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| 141. Scarlett Director: John Erman | |
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Amazon.com Reviews (94)
When it took place in Savannah,GA and Ireland that was really nice. Gave you a so-called new take on that time frame instead of the poor south at that time. Jean Smart played Sally Brewster's role wonderful. Gave the charater the spunk she needed!
In Gone With the Wind, Scarlett married many men for their money, but she was not going around sleeping with men out of wedlock, which turned out to be a very bad idea! This is defiantly NOT a good sequel to gone with the wind.
In Gone With the Wind, Scarlett married many men for their money, but she was not going around sleeping with men out of wedlock, which turned out to be a very bad idea! This is defiantly NOT a good sequel to gone with the wind.
Now the Scarlett Miniseries was suppose to be the sequel to the GWTW movie not the book otherwise it would confuse those who've seen the original but didn't read the book, like Scarlett's other children by her first two husbands, I digress. However, the screenwriter or even the director of this movie thought it important to put Suellen having a family, after all in the first movie you expect her to be an old maid! Joanne Whalley as Scarlett O'Hara Hamilton Kennedy Butler is a like unbelieveable and I do agree with the other reviewers that said Terri Garber(Ashton of North and South) might have been a better choice, albeit type-casting. Timothy Dalton as Rhett Butler is a good choice, I actually liked him as Rhett and seemed a better notice that in the sequel Rhett has a Southern accent. Which from my understanding Clark Gable refused to play the part with the accent. My overall opinion of this movie is blah at best, if you really must see it I recommend finding it at your local video rental store. ... Read more | |
| 142. The Quiet Man Director: John Ford | |
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Amazon.com essential video Reviews (136)
This is a film of such warmth, tenderness, humour and beauty that it just sparkles from beginning to end. Irish-born, American boxer Sean Thornton (John Wayne) returns to his place of birth after accidently killing another man in the ring. Seeking to find peace and happiness in the lush green country side, Sean is enraptured with the fiery Mary Kate Danaher (Maureen O'Hara in a wonderful performance) but incurs the wrath of her bully of a brother Red Will Danaher (Victor McLaglen) because of Thornton's purchase of local land. Failing to abide by the customs of Irish courtship as advised by resident matchmaker Michaleen Flynn (Barry Fitzgerald) and Father Peter Lonergan (Ward Bond)...it's not long before the whole county is in a spin about this big Yank in their midst !! Amidst the lopsided courtship and Red Will's refusal to pay the dowry, Thornton & Danaher square off in what must be the most entertaining and longest on screen fights in cinema history...much to the amusement of the entire town that turned out to watch !! "The Quiet Man" is such a wonderfully enchanting film, that it is as enjoyable for all ages today, as it was nearly 50 years ago. Truly, a film for those young at heart and those who can appreciate such a warm hearted and lovingly prepared ode to the magic of Ireland.
"The Quiet Man" was John Ford's favourite film, and also his most personal one. He cast his favourite actors in it, and it shows. John wayne is just great -whoever thinks he only played himself in every role should see his performance here. For his love interest we have Ford's kind of a woman, the breathtakingly beautiful Maureen O'Hara.She gives a magnificent performance as Mary Kate, and in my opinion should have won the Oscar for it. (She Wasn't even nominated!) Sparks flew when this couple met on screen, and the result is out there for you to witness. Don't wait till the next St. Patrick's Day -see this film now. I promise you won't regret it.
It is a good love story, but the whole concept of dowry and the stubborn character shown by the whole Danaher clan would be mysterious to the younger American generation, as would the purpose of a matchmaker and the formal courting rituals that the movie sends up. John Wayne is quite fine in this role as is the whole cast. It is a very enjoyable film with a lot to recommend it for the family. It will certainly spark some discussion with the kids that might be helpful and broaden their cultural horizons.
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| 143. The Magic School Bus - Makes a Rainbow Director: Charles E. Bastien, Larry Jacobs | |
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Amazon.com Reviews (1)
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| 144. The Shawshank Redemption Director: Frank Darabont | |
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Amazon.com essential video Reviews (692)
Based on the Stephen King novella ' Rita Hayworth and the Shawshank Redemption ' this really has become a modern day classic. Other films have grossed more, and may have a more immediate following, but Shawshank will endure for years, and become another 'Casablanca ' loved by generations to come. The film tells the story of Andy Dufresne, sent to the maximum security prison of Shawshank for the murder of his wife and her lover. Played with an under-stated intelligence by Tim Robbins in a career defining turn, and supported by sterling performances from Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, and veteran James Whitmore. Morgan Freeman's work is particularly notable, not just for his performance ( let's face it, the man doesn't know how to give a bad one! ) but also for the fact that his is the voice of the film. His chocolate-rich tones were director Frank Darabont's choice for the voice-over of the film, as if his character Red is talking to us, and explaining the sub-text of the film. Voice overs often dont work ( Blade Runner being a prime example ) but this one does, perfectly. Beginning at a slow pace, the film begins with the brutal de-humanising regime meted out to the 'Fresh Fish' as they begin their incarcaration in Shawshank. I remember suggesting my wife watch the film after I'd seen it, and she, being of a considerably more sensitive nature than me, found the early scenes difficult. If you too find the opening 45 minutes a tad heavy going, stick with it - the reward is worth it. Eventually as we progress through the film, we see how Red's initial suspicion of Andy becomes a deep respect, and eventually a deep friendship, indeed it would be true to say that these two men love each other like brothers by the end. There are a few key scenes that really stick in the memory - the rooftop scene, the opera aria scene, the exam result scene - all of which enable us to begin to like these men, men we probably wouldn't have wanted in our homes before the film, but who we'd happily sit down to dinner with after. The film's true emotional impact of course comes in the final third as we learn the truth about Andy's guilt or otherwise. True to many of King's works, there is a twist in the end which leaves us all stunned, and with a big stupid grin on our faces. The total and utter defeat of the dark forces in the film is accomplished with such applomb that you find yourself rooting for the bad guys - the prisoners, a bunch of murderers and misfits that two hours earlier you were deeply suspicious of. Indeed the last section of the film plays almost totally without our hero, and remains almost my favourite portion of it. By this time we are crying out for the final fulfilment of our hopes for the characters. It is to Frank Darabont's eternal credit that he accomplishes this in a scene without dialogue, and a sweeping panoramic withdrawl from the characters, leaving us with not a dry eye in the house, and a feel-good glow that lasts for days. ... while in [a local store] I noticed this man and wife trying to decide which DVD they would buy to view that evening. I pointed to Shawshank. "Ever seen this one?" To conclude, Warner Bros and Castle Rock - SHAME ON YOU! This movie deserves better. The Region 2 version rocks, so get busy, re-package, and give us fans the extras this classic deserves!
Hence, I decided to take my time to write a few words . I hope you'll like them (The immediate reason for this is that I'm currently reading the novel,four years after seeing the movie for the first time). Andy Dufresne. The name evokes nobel feelings in me whenever I hear it.Portrayed so wonderfully by Tim Robbins,it represents so much ; A man who had had everything,lost everthing and,finally, gained everything back. His character is one of the most inspiring I've ever known. What a man ! An example of the strength of the human spirit, and one basic rule : diligence and patience with a little bit of luck and wisdom can get you anywhere . . . Even outside the walls of Shawshank state penitentiary... If you've seen it once - see it again ! It never loses it's impact. Watch it whenever you're down and feeling like everything is going wrong .I bet it shall lift your spirit just a little bit higher ,and help you through the crisis .
Anyhoo, The Shawshank Redemption is a great piece of work. Better on DVD than in the theaters (unless you get to take that special someone to the last row --- But Freeman is not alone. Tim Robbins plays the hero of the story, banker Andy Dufresne, who has been falsely convicted of murdering his wife and her lover. Robbins has a unique quality as an actor in that he lends ever so slightly a bemused irony to the characters he plays. It is as though part of him is amused at what he is doing. I believe this is the best performance of his career, but it might be compared with his work in The Player (1992), another excellent movie, and in Mystic River (2003) for which he won an Oscar as Best Supporting Actor. It is said that every good story needs a villain, and in the Bible-quoting, Bible-thumping, massively hypocritical, sadistic Warden Samuel Norton, played perfectly by Bob Gunton, we have a doozy. I want to tell you that Norton is so evil that fundamentalist Christians actually hate this movie because of how precisely his vile character is revealed. They also hate the movie because of its depiction of violent, predatory homosexual behavior (which is the reason the movie is rated R). On the wall of his office (hiding his safe with its ill-gotten contents and duplicitous accounts) is a framed plaque of the words "His judgment cometh and that right soon." The irony of these words as they apply to the men in the prison and ultimately to the warden himself is just perfect. You will take delight, I promise. Here is some other information about the movie that may interest you. As most people know, it was adapted from a novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption." Rita Hayworth figures in the story because Red procures a poster of her for Andy that he pins up on the wall of his cell. The poster is a still from the film Gilda (1946) starring her and Glenn Ford. We see a clip from the black and white film as the prisoners watch, cheering and hollering when Rita Hayworth appears. If you haven't seen her, check out that old movie. She really is gorgeous and a forerunner of Marilyn Monroe, who next appears on Andy's wall in a still from The Seven Year Itch (1955). It's the famous shot of her in which her skirt is blown up to reveal her shapely legs. Following her on Andy's wall (and, by the way, these pinups figure prominently in the plot) is Rachel Welsh from One Million Years B.C. (1966). In a simple and effective device these pinups show us graphically how long Andy and Red have been pining away. Frank Darabont's direction is full of similar devices that clearly and naturally tell the story. There is Brooks (James Whitmore) who gets out after fifty years but is so institutionalized that he can't cope with life on the outside and hangs himself. Playing off of this is Red's periodic appearance before the parole board where his parole is summarily REJECTED. Watch how this plays out at the end. The cinematography by Roger Deakins is excellent. The editing superb: there's not a single dead spot in the whole movie. The difference between the good guys (Red, Andy, Brooks, etc.) and the bad guys (the warden, the guards, the "sisters," etc.) is perhaps too starkly drawn, and perhaps Andy is a bit too heroic and determined beyond what might be realistic, and perhaps the "redemption" is a bit too miraculous in how beautifully it works out. But never mind. We love it. All in all this is a great story vividly told that will leave you with a true sense of redemption in your soul. It is not a chick flick, and that is an understatement. It is a male bonding movie about friendship and the strength of character, about going up against what is wrong and unfair and coming out on top through pure true grit and a little luck.
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| 145. Pollyanna Director: David Swift (II) | |
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Description Reviews (23)
One And Only Genuine Origional Family Band And I love all of them but my ultimate top favorite was Pollyanna I got the same edition as pictured above the Old white clamshell release with A Little Mickey Mouse at the Top. Well My Favorite Seen was when Pollyanna (Haley Mills) and Jimmy Bean (Kevin "Moochie" Corcoran) went to Mr. Pendergast and Jimmy was trying to climb the tree. My Favorite Actoress in this classic Disney film though was Jane Wyman as Aunt Polly. I also liked Richard Egan as Dr. Chilton. But one of the best roles other than Aunt Polly, and Pollyanna was played by Nancy Olson (SMITH!, Absent Minded Professor, Snowball Express) as Nancy. I still remember sitting by the television set. With the Video case in my hand watching in awe. At this classic Disney Film. This movie has never gone out of circulation with Disney. It is one of the few that hasn't. Those films are what started me collecting Disney. I still have those 4. And I have alot more of the old white clamshell releases of The Old Disney Films. Well Disney did a great thing when they put this classic film on Disney. I know that there has been a debate that They shouldn't have had Haley Mills sing America The Beautiful. But why don't people grow up. She did a great job and she put feeling into it. She wasn't one of those stuped singers that sings it without meaning. She sang it with meaning. This Is A Movie To Remember. If the had a 10 star rating on here. I would give it 10 stars. Other Tha Follow Me Boys! This Is the best Disney Film ever created.
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| 146. The Magic School Bus Hops Home Director: Charles E. Bastien, Larry Jacobs | |
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| 147. The Importance of Being Earnest Director: Oliver Parker | |
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Description Reviews (102)
The movie is hysterical-i laughed throughout the entire thing-and it was not merely the verbal wit, but the physical comedy and dare I say again the chemistry of the actors that made the movie a true delight. Colin Firth and Rupert Everett are absolutely perfectly fitted to their roles, and "the muffin scene" (which those who have seen it must remember!) had me laughing so incredibly hard! Reese Witherspoon is grand, as is Frances O'Connor. Judi Dench's role was perfectly suited to her, and the twists of the story put the characters in such hilarious situtations. I must say, my only regrets after viewing this movie are: I cannot wait for the DVD ~ the extra features *sigh* ~
Everything's so agreeable except Reese Witherspoon's cast here... Parker must have been mistaken for Christ sake! Witherspoon is so NOT right for the choice. Her indifferent beauty and bubbly profile are totally incompatible with the rest of the casts - who has got the lordly Englishness. She plays the "ward" of Jack Worthing (Colin Firth) who's kept and schooled in his country house, no wonder.
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| 148. Of Mice and Men Director: Gary Sinise | |
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Reviews (80)
Gary Sinise couldn't have done a much better job directing the movie to be just like the book. Of Mice and Men is one of the best novel to movie translations ever. If you liked the book and even if you haven't ever read it, this is one movie worth getting anytime.
Malkovich plays main character Lenny to a "T." All high school English students should see and evaluate this one. It is powerful human drama.
I have read John Steinbeck's novel a few times. I am seriously bothered by the constant "using the Lord's name in vain" in all of Steinbeck's novel, but that doesn't discount the fact that he is a great writer - one of the best of all time. When I finally got to watch the movie, I was blown away by what a great job Malkovich and Sinise did playing their characters. But I was even more blown away by the rest of the actors ability to step up to the plate too. Every character was just as I pictured them in my head. There are a few scenes that are not exactly as they were in the book: Curley's wife confronts George while he is alone in the barn...that's not in the book. Candy walks in on Lennie and Crook in Crook's room which is not in the movie. But these little changes matter not...the soul of each character is captured perfectly by this amazing movie! Lennie and George are partners in their walk through life, and they couldn't be more opposite: Lennie (Malkovich) is a child in a big man's body, and George (Sinise) is the quick thinking (though never quite quick enough) sidekick determined to watch after his friend. The two actors are amazing on screen; I could almost swear they were having a contest to see who could actually (really) change in to their character. I think it was a tie! I wish I could give it six stars - not an option though. See ya next review! | |
| 149. Beaches Director: Garry Marshall | |
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Amazon.com essential video Reviews (100)
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| 150. 28 Days Director: Betty Thomas | |
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Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to spend 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving behind her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the support and understanding of her eccentric and often hilarious new neighbors. There's Eddie (Viggo Mortensen), the washed up baseball player who'll sleep with anyone; Oliver (Mike O'Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called "Santa Cruz," which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. "28 Days," unlike an "Erin Brokovich" where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness. Despite many humorous moments, it's the dramatic aspects of "28 Days" that make it great. When Gwen becomes so desperate for her pills that she jumps out the window to get some she threw away earlier, the obsessiveness and despair of dependency are captured at their most vivid. Then there's her troubled relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can't decide whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again. It's because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have real bite. Sine we can't decide whether we love her or hate her, we keep watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight answer to that and many other questions, allowing the viewer instead to make their own decisions and create their own relationaships with the characters and the things they encounter. "28 Days" is a triumph for all involved. There's nothing better for a cynical critic like me then proof on the screen that films moving stories with engaging characters are still being made. Perhaps the best news of all is the resurrection of Sandra Bullock's career after three flops in a row. If she continues to show such wise judgement in choosing her projects, this poor man's Julia Roberts may be topping the A-list once again.
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| 151. Doctor Zhivago (Special Edition) Director: David Lean | |
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Reviews (132)
The film features gorgeous landscape and romantic scenes set to Maurice Jarre's haunting music. Lean uses Panavision cinematography to boast his landscapes that are often remote and cold is contrasted with the emotional fires burning within Zhivago and Lara -- a romanticized version of an illicit relationship without moral dilemmas or conflicts. The romance is amid the opulence of Russia before the war and the violent social upheaval that followed. Like many Russians, Zhivago's life is swept away with the radical currents of the Revolution.
Yes, it had a soaring score and gorgeous landscapes, but the morals of these characters made me sick. For Zhivago to leave his pregnant wife with an old man in the middle of nowhere in a Russian winter was reprehensible. I found it poetic justice when Zhivago's raging hormones led him back to the town where Lara was and he was caught by the army and inducted as military surgeon. He deserved the misery he put upon himself! That's the plot in a nutshell!
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| 152. Seven Brides for Seven Brothers Director: Stanley Donen | |
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| 153. Scooby-Doo and the Witch's Ghost Director: Jim Stenstrum | |
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Amazon.com Reviews (67)
I'm actually quite glad Warner had the balls to have a plot involving Wicca and witches in a Scooby Doo cartoon. Okay, so ONE of them ultimately turns to be evil but there are evil people of all religions. Witch's Ghost is NOT pure Wiccan propaganda, it merely educates and enlightens on what is a highly misunderstood way of life. I would definitely prefer children to watch this. The movie itself was one of the earlier efforts in the Scooby Doo revivals. Meaning that the monster is real and the writing is stronger and the gang have updated outfits. Tim Curry has a role as whacko writer Ben Ravencroft, a sort cross between HP Lovecraft and Sutter Cane, plus there is a Goth Girl Group called The Hex Girls who have a couple of cool songs. Billy Ray Cyrus sings the theme tune this time around. There's a decent amount of mystery and humor, obviously nothing too sophisticated, to keep anyone, not just the kids, entertained. It's perfect family fun and I suggest you give it a ago and pay no attention to the insane reviews of Christian fundamentalists. The DVD is in 1.33:1 fullscreen, as drawn, with Dolby 2.0 sound. However, my Region 2 release has a Dolby 5.1 track that was surprisingly loud and forceful with plenty of surround effects and deep bass. Sorry, but this ain't on the Region 1 version. A small amount of okay extras are included too. This DVD is an awful snap case but my Region 2 is a sturdy keepcase. If you can play multi-region DVDs get the UK version.
If you miss any of the recent Scooby revival movies, be sure to miss this one. I loved the first new-movie (Zombie Island), even if it broke the main rule of Scooby Doo: the monsters are fake. The other two more recent ones (The Cyberspace one, the Alien Invaders) were a little less fun, but a hoot, and a far cry from the Scrappy days. The Witches Ghost seems more like a big misstep. Some of the funny self-referring humor exists still ("I hate it when they call us kids"), and Scooby and Shaggy still get to ham it up. But, the show falls flat on it's face when it veers into trying to make me care about the difference between witches, wiccans, and eco-goths. Add the horrible and pointless Hex Girl's music and you got the weakest of the new movies. This would be acceptable if all of this made up a small part of the movie, but this was the whole plot. I was expecting a number at the end of the movie on how to enlist. Overall, it wasn't the fact that it was witches who save the day that bugged me (I love Harry Potter and Kiki's Delivery Service), it was that there seemed to be an intent to ram an agenda down my throat. It read more like a Captain Planet episode rather than Scooby Doo. Fortunately, this seems like one bad movie instead of a sign of things to come.
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| 154. The Razor's Edge Director: Edmund Goulding | |
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A young man disillusioned with the "conventional" life deemed worthy by society treks through Paris and reaches India, finding there spiritual fulfillment. He comes back to the United States a changed man, only to find that his childhood friends have changed--mostly for the worst. Terrific performances, especially by Anne Baxter, who won the Academy Award for best supporting actress through her role as Sophie in this film. Although 2 and half hours long, this movie will keep you glued to your seat. Beautifully written, directed, and played. Highly recommended. If you want a movie you will watch over and over again--a movie that will make you think and question--watch The Razor's Edge.
The performers, with the exception of Clifton Webb as Uncle Elliot and Herbert Marshall as Somerset Maugham, are decidedly from the "studied" school of drama. Tyrone Power, in particular, is at times painful to watch, especially in the scenes opposite Tierney. Such emoting might work on stage, but before a camera, the overblown gestures, lack of facial expression, and wooden delivery border on the farcical. Tierney is a delight to look at, but her emotive range is severely limited as well. She seems to have two modes: coquettish or angry. Sure, this stylized sort of performance was the order of the day in 40s Hollywood, but it looks really dated these days. And there were exceptions, even then. One can well imagine what actors the caliber of Olivier and Leigh would have done with the roles. Anne Baxter, who received a Best Supporting Actress Oscar for her performance as the unfortunate Sophie, is also guilty of overacting, at least by naturalistic standards. She could have used a dose or two of Ibsen. Which brings us to the two bright spots, performance wise. Clifton Webb probably would have won a Best Supporting Actor Oscar, had he not received one two years earlier for his work in "Laura." His death bed scene, though maudlin as all get out, is nonetheless unforgettable. The man had a knack for line delivery. He made a character with despicable motives and questionable morals, somehow sympathetic, even loveable. Herbert Marshall delivers an understated, brilliant portrayal of author Maugham. As reviewer Bernie mentions, it's easy to make the mistake when we envision Maugham in our mind's eye as looking identical to Marshall. I thought the first time I viewed the film that it was Maugham playing the part, as it's not a polished or studied performance in the least. He acts as if he's too shy to actually face the camera in most scenes, which fits the character perfectly. Most of the time he is the half reluctant, frequently uncomfortable observer, standing on the perifery, making mental notes for his next novel. A great piece of acting. Even though the lead actors turn in stagey performances and the script may not be true to the tone of Maugham's novel, the movie still "works" on many levels. It's too good a story to completely mess up. If you can accept it as a product of cinematic trends of the era and allow that audiences of the time bought into the concept that over emoting and over gesticulating was something screen stars were supposed to do, you may find, as I did, that this is still a very enjoyable film BEK
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