for me (granted, I have seen versions of this too rough to watch). For that reason, I chose Nine Inch Nails' "The Fragile" as the score for Metropolis.. it works very well with my release.. some memorable moments (if you try this, you may not get these exact moments with the different releases) are the "Moloch" scene when Freder sees the machine explode .. the workers gather their injured and dead as Trent Reznor screams the lyrics "Now you know - this is what it feels like" - and the first scene between Freder and Maria .. Freder kneeling at her feet, in a sort of rapture.. while Trent sings "I will take my place in the great below" .. that song (and the first disc of "The Fragile") ends as Freder kisses Maria's hand and walks away.. But I won't give away all the quirks. Anyway, that's the score that works for me.. both discs of the Fragile and the first two tracks of "Further Down The Spiral" at the end, since The Fragile isn't quite 115 minutes long. But anyway, having said all that, if you saw Metropolis and didn't like it because of the quality or soundtrack or just because it was boring, try again, and make your own score. Most people who think they don't like silent films simply don't like the music, or the silence. This is understandable.. in silent films the score is 75% of the atmosphere. Use music that you know, that you like.. music that will set the mood for horror if you're watching "Phantom" or "Nosferatu," or for Industrial SciFi if you're watching "Metropolis." I think you'll get a lot more out of the genre that way.
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A Great film,BEWARE OF PUBLIC DOMAIN VERSIONS!
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