Description

Spot, the ever-curious, always adorable puppy greets everyday adventures with the joy and delight of a preschool child! And now your child will discover additional worlds of wonder along with Spot and his friends as they prepare for the first day of school, play safe at the playground, decorate a cake, and put on hats and mittens for a cold day! Between each of these beloved animated stories, a live-action cast of inquisitive preschoolers make learning new things as irresistible as Spot himself! ... Read more

Reviews (3)

cute video
my two year old and his cousing love this video as well as the rest of the spot series. the video teaches the kids to share as well as how to use their imagination. the content itself isn't overwhelming to children like many cartoons today. i would recommend this video to kids ages one to four or five.

Have Fun and Learn with Spot
This is a wonderful video for children. It follows the books by Eric Hill very closely. There are five stories about a little yellow dog with a big brown spot on his back. He lives in a nice house with his Mom and Dad and he has lots of friends including Helen the Hippo, Steve the Monkey, Tom the Alligator, and Claire the Turtle. These are gentle, loving stories that children can easily understand. Each story teaches a positive and valuable lesson and is very entertaining as well.

In the opening story, "Spot Goes to School," Spot is starting school for the very first time. He is a little nervous at the beginning, but once he gets to school, he sees his friends and has a good time with them. The teacher is very nice, and there are lots of interesting things to do. The students paint, and build with blocks, and play dress-up. As it turns out, school is a very fun place to be! At the end of the day, Spot's mother picks him up, and the first thing Spot says is, "Can I go again tomorrow?" I think this story would help any little child who is nervous about going to school.

In "Spot at the PlayGround," all of the friends get together for an afternoon of fun. They play on the Jungle Gym and the Teeter Totter and the Slide. They learn how much fun they can have sharing and playing together. They also learn to be careful and watch out for one another. Having fun CAN be safe!

In "Spot Makes A Cake," Spot is on his way out to play with his friends. He reminds his mother that she promised to make a cake for the school fair. She asks if he would like to help. Of course he would! But only after he finds his Chef's hat. This was my favorite scene in the video. Spot is a fat little puppy who stands on a stool and mixes the cake batter while he wears his hat. He is SO CUTE! He makes the cake with his Mom, and winds up having more fun than he expected. He learns that it can be fun to help around the house. And best of all, when he takes the cake to the school fair, he wins it right back again! Spot's Dad is especially happy about that-because he REALLY wanted to eat it before it went to the fair!

In "Spot In the Woods," Spot and his Dad go out for an afternoon walk. Spot asks everyone he meets along the way if there are any lions or tigers or elephants or bears. "Oh Yes, lots of them," the birds and foxes and squirrels reply. This worries Spot, and he decides he wants to go home. His Dad is puzzled, but he says okay. After Spot leaves the woods, out pop a lion, a tiger, an elephant, and a bear! Sometimes the things that children imagine or fear, really can come true! But when that happens, it's also true that a loving parent or grownup can protect you and take care of you!

The last story is "Spot's Winter Sports." It is a cold and snowy day, and Spot wants to play outside with his friends. But first he must dress warmly! He has a snowball fight with Helen the Hippo and takes a ride on his sled with Steve the Monkey. Helen and Spot work hard at building a snowman. They ask Steve to help them, but he is too busy doing something by himself. Spot wonders what is so important that Steve can't help. Actually, Steve is working on a surprise for Spot-a snowman that looks exactly like Spot! And best of all, he builds it on Spot's sled so that he can take it home and show his Mom and Dad! Aren't friends great!

As you can see, these are sweet and charming little stories. There is nothing rough or violent or scary in them. Around our house, we like to watch these stories in the evening when we're getting ready for bed. They are so calm and quiet, they make you feel like you are ready to relax and go to sleep. This video is a MUST HAVE for small (and even not so small) children!!

Have Fun And Learn With Spot.
This is a wonderful video for children. It follows the books by Eric Hill very closely. There are five stories about a little yellow dog with a big brown spot on his back. He lives in a nice house with his Mom and Dad and he has lots of friends including Helen the Hippo, Steve the Monkey, Tom the Alligator, and Claire the Turtle. These are gentle, loving stories that children can easily understand. Each story teaches a positive and valuable lesson and is very entertaining as well.

In the opening story, "Spot Goes to School," Spot is starting school for the very first time. He is a little nervous at the beginning, but once he gets to school, he sees his friends and has a good time with them. The teacher is very nice, and there are lots of interesting things to do. The students paint, and build with blocks, and play dress-up. As it turns out, school is a very fun place to be! At the end of the day, Spot's mother picks him up, and the first thing Spot says is, "Can I go again tomorrow?" I think this story would help any little child who is nervous about going to school.

In "Spot at the PlayGround," all of the friends get together for an afternoon of fun. They play on the Jungle Gym and the Teeter Totter and the Slide. They learn how much fun they can have sharing and playing together. They also learn to be careful and watch out for one another. Having fun CAN be safe!

In "Spot Makes A Cake," Spot is on his way out to play with his friends. He reminds his mother that she promised to make a cake for the school fair. She asks if he would like to help. Of course he would! But only after he finds his Chef's hat. This was my favorite scene in the video. Spot is a fat little puppy who stands on a stool and mixes the cake batter while he wears his hat. He is SO CUTE! He makes the cake with his Mom, and winds up having more fun than he expected. He learns that it can be fun to help around the house. And best of all, when he takes the cake to the school fair, he wins it right back again! Spot's Dad is especially happy about that-because he REALLY wanted to eat it before it went to the fair!

In "Spot In the Woods," Spot and his Dad go out for an afternoon walk. Spot asks everyone he meets along the way if there are any lions or tigers or elephants or bears. "Oh Yes, lots of them," the birds and foxes and squirrels reply. This worries Spot, and he decides he wants to go home. His Dad is puzzled, but he says okay. After Spot leaves the woods, out pop a lion, a tiger, an elephant, and a bear! Sometimes the things that children imagine or fear, really can come true! But when that happens, it's also true that a loving parent or grownup can protect you and take care of you!

The last story is "Spot's Winter Sports." It is a cold and snowy day, and Spot wants to play outside with his friends. But first he must dress warmly! He has a snowball fight with Helen the Hippo and takes a ride on his sled with Steve the Monkey. Helen and Spot work hard at building a snowman. They ask Steve to help them, but he is too busy doing something by himself. Spot wonders what is so important that Steve can't help. Actually, Steve is working on a surprise for Spot-a snowman that looks exactly like Spot! And best of all, he builds it on Spot's sled so that he can take it home and show his Mom and Dad! Aren't friends great!

As you can see, these are sweet and charming little stories. There is nothing rough or violent or scary in them. Around our house, we like to watch these stories in the evening when we're getting ready for bed. They are so calm and quiet, they make you feel like you are ready to relax and go to sleep. This video is a MUST HAVE for small (and even not so small) children!! ... Read more

Amazon.com

Bill Murray does warmth in his most consistently effective post-Stripes comedy, a romantic fantasy about a wacky weatherman forced to relive one strange day over and over again, until he gets it right. Snowed in during a road-trip expedition to watch the famous groundhog encounter his shadow, Murray falls into a time warp that is never explained but pays off so richly that it doesn't need to be. The elaborate loop-the-loop plot structure cooked up by screenwriter Danny Rubin is crystal-clear every step of the way, but it's Murray's world-class reactive timing that makes the jokes explode, and we end up looking forward to each new variation. He squeezes all the available juice out of every scene. Without forcing the issue, he makes us understand why this fly-away personality responds so intensely to the radiant sanity of the TV producer played by Andie MacDowell. The blissfully clueless Chris Elliott (Cabin Boy) is Murray's nudnik cameraman. --David Chute ... Read more

Reviews (239)

it's going to last you the rest of your life!
Groundhog Day is the funniest movie of the 90's. Brilliant performance by Bill Murray who plays a cocky weatherman Phil Connors who covers Groundhog day every year in the small town of Punxatawnee that he hates. The day end with him being stuck there because of a blizzard that he didn't predict...and what more, he relives groundhog day over and over again...taking advantage of it, taking his own life, making a move on his producer Andie Macdowell which turns out to be his first lesson in reviewing his inner cruelty and becoming a better person, and a local hero!

This movie is straight out funny...it will make you crack up with every viewing. Watch out for Stephen Tobolowski in his bizarre role as Ned Ryerson, and a cameo appearance by the film's director (and Murray's costar in Ghostbusters) Harold Ramis.

The features are well worth the money too.

A tale of love, hope, and redemption
This is a terrific movie - hilarious, uplifting, and deeply romantic and heartwarming.

Bill Murray and Andie McDowell are perfect in this film, Murray as the cynical, infinitely self-centered TV weather newscaster, and Andie McDowell as his radiant and relentlessly uplifting TV producer and love interest. The plot has been rehashed many times by others, so I won't repeat it again.

The thing that makes this movie so memorable, and makes it stand out from all others is not the comedy, which is enjoyable, but the deeper themes behind it.

What are these themes? In reading the other 226 reviews, people have mentioned everything from Buddhist karma and reincarnation, Nietzsche and existentialism, Kubler Ross, the Seven Sins, and Gurdjieff -Ouspensky and the Fourth Way. Comparisons have been made to themes from the Twilight Zone, and Frank Capra movies like "It's a Wonderful Life".

Yes, I suppose all of these themes are present, and people will interpret this movie in the religious or philosophical context with which they are most familiar. Which is why it's a bit surprising that so far nobody has mentioned the main theme that stood out immediately for me in this movie.

Above all the existentialism and New Age themes that might be found in this movie is a very old fashioned one - at its core, this movie is a moral tale of love, hope, and redemption.

Bill Murray's character is stuck in time, stuck in purgatory, stuck in a perpetual rut of endless reincarnation and immortality, whatever you want to call it. His character, Phil Connors asks, "What would you do if you were stuck in one place and every day was exactly the same, and nothing that you did mattered?"

Connors first uses his recursive immortality to dive even deeper into the Seven Sins, and then sinks into despair, hopelessness, and attempted suicide. But gradually, he awakens to the possibility that his choices of action do matter, and discovers that through caring for the other people in this town, he is able to regain hope in his own life again. It is this genuine turn in becoming a better person that wins the heart of Andie McDowell's character and earns him redemption from this purgatory.

Another reviewer had mentioned a link to the theme of making hard choices in the "Lord of the Rings". Thanks to "Groundhog Day", I came to understand one question from LOTR that had always bothered me - why would any immortal being (i.e., elves like Arwen and Haldir in LOTR) ever give up their immortality? The answer: maybe immortality becomes tiresome and meaningless if one cannot make a difference in this world, maybe leaving immortality to gain the love of another is truly more worthwhile.

There was just one other aspect of this idea that came to mind - what if whoever or whatever had kept Phil Connors stuck in time had continued to keep him there even after his transformation? We like to think that love and hope always leads to redemption. What if it doesn't? That's one real-life possibility which is not explored in this movie, but nevertheless, it is still a terrific movie.

Renaissance Man Extraordinaire - Carpe Diem
There are so many messages behind this great movie with Bill Murray and Andie MacDowell. He is head over heals for MacDowell from the start, but as an arrogant weatherman, he seems to just tick her off from the start as well.

Imagine waking up every morning and it is the same day over and over again? Well, Murray has this happen to him. Every time he does his day becomes one disaster after another until he finally gives in and figures out he can use each day to improve himself and his life a little at a time.

The message here is clear. We all have a life that is made up of the same day everyday, what we choose to do with that day is really up to us. Do we want to improve our lot in life or just go along with being ourselves in a boring unfulfilled endless life that is a cycle of recurring themes?

This movie shows anyone, even though it is a comedy, that each day we have a choice to make the day what it can be. Murray plays Phil Connors, on Ground Hog Day when the ground hog's name is also Phil...go figure. Connors is as arrogant as they come and he just keeps trying so hard to impress people.

He goes from egotisical and self serving to seeing himself to get the girl of his dreams, Rita. It would be nice to know how many days of Ground Hog Days he spent there. You can see him go from this to a renaissance man who really cares about people, loves life and takes each day and uses it to improve himself.

Rita, although the same person and not being influenced or affected by being in Ground Hog day, comes to really like Phil. This movie makes us laugh at ourselves and our humanity. And by the end of the movie, he shows that he can have a positive effect on everyone he comes in contact with.

So when you hear the song, "I've Got You Babe," and the announcers saying, "It's Ground Hog Day....." remember to use the day to its fullest.

Perfect
G.D really is nearly perfect. I never tire of it. At the same time I think most people miss the point. (By the way, I've NOT seen the Special Edition.)

I'm facinated each time watching the totally self centered Bill Murray caught in this marvelous time paradox, living the same day over and over. He goes through differing stages: fear and confusion; euphoria, when he realizes he can do ANYTHING without consequence; despair, when he realizes that life is meaningless if one pursues selfish pleasures without goals; and finally a peaceful self actualization when he dedicates himself toward self improvement and the humanitarian goals his situation gives him the opportunity to pursue.

It gives one pause to consider what each of US would do in a similar circumstance.

Oh, it's really funny, too.

Groundhog Day a classic
In 1993 , director Harold Ramis genius of dark comedies like ''Analyze This'' casted Bill Murray as Phil Connors in this dark but mostly enjoyable movie named GroundHog Day.

Bill Murray plays Phil Connors a weatherman, who covers everything from weather to Ground Day. Phil isn't happy with his life, in fact he realizes that he is repeating the same routine over and over again. From work in the morning,to
talking to the annoying Ned Ryanser( Stephen Tobolowsky), while listening to Sonny and Cher in the morning to covering the stupid GroundHog Day, Phil is repeating the same day over and over again. Of course the irony here as done by the plot, is that he is the only that knows it. It's like an episode the ''Twilight Zone'' (which I reviewed too on other sites). Eventually Phil has a mental breakdown in which he plans to do whatever he wants. He comes completely unglued when realizing how wasted his life had become, and thus wants to change it.

I use the term breakdown because well Phil isn't exactly a nice guy, he's arrogant and obnoxious. We hardly sympathize with this guy, much less that he is miserable.
However, the point the movie makes is the guy realizes he has been wasting his life away and wants to change it, although Phil's change doesn't go ahead smoothly.

He drives reckless around the train tracks, gets arrested, steals a bagfull of money from a couple of dumb cops, charms his way into sleeping with a beautiful young girl and yet finds out that he still isn't happy. Until he puts the moves on Rita (Andy McDowell), his producer. McDowell is the few actresses that I know that has limited acting potential but her beautiful presence can convey some emotions making her sympathetic.

However, in order to get close to Rita, Phil has to get info on her likes and dislikes from her friends. This angle in the movie, really made me a little sick, because even we are suppose to sympathize with Phil, he hasn't really changed all that much. Rita, eventually finds out Phil's motives and slaps him in the face, and telling him to get lost. LOL No surprise there, in fact Rita's action sums up my argument that Phil hasn't really changed all that much despite his aim to not repeat the same day, he is still repeating his same behavioral patterns.

Phil though in order to impress her and to change himself, starts doing bizarre, yet unreal things that get him attention and he does start to become nicer. This is where the movie gets ridiculous, because even though this is a comedy, I found the rest of the movie to be predictable, superficial, yet enjoyable
Phil becomes a gifted ice sculpter (who knows where he learned this) as one scene, where his cutting a sculpture of an ice angel is shown. Then Phil saves a guy from choking to death, a kid from a falling tree and a host of other surprises. LOL

Yes Harold Ramis does go a bit over the top with this Phil guy, obviously a lot of the stuff he pulls of is almost impossible giving Phil's background, but Ramis is again trying to show the point (although laughingly bad) that Phil is changing. He now has a heart and will do anything to be with this nice woman and of course by Phil doing this he has filled that empty void that he had when he was repeating the same unfulling routine of covering that stupid Groundhog Day in Pennsylvania.

Ramis is actually a buddy of Murray going back to the old days of their ''SCTV'' days, and ''Ghostbusters'' days, so these two talented comedian can pull the hijinks in the film with some realism.

Still though Ramis does do a good job of making us think about the movie and Phil itself and gives us that scary thought that we perhaps might end up like Phil, a shriveled, ugly man who has been repeating the same stupid routine yet doesn't have the capacity to see that this misery is at his own doing.

LOL ... Read more

Amazon.com

Not the egregious foul it seemed to be in theaters, Hercules stands up as an entertaining spritzer of an animated feature. The continual peppering of in-jokes and cultural references becomes less irksome on video. That there's no majesty or awe invested in the beloved Greek legends also seems less of an error. Also on the plus side is the bounciest Alan Menken music since Little Shop of Horrors. With Zeus's blood in his veins, young Hercules's amazing strength makes him an outcast (sorry, that still doesn't fly), so he trains with a satyr named Phil to become a hero. Along the way Herc meets Meg, a common mortal who falls hard for him. They're both against the jocular Hades, who has to destroy Hercules to take over Olympus. The hydra is the computer-animated set piece for this little number, a no-chance attempt to beat that wildebeest herd from The Lion King. --Keith Simanton ... Read more

Reviews (133)

Best Disney Movie since "The Lion King"
Hercules restored my faith that Disney can still make fun, engaging animated movies (this one's much better than the more recent disappointing Road to El Dorado or The Emperor's New Groove). The animation is dazzling (from the makers of Aladdin and The Little Mermaid), the music is a new take -- gospel, and the characters are funny. The voices include a cast of famous names, such as Tate Donovan and Danny DeVito as Hercules and his goat-man sidekick. The plot is predictable and the storytelling of the Greek myth may be a bit off, but after all, it's Disney. The DVD includes a documentary ("The Making of Hercules") and a Ricky Martin music video (for the song "I Can Go the Distance"), and most Disney DVDs hardly have any extras. I wouldn't call this movie a must-buy, but it's a welcome addition to Disney's family of great cartoon movies... and kids will certainly love it, too.

The World's First Super Hero
Disney adds a new twist to the story of the mythological strongman in the funny animated feature "Hercules". Hercules (Tate Donovan), the son of Zeus, is kidnapped and turned mortal by the sinister god Hades (James Woods). Now, with his amazing strength and the help from his fly stallion Pegasus and trainer Phil (Danny DeVito), Hercules journeys to regain his place among the Gods of Olympus. Though not as memorable as previous Disney animated films, "Hercules" is a lighthearted fun-filled fantasy adventure. The story is fresh and funny, and the animation is stylish and colorful. The film contains some clever humor and amusing scenes including a thrilling battle between Hercules and the fierce hydra. James Woods shines as the voice of the sly Lord of the Underworld Hades and Susan Egan is amazing as Grecian beauty Meg. The voice cast also includes Bob Goldthwait, Matt Frewer, Paul Shaffer and Rip Torn. The animated tale is presented in its THX certified 1.66:1 widescreen format. The DVD contains a very detailed video transfer and a rich 5.1 Dolby Digital sound. Its supplemental material features "The Making of Hercules" featurette and a music video with Ricky Martin. Despite the lack of interesting extras, "Hercules" earns a "B-".

Great teaching tool
Precisely BECAUSE of the complete disregard for the original mythology, this movie is a superb teaching tool for middle schoolers. After a unit on Mythology, the kids can identify for themselves the many creative changes Disney opted to make, and even better, they can figure out for themselves why Disney made those choices. It makes the kids savvier media consumers, they enjoy spotting the "mistakes," and the music is terrific and holds their attention. We all enjoy the fact that nearly every time the Muses sing "and that's the Gospel truth!" they're referencing something completely FALSE. And the group scene at the christening makes a great "test" of those symbolic identifiers--the kids like being able to identify the gods and goddesses based on the clues in their appearance.

Zero to Hero
When the evil Hades, god of the underworld, learns that if Zeus and Hera's newborn son Hercules fights his world takeover plan, he will fail, Hades' idiotic helpers Pain and Panic kidnap the tyke in an attempt to turn him mortal and kill him. But before baby Herc could drink the last drop of the potion, a middle aged couple intersept. They take young Hercules in and raise him as their own. The only problem Hercules has is his god like strength, which he retained because he did not drink the last drop of the potion.

Hercules grows up feeling like he doesn't belong and goes on a journey to find his true identity. When he discovers that he is the son of Zeus, he is told that the only way he can regain entry to Mount Olympus is to become a true hero.

So with the help of Phil, a satyr, and Pegasus he begins training to become a hero. He ends up meeting Meg, a young woman who sold her soul to Hades, and falling in love with her. Meg is torn between loyalty to Hades and her growing love for "Wonder Boy".

When Hades strikes a deal with Hercules to give up his strength for 24 hours, Hades frees the Titans to take over Olympus. Due to one technicality in the deal, Hercules regains his strength and defeats Hades. But when he learns of Meg's death, he strikes a deal with Hades to rescue her and take her place in the underworld.

A little bit too modern for a story set in Ancient Greece but this movie contains all the essential elements of a true Disney classic.

From Zero to Hero
Hercules is a total knockout - for the first half of the movie. The second half falls flat. Hercules has one of the best animated film scores ever. To promote the film, Disney had a traveling "troupe" of singers in Greek costume perform at malls around the country. The executives apparently even appreciated the incredibly orignal gospel-style songs with witty and joyful lyrics. The rollicking songs get a big "Amen!" The fabulous Muses are wonderful creations.

The story involves Hercules as an awkward boy trying to fit in with the humans who have adopted him. After he inadvertently causes a disaster at the marketplace, Herc strikes out on his own, and is shocked to discover his Mt. Olympus heritage. Megara, the female romantic interest, is not very likeable as a fallen woman redeemed by love. You feel Herc deserves better.

Since Aladdin, Disney has used celebrities as character voices. Hercules in particular benefits from this, with James Woods ad libbing hilariously as Hades, lord of the underworld, and Danny DeVito, who brings heart and laughs as "Phil" the Satyr. ... Read more

Reviews (13)

The best Tom Sawyer i ever saw.
This movie was playing at Radio City Music Hall back in the days of the movie/stage show formt. It was also presented in 70mm on that huge Radio City screen. I remember how impressed i was with that opening scene with the steam boat going down the river and you see Tom running thru the field and the music builds more and more. Wow,,,,what a great movie!I've seen many versions of "Tom Sawyer" but this one seems to be the best ever brought to the screen. Maybe because it's a musical. Whatever made this so successful back then you will not be disappointed by it's gradure and scope. A must for ever American kid and adult too. This is as red, white and blue as it gets and now must be the most politically incorrect movie ever made. (hehe) Buy it before some group puts a ban on it. Which should want you to buy this for the kids even more. They don't make them like this anymore.

Energetic, sunny adaptation
Made at a time when the inclusion of songs was all but compulsory for a family film, this musical adaptation nonetheless manages to translate the best aspects of Twain's book to the screen. The movie does an impressive job of creating a dramatic shape out of Twain's material. The book is a collection of episodes which form a composite portrait of Tom's character, and, for adult readers, offer a glimpse into a lost world; but there really is no narrative drive. The murder and Tom's subsequent dilemma about testifying in court are simply two episodes unconnected to the other events. In the book, the boys simply decide one day to form a gang of robbers and go live on the island. In the movie, the retreat to the island arises out of the boys' fear after having witnessed the murder, and it is only the guilt they feel while spying on their own funeral that makes them return home. The songs are not especially memorable, but harmless enough. The performances by the supporting adult cast are strong, particularly that of Celeste Holm as Aunt Polly. A splendid scene at the dinner table is a masterful fleshing-out of Twain's prose. Full of nice photography and beautiful scenery, this movie sparkles with joy and youthful optimism.

A national treasure! Please release on DVD.
I just re-watched this film and wow, what a treasure of a film!

With songs written by the famous Sherman Brothers (the brilliant Disney songwriters who did "Mary Poppins" et al.) and the charm of Johnny Whitaker as Tom Sawyer (1970's tv show"Family Affair") this is the best version of the classic Mark Twain tale I've ever seen on film. You really feel like you're right there in Hannibal, Missouri.

Great casting all the way around and a fantastic musical as well.

I originally saw this when I was about nine and it completely caught my imagination both then and now. I'd never forgotten several catchy songs from the film, such as "Free Bootin.' Great stuff all the way around.

My only complaint is that this film is not currently available on DVD, as I'd love to see and hear this treasure of a film in full visual and audio clarity.

whatever
this movie is like so the not so awesome.we are watching it in school(me go to mater dei academy)and when i go home my ears hurt so much from all the... singing.i wish it only had like no singing and like what is up with the charectors dos man it is like way out there if ya know what i'm sayin.so i would not like refer this to anyone.if yall wanna watch tom sawyer watch the one with jtt.

Jodie Foster is GREAT! The music is terrible.
I fast-forwarded through the really bad songs in this would-be musical. It is a lot of fun. The character of Tom Sawyer is great. He is both a bad kid and a great guy at the same time -- a mix not so common in America's world of truly evil and absolutely saintly characters. Not particularly deep, not particularly inspiring, but fun. ... Read more

Amazon.com essential video

Spencer Tracy won an Oscar for his portrayal of Father Flanagan, who opens Boys Town and dedicates himself to helping juvenile delinquents go straight. Mickey Rooney plays one of the tougher kids, figuring out early on that Flanagan is nobody's fool. Warmhearted and inspiring, the film's inevitable sentimentality is nicely cut by Tracy's performance and a smart script by Eleanore Griffin and Dore Schary (who also won Oscars). A good film for all ages, directed by Norman Taurog (Adventures of Tom Sawyer). --Tom Keogh ... Read more

Reviews (13)

PRIME TRACY PERFORMANCE.
Father Flanagan takes in abandoned boys between the ages of 12 to 18, regardless of race or creed, and fights to raise money, to feed and teach and mother his friendless charges. Mickey Rooney - bless him - runs the gamut of emotions from the tough, poker-playing gangster kid, through the tear-choked, made over youngster, to the final noble youth who becomes mayor of Boys Town. The film manages - in spite of its embarrassing sentimentality of its closing scenes - to be a consistently interesting and frequently touching movie. A burning desire to help his fellowmen and a belief that there is no such thing as a "bad boy" inspired and assisted the Reverend Edward J. Flanagan to found "Boy's Town". Spencer Tracy's sincere portrayal of the role of the priest Father Flanagan was truly an outstanding performance in his career, it even ranks above his Father Tim in SAN FRANCISCO; Tracy simply IS Father Flanagan! As a footnote, in real life, Tracy donated the Oscar he won for his portrayal as Father Flanagan TO Father Flanagan himself; Tracy had it inscribed thusly: "To Father Edward J. Flanagan, whose great human qualities, kindly simplicity and inspiring courage were strong enough to shine through my humble efforts. S/Spencer Tracy".

great movie
This is a movie that is still good even after all these years. Spencer Tracy and Mickey Rooney give two of the greatest performances of their career. It should have one best picture for 1938, It was far better than "You cant take it with you". "Boys Town" is one of the best fims of all time.

Good Movie
I don't like Spencer Tracey all that much, but he is wonderful in
this movie. Mickey Rooney is excellent too. Very heart warming, good movie to watch around Christmastime.

An inspiration
I had watched this movie on TV a few years ago and was moved especially as it was based on the true story of Fr. Flanagan.
Movies like these uphold human values and dignity and give hope in a world were these values are getting blurred and ambiguous as is reflected in today's 'sensational' hollywood movies most of which promote superflous and artificial lifestyles and senseless action which please the senses but leave a vacuum in the soul. Of course, movies like Men of Honor and Jerry McGuire are an exception. Also it is commendable that there also exist producers like Mel Gibson who has the courage to produce "The Passion" in Aramaic (the language spoken by Christ) though it does not make much commercial sense.
All of this makes me think, is Hollywood reflecting contemporary life or is life reflecting Hollywood.
Wonder why no movie is made on the life of Fr.Maximilian Kolbe who resisted the Nazis in Poland and ultimately sacrificed his life in the Gas Chamber in exchange for another inmate in the Nazi Auchwitz camp in WWII. It could make a real good drama movie.
Hope the DVD that comes out on Boystown will have a special feature on the life and times of Fr. Flanagan.

My Favorite show
Boys town and sequael(Men in Boys Town) are the by far my most favorite films. I watch them on an old VHS copied from TV in Holland in the PAL format. I had to buy a special muti-system TV and VCR just to watch them. I hope when the DVD comes out they will come together as a 2 disk packet. ... Read more

Amazon.com

This animated time-travel adventure features a stellar cast and is a delight for kids and adults alike. When Matt, a black teenager, has to go on a class field trip to the museum of Martin Luther King Jr., he thinks that he'd rather play baseball. But the trip turns into an exciting adventure when he and his best friend, Randy, who's white, are sent back in time to meet Dr. King.

The story is also remarkably moving, as Matt and Randy learn what Dr. King did for humanity, and come to see him as a real person, not a historical figure. Matt and Randy experience segregation firsthand when they aren't allowed to eat on a train together. Together, they witness the bus boycott, the Birmingham riots, and the "I Have a Dream" speech. They discuss the theme of "non-violent resistance" with their new friend Martin and the work of Ghandi in India. As King tells Matt, "We must meet hate with love. It will take time, but somebody's got to start." Authentic historical footage blended with animation make this an excellent choice for teaching kids about the legacy of Dr. King. --Elisabeth Keating ... Read more

Reviews (26)

"Pick of the Month" of Good Housekeeping Mag., Feb. 1999
Good Housekeeping Magazine has selected this video as their "Pick of the Month". I have not seen it, but would love to take a look at it as something to possibly share with my six-year-old and her first grade class. GH writes: "Coinciding with Black History month is the debut of this appealing, made-for-video movie, a child's-eye look at the life of Martin Luther King, Jr. "OF,M" combines animation and documentary footage of the civil rights leader to tell the story of two boys who magically travel back in time and meet King at various points in his life. The production features the voices of such stars as Angela Bassett, Danny Glover, Whoopi Goldberg, James Earl Jones, Susan Sarandon, Oprah Winfrey, and LeVar Burton as King." This sounds like a potential winner to me!

Good Movie, but too Intense for young children
My 6 year old daughter came home very upset after viewing the movie at school. The movie is very intense and portrays ALL White people as bad! The real life footage is too deep for young children to assimilate. If you let your kids watch the Simpsons, then they will enjoy the Cartoon Characters. As an adult, I did enjoy the movie, though I would never have let my child watch it without being present to explain everything. She said MLK touched her heart, but she now has nightmares because she is so upset about him being killed, and ALL white people being so very mean. I think this movie would be more appropriate for 6th graders and up.

A gem!
This is an excellent educational video. I agree with other reviewers that it is not appropriate for young viewers. However, as a fifth grade teacher, my students were fully capable of handling the presentation and the discussions that we had before and after.

This video truly encourages children to think about the choices they make. Not only does it make Dr. Martin Luther King, Jr. someone a child can relate to, but it explores the idea that one person can make a difference. It urges children to stand up for the right thing even when it is difficult.

yuck
I've been forced to watch this film every year for the past five years at school. This movie is probably the stupidest thing to ever grace the Earth. If you are going to teach kids about the civil rights movement than do it right, show them a documentary or a realistic film. This movie is a real joke and the characters suck.

Informative and Interesting for my 4 yr old
I watched this on DVD with my 4 yr old son. He was VERY interested and really liked the movie. He understood immediately that the show was NOT saying that all White people are bad, that in fact skin color is a very silly thing to judge people by.

It was refreshing to see a show on the Civil Rights movement that did not show The Selfless and Heroic White Man coming in to save and protect the apathetic and helpless minorities, but instead portrayed the courage and determination of the people who had engaged in the struggle for freedom for years... centuries.

It gave was a good portrayal of the attitudes and realities that made the Civil Rights struggle so difficult, desperate, and dangerous. ... Read more

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Erich Segal seems to be obsessed with beautiful young women inflictedwith cancer. He first used this formula in his tearjerking book Love Story (later made into a 1970 film starring Ali MacGraw and Ryan O'Neal). It appears again in Only Love, based on Segal's novel of the same name.

Rob Morrow is Matthew Heller, a neurosurgeon who had his heart broken by a stunning Italian doctor, Silvia Rinaldi (Mathilda May). Marisa Tomei is Evie,his best friend from college, who salves his broken heart and endures the ups and downs of her own marriage. Matthew and Evie eventually find each other, only to have their relationship thrown into turmoil when Silvia reenters their lives, this time as Matthew's patient stricken by cancer.Mathilda May shines as Silvia, who defies her father to become a doctor and then finds herself forced to give up her one true love. Marisa Tomei is as cute and perky as ever, and her fans will enjoy this film. However, the plot wears thin and feels rather predictable. Yet, even though you know where this movie is heading, it still has its weepy moments. If you've seen Love Story too many times and are looking for some new fare, this might be an appropriate film for you. Otherwise, stick with Segal's earlier flick; it's far more satisfying. --Jenny Brown ... Read more

Reviews (7)

Wonderful and diferent love story
I saw this movie other day, here in Brazil,and I loved it. The story is wonderful and shows how love can be unexpected. We can't know who loved more... .The story between Sylvia and Mathew shows that for the true love there are no frontiers. I loved Marisa Tomei also but I would prefer he had finished with his only true love,Sylvia. You should do this great movie in a DVD version also, because of the beautiful images. I wait for a DVD version, including here in Brazil. Congratulations for the americans for this beautiful story!!

Powerful love story
Maybe it was because I watched this movie before I ever saw Love Story, but this movie is much more powerful than Love Story-or any other love story for that matter. This is my favorite movie of all time. The plot of forbidden love is not original, but the Rob Morrow and Marissa Tomei's performances more than make up for it. This movie makes you laugh, it makes you cry, and most importantly it makes you love. I would recommend this movie to anyone who is a true fan of love stories.

Great music
This was a good movie with a nice story. It would have been nice if it was a little cleaner content-wise. The music was great, they should have a soundtrack for it.

LOVED THIS MOVIE
This is a great movie. I watched it twice and told most of my friends and family about it. They are coming over to have a party to watch Only Love and Mother. If you are a Rob Morrow fan, you will appreciate the actors ability in both movies. You will be glad you have this movie in your collection to watch again and again.

For those who love tear-jeaking love stories this is for you
"Only Love" is the best made-for-tv movie I've ever seen. It is the kind of movie that moves you and touches your heart. If you like tear-jearking love stories this is for you. This movie is not only a love story, but a lesson in life. You'll love this movie! ... Read more

Amazon.com essential video

Director Stanley Kramer's socially conscious 1961 film tackles the subject of the war crime trials arising out of World War II in an earnest and straightforward fashion, exploring the consciousness of two nations as they struggle to come to terms with the aftermath of the Holocaust. Spencer Tracy plays the American judge selected to head the tribunal that will try the suspected war criminals. As he sets about his task, he must confront the raw emotion felt by the German people, and his own notions of good and evil, right and wrong. Regarded as a classic, this stark rendering of one of the most pivotal events in the 20th century features a stellar cast including Burt Lancaster, Montgomery Clift, Marlene Dietrich, a young William Shatner, and Maximillian Schell, who won an Oscar for his role as counsel for the defense for those charged with crimes against humanity. Judgment at Nuremberg is important viewing not only for the history of film, but for the history of modern times. --Robert Lane ... Read more

Reviews (30)

Star-Studded Recounting of Legendary Nazi Trials
This star-studded film vividly captures the characters on all 3 sides of the spectrum: The accused, the victims, and the international tribunal judging the perpetrators of unspeakable atrocities against fellow human beings. It is shocking to see how many of the people responsible for the gruesome deaths of millions justified their actions.

After hearing witnesses who often were tortured, mamed by sadistic doctors, and had their loved ones murdered, I can not grasp the fact that the majority of those on trial were released after serving minimal prison terms. Some of them are still among us, while millions of victims lie in their graves at the hands of an evil minority!

Stellar performances by an International cast. Most noteworthy are Montgomery Clift and Judy Garland as testifying victims, Maximilian Schell as Prosecutor (Oscar Winner), Marlene Dietrich as wife of a defendant, and an elderly Spencer Tracy, trying to make sense of it all.

Effective use of B&W photography, first rate sets and costumes, along with many other production values, make this a timeless Classic. Although considerd over-long by some, I recommend this film to be shown to high school classes as a reminder that these things happened in a not so distant past.*****

SCHELL, TRACY, GARLAND, LANCASTER, CLIFT & WIDMARK GREAT!
This is a superb film by Stanley Kramer with an unbelievably great cast at the height of their craft. Each of the legendary actors were at the top of their performances in the reinactment of the Judge's Trial at Nuremberg. The world was tired of the Nuremberg trials. This one was a mopping up operation. Against a backdrop of an escalating Cold War with the Soviet Union, the selling out of justice by prominent Nazi judges serving the Third Reich is put on trial. Spencer Tracey plays Judge Dan Haywood, a retired Maine circuit court judge brought out of mothballs to serve as the chief justice. Amazingly, the usual action actor Burt Lancaster plays the top Nazi judge who at first does not recognize the Nuremberg tribunal's authority to judge him. For some mysterious reason, critics over the years failed to acknowledge the tremendous acting job he did in convincingly carrying off what was perhaps this film's most dynamic character change. However, my personal favorite was Maximillian Schell whose quintessential Germanic Hans Rolfe, the defense attorney released the full range of this incredible actor's virtuosity. For this he deservedly won an Academy Award Oscar.

One thousand words are not enough to celebrate this timeless film: Judy Garland (in perhaps her last film role) delivers a heartbreaking middle aging Irene Hoffman, reliving her experiences of Nazi cruelty on the witness stand; once again. However, not very good was the young Canadian actor, William Shatner playing Army Captain Byers, the aide de camp to Judge Haywood (Tracy). [The Starship Enterprise didn't seem to improve Shatner's skills any.] Richard Widmark (the moody, hostile prosecutor) and Montgomery Clift [who begged for the role he was willing to play without pay!] were excellent. Clift plays a slightly retarded German laborer, sterilized by Nazi doctors because of his mental slowness. This is among the very best films made by Kramer in the decade of the 1960s. Amazingly, it was released one year after INHERIT THE WIND, another Tracy-Kramer classic!

MASTERPIECE
What happens when Stanley Kramer teams Tracy, Dietrich, Garland, Schell, Clift, Lancaster and Widmark in a drama based on the trials in pos-war Nuremberg??? It`s vintage Hollywood; still 1 IF not THE BEST about the horrors from World War II ..... The film should be in every school-library across the world

MASTERPIECE
What happens when Stanley Kraner teams Tracy, Dietrich, Garland, Schell, Clift, Lancaster and Widmark in a drama based on the trials in pos-war Nuremberg??? It`s vintage Hollywood; still 1 IF not THE BEST about the horrors from World War II ..... The film should be in every school-library across the world

Wooooooooow
Ok, you`ll get Garland, Dietrich, Clift, Tracy, Widmark & Schell - the production headed by Stanley Kramer.... the result is pure Hollywood vintage combined with horrors from the 2nd World War??? But indeed; it is a masterpiece.... It should be in every school-library all over the world:-) ... Read more

Reviews (33)

realism for a change
I first saw this movie during it's original release at a seminar of the society of army pa's at Ft Bragg . The director showed the film to us courtesy of the vietnam veterans association . We were mostly veterans at the time as was the director . He explained thar realism was his primary motivating factor along with relating his experiences in vietnam . There are no exploding blood bags for special effects , his effects man went to L.A.'s E.R.'s to study real gunshot wounds and portray the same in the film and in addition all the actors carried real weapons and packs . The overall effect is one of stark realism . This looks and feels like a real documentary filmed for the troops being trained for combat in vietnam , not like a staged movie . This is the opinion of a veteran along with the other vets who saw it with me . If realism and a true feel for that war is what you are looking for then get or watch this film . No large budget movie has ever done this so successfuly as has this film .

If you want a real war movie, this is it... -Polar Bear 6
Realism... Blunt, emotional, realism... This film, dedicated to the men of the 101st, 173rd, and 82nd Airborne Divisions, in a matter of ninety-five minutes will take the viewer right into the world of the Long Range Recon Patrol soldier of the Vietnam War. The director is able to achieve this transport by presenting the action through the viewfinder of a combat motion picture camerman. Prior to his recognition for his work as a technical advisor on "Saving Private Ryan", Captain Dale Dye was injecting reality in to other movies, 84 Charlie MoPic being one of them. The attention to detail is phenominal. No Hollywood heroics here - just men in combat that live day by day, looking forward to going home. In a little over an hour and a half, the viewer meets, comes to know, and share laughs, fear, and heartbreak with the men of the patrol. Each man reminds us, whether through mannerisms, speech, or physical characteristics, of someone we know. The viewer will be greatly touched by this film - it will make you want to go out and thank a Vietnam veteran.

Not THAT close...
84 Charlie Mopic (USA 1989), directed by Patrick Duncan, is a Vietnam War film directed by a Vietnam veteran. Yet Duncan typecasts both race and culture-in this Vietnam film, both the Vietnamese and each leading characters are stereotyped. The absence of the Vietnamese is a common occurrence through modern Vietnam War films, according to David Desser's article, "Charlie Don't Surf". Also, each character is stereotyped to a similar subculture of the 1969 era, including an angry, militant black man, a racist, southern white man, and an adolescent with only drugs on his mind. 84 Charlie Mopic comes closer than The Green Berets or China Gate to being close to reality of the Vietnam conflict, but it still is not completely historically accurate.

84 Charlie MoPic great complement to The Things They Carried
When I taught high school English Literature I showed "84 Charlie MoPic" to students as a visual complement to the novel "The Things They Carried" by Tim O'Brien. The film works great with the novel because there are things/ideas that you can identify in the film that are discussed in the book (e.g., some of the superstitions of soldiers).

When I first saw MoPic I had tuned into a PBS airing after it had already started and believed it was actual footage for most of the film. I would try to replicate the feeling (and in a way pay homage to the film maker's efforts at versimilitude) by starting the film with the number countdown and deflecting their questions about "is this real?" until our subsequent discussion.

I highly recommend both "84 Charlie MoPic" and "The Things They Carried" individually and paired together.

Mopic is one of best Vietnam films
I caught "84 Charlie Mopic" by accident many years ago on late-night TV. The film, which simulates a long range patrol (LRP) into the Vietnam jungle filmed by an Army cameraman (hence the term, Charlie Mopic) was so dead-on that for quite a while I thought I was watching some long-lost documentary. The movie is low-budget, filmed in a herky-jerky style, and the actors are not recognizable names.

I was not in Vietnam, but "Mopic," a real sleeper, has to be one of the better presentations of what Vietnam ambush combat was like. The enemy is barely glimpsed, death comes out of nowhere, and long periods of wait and boredom punctuated by noise and terror. It is closer to the mark than the big-budget "Firebase Gloria" and "Hamburger Hill," which struck me as essentialy WW2 style combat movies transposed into the jungle. It may not be saying too much that "Mopic" anticipates the quick-shift, buzzy camera work in "Private Ryan" and "Band of Brothers", on a very small scale.

If you can find it, grab it. ... Read more

Amazon.com essential video

Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman ... Read more

Reviews (150)

Good Movie about a horrible film-maker
Ed Wood, Jr. is more beloved than reviled as the "creative mind" behind such grade-z movies as "Plan 9 From Outer Space", "Glen or Glenda". Though it's generally accepted that Wood wasn't playing it straight with his horrible scripts ("he's been killed, murdered....and somebody's responsible!"; "Future events like these will affect you in the future!"), unbelievable special effects and nonesensical plots, this film slightly suggests that Wood actually bought into his own nonsense. Here, Johnny Depp (is there anything he can't do?) plays the beloved but infamous Ed, a WWII vet, failed movie maker and transvestite. Playing Ed as if doing an extended Jon Lovitz impression (his lines delivered all high-pitched and non-stop), Depp's Ed is mostly innocuous and guiless (his genuine belief in the implausible predictions of self-proclaimed seer, Criswell, are a hoot) and incapable of seeing his own sheer lunacy. The script uses "Glen" and "Plan 9" as bookends on Ed's checkered career - with the first film marking his collaboration with the then well-faded horror star, Bela Lugosi (Martin Landau), and the second marking a sort of tribute to the star who died before its completion. Director Tim Burton stocks the film with a well-rounded cast - Bill Murray as transvestite "Bunny" Breckenridge, Jeff Jones as Criswell, Sarah Jessica Parker as Ed's long suffering girl friend, Dolores, Lisa Marie as "Vampira" and George Steele as Tor Johnson - that's a lot of fun, but doesn't do much with them. Bill Murray seems at times the saddest transvestite in history, mulling his paltry earnings from Ed's flicks to pay for his "procedure" while Jones' Criswell puts a damper on things when he makes all too clear how he invents his predictions. Instead, Burton's attentions are reserved for Ed and Bela, with Landau turning in a performance that's in turns hysterical (when revealing his hatred for arch-rival Boris Karloff), heartbreaking and terrifying (the forgotten star dies trying to kick a heavy heroin habit). Even so, the script doesn't stay consistent, with the emotional and humours highs isolated in their own scenes. The script reaches a depth of sorrow and horror when revealing Lugosi's profound suffering in de-tox, yet only briefly. (The script dangles the question of how well the dying star recognized the inanity of Woods' work). In other moments, the film hints at other real-life horrors like Ed's war experiences, but much of the film is actually shy of risk. Much of the conflict is between Ed and his backers - mostly evangelicals conned into thinking they were financing a religious picture and slowly realize Ed's true caliber as a film maker. Ed fights back to preserve his artistic vision without having to prove what his vision is or whether he even has one. His flagging self-confidence is restored by a chance encounter with Orson Welles (Vincent DoNofrio, also an underappreciated Hollywood fixture, his lines dubbed by the same guy who voices "Brain" on "Pinky and the Brain"). The more famed director is about to start work on a troubled epic of his own which, though never named, will be instantly recognizable to film students as "A Touch of Evil" ("Can you imagine Charlton Heston as a Mexican Cop?", Welles laments). Plunging ahead, the film works to the climax of Ed's career- the infamous "Plan 9 from Outer Space"! With Ed's trademark horrible special effects, unintelligible plot and insultingly poor script, "Plan" is almost guaranteed cult-status. Burton only recreates some of the scenes, so the last few minutes of the film plays like a montage of SNL skits, with Ed almost crying as he savors each frame. Leaving Ed before the credits roll on his "masterpiece", we never see Ed's lowly ends, his own substance abuse problems or the more clearly horrible films that marked his latter years. Burton never confronts this and misses an ironic motherlode - whether the ridiculous fantasy of Ed's pictures were supposed to be scary, or whether in seeming scary but so ineptly so, they were actually meant to symbolize a safer world than the one he experienced for real.

Plan 10 From INNER Space -- a true American classic!!!!
Yes, Eddie!
Not only Burton's best yet, but one of the finest
American films from the 90's -- or of any decade for that matter.
Cleverly written, lovingly directed, stylishly shot, acted
with empathy, scored and designed with tasteful camp, ED WOOD
is a virtual paen to Hollywoodism (whatever the hell THAT is!).

Just Czapsky's cinematography or Shore's soundtrack alone are
worthy of immense praise. And Tim Burton hits all the right notes flawlessly (for a change). Definitely his Citizen Kane.
Can't praise Depp and Lugosi enough, nor the editing, or....oh, hell! If you have any affection for the 50s, or B-Movies, or Bela Lugosi (God rest his soul), or Maila Nurmi (yum-yum), or angora, or pulp American cinema - meaning REAL American movies - then you should be a fan of this movie, regardless of what you think of Ed Wood's stuff.

Last point.
This movie is overdue for a worthy DVD treatment: docus, bios,
making-of-background -- the whole bit.
Was good enough for an Oscar for Landau, so why are we still waiting?
Yes indeed, pull that (angora) string!

No really this is good, honest
Watching Ed Wood movies and watching Ed Wood there is an alarming thing - Ed Wood's life was better suited to a movie than he was as a director! And as he tried woefully to express this side of his personality to the public with the woeful Glen or Glenda ( " Did you see the movie? Uh huh. Worst movie you saw in your life? OK but how about.....hello hello! )

Johnny Depp is hilarious as Ed and really plays the part extraordinarily well. You almost feel sorry for him as he gets rejected from everyone because he seems to have his intentions right no matter how skewed they end up being.

Of course Ed has a fetish for women's clothing which would make itself known in the film Glen or Glenda but Dolores wouldn't know about this until she read the script. Let's just say she doesn't take to it as well as Ed's rather naive script would like her to be! Although I have to admit that Sarah Jessica Parker is not exactly that easy to like in the movie

Martin Landau is the one who I think plays Bela Lugosi and I have to say that the resemblance is uncanny that you almost feel like singing the line from the Bauhaus song Bela Lugosi's Dead -" Oh Bela, Bela's not dead " indeed!

Bill Murray is fantastic in his role. As ever, he has the best lines in this movie. One of the best roles I've seen him in

I've seen this film - it must be about nearly 7 or 8 times and it's so funny that some of the lines in it are implanted in my head. One that has to be watched for those interested in seeing something a little unusual

My Favorite Movie of All Time
I have watched this movie probably 100 times and can never get enough. I cannot believe it hasn't been released on DVD yet.

The portrayal of Ed Wood is of a guy that never gives up even though he is terrible. Ever the optimist and the king of spin. He gives his pre-released version of 'Glen or Glenda' to a producer. When ED is told it's the worst movie the producer has ever seen---Ed's answer, "My next one will be better!"

When Ed is told that Bela will be kicked out of re-hab due to lack of insurance---Ed goes to Bela and tells him, "The tests all came back great---you can go home now."

Ed is a testament that it is more important to be positive and tenacious----rather than good.

Martin Landau REALLY deserved this Oscar. Like another reviewer said, he becomes Lugosi. I really feel Martin's portrayal of Bela more than I have ever felt any on-screen performance---ever. He brings me to tears almost every time. It's heartbreaking, funny and perfect in every single way.

From getting the whole crew baptized to finance a movie----to parading around the set in a wig and a dress. It's a great movie.

Enjoy!

Release it on DVD already!!
I'd heard good things about Ed Wood from critics, and decided to rent it to see for myself. After all, most of the movies I enjoy the most are movies that are panned viciously by said critics. Guess what? for once, I agreed with the "screen snobs" and enjoyed this movie just as much as the ones normally dismissed by the critics.

Johnny Depp is brilliant as the ever optimistic, supremely untalented Ed Wood. It is strange to contemplate the irony that it took such a top notch director, cast and writer to honor someone like Ed.

Speaking of brilliant, don't miss Martin Landau's Oscar winning turn as Bela Lugosi. By turns hilariously profane and poignantly troubled, Landau earned his Oscar for this part.

I just wish the powers that be at the studios would hurry up and put this gem on DVD so that we can all enjoy it! ... Read more

Reviews (7)

Back To The "Good Old Days"
In the late 1940's and into the 50's, there was a decency and innocence which existed that has all but disappeared today. This movie is a simple, wonderful story about innocence and blind faith, played beautifully by Loretta Young and Celeste Holm in the form of 2 French nuns. Using their charisma, they manage to get a children's hospital built in an affluent area, in which the people eventually are won over by these charming nuns. It is a "feel good" movie of the first magnitude, and, in my opinion, one of the most beautiful films ever made.

Not my usual dish of tea
Normally, a movie about a writer of popular songs discovering that what he thought was his original song actually was inspired, wouldn't really appeal to me. The character played by Loretta Young almost does the trick, though - and the scene in which Young's character asks Luigi Rossi for help always tears me up. This is a good Second List movie.

Beautiful depiction of a Nun's faith and inner soul
Loretta Young, one of Hollywood's most respected actresses had one of her greatest roles as the assured and determined Sister Margaret in Twentieth Century Fox's 1949 "Come to the Stable" a beautiful story of two women's determination and sheer belief in the rightness of what they are seeking in their work for others. Loretta Young, a staunch catholic in real life is one of those rare actresses in a league with the likes of Ingrid Bergman, Deborah Kerr and Audrey Hepburn , that seem totally convincing as nuns whether it be in their displays of humility in portraying their characters or just by the total immersion that they undergo when taking on the nun role.

"Come to the Stable" tells a very simple but extremely moving story based on a short story by Clare Booth Luce, of the journey that two nuns, one American and one french, make to fulfill a solemn vow made during World War 2. Resulting from the fact that through prayer to St. Jude, the Patron Saint of lost causes, their hospital was spared destruction by the advancing forces the two make a vow to return to America to set up a similiar hospital for young infants in Bethlehem, Connecticut where they have learnt of a woman who paints very beautiful religious paintings. After finding the right place atop a serene hill with perfect views of the town the nuns with very little money, very few propects and with a strong unquestioning faith proceed to achieve everything that has become their lifes work. Their journey from a hopeless situation with no funds to build the hospital or obtain the land, to one that inspires others to get involved to achieve the dream of the new hospital makes for inspirational viewing and puts across the strong message of the basic good of all people if you only take the time to look for it. In their drive to fulfill their aim the nun's encounter some interesting characters who's lives they alter in very positive ways. Miss Potts played by Elsa Lancaster in a wonderful performance is a lonely spinister who loves to paint and finds her whole life turned upside down by the unexpected arrival of the nuns on her door step. She for the first time finds a real purpose to her existence as she involves herself totally in the plans of Sister Margaret and Sister Scholastica (Celeste Holm). In their search for land to build the church on the sisters find themselves travelling to New York where they encounter small time con man Luigi Rossi who after hearing their story not only gives them a sizable donation but also the deed to the land with the promise that a commerative stained glass window will be installed in memory of his son who was lost in the war not far from where the sisters nursed in Northern France. His transformation from a small time hood to a man with a conscience is only one of the miracles that the nuns work in their dealings with others. Hugh Marlowe plays the nuns new and indeed quite unhappy neighbour Robert Mason who despite being against the idea of a hospital literally in his backyard finds himself helping the nuns and in a crucial situation where the nuns find themselves short of financing for their repayments, chips in and ensures the sisters dream becomes a reality.

Directed with a sentimental but sure hand by veteran director Henry Koster who was responsible for such diverse efforts as "Harvey", "Flower Drum Song"' and "The Robe", the representation of what strong belief can do to achieve great things either big or small in ones life is always the central theme of "Come to the Stable". Loretta Young as Sister Margaret was an inspirational choice as the lead in a role originally intended for Irene Dunne. She is everything a nun should be, strong, gracious, determined, and a firm believer in the basic good in man. Her's is a superb performance which quite rightly received an Academy Award Nomination for Best Actress. Equally honoured is the beautifully unplayed performance of Celeste Holm in the role of French nun Sister Scholastica, Sister Margaret's helper who in a comical moment reveals herself in a past life to have been a top class French tennis player in a scene where she is forced to play in full nun's habit for high stakes, namely a large badly needed donation to the building fund!

Such beautifully put together films as "Come to the Stable" often make me wonder what Hollywood is really doing nowadays as such delicate themes as guiding faith and divine providence, would not be able to be made nowadays what with the harsh reality of most modern screenplays. I never fail to be touched by this story or by the wonderful performance by Loretta Young in the lead. It is a heart warming viewing experience for anyone who has ever had avow to fulfill or a dream to pursue. Watch this film and be inpired as I always am to try and fulfill my dreams while enjoying an terrific excursion back to movie making as it used to be.

Where are new Lorettas, Ingrids, Audreys who can play nuns?
This movie and The Bishop's Wife are my 2 favorite Loretta Young
films. I, too, saw it on TV years ago and finally found a video to buy. I watch it at Christmas time, also. The two nuns, Loretta and Celeste Holm, arrive in Bethlehem, CT. during a snowstorm. Something I noted when I saw film: my father's relatives used to live in Waterbury, CT. back in the '50s and '60s. When we visited them, up the big hill from where they lived, there was sign advertising the town of Bethlehem, a re-creation of the biblical town of Bethlehem--a local tourist attraction that presented pageants this time of year. I think of that when I watch this film. Wonder if the makers of the film knew that, because the sign in the road the nuns see says "Bethlehem, CT." Is Bethlehem, the CT. tourist attraction from my youth, still going strong? Is it located in or nearby Waterbury, CT. I never went to see it, so I don't know for sure.

Absolutely beautiful depiction of Faith and Providence..
This must truly be one of the most beautiful and heartwarming pictures to ever come from Hollywood. Clare Booth Luce's story is a wonderful portrayal of how trust in God brings not only success in good ventures, but also peace of heart as well. The Sisters are resigned to the Divine Will, even if it means that their work seems to have been for nothing. They work as if everything depended on them, but trust as if everything depended upon God. How many of us could stand to learn this lesson! The film also has many very humorous moments.

Loretta Young is totally convincing as a Religious; her bearing is gentle and kind. She utterly radiates the beauty of the Catholic Faith. The rest of the cast is totally natural in their respective parts, especially Elsa Lanchester as the nervous Miss Potts.
I would highly recommend this movie for the entire family. It is not a Christmas movie as the title suggests, but I seem to find myself watching it every year around this time! ... Read more

Amazon.com

The 1993 film adaptation of Amy Tan's bestselling novel is both a delight and a moving experience, an anthology of stories wrapped in one Chinese-American woman's journey to understand her roots. Wayne Wang (Eat a Bowl of Tea) directs a large, outstanding cast spread over eight different tales of the lives of Chinese women, most of them set in the past. The script by Tan and Ronald Bass (Rain Man) is a delicate balance of emotions that swell but don't gush, and Wang brings impressive texture and a personal feel to Tan's descriptions of daily life in the Chinese-American community. This sprawling, good-looking movie makes for a cathartic tearjerker one can feel good about. --Tom Keogh ... Read more

Reviews (101)

A Heartbreaking and Powerful Testament to the Human Spirit
"The Joy Luck Club" is a ground-breaking film with universal themes that anyone can relate to regardless of age, gender or nationality. Truly epic in its scope and haunting vision, the movie is also deeply heartfelt and familial, enhancing its ability to speak to the audience in myriad, boundless ways. This is an intimate portrait of two generations of Asian women - the mothers who risked everything to create a better life for their daughters in the United States. At this juncture in American history, the movie resonates more than ever by reminding the viewer of our fore-mother's immigrant experience. In doing so, "The Joy Luck Club" serves as a vibrant contemporary document on freedom and the pursuit of happiness.

Ming-Na Wen (now known to millions as Ming-Na or Deb Chen on NBC's top rated drama "ER") is superb in the central role of June, greiving for her recently deceased mother with the 3 "aunties" who miantain her place at the mah-jon table. Their gatherings continue, with June's presence, and in the process form the backdrop from which these women's personal stories and life-journies are shared. Each auntie - and their now-adult Americanized daughters - explain their often-harrowing attempt to escape Communist China and their difficult transition to an American way of life in the U.S. Tears flow in both generations, not only for what has been lost, but also for what has been found here - a society with different values that challenges these women in unexpected but nearly universal ways. As both generations - and all eight women eventually - share their stories, the viewer literaly steps into each life, aware of where the characters end up, yet fully experiencing the challenges each of them faces. Set against the backdrop of June's trip to China to find her long-lost sisters (whom her mother was forced to leave behind in one of the film's most powerful sub-plots) "The JOy Luck Club" can be ANY family's story, regardless of how long they or their ancestors have lived in this country. In doing so, it succeeds at building bridges to the past, while staunchly looking ahead to the future. This is the sort of film that embraces real life and human themes, but also puts a face on what it means to be a zero-generation immigrant, or an exile in a land far from one's home and culture. Like the current spate of Latin and Soviet block immigrants and the last century's explosion of new Americans from Europe and Africa, we recognize through the characters the meaning and value of freedom, family and peace as well as the unimaginable challenges our elders faced in coming to this land of opportunity.

The cast of Asian-American actresses is uniformly superb, straddling a delicate balance for the viewer that requires they be both accessible AND remote at once. Although long seen as a "woman's movie" the film deserves to be widely experienced by all people, including men, who might otherwise reject the film as nothing more than handkerchief fluff. In fact, since few similar films exist with central male characters, "The Joy Luck Club" stands as a film I believe many men would embrace if they give it a chance. The film speaks for our fathers and brothers, not just our sisters, mothers or wives. This is grand, epic storytelling with a heart, beautifully directed by Wayne Wang and amazingly accessible in every way, due to its stellar cast. Had there been a Best Ensemble Oscar designed to honor the contribution of a group of actors at the top of their form, "The Joy Luck Club" cast would have surely been honored.

A magnificent film that fully captures what it means to be an American of any descent.

One of the great overlooked gems! Deserves a DVD release!
This and the Ang Lee film "Eat Drink Man Woman" were both released at about the same time. And I think they may have cancelled out each other. Both are great but like any wonderful film, if another equally great film with a similar theme is released at the same time it can cause an overload. People won't go see either.

So why should you see the Joy Luck Club? Because the acting is wonderful. Really top notch. If the current affection for having asian women in films lasts then maybe we could see more of these fine actresses. Too bad that so many wonderful actors can get typecast because of race but there is hope. I'd absolutely love some more films like this.

Wayne Wang's direction is great. This story goes from funny to sad to touching without being cliche. This movie might be marketed more toward women, and it does hit on great female relationships, but it's not to sappy the boyfriend will cry from boredom.

This is not only about being Chinese
Plenty of people have pointed out the movie's good points but beyond the mother - daughter theme that is so w