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| 161. Uncle Meat Director: Frank Zappa | |
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Reviews (2)
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| 162. Biker Mice From Mars - The Pits Director: Tom Tataranowicz | |
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| 163. Reality Bites Director: Ben Stiller | |
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Amazon.com Reviews (59)
Director Ben Stiller offers an interesting snapshot of the mid nineties, presenting a curious perspective of that zeitgeist and its atmosphere. "Reality Bites" is a fine, witty and clever flick, that despite its somewhat predictable plot proves to be a noteworthy and entertaining effort. A little gem and a good one to watch with a group of friends, since most youngsters can relate to it.
It was not the movie that came to define a generation in story, tone, or soundtrack the way "The Graduate" captured the moments of its time (for that you should watch "Singles"). "Reality Bites" did, however, capture the what was expected of the generation - to be unemployed, irrevent, speak in a pop-culture lingo, and wrestle with the meaning of irony. In spite of what expectations were placed on the generation (or the movie), "Reality Bites" remains funny ten years later. Watch to see the last of Winona Ryder's great roles as she struggles with her relationship with Ethan Hawke. Enjoy the moment when we are introduced to Janeane Garofalo as she shimmies to "My Sharona." And enjoy the film that brought Ben Stiller into the mainstream as a leading actor. The anniversary DVD is a great opportunity to rediscover the movie and appreciate the on-screen appearences of up and coming Gen-X Hollwood - David Spade, Renee Zellweger, and Steve Zahn all appear. And be sure to check out Lisa Loeb's music video for "Stay," as directed by Hawke.
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| 164. Dodes 'Ka-Den Director: Akira Kurosawa | |
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Amazon.com Every morning Rokkuchan goes out to his imaginary trolley car and makes his way through the surrounding slums. His neighbors include a humble man with a terrible limp and an unforgiving wife, two couples who color-coordinate their husband-swapping, and a sad derelict man with an adoring but doomed little boy. During the day, father and son pass the time building a dream house in their minds. At night they sleep in an abandoned car. While visually compelling, the film lacks connection between the characters, which leaves the viewer feeling disjointed and somehow lessens the emotionalimpact of these tragic stories. But as a slice-of-life look at how people maintain simple dignities in the face of great hardship, it is definitely a film worth seeing. --Luanne Brown Reviews (8)
There's no plot in this film, as it tells of the various people living in the slums, some in coloured tin corrugated roofs, others in dirty, dingy travesties of huts, and in the case of an oddball boy who pretends he's a streetcar conductor and spends all day shuffling to who knows where. He goes through the motions, putting on his cap, pushing the buttons, pulling levers, and muttering the words "Dodes'ka-den." Which leads to the title. It's a Japanese onomatopoeia for the sound a train makes on the tracks. Roughly translated, it's like clackety-clack. The smaller kids who see him throw pebbles at him and cry out "trolley crazy." My favourite characters are the bedraggled derelict and his young son who live in a beaten up, wheelless VW bug. The son goes out at night and gets scraps from a friendly sushi shop man. During the day, the father discusses their dream house, and we see his designs, from the gate, fence, and house, come alive, with dramatic sounds and colour. He must have been an architect or designer, and he escapes his squalid condition by envisioning a dreamhouse. There's a vivid example of colour cinematography at work, when standing under glaring yellow sky, we see the eerie blue light cast on him and his son, ill from food poisoning. The drunken buddies who swap wives are two of the most colourful, but there's an interesting theme. Both couples are colour coordinated, clothes, house, even wash basins. And at times, they swap wives. The yellow husband is so drunk, he stays at his buddy's red house and with his wife, while his buddy goes to his house. Wonder how many bottles of sake they drink after work. But the wifeswapping has dual meaning, an escape from the ordinary, but also a lack of symmetry that is restored when both yellow-coded husband and wife are reunited and the same with the red-coded couple. Then there's Tamba, the druggist, a man in his seventies or early eighties who's a wise, sage, and compassionate character. The way he defuses a violent sword-wielding drunk is amazing! I won't get into specifics but he shames the drunk into going to bed. He also helps a man wanting to commit suicide a reason to go on living. He seems to represent the face of an older and uncomplicated Japan, experienced by the past, living as he can in the present. Hei is the most haunting, and his eyes are that of a dead man. He never says a word in the movie, and it's clear that he has been deeply traumatized by something in his past, which we learn later. It's as if his soul has been drained. A character looks at a tree and wonders what kind of tree it is, before saying "it's no longer a tree when it's dead." Substitute man for tree and we get Hei. Oh, and me as well. Shima is a salaryman who's nice enough, but he has a funny walk nearly like the Monty Python's Ministry of Silly Walks man and a facial tic that drives him into a brief fit, complete with snorting. The tic represents that there's more to a person than a mere flaw. Some of the info we get from the gossiping circle of women who spend the day doing the laundry in the slum square, including a sensuous long-haired woman who seems to know it all, and witnessing the parade of life. This was Kurosawa's first of seven colour films and its failure culminated in him attempting suicide. Understandable, as despite its being panned, it's actually a sober, at times depressing, but ultimately hopeful look at people. Very underrated film that's deeply in need of reappraisal.
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| 165. The Private Eyes Director: Lang Elliott | |
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Amazon.com Reviews (55)
I know this is going to sound odd, but this is my favorite comedy of all time! No question! I have always been a big fan of Tim Conway and Don Knotts! (Who isn't?) Both men are absolute geniuses and have been underused since this movie came out back in 1981. This movie left a huge impression on me when I was a kid! I have always wanted a house just like the one in this movie! Who wouldn't want a 252 room estate! You could almost sleep in a different room for a full year! I was equally impressed when I found out the house in this movie is a real house! It's the Biltmore House and gardens. The real house is in Asheville North Carolina. Although the Biltmore House doesn't have 252 rooms (darn!) it is an absolutely gorgeouse manor! I highly recommend you check out their website! They will even send you a free brochure which pulls out into a mini poster! I have one on my wall right now! Very cool! Anyways, back to the review...This is one movie that can be shared with the whole family! When this movie came out I was 10 years old and was so impressed by the look of it, the hysterical comedy, the cast, and the mystery storyline! You had to be there, but everytime and I mean EVERYTIME I saw this movie the theater was packed and sold out! Movies back then would run for 3-6 months at a time! (this is before even video and vcr's) I would clip every article or advertisement for this movie and I still have them today in a scrapbook! Yes, I am a fan! Tim and Don play two ameturish private detectives who are called in to investigate the murder of Lord and Lady Morley, the owners of the estate. Don plays the straight guy to a T! Tim plays a wacky, paranoidish, inventor/detective. One of Tims inventions is called a time gun, which goes off every hour! He is also afraid of a legendary creature called the "Wookalar"! A half pig half human creature that will "suck your brains right out your nose!" Very funny stuff! You have to see it for yourself! The two detectives run into a myriad of funny characters along the way in the Manors staff and housekeeprs/caretakers! Just when they think they know who the killer is..that suspect ends up dead! Hilarious! Now, here is something to note: I was extactic when this movie first aired on TV back in 1984 and happily taped it! Lucky for anyone else who taped it (and still has the tape like me!) because they showed scenes and alternate takes/angles that are NOT IN THIS DVD! They show a scene with Trisha Noble and Tim Conway eating dinner at a loooong dinner table that is just hilarious! Tim dresses up as Don's character, in hopes of "fooling" the killer, as a decoy. Trishas character just beats the crud out of Tim as she gets upset when people try to "trick" her! Hilarious! This is an absolute classic comedy! Buy it before it goes out of print! ... Read more | |
| 166. Staying Together Director: Lee Grant | |
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| 167. Visiting Hours Director: Jean-Claude Lord | |
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| 168. No Good Deed Director: Bob Rafelson | |
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Reviews (11)
In this noir film, not an "op(erative)," but a cop Jack Friar plays the usual role of reluctant hero. Jack is asked to search the whereabout of a missing girl when he, being an amateur cellist, is about to join in the classic music festival. Against his better judgment, he promises to seek for her, and goes to "the house on Turk Street." Too late that he realizes he stepped into the wrong place where he, or any other cops, should not be. There he encounters a motley group of criminals, who plan to get easy money from a bank. Captured by them, Jack has only his brain to rely on, to get away from this big trouble. Be warned. This is a noir film, which means you cannot look for any conherent logics (can anyone summerize the plot of "Maltise Falcon"?) There are so many incredible decisions the characters make, or so many unbelievable coincidences. If you don't like these kinds of situations too good to be true, just forget about the film. But the film looks beautiful as noir, and director is Bob Rafelson, who recently gave us atomospheric "Blood and Wine." "No Good Deed" has also equally credible sinister atmosphere, thanks to production designer Paul Peters and photographer Juan Luiz-Anchia. If you love this genre, you might find the film more engaging than other movie fans do. As to actors. Sam Jackson is as good as ever (have we seen bad Sam Jackson?) but his actions sometimes lack convincing touch, not because of his acting, but because of the plot (Amazon's editorial review is perfectly right). As a femme fatale Erin who must survive, using whatever method she can grab, you can see Milla Jovovich, whom I thought, though she is doing her best, still slightly is miscast. But some people might find otherwise, so leave it to other reviewers. More interesting and funny is the couple of Mr./Mrs. Quarre, played by Joss Ackland and Grace Zabriskie. They are simply amusing to see, with the wicked humor only those veterans can show. Oh, and I almost forgot to say that Stellan Skarsgard is the leader of the criminal group, whose character is always full of menace hidden under his calm attitude. He makes a great contrast with Doug Hutchison's most dangerous computer wiz that appeared on the screen. "No Good Deed" is not good indeed, but its characters are drawn farily well, and the film manages to show some nice atomosphere of noir films. I don't think not many people have seen it, and that is understandable, but those who like the genre will find it pretty interesting. By the way, in the film, you hear an old song "I'm not Your Stepping Stone" originally played by the Monkees. Of course, Bob Rafelson was producer of this popular TV series (1966-68), and the version you hear here is performed by Peter Rafelson, his son who is also known for Madonna song.
While investigating a missing persons case, detective Jack Friar (Samuel L. Jackson), is captured and held hostage by a group of sadistic thieves. This group of waywards are in the process of pulling off an elaborate bank heist and Friar must be dealt with. Cruel mastermind Tyrone (Stellan Skarsgård, manipulative girlfriend Erin (Milla Jovovich), and deranged henchman Hoop (Doug Hutchinson) are locked in a dangerous game of deceit, double cross and romantic intrigue, making Jack a pawn in the lethal high stakes plot. Against the odds, Erin and Jack find themselves erotically drawn to each other, igniting a volatile love triangle that turns deadly as the body count starts to rise. Based on a short story entitled 'The House on Turk Street' by Dashiell Hammett, No Good Deed, is directed by Bob Rafelson. With the likes of a talented cast, and under the usually sure handed stewardship of the man behind Black Widow & The Postman Always Rings Twice, I expected a better film. Things end up as a convoluted mess, rather than a taut thriller, that it should have been. The acting is ok but the script has a few holes in it, to subvert any strides, the movie makes. It's hard to imagine that this passes for anything resembling "film noir" though. Aside from the theatrical trailer, the DVD, doesn't have any other extras. I was also shocked to find, that the only version of the film that's available, is in the full screen format. Huh?? What gives Obviously, having a widescreen viewing option, would have been the fair way to go. 2 stars for the actors involved...but a real disappointment otherwise.
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| 169. Executioner's Song Director: Lawrence Schiller | |
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| 170. Passion of Darkly Noon Director: Philip Ridley | |
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Reviews (41)
A young man, Darkly Noon (Fraser) who has had a very strict religious upbringing, runs in terror through the forest where he is found, rescued and taken to an isolated cabin in the depths of the forest. There, he meets Callie (Judd) who befriends and takes care of him. Darkly has never before seen a woman like Callie and he finds that she arouses feelings in him that he thinks are very wrong. Later, when Callie's lover Clay returns, Darkly spies on them. Believing that what they are doing, is as wrong as what he finds himself doing, he is torn between his strict upbringing and a his new feelings. Callie and Clay are the only two people in a position to help him but they remain oddly unaware of the explosion that is building inside Darkly. Eventually, he can take no more and exactly what you expect to happen does. It's not a new storyline but the film is carried by Ashley Judd's acting and some wonderful cinematography. The forest becomes a weird, threatening and surreal place where Callie reigns like some irresistably lovely fairy queen. Judd gives the character a credible mix of open friendship and compassion while being fully and unquesioningly committed to her mute partner Clay.
A confused young man, Darkly Noon (Brendan Fraser) stumbles into a forest clearing and is picked up off the road and taken to a farmhouse inhabited by a mute carpenter, Clay (Viggo We discover that Darkly has fled from a strict religious commune/cult which has been ransacked by local rednecks who have shot and killed his parents. While Clay is away, Callie will play and so, Callie decides to "take in" Darkly as one of the family. Darkly lives in the loft of the barn, spies on Callie, lusts after Callie and after Darkly does some "spanking the monkey" in the hayloft while watching her, he is just about to make his move when Clay arrives back home. Darkly is immediately enraged with passion, lust, jealousy and most with religious contempt and righteous indignation! He inflicts pain upon himself, has visions in the woods, and finally has a religious experience that leads him to some "very un-Christianlike" behavior to say the least, smiting everyone in his path. This film is not for everyone. Even fans of Frazer and Mortensen won't approve because they both play roles that are far from their normal typecasting. Although everyone turns in decent performances some viewers might be disappointed. But hey! If you like Ashley Judd, barbed wire and hairy armpits this will be right up your alley! Happy Watching!
To me the film deals with the repression of feelings. Darkly Noon, the Brendan Frasier lead, was raised in a cultish Christian community which was pillaged by nearby townsfolk - they killed all of the cult, leaving only Darkly Noon alive. He finds his way onto Ashley and Viggo's ranch where they invite him to stay. From here we see Darkly try to express his sexual feelings for Ashley, feelings which he was never allowed to express as a normal boy developing into a man, and he expresses them in the most horrific ways. The only way he knows how to appropriate his new feelings of lust is by hurting himself - using barbed wire, glass, etc. - and eventually others. It's a powerful statement that feelings left unexpressed (or rather, disallowed to express) will still evince themselves in one way or another, sometimes in very bad ways. We also learn that Brendan Frasier is a great actor and it's unfortunate he always chooses roles like Dudley Dooright and George of the Jungle. The last thing we learn is that Ashley Judd is really, really hot. But we knew that already.
Darkly Noon is not the description of a time of day but the name of Brendan Fraser's disturbed character. He is the product of an overly religious parents. When they are murdered, Darkly escapes to the forest and is later found and taken to a couple Callie (Ashley Judd) and Clay (Viggo). They are lovers, which quickly becomes the centre of Brendan's problem and their nightmare. His religious upbringing disdain they are living "in sin", but as Judd nurses him back to health, he becomes obsessed with her. The conflict of his physical desires, the growing obsessed clashing with his religious teaching pushing him over the edge. It is easier to believe she is a witch twisting his mind, than to deal with his own feelings of jealousy and sin for wanting her. Amazing film, when Fraser, Judd and Mortensen were not the powerhouse names they are now. Fine performances from them all. Something that you either love or will hate, but doubt anyone will be unmoved. ... Read more | |
| 171. Blue Juice Director: Carl Prechezer | |
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JC (Sean Pertwee) must prove his worth as a surfer (in England!) where surfing barely exists. Kind of a cute twist on the surfer movies: it's cold and there's really no waves to speak of. But once in a blue moon, these huge waves come in and that is when JC must prove himself. BUT... his girlfriend (Cahterine Zeta-Jones) will disown him if he even tries! So, here lies the issue. Does he pronounce his love and forget the stupid wave, or is he influenced by his childhood friends who care nothing for intimate relationships? Unrealistic, sure. Of course. But cute. Plot is thin, but the characters are memorable and there are some truly classic funny lines. JC's childhood friends (Ewan McGregor, Peter Gunn and Steven Mackintosh) are hilarious characters and are all portrayed very well. Definitely worth the rental price, or buy it used. A couple things I don't understand: WHY ON EARTH IS THE PRICE SO HIGH!?!?! What's up with that? But it used. WHY is Ewan McGregor on the front cover, as if he is the main character? Yes, he plays a pivotal character - JC actually forsakes his love to save Dean's pride and his life. But shouldn't Sean Pertwee be the one on the cover with Catherine Zeta-Jones? As cute as McGregor is, he never looks this clean-cut (or sane) in the movie!
Which one is it going to be? The girl or the contest??? In the moive he said he is out of shape and he can't surf like that anymore. In the moive he said he almost die form that foolishly stuff. Once he had it all but now I don't know about that one. Well, enjoy the moive I did you will too!!!!! ... Read more | |
| 172. Stephen King's Storm of the Century Director: Craig R. Baxley | |
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Now, for the rest... A weird guy shows up in an island in Maine (King's favorite State), and kills an old lady for no real reason. But he doesn't go away - he waits to get arrested. In this case, however, the real prisoners are the residents, some of whom are murdered in vicious ways by the stranger, with the help of his ominous-looking cane. Colm Feore is terrific in the role of the evil man, while Tim Daly does a decent job as the town grocer and Constable. The really cool thing about this film is that you never notice the length (close to 4 hours!), as scene after scene captures your imagination and tortures your soul. Small town mentalities and moralities are exposed for what they are - cheap, narrow, selfish, and deadly. Each character has (or has had) a past (or present) that they'd never like the world to ever know. But the stranger (the Legion) knows EVERYTHING about everyone. As secrets come out, and as hidden conflicts are brought out into the open, one can see the characters change faces. When the main objective of the stranger is revealed by him during a town meeting during the course of the storm, it's time for soul-searching and morals-testing. None emerges unscathed, except Tim Daly and his wife, though in completely opposite ways. The ending is definitely not satisfactory, and seems forced to deliver some sort of closure to the viewer. In summary- Positive things: 1. Good, strong character development. 2. Powerful storyline. 3. Intelligent, relevant screenplay. 4. Good photography. 5. Excellent acting by most. 6. Wonderful music score. Negative things: 1. Length (some people will definitely groan!) 2. Unsatisfactory ending. 3. Colm Feore is not used very well. 4. Slow beginning, with a few scenes of really bad dialogue delivery and acting.
This movie had to be good, because Stephen King himself wrote the screenplay - which was an original screenplay and no adaptation from one of his story. King wrote this sinister little tale especially for ABC television and I have to admit, that beside the fact that it is a good story for a cold night, snow piling up outside, it is a very good mvie as well. I loved the actors, the filming and just every minute of the 4-hour mini-series. I even watched the whole thing just listening to Stephen King's commentary (although I skipped the parts director Craig Baxley commented) - the commentary was as good as the movie itself, because it was not some poor strawhat talking about something, but Stephen King doing what he can do best: not commenting, but telling. Stephen King gives very delightful inside-information on the making of the movie and talks about works related to this movie, how he came across the idea for the story (it was partly influenced by a play by Friedrich Dürenmatt King had a part in when being in High School), how he tried to work it out, stuff like that. So this is a very interesting bonus for every Stephen King fan: you get a very good movie and a very fine commentary by Stephen King, with all the information and all the amusing details 'n' extras. Story's Rough Cut: Small town off the coast of Maine, Little Tall Island, the setting of "Dolores Claiborne" - "life on the island is different from the life on the mainland." Stranger makes the small township aware of his evil presence by murdering an old woman, Martha Clarendon, and therefore arrested - "because I choose," as the stranger, André Linoge, claims. Linoge knows all the dirty little secrets of the clean-shirted islanders and he wants what he inevites, unless he will not go away. What exactly Linoge wants, you have to find out for yourselves, sorry. It is worth finding out, believe me, just this one time! ;-) Let me finish with a praise for the movie by some newspaper I do not remember, "it is a high-voltage, spine-tingling shocker, which has been called one of the best King films ever!" It sure is.
Was that annoying? Now you know how I felt going through this film. He wants a kid. That's what he wants. He wants a kid. There, I just saved you three hours of agonizing torture.
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| 173. Caroline? Director: Joseph Sargent | |
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I'm surprised this movie is not yet on DVD. We have a couple of VHS copies at my library and they have been checked out nearly 400 times. This movie is almost never on the shelf.
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| 174. X-Men - Legend Of The Wolverine Director: Frank Squillace, Larry Houston | |
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1. Out of the Past Only 1 episode really has to do with Wolverine. The rest is fluff. In "Out of the Past" Part one we see how Wolverine got his claws. In "Lotus and the Steel" he goes back to a monastery in Japan. In the third and fifth episode, Wolverine is just a regular X-men. This DVD is just a way the studio can make a quick buck because of the X-men 2 Movie hype. The X-men Animated Series is great and should be released as a BOX SET, not single discs. But getting back to the DVD. There are other episodes that are probably better for this DVD. Like âRed Dawnâ with Omega Red, âRepo Manâ which tells of his claws and time with Alpha Flight. âWeapon X, Lies, and Videotapeâ tells of his time as Weapon X. And âOld Soldiersâ which is about his adventures in WWII with Captain America. But technically the transfers to dvd look clean and crisp.
I think there were probably some episodes that might have given us more insight into Wolverine than some of these did. Weapon X, Lies, and Videotape would have been a good one, but They're still good episodes. I love the commentary. It's very good, although he could be a little more relevant at times. I'd say over all it's an excellent DVD, picture and sound are great. It's just too little, but it's not too late. If they'd get a TV station to start showing this again, peak some interest in the young kids, they could sell the whole series on DVD and it would sell great. It's one of the greatest cartoon series of all time and they should market it more.
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| 175. Murder by Phone Director: Michael Anderson | |
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| 176. Naked Lunch Director: David Cronenberg | |
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Amazon.com essential video Reviews (62)
This edition of the DVD has enough extras to make it the only version of Naked Lunch you'll ever have to buy. (They won't release a bigger, better edition later.) The BBC documentary is okay. It's about 45 minutes long, giving Cronenberg and William Burroughs a lot of time to speak. (Burroughs is particularly good, with a dry sense of humor and a habit of saying obvious truths that make people uneasy.) The second disc also has stills from the special effects team, showing how the various creatures and organic typewriters were developed. But it's the first disc --- the movie itself --- that makes it worth buying and watching. The special audio track, shared by Peter Weller and Cronenberg, adds a lot of useful background information. The film itself is bright and sharp, a perfect example of DVD clarity. I highly recommend this DVD to anyone who is interested in the best films of the 1990s. Naked Lunch didn't make as big an impact in theaters as it did in book stores, but it should have.
Impossible to describe or even explain (almost but not quite as incomprehensible as FEAR AND LOATHING IN LAS VEGAS), the movie is not exactly a telling of the book Naked Lunch (even though some characters, namely the vile mugwhumps, show up) as it is a telling of Burroughs writing the book and what he may have imagined while writing it. THe film starts out with the main character William Lee and his even more "creepy" (if anyone in the Burroughs line ever wanted to label what's inside themselves) wife, Joan, are addicted to the roach powder pyretheum, which Lee obtains thru his job as an exterminator. After playing a drunken William Tell act with his wife and blowing her head off so to say (which actually happened to Burroughs and his wife, and is said to have sparked the writing of Naked Lunch), he escapes to Tangiers, Mexico (with a "ticket" which actually appears to be a syringe). There he flows into a seemingly hallucinatory Interzone--a place populated by all the things mentioned above and tons more weirdness. He also meets the wife of a bisexual author who looks almost identical to his wife...and they engage in a particularly freaky sexual practice in which a typewriter tries to join in. If I say any more, the plot will be totally given away, so just watch, and compared to all the elaborate twists and turns on this unreal path to hell, I've said very little. Great performances from Roy Sheider (who plays Dr. Benway, another character direct from the book), Paul Weller as Lee, Judy Davis as Joan and the other Joan, and Robert A. Silverman as a truly unique black centipede meat salesman with a disquieting manor (the black centipede meat, as well as Burroughs' thoughts on how centipedes controlled many Interzone lives, were from the novel). You'll either be completely confused or completely tripped out of yr. mind, but you won't leave the film unchanged...just like Burroughs' writings.
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