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| 101. Leslie Sansone - Walk Away the Pounds 3 Pack (includes weight set) | |
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Product Description Reviews (106)
This really works! I have lost weight and inches already! These workouts are easy, but they WORK! I have cut back on junk food, so I am not doing a major life changing diet, yet its still working. I am a clutz and get very tired easy, I have no coordination, but I can do these! :) There is no jumping around and you need very little room, which is a plus. I find Leslie very easy to follow and I don't feel lost with whats going on like with Richard Simmons tapes.
I really love this workout. It's not hard on my legs/ knees, it makes me sweat, and it's so easy to follow that I can put my TV on split-screen and watch a TV show on half the screen with sound and still follow along with the muted workout. There only bad thing I have to say is that the repetitive music and hearing the same old jokes again and again; it's hard to take. That's another reason I'm so glad I can do the split screen workout with the VHS muted! Another thing: I've managed to hook 4 people that I work with, and several of their friends/ families on the same 3 mile walk! These people all asked how I was losing so much weight and then borrowed the tape for a trial before going and buying it themselves. One person has lost 20lbs in 2 months from doing the workout 3 times a week! In short, I would say that this program definitely delivers!
I had enjoyed walking regularly before buying these videos, but I was looking for an alternative to my somewhat boring treadmill routine. The miles go very quickly in these videos, and Leslie and her crew are very likeable. I feel as though I'm exercising with friends. I use the 2-mile tape the most, and the 1-mile tape (approx. 17 minutes) is wonderful for squeezing in an early-morning or while-dinner-is-cooking workout. As my pregnancy progresses, I find the pace of the 3-mile tape somewhat difficult to keep up with. But it's a pace I know I can manage once the baby is born. I got my doctor's OK before getting into these workouts, and I'm finding that these videos are not only easy, but fun. I believe I will continue to enjoy them throughout the rest of my pregnancy. I look forward to using them to work back into my pre-pregnancy shape.
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| 102. Grand Prix Director: John Frankenheimer | |
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Amazon.com essential video Reviews (53)
No movie before or since has been able to capture the feeling and essence of racing in the 60's or any other era. What director Frankenheimer does in this movie is still exciting even by today's standards. Even though I am a huge Steve McQueen fan, Le Mans definitely takes second place to Grand Prix. I was really excited to see the movie Driven with Stallone, until I saw it. All I kept saying to myself was "This is not even close to Grand Prix". Grand Prix has not only raised the bar, but has set it as well. Do yourself a favor, don't rent, but rather buy this film and get ready for an education on how great movies were made and should be made.
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| 103. The Best of Schoolhouse Rock! - 30th Anniversary Edition | |
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Amazon.com Reviews (13)
America Rock: Grammar Rock: Science Rock: Math Rock and Money Rock:
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| 104. A Star Is Born Director: Frank Pierson | |
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Amazon.com essential video Reviews (30)
The film is solidly enjoyable, even absorbing at times, but there are several obstacles that prevent it from really hitting it's intended bull's-eye. Changing the setting from the old Hollywood studio system to the competitive world of the music industry was actually a great idea, although I wished the screenplay would have forged a more realistic contrast between the characters' romance and their careers. For example, the film is very successful at this in the first hour and last half-hour (i.e., clashing personal and professional difficulties during recording sessions, never-ending phone calls interrupting Kristofferson's songwriting attempts), however, the midsection of film seems to completely forget about their careers while they're out building their ranch house. This is particularly odd considering that Streisand's "star-making" concert appearance immediately proceeds this, and seems to go completely forgotten about throughout this section of the film. The performances are mostly on target, even though the supporting characters aren't fleshed out enough. If you're looking for an actress/singer who can walk the fine line between tough and vulnerable without making herself seem like a script contrivance, Streisand is definitely the girl you want. She's one of the few film stars who can make even the most banal dialogue seem fresh and natural, and, as usual, she manages to make a strong emotional connection with the viewer - even though she's actually playing somewhat of an unlikable, ungrateful character. Kris Kristofferson may not get much respect now for his laid-back characterization, however, he's always interesting watch, and actually received rave reviews at the time from "Newsweek," "Time," and even the "NY Times'" usually vicious Pauline Kael. Gary Busey and Oliver Clark also give believable performances, but both have a fairly minimal amount of screentime. Which that brings me to the film's biggest problem: For a film that is nearly two-and-a-half hours long, it really doesn't feel like much happens. Frank Pierson's acceptable, but rather flat direction may be mostly responsible for this, but perhaps some tighter editing would have also improved things. As is, the film has a good amount of memorably effective scenes, but never really gels into a consistent whole. The same goes for the film's slate of original songs, there're all over the map. The Streisand-composed "Evergreen" (with lyrics from Paul Williams) is unarguably one of the most gorgeous songs in contemporary pop, brought to even-further life by an absolutely incomparable vocal performance from Streisand. The rest of the songs (mostly composed by Williams and Rupert Holmes) are much more hit-or-miss. Streisand's vibrant performances bring "Woman In The Moon" and "With One More Look At You" to life, but not much can help Kristofferson's tuneless solos. With all of that said, however, the film is still a lot of fun, especially as a timecapsle. All the fashions, decor, and hair styles are more "seventies" then the seventies ever were - if that makes sense. On a less frivolous note, the chemistry between the leads always feels genuine, and Streisand has two emotional scenes near the finale that are both surprisingly affective. Also, the film is slickly and professionally produced and mounted, which means that, if nothing else, it's always good eye-candy while it's playing. In conclusion, A STAR IS BORN is one of those films that really isn't as bad nor as good as most people claim it is.
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| 105. Star Wars - Episode V, The Empire Strikes Back (Special Edition) Director: Irvin Kershner | |
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Amazon.com Reviews (191)
The Empire Strikes Back, the middle story of the original trilogy, is probably one of my favorites (it's so hard to pick one!). The characters really come out in this episode, and you can't help but enjoy watching this film. Watch the exciting battle on the ice planet Hoth, the budding romance between the Princess Leia and the "scoundrel" Han Solo. See the breathtaking Cloud City, the murky swamps of Dagobah. Listen to the tutelage of wise Yoda, the fantastic musical score. And it all leads up to the critical battle between Luke and Darth, in which Skywalker makes his greatest mistake and Vader's dark secret is revealed. Definitely the darkest of the trilogy, ESB leaves the viewer wanting more. We want to see the fate of Han Solo, how Luke reacts to startling news, and the further efforts of the Rebel Alliance ~ even if we've already seen the trilogy dozens of times. Watch this movie for a great story in a wonder-filled world.
My dissertation,lol,on the film is near the final when Vader tells Luke that he is the father. On a Freudian level, this could be called the Oedipus complex theory with Luke deciding to not join his father. I presume Luke was apprehensive to join in because he believed it was a confidence game that would result in his own termination/castration. Just a speculative theory. When ESB was released in 1997 I had a standing date to go see it on the big screen. Way back in 1980, I remember being on summer vacation and going to see it for the first time. When the movie ended, I could not believe that we (the audience) were left hanging on a cliff for the next 3 years. Talk about tease, lol.......:)
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| 106. Gone with the Wind Director: Victor Fleming, George Cukor, Sam Wood | |
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Amazon.com essential video Reviews (481)
To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head. The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy. Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast. It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar. Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.
I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope. On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford. Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).
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| 107. The Goonies Director: Richard Donner | |
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Amazon.com Reviews (338)
The Goonies holds something that every kid should find magical, even though the only magic in the movie is the magic of friendship. Steven Spielberg wrote the story about a group of friends who are about to lose their houses so a country club can be built where they leave. They come upon a treasure map that supposedly has a legend behind it, and leads to a great treasure. Mikey and his colorful bunch of friends set up to go in search of the treasure not knowing the villianist trio, the Fratellis, are also out for the treasure. Along the way, chaos ensues, friendships go stronger, and they meet a creature who has nothing but love to share and Baby Ruths to eat. The characters are all likable . . . are all lovable, and the actors who portray them made them all that they were. The Fratellis are even, in some ways, likable throughout the movie, but in the end, they get what they were asking for. The directing, of course, is awesome. None like it actually. And the sets are amazing. Especially the pirate ship set. That was too awesome, and enough to satisfy any adventure lover. The DVD should satisfy any Goonies fan with the word of all the extras to be on it. And I'm ready to see the infamous deleted octopus scene. I hope it's on there. I believe I read somewhere that some of the cast had gotten together to do a commentary. Now there's wishful hoping that that did happen! "SLOTH LOVE CHUNK!" And Josh loves this movie.
That said, here's what you get with this DVD and here's why you should buy it today: The movie itself is enough however... The deleted scenes are a lot of fun. We finally get to see the ever-fabled "Octopus" scene. For years, I would scratch my head when Data said "The Octopus was really scary!" Huh? What Octopus? Well, he's in this DVD. You also realize why the scene was cut out. Let's just say the animatronics weren't all that great. Those old music videos starring Cyndi Lauper and various classic WWF wrestlers are here too. Remember Rock "n" Wrestling? I found myself saying "oh yeah....I remember that!" Watch for a cameo of Susanna Hoffs from the Bangles in the video! The DVD commentary is a lot of fun! While almost every new DVD has a commentary in place, it almost always bores one to tears with the director or a star just kind of droning their way through the movie. Often, the major stars don't even do the commentary (great example is Rocky - where the commentary features everyone but Stallone himself!) This commentary has all of the original Goonie stars plus Richard Donner. There's a lot of joking around and the stories they tell are funny and don't go off the subject. Note: Sean Astin disappears about halfway through the flick. Also, beware Corey Feldman who talk over everyone to further perpetuate that he is the biggest glory hog in show business. Enough already. This is such a great movie and the special features are ones that you'll actually watch more than once! Buy the DVD already!
Steven Spielberg brings a story about a misfit group of kids who set out to save their home. It all hinges on finding the treasure of One-Eyed Willie, a famous pirate who was rumored to have hid his treasure somewhere around where they live. Throw in a mafia family who has recently broken out of jail, a treasure map, a Baby Ruth, and a wonderful dance called the Truffle Shuffle and you've got an instant classic!! Also, look for the line about battling the octopus in the end, then think about the octopus battle. Something doesn't add up does it??
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| 108. Quo Vadis? Director: Mervyn LeRoy | |
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Reviews (27)
The most I like the `Christ is King` theme for choir wich is also sung by the matyrs in the arena. A song wich is unstoppable and will not die or fade away, it is the centerstone of the Quo Vadis' musical climax.
With the advent of television in the early 1950's Hollywood fought back with splashy, lavish productions that could not be matched by the flickering black and white image of television in it's infancy. "Quo Vadis", lent itself perfectly for this purpose and an already shaky MGM put all of it's resources into the filming of this elaborate production. The story centres around cocky Roman soldier Marcus Vinicius (Robert Taylor) who after three years of successful campaigning returns to savour the delights of Nero's Rome. Detained at the villa of a retired Roman general Marcus falls for the simple charms of the general's adapted daughter Lygia (Deborah Kerr) who unbeknown to Marcus is secretly a Christian. Seeing her love for him but not understanding the families belief in the love of a single god and in loving your fellow man despite their background or race Marcus has Lygia taken to Rome and placed in Nero's "House of Women" and seeks to make her is own. Lygia escapes and is taken in by other believers but in the meanwhile Marcus finds himself the focus of the unwelcome and quite dangerous affections of the Empress Poppaea (Patricia Laffan). Meanwhile Nero's meglomania continues to grow and he develops a wild scheme to rebuild Rome to his own glory and secretly sets the city on fire. The backlash from this act however sets Nero to find a scapegoat and thus begins the persecution of the Christian sect that are, to the amazement of the Romans, the disciples of a simple young carpenter from Galilee who was executed for his beliefs. Marcus finds Lygia however both are imprisoned together as Christian believers to become the sport of Nero's festivities in the arena. The appearance of the Apostle Peter who has been called to Rome by Christ's message gives the Christians the strength to endure their ordeals and Marcus and Lygia are married by him just prior to his own matrydom on Vatican Hill. Nero however goes too far in his persecution and the mob turns on him resulting in his fall from power and suicide and the reins of power being taken over by the more level headed General Galba. While "Quo Vadis", in some areas is not always accurate historically the faults are not glaring ones and it does give a vivid picture of the growth of the early Christian movement and the persecution it endured which of course went on long after Nero's death. First and foremost it is inspiring and dramatic viewing and is the classic example of old style movie making at its most lavish. The film is filled with unforgettable images, for example the huge crowd scenes during Marcus' triumpiant entry into Rome, and the burning of the city by Nero which incredibly was done on both full sized and miniature sets. The cold blooded destruction of the Christians in Nero's Circus of course is probably the most vivid image in the film and is riverting in it's horror and accurate depiction of people being eaten by lions or being used as human torches. These scenes in "Quo Vadis", have I believe never been bettered in depicting the insanity and brutality of Nero and his regime. Performances are uniformily fine here. As the two lovers Robert Taylor and Deborah Kerr are just perfect as the two illmatched lovers from different worlds. Finlay Currie does a most inspirational piece of work as Peter and special mention must go to Patricia Laffan who is perfect in a chilling performance as the evil Empress Poppaea. Directed by MGM veteran Mervyn LeRoy, who was responsible for such diverse MGM productions as "Waterloo Bridge", and "Blossoms in the Dust", here he is still just as at home with this super scale type of film and his directoral integrity is evident in every frame of this film. "Quo Vadis", ended up being nominated for 8 Oscars including Best Picture and Best Supporting Actor for Peter Ustinov. I always find "Quo Vadis", a moving viewing experience generally around Easter time when my thoughts often go back to the earliest years of my religion. Liking the older style of movie making I can also appreciate the film on its superb technical achievements and massive historical recreation. This however never submerges my appreciation of its very simple message that all people need to love each other despite their differences for the world to be a happier place. Take time soon to view this epic production of "Quo Vadis", you wont regret it. ... Read more | |
| 109. Shall We Dance? Director: Masayuki Suo | |
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Amazon.com Reviews (105)
The story focuses on Mr. Shugyima, a workacholic who spots an attractive woman through a window. Burdened with a mortgage and life's pressures, he seeks dance lessons to get closer. Another character, a balding, quirky, looney Japanese/Latino, Mr. Aoki, has been dancing for five years, he wears a long frizzy wig piled loosely on his head because he believes the wig gives him inspiration to be like his idol, Donny Burns, a Latin dance king. The funny contortionist facial movements work equally with his suave, cool, bawdy dance numbers. He comes across like a combination Don Juan and Madonna striking a pose! A dance partner offends him when she refuses to dance with him as he dances "creepy." An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz.
The great thing about this movie, and what I believe is true for everyone in every nation, is that everyone needs a passion that has absolutely nothing to do with their job or any of the skills required for it. Something to do just for the sake of enjoying yourself. As his coworker and fellow dance fanatic Aoki says, it makes him feel free. The fact that they have to hide their hobby at work is hilarious. Aoki says their improved posture is a dead giveaway. They are caught ballroom dancing in the men's room so Sugiyama pretends he has just fainted and Aoki happened to catch him. Humorous with a message, this is a great flick.
Since the Japanese are reserved about public intimacy, dance lessons are of a clandestine nature. The consensus here is that men are considered losers if they take dance lessons or lessons are just a reason to hold a woman in your arms. The story focus is on Mr. Shugiyama, an overworked middle-aged man with a wife, daughter at home. From his commute, he spots a beautiful woman in a window as she teaches her students dance steps. His intention is to meet the girl, but she blatantly tells him that she takes this serious and if he is there just to meet her, then he should not take lessons. She adamantly informs him that this is a classroom, not a disco. To "save face", he hangs in there and learns to dance rather than become a failure. The array of characters: An extremely shy and reserved heavy-set man with thick glasses gets his fulfillment learning to dance. He becomes alive once he learns the steps. Also, an abrasive dance instructor who isn't afraid to spew her insults when needed and she trades verbal jabs with the male customers. As the movie reaches the climax, a number of dance halls and amateur dance contests are held. An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz. ... Read more | |
| 110. Mulan Director: Barry Cook, Tony Bancroft | |
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Amazon.com The film is gorgeous to look at, with a superior blend of classic and computer-generated animation. Directors Tony Bancroft and Barry Cook make the best of it: a battle in the snowy mountains is as thrilling as the best Hollywood action films. The menacing Huns are not cute but simple and bad. The wickedness is subtle, not disturbing. The film is not a full-fledged musical, as it has only five songs (the best, "Be a Man," is sung during boot camp). Eddie Murphy is an inspired choice for the comic-relief dragon, but his lines are not as clever as Robin Williams's in Aladdin. These are minor quibbles, though. The story is strong, and Mulan goes right to the top of Disney animated heroines; she has the right stuff. --Doug Thomas Reviews (374)
The movie opens with Mulan getting ready to go to the "Matchmaker." Although, she is a beautiful girl, she lacks the grace to make a good impression. Devistated, she returns home. Her father tells her that "like the cherry blossoms, her season has not come." When China is invaded by the Huns, there is one line in the movie that is uttered by the emperor and it is SO profound. The general in charge of the armies confidently announces that his men can handle this invasion. However, the emperor issues a proclamation calling all available men because, "sometimes a single grain of rice may be the deciding balance in tipping the scales." Or - "one man may make a difference between conquest and defeat." In this case, it turns out to be a woman! I LOVE how Mulan interacts horribly with the men at first and how she is told to leave. Mulan has to prove herself and she doesn't give up. Even after she is a hero, Mulan is disgraced when it is discovered that she is a woman. She is shunned and yet when she must come to the rescue of China again, her comrades are loyal to her and listen to her ideas. Throughout the movie there are the different interactions of those who accept women for who they are and those who are stuck within stereotypes. Mulan is a cute and VERY funny movie with adorable songs. What makes it a GREAT movie however, is the very powerful message that we should judge one another on our merits and character - whether we be men or women.
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| 111. No Retreat No Surrender Director: Corey Yuen | |
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Reviews (32)
This film works on so many levels I can't list them all. NRNS tackles issues such as father-son conflicts, long distance relationships, the effects of moving on a teenagers life, the role of martial arts in society. Every time you watch this movie I guarentee that you will find a comedy editing error, a hilarious facial expression, a continuity mistake...the possibilities are endless. So lets examine the movie...where to start?? Possibly with Van Damme who dispays some of the finest acting of his illustrious career in this film. Jean Claude is so fast in the last fight scene he actually appears to teleport. Or possibly with the real star Kurt McKinney who has the greatest array of sleeveless tops in the business. Then there's a host of others RJ the comedy black side kick, who can transform into a white guy whenever he has to do a break dancing routine, or Kim Tai Chong who puts in a brave performance as Bruce Lee, overcoming the handicap that he looks nothing like Bruce. In short this is a work of genius that we will likely never see again in our generation, although my friends and I are looking.
It hasnt been restored or digitly remastered to well :( but I found it in the cheapie bin for $8 Australian, and seeing as how I remembered seeing it years ago, and also recalling it was Vanne Dammes first movie... I had to get it! The quality is not great. The sound is 1.0 and terrible. and there is no bonus features...well, except trailers to NRNS 2 + 3 plus King of the kick boxers... but I dont consider trailers any kind of bonus. After seeing the movie again, and refreshing my memory.. I gotta say... the acting is not great, the movie is pretty well dated, and the plot goes from one thing to the other with no preperation ... but theres just somthign about the movie thats terrific! Jason is a kid from L.A who's father is a Karate intstructor. His father is asked by a group who are trying to take over all martial arts training dojo's to front for orginized crime.... that bit is kind of corney to me... then Vanne Dammes charactor prooves that Jasons father is no match for him. and the buisness is closed down , and they move to Seattle. Jason is a Bruce Lee fanatic, and learns that Bruce Lee is buried in the Seattle area.... and after a confrentation, he asks for Bruce Lee's help! And wullah, Bruce Lee's ghost comes to train Jason! And Jasons martial arts skills improve from beeing taught by the best! A great thing about this movie that I have to mention is the way the plot goes from one thing to the other without previous information, but yet, either accidently, or ingeniously able to let you know straight away what has happend! like for exsample, Jason has a girl freind, and he speaks about what they did and how they met previously, without you witnessing any of it... but yet, you understand what had happend before hand very easily! I dont know if there was a great number of deleted scenes? or unshot scenes? But it works out very intresting, and easy to follow and figure out what has been happning! Which like i said, the creators where either geniouses, or accidently did that without knowing?! The movie is good IMO. And its also the first movie Jean Cluade Vanne Damme appeared in I belive? I dont know why its not available on DVD yet for regoin 1, but its on region 4! I honestly beleive this is a movie that should be remade! I think with todays advancments, this movie beeing made again would really be worth it, not to say theres anything wrong with this version, but I reckon it would be a movie that should be seen again, and the things that could be done for it would make it incredible! I think so anyway!
This movie deals with the serious conflict in the late 80's when Russian crime syndicates attempted to take over several karate schools in the Western United States. Anyways, this film is so full of classic material, I don't know where to start. *The unbelievable sidekick, R.J. Madison who steals the show and breaks a few shelves with a freestyle combined with some break-dancing moves. *A father's tough decision to leave his karate school to start a new life in Seattle as a bartender at a bar that does not allow dogs or "customers under the age of 2". *R.J. & Jason declaring "No Retreat, No Surrender", only to be sent running away, seconds later by a 40-year-old Burger King employee. *The controversial second coming of Bruce Lee (whose figure and bad dubbing seem to have changed since we last saw him). Such great one-liners as "Alright, who pee'd in the pool?" "Jason, what are you doing?" "I'm gonna be back and I'll get you". "Check me out, dudes". "CHI POWER!" Many more memorable lines and moments in this comin-of-age tale of karate, jheri-curls, and palm streets in Seattle. ... Read more | |
| 112. Tap Director: Nick Castle | |
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Reviews (11)
But what works is the dancing. See it for that. The film was shot with a smoky sepia-tone image, that impression of both black and white and color. Watch youthful Savion Glover shine! The older hoofers, Jimmy Slide, Arthur Duncan (from the Lawrence Welk Show), Sammy Davis, etc. This dancing ensemble might just be the "best" part of the film. ....MzRizz
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