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| 61. The Little Colonel Director: David Butler | |
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| 62. GoodFellas Director: Martin Scorsese | |
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In the 1950s, a preteen Henry Hill (Christopher Serrone) began his career as a "gansta" wannabe on the mean streets of East New York, where a small Italian American community thrived. Working with Paul Cicero's (Paul Sorvino's) crew, he worked his way up, doing the penny ante, gofer stuff, until he began more heavy duty involvement. As a young man, Henry Hill (Ray Liotta) took to his life in the underworld like a fish takes to water. He married a nice, jewish girl whom he turned into a shrewish girl, as he lived the life he wanted. His wife, Karen (Lorraine Bracco), also became entranced by the perks available to a mobster Henry teamed up with Jimmy "The Gent" Conway (Robert DeNiro) and Tommy DeVito (Joe Pesci). Together they stole, lied, cheated, and killed their way through life, until they got wacked or got caught. When Henry, against the express advice of Paul Cicero, got involved with Jimmy in the 1970s cocaine drug trade, it was the beginning of the end for him and Jimmy. The film skillfully chronicles the rise and fall of Henry Hill from wiseguy to goverment informant in the witness protection program.. It is amazing that the actor playing young Henry Hill, Christopher Serrone, resembles Ray Liotta so much, right down to the piercing hazel eyes. He gives a terrific performance as young Henry, expressing all the joie de vivre that young Henry had over being associated with mobsters. Ray Liotta, as the adult Henry Hill, gives an outstanding performance. The viewer senses his absolute love for the life that he lives. He clearly enjoys all the perks of a mobster, his only regret being that he could never be a "made" guy, because he was not fully Italian, as his mother was Sicilian but his father was Irish. Robert DeNiro is wonderful as Jimmy Conway, low key yet powerful. Joe Pesci gives an over the top performance as the wild, volatile, and totally crazy Tommy DeVito, an out of control wiseguy who has no redeeming value as a human being. He is a guy who does not think twice about killing someone over something trivial. Paul Sorvino is excellent as the mob boss who is all about the family and plays it the old fashioned way. Lorraine Bracco gives the performance of her life as Karen Hill, a woman besotted by the life of a mobster's wife, until she realizes that girlfriends are an expected part of that life. She is sensational. This is simply a great mob movie. It is a film that the viewer will watch again and again. I, myself , have seen it at least three or four times, and each time is as if it were the first. Vastly entertaining, this film is a worthy addition to one's collection.
"Goodfellas" is a powerful film based on the true life best seller "Wiseguy" by Nicholas Pileggi. More specifically, it's based on the true story of Henry Hill (Ray Liota), who along with his pals Jimmy "The Gent" Conway (Robert DeNiro) and Tommy DeVito (Joe Pesci) who received a Best Supporting Actor Oscar for this film. Needless to say, the performances by these actors, Lorraine Bracco and Paul Sorvino are nothing short of superb. The premise: Narrated by Henry Hill and his wife Karen Hill, "Goodfellas" tells the tale of how he grew up admiring the local mobsters, gained their friendship and then came to be employed by them. After all, how could anybody resist a life in which if you're part of the "organization," there is nothing that you cannot have and you have the fearful respect of everybody around you, as long as you're continuing to make money and not stepping on any of the important people's toes. As the movies progresses along, Director Martin Scorsese does a beautiful job in displaying many of the aspects of the mobster's lifestyle and the many things that can happen in that lifestyle. From the opening frame to the final credits, "Goodfellas" is a gripping, suspenseful and enlightening gangster movie that bears multiple viewings quite easily. I highly recommend this film to any and all fans of gangster movies. Fair warning though, this movie "is not" for the faint of heart or the squeamish, for it is fairly graphic at times, which serves to enhance the nature of this film but is not too good on the eyes. {ssintrepid} Special Features: This DVD was released in 1997 as one of the early transfers, therefore it's not loaded down with an exceptional amount of special features, which is fine because it's all about the film. I do find it surprising that this one hasn't been re-released as a "Special Edition" with all the special features, featurettes and documentaries. What is does have: - A remastered soundtrack in Dolby Digital 5.1
Instead, let's talk about 'features.' The last Goodfellas DVD was a 'flipper,' or a DVD that was so cheap, you had to get up and turn it over half-way through the film. I can accept that I need to turn Lawrence of Arabia over during the intermission, but Goodfellas is comparatively short. It is 2.5 hours long, to be more precise. A 2.5 hour film fits easily onto a single-side DVD with only a mildly-noticable transfer skip. That is the only special feature I want from this new version of the DVD. I'll buy it, just don't make me flip it, God in heaven! Furthermore, Martin Scorsese has gotten the absolute worst treatment of any director this side of Roger Corman on DVD. Even his last film, Gangs of NY, was subjected to a ridiculous film-ruining stop right in the middle of a love scene that is so abrupt, you have to laugh. Didn't the jack-a$$es who ruined the Goodfellas DVD years before learn their lesson? OK, so Gangs was done by Miramax (the worst company on Earth for DVD quality and price,) but why does this trend have to blight poor Scorsese so terribly. He is one of the greatest living directors, for God's sake! His movies aren't exactly low-profile. The only Scorsese film that has been given a proper treatment is The Last Temptation of Christ, but that was a Criterion, and not a Warner DVD. That brings me to my final thought. Considering the fact that Warner actually does a great job at releasing quality DVDs with a decent amount of interesting features most of the time, it seems doubly stupid releasing some of their greatest back-catalog titles like a lobotomized afterthought. (...)
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| 63. Being There Director: Hal Ashby | |
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Reviews (120)
The basic story is quite simple. As Chance the gardner is forced to leave the house he has lived in as a child, he is hit by a limosine transporting the wife of a dying plutocrat. Taken to the home of the plutocrat, he eventually meets the rich and powerful of the land (the president included)and is taken to be an oracle of wisdom with his simple statements about gardening and the television he has watched. It is a great satire that just keeps getting better as we rely more and more on soundbites for our information. The best part of the film is Peter Sellers who plays this absolutely blank, innocent, and slow-witted person with complete aplomb. I remember an interview with Sellers when the movie came out, and he said it was a real struggle to develop an accent that had no roots at all -- a perfect blend of voices heard on television. He plays the movie absolutely straight, the comedy being how people react so seriously to his child-like comments. For example, in a television interview about the economy, people take his comments that "there is always growth in the spring" to mean an end to a recession when he is simply talking about his garden. This is a unique film with lots and lots of subtle humor (no slapstick ala Clouseau). There are some very funny moments as people react to Peter Sellers, but the humor always comes back to how we choose to see the world. There is no deception of the part of the character of the gardner -- it is everybody else who plays the fool here. This is a definitely a movie to own and to watch over and over. I know some people who have found it a bit slow, in that very little really happens -- it is almost a comedy of manners. It is a great memorial to Peter Sellers from one of his very last movies.
A star-studded cast includes a beautiful Shirley MacLaine as the tycoon's wife who is very attracted to the "inexperienced" Chance. Melvyn Douglas took the Best Supproting Actor Oscar (his second) for his role as the dying philantrophist. The slow moving yet poignant film offers many observations about people and how they are perceived by new acquintances. Peter Sellers' character benefited greatly from his handsome, classy attire when forced out of his home of many years. His simple speech would have been taken as foolish babble, had the man been dressed in rags. There is a particularly moving scene near the end of the film, when Chance's benefactor is layed to rest. Seemingly disinterested in the ceremony, Chance wanders off, examining nearby plant life, to see what improvements need to be made. The DVD version offers a hilarious set of "bloopers", showing how Sellers can't get through the lines without laughing out loud. "Being There" is certainly quite a departure from any standard comedy/drama. Not for everyone, but worth a chance!****
BUT... those lucky few who tend to watch the credits to the end...will get a mind-snapping shock! For there's one additional scene burried in the credits, a scene that changes the entire meaning of the movie - and will send you back to chapter 1 to watch the entire film all over again. And you will then see the SECOND story. It was THIS movie that has led me to sit in theaters until the end of the credits ever since!
BEING THERE tells the story of Chance, the Gardener, a simple man who spends his entire life gardening in the backyard of his boss' house, until one day the old man passes away. When a couple of journalists come around to find out more about the former master of the house, Chance is the only one there. The house must close, and for the first time the man must make strides into the big, wide world. This world is like nothing he could have ever imagined outside of the house where he worked. One thing that keeps him tranquil and holds his attention is the television. As Chance says, "I like to watch." (this line is misinterpreted a few times during the course of the movie.) By chance, Chance meets up with Shirley Maclaine the wife of an elderly billionaire. This is just the beginning of an intriguing series of events where Chance--renamed Chauncey Gardner--the simple man who speaks of plants and their growth (the only real knowledge he has about the world) becomes central as wise sage in one of the most intriguing political ventures. This film has moments of laugh-out-loud comedy, and serious elements as well. (The final scene is chilling.....that is all I am going to say......) | |
| 64. The Outlaw Josey Wales Director: Clint Eastwood | |
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Amazon.com essential video Reviews (68)
As far as a film is concerned, it is a very good tale of revenge and devotion to friends. Eastwood is great as the title character and the film has some very good supporting performances. The exteriors where the film was shot are beautiful and are just as good on DVD as in reality. The DVD is a great, inexpensive version of a great Western. The 16:9 widescreen version of the film highlights the colors and tones that were filmed by Eastwood. The color is good as well as the Dolby 5.1 Surround Soundtrack. There is also a French soundtrack (which is very humorous when Eastwood utters the best line of the film, "You going to pull them pistols or whistle Dixie"). The disc also contains trailers to many other Westerns as well as the trailer for Outlaw Josey Wales. You should not miss this great DVD. The price is right and the movie is one of Eastwood's best. This is one of the better looking westerns that I have in my DVD collection. If you love great westerns and movies about the American Civil War, you will love this DVD!
Cast: Clint Eastwood ... Josey Wales Josie Wales' family was murdered and his home burned by union redlegs, so he joins Bill Fletcher's border raiders on the confederate side of the war and does his share of getting even. When Fletcher turns in his men for money (except Wales) and they are all killed, Wales becomes an outlaw on the run from union authorities. They hunt him clear into Mexico, where things come to a head. Josie Wales single handedly surrounds the entire union army and the Indian nations. This is a good story, well acted by all concerned, and very well directed by Eastwood, as are all of his films. Joseph (Joe) Pierre
The story of the movie goes like this. Josey Wales(Clint Eastwood) is a peaceful farmer in Missouri with a family in the middle of the Civil War. One day some Union Soldiers burn down his house (with his son in it) and kidnap his wife. Angry and Furious, Josey Wales joins some confederate guerillas and fights hard. When Confederacy surrenders, Josey Wales refuses and heads west. He travels to Texas and along the way picks up odd group: couple of Native Americans, an Old Grandmother, a beautiful woman and two servants. At the same time they are chased by Union soldiers. I will not reveal the story further. However, what makes this movie a classic is the depth and dimension to the characters and superb action. The character of Josey Wales is really complex. He turns from a peaceful farmer to a tobacco chewing, hell raising, gunslinger. However his humane side is seen through his hard attitude at times. He saves a native american girl from couple of scoundrels. He also saves travelers from another group of bandits. At the same time, he is a tobacco spitting hard man. Josey Wales spits on everything, from a scorpio to a union officer. The other characters are not as intensely developed, which is understandable since Josey Wales is the primary focus of the movie. The action in the movie is just amazing. I will summarize three great scenes which will make you, the reader, want to just watch the movie. In first scene Josey Wales is carrying food and confronted by four soldiers... In another one Josey Wales(and his six-shooter) all by himself is up against 10-15 bandits...In the last one, Josey Wales and his Six-shooter, go toe-to-toe against tens of horse-riding soldiers... I will leave the action for you to watch. Also this movie is directed by Eastwood himself. He is as good as a director as he is as an actor. FYI: This movie is based on the book "Gone to Texas".
Chief Dan George and Clint have a chemistry that adds humor and depth to the main story line of revenge, retribution, and a journey for justice. Sandra Locke, with her doe-eyed innocence, adds a little gentle feminity to the picture. The movie is exciting, suspenseful and rewarding. No one is better as a wronged-man-evening-the-score than Clint Eastwood and this is one of his most memorable roles. ... Read more | |
| 65. Airborne Director: Rob Bowman | |
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Description Reviews (52)
Filled with exciting stunt sequences, witty dialogue, and a breakthrough performance by Seth Green, "Airborne" is sure to please the extreme sports (and Cincinnati) fan in all of us!
Quite frankly this movie is one of the most allegorical movies I have ever seen. This movie is so intellectually jampacked with references to the second World War, I nearly wet myself during the first showing. For example, Micthell is the U.S., and those bullys are the Japanese. Seth Green's character is obviously the British, and I will take a venture to say that Jack Black's character is probably the French. The bullys also represent the Germans. I spent myriad hours examining the movie, and I can't truly identify who Hitler is meant to be. I watched to the whole movie in reverse and discovered in scene 36, where Mitchell's toliet paper is sabotaged (this represents the German invasion of France, duh!)that the bully's say 'Axis freedom, down with the Allies'. If you play it in reverse you will see as well. The roller hockey game where Mitchell pulls down the bully's pants clearly represents the Battle of Normandy, where the Allied troops stormed the beaches. The race down Devils Backbone is obviously the final battle of WWII in which the underdogs won. I have one minor quibble: the guy who won the race. ...? By the way, the man who made the analogies with Jack Black and shining after a shower- you are right on my good sir. I hope you see the movie in a different light with my guidance.
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| 66. The Student Prince Director: Richard Thorpe, Curtis Bernhardt | |
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Reviews (21)
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| 67. Damn Yankees Director: George Abbott, Stanley Donen | |
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Amazon.com In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout. Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland Reviews (15)
Star of the show is Gwen Verdon. She's the devil's 007-ette,LOLA with"license to get-down".Down and sassy-classy she bedazzlingly is,as she funks; punks;Bob Fosse's-n-weaves/"sleezes" her way on Applegate's satanic service to seduce Superstar Joe Hardy into "eternal contract".WHATEVER LOLA WANTS (ultimately)she doesn't get. Because...like the show's theme banners...YOU GOTTA HAVE HEART! In The Ninth,Verdon's not-so-wicked witch of the West(like this superbly entertaining; funny; full-of-good-will fun flick) has Valentine Heart to the max.If you're a Yankee fan (as lovers of baseball begrudingly become)catching a glance of baseball legend Mickey Mantle in the film is a nice touch recalling innocence in values that've been lost to the Real Applegate and cohorts.Being from Houston, I look forward to some Yankee greats pitching for us next year. Until then, DAMN ASTROS(er)YANKEES is a Hollywood Hall-of-Famer well worth checking-out and cheering on.
Thank-you.
Gorgeous boy Tab Hunter plays the part of quiet, innocent and unpretentious Joe, an easy soul target for the Devil and his indebted temptress, played by Gwen Verdon. Although the singing was slightly less than what it could have been, the dance parts were terrific. Unfortunately, this famous Broadway show was placed before a movie camera and little was done to take it from the ranks of the contrived enthusiasm of a play to the artful poise of a feature film. The scripts made for stiff dialogue and the sets were composed as they would have been on a fixed stage. What could have made for a very entertaining musical became a stage play adapted by convenience with no consideration for creative filming. ... Read more | |
| 68. The Sound of Music Director: Robert Wise | |
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Amazon.com essential video Reviews (337)
"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience. Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl. This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.
So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.
I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more | |
| 69. Elektra Director: Rob Bowman | |||||||
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Amazon.com As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?). Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level.Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. DVD features More on Elektra Reviews (163)
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| 70. El Cid Director: Anthony Mann | |
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Amazon.com essential video Reviews (60)
The screenplay, by Philip Yordan, Fredric M. Frank, and Ben Barzman, uses Vivar as the definition of Chivalry; noble, with lofty ideals, he opens the film by defending the Crucifix in a small Spanish town, defeating a band of Moors, then showing them mercy, which earns their respect, and gains the blessing of the Church (the symbolism of 'El Cid' and the Cross is clearly juxtaposed; he is truly sent as an answer to Spain's prayers!) He and the beautiful Lady Jimena, daughter of the King's Champion, are to be wed, but when Vivar is forced to face him in a duel, killing him, as the elder attempts to defeat him by treachery, Jimena is sworn to avenge her father's death! Inheriting by default the title of Champion, Vivar is immediately thrust into a spectacular combat against a rebelling city's Champion, fought with an array of medieval weaponry; this scene is the first of many highpoints of the film, and is incredible! The hard-fought victory 'vindicates' Vivar's new title, and Christendom and Spain has its true Champion against the Moor! The film has all the classic elements; heroism and betrayal, pure love and jealous hatred, divine purpose and petty manipulations. Above all of this towers 'El Cid', whose lofty ideals are never compromised, whose only dream is to serve a united Spain. Nothing, not even death itself, will prevent him from fulfilling his destiny! If you have only one film about Knighthood or Chivalry in your collection, this should be it! No other movie even comes close to 'El Cid'...it is truly a triumph!
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| 71. Ice Age Director: Carlos Saldanha, Chris Wedge | |
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Story Commentary: This is a computer-animated remake of "The Three Godfathers" but the first half seemed a LOT like "Shrek" meets "Monsters, Inc." transposed into the distant past. Then, something happens, and the movie became wondrous for me. The things that created this transformation were: the turmoil and complexity of Diego's emerging character as he discovers a different way of being; the whole scene in the ice cavern, and especially the wall-drawing of the mastodon that Manfred sees (and then imagines into a microcosmic summary of Ice Age life); the growing sense of duty, stewardship, and surrogate fatherhood. The ice cavern scene is the start, and is an unforgettable movie moment for me. The interspersed vignettes of the squirrel (coati mundi?) provided great comic relief, plus an ending to make one chuckle. Technical Commentary: This film looks very different than did "Shrek" and "Monsters, Inc." but is on a par, technically, with them. The stark beauty of an Ice Age winter, turned into an icy playground with lethal traps and pitfalls, was a work of minimalist art. At the halfway point, I would have given the film two to three stars, and complained that it lacked originality times three. The last half gets five stars.
The first hint I had of what "Ice Age" would be was a preview long before the movie ever came out. The preview featured a squirrel trying to bury an acorn in the snow, but nothing was working and in the attempt to bury the acorn, the poor little squirrel inadvertently caused an avalanche. It was funny, and it was the one of the best previews that I had seen. Fortunately, this squirrel makes several appearances throughout "Ice Age" and steals every scene that he appears in (which is saying something for a piece of animation). However, the main story of the film has nothing to do with the squirrel. A pack of saber tooth tigers are seeking to attack a human settlement in revenge for some of their own being killed by human hunters. The plan is to take the human baby of the lead hunter. The tigers attack, but the baby's mother manages to escape and dives into the river. With her last breath the mother places the baby at the feet of a mastodon who is standing by the riverbank. This much is still set up for the primary story being told, and that is the story of Manfred the mastodon (Ray Romano) and Sid the sloth (John Leguizamo). Since the world is in the middle of an ice age, the animals are migrating south to get out of the cold. Manfred is initially going north to get away from everyone else when he comes upon Sid. Sid was left behind and he also needs protection. He's a sloth, but rather than being exceptionally slow, he appears to be more clumsy than anything else. The two animals end up traveling together (over the objections of the mastodon), and it is then that they come across the human baby. Manfred is ready to leave the baby behind, but Sid insists on keeping the child until they can find another human settlement. Enter Diego (Denis Leary). Diego is a saber tooth tiger who has been sent by his pack to reclaim the human baby as revenge for the pack. Even a tiger fears to go up against a mastodon, so Diego pretends to have the best interests of the baby at heart and now we have the rather strange group of Manfred, Sid, and Diego all trying to return the baby (except for Diego, who is only pretending). "Ice Age" is a very cute movie, suitable for children of all ages. It is funny at times (any time the squirrel gets to make an appearance is a highlight for me), and it should be enjoyable for children and adults. Excellent animation and excellent voice acting. "Ice Age" is a good movie that should not be overlooked (even though it was overlooked in the theatre because of Pixar's "Monsters Inc"). ... Read more | |
| 72. The Magic School Bus: Taking Flight Director: Charles E. Bastien, Larry Jacobs | |
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| 73. The Major and the Minor Director: Billy Wilder | |
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Amazon.com essential video Reviews (22)
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