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| 61. Trilogy of Terror Director: Dan Curtis | |
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Story number one "Julie", is a fairly straightforward tale of school teacher Julie Eldridge (Karen Black), who teaches English at an American high school. She is mousey, studious and never goes out on dates. She "attracts" the attention of one of her students who takes her on a date, drugs her and begins to blackmail her into further meetings. At first the victim of the piece Julie ends up turning the tables on the young man and in the final twist it is revealed to his great personal cost that it is Julie who is the one in control and who has used him as she has numerous other young men for her own ends. Story two "Millicent and Therese", is probably the weakest of the three stories and has Karen Black playing two roles as "identical" sisters Millicent and Therese. The similarity between the women ends with their looks as Millicent is prim and proper and very introverted in her ways while Therese is outlandish in her dress and not shy about her relations with numerous men. A real hatred exists between the two sisters and Millicent succeeds in driving off one of Therese's boyfriends by telling him of her sordid past. As the tension in the house rises Millicent starts to fear for her personal safety and dabbles in witchcraft to remove the menance of Therese's presence. The family doctor long aware of the real truth of the "two sisters", arrives too late however to save the situation from a tragic outcome. "Amelia", is of course the classic story and has everything that the first two stories lack in sheer terror and exhausting nail biting suspense from the opening scene. Here Karen Black plays downtrodden young woman Amelia who to get away from a domineering mother has taken a sublease on an upstairs apartment for 6 months. She has managed to find herself a boyfriend and as a birthday gift she has purchased as a result of his love of african arts a genuine Zuni Fetish Doll from an antique shop.It comes with a scroll saying that if the little metal chain around its waist is broken a spirit will be released that is "he who kills". By accident the chain breaks off and thus begins a nightmarish tale where this killer doll comes alive and goes on a murderous rampage attempting to kill Amelia in her apartment. After trying to drown it and trap it in a suitcase and enduring numerous stabs from the doll which is armed with a butchers knife Amelia manages to burn up the doll in the oven. However a decidely horrific outcome develops where she "inherits", the spirit of the Zuni doll and starts to take on its traits in a horrific last scene. Many people have commented on the fact that this TV movie and in particular the "Amelia", story terrified them growing up but was almost comical when viewed as an adult. I still think the third story packs a real punch in the horror department and the sight of this murderous doll making horrific growling noises and stabbing Karen Black as she attempts to escape is a horror image just as terrifying as anything I've seen recently in the horror field. All the segments are well acted by Karen Black who is a fine actress however the brilliance of the Zuni Doll seemingly chasing her around a small apartment is the real element of genius in this movie and is superb in a pre special effects era of movie making. Turn down the lights and watch "Trilogy of Terror", sometime to see one of the best "horror figures" of the 1970's come to life.
Of course, the TV version was tamed down a bit due to nudity in the first story between the high school ... boy, Chad, who finds Karen Black's MUCHO OLDER teacher character sexy in that sort of "motherly/librarian" way. He drugs her, blackmails her with seedy pictures and thus the one sided affair ensues. As if you can really tame down the GREAT and MAGNIFICENT Karen Black. (See her in her Oscar nominated role in "Who's Afraid Of Virginia Woolf?) The second installment in the trilogy is about a good sister bad sister relationship. The weakest of the three but still HIGHLY enjoyable. The FINAL story is the one that STILL leaves me with nightmares. That little ZUNI ... doll coming to life, those sharp, pointy little teeth, his sharp little weapon, making that Nyaaaah, Nyaaah, Nyaaaaaaaah yell and then the end where Karen herself, turns into a Zuni Fetish doll lookalike with POINTY TEETH AND ALL! GRUESOME, GRUESOME, GRUESOME!!! Still makes me pee pee in my big girl [underwear]! LOL!
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| 62. Paula Abdul's Get Up and Dance! | |
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| 63. Becket Director: Peter Glenville | |
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Reviews (39)
The confrontation between Henry and the clergy is set immediately following the old archbishop's death, when Henry informs the assembled bishops that there will only be one head honcho in England, and that is the king. The bishops are not used to having their power abrogated by anyone outside the church; they answer only to the pope and to God. The king and clergy are on collision course, and Henry, to his chagrin, finds that Becket is solidly on the side of the Church his king has appointed him to represent. There will be no compromise here. The stage is thus set for a fateful confrontation. One has to wonder: when Henry blurted out his petulant rhetorical question "Will no one rid me of this turbulent priest?", did he really not expect to be taken at his word? He's made it clear over and over again that he is the king, and the king is the law. So it's hard not to feel a sense of disgust at Henry's hypocrisy as he undergoes a ritual flogging in the cathedral crypt to expiate his guilt at having instigated Becket's murder, and immediately afterwards announces on the church steps that Becket will be venerated as a saint. Power-hungry to the last, Henry has abrogated to himself the privilege of an announcement that should have come from the new archbishop, or from the pope who alone has the power of canonization. The film has everything going for it: a great plot, two excellent performances by Burton and O'Toole, terrific direction and cinematography, and fine historical accuracy. The Gregorian chant running through the scenes in the cathedral transport the viewer 700 years back in time. For two unforgettable hours, we're part of 12th century England. And finally, let me add my request to those of the other reviewers of this excellent movie: Will someone please hurry up and release this film on DVD? I'll be first in line to buy it.
This is a visually stunning film, perhaps even moreso than (for example) The Lion in Winter (1968) in which O'Toole also appears as Henry II. Granted, the relationship between Henry and Eleanor in that film is quite different from Henry's relationship with Becket. Also, The Lion in Winter covers only a few days during one Christmas season whereas the timeframe in Becket extends over several decades. However, both films focus on conflicting as well as congenial relationships. In Becket, Henry (in effect) finds himself competing with God for Becket's loyalty and devotion. He loses. The supporting cast is first-rate. Notably John Gielgud (Louis VII), Donald Wolfit (Bishop Folliot), Martita Hunt (Queen Matilda), and Gino Cervi (Cardinal Zambelli). The role of Queen Eleanor (Pamela Brown) is minor when contrasted with Eleanor (Katherine Hepburn) as she is presented in The Lion in Winter. Question: Why is there no DVD version of Becket? Those who share my high regard for this film are urged to check out the aforementioned The Lion in Winter as well as Cromwell (1970), Elizabeth (1998), A Man for All Seasons (1966), Anne of the Thousand Days (1969), and Mary, Queen of Scots (1971). ... Read more | |
| 64. Peter Pan Director: Clyde Geronimi, Wilfred Jackson, Hamilton Luske | |
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Amazon.com Reviews (98)
PETER PAN is about the boy who could never grow up and after chasing his shadow in the bedroom of Wendy, John and Michael, he invites the 3 to fly with him to Neverland. It's a wonderful story of adventure, fun and flying. All children will enjoy this one. Now again, my reason for taking a star off is obviously for the derogatory and stereotypical depiction of Native Americans in this movie. Regardless that this movie was made in 1953 still doens't make it right. As parents, it really should be the responsibilty of the parents to explain and to teach children the right way. I will say that every child should enjoy PETER PAN, but afterwards every parent should take the time to explain to the children that making fun of another culture is wrong. Either way it goes, if you're looking for other great Disney classics look for BEAUTY AND THE BEAST SPECIAL EDITION, THE FOX AND THE HOUND, ROBIN HOOD, SLEEPING BEAUTY and CINDERELLA. Also check out some of the new Disney's like MONSTERS INC and TOY STORY and TOY STORY 2.
There are defensible reasons for this, I suppose. Drama requires talking, but characters who stand around gabbing bring an animated film to a dead stop. I also suspect that Disney simply didn't understand the story in the first place. It wasn't until the Ashman/Menken era that Disney films finally developed any dramatic focus. It's unfortunate, because "Peter Pan" starts off well enough. The late Sammy Fain's "Second Star from the Right," played over the title cards, has one of the most-ravishing melodies in the history of American popular music. (Look for the albums "Bibbidi Bobbidi Bach" and "Heigh-Ho! Mozart" for superb "classical" arrangements of Disney tunes.) The "You Can Fly" sequence is inspired (and can you name any other pop song with an accelerando passage?). But everything quickly bogs down thereafter, with Captain Hook's machinations providing the only fun. There just aren't enough good things in the Disney "Peter Pan" to make up for its failure to treat the source material in an honest and serious fashion.
Peter Pan, the title character, is a spry, charming lad who loves his carefree existence. He is, however, upstaged by his companion, the delightfully naughty Tinker Bell, a temperamental pixie who literally sees red when Wendy accompanies Peter Pan to Never Land. Captain Hook and his shadow, the crocodile, the sniveling Smee, the beautiful mermaids, and the stoic Tiger Lily are the characters who stand out in this movie. Wendy and her brothers, John and Michael are okay and basically come along for the ride. The sprightly song "You Can Fly!-You Can Fly!-You Can Fly!" is just one of the memorable tunes for which Peter Pan is fondly remembered.
P.S. The claim that this movie is an allegory to the JFK years is easily refutable, since this movie was made in 1953, while the play is over a century old. ... Read more | |
| 65. Finding Nemo Director: Lee Unkrich, Andrew Stanton | |
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But nothing yet compares to the unparalleled quality of animation, storytelling and pure magic that was produced in their most recent effort "Finding Nemo". The story centers around a clown fish whose son is taken by divers somewhere off the coast of Sydney, Australia. Marlin, father to Nemo, is an overly protective dad who will do anything to keep his son from danger. You see, his mate and all their other offspring were lost when they were attacked by another fish. So in a desperate act to save his one remaining child, Marlin sets out across the ocean to rescue his son. The movie brings the ocean to life with rich, vibrant colors that are serene and immensely beautiful. The close attention to detail in this film gives the settings, characters, indeed the entire film, a level of depth and quality not commonly seen in a "cartoon". The animation is so completely convincing that viewers often lose sight of the fact that they are watching a cartoon and instead they become immersed in the beautifully detailed world created by this team of animators from Pixar. The movie has many wonderful characters created by a cast of all star talent. Marlin is played by Albert Brooks, whose voice has so much inflection in it that he gives a vitality to the character that equals or surpasses the animation of his character. Ellen Degeneres plays "Dory", an absent-minded lady fish who serves as Marlin's companion on his adventure and serves much of the comic relief of the film. Other celebrites making an appearance in this film include: William Defoe as Gill, and Geoffery Rush as Nigel, an empathetic pelican who helps save the day. The movie mixes humor with human emotion, giving "Nemo" a vitality most animated films lack in this current medium. The film is at once touching and compassionate, clever, witty and funy, combining tongue-in-cheek humor with a tender honesty that will make all audiences young and old a fan of this film. The DVD set contains enough extras to keep families entertained for hours, even after the film itself has ended. Provided in this collection are both wide screen and full screen editions of the film, along with several shorts from Pixar studios, and a particularly memorable and entertaining short documentary "Exploring the Reef", which stars Jean-Michael Costeau (son of famed undersater explorer Jacque Costeau), as well as some of "Finding Nemo" favorites. So, for those of you who have reservations about watching a "kids" movie, set them aside and give this one a chance. It is really a film for all ages, with enough humor, action, adventure and entertainment to provide entire families with an experience not soon to be forgotten. Scott Kolecki
And there we have it, a simple journey plot through the ocean, meeting weird and wonderful creations courtesy of the wonderful special effects at Pixar. They really are incredible - the water effects especially are brilliant. Remember when Monster's Inc came out and the big development was the minute details of Sulley's fur. Well, this is even better technically. However, there's a certain breed of familiarity here that makes you think that the people at Pixar are capitalising on their previous films' success, because Finding Nemo is probably the least distinguishable of the lot. Of course, the Toy Story movies have already deservedly achieved classic status, but the key different between the previous Pixar movies and Finding Nemo is that they focus a lot less on the adult audience and more on the children. This isn't necessarily a bad thing, because as a kid's film Nemo is fantastic, and much more endearing than something like Shrek which, although good, was never really as layered as Toy Story. For instance, all of the characters are endlessly endearing; from the cute little Nemo, to the lost Dory to Squirt, the baby turtle. This isn't to say Nemo doesn't have its flairs. There are a few more adult jokes along the way, not least a group of sharks professing that fish are friends and not food, desperately trying to rid themselves of their stereotypes. The turtles using 'surfer' talk are also very well observed. Add to the mix a great turn by Willem Defoe as Gill, a hard-bitten aquarium fish who helps Nemo escape, Geoffrey Rush as a pelican, manic seagulls screeching 'Mine, Mine!' and you've got an effective engaging movie. Still, it's a shame that every Pixar film will live with the shadow of its predecessor hanging over it, especially when this is a brilliant family movie, but the nagging resonance of the brilliant Toy Story is always in your head.
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| 66. The Passion of the Christ Director: Mel Gibson | |
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The film revolves around the last 12 hours of Jesus Christ's life on Earth. As a viewer who's actually read the New Testament before laying judgement on the film's accuracy, I'd say there was extremely little deviation from the original Gospels. The film is an overwhelmingly emotional roller coaster ride beginning at Jesus' mock trial under Pontius Pilate to His crucifixion and resurrection. The fact that the entire script was spoken in Aramaic and Latin lends credit to director Mel Gibson's seriousness in portraying the events as accurately as possible. The film was violent and bloody, but no more than the average reel spewing forth from Hollywood nowadays, none of which receive so much as a blink for their levels of gratuitous violence. But then again, none of those films promote Christianity. Hmm.... The film was no more anti-Semetic than "Schindler's List" was anti-German or "Seven Years in Tibet" was anti-Chinese. This film simply portrayed events as we know them historically. The Jewish high priests happened to be one group of people who wanted Jesus dead. The Romans and Pharisees were the true villians of the movie, nor was Jesus spared betrayal by even his own Apostles. The movie does, on the other hand, show two Jewish high priests defending Jesus' innocence at his trial, and it shows Simon being mocked by a Roman guard for being Jewish. These two events I do not recall reading in the New Testament, lending creedence to Mel Gibson's effort to make the film NOT anti-Semetic. The high priests condemned Jesus to death, but it was the Roman guards who took true sadistic pleasure in His suffering. The violence and bloodshed served a purpose. It was to show what Jesus went through, the amount of pain He suffered, for mankind. Reading it in a few Biblical passages is one thing, viewing it on the big screen for two hours straight puts a different perspective on it. The entire movie intertwined scenes of Christ's suffering with scenes of Him earlier in time giving sermons on love and forgiveness. This served to cement the fact that Jesus did not just practice what He preached. The most emotional scene was probably when Jesus was being nailed to the cross, the whole time praying for God to forgive His persecutors. I've seen the film three times since it premiered five days ago, and I plan to see it many more times before it comes out on DVD. To warn you, the film makes you feel about an inch tall, but it is a much needed reminder of just what sacrifices were made by Him on our behalf. The closing scene was my favorite, and I hope you watch to see what it is. Amen and Hallelujah!
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| 67. The War of the Worlds Director: Byron Haskin | |
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The incident isn't given much thought, until one night, everything in town turns off. No electricity, no phones, watches stop. Gene Barry, the resident scientist from Pacific Tech, is trying to find out what's going on, as masters' student Ann Robinson tries to help.....predictably, they fall in love while chaos ensues all over the planet. The aliens are not friendly. Their technology outdoes anything on earth. Not even atomic energy seems to stop them. So, what does? You'll have to watch this and see. The movie is somewhere between a really great B movie and an actual heavy duty motion picture event. The story is entertaining, and the writing is not as corny and stilted as a lot of sci fi movies made in the 50's. And whoa, those special effects! Not bad for an old classic!
Gene Barry plays the central character of the movie, Dr. Clayton Forrester, a scientist from Cal Tech. He and two buddies are fishing nearby when the initial Martian invasion ship lands (crashes) nearby. By the way, that must have been a heckuva landing the Martians had to endure when their 'meteors' touched down. The movie details humanity's efforts to halt the apparently unstoppable murderous Martian invasion force. No pretenses about peaceful coexistence or some sort of misunderstanding here, folks. The Martians want our planet and are willing to kill every man, woman, and child on it to get it. As such, the military is portrayed in a pretty good light in this film (unlike many others). After all, when the alien's first club out of the bag is lethal force, then you pretty much have to go with the flow. In the end, with atomic weapons having failed to stop the invaders, mankind appears doomed. Saving the day, however, is the most unlikely of allies (and, no, I ain't talking Russia). Overall, a well-paced sci-fi/thriller with a basic premise that never fails to entertain when it is well done--as it is here.
And as President of the Widescreen Watchers Association, I should know. Here is the release date of the first movie shot in widescreen, which happened to star Marilyn Monroe: How To Marry A Millionaire - November 5, 1953. And here is the release date of the standard movie in question starring Gene Barry: War Of The Worlds - August 26, 1953. As you can see, War Of The Worlds could hardly have been presented in late August - almost 3 months before the process was first tried in early November! In addition, although many films started being shot in widescreen in 1954, several studios were slow on the uptake and did not make their films mainly in widescreen until late 1955 or early 1956. From Here To Eternity (1955), shot in standard screen, is a prime example of that. What all of the above means in regard to this particular film is that nothing was cut off of the picture, so to paraphrase Flip Wilson, "what you get is all there was to see." It's a beautiful film (although perhaps corny by today's computerized Matrix standards) and the use of color is rich and vibrant. Once you've seen it you'll never forget it. It's Pal and Haskin at their best. I also recommend other such color sci-fi classics as Forbidden Planet, When Worlds Collide, and The Time Machine. ... Read more | |
| 68. Sleeping Beauty (Disney) Director: Clyde Geronimi | |
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Amazon.com Reviews (154)
Dolby Digital 5.1 Surround Sound gives the viewer options of Widescreen and Fullscreen ~ "RESCUE AURORA" set-top adventure game ~ 3-D virtual galleries ~ "ONCE UPON A DREAM" is The making of Sleeping Beauty" ~ Story Reels ~ Princess personality game ~ Sleeping Beauty ink and paint game ~ Academy award- winning "GRAND CANYON" short film ~ The brilliant music ~ The design ~ The restoration ~ Four artists paint one tree ~ "THE PETER TCHAIKOVSKY STORY" ~ Creating the backgrounds ~ DVD-ROM links ~ THX-certified ~ and much, much more! This is a must have for "Disney-classic-collectors" that will do your ever growing collection proud. This is someting you'll cherish and watch over and over again through the years. Disney has done it again ~ it just keeps getting better with every DVD release from the Disney people...gotta love it!
Up until the last few years, "Sleeping Beauty" was actually considered one of the few Disney 'failures.' That means, a poor box-office success. But that was 1959. Since then, the film, like "Pinocchio" and "Fantasia," has returned to theaters many times and made way on video for new generations to enjoy, earning large estimates of money and critical praise, not to mention being the most requested Disney film on video after "Snow White And The Seven Dwarfs" and "The Lion King." It was finally re-released in a fantastic Special Edition DVD, and looking back, I can't believe this was once considered a failure. As if! This is not just a timeless tale of good and evil; the plot is elegantly portrayed with rich textures and stunning animation. Sleeping Beauty is one of Disney's best animated films, EVER, and a must-own DVD for any collection. If only Disney still made films like this. I don't think we could be so lucky. Don't delay, get this before time runs out!!!
The story itself departs somewhat from the traditional fairy tale version, with a story line that provides a little more scope for character exposition and interaction. The result still retains a fairy tale feel, and the plot remains simpler than most of Disney's other animated features. The biggest strengths of the movie are in its wonderful animation, artwork, and music. The animation is perhaps the best of any Disney movie. The animators were exceptionally good at using facial expressions to help tell the story - Maleficent's face perfectly expresses her smug satisfaction when something goes her way, and Princess Aurora's expression when she first meets Prince Phillip by surprise perfectly communicates the various emotions that are running through her. The animation of the action is also wonderful, with some of the best moments being Aurora's dancing and Phillip's battle with the dragon. The background artwork is terrific. Each background is really a high quality painting, full of scene specific detail and yet all coordinating to give the picture overall artistic unity and medieval feel. And yet, all this beautiful background coordinates with the characters in a way that avoids overpowering them. Unlike some of Disney's other animated classics, this film did not use original music, but instead wisely went with Tchaikovsky's Sleeping Beauty ballet music. Tchaikovsky's beautiful classic music perfectly complements the beautiful, artistic nature of everything else in the film. All the attention to artistry and detail made the film too expensive to be a commercial success in 1959, but it also made the film a timeless classic that can continue to be enjoyed today and far into the future. Get it now, or you may have to wait seven years for Disney's next rerelease. ... Read more | |
| 69. Snow White and the Seven Dwarfs (Disney) | |
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Amazon.com essential video Reviews (247)
This is also a great way to introduce your kids to Walt Disney as he is clearly throughout the entire DVD. Hopefully they will be as entranced as we were. The "Disney Through the Ages" is my favorite featurette. It takes you decade by decade from the year Snow White was released until the year 2000. You have the option to play each separately or all together. This even has deleted scenes and songs from over 60 years ago! Kudos to the Mouse for the time and effort on a format for much a beloved film! Get this while it lasts.
My first impression is that Disney has spent much time making this DVD user-friendly. There is an abundance of directions and drawings showing you what is on the disk and how to get there. Since there are two disks and a KINGDOM of information to pour through, these directions are very welcome (even to this seasoned DVD-viewer!) Disney pulls out some familiar faces to make the experience as warm as possible: Disney himself appears in various footage; Angela Lansbury narrates the documentary and provides a "tour" of the disks; Michael Eisner shows up; and Barbra Streisand sings a specially recorded version of "Some Day My Prince Will Come". SNOW WHITE, the movie, looks gorgeous and, although old fashioned, is quite wonderful. SNOW WHITE, the double-disk, is a lot of information to wade through. I am amazed at the amount of behind-the-scenes film that exists! Disney must have suspected that he was creating a classic - he filmed every aspect of it! I especially enjoy the HALL OF ART section. There are 3 halls of various story art (i.e. "The cottage"; "The castle"; "the Forest"; etc.) Although initially I found it hard to move from hall to hall, I eventually figured it out. The animated HALLS are extraordinary and the art that "hangs" there is incredible -- various renderings and attempts at bringing the story and locales of SNOW WHITE alive. It's even more incredible that Disney Co. held on to these papers for all these years. Well, in case you can't tell, I highly recommend the special SNOW WHITE disks. You will spend days looking at everything that is included -- or you can opt to spend an hour and a half viewing the original,gorgeous film that started the Disney empire....
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| 70. White Nights Director: Taylor Hackford | |
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Great and convincing acting by Isabella Rossellini, Helen Mirren and Gregory Hines don't save this from being what seems in this day and time to be a ridiculous story. It's easy to forget what a threat the Soviet Union was at the time... and how scary the thought of being trapped in communist Russia really was... neighbor spying on neighbor, eavesdropping equipment everywhere and just cold, dreary days one after another. This is a film best enjoyed by folks who can remember what it was like be around in the 80s w/ the fear of nuclear war. This is hardly a "timeless" piece, but still enjoyable.
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| 71. Eddie and the Cruisers II: Eddie Lives! Director: Jean-Claude Lord | |
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| 72. Raiders of the Lost Ark Director: Steven Spielberg | |
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Harrison Ford is Dr. Henry 'Indiana' Jones, Jr., a college professor but also a renowned archaeologist. The story is set in 1936, with WWII going on. After coming back from a 'trip', Indiana and his friend Dr. Marcus Brody (Denholm Elliott) are visited by some government people who have some very serious news. The Nazi are very close to finding the lost Ark of the Covenant, hoping to use its holy powers to win the war for them. Indiana certainly jumps for the chance of recovering the Ark and agrees to try to find it before the Nazi. But he knows to find out it's whereabouts, he must find the medallion crystal piece which can pinpoint the Ark's exact location. With this knowledge, Indiana travels to look for Marion Ravenwood (Karene Allen), whom he knows has what he is looking for. But the Nazi, along with their French archaeologist Rene Belloq (Paul Freeman), are hot on his trail. It's up to Indiana, Marion, and good friend Sallah (John Rhys-Davies), to recover the Ark of the Covenant. With plenty of action and adventure, this movie is sure to please anyone. It's a wonder how Indiana Jones can stumble on from one danger into another without getting killed! There's also plenty of wry and witty humor to keep you laughing and smiling. I must also mention the acting which is done superbly. There's Sallah who is faithful and trustworthy and Marion who's hardheaded, strong-willed, and ready to face anything. But the one who really carries the film is of course Harrison Ford as Indiana Jones. He is just PERFECT for the part and I can never, ever imagine anyone else playing the part. He's the perfect hero and adventurer (even if he hates snakes, hee hee!) A must-see, I can recommend this movie for anyone, though I must agree that it would be pretty scary for younger kids, especially the end. Two other Indiana Jones films are "The Temple of Doom" and "The Last Crusade". In my opinion "The Last Crusade" can measure up to "Raiders of the Lost Ark", with talented actor Sean Connery playing Indiana Jones father. "The Temple of Doom" was so-so. Now when are the DVD's coming out for these three films?
For Han Solo fans, Indiana Jones will look quite familiar. Harrison Ford is perfect as the lovable, adventurous, intelligent, basically moral, semi-scoundrel. The action is non-stop, as is the tension. There is an abundance of escape-from-imminent death scenes, along with plenty of humor and good scenery (watch for the scene when Indy is confronted, shoot-out style, in the streets of Egypt). The musical score fits the film perfectly as well. The special effects aren't quite up to today's standards, although they're still none too shabby. Overall, action-adventure movies don't get any better than this.
It is a good action film, as long as you don't question some of the scenes. Could Nazi Germany have military forces in 1936 Egypt? Could German Schmeisser sub-machine guns be found in 1936 Nepal? I don't believe so. I suspect these scenes were copied from the 1940 serials that entertained moviegoers. "Indian Jones" will entertain you as an action adventure story with a multitude of cliches from long-forgotten films. Sliding under the truck recalls Yakima Canute's famous stunt. Some scenes seem far-fetched to me (when you think about it). Could Indiana Jones on a horse overtake a convoy of trucks? The theme music came from the 1948 film "Don Juan" starring Errol Flynn (rarely seen on TV). The chase through the maze of streets reminds me of 1940 cartoons. Other scenes may be derived from other old movies (the truck knocking down scaffolding from "Abbot & Costello Meet the Keystone Kops"). A few sequels were made, but it failed to be translated into a television series. Just like "Jaws". | |