Amazon.com

Not much jazz spoken in this 1980 version of the Jolson classic, directed by Richard Fleischer(The Vikings) and starring a very tentative Neil Diamond as a cantor's son who would rather sing commercially than in a synagogue. The soundtrack is tedious, the portrait of L.A.'s music industry preposterous, and Diamond (despite his talents as a singer-songwriter in the real world) can't help but look like a speck on the wall in the presence of Laurence Olivier, who plays his father. --Tom Keogh ... Read more

Reviews (45)

Diamond's Music, Olivier's Presence, OH MAMMY!
This review refers to the VHS(1989 paramount) edition of this film....
At the 1927-1928 (First) Academy Awards Presentation "The Jazz Singer" starring Al Jolsen picked up a special award for pioneering the "Talkies". Obviously sound has come alooooong way since then and this 1980 modern day remake makes good use of it.
Jess Robinovitch(Neil Diamond)is a 5th generation Jewish cantor,tied to his role in the temple in the lower east side of New York. . His voice is phenominal(of course),he writes his own music, ballads mostly and has a chance to strike out on his own in Los Angeles.
He leaves for L.A. against the wishes of father, the 4th generation cantor(Laurence Olivier), and his wife, who likes things just the way they are.
It will take a while to achieve super stardom(at least a month!), but with the help of his new manager Molly(Lucie Arnaz),it is accomplished!The problem is his family is unhappy with the situation, his wife liked life when it was just them, his father is torn up about his son going against tradtion.Jess is having trouble coming to terms with the downfall of his relationship with his father. Molly feels responsible for the rift. Get your Kleenex ready as they work this out.
Diamond's soundtrack is wonderful. It includes "Love on the Rocks" and "Hello Again".Sir Olivier has not lost his touch, He is still the master. The British legend plays the Jewish cantor steeped in tradtion like he was born to the part, his performance alone is worth the watch.
The VHS is in hi-fi stereo, Dolby Surround, which enhances this musical.
Need a nice cry? This is the one!.......Laurie

For Diamond Music Fans Only
If you are a fan of Neil Diamond's music, then you will no doubt enjoy this movie.

Purely as a movie, however, this isn't very good. Cliched and schmaltzy, most of the scenes seem strung together as an excuse to fill time between musical numbers. The story, as borrowed from the original Jolson film: son of a cantor wants to sing popular music instead of following in his father's footsteps.

Neither Diamond nor Arnaz are going to win Oscars anytime soon -- in fact, Diamond demonstrates that, as an actor, he's a heck of a singer. The only shining performance in this movie is that of the incomparable Olivier, who proves that he can play any role given to him impeccably, no matter how dopey the surroundings.

If you are expecting any meat or substance to this movie, forget it. The music IS good enough to sit through once, which is why it gets two stars from me, but the only reason I own it is because my wife simply adores Diamond's music.

Buy the soundtrack, if you like it, but I would avoid the film itself. The DVD, meanwhile, is nothing special; the print is average at best, and there are no extra features worth discussing.

Luci Arnaz- remove this from your resume
Ugh. Poor plot development and cardboard characters. For example, he loves his wife sooooo much and discards her sooooo easily? Not likely. Lucie Arnaz, a wonderful personality and normally "good" actress is a cartoon character. Who could fall in love with Neil Diamond with all his angst and schmaltzy whining? Not I, that's for sure.

a bad movie with great music
This is not a great adaptation of the Jazz singer,the acting is mediocre,the progress of the plot is unrealistic,but Neil Diamond`s great music makes it worth watching.I used to have the soundtrack to this movie,i enjoyed it a great deal.

WONDERFUL!
I can't understand why this movie was so poorly accepted. It was a well acted, well directed film. ... Read more

Reviews (19)

"SPRINGTIME, LOVETIME, MAY"
So ends the haunting refrain of Sigmund Romberg's lovely "Will You Remember?"--the signature song of his wartime hit "Maytime." Otherwise known as the Sweetheart song ("Sweetheart, sweetheart, sweetheart..."), this song of songs is the recuring theme of this 1937 MGM musical masterpiece.

The screens own singing sweethearts, Jeanette MacDonald and Nelson Eddy were at the peak of their vocal powers and this opulent film was their crowning victory. Miss MacDonald claimed this as her own personal favorite.

Marcia (Jeanette), an American opera singer in Paris, and Paul (Nelson), an American voice student, fall hopelessly in love in a chance meeting followed by an enchanting outing at the Maytime festival. Unfortunately it is too late, for she has just accepted the proposal of her egocentric voice teacher, Nicolai, (marvelously played by John Barrymore). Separated for years, the sweethearts are finally reunited as Paul now has an international career of his own. They are paired for "Czaritza", an original MGM confection skillfully using Tchaikovsky's infectious Fifth Symphony", but Nicolai's jealousy ultimately leads to tragedy.

As the film opened with the aging Marcia Mornay reflecting back on her illustrious career and upon her unfulfilled love for Paul, so does it end. Life slips peacefully from her frail body as her spirit is once again united with her lifelong love, who had gone before her, and the two of them stroll longingly down their celestial lane as apple blossoms fall blushingly to the ground. This is one of the most poignant scenes in cinematic history. The music is glorious--almost beyond description. The costumes and sets are lavish in style and detail. "Will you remember?" Indeed you will! This is a joyous reminder of the nostalgia and happiness we feel each year in "Springtime, Lovetime, May."

A MUST SEE FOR MAC & EDDY FANS!
Maytime is the best movie this duo ever made. Unlike some other movies of theirs together this one isn't cheesy. The plot line is great, the romance is beautiful, the acting fantastic, and the music gorgeous! Plus it's a great tear-jerker. Watching the love bloom between Marcia (Mac) and Paul (Eddy) is as entertaining and romantic as ever. John Barrymore does a superb job as Marcias obsessed voice teacher. He definately makes you hate him. And no matter what anyone says the ending makes the whole movie! It wouldn't be Maytime without it. And even if you don't like the ending, the movie is worth watching just to see Nelson Eddy sing "Ham and Eggs" or the Prima Donna song. It's such a shame that Hollywood doesn't make good movies like this anymore.

My Favorite Movie
For many years, I would watch this movie on TV every May 1st.I would wake up in the middle of the night to feel the emotion and joy of Marcia and Paul in love. Now that I have it on VHS, I can watch it as often as I wish.
They do not make love stories, nor musicals like this any more.It is a classic. It moves me every time I watch it. And when they sing at the fair "Sweetheart" I get very tearful.
Thank you Jeanette and Nelson, for making this beautiful film.

More than happy
When I bought this vhs, I was not expecting such a quality in sounds and clearness. This film was made in the 30 after all. And what made me happier is that the story keep us awakened from the beginnig till the end. The lovely voice of Jeanette MacDonald is an enchantment in all the opera'a arias she sings. Nelson Eddy is also good, but not enough to be the opera singer they expected from him. But what a story! And, woudl it be only for Jeanette lyrics and her fascinating eyes, it is worted more than the price I paid for it. Three times BRAVO!

THIS IS ONE OF THE BEST MUSICALS I'VE EVER SEEN!!!
Though usually I don't like to watch anything of this sort I enjoyed the thrilling plot. It was wonderfully acted and is one of the best videos I've seen from the 1930's. ... Read more

Reviews (142)

A sumptuous Renaissance feast!
Franco Zefirrelli's 1967 film was revolutionary in using teenaged actors to play the two most famous lovers of all literature. Olivia Hussey is heartbreakingly beautiful, a vulnerable and courageous Juliet, while Leonard Whiting's poetic good looks make him a sensitive and appealing Romeo. Zefirrelli's career as an opera director is put to spectacular use here--each scene is meticulously crafted to be an exact replica of the Renaissance. Stunningly beautiful clothing, jewels, furniture, food, glass, sculpture--it is an overwhelming feast for the eyes. The preserved medieval towns of Tuscany, and the lovely Borghese palace where the balcony scene is set, give the film the look of an animated Renaissance painting. Zefirrelli took some liberties with Shakespeare's original script for the sake of brevity, but unless you are a die-hard purist, this is a minor flaw. I saw this film a dozen times in the theater, and never without the sound of girls weeping by the end--I was often one of them. Leslie Howard was a better actor, and Leonardo DiCaprio/Clare Danes more modern, but if you love beauty, this is THE quintessential Romeo and Juliet on film. END

Zeffirelli's Quintessential Version! Every Aspect Excellent!
This is THE must see version of Romeo and Juliet. Zeffirelli's 1968 masterpiece stars 17-year-old Leonard Whiting and 15-year-old Olivia Hussey with great music by Nino Rota. Filmed "on location" in Italy this version also has the fingerprints of the 1960s all over it, from moddish long hair, the debut of Michael York as Tybalt, John McEnery as Mercutio, the lush balcony scenes, the nude scene, and an emotional intensity throughout. McEnery brings just the right comic touch to the comi-tragedy and screenwriters Franco Brusati, Maestro D'Amico, and Zeffirelli keep true to Shakespeare with a take on the story that's easily accessible to a wide audience, thereby making this one of the most popular films of the '60s.

Especially effective is the ambiguity of intent of the Tybalt-Mercutio duel, and the overall editing of dialogue just enough to keep it succinct and believable yet retain the poetic and philosophical virtuosity of the playwright's playwright. The music is used effectively and as it rises during the love scenes it's a manipulation that's an enhancement to rather than distraction from the emotion--a rare successful pull-off of this. And that balcony scene is extraordinary, the lush dark atmosphere, Romeo's giddiness, Juliet's beauty...I believed it.

Milo O'Shea (who later played the Judge in "The Verdict") does a believable Friar Laurence and Robert Stephens (I)(with a long list of Shakespearian roles to his name) an intensely serious Prince of Verona. It's hard not to fall in love with Olivia (watch for her new film role as Mother Theresa).

Some bits of trivia: Before 1968 Romeo and Juliet was not generally taught in US high schools and this film's popularity changed all that as most of you reading this had it in high school. Michael York turned down the role of Oliver in Love Story--one may read into this he felt it was a poor man's Romeo and Juliet...just a thought. Also Olivia Hussey briefly dated Prince Charles. And here's the clincher: Paul McCartney got the original offer to play Romeo. I'm glad he turned it down, as Whiting is perfect here. And for those who wonder, the story did not originate in historical fact, though one may wish it so. The story came from mythical legend starting in 5th century Greece, later evolving into "The Tragical History of Romeus and Juliet" translated into English in 1562 by Arthur Brooke and originally written about 1530 by Luigi da Porto., 'til Shakespeare got a hold of it (circa 1594) and breathed into it the life that will last as long as humanity does most probably.

This towers over the 1st film version with a 34-year-old Norma Shearer and a 43-year-old Leslie Howard, and as for the 1996 mess sorry guys; American accents, present day gang violence, over-the-top overacting, LA locales, and Leonard DiCaprio do not great Shakespearean tragedy make. This 1968 one is the one to see over and over.

Excellent movie...Great actors
Watching this as part of a highschool assignment, the teacher only allowed us to watch about 15 minutes of it. When I saw it playing on cable, I sat down to finish it. This, I must say, is the best version of Romeo and Juliet. In the '68 version The actors are young and even though it was made in '68, you can relate to them in this day. The acting is superb, no one better could have been picked for the parts. It was a real tearjerker. Not to mention the soundtrack...the songs were just amazing to hear. Just watch the movie once, you'll fall in love with it.

The Defintive R & J
I could watch this version of Romeo and Juliet over, and over, and over. The performances are dead on, especially John McEnry's turn as Mercutio (you understand the reason why he's killed off: people would have cared more about him than about the tragic heroes if he'd been around too much longer!). I would advise teachers, however, that this is not the first version they show students of the show. While most ninth graders read this play, the giggling that can abound in a classroom watching Romeo in tights often distracts from the meaning of the film.
So, for with the exception of ninth graders, this is the Romeo and Juliet to see.

Zeffirelli and Shakespeare: A Perfect Match
There is nothing worse than bad Shakespeare but not to worry here-- Franco Zeffirelli and Shakespeare come together here in a lavish, opulent production of ROMEO AND JULIET, just when we thought there was nothing fresh to say about them. Zeffirelli has broken new ground by casting Leonard Whiting, who is 17, and Olivia Hussey, who is all of 15 but looks even younger, in this timeless classic story about "star-crossed" lovers. With the possible exception of some parts of the musical score-- although much of it soars-- this film is as good today as it was when first released in 1968. (The musical theme was beautiful the first 50 times I heard it on the radio. Then it became trite.)

There are no bad actors here. In addition to the two lovers, Michael York as Tybalt and Pat Heywood as the nurse give outstanding performances, just to name two. My only negative comment about the acting is that Romeo always seems to run to and from an event or meeting; he never walks. Perhaps that is what a seventeen-year-old, testosterone-laden lad does, however. On the other hand, Romeo and Juliet's tragic story is completely believable and will put chills on your spine. Additionally, the dance scenes and duel scenes are quite wonderful. The wardrobe department got everything right as well.

A word about the language-- it goes without saying that Mr. Shakespeare is and ever shall be the greatest writer in English. Hearing his words again is a transcendent experience. ... Read more

Reviews (5)

My review of The Magic School Bus: For lunch
Let me begin by saying that this is all a fantasy. Or pretty much everything in this video. But maybe again, this all could be not true. First of all shrinking a bus. Now if your teacher let you stay behind while the rest of your class goes on a field trip, would you be happy, and then get suspicious about your teacher letting you stay behind. When The Magic School Bus begins, Arnold (voiced by Danny Tamberlli) is helping Wanda (Lisa Yamanaka) break a record to get two free tickets to action mountain, and to get to get the free tickets, you have to chew gum for over 6 hours. Wanda could have done the chewing, but she got a new filling. But Arnold shallows the gump when Wanda hits, him, she gets kinda mad with him. Then Arnold's teacher Ms. Frizzle (Lilly Tomlin) announces that they are heading for a field trip, and then Ms. Frizzle lets Arnold stay back, but while Arnold enjoys his favorite snack (cheezie wheezies), little does he know that Ms. Frizzle has shrunk the bus and the rest of Arnold's classmates in the bus and the bus goes into Arnold's mouth. Which in real life, could never happen. The class goes really fast though Arnold's digestion system (but it takes over 10 hours to digest). But please remember this is a 30 minute show, and they had to make them go though it really fast. If you or your kids love The Magic School Bus, get this tape, or this would be good to watch if you ever wanted to learn about the digestive system, this would be another good reason to watch, but if you wanted to learn more about the other systems in the body, then you have to find something else to watch or take a trip to learn more about the body.

Our 4 Year Old Loves This Video!
We have purchased this and all other available MSB videos. This one is one of my child's favourites. It focuses on the human digestive system. He has been watching this video since he was 2 and can tell you all about the digestive tract, villi, and the rest. I highly recommend this video and most in this series.

It Was Interesting
It helps me see what's inside you. Sometimes it made me laugh. I recommend for parents to buy it for their kids.

What a ride!
Imagine going for a wild ride from a mouth on down! Thats just what a bus load of kids did! What better way for kids to learn where all that food goes! There is suspense for the adults too! Just how is the producer going to handle the subject of the bitter end? All I can say is they always have the best way of explaning things to kids!

A wonderful introduction to the digestive system
This is a wonderful video for young children. My 4 and 6 year old loved it. It is a descriptive and fun adventure inside the digestive system, showing the process food goes through as it enters our mouth. It is fun and entertaining and the children learn a great deal about digestion. I am a nutritionist and food scientist myself and I recommend this video to all parents. I think this is a great introduction for the children. ... Read more

Reviews (2)

Sick? MSB to the rescue!
Ms. Frizzles team of reporter kids is going to get the "inside story". Ralphie is sick with a sore throat and the bus is going in! They see bacteria destroying Ralphie's throat cells. They see white blood cells marking the bacteria with antibodies and consuming them! It is a war worth watching! And when the "backup support" (medicine) arrives the battle is being won! An exiting way for kids to understand what happens in there when they get sick!

A Magic School Bus trip through the body of a child
This video teaches young children about the inner workings of the human body in an entertaining and informative format. It is suitable for pre-schoolers through lower elementary grades. The video is approximately 30 min. in length. ... Read more

Reviews (60)

Love it! Love it! Love it!
I love this tape :-) It's great fun to do, works you really hard and it's impossible to get bored with it. I first bought this tape when it came out around ten years ago and I'm on my third copy because I've worn out the other two. Cher is humourous and encouraging and it's useful to see the other women in the tape working out at differing fitness levels. The abs workout is very effective but I find that I need to do more stretching afterward to stop my stomach hurting the next day. The legs workout is very, very good but please take it easy if like me, you have bad knees. The music is great, the workout gear is cool and it's always fun to do. To summarise this tape is excellent, effective and addictive fun. I wish it was out on DVD but I'd settle for a brand new workout tape from Cher and co. instead :-)

This is an absolutely easy and great stairstepping/workout
I had always felt clumsy and out of it when working out to stairstepping videos until I tried out Cher's New Attitude. I love this video! The instructor Kelli is such a perfect rolemodel, always full of energy and spunk. She moves when all the rest of us are slowing down which helps to push me along. The music is great and so is the workout. It has kept me interested for over a year and on days I really don't want to workout I think of this video and how much I enjoy it and just the thought gets me motivated. Needless, to say I built up my confidence in stairstepping with this video. Thanks Kelli & Cher. This is the best!

Repetitious but not all bad
I used to do this video years ago and gave it away. I've since repurchased it because I'd remembered that it was a good workout. Now that I have had a chance to get reaquainted with the workout, I find it repetitious borderline boring. If I allow my mind to wonder, which I found hard not to do, I find myself in the position of talking myself out of it. The constant up, up, down, down, may have been all the rage when this video was produced but in the days of more exciting mores, it lacks the fun factor. Having said that it gets great remarks for showing the foot movements, even though I didn't need them, I thought if today's video's panned down to show us the foot patterns, we may not need to do so much reminding to get it.

BEST EVER -- Let's See it on DVD!!!!
Cher, or distributor of Cher Fitness, please make this workout available on DVD! This is THE BEST fitness program that my sister and I have ever done. Challenging, fun, concise, EFFECTIVE, totally non-cheesy alternative with awesome music! We still do the abs program every week, and not a week goes by when we do not wish that it was available on DVD. Please, please preserve this CLASSIC workout by putting it on DVD format and introducing it to a new generation of workout aficionados -- it stands the test of time!

Fun Workout that makes you sweat
I really love this exercise video. I bought one in the 90's when I was 125lb and got a great workout it helped keep me fit.
I'm much heavier now and out of shape. I tried dieting and various exercises but didn't stick to any of them. A month ago I started using this tape again and I'm dropping the pounds. It's a fun routine that gives you a solid intermediate level workout without being too difficult. ... Read more

Amazon.com

Louis L'Amour's easy voice with its gentle rhythm sets the tone and pace of the film in a spoken introduction to this loping, rambling three-hour-plus TV-movie adaptation of his novels The Daybreakers and Sackett. Sam Elliot stars as the elder Sackett, a nomad hunting and trapping in the mountains who happens upon an ancient treasure. Tom Selleck and Jeff Osterhage are his younger siblings, forced to leave home to avoid a Hatfield and McCoy situation. As the Sackett brothers wind their way across the Midwest prairies and mountains we join them on cattle drives and gold hunts, in gunfights and fistfights, and in a climactic showdown as they find their place in the world. This 1979 film rambles and meanders like a lazy river winding through a beautiful landscape of peaks and plains and forests, punctuated by the occasional gunfight and enlivened by a story that celebrates both the open range and the taming of the towns. Elliot looks almost young but flashes his savage eyes behind a thick black beard, while Selleck's easygoing manner is backed up with a stony-faced determination. The excellent cast includes a veritable who's who of Western character actors: Glenn Ford, Ben Johnson, Gilbert Roland, Gene Evans, Jack Elam, Slim Pickens, L.Q. Jones, Mercedes McCambridge, and Pat Buttram. Followed in 1982 by The Shadow Riders, which reunited the three stars and even a few members of the supporting cast in a tale of three different brothers. --Sean Axmaker ... Read more

Reviews (8)

The late Louis L'Amour wrote this

This is a three hour, two disk barn burner. The late Louis L'Amour (Lamoore) wrote half a library full of Westerns and a few contemporary novels. He churned them out like there was no tomorrow, but he knew of what he wrote. He had been a cowhand, miner, merchant seaman, circus roustabout and a few other things. I think that he said he'd been a U.S. Marine, too, bless his heart. He did the narration on this film.

L'Amour did a bunch of books on the Sackett family of Tennessee, and this is a sort of compilation of some of them. Tell Sackett is the oldest brother (Sam Elliott), Orrin is the middle one (Tom Selleck), and Tyrell was the youngest (Jeff Osterhage). All played their parts very well. The bad guys included (but were not limited to) Jack Elam, Slim Pickens and L.Q.Jones. Mercedes McCambridge played Ma Sackett. Gilbert Roland played a Spanish (read Mexican) land-owner who the anglos were trying to push off his land in the new territory of New Mexico.

I liked the way everyone played their parts, but particularly Sam Elliot, when he was strolling drunkenly down the main street of Pugatorie, singing quietly to himself in his deep bass, "That's the way she goes, first your money and then your clothes..." just before he caught the guy who was trying to roll him, and shaved him with an Arkansas toothpick with a foot-long blade. Shaved his mustache clean off!

This is a wonderful L'Amour Western. I hope you like it as much as I did.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

KILLIN DONT MIX WELL WITH A MANS SUPPER BUT THIS MOVIE DOES.
THIS TV MINI SEIRES MAY WELL BE THE LAST GREAT ROUND UP OF WESTERN CHARACTER ACTORS, AND WHAT A LOSS THAT IS.
THE SUPPORTING CAST READS LIKE A WHOS WHO OF COWBOY GREATS; SLIM PICKENS, JACK ELAM, BEN JOHNSON, GLENN FORD, BUCK TAYLOR AND OTHERS, MOST OF WHICH HAVE GONE TO THAT GREAT CORRAL IN THE SKY.
CONTEMPORARY ACTORS SAM ELLIOTT AND TOM SELLECK STAR IN THIS STORY OF BROTHERS DISCOVERING THE AMERICAN WEST AND EACH OTHER IN THE PROCESS.
BASED ON LOUIS LAMOURS NOVEL "THE DAYBREAKERS" 'THE SACKETTS'
IS A CLASSIC SHOOT EM UP WITH ROMANCE AND SUSPENSE THROWN IN FOR GOOD MEASURE.
THE DIALOUGE IS GREAT, ESPECIALLY THE SCENES WITH SAM ELLIOTT.
AS ELLIOTS CHARACTER ENJOYS A STEAK WITH FELLOW PROSPECTOR BEN JOHNSON, A YOUNG UPSTART GUNSLINGER INTERUPPTS CHALLENGING THEM TO A WALK DOWN.
WITHOUT LOOKING UP FROM HIS PLATE ELLIOTT WARNS THE WANNE BE OF THE CONSEQUENCES OF PUSHING HIS LUCK.
BUT THE PUP IS INSISTANT TO WHICH ELLIOTT REPLIES, FINALLY LOOKING AT THE KID."YOURE FIXIN TO MAKE ME TAKE HOLD OF THAT PISTOL (WHICH SITS ON THE TABLE) AND THEN ILL HAVE TO KILL YA.....AND KILLIN DONT MIX WELL WITH A MANS SUPPER."
IT DONT GET ANY BETTER THAN THAT.
GLENN FORD PLAYS CONVINCINGLY AS AN EX LAWMAN GUNFIGHTER WHO BECOMES OBSSESSED WITH HATRED AND DIES BECAUSE OF IT.
THE ONLY DOWNSIDE TO THIS HORSE OPERA IS THE 1979 T.V. CINEMATOGRAPHY WHICH LEAVES A LOT TO BE DESIRED. OTHER THAN THAT IT IS TOP NOTCH WESTERN ENTERTAINMENT.

Response to Disappointed
I am watching a very fuzzy VHS recording from the early 90's and basically all I am getting is the audio, I decided I wanted it all and visited this site to purchase a copy of the video (hoped DVD) and encountered this review which I couldn't resist responding to. The movie follows what I remember of the L'Amour books (about to pull out of storage) which took their own sweet time in describing the characters & scenery. I admit, I didn't watch the whole recording, but from what I heard I thought it followed true to tradition, as well as a movie could.
Tim.

Disappointing.......
I've had this video for several years, and watched it again last night, after a break of about a year. I am a die hard fan of both Louis L'Amour books, and western movies, and thought a Louis written movie with this strong a cast would be totally first class.

Wish I could say it was. It's too long by about a third, which gives it a plodding, almost boring feel in places. It's obvious why this excessive padding had to happen. This was a TV project, not a theatrical movie, and they had to make it long enough to cover two nights viewing. With a few exceptions the actors seem to be pretty much just going thru their paces, waiting for somebody else to seize the moment. The one exception to this was Glenn Ford - he did a superb job. Of the other actors, Sam Elliot was probably the most believable.

The movie is very predictable for the most part. The obligatory love interests for all 3 Sacketts, for example. Then there is the final showdown: 3 good-guy brothers, with best buddy, take on the bad guy brothers, accompanied by numerous backup bad guys. In and around the livery stable, no less. Did the Sacketts change their first names to Wyatt, Morgan, and Virgil, with Doc thrown in for good measure? Then all four good guys stroll triumphantly down the street, side by side. Couldn't see Gary Cooper anywhere, tho.

Also a good part of the script is devoted to building up the racist, rich Anglo as number one bad guy, and the suspense builds as he prepares for war against the Spanish speaking citizens of Santa Fe. Then a couple of his hired guns sing like canaries to Sheriff Sacket and racist rich Anglo bad guy is meekly led off in handcuffs by the Feds, and this entire plot switcheroo happens and is over within about a minute. Soaring plot line ends with a resounding thud. And his more beautiful than life blonde daughter? One of the Sackett love interests? What happens to her? Left standing on the sidewalk as daddy is led away........ Hollywood abandoning a damsel in distress? Heresy.......

Most disappointing, tho, for me, was the lack of attention paid to historical accuracy, especially for a Louis project. Model 1873 and 1892 Winchesters in 1869? Don't think so.....

It IS well filmed, with gorgeous settings. All in all, this is an ok movie, but could and should have been so much more.

The Sacketts
I personally knew Louis L'Mamour and have ever book that he has ever written. The reason I'm trying to order this video now is because I have litteraly worn out the original I got when it first came out. I also have all the other videos that were based on his books but I feel like The Sacketts was on to the best based on his book. From the Four Corners where most of his books were written about an avid fan from Southwest Colorado. ... Read more

Amazon.com essential video

An entire generation of baby boomers grew up with this stagy but magical production, which originated on Broadway but was broadcast several times on TV. They may not know Mary Martin or Cyril Ritchard--two staples of the commercial theater in their time--for any other reason, but they'll always be able to name them as Peter Pan and Captain Hook. The story of the boy who wouldn't grow up includes a classic score with songs that can bring a tear of nostalgia to the eye of the middle-aged--like "I Won't Grow Up," "I've Gotta Grow," and "Neverland." The flying, the goofy comedy--it's all there in this video version of the classic TV broadcast. It's hard to know what sophisticated modern youngsters would make of it, but their parents will gladly sit and watch with them. --Marshall Fine ... Read more

Reviews (25)

A Cherished Favorite!
Mary Martin, the first of three famous actresses to play Peter in this musical, gives a classic performance in television's first "in color" made-for-TV special. Her rendition of "Neverland" remains unmatched by any of her successors. Cyril Ritchard is wonderful as the mischievous Captain hook. You will sing along, laugh and cry as you watch this 1950's Broadway show reassembled for the 1960 video special. Unfortunately, unlike the pristine video and DVD recorded in early 2000 of Cathy Rigby in the same musical (also available at Amazon.com) the 1960 video quality is poor by comparison. Never the less this is a classic you don't want to miss!

Peter Pan in Living Color .. in Brooklyn!
This DVD is copied from the 1960 NBC-TV version of the Mary Martin Broadway musical. It was done on live TV [videotape was still experimental] each year from 1955 on. There's a black-and-white kinescope version of the 1955 telecast "broadcast in compatible color and black-and-white" in the NBC news archives. The 1955 telecast is considered to be the first adaptation of a Broadway musical to be broadcast live, and in color.

In 1960, the folks at NBC decided to put the classic to videotape, and assembled the cast at NBC's studios in Brooklyn .. the only NBC studio outside of Burbank that had sufficient ceiling height so stagehands could do the intricate wire technique that Martin and her fellow actors used to fly through the sets.

Think about this "Peter Pan" as a period piece; a slice of television's past that is fortunately well-preserved. With its grand, over-saturated RCA color ... the Broadway staging ... with choreography by the famed Jerome Robbins ... and its mono soundtrack. Not to mention the non-politically-correct Indians .. and a superb Cyril Ritchard Captain Hook.

Color TV was only about 7 years old as a mass medium when this production was captured on tape. Color videotape was only 3 years old. The original tape was 2" in width, and the original tape container weighed close to 15 pounds! The cameras weighed upwards of 300 pounds, and were connected by cables as big as a large man's wrist. There were no zoom lenses. You can see some of the camera shakes in many of the dolly and tracking shots.

The tape was shown yearly around Christmas time by NBC throughout the 1960s and '70s. Then some problems ensued between the charity in Britain that holds the rights to the J.M. Barrie original, and NBC. In the late 1980's the late NBC executive Brandon Tartikoff was able to clear up the rights problems, get the tape transferred and restored to modern standards. Could use a further cleaning-up using the newest restoration technology.

Enjoy, have a good, safe laugh ... and just remember you're looking at history!

By FAR the best version!
For baby boomers and their young children, THIS is the version you want. If you loved this, don't waste your money on the latest 2004 dark version which is comprised of non-stop action, violence, and special effects without any qualitative plot (what there is, is a sad perversion of the story) nor enough attention to casting. Of course, most of the X generation seems to love it-what a sad commentary! In comparison, this (Mary Martin) version is wholesome and won't give your kids nightmares!

Pretty Good! :)
I remember first hearing about this classic when I was in Elementary school and wanting to see what all the talk was about. But when I realized that a woman (Mary Martin), was playing the boy, Peter Pan, I thought it was different and weird. But I soon fell in love with the characters and the music in the movie, and soon forgot all about a girl playing a boy character.
Even at my young age, I figured out how the character Peter Pan flew, with cable wires. Though I could see the wires everytime Peter left the ground, the music and the atmosphere of the movie made me smile and wished that I could fly like Peter.

I grew up with classic movies by appreciating the movie each classic gives us. I highly reccomend this movie to children of all ages (even children that refuse to grow up! ;)_) by introducing them to not only a story that has gone through generations of children, but to a 'real' classic movie that today's generation can appreciate. More people need to appreciate older classic movies and the talented actors and actresses worked so hard 50, 60, 70 years ago.

Simply the Best!!!
I was about five years old when I first saw this on television. (Dating myself, of course - circa 1954) It hasn't lost its charm at all, and Mary Martin is the Peter Pan of all time. Not because I am biased, but when you first see her, as I did when I was a child, you forget about gender. She is magical, and musical, and mystical, and she embodies the character of J.M. Barrie's "Pan" to the hilt. Then there are the songs - "I'm Flying," "Never Land," "I Won't Grow Up," and others, and it's incredibly enchanting.

Cyril Ritchard is marvelous as Captain Hook, as well, and he embodies the role as well. You know that he's gone wrong, and the semi-comic, don't take me to seriously mischief he brings to the role is neat. He sings on "Tarantella," and "Captain Hook," and when the Crocodile makes its appearance, you are at first saddened, but glad that he has gone away.

All in all, this is superb family entertainment, and it is highly recommended. 10 stars would be more like it!!! ... Read more

Amazon.com essential video

There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of Toy Story looks intriguing, reawakening the kid in us. Filmmaker John Lasseter's shorts (namely Knickknack and Tin Toy, which can be found on the Pixar video Tiny Toy Stories) illustrate not only a technical brilliance but also a great sense of humor--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.

Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas

... Read more

Reviews (81)

Toy Story
1995's "Toy Story" was the first feature length film generated entirely by computers, and Pixar's first dive into theatrical films. The movie opens as young Andy turns 7. The undisputed leader of Andy's toys, a 50's cowboy doll named Woody (Tom Hanks), finds himself challenged by the new toy on the block, "space ranger" Buzz Lightyear (Tim Allen). When Woody's plan to get rid of Buzz backfires, the two find themselves lost in the suburbs. Woody and Buzz relize they have to work together to get back to Andy's, and they eventually become the best of friends. The humor and animation is terrific, and a great start for Pixar. This lead to several other successes, such as A Bug's Life and Finding Nemo.

Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.

The Secret Lives of Toys Revealed
"Toy Story" is a modern fairy tale created with appropriately modern computer animation. Its snappy dialougue will appeal to adult viewers, the spectacle of fantastic toys coming to life will appeal to children, and adults may wax nostalgic about the toys they enjoyed as children, several of which are featured in this movie.
The story revolves around a cowboy doll named Woody, and his imminent replacement as the favorite toy of his owner, Andy, by Andy's new Buzz Lightyear doll, a multigadgeted gift that Andy receives for his birthday.
Tom Hanks'personality shines through in the persona of Woody, and Tim Allen's voice lends the right amount of charisma to Buzz.
In the process of forming an eventual friendship, the characters go through a lot of antagonism and a lot of other real human emotions. As they prepare for life in a new home, they are imperiled by the sadistic kid next door named Sid, into whose clutches they fall by accident.
It's entertaining to watch the toys interact with each other.
Buzz gradually learns that he is simply a child's plaything and not the noble space crusader he fancied himself to be in the beginning, and Woody learns to share his special place in Andy's heart. A great supporting cast including Annie Potts as Woody's sweetheart, Bo Peep, Don Rickles as Mr. Potato Head, Jim Varney as Slinky, Wallace Shawn as Rex, John Ratzenburger as Ham, and Laurie Metcalfe as Andy's mother help fuel this tale.
Seeing this innovative film made me want to buy dolls of Woody and Buzz as collector's items. But I am content with just a copy of this movie. The second installment of the "Toy Story" saga is an enhancement of the first one, and just like the first, nothing short of delightful.

Original and fun for the whole family!
This movie took me by storm when I saw it back in the summer of 1995 at the theatres and let me tell you, this movie is still one of the best computer animated movies of all time. In fact this movie shattered new grounds back in 1995 by not using drawing cel animation and instead this movie is the first of an unbroken chain of computer generated animated movies that has continued to date with "Finding Nemo".

The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules.

This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.

Computer animation wow. 16th april 2004.
The toys are great, the graphics and scenery is too. The collectables are boys mostly but the film is ace for anyone. The 3D toys look real, the colors are excellent[like finding nemo]. The talking toys are all friends, and they live with their owner andy.

Hit Me With Another One!
Give me another Toy Story and while your at it lets go for a 5th. Wow lets see...Tom Hanks and Tim Alan...Pixar and Disney...Go get it or miss out! ... Read more

Amazon.com

As premises for preteen flicks go, the identity swap went flat way back when, post-Freaky Friday. Throw in a threesome of pinup-worthy actors, a sport that lends itself to rock-song spiked footage, and a sprinkling of old-fashioned rebelliousness, though, and suddenly the bubbles are back. Motocrossed kicks up a gender-bending mess as cheerleader Andrea (Alana Austin) lops off her golden locks to enter a motocross race as her brother, Andrew, who's injured and can't compete. Mom's complicit, but if Dad, who clearly hasn't screened Yentl in a while, finds out, it's yike-a-roo. Complicating matters and upping race-day tummy rumbling is the crush Andi develops on one of her hoodwinked competitors. In the end--guess what--girls rule, but this movie made for Disney TV manages to ride into the sunset without its predictability flattening what's essentially 90 minutes of frothy, wide-eyed fun. --Tammy La Gorce ... Read more

Reviews (22)

Nice Family Movie
This film originally produced for the Disney Channel is one of the better productions to come out of the cable network. The story revolves around Andrea Carson, a young teenage girl who enjoys motocross just as much as her twin brother Andrew. When he brother is injured, she assumes his identity on the track. The film tells the story on how she attempts to hide her true identity through a competition from both her fellow racers and also from her father, who does not approve of girls ridding motocross. Somewhat of a mix between a rated-G teen movie, Shakespeare's comedy "Twelfth Night", and Disney's animated "Mulan", "Motocrossed" is an interesting film for the entire family but especially for fans of the sport and young girls looking for another "girl-power" flick.

Bikers, action, and a ... girl who wants first place!
A story of a girl whose father won't let her ride in a motocross competition after her brother is injured. She feels guilty about hurting her brother and the team's chance at winning a full sponsership. The blonde cheerleader cuts off her long locks and goes behind her family's back to win the competition. While her father is in Europe finding a new rider, her mother finds out about her sneaking away and helps her. Then her father comes home and catches them in the act, and so does the racing sponsers.

What will happen?

I personally think this is one of Disney's top movies. It is humorous and fun to watch with all the action scenes. It has star cameos in it also. It's a great movie to watch, I never get tired of seeing it on Disney.

I recommend this movie to you! :) Tune into Disney.

amazing
I'm not one to watch motocross much but this movie was amazing. It has a good plot with descent to good actors. I recommend this movie to those who enjoy disney movies with happy endings!

Awesome
This is an awesome movie. I ride myself and being female and ridding can some times get alittle scechy...but not for the chick in this movie. this is a must own for all you disney movie freaks.

WHAT ABOUT THE SECOND ONE??
This movie was GREAT. You can watch it thousands of times and never get sick of it. Is there going to be a sequel? There DEFINATELY should be. The ending didn't really say what was going to happen. ... Read more

Amazon.com essential video

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defense of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbor Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon ... Read more

Reviews (220)

EVERYONE SHOULD SEE THIS MOVIE
Truman Capote's influence is felt everywhere in both the book and film versions of TO KILL A MOCKINGBIRD, Harper Lee's classic, beautifully haunting story of childhood, innocence lost, and of the cruelty that exists in people everywhere. Yes, Gregory Peck is Atticus Finch, and all of the players here inhabit their roles with grace, humor and gravity, but it is Mary Badham as Scout who steals the show, as it should be. The simplicity of a father's touch, of a rapist's grimace, of the wind gently blowing through the trees at dusk -- everything in this movie evokes, from Scout's point of view, a time we each have in our lives that transforms us into adults. There comes with it an aching sadness -- as if saying goodbye to a comforting old friend -- but the revelation carries with it a profound joy. Elmer Bernstein's score realizes each emotional chord of the film, and transports us without ever lambasting us -- it is the best kind of movie score. You will be hooked from the opening credits, which are creatively brilliant -- those crayons, the haunting and beguiling theme softly begins on the piano -- through to the closing credits, at which point there will be well-earned tears softly falling down your cheek.

The Summer We Discovered Life
Every so often, as surely as night follows day, a film comes along that manages to transport us from our everyday lives and into a time and place that is recalled through memories of better and in a reversal of fortunes, turbulent times. To Kill A Mockingbird is such a film.

In a Pulitzer Prize winning novel by Harper Lee, the small town of Macomb, Alabama is portrayed in the summer of 1932, during the deepest depression that the United States had ever experienced. Over the course of the next year and a half, events will burrow inside this sleepy southern town and the lives of its residents will be transported by actions, ideas, perceptions and convictions that will influence one and all in ways that will ring true for years to come.

Atticus Finch (Gregory Peck) is a lawyer and widower, raising two small children, Scout (Mary Badham) and her older brother Jem (Phillip Alford). Into their lives enters a visitor, Dill (John Megna) from Meridian, Mississippi, come to spend two weeks with his Aunt Stephanie (Alice Ghostley). Macomb is a town with nothing to do and if there were, no money to spend on it. The stage is being set for a life shattering episode that will not go quietly into that good night.

Childhood holds its fascinations, its myths, its coming of age and through the eyes of the three children, the audience is allowed to peer into the adult world around them as perceived through the minds and souls of innocence that will be all too easily shattered as time whistles down the track. One of the stories woven so masterfully within its covers is the local urban legend of bogeyman, Boo Radley (Robert Duval), who lives on the same block as the Finch family. In a narration, rather like playing telephone, his persona takes on all the familiar attributes of a raving lunatic, a monster out for blood. His aura becomes the end all for Scout, Jem and Dill as they seek to master the mystery surrounding Boo and the ability to live to tell the tale!

Into this world of innocence, a shattering crescendo of complexity wraps itself in the lives of the townspeople in the form of an alleged rape of a white woman, Mayella Violet Ewell (Collin Wilcox) by a black man, Tom Robinson (Brock Peters). Atticus Finch is called upon to act as counsel for Robinson and in doing so, the stage has been set for a dance with race relations and the exemplary lengths that are gone to in order to allow justice to prevail in the face of malcontent.

The performances throughout To Kill A Mockingbird are stunning. Gregory Peck, as the gentleman lawyer, mired in small town attitudes and thoughts that were so representational in the southern gothic sphere, has collected and held a restrained order to his character, and in the process, he has allowed us all to be on the receiving end of hate as conveyed through the actions of small minds and small people. The children, especially Mary Badham, are siblings of more than a movie making venture. They show the absence of preconceived notions, and the guile of beings before the actions of adults can render their world as lost and gone with the shedding of time.

James Anderson as Tom Ewell is the complete representation of oily slime as Mayella's father. He embodies all of the hate and prejudice that continues to be harboured to this day in the souls of those who would attempt to wield their vision of the way things should and ought to be. He has a foul baseness that lingers like a bad rash as he attempts to invoke his arguments through drunken bullying and hatred. Collin Willcox as Mayella is excruciatingly convincing as the bored, housebound white woman who tries to tempt Tom Robinson into kissing her and through her actions sets in motion a rollercoaster of tragedy to come. Her speech to the assembled courtroom is superb and as the audience, you feel her anger and resentment at having to be put in such a position, having to lie to save face and what little position she has in the town. Brock Peters as the aforementioned Robinson is equally sure in the allotted time he spends on the screen. There is a noble demeanor to his bearing, and yet we are aware of the restrictions that blacks were held to in their relationships with whites at the time.

Robert Mulligan, the director and Horton Foote, the screenwriter, have presented us with a look into our pasts and faithfully etched a portrait of quiet and artfully rendered proportions that draw us into the canvas and the lives of those assembled. We have walked a mile in their shoes and been under their skin. Foote worried about being able to do justice to Lee's novel, but he worried for nothing. He has completely evoked an era that now rests behind clouds of dust, blown by the winds of time into oblivion.

The cinematography by Russell Harlan and the set decoration by Oliver Emert carry us back through the courtesy of black and white to a depiction seen only in old photographs and clouding memories of those who lived in those precarious times. Black and white films seem to have had a curse thrust upon them by the younger generation today, as boring and tedious, but through the courtesies extended by Harlan and Emert, we are richer for those perceptions that would harken back throughout the pages of history.

Elmer Bernstein's film score carries us like an old friend and helps us to make our acquaintances with the characters held within this framework. He has achieved much with a simple theme and persuades us that said simplicity is fulfilled with less rather than more.

To Kill A Mockingbird is beautifully haunting and having been made in the 60's, at the height of the Civil Rights movement, it garners our attention to stop and take the time to truly 'see' what the human race is all about and what it can and should be, if taken over the bumps in the road and onto a path of sincere honesty and purpose. No special effects were needed, no huge Hollywood budget, no splashing of a story that had a happy ending for everyone involved. It is an open book into the realities of a world tilting temporarily off its axis, and being brought back on track through the goodness that sits in the hearts, minds and souls of mankind, if given half a chance.

See it and be amazed at what real moviemaking is all about.

Destruction of the innocent by the evils of the society
Destruction of the innocent by the evils of the society
Kuldip Kumar Garhwal

"Mockingbirds don't do one thing but... sing their heart out for us. That's why it is a sin to kill a mockingbird." The movie 'To kill a mockingbird' depicts the destruction of the innocent by the evils of the society. Mockingbird is a symbol of innocence, characterized by Tom Robinson and Arthur Radley (Boo) where racial prejudice and ignorance are the symbol of evils in the society.

Tom Robinson, an African-American is accused by Mayela, a white woman, of sexual molestation. Atticus, a prominent lawyer of the town Maycomb, has proved that Tom Robinson is innocent but still the "all-white jury" convicts Robinson of the guilt. Tom Robinson, a "quite humble respectable Negro", becomes the victim of racial prejudice. Arthur Radley (Boo) has been emotionally destroyed by his father, as his father did not let him step outside the house. Boo is one of the "mockingbirds" in the story, who is the victim of ignorance; evil of the society which is trying to kill the good. Boo had a deep affection for children, which is later displayed in the story, when Boo saves Jim and Scout from Bob Ewells.

"There are some men in the world who are born to do unpleasant jobs for us; your father is one of them", said Maudie to Jim after his father (Atticus) lost the case of Tom Robinson. Atticus helped his children to learn values of life and he showed them how to live life by the values; preaching by practicing. Atticus allowed his children to call him by his name instead of 'father'. He wanted his children to explore freedom, but also taught them to stay in limits. Jim is brave, intelligent, and caring. He learns courage, dignity, and value of life from his father. He is transforming into adulthood.

Scout is still a kid; she does not know anything about the existence of evil in the society. She is learning about evils from the real life example of the victims (Tom and Boo) of the evils in the society. By the end of the story Scout's perspective on life develops from that of an innocent child into that of a near grown up. "Mr. Tate was right", said Scout to Atticus, after Mr. Tate, the town Sheriff explained Atticus indirectly that whatever Boo did was correct and he is not supposed to be punished for that. "It would be like shooting the mockingbird, wouldn't it." Scout shows a high level of ability to comprehend at the age of five, and understands the whole situation and judges what is right and what is wrong.

The Music Director of the movie has done an excellent job. Music plays an important role in the movie, by setting the mood for what is been screened. The movie starts with a musical note, which seems like it is played by a kid, one note at a time. The movie also has gothic music to create the horrifying or thrilling environment, when Jim and Scout were walking home after the Halloween Party and they had an encounter with Bob Ewells. Most of the places the movie has melancholy music to produce the feeling of thoughtful sadness. The pleasant arrangements of musical notes in the movie create an atmosphere where we feel that we are a part of the movie, and we go back into our nostalgic memories and look back into our childhood. The movie itself seems like a mockingbird song.

My favorite scene in the movie is when Atticus is walking out of the courtroom after the trial is over and all the "colored" people sitting in the balcony stands up to pay respect to Atticus, a white man, who tried his level best to save a "Negro." The Reverend says to Scout who was sitting, "Stand up Jean Louise. Your father is passing." The scene says it all, there is not much dialogue but the expressions on the faces of the black people was marvelous, with a slow melancholy music at the background. As it this situation there is nothing left to say, because everyone knows in the courtroom that Tom Robinson is not guilty but still the jury has convicted him of the rape, just because of racial prejudice.

_____________________________________________

Kuldip Kumar Garhwal(...)

To Kill a Mockingbird is like a sin
'To Kill A Mockingbird' is of course the movie adaptation of Harper Lee's movie with the same title. Gregory Peck is a lawyer in rural Mississippi who is asked to defend a black man accused of raping a white woman.

The movie starts however with a seemingly unrelated event, the lives of Atticus Finch's two children. His daughter is a tomboy and his son is trying to keep her from getting into more trouble. The stumble upon some strange items and look at the house of a strange man called Boo Radley.

Then the movie goes into the court case. It is of course very obvious that the black man is innocent, but this is 1930's South with an all white jury...

Then the two parts of the movie come back together again...

The acting in this movie (in black and white) is superb. I recall that Gregory Pecks perfomance was voted the best of the century. Even the little girl is superb, she even got a nominatation for an oscar. Boo Radley is played by Robert Duvall, though he says next to nothing and is only in the movie for a few minutes. He of course 10 years later would play Tom Hayden in The Godfather. For Star Trek fans: Tom Robinson, the black man accused, is Sisko's Father of DS9

Its children¿s world that evolves with racial prejudice
We shall say "To kill a mockingbird" is a classic of the century that unfolds reality into film with profound simplicity. Its character development along with the approach of realism supersedes many contemporary works of literature and film. The historic flavor of the film creates an impression of a southern community of America during the great depression. Apparently the quintessential theme of the movie is the social stigma and prejudice. We see conflicts between the blacks and whites in the same community where justice has upheld my one of the central character called atticus.

Tom Robinson, a black guy living in the same town called Mayconb was one of the central characters in the movie has been accused of raping a white woman. However, eventually he was convicted as guilty of charge and subjected to unfair justice system by the ignorant majority that have taken part in the jury. But there were other themes that also have significance to its crafts also. Its amazing reality of children's life that is so universal. It created a reality of vividing contention that helps the viewers to understand how the children see and think about the world. It also calls into attention of the activities that children by their vary nature involve in a family. For instance, Scout and Jem who are the central characters have enormous interests in scary yet joyful venture to Boo Radly's house even after being forbidden by their father. It was also important to observe how the children have collected gifts from the tree given by a isolated guy who they never been acquainted with.

The phenomenal curiosity of children is almost inescapable from the viewer's notice in the movie. They were inquisitive in every detail of what has been happening around them. That gives us the idea of their emotional reopens to the world and family relationships. As you will see, if you watch the movie, their father atticuls who has been a significant moral authority to them. He has great influence on how they develop the ideas of people and differences of good and evil that remain in their fantasy world.

The story of the movie has a unique way to tell you about a community and what is going on to its families. It takes us to the journey to reflect on our own childhood fantasy world and the adventures that still remains in our mind a thrill. ... Read more

Product Description

With Leslie Sansone's High Calorie Burn you'll be amazed how easy it is to walk two miles when you're at home in front of your TV. It's time to turn up the intensity with this totally energizing workout that really incinerates the calories. This program includes easy to follow warm-up and cool-down sections along with weight resistance for turning your body into a fat-burning machine. ... Read more

Reviews (26)

Love That Leslie
When I first bought a Leslie Sansone tape, I was skeptical that walking inside my own home could get my heartrate up enough. I am 29 years old and in good aerobic shape. Her tapes really do get my breathing and sweating!
I really enjoyed this video. Leslie has REAL people in her videos, not ultra-fit models and I find that encouraging. She has people, throughout the workout, demonstrate modifications that may be done if you're not yet capable of exerting as much energy.
This video is only 30 minutes long (covers a 2 mile walk) and by the time I want to quit exercising, this video is nearly over. Leslie is charming and enthusiastic (although, I get tired of hearing her repeat the same phrase over and over). This is truly an excellent, non-strenous workout that leaves me feeling that I HAVE worked out.

A great cardio workout that just flies by!!
Ive only done this tape twice, but I can already say I love it. Ive only just recently heard of Sansone's "indoor walking" and was interested because the snow and ice keep me from taking my baby on walks. Yes, Leslie is very chipper and excited, but it doesnt bother me. The people on this tape are REAL people..all shapes and sizes. Old, young, heavy, and fit. There is a lot of chatter, but it sorta keeps things from getting dull. If you ever get sick of hearing the chatter, just turn the volume on mute and play your own music. The tape starts with a warm up and learning the four basic (EASY) steps of indoor walking. Then you start your 2 mile walk with basic upper body exercises and small weight work thrown in...very easy. It starts slow, then the intensity level does go up until you are sweating and then the cool down begins to ease those muscles. The meter at the bottom of the screen tracks how "far" you've walked. At the end of the half hour, you actually feel as if you walked 2 miles, but had the benefit of doing upper body work as well. This tape is easy and effective. I recommend it to anyone - regular exercisers and new exercisers alike.

Great workout for losing weight!!
I love this video! When I started using this video, about 8 months ago, I weighed in at a whopping 263 pounds and i'm about 5'4. My doctor said I needed to lose weight because I was at a high risk of certain diseases. So, I decided to try this Leslie Sansone's video. I started on her one mile walk and then gradually switched to the 2 mile walk. Well, so far I've lost 60 pounds! And I'm not done yet!

If your extremely overweight or a beginner, I do suggest starting on one of her one mile walks first, that way you can get use to exercising. Her video's are very easy too do, but they do get you sweating and breathing hard. I recommend them to all my family and friends!!

This is so Easy to do
I love this workout, because I am not the exercising type, but this workout makes me want to get up and get moving. I started about 3 months ago and I gave up. I have started again and I am really motivated this time. Leslie makes it easy to do this. She is not intimidating at all, anyone can do this.

Good Half-Hour Workout
This is my 5-year-old's favorite workout video. Whenever I put a workout video in, she asks me if I'm doing this one. I like the basic moves (I'm not very coordinated). Whether you use the weights (purchased separately) or not, you can get a good full-body workout. I like the on-screen meter that tells you how far you've walked. When I want a really intense workout, I do this one right after the 3-mile one. ... Read more

Description

The story of a young man?s amazing journey from a slave prison to the very inner sanctum of Egypt?s Pharaoh ... Read more

Reviews (39)

Gripping and accurate ...the ending will bring you to tears!
As a teacher of ancient history with a doctorate in Biblical theology, I can say--without hesitation, this account of the Joseph story is as good as it gets! Although some of the sexually explicit (though historically accurate) scenes should be screened from the very young, this film is an ideal platform from which teens can search out characteristics of moral uprightness in a character of whom the Bible has not one negative thing to say! Kingsley (as he did in 'Moses') steals the show, and Mercurio does an admirable job as Joseph. Especially capable are the actors portraying Joseph's wicked brothers, with Vincenzo Nicoli sterling is his performance as the wicked Simeon. Having watched the film dozens of times with adults--as well as with my middle-schoolers in the classroom, I can say that the greatest of Bible stories is captured in all its power, pathos, and glory. Although creating a few anachronistic vignettes (such as Joseph's 'foreshadowing' Christ's "My God, my God..." speech from the Egyptian prison), the film also captures all of the great ironies of the Joseph story. When Mercurio tenderly reveals himself as the second most powerful man in the ancient world--to the brothers who hated him as a youth, the words 'I am Joseph' will not fail to bring even the most calloused heart to tears. As my students synthesized the thirty or so characteristics of moral goodness extant in Joseph into an essay, one asked why no such heroes existed today. The question revealed both the effectiveness of this presentation, and the dearth of role models in our society. 'Joseph' is both gripping in narration, and brilliant its direction. It is faithful to Scripture and well-acted. It is THE finest of the TNT productions to date, of which only one ('Jacob') was a failure. Everyone will appreciate this wonderful story of forgiveness, but those those who are looking for the 'hidden things of Christ' cannot miss the poignant messianic threads which are so skillfully woven through the life of Joseph. HIGHLY RECOMMENDED!

"The Joseph story as it was meant to be told!"
This account of the Joseph story is as good as it gets! I teach ancient history and civilizations, and have an earned doctorate in theology. I say this only to lend perspective to this review.

This film is Biblically accurate, well-acted, and the producer and director are to be praised for the sound Biblical reasearch!

Although some of the sexually explicit (though historically accurate) scenes should be screened from the very young, this film is an ideal platform from which teens can search out characteristics of moral uprightness in a character of whom the Bible has not one negative thing to say!

Kingsley (as he did in 'Moses') steals the show, and Mercurio does an admirable job as Joseph. Only Leslie Ann Warren (Potipher's wife) seems to strain as an actor, nevertheless, her performance detracts little from the drama. Especially capable are the actors portraying Joseph's wicked brothers, with Vincenzo Nicoli sterling is his performance as the wicked Simeon.

Having watched the film dozens of times with adults--as well as with my middle-schoolers in the classroom, I can say that the greatest of Bible stories is captured in all its power, pathos, and glory. Although creating a few anachronistic vignettes (such as Joseph's 'foreshadowing' Christ's "My God, my God..." speech from the Egyptian prison), the film also captures all of the great ironies of the Joseph story.

When Mercurio tenderly reveals himself as the second most powerful man in the ancient world--to the brothers who hated him as a youth, the words 'I am Joseph' will not fail to bring even the most calloused heart to tears.

As my students synthesized the thirty or so characteristics of moral goodness extant in Joseph into an essay, one asked why no such heroes existed today. The question revealed both the effectiveness of this presentation, and the dearth of role models in our society.

'Joseph' is both gripping in narration, and brilliant its direction. It is faithful to Scripture and well-acted. It is THE finest of the TNT productions to date, of which only one ('Jacob') was a failure.

Everyone will appreciate this wonderful story of forgiveness, but those those who are looking for the 'hidden things of Christ' cannot miss the poignant messianic threads which are so skillfully woven through the life of Joseph. HIGHLY RECOMMENDED!

a man of character and faith
Though this interpretation of Joseph's life has been substantially embellished, the heart and soul of the story remain intact, and is ultimately quite faithful to the Biblical account covered in Genesis Ch. 33:18 through Ch. 46:30.
Much of the acting is marvelous, especially Ben Kingsley as Potiphar, whose part has thankfully been enlarged, because he is riveting in every scene he is in.
Martin Landau is also excellent as the patriarch Jacob, who mourns the apparent loss of his favorite son, Joseph.
Australian actor/dancer Paul Mercurio ("Strictly Ballroom") is good in the lead, and others in the cast include Leslie Ann Warren as Potiphar's lying wife, the always beautiful Dominique Sanda as Leah, and some fine character actors playing Joseph's brothers, notably Michael Attwell (Judah), and Vincenzo Nicoli (Simeon).

Included in this film, and intrinsic to Joseph's life are the stories of Tamar and Judah, and the horrific tale his sister Dinah, both done effectively.The only parts that are less than first-rate are the scenes in Pharoah's court; almost campy in costuming and acting, they can provide some amusement in the midst of all the drama. Stefano Dionisi is a most unlikely and modern looking Pharoah, and has the ultimate babe for a wife, the pulchritudinous Monica Bellucci. The entire film though, is always mentally and visually entertaining, and has much spiritual content. As with so much of the Old Testament, there are allegories that run through its narrative that point to the New Testament, and the story of Joseph has much of this symbolism.

Filmed in Quarzazate, Morocco, with its exotic ancient structures and landscapes, the cinematography by Rafaele Mertes is wonderful; this is a way above average production for television, and a film about a man who "does nothing against his conscience even on pain of death" is worth watching again and again.

Great Movie
I truly enjoyed this film. I think it was superbly done, however, I did not agree with the scene between Joseph and Potipher's wife. I think it was a bit too sexy and it was not necessary. This scene does not make it suitable for younger audiences and I think that is a shame because it is such a great movie. However, that was the only scene where I saw Hollywood getting carried away.

Excellent biblical account and well d